The surface of the iceberg has long had its taste of bitter cuisine: shimmering snow, wriggling bacterial filament, microplastic granules from the stolen boat you steered across the choppy Arctic waves. But this is new: the woody whisper of your matrilineal family map. The iceberg leeches the warmth from the paper, like sucking air through teeth, trying to latch on— but you bend, shake the map, and tuck it back into your pocket.
Scraping into the snow: your ice drill, the auger bit modified using forbidden ancestral smithery. Encased around the drill: your gloved hands. Encased within your hands: a flourishing commune of microflora.
And so you begin.
Two feet down and you’re already dislodging organisms frozen one hundred years ago, the briny Marinobacter arcticus, the somber Trichinella nativa that lurks in the intestinal cysts of walruses. One tusk of said genus had lain undisturbed in the ice for one hundred and twelve years. Your drill shatters it on its press deeper. Had you tasted the bone-laced melt, you would have savored a bitter lick of seawater that housed Mycobacterium tuberculosis, the lively microorganism who tore apart your mother through her exile. They are frozen with her still, on the glacier from which this iceberg calved. Even now, your intestinal microphages sing her elegy.
Twenty feet down, and you are the first human in twelve hundred years to descend through this ice beneath sea level. Your pituitary gland releases a gush of ancestral recognition: crackling adrenaline for your Streptococcus salivaris to drink. You hammer a pike into the wall and knot your glacier rope. Although you do not know it, the permafrost pulses around you as your salivaris celebrate. The iceberg wants to taste them. The iceberg wants to taste you.
Thirty-five feet down. When you scrape the marker across the ice, you scrape free a colony of nasty Golocii dendramens that haven’t frequented the Arctic since 500 BCE. Do you sense them? Their straining to be free? Or perhaps their more patient twin, the Golocii yuoua, whose steps stalk from cell to cell of foetal narwhals until it can climb the limbs of frostbitten fishermen?
They are not all bad, and that is a promise; after all, their voices, and the voices of their progeny, have crooned such an insightful chorus through the millennia. And millennia you enter, at forty feet down, where the ice is so consuming and crystalline it has perfectly preserved a prehistoric snow-vole and all the nematodes teeming between its whiskers. Your scientists would froth to dislodge it and send it home to their institutions, but what of the nematodes then? The nematodes know their home; they whisper of the fear and the ecstasy of the tundra, the warmth of passing from mother to daughter.
You are halfway down the iceberg, now. You know what you seek. Night has fallen, and the ice barely reflects the dim gleam of the stars far above. Your hands have long gone numb and aching; your drill is weary, but its reinforcement holds—the flutes swallowing the shredded ice upon contact, the auger humming on your deck prior as your compass of final precision. A testament to your long nights at the forge, where you sweated over the spiraling steel, disbelieving the implications of the manual, afraid of what your creation would allow you to unearth.
You cast your gaze upward, surveying the dark, narrow walls of your borehole. This far submerged, the round yellow glow of your headlamp feels like desecration.
At fifty feet, the color of the ice changes. Your flashlight illuminates fractalled black, like the pluming ink of a giant squid, hauntingly beautiful in its etchings. When you press your gloved hand to the wall, its heartbeat pulses against your palm.
You pull your hand back, adjust your earplugs. You do not hear it, but you feel the humming in your ribs: all the iceberg’s denizens are singing. Beckoning.
Your mother’s blood lashes hot in your ears.
Forimanifera saladaati wants to meet you so badly, but it is stuck in free fall from when it pirouetted from a piece of meteorite matter and onto the ice ten million years ago. Dedratida namita does not know it, but its great-times-ten-thousand-grandchild lurked on the door handle when your mother came home from school to tell your grandparents of your untimely conception. After they struck her, that grandchild blistered her bleeding lip.
And when your mother kissed your father for the last time, before he left his job, left to leave forever, that grandchild tasted the condemnation of her peers, no, her nation, no, your planet, in the slick space between his tooth and tongue.
Eibrans thyssambria’s distant progeny was rusting the safe when, two decades later, you drugged your grandparents, broke the combination lock, and stole these coordinates.
The iceberg hums, eager, to the beat of your fury.
And dimly, so dimly you believe you are hallucinating at first and must shut off your headlamp: a light, pulsing beneath your feet. Within the light, jetés in live sequence: Thusina dansii, who felled a hundred thousand hominids in the Pleistocene epoch; Goethye frustoac, who gave rise to the first continental death of forest that became modern oil. They are joyous; they are waiting.
The light licks at the edges of your vision, humming a song of the depths, beseeching you to lay down, lay down and be still forever, but you start your drill again and its ancient singing bares its teeth. The auger destroys: it absorbs the light below, refracts the light above, dashes the light against the rocks. Through this chaos you descend.
You drill deeper, until you’re surrounded by the glow of the curved ice around you, and below you it is brighter still. Here the hum of your bones is so dense you must drill or die, and then a shadow slowly unchips from the glow beneath your feet, until you are tracing a blurry human silhouette.
Here you switch to a thick-bristled brush and calcium chloride, that liquid eager to eat the ice, and fall to your subzeroed hands and knees. Each brushstroke brings greater definition, then skin: you free a withered arm; you defrost a brittle shoulder; and, by centimeters, you finally chip clarity into the face.
I stare up at you.
The long-breathless bacteria, the viruses in stasis, are all in frenzy, to the beat of my endocrinal glands, to the wet swish of your heart. Grandchild witnesses great-great-millennia-old grandmother, and the prescience of mind of her and all her bacterial children, deep in her grandest horde. You are soaked in bacterial musk; you are Noah’s vengeful ark, unearthing ancient horror to bring back to your masses.
I could not be prouder.
With shaking hands, you paint me out of the ice, and though I cannot move, you feel my eyes in the flagella of billions of bacteriocytes tracking your every movement. Clutching my frail body in your arms, you take one shuddering breath, for your mother. Then you cup a frozen hand against my cheek in supplication.
Trillions of my children scream.
I accept.
A seismic shift in allegiance. An entire world distills into your eyes: your severed ancestral cradle, and all its progeny, and every venomous inhabitant. We beat in unified time with your pulse, with your breaths, with you.
Your grand matrilineal secret: unearthed at last, and wanting.
With trembling arms you lay me into the indent from which I came, to my final, easy rest. Every cell of the iceberg sighs.
You loop your foot into your rope, with vengeance.
Soaked with the teeming eagerness of millennia, you begin to climb.
Author’s Note: I was inspired to write this story two years ago after a friend sent me this craft article by Lincoln Michel about story engines. Michel mentioned that an iceberg can be a story structure (referencing a tweet by writer Jeff Jackson). I thought, how can I construct a story like an iceberg? Here is the result.
Sara S. Messenger is a speculative fiction writer and poet residing in New England, USA. She is currently in her post-college life stage of Working and Thinking a Lot About Art. Her short fiction can be found in Fantasy Magazine and The Year’s Best Fantasy, Vol. 2, as well as previously in Diabolical Plots. Her speculative poetry has appeared in Strange Horizons. She reads submissions for speculative short fiction venues PodCastle and khōréō magazine. Her full portfolio can be found online at https://sarasmessenger.com.
In 2023 Diabolical Plots published our second guest-edited themed issue, this time for the “Diabolical Thoughts” telepathy theme, guest-edited by assistant editor Ziv Wities.
We have been publishing the annual Long List Anthology since 2015. In 2021 there was a hiccup in the schedule due to WorldCon timing that pushed that year’s Long List Anthology into 2022, meaning there were two volumes of the anthology series in 2022. The entire basis of the anthology is the Hugo Award nomination statistics, so the work to compile the anthology cannot start until those statistics are published, and in 2021 WorldCon (when the statistics are usually published) didn’t happen until December. In 2023, although WorldCon was held in October, they have not published the nomination statistics yet–according to the WSFS constitution they are allowed three months to do so, which means they have until mid-January. This should mean we can get going on the Long List Anthology in January or February, and it will likely be another two-anthology calendar year.
In 2023, we published 23 original stories in Diabolical Plots.
This year we welcomed two new assistant editors to our ranks: Chelle Parker and Hal Y. Zhang (read our staff page for more info on them)
Diabolical Plots opened for general submissions in July. We read more than 1400 submissions and accepted 25 stories from the window. We were running a little behind schedule for publishing stories, so the last few months of 2023 we published one story per month instead of two to stretch the inventory a bit further.
It was a busy year in my personal life as well, including the passing of our dog Mikko who had been a member of the household for fifteen years. This is the second consecutive year that we had to say goodbye to a dog, so I’m hoping we will have a reprieve for a while.
The rest of this post is award eligibility, suggesting categories for major awards, as well as a full link of stories with snippets.
Magazine/Anthology/Editor/Publisher
Diabolical Plots is eligible in the Hugo Best Semiprozine category or the Locus Magazine category with our team of first readers as well as assistant editors Ziv Wities, Kel Coleman, Chelle Parker, and Hal Y. Zhang.
David Steffen is eligible as editor of Diabolical Plots.
I don’t know exactly how editor catogories are interpreted. But at least for Hugo Award for Editor, Short Form it specifies that they must have been “editor of at least four (…) magazine issues (or their equivalent in other media)”. Ziv Wities edited our special “Diabolical Thoughts” telepathy-themed issue, but has also edited many of our other stories. Even assuming we should interpret “issues” as ALL of the stories for a particular month of Diabolical Plots, Ziv Wities qualifies with the four most recent months being: August 2023, March 2023 (Diabolical Thoughts), January 2023, and March 2022.
I think that Kel Coleman might also qualify based on DP work depending on how an issue is interpreted. They have edited more than 8 stories for us, which is more than 4 issues of the usual size, but those were sometimes not entire months. (I think it’d be fair to count that though).
Diabolical Plots, LLC is eligible for Locus award for Publisher.
So you want to determine whether dogs still exist.
First, our association of dogs with obedience. Is obedience dog-like? Or is it to do with horses now, or children, or hamsters. “Hamster-like obedience.” Dogs have retreated into the bodies of hamsters, maybe. They have a real knack for learning, we’re told, and for evolving themselves. There’s no reason they couldn’t take this extra step. Or maybe they don’t exist, dogs have never existed.
On a sunless morning, in the city of Astor, the word ‘caulk’ vanished.
The word didn’t announce its vanishing with trumpets or a booming clarion call. It faded away slowly in the middle of the night, like the last lyrics of a difficult song. The ones who didn’t use the word ‘caulk’ could not even tell what had gone wrong—the non-engineers, the artists and intellectuals—because for all intents and purposes, they would have spent their entire lifetimes not caulking anything.
Two centuries ago, I would’ve built thrones made of mooncakes in every room of my silent palace, would’ve filled hot tubs with the fruit sent up on festival night. Nowadays, storing and preserving and pickling feels like a losing race, like if I let even one persimmon spoil in the cold moon air, there won’t be enough to sustain me and Jade Rabbit for the year.
The demon and I had been crocheting for hours, in what appeared to be a sliver of space it’d created between Here and There. Around a plush couch floated pale, winter fog that obscured anything more than a few feet past the limits of the cushions.
Kim was always having bright ideas. In sophomore year, he’d bought an honest to God stink bomb from the Internet and set it off in the math class hallway. A girl had an asthma attack, and Mr. Allen had to call an ambulance. You brought this up when Kim suggested driving up to Canada from San Diego and back in the span of a week. Kim laughed, and kissed your cheek. He told you that you didn’t need to worry so much about stuff that had happened so long ago. Besides, Evelyn had come back from the hospital with a brand new rescue inhaler.
The figure seated on the other side of the plain metal table has a blank look on its face, like its creator gave up halfway through forming its features. It is dressed in an orange jumpsuit, white socks, black slippers. The handcuff that secures it to the table cuts deeply into the waxy pale skin of its wrist.
Zazy tugged her hood forward to get a sliver more shade. Not today, my friend, she replied. She spotted the bonecrawler nest the desert wanted to convince her was a bubbling spring. Heat fatigue washed through her. For a moment, her eyes unfocused and the trickle of insects did resemble running water. Zazy closed her eyes. No, thank you.
For the first thirteen years of her life, the planet was silent. No birdsong. No construction. Only the gentle sway of an ocean pushing and pulling against the aqueous humors of her left eye. Late at night, while her parents slept, she often lay awake and listened to the dense water solidify itself, the salts forming crystals, the crystals becoming pillars in a great, cavernous hall populated at first by no one, and then: music. A pure, high note so sudden it woke her from her slumber and conjured the image of a miniature flautist performing deep in the canal of her ear.
Hi HR, Just letting you know: I moved the artwork “Higher, Faster, Boulder” from the ground floor lobby up to the Second Floor Cafeteria as per Asset Movement Request #5340 from Asset Management, could you please let me know why it’s been moved back to the ground floor? Thanks, Sisyphus
Unbottle a voice and it would vibrate through air, giving you one—just one—chance for your brain to turn those waves into recognizable words. But for me, it’s not like I could stop a bottled voice and ask, “Can you say that again?” There was no listening over and over, trying to see if I could recognize a new word here or there. There was no telling a disembodied voice that yes, I could hear it with hearing aids, but no, the sound wasn’t clear enough, or my brain wasn’t able to piece the sounds into words, or that I’d much prefer to read its voice on paper.
1. They think they know everything. Like your twenty years of mining experience is useless compared to a high-acting neural processing drive. Like you’re nothing but a softer, weaker liability, and the only thing you’re good for is greasing their joints and blowing out their compressors. Just one bot and one human to babysit them.
All parties agree to the following facts. A skirmish broke out between the Diamondbacks and the dwarves during the Brass-Tree autumnal equinox fete. The fete is a centuries-old tradition, occurring every year and held in the foothills alongside the Cenen river. Brawls are as much a part of the festivities as the paper lanterns, the stewing of chicken heads, and the traditional weasel-peasel dance. Neither party makes complaint about the violence done to them or by them at the skirmish.
Even by the third hot, sticky day into our road trip, the humans in the back of the transportation trucks remain fascinating. Theoretically, we know where our blood comes from. But this is different, seeing the little bits of them, poking through the slots on the sides of their container, pressed against the grates for lack of room.
Sometimes, I dreamed about flowing water. About where I would be—not here, anywhere but here—if my body had survived the accident. Mushed, but still recognizable. With its vestigial humanness that demanded respect, especially in death. My ashes would have been tossed into an ocean or a river in a coursing procession of night-blooming jasmine garlands, women who keened and thumped their chests, and drunken louts who gyrated around my urn until they foamed at the mouth. Until they collapsed in exhaustion or pleasure.
The afternoons are sprinklers in the backyard and ice-pops while our sisters and mothers watch flickering soap operas in cold, tomb-like rooms, cold from the AC cranked so low. The nights are sleeping out in the backyard in a tent or a sleeping bag unrolled on porches and decks or even in the grass and looking up at the stars. Listening to the AC click on and hum its silver song through the night.
Mortals slice us dryads open to count the layers of our lives; it is easier than listening to our stories. They slide their fingers over our rings, thinking that our texture, our shifts in coloration would bring them understanding of their own lives. In their minds, we exist to bring poetry to their sighs and serve as metaphors for longevity.
The transformation. The wind under the airplane’s wings buckles as the wings buckle, shake, separate into a beating of hundreds of wings. Out of the fog we come. This time, this first time, we are geese: black-brown wings and furious hearts. We fly awkwardly, at odds with the turbulence; we are newborn, but already the flock is forming as our instincts awaken in the air and we orient ourselves not against the ground or the stars but against each other.
Every Friday night the angels came, and every Friday night they freaked me the fuck out. Which is probably why I didn’t get a million-eyed, one-footed guardian of my own like the rest of my family. This was totally fine with me. I was in no way jealous that my siblings had angels to accompany them to college while I was stuck sitting alone in an empty dorm room. Who needed a creep-tastic companion whose face consisted of a bizarro series of interlocking cogs and wheels forever whirring?
I’m a medical assistant coming down the hall in polka dot scrubs. I’m walking on the other side, glancing at me.
No, she. But a different she than my mother. It’s hard to keep track. Each is like an organ, involuntary functions only. My therapist says thinking like that is egotistical, but how am I supposed to care about others, when others is just something I tell myself?
This is dawn: fields shading from black to grey, flicker-fading starlight, our voices raised against the wind and the red scarves whipping our faces. Our song levitates us ten feet in the air, above dirt roads packed down by wagon wheels and chariots: Carl Lang’s Canter, an ode to unseen horses and sunrise and longing. When we sing—as long as we sing—our feet do not touch the ground.
Someone began sending hand-written spellcrafted postcards out of DC in July of 2024. Those postcards made the rounds for a good nine months, under the radar, scarcely observed. That was, until the rash of good health, the proliferation of wealth, and the sudden uptick in good living coupled with a grand downtick in big socioeconomic issues the mayor was quick to claim as her own—such as suicides and unemployment—brought the situation to the attention of the East US Coven.
They approach the house frame I’ve erected, set up where Dad’s old house once stood. They place the machine on a slate slab I’ve set up by what I hope will be the front door. I uncap my electrical source as one of the mediums puts on ceramic-weave gloves to connect to the leads. I tamp down a flare of worry, reminding myself that I’d just recharged the lead-acid battery at the solar station and redid its plant latex cover a few days ago.
Of course a dybbuk is flat. Flat as a blini. All the easier for that damn ghost to slip under your collar.
Of course a dybbuk is colorless. That’s why, when you say you’ve got a dybbuk, most people say, no you don’t. Go see Dr. Weiner. Spend a few days in Florida.
Elemental is a CG animated film published in general release in June 2023 by Pixar. It takes place in Element City, which is populated entirely by people who each are elementals: creatures of the four classical elements of air, earth, water, and fire. It is, broadly speaking, a star-crossed romance story of two people from apparently incompatible cultures falling in love against the odds.
Note that this review contains spoilers, so if you don’t want to know major plot events, stop reading now.
The reason I feel compelled to write up a review for this movie is because, although I generally enjoyed the movie, it didn’t feel to me like the movie was really about what the movie and the marketing for the movie seemed to think that it was about and I wanted to post my opinions on the matter.
Bernie and Cinder Lumen, fire elements, move to Element City where they face distrust and xenophobia from the other elements who consider fire elementals dangerous. They settle in and make a life for themselves despite constant microaggressions from the other elementals as well as the challenges of living in a city that was clearly not designed with fire elementals in mind.
Bernie (Ronnie Del Carmen) and Cinder (Shila Ommi) start a store (the Fireplace) and they have a baby, Ember (Leah Lewis), who grows up to be a hot-tempered woman. Bernie dreams of passing the store on to her but has put it off for years because her temper gets in the way. She tends to lose her patience when staffing the store and when her temper gets out of control her temper literally stokes her flames and she starts things around her on fire.
One day, Bernie decides to leave Ember in charge of the store. She becomes overwhelmed with frustration and rushes to the basement so she doesn’t explode in front of the customers. Pipes start bursting and flooding the basement with water and though Ember tries to fix it by fusing the pipes with her fire, it’s not enough a water elemental named Wade (Mamoudou Athie) gets flushed into the basement with the water.
Wade is a city inspector and he immediately starts writing down code violations in the pipes. Ember tries to reason with him but although he seems to feel very conflicted judging by his constant flood of tears, but despite this he apparently feels compelled to submit the reports anyway, which will likely result in the city forcing the Fireplace to shut down.
This is supposed to be the meetcute, I guess, but it’s also where the narrative they seemed to be trying to convey and the narrative that I took from the story sharply diverged. We learn that Wade was on assignment from the city to investigate a leak in the city’s canals when he got sucked into the city plumbing. He was literally trapped in the pipes until a bit of jostling from Ember letting her temper loose in the basement which released him and he burst through the pipes.
So, even from this initial scene:
1. The city has sent a lone employee to investigate a major water leak that relates to a district of fire elementals for which water leaks can literally be lethal.
2. The city apparently has no way to monitor their own waterways. Waterways that could trap water elementals, or extinguish fire elementals.
3. The city has not apparently even considered the safety of their own employee, who can get sucked into and trapped in pipes. Why not send an earth elemental? Or at least send a pair of employees so that a second employee could call for help.
4. The fire district doesn’t need water. No one in the fire district pays for water. Why would they pay for what they have no use for and which could kill them or their neighbors. It was the city’s failure that there was any water in the pipes to leak in the first place.
5. Why does the fire district need to have their pipes up to code, for the water that isn’t supposed to be in their pipes in the first place? City bureaucracy can be an important force for good when it saves people from living in dangerous homes, reduces fire danger, or that kind of thing. But enforcing plumbing codes on a district where water in the plumbing already means that the city has failed in a major way that disregards the safety of its citizens is not a force for good. That’s government bloat for no good reason.
6. The movie doesn’t explicitly say this, but from the way that the events unfold, my interpretation is that the amount of water coming through the pipes was not what caused the catastrophic problem–it was Wade getting washed down the pipes by the water. The water that was a manifestation of the city’s failure to keep the pipes dry, washing their inspector who should never have been in the pipes, only through a combination of his own incompetence combined with the city’s lack of safety measures. Wade writing up citations for plumbing faults after his ass busted through the pipes is like the Kool-Aid Man writing citations for structural damage after he busts through a wall to spread the good word of sugary drinks. The city has caused this problem multiple times over.
7. The movie tries to convey that this is Ember’s fault, and that’ s the interpretation that is stuck to for most of the movie, but there is no reasonable justification for this interpretation. By losing her temper, she exposed the city’s incompetence and saved Wade’s life from starving to death in a city plumbing accident. The movie never admits Wade’s fault in the accident, and doesn’t seem to acknowledge that she saved his life. The only thing that is the Lumen family’s fault at all is not following city building codes that represent senseless government bloat.
8. Does Wade even have the authority to perform an inspection when he was only in the business in the first place because of his own incompetence causing an accident? Is this like police kicking a door down and saying they found the door open to enter without a warrant?
9. If plumbing inspections are required… how have they never happened before on this premises? Is the city supposed to be performing periodic inspections? Is there any attempt to educate residents of the fire district of the requirement for plumbing inspections and what those requirements are? The city has abdicated all responsibility, apparently.
I don’t know about anyone else but I did not find any of this endearing.
After all of this happens, Wade actually starts to listen to Ember and seems surprised that she has extenuating circumstances despite her clearly trying to explain those circumstances to him before he submitted his citiations. Wade was too busy being feeling sorry for himself to listen to the needs of the person whose life he was contributing to ruining.
So at this point Wade decides to bring Ember to his boss, Gale (Wendi McLendon-Covey), to plead a case for leniency to save the Fireplace from closure. They discuss how Wade had been sent to look for the leak in the canals and that’s why he was where he was, and they arrive at an arrangement where if Wade and Ember are able to find the source of the leak then the code violations will be forgiven.
Sigh. Okay, this has gotten even worse.
10. Although the representative of the city inspections has admitted that they have a problem that they haven’t been able to figure out how to solve, and that their inspector’s incompetence contributed to the incident, and that there shouldn’t have been water in those pipes in the first place, they continue to blame Ember.
11. They offer a “deal” for Ember to work uncompensated for the city, bypassing any semblance of a proper hiring process even for a freelancer, under threat of closing her family’s business if she doesn’t succeed in the task that the city has failed to do itself even though it has put in (admittedly meager) effort in the hands of the (admittedly incompetent) city inspector. That… sounds like extortion.
12. Despite this being supposedly important, the two resources they are sending on the job are Wade: their employee who has proven himself incompetent at performing the exact task he is being sent to perform yet again with no additional resources or training to make him better at the task then he was and who last time might have died in the pipes if not for Ember’s temper flareup, and someone who has no employment relationship with them and is certainly not covered by their insurance and WILL BE VERY LIKELY BE KILLED BY WATER WHILE THEY INVESTIGATE A WATER LEAK.
OK. So they go and find the leak, in surprisingly short time for something the city claims to have been looking into for a while. It is a crack in one of the supporting walls for the city canals which constantly have wake overflow from big boats passing through them.
They make an interim fix for the issue by plugging the gap with sandbags. They spend some time together enjoying each other’s company. But: Surprise surprise, the sandbags are not a sufficient fix for the wall and they soon give out as well. Ember uses her fire power to make a sturdier fix by transforming the sand in the sandbags into a structure of tempered glass to plug the game. Once again, Ember saves the city’s ass by fixing what they don’t seem inclined or capable of fixing.
Ember ends up breaking up with Wade after deciding that her family will never accept him. During a party where Bernie will retire and hand over the Fireplace to Ember, Wade arrives and declares his love for her and also incidentally mentions that Ember was to blame for the leak in the basement.
The city then comes and (surprisingly) performs its civic duty and inspects the tempered glass fix and deems it safe. But within about a day the tempered glass breaks. This causes the final major action of the movie as our heroes rush to save the fire district from the flood.
13. Seeing the canals as they investigate everything underlines a significant source of the problems: the city is designed to favor water people in every way. The canals are a terrible civic design with their uncontrolled wake splashover. In our own world, there are no-wake rules in many boat areas to prevent destruction of structures. Why aren’t the walls higher? Why aren’t there no-wake rules?
14. Wade, a specialist in city water inspections should have realized that the sandbags were only a temporary measure against the leak and instead of spending that time socializing he should have spent that time getting on the horn trying to get a proper fix in place to prevent major accident when the sandbags inevitably gave out.
15. The city almost showed a glimmer of competence when they actually inspected the tempered glass wall patch within a very short period of time of it being enacted. Which might have been a redeeming moment for them, if it hadn’t then failed within about a day of the inspection. What exactly are they inspecting for? Most inspections would require building materials to come from a specific approved list, and I gather that the tempered glass concept was novel enough that it wouldn’t have been on an approved list–and for good reason because they clearly had no concept of the long-term permanence of such a structure.
16. Wade “accidentally” revealing that Ember was the one who caused the leak in the basement during Bernie’s retirement party would have been a shitty thing to do, even if it were true. Which it wasn’t.
Up until his “accidental” revealing, I had thought Wade might be redeemable if he ever owned up to his own responsibility, accepted fault for the things that are his fault instead of hiding behind his tears and laying all the blame on those who don’t deserve it. But he never at any point in the narrative does any of this. When he revealed the false information that the leak was Ember’s fault in front of her family despite the fact that the leak was really the city’s fault (and their continued danger continues to be the city’s fault), and which was certainly more Wade’s fault than Ember’s fault, that he chose this junction to declare this false information is, in my opinion, irredeemable.
The city’s greatest failure in the movie is revealed when the patch in the wall breaks and they all have to fight to keep everyone in the fire district from being killed by the flood and Wade does a big heroic thing to help their family. For which I agree they should be grateful, but I wish they had not ended up together, or at least that Wade would have at the very least taken some basic responsibility instead of throwing Ember under the bus at the worst possible moment.
Of course, Ember and Wade ending up in a romantic relationship at the end of the movie is probably reasonably assumed to be a foregone conclusion because the movie is marketed and presented as a romance instead of (IMO) what it really is: a drama about the importance of the role of city government to keep its people safe, and the lives in peril that can be caused by that city government’s incompetence.
Of course a dybbuk is flat. Flat as a blini. All the easier for that damn ghost to slip under your collar.
Of course a dybbuk is colorless. That’s why, when you say you’ve got a dybbuk, most people say, no you don’t. Go see Dr. Weiner. Spend a few days in Florida.
And of course a dybbuk can stretch like a goddamn balloon animal. So it can stick. Sometimes to fridges. More often to living people, to their familiar messes and warm smells, but not always. Some folks insist that dybbuks full-on possess people, make them fly around, screeching, like giant fruit bats dressed in their funerary finest. Those people are yutzes.
So. We come to the first day of Louie’s shiva. All the expected mourners show up. Larry. Bekah. And look at this: Some kid. Marla. Bekah assumes she’s Larry’s torah student. Larry assumes she’s Bekah’s second cousin once removed. But let’s be honest: nobody cares. Nobody asks. After an hour or so of being thus ignored, Marla drifts into the kitchen and makes herself useful scrubbing dishes.
And that’s when Louie’s widow, Dory, spots a dybbuk. Happens just as she’s adjusting a sheet hanging over a dining-room mirror. There it is, inching along the wall toward the sideboard. Well, if you’re raised right, you don’t care whether that ghost is Louie’s or not. You stab it with a pickle fork and throw it out the window before it can stick to a full-on person, and that’s what Dory does.
Marla stares out the window, watching the dybbuk coast like a frisbee into a riot of neglected crabgrass.
“Good for him,” Marla says. “He loved green things.”
She’s just put her egg salad on the sideboard. It’s festooned with fresh dill and parsley and chives from her kitchen garden, and everyone hates it. Not because they’ve tried it, but because Dory asked what was in it, and who doesn’t bother to put Miracle Whip in an egg salad?
Marla goes back into the kitchen.
We come to the second day of the shiva. Larry comes out of the bathroom. It’s the one — and this is important — decorated in tans and golds. Larry announces that somebody’s kid needs to be sent to his room, because one of Bekah’s latkes is stuck to the bathroom wall next to the towels. The only reason Larry even spotted it is because he almost touched it. Could’ve gotten his hands all greasy.
Bekah hears this and says, “I didn’t bring any latkes.”
The whole shiva races to the bathroom. Bekah has the pickle fork this time.
The dybbuk goes sailing out the bathroom window, landing on a dirt smear that once featured a fennel plant taller than your teenager.
Marla says, “He did love that garden.”
Dory rolls her eyes.
“He was on oxygen,” she says. “Bedridden. Did you even know him?”
“Oh yes. We met on Reddit. In a group about container gardening.”
The whole room looks at Marla like she just landed in a pod.
Later, of course, they go home for the night. All of them except Dory, who is stuck living there, with her stinking, choking grief, and her utter certainty about everything. There’s also Marla, who, if we’re being honest, doesn’t have much else to do.
Marla goes outside. She finds the dirt smear. Now she has the pickle fork.
She brings the dybbuk inside. Dory’s eyes are swollen like golf balls and her nose looks like a sour cherry, but she manages to say, “He couldn’t grow anything anymore. The chives. The fennel. In the end. Couldn’t eat much of anything either.”
“I know,” Marla says.
Marla puts the dybbuk on the counter and opens the refrigerator. No one has touched her egg salad, but the constellation of herbs still shines up from under the plastic wrap, green and good.
She removes the salad from the fridge, peels the plastic wrap from the top of the bowl, balls it up, throws it away. Marla lays a hand on the dybbuk, feels its cool, shivering skin.
She picks it up.
“Louie liked it with Miracle Whip,” Dory says.
Marla says nothing.
Gently, like the pizza guy down on the corner, she stretches the edges of the dybbuk. She lays it across the top of the salad bowl, sticky side down.
It clings.
Then it sags in the middle, just a little, just enough to touch what’s beneath. There is no eating for Louie, not anymore, but there’s this, and I will not pretend to know whether any of it, in the end, did the poor bastard any good.
Dory can’t help it. She chuckles. Then goes into her room and pops two Ambien.
Marla rummages around in a corner and finds her tote bag. She lowers the bowl inside.
Tomorrow will be day three of the shiva. Marla will be gone this time.
And so, if Larry and Bekah bother to look, will be the egg salad.
Author’s Note: I may have had a dream about a pancake with teeth, or a ghost that was shaped like a pancake. I think it was the latter, because I remember being stricken by how completely pathetic the thing looked, and thinking poor bastard. What if this is as good as it gets?
Hamm’s work has appeared in Strange Horizons, Kaleidotrope and more. Hamm lives in Los Angeles and writes under the protective blankie of a pseudonym.
This is not quite the most submissions we have ever received in a window (that was 1938 in January 2021), but it is the most authors we’ve received submissions from and the most submissions we’ve received since we reduced the number of allowed submissions per author from 2 to only 1.
This window did take longer than we usually like them to take to fully resolve–a little over 3 months after the end of submission window. I think we should ask for some additional volunteers to join the first reader team–we haven’t done a volunteer run for a few years and as people get busy some of them step down or scale back so we’ll probably need to build the group back up again periodically.
For this submission window we welcomed two new assistant editors: Chelle Parker and Hal Y. Zhang, who helped resolve submissions and helped make the final selections listed below. They join the assistant editor team of Ziv Wities and Kel Coleman.
This window marked a few changes:
1. This is the first window we’ve run since generative “AI” was available enough that people were routinely using it to write fiction. In response the guidelines were updated to ask writers not to submit fiction written using it, the submission form asked writers to affirm that they did not use these programs in writing their work, and for writers who received acceptances the contract required them to state that as well. 2. We had previously had a “Withdraw” status in the system, but the status could only be set by the editor so the writer would have to email the editors to ask to have it withdrawn. In this window we added the ability to “self-serve” a withdrawal. This was added partway through the window so not everyone saw it. When the confirmation email gets sent it includes a withdrawal link that the author can use to withdraw on their own without needing to contact the editor. 3. We added a “Rewrite Request” functionality in the last few days. We occasionally did rewrite requests before but they were done completely apart from the system by email. Now rewrite requests are supported in the system with an official status. When the email is sent for the rewrite request, it copies the requesting editor and assistant editor so the writer can reply to ask questions or discuss. It also provides the author with a one-time link they can use to submit the rewrite. This link can be used even when there is no open window. If a writer submits during an open window the rewrite using this link doesn’t count against their submission limit for the window.
We accepted 25 stories from this general submission window (one of which we announced separately and already published due to time constraints)
These stories will all be published in 2023-2024; I look forward to sharing them with you!
And here is the list, in alphabetical order by author name:
The Lineup
Level One: Blowtorch by Jared Oliver Adams
St. Thomas Aquinas Administers the Turing Test by Mary Berman
The Offer of Peace Between Two Worlds by Renan Bernardo
The Lighthouse Keeper by Melinda Brasher
It Clings by Hammond Diehl
Ten Easy Steps To Destroying Your Enemies This Arbor Day by Rachael K. Jones
Hold the Sea Inside by Erin Keating
Batter and Pearl by Steph Kwiatkowski
The Gaunt Strikes Again by Rich Larson
Six-Month Assessment of Miracle-Fresh by Anne Liberton
Phantom Heart by Charlie B. Lorch
A Descending Arctic Excavation of Us by Sara S. Messenger
Song for a Star-Whale’s Ghost by Devin Miller
Eternal Recurrence by Spencer Nitkey
Letters From Mt. Monroe Elementary, Third Grade by Sarah Pauling
The Geist and/in/as the Boltzmann Brain by M. J. Pettit
In Tandem by Emilee Prado
Bone Talker, Bone Eater by D. S. Ravenhurst
Dreamwright Street by Mike Reeves-McMillan
This Week in Clinical Dance: Urgent Care at the Hastings Center by Lauren Ring
BUDDY RAYMOND’S NO-BULLSHIT GUIDE TO DRONE HUNTING by Gillian Secord
How to Kill the Giant Living Brain You Found In Your Mother’s Basement After She Died by Alex Sobel
They Are Dancing by John Stadelman
In the Shelter of Ghosts (already posted at the time this announcement is posted) by Risa Wolf
Content note (click for details)Content note: parental loss, wounds, face scars
When the mediums arrive, I don’t notice their scars. It’s their machine that grabs my attention, all pointed glass bulbs, copper wires, and metal rods. Like a four-foot square vacuum tube radio. I rub the belt buckle hidden in my tunic pocket as the six women in gray robes lug the machine up my gravel driveway.
They approach the house frame I’ve erected, set up where Dad’s old house once stood. They place the machine on a slate slab I’ve set up by what I hope will be the front door. I uncap my electrical source as one of the mediums puts on ceramic-weave gloves to connect to the leads. I tamp down a flare of worry, reminding myself that I’d just recharged the lead-acid battery at the solar station and redid its plant latex cover a few days ago.
After the machine is humming, the women look directly at me, and my stomach drops. All of them have scars around their eyes. One has deep pink lines through her crow’s feet into her temples; one has swirls like the silt in a riverbed along her cheekbones.
A voice breaks into my reverie. “— even if the séance works, Rory, your father might not want to save your house,” the medium in front says. “The dead are in a restful place, and some don’t want to leave.”
I’ve blanked out again. I debate asking her to repeat herself, but I know the pros and cons. Entity houses are part of my job.
***
The Housing Authority was a thick stone building that squatted like a pale pig rooting in the rubble of less fortunate buildings. It was once a bank, but when everything fell apart, it was pressed into more important service.
The line on the ramp outside was always long. Folks would file in politely after I unlocked the door, reveling in the cool air while I climbed into the booth at the center of the marble atrium and raised the window grate.
“Welcome to the Unica Housing Authority. I’m Rory and I’ll be helping you today.” The crowd quieted as my voice echoed over their heads. “Please remember there are no perfect living situations anymore and we might not have a spot that suits you, but we’ll try our best. When you approach the window, please only share conditions for which you have a high tolerance. Our tallied conditions are listed on the wall to your right.”
I pointed at the metal plaque with its etched and braille contents. ‘Cold’, ‘hot’, ‘dust’, ‘mold’, and many others: too long to read aloud. I couldn’t help taking a second glance at an item partway down: “ancestors”. I tapped at the screen of my glass computer with a magnetic stylus.
“Okay, who’s first?”
The person who strode up to the counter wore a sky blue dress and a long black leather-looking jacket, both spattered with crusty yellow leopard-pattern splotches. I suppressed a wince. It’d been a decade since the bug killed anyone, but it still hurt to look at. I forced a smile.
“Hi there! Tolerances?”
“Dark, cold, and noisy,” the person replied.
I entered the tags and the computer returned two options. “Great. There’s a steel warehouse on Parker and a stone mill house at the end of Chancel. Neither slot includes bedding.”
The person nodded perfunctorily. “The mill house is good.”
I tapped the screen to mark the slot as ‘taken’, then grabbed a slate marker and scratched the address on it with a metal stylus. I slid the marker under the window. “There you go. Thank you and good luck.”
I watched as the person walked away, the crowd pulling away from them like oil from a soap drop. The leopard spot on the jacket’s left shoulder had already spread. A sign of plastic clothing. I wondered where they’d come from, what kind of privilege they had, to still own any wearable vinyl.
***
My memory has never been great. I forget my own age sometimes. But one thing I do remember is the first time I saw those creepy yellow splotches.
I had a dinner date with Dad, but his monthly doctor’s appointment was running late. I decided to hang out outside the house, swaying in the worn swing from my childhood. The rope was frayed against my palm and had worn grooves in the branch, but it was a comfortable seat. As I pushed myself in a lazy circle, the late afternoon sun speckled the leaves and I saw the spots: phlegm-yellow and tissue-thin inside, gray ring outside.
My phone rang as I was examining one of the mottled leaves.
“It’s your father.” The nurse’s voice didn’t even shake. “He collapsed during his checkup and now he’s unresponsive.”
‘Unresponsive’. What a horrible word.
***
I fell into my job at the Housing Authority because Dad’s house was one of the first hit in our town. We’d figured out how to detect and treat the first wave of the fungus we now call “the bug.” But it mutated fast, and the most resistant strain fed on our buildings instead of living beings. It ate away siding and air conditioning and window casings. Alcohol sprays, systemics, antimicrobials, and antifungals all failed, so I stopped at Town Hall to get the plans filed for Dad’s house. To see how bad it was going to get.
“We need to warn people to the south,” the woman at the desk blurted while I was making copies. “I think they’ll believe it more from people with personal experience. You have a nice voice. Want a job?”
I thought about Dad’s bay window falling out of its dissolving casing. How the siding looked like Swiss cheese a year after I’d buried him. My throat tightened and I nodded.
I’d only been working there for a month when I first heard about an entity house.
“Hi, I’m calling to tell you about the bug that is destroying homes,” I read from the script.
“Oh no, dear, I’ll be fine,” the person replied, with a breathless giggle.
“My apologies!” I looked at their house plans. “We have on record that your house has wood beams and studs.”
“That’s right?”
“If your house has any wood, plastic, vinyl, or acrylic, the bug will attack it,” I said. “I can describe–”
“It’s okay, dear,” they interrupted. “Gramma took care of it.”
My heart leapt. Maybe there’s a solution. “What did your grandmother do?”
“She came back.” They giggled again. “Oh, she’s asking for her show. Gotta go.”
My phone clicked. They’d hung up.
Last I checked, the house was still standing, no leopard-spot marks in sight. They’ve also been generous. Filed four sleep slots with us. Tenants report that Gramma is noisy at 2 AM and is particular about kitchen cleanliness, to the point where she’ll wake them up with a frigid touch if they leave a mess. Otherwise, she doesn’t act like a ghost at all.
We’ve confirmed twelve entity houses so far. We’ve also heard other stories – folks who summoned a family member to help, only to have their relative’s ghost refuse and go back where they came from. It sounded like it hurt, to lose them all over again.
***
The head medium bows at me. “Do you have the ashes?”
I slide the silver urn from behind the new door jamb. I hold my breath as I break the seal on the urn and grab a pinch of ashes.
She points at the urn. “That should come as well.”
“Really?” I debate whether to return the ashes.
“He will be the fourth for the séance.”
“Oh.” I cradle the urn in my left arm. “Where should I put…”
I can’t bring myself to say ‘him’ or ‘it’.
The head medium gestures. “There, towards the west. The departed sit at the setting sun. You sit at the north, our guiding star.”
I place the urn where she indicated. Up close the machine purrs like a satisfied feline.
“Kasira, you sit at the east, the rising, and…” She cocks her head, as if listening. “Yes, Erius, you take the south, the brightening.”
The mediums, both young-looking and oddly aged, seat themselves. Kasira’s scars are jagged scores like broken toffee in the hollows of her eyes. Erius bears four white-silver furrows, two down each cheek.
“We do not control those we call,” the medium says. “Ancestors speak to us only if they wish to. We take these ashes to communicate that we are your approved emissary to the dead.”
I sprinkle the pinch of ashes into Kasira’s cupped hand. She presses a thumb into them and strokes her thumb across her forehead. She passes the ashes to Erius, who repeats the gesture, then shakes the remaining ashes into a metal cup at the center of the machine. They both grasp one of the metal dowels on the lachrymatorium with their left hand. The rest of the women back down the driveway.
“Where are they going?” I whisper to Kasira.
“This is no longer their place.” She winks, her broken-toffee scars bunching. “Now it’s up to us.”
***
“Okay, who’s next?”
The person wore an algae tunic and mycelium-leather clogs, their black hair short-cropped, small brown eyes glaring at me.
“Thank you for waiting. Tolerances?”
“Pollen,” they replied.
“Nothing else?”
“Why?” They sneered. “Where do you live?”
I hid a sigh. “My tolerances are dark, stuffy, and hard, so I’m in a shipping container park. I share my crate with three others.” Their brow furrowed, so I modulated my voice towards the perky. “My bedding is a myco mat. If you’re interested, there are slots left in my park.”
They deflated, the sneer replaced by a disappointed twist of lips. “I see. I’d be okay with bugs, steps, and height.”
“Fantastic!” I tapped it in. “Two treehouses have slots available. They have woven live-branch floors, leaf beds, and mycelium tarps in case of rain. One has a sunset view and one has a living vine wall to block wind from the south. It includes morning glories.”
Their eyes widened and I caught a glimpse of a grin. “Ooh, a vine wall! I’ll take that one.”
I smiled as I passed over the slate marker. It was rare to please someone in this job. I rubbed the belt buckle in my pocket and reminded myself to mark this moment down later.
***
Kate usually let me stay past closing to use the glass computer in the back office. I’d jot down things we’ve lost. Sometimes simple pleasures, like books and stuffed animals. Sometimes things I’ve never used, like Kevlar and mosquito netting. Sometimes I’d even mark down people who I’d briefly forgotten.
Memory has always been a problem for me. Doctors had differing theories why. Maybe the trauma of losing my mom so early;. Possibly an attention disorder. All I knew was that I’d never been good with names or dates. But it wasn’t until Dad was gone that I realized how much I was forgetting.
When I arrived at the hospital, he was already dead. They gave me a bag of his things. Plaid shirt, canvas pants, steel watch, leather belt. A few weeks after he died, the leather belt grew a tiny leopard spot. I’d given the belt to Dad for Father’s Day. I realized I didn’t remember buying it, I didn’t remember him opening it, but I remembered him putting it on. I couldn’t remember the sound of his voice, but I remembered what he said: “It fits! How did you know my belt size, Roribell?”
“I didn’t, Dad.” I held out my arms in an ellipse. “This is how big you are when I hug you. So that’s how big the belt needed to be.”
I remembered his eyes filling with tears. He’d kissed the top of my head as I hugged him again, feeling his stomach hitching in quiet sobs.
“I keep forgetting how short you are,” he’d whispered, making me laugh.
“And how long your legs are,” I’d teased.
We stayed in the hug for ten minutes.
I thought. I didn’t know for sure.
I did remember screaming over the leather as the bug ate it, that memory turning to shreds, then dust. I also remembered crying with relief when the gold-toned brass buckle remained intact, and how well it fit in my pocket.
***
Kasira leans towards me. “Remind us how to say your father’s name?”
“Niven, like given, and Seinn like sine wave.”
The ash-prints on the mediums’ foreheads glow with a blue-gray iridescence as the machine sparks and Erius speaks.
“I call upon the spirit of Niven Seinn to grace us with your voice!”
A breeze kicks up.
Kasira repeats it. “I call upon Niven Seinn to grace us with your voice!”
Nothing happens. Kasira glances at Erius.
“You feel anything?”
“Not enough juice,” Erius replies.
I shrink under their gaze.
***
“Thank you for waiting. Tolerances?”
“Ancestors,” the frail person at the window replied. Their watery eyes were swollen and the ridges of their nostrils were chapped. The bones of old leaves peeked out from under their lank brown hair.
I raised my eyebrows. “Ancestors? Nothing else?”
Their gaze didn’t waver.
“Look.” I lowered my voice. “There aren’t many real entity houses right now. It takes a family loss and a very generous ancestor to make one. People claim they have a haunting, but the bug always gets them. You should choose something else.”
The person shook their head. “I’m allergic to a thousand things. It’s too cold for me in here and too hot out there. Anything hard, bright, or noisy hurts. Right now I’m in a sleep ditch off the freeway because it’s better than anything else.” They shrugged. “So unless you have a tolerance I haven’t heard of yet, ‘ancestors’ is it.”
“Okay. I’m sorry. I can add you to the waiting list but it’s fairly long.”
They pulled a square aluminum pager from their pocket. I scanned it and added the ID to the list, and they turned away from the booth, shoulders slumped.
I thought about the thing I was building, and I crossed my fingers and bumped their ID to the top before calling the next person up.
***
After Mom died, Dad took me along to his construction sites, first showing me how to sort tools, then how to lay bricks, then on to more complicated things. Everything he’d taught me was clear in my mind, even after everything else I’d forgotten.
When I started the house frame, I decided to take as many shortcuts as I could. No walls, no planing. The bug took months to hit new-cut wood, so I had some time, but not much. If the séance worked, the house would stand. If the séance didn’t work, it would fall anyway.
The doorway was last. Dad was always good with doors. I sawed the branch off the maple where my swing had once hung. The living branch still had grooves in it from the rope so I was extra cautious cutting it, preserving those grooves.
I sobbed while taking the bark off the branch. Wept like I was sacrificing one of the few memories I still had.
I was still working on it, sanding the jamb and hammering in the nail where the bell would go, when the mediums arrived.
***
Kasira reaches out to me. I hesitate, glancing at the machine.
“It doesn’t hurt,” she promises.
I slide my fingers into her hand, surprised at its warmth. Kasira squeezes my palm.
“Why have you asked us here today?”
“I want a better place to live,” I murmur. “I’m tired of my container.”
Erius shakes her head. “You could have built a steel structure.”
Kasira clasps my hand more tightly. “Why wood? Why here?”
A muscle in the side of my throat tightens, sending a sharp ache down into my collarbone. “I miss my dad. He was a woodworker. He built the house that used to be here, but the bug ate it.”
Erius scoots towards me. “But why did you choose something so fragile?”
“For… for memory.”
“Memory?” Kasira tilts her head. “Can you tell us more about that?”
I try not to sniffle. “The bug took all the furniture he built. It took everything he built. Those were supposed to be heirlooms. Now it’s all gone, so it’s like he’s all gone.”
“Why would he be gone? Doesn’t he live in your memories?” Kasira rubs her thumb over my knuckle. “Doesn’t everyone you’ve loved?”
I struggle to breathe. They’re watching me expectantly. Waiting for me to agree. I glance back at the doorway. Something clenches painfully inside my chest, and I can’t hold it anymore.
“No, that’s the problem!” Tears scald my cheeks like steam. “I should remember more, but I don’t. I don’t remember him on my sixteenth birthday. I don’t remember him at my college graduation. I don’t remember our last Christmas.” My throat spasms. “Oh god, and it’s too late! It’s too late to make any more memories with him! If I was smart, I would have written everything down. I would have made sure I’d never forget. But I’m not smart, I’m a selfish jerk, I’m a terrible daughter. I thought I had more time. I thought I had more time.”
I try to pull free from Kasira to cover my face as I cry, but she holds fast, a deathly stillness in her fingers. “There it is,” she whispers. “There’s the juice. That’s the grief he needs.”
The machine’s hum intensifies, vibrating in my skin. Electricity spits as the bulbs turn on. I squint, my tears cracking the world into rainbows, as Kasira and Erius chant together.
“We call upon the spirit of Niven Seinn to grace us with your voice!”
A white mist coagulates above the machine. The mediums continue. “Your daughter Rorius awaits you, Niven. If you consent, make yourself known!”
Something sizzles. I smell peanut butter and pepper – right, Dad’s lunches, on that wheat bread he loved. I’d forgotten them.
Then I hear a voice.
Roribell…
My stomach jumps. It’s been years, but I recognize it. Even though I couldn’t recall the sound of his voice, I recognize the sound.
I recognize it.
The smell. The sound. The memories were always there, deep in my gut. Exactly like the belt. Knowing his size not because it was in my brain, but because I’d hugged him so often my body knew it by heart.
Whatever my brain did or didn’t keep, the rest of my body recorded it all.
My shoulders wrench with sobs of relief as Kasira squeezes my hand. “Niven Seinn, will you share your afterlife on this plane, within the house your child has built, until such time as she departs?”
Do you need me, Roribell?
“I…” I stop. Am I being a terrible daughter again? Is it cruel to want him to stay with me? To leave the peaceful rest he deserves?
I flash on the person with the watery eyes. Their desperation. And how many other people might be in the same place.
I might not need him, but other people do.
“We all do. Please,” I manage, vocal cords tight with choked-back grief.
Then I’ll stay…
Kasira and Erius shriek as lightning crackles around the machine, then leaps into the lintel of the door with a sound like fireworks. Kasira clenches my hand hard enough to crack my knuckles before she lets go.
“Bless you, Niven, for your sacrifice. When Rory departs, one of us shall return to release you,” Erius gasps.
The machine’s hum fades. A wisp of smoke rises from Kasira’s face, a trickle of bloody pus seeping from a broken spot under her left eye.
“Shit!” I reach towards her. “Are you okay?”
She pats my hand, then blots the pus on her cheek with a graceful lift of her shoulder. “It hurts, but scars are remembrance.” She smiles. “Most people hide their scars, but for us, it’s an honor to bear this memory.”
As she and Erius undo the leads, Kasira winks at me and pantomimes crying. I rub my eyes by instinct, then jump at a sting under my right eye. A smear of blood pinkens the side of my index finger.
A wound, to turn into a scar. For remembrance.
I grin despite myself. Of course. Scars are the ghosts of past injuries, haunting our skin. It would keep my memory close to the surface, so that I’ll never forget.
I don’t know what my scar will look like, but I don’t care. It’ll remind me, every day, whether from other people’s reactions or from seeing my face in a reflection, that my memories live within me.
That my dad was never gone.
I lean on the maple door jamb and watch them gather up the machine and leave, their robes fading into the air as twilight deepens.
I like your house, Roribell.
I sigh. “Thank you, Daddy.”
I hug the jamb for at least ten minutes, then pluck the belt buckle from my pocket. I hang it on the nail that marks where the bell will go, and step under the lightning-struck lintel to start the walls.
Author’s Note: This story came to me when I was processing several different kinds of loss at once. I’d gone to a memorial during the second year of the pandemic and as people recounted stories about the deceased, I realized that not only had I lost the person’s presence, I’d lost memories of them too. That memorial, plus the loss of access to the world around me, led me to an internal quest that I externalized to create Rory’s. (Many thanks to Cat Rambo for the title.)
Risa Wolf is a multi-gendered water elemental disguised as an ink-stained lycanthrope. (Don’t tell their spouse or their dogs; the disguise is working.) They come from the Burned-Over District in New York State, and they imagine houses for book-ghosts for a living. Their writing can be found in places like Apex, Clarkesworld, and Cast of Wonders. Visit them at killerpuppytails.com, on Mastodon at @killerpuppytails, or BlueSky at @risawolf.bsky.social.
Hello! I’m here to give an update on the general submission window where we were taking submissions from July 17-31. We received 1451 stories for the submission window. The first round is complete, so everyone should have received an initial response of either a rejection or a hold notice. If you haven’t received one, check your spam folder, you can check your status on the submission site if you have your confirmation name, otherwise you can query us immediately.
Normally I announce the story lineup all at once with all the months, but we are running a little later than I had hoped, and so I’m slipping in the first story announcement right here:
The November story will be: In the Shelter of Ghosts by Risa Wolf
We have a couple other acceptances in hand, and we are having discussions right now to finalize the rest of the list.
On a related note, because we are running a little later than we had originally planned, we are publishing one story a month for a couple months to connect the schedule up. But we’re planning to return to our usual cadence of two stories a month at that point.
Someone began sending hand-written spellcrafted postcards out of DC in July of 2024. Those postcards made the rounds for a good nine months, under the radar, scarcely observed. That was, until the rash of good health, the proliferation of wealth, and the sudden uptick in good living coupled with a grand downtick in big socioeconomic issues the mayor was quick to claim as her own—such as suicides and unemployment—brought the situation to the attention of the East US Coven.
Because we can’t have downticks in unemployment and upticks in good health, not if there’s witchery being waved under everyone’s noses. Especially if the handwriting has a particularly feminine flair. No siree.
The coven sent a team, sans me, to check DC, do a sweep that chugged them around on and off the metro until they shook their heads and scattered home, reports saying that it must be the mayor after all.
I admit, I checked the coven’s files after, a part of me rankling since the coven overlooked asking me to look into things when I was right there. But I am “just a low-level research drone.” As if my duties take away from knowing my own home over men from New York and Boston; as if it isn’t literally my job to find possible unapproved spell-usage hinted at in news articles and reports and forum threads. Talk about being low gal on the invisible corporate witchpole I’m supposed to climb.
Then the goodwill witching spread. Not like California wildfires. Like ladybugs. Crawling into people’s houses via their mailboxes, with goodness hidden under their stamps and well-wishes printed out every fourth letter in the mundane notes.
Now, I’m what you call a witchery watcher, or at least that’s what would be on my resume if Salem hadn’t happened, kicking us all deep undercover from the rest of the world. It’s not that glamorous a job, not when half the self-proclaimed witches can’t seal their bottle spells properly enough to be termed spells and the other half spend the bulk of their time insisting that spells are all internal or some new-agey form of mindfulness. But here and there someone who acts suspiciously like a real witch pops up on one of my routine checks and my job gets a tad more interesting, if you call “interesting” sitting at home while higher-ups from elsewhere snatch the file and head out into the field to hunt that wild witch down themselves.
Those days are frustrating as all heck because I’m never given authorization to use higher-level spellcraft to check out the witch dabbler myself.
See, it’s dangerous to authorize women for too much crafting on the job. Don’t want another Salem. Don’t want another witch-burning spree where the men of the covens hide behind the women, send them out to die for the good of keeping everyone else safe.
Best to make sure we don’t get noticed.
A bit of a catch-22 if you ask me, since promotions come from wild witch catching, yet if I’m never out in the field because of my supposed feminine wiles…
That mentality isn’t something I can change all at once, not craning my head as I am from the bottom of the coven.
So when I get a postcard in my mail that smells like the sage-flavored mountain on its front and spells a wealth of confidence into my spine, I decide to do some off-grid, inadvisable digging of my own. Maybe jump a few pegs up on that ladder even if I have to bend some coven rules. Get to a position where I might do some good, change the culture, move some immovable mountains so my two girls could step into a coven without having to claw for every scrap of respect they gained.
Or I hope I’d at least earn a nice letter of recommendation and some off the record shop-chat that could help me corporate-jump myself between the ladders of different covens like a game of leapfrog.
I wait till both my girls skip merrily onto bus #475, that orange monstrosity that every day I wish I could wrap in a protective blanket of spells, though that doesn’t come under the “allowable spellcraft” rules.
While the girls learn mathematics and grammar and spotty history, I craft a runic graph of my city, marking it up by feel before I rip up that confidence-spelled postcard, hold the confetti in my fist and release it over the scrawled lines representing DC. A spelled wind takes those jagged-edged pieces and swirls them over the city on my coffee table, each of them bobbing when they sailed down the Potomac, yet ultimately landing in as haphazard a way as you’d like.
I try pendulums next, cleansing each and working through the now-shredded postcard’s origins, but the crystals latch onto the stamp, dragging the pendulum toward my local post office over and over like a poor confused dog. Which meant whoever this witch is had found a way to break the trail, stop the ink, the words, the spellcraft, from trickling a wake back, back to the one who’d crafted them.
Screw it. I’ll bend the law just a tad. No holds barred.
Using sunwater to find pinprick jolts of lingering spellcraft wake where it hadn’t yet been contaminated with too much other life, I find the houses in the local neighborhoods that had been sent spellcrafted postcards recently. Reach my hand in through grandmother’s opal-glazed bowl and steal mail right off of tables and armchairs and dusty tops of refrigerators.
In a stack that thick and robust, the slightly damp postcards practically glow with a lovely residual witch-touch—a gentle turquoise with pale pink chevrons that spoke of streams of love and caring in a backdrop of creativity and friendship. My single, now-shredded card wasn’t this bright alone—just a drop in the metaphorical postal system it’d been. Whoever this witch is, they truly are a spellcrafting benefactor of tiny, prolific blessings. Blessings that are collectively wrapping their embrace around the city, stretching through Arlington, through Bethesda, reaching for Rockville and Columbia.
Like some urban, limited-word guardian angel.
I hesitate, running my fingers along those damp edges, staring at the smudged ink where every fourth letter spelled contentment, spelled hope, spelled happiness, motivation, forgiveness, love, charity, satisfaction. There is even one spelled to help find lost things. And another to accept those things that can’t be found.
This witch doesn’t need to be hunted down like some Salem echo. This witch is doing good work, witch work, the sort that means to help, to heal, to wrap warm arms about a cold people and remind them that life wasn’t the crapshoot it sometimes felt like, filled with people who only did wrong to others.
I sit with hands clasped, suffused with a sense of rightness. I would tuck these postcards away, ignore the proliferation of positivity, let this witch, whoever they are, get away with their practice under the coven’s nose because people like them are what these cities need, whether or not its citizens cared. Whether or not its citizens might run screaming if they knew.
And for a good thirty minutes, I admire my own morality. Then my girls come home with a squeal of bus brakes and a breath of chilly wind.
My youngest screams in, a ten-year-old’s strength and optimism and excitement opening up a babbling of her day, her wild curls haloing her face and the crookedness of her teeth making her smile seem wide, wider. Like the world hadn’t yet caught hold of her mind, told her to hush, hush, let the others talk.
But my oldest steps through the door a minute after, dragging her sneakers and dropping her bookbag like it weighed more than a curse, societal expectations bricking her up, squishing her down. Her dark hair wafts around her cheeks. Her eyes skip past mine. What has happened today, what words lost to the depths of her throat, what tiny infractions that seem so large to her now, yet will climb and build until she presumes them normal?
Until she finds herself working in an entry-level job under people with less skill, less craft than what she possesses in her littlest finger, yet will be unable to leap past them because rules and regs and laws all built to say no, not-yet, you-aren’t-the-right-fit have become expected. Lines she’ll sit contentedly in, obediently.
Like the box toddlers play in. Yet as a toddler, we always push against the cardboard and tip…over. Because the box is fragile, always was, until we let it turn to stone and plaster and brick around us as we grow.
I put the girls back on the bus the next morning, the grey sky cleared in splotches, like hope peeking out from a shedding blanket, though someone probably has a damn good darning needle and some thick thread and will patch those little spots up, clouds yanked in stitches until the holes shrink to nothingness.
But I can’t think like that.
I’ve got spells in my back pocket. A little bottle, filled with postcard confetti and scrying water and intentions, all sealed with a black wax meant to enhance and reflect the witch-touch so the spell might be powerful enough to react to wakes and fresher castings. A small notebook page, folded and folded and folded again until I’ve got a puzzle with protective words written in sixteen different languages, fifteen of which I don’t speak, that will make me hard to remember. A watch from my childhood—yellow bumblebees on its scratched band—that saves up seconds, seven of them to be exact, that I might replay them in need.
I head to my local post office to begin my chase of the witch’s wake, the air thick about me, expectant. The bottle spell for finding things that don’t want to be found grows invisible tendrils about my body, reaching for hints to scarf down, swallow and exaggerate so that I might trail. A good little nose, I’d once been called by some middle management guy from Baltimore. No better than a dog—stick me in a kennel when I’m not needed, why don’t you.
I shook my head, removing that conglomerate, insidious voice that attempted to shunt me down the ladder. Climbed the steps into the brick building, the scent of paper thickening, the scent of spellcraft billowing.
Little metal boxes with their little metal locks block me in on all sides. A witch might have a day in here, snapping up the power numbers, every box that ends in seven, every thirteen that winks with untapped potential, every three growing warm at my presence. I let my finding spell reach and search, sifting through the air, tasting it with suckers no one else can see.
All that billowing spellcraft, streams of wakes where postcards have swept up and away and into and out of postal boxes congregates here, then parts there, disappears here, then solidifies there. In flux, throbbing, like…the craft is being constantly worked in pockets and moments, nothing too big all at once, but everything small all the time.
I step up toward the counter. And pause.
Of course. There she is. Not quite as powerful a witch as I thought, her wake stopping here because here is where she crafts.
She reminds me of my own mother, the way her poinsettia-patterned dress clings to her, the way her thick glasses sit on the bridge of her nose, the way she chats with the man in front of me, telling him all about grandchildren, all about life. As she passes him the receipt she tells him not to save his smiles because like cookies, they go bad if you don’t pass them out. Can’t save them all for oneself, you can’t, she says.
For just a moment, I see all that effort she’s gone through, handwriting each message, licking every stamp, pressing her witch-touch as she casts the small spells with a hope in her heart that they make someone smile, or give them the little bounce they need to make a fresh choice or be content with an old one.
The man brushes past me with a light in his dark eyes, like there’s a chevron pink flame flickering in those depths.
Then I’m breathing hard.
I think—I thought this would be easier. My fingers slick with sweat as I tug off my glove, press the contact list, find my coven boss’s number. I think—I thought I’d had resolve. I’m just doing what’s necessary to claw my way up that witchpole, lay claim to little scraps of power that I’m thrown. That’s all.
That’s all.
My phone comes down, down to my side. She smiles at me, handing out joy like a freshly-baked cookie, like she can’t see the finding spell eagerly wrapping about her, pointing as if I hadn’t already figured her out. Realization flickers in her eyes and that smile flattens out.
I could hold my hand out, introduce myself, wish her well on her crusade. I could find a kindred spirit maybe, that reflects back on the days I sat with my mother while she taught me runes and wax and scrying.
Instead, I reach to my back pocket and rewind seven seconds, take back her smile, take back the man brushing past me. Back, back, to when my folded paper spell still worked to make me forgettable.
Then, as the man begins to turn away anew, I turn as well, escape out into the street, away from the little metal boxes and all the postcards they may or may not hide.
There, with the patched-up grey sky thickening overhead, I make the call. My breathing steady. My heartrate normal. Because sometimes we have to do things we don’t like, yeah, things that jump us up that witchpole.
That’s what I tell myself, over and over, as I walk home to meet the girls off the bus. That’s what I tell them when we sit around the table. Tell them that sometimes, in order to keep our jobs, keep ourselves safe, keep food on the table and inch the world into something different, something that might be better, we’ve got to work within the confines of the rules we were born into. Inside the box.
I just don’t tell them how much it costs.
When my coven comes—two men from New York and a third from Atlanta—I try not to think of the woman like my mother. Try to think about her like she’s an unknowing martyr, a witch for the cause so that the covens stand tall, that I might wind my way up to wield true power, make a difference one day. It’s a long game. Long.
Like how they thought of Salem. All those woman pulled and burned that the covens might stand…
I’m on the email chain as they wrap up the “DC Postcard Witch.” There’s no mention of the higher school grades or the lower unemployment those postcards had wrought. There’s just a withering in the air, the sky crying for a week as the postcards are fading, fading, gone.
And I…
I take my tiny back pat. My off-brandvacuum-cleaner reward. My paper commendation that crinkles in my desk at home, buried under my daughters’ honor roll cardstock print-outs.
I go back to my researching duties, reading, filing, emailing, typing Johns and Steves and Adams in the “To” boxes. I find evidence of possible witchery occurring outside of the Coven’s know-how and approval. I field question after question on how a spell works, what they might be doing wrong from people who work in positions higher than me and should already know. I fix, I tweak, I make everyone above me look good, because that’s what they say will make me look good too.
Except it doesn’t. Nothing changes. That witchpole looks the same from down here. And my city, it looks all the worse.
The upticks become downticks and the downticks morph into upticks. My youngest begins to have a smidge of that same sagging weight to her steps as my oldest. The dinner table talks become rote, become painful because I can’t believe in the shit I’m spitting out anymore.
So I stop saying anything at all.
And I start doing.
Someone begins to send spellcraft postcards from DC in September 2025, during the season the ladybugs start searching for warmth, encroaching into homes, red specks crawling pentagrams across ceilings, insect runecraft, the sort the big covens would shut down the moment they sniffed competition. Because that’s all this has ever been about, stomping the competition before women might claw their way back, swell their small-coven ranks, show the world that witchery wasn’t about profits and rules and big power, but about small powers, about hopes and futures outside of confinements.
They’ll come for me too one of these days.
Maybe the winter of 2027, when the cold that creaks through ragged carpet is defrosted by a few tropical words spelled out every 4th letter. Maybe during the height of the summer in 2028, when the breeze contained under flag stamps is a little more inclusive as it breathes soothing messages through the worst of the season. Maybe not until 2035, when I’m finally eligible to apply for a managerial position in the coven–fifteen years of dedicated service and all–when they tune their eyes closer, check every nook and cranny of my life, overturn the rocks and stamps to find the gentle spells I’d released en masse to those in most need.
And then maybe my girls will nod a few decades on, saying their mother did something, yeah. Something that made a difference. Something that maybe would spread like ladybugs, happy bright spots, little, little, but proliferating nonetheless.
Marie Croke is an award-winning fantasy and science-fiction writer living in Maryland with her family, all of whom like to scribble messages in her notebooks when she’s not looking. She is a graduate of the Odyssey Writing Workshop, and her stories can be found in over a dozen magazines, including Apex, Beneath Ceaseless Skies, Daily Science Fiction, Zooscape, Cast of Wonders, Diabolical Plots, and Fireside. She has worked as a slush editor and first reader for multiple magazines, including khōréō and Dark Matter, and her reviews can be found in Apex Magazine. Her hobbies include crochet, birding, and aerial dance.
In Loving Memory of Mikko Steffen Born November 1, 2007 Adopted May 24, 2008 Died May 8, 2023
This is the story of a dog who has been a part of our family for fifteen years and connected all of the other dogs we’ve ever had. This is the story of a miracle dog who beat the odds over and over again. This is the story of Mikko the white poodle.
Mikko’s Life
Bringing Him Home
At the time we adopted Mikko, we had just moved into our first house after living in a series of apartments. We had our first dog, Aria, and we were looking for another dog to be a playmate for Aria in the wide open spaces of our new home that we hadn’t filled with much furniture yet.
Heather had fond memories of the poodles she had when she was a kid so she wanted another poodle. She found Picket Fence Poodles, a poodle rescue organization that was a mid-length drive away. Listed on their site was “Perry”. For this adoption, it required people with poodle experience and people who were willing to adopt a dog with special needs, because he was born with luxating patellas, where his kneecaps are not fixed in place the way they should be.
We set up a meet and greet with Picket Fence Poodles to meet him, with just the two of us going to meet him at the home of the rescue organization. We had a great time playing with him, we talked about his leg issues, talked about his care, and we decided to take him home.
He had been born at a poodle breeder. Because of his legs, he was unable to walk when puppies normally learn to walk. They had planned to euthanize him, but he was so cute they kept putting it off and carried him around and then, surprise, he actually started walking on his own! He managed to get enough strength in his legs that he was still able to learn to walk. So at that point they gave him over to the rescue organization. They warned us that he would never be able to jump or to climb stairs, but of course that didn’t matter to us.
We decided we didn’t like the name “Perry” (this was before the days of Perry the Platypus or we might have kept it) and he didn’t respond to the name yet anyway. We named him “Mikko” after Mikko Koivu who was a long-running player on the local NHL hockey team The Minnesota Wild.
We brought him home and introduced him to Aria, and they became best friends and playmates. Of course, there was plenty of conflict. Aria was the more dominant of the two, but Mikko didn’t want to up on that, so he would try to boss her around.
Nicknames
So many variations on the name, we would call him Mako, Mikko Mako, Makiko, Meeky, Squeako, Beako, Squabeako, Mr. Mikko, Magical Mikko, and so many variations of each.
What Made Him Special
Determined
Aria was still pretty young at the time too but Mikko never had enough playtime. They would chase and play and wrestle and playfight, and then Aria would jump up to the back of the couch and watch smugly with the terrain advantage while he barked from the floor and tried to reach her. He would alternate between putting his front paws on the couch and doing tiny little hops that were nowhere near high enough, to taking a running jump from four feet away which he landed on the ground before he reached the couch.
This went on and on for days and weeks and finally he managed to jump up onto the couch and even surprised himself, and then when he jumped back down he couldn’t figure out how to get back up again, though he did eventually figure it out.
Still, the stairs were an obstacle. Aria could run down or up the stairs without any problem and he would get so mad if she left him behind, so she would go up or down and then taunt him and he wanted to do the stairs so badly because he couldn’t let he just gloat like that. We taught him to go up stairs first, by putting him one stair down and coaxing him up while we stood below to catch him if he slipped. Then two stairs, then three, and soon he was confident enough he could go up the whole flight.
At the time, we watched TV on cable and the only cable jack was downstairs, so we would watch TV in the basement. This worked fine when Mikko couldn’t take the stairs, but once he learned to go up but not down then he would decide to go upstairs and then would sit at the top of the stairs and bark for someone to carry him down. So, yes, we did eventually teach him to go downstairs too.
From the start, he defied expectations from sheer determination.
Bossy
From when he was young he tried to be the most dominant dog in the house. Which really didn’t work with Aria, but he could get away with bossing Timmy around when he was there, especially as Timmy got older and confused Mikko would try to coach him and say “don’t do that, you’re being weird” when Timmy would wander or get stuck in a corner.
His determination was not always a positive trait, even to himself. For some reason, he would sometimes get very angry if he was left in a kennel with a bowl of water, and he would furiously try to bury it with his nose, sometimes until his snout was bloody from pushing. When he was older and was having some difficulty maintaining his appetite he sometimes did the same with food left for him, but then sometimes he would try to bury it for a while, then he would eat some, then he would try to bury it again.
He would always bark at leaves blowing in the wind as if they had offended him personally, and if he happened to catch a tailwind he would look as if he thought someone was blowing on his butt.
Compassionate
If someone cried he would always go to them and want to be held and lick their tears away.
If Aria got locked in a closet by accident as she often did when she followed someone in there, then Mikko would found out where she was and would come get someone to come get her out, and would keep giving significant looks at the closet door until someone let her out.
Unusual
Probably some of this came from his luxating patellas, but Mikko had some weird postures. Mikko loved pillows and beds, but he tended to never lie in them all the way, always draping himself across the edge of the bed with half his body outside of his bed. When he was young he also liked to squeeze into tiny dog beds with Aria. He’s the only dog I’ve seen who would kneel with one or both legs instead of always sitting on his butt (which prompted people who didn’t know him to think he was going to pee). And when he laid down he would like to lay with his legs splayed out that we liked to call a “Mikko-skin rug”. He was also never able to pee with one leg lifted like most male dogs do.
When you brought him to bed at night and he was getting settled in, he would often do a sort of superhero stretch where he laid on his back and stretched one foreleg away in front of his face.
Friendly
Besides making immediate friends with Aria, and with Timmy who became our third Musketeer, when he was younger, Mikko would always be the greeter and ambassador of the group. When we walked the dogs, or when we had visitors, he would always be the first one to meet the new dog, because he never saw a dog he didn’t want to play with.
Unfortunately he gradually lost much of this trait of being able to immediately click with new dogs, perhaps due to increasing arthritis and other health issues, though he remained playful with people and his dog roommates for most of his life.
One time when he was young we set a big upright mirror down on the ground, the upper portion of a furniture hutch. Mikko saw his reflection and was obsessed with it, barking and pawing at his reflection and trying to get it to play with him, rearing up on his hind legs and pawing at it to try to reach the other dog, looking on the other side of the mirror and surprised he couldn’t find it there.
Communication
For barking, Mikko had one volume: loud, and his barks were very animated. More so than other dogs, he would throw his head back like the recoil of a cannon as he fired each loud bark into the world. Some of our other dogs we could teach to bark quietly on command, with a “say please” they would give a quiet talking-level bark. We taught Mikko to do this too, but with him it was either “full volume” or “mute”. When he was on mute, he would make the full head-throwing-back motion of a bark, but make no vocal sound whatsoever, just the soft “click” of his teeth.
When he wanted something, he would stand right next to you and look up with his gigantic eyes, and then lift one paw and scratch softly at your leg–scratchscratchscratch and then look again. He would alternate this with his own unique vocalizations that were a variation on a whine, but would sound like “hoot hoot hoot” like a monkey.
He could answer the question “Where’s Heather?” (or other member’s of the household). If you asked that, he would recognize which member of the household and would either find that person in the same room and point at them like a hunting dog with one front leg raised and head pointed, or would go find them in a different room. Even if the person was hiding he would keep at it until he found them.
If you took him out to use the lawn, sometimes he would pee and then head back for the house. But then if you asked him “Mikko, do you need to poop?” he would actually stop, seem to consider it, and sometimes he would head back to the lawn to poop. Like “oh yeah, thanks for reminding me.”.
Like most dogs he would wag his tail when he was happy, but he also had a very distinct tail wag when he was nervous about something. Instead of wagging at a constant rate he would wagwagwagwag three or four times very quickly and then pause, and then wagwagwagwag again.
When he was young he would love to have training sessions where he would learn to sit and lie down and try to learn other tricks. He was great at “spin left”, if you said that with some treats in your hand he would spin and spin and spin and spin. Surprisingly, he never ever did get the hang of “spin right”. You would try to lead him around that way and he just seemed to find it perplexing.
Although he had sporadic digestive issues for much of his life, he was usually pretty good about getting us some warning. Sometimes I would wake up to the hork-hork-hork sound of him preparing to vomit, and sometimes I could wake up fast enough to pick him up and carry him to the bathtub for easier cleaning. Sometimes.
Woolly
He had the most beautiful fluffy white fur, that he looked like a little lamb, and was so soft. Like any poodle, he absolutely needed to be clipped periodically, because poodles don’t shed, their hair just keeps growing. When he came back from the groomer his fur would always have been freshly washed and dried and brushed so his fur was just like touching pure fuzz. As he went between groomings his hair would get longer and would separate into big spiral shapes and get heavy and start drooping, which was an easy way to know it was time to get the dogs groomed again.
We joked that we should shear him and sell the fur to make Swiffer sweepers, because the fur was extremely absorbent. If we walked him on a dirt trail his legs would turn almost black up to the knees. If I didn’t pick up the grass clippings after I mowed, he would come back inside with green sleeves.
People Person
Besides chasing and wrestling with the other dogs, he loved interacting with people however he could. If anyone laid on the floor, he would always immediately go over to them and get comfortable on their belly or back. We have never had another dog who liked lying on people so much.
He also liked to sit behind people’s necks on the couch, and loved to be carried behind people’s necks with his front on one shoulder and his back on the other.
He was the most trusting dog we’ve ever had for having his belly up. He wouldn’t even mind being held in your arms with his belly up. In fact, when he was very comfortable he would be a limp noodle with his neck dangling loosely.
He was always a playful nibbler. If you held a hand out to him he would licklicklick your finger, and then put your finger in his mouth and give a very gentle squeeze with his teeth, licklicklick chew chew, licklicklick chew chew, the same pattern over and over again.
Toys
He loved toys. He was a big fan of playing fetch, he would bring toys over and over if you kept throwing them, and he was pretty good at catching them in mid-air. Our living is carpeted and then we have a rug by the front door on hardwood–if you threw a toy over there he would hop over the wood section between them like a little deer.
He had a habit of dismembering stuffed animal dog toys and playing with the limbs. Among his favorite toys were a zebra leg, a crab leg, and a monkey paw (we of course trained him not to make any wishes on it).
He loved to pull the fuzz off of plush toys, and would just sit there and rip, rip, rip. And if you were like “Mikko, have you been defuzzing” and he would look up at you with his giant innocent eyes and a green or purple goatee of fuzz. If anyone left any toilet paper or tissue where he could reach it he would shred it everywhere.
He loved bones too, but what he loved more than bones is putting a bone ON a toy or vice versa, and chewing both of them at the same time.
Treat balls were one of his favorite things (plastic balls filled with treats where some would dump out randomly if they rolled it around enough). He was the only one who could figure out how to pick them up–they were too big for our digs to fit the whole ball in their mouth, but there is a little opening where the treats come out and Mikko was clever enough to get a couple teeth in there enough to grip. He would play with that thing for a long time.
Walks
He always loved walks, and when he was young he would always make the absolute most of them, easily getting twice the steps of anyone else on the walk, because he would walk to the full extent of the leash allowed to him, and then he would zigzag to the far left, to the far right and back and forth.
One of his favorite things was sniffing the white splats of bird poop, he would always stop to smell every single one, even if there were a bunch of them he would thoroughly work through them. If there were any white chalk or white paint markings on a walking path he would always investigate those too, and was probably disappointed at the lack of fecal aroma.
Fears
Many dogs are afraid of thunder or lightning. Mikko never was much bothered by it, even when other dogs were trying to hide from the storm he would curl up and nap. But he was often afraid if someone passed gas, even if that someone was him, he would look back at his butt like someone snuck up behind him. And he was very afraid when someone started crafting, perhaps because of the noises that holepunchers or other crafting tools make. We liked to joke that his only weakness was farts and crafts.
With Others
With Aria
When we first got Mikko, Aria was the only other dog. They were instant friends, though there was plenty of conflict. They fought over food and bones but were pretty much always ready to play with each other, or go for a walk, or bark at the door and Mikko loved to stand on his hind legs at the door and paw with both front legs like he was trying to dig through the door.
They were always learning from each other. When Aria was an only dog she would always try to save treats for later by going behind a piece of furniture and “burying” the treat in the carpet by placing it gently on the carpet and pushing with her nose like she was pushing dirt over the top. She learned not to do that pretty quick when Mikko would follow along behind it and immediately eat it.
In most situations he wasn’t as smart as Aria, but if he was sufficiently motivated he could be very clever. He would love to taunt her if he had a bone, he would hold it sticking out of the side of his mouth and walk up to her, and if she grabbed for it he would spin around to get it out of her reach. He also would find ways to draw her away from a bone she was chewing. They both loved to bark at the front door when pedestrians or animals were outside, so if she had a bone he would sometimes go bark at the front door like there was something out there, and then when she joined him, he would loop around behind her and grab her bone. She learned the trick pretty quick and would try it on him, but he was too clever for that, he would run to the door but he would remember to grab the bone first.
They loved to chase each other so much. We had a couch downstairs in a huge area without much else around it, and they would chase each other around and around until you couldn’t tell who was chasing who. She was definitely the stronger of the two and on a straightaway she could definitely outsprint him. But she also had more momentum because of her greater mass. So he could take sharp ninety degree turns at his top speed while she would swing wide into a wider oval shape as she tried to make the turn and they would end up being pretty evenly matched.
With Timmy
We adopted Timmy within the first year that we had Mikko, so he completed the Three Musketeers that were all together for four years. When Timmy and Mikko were both young they would love to play together and wrestle too, both of them rearing up on their hind legs and grappling with each other. Both of them lived to a very old age, so it’s always still a little surprising to look at those early videos and see how spry and energetic they both were.
With Violet
In December 2012, when Aria passed away unexpectedly at only age 5, Mikko was distraught. His usually high energy level went way down and he didn’t want to do anything but sleep. We adopted Violet in a relatively short time after that, just before Christmas travel, to try to help him through that with a new extra companion. Violet and Mikko took well to each other immeidately. Theywould play-bow and like to chase each other around. As Mikko got older, his arthritis and other conditions meant he got a less playful so Violet had to find her playtime elsewhere, but they got along most of the time. Mikko was always pretty bossy, and Violet was usually happy to be a follower.
They lived together for almost ten years, for almost two-thirds of his life.
With Michael
We adopted Michael after Timmy passed away in 2018, and Michael lived with Mikko for the last five years of Mikko’s life. By that time, Mikko was usually not super big at playing with other dogs, though occasionally we could coax them to play tug of war briefly, more likely they would both play fetch with one person alongside each other. Otherwise they generally got along as long as someone playing fetch with Michael didn’t throw the toy over Mikko so that Michael would bowl over him.
With Mabel
Mabel joined the family when Violet passed away and Mikko was already quite old. Between his different health problems he had a lot less patience in general and was no longer the greet and ambassador he used to be. But he was very patient with Mabel the big overbearing lumbering giant.
He was always very good with Mabel, sort of a father figure and she adored him from the moment she met him. If he was doing something she always wanted to be right there doing it with him. As he got older and his health complications got worse, we found we needed to start watching them very closely because sometimes her infatuation would manifest in unhelpful/unhealthy ways where if he fell down she would try to jump on top of him (and with him being so old and weak and her outweighing him by a significant margin), and one time even bit him pretty hard though since she didn’t have any teeth no permanent harm was done.
With Cooper
When Cooper and Mikko were both young, they would love to play and wrestle and roughhouse with each other. Cooper lost the knack for it, but they still got along pretty well most of the time. Though they didn’t live together they would see each other at least a few times a year, and both knew each other for almost fourteen years together.
With the Cat-In-Laws
Mikko, as noted elsewhere in this memorial, was always a big barker, and the cats were among his favorite bark-targets and any cat that would run away from him would get a steady barking and chase, though I don’t think he would honestly have had any idea what to do with a cat if he caught one.
With the Kid
The kid and Mikko when the kid was young would both excite and sometimes terrify each other. Mikko would chase the kid as the kid was toddling around and the kid would squeal and giggle and run away.
As Mikko got older and started slowing down, the kid was also getting older and toning down the uncontrollable toddler energy, and eventually Mikko learned to trust the kid and would even let the kid hold him and pet him. Some of our professional family photos he would take while Ian held him to keep him still.
Medical Adventures On the Way
Mikko and Violet had a common desire to chew small plastic objects, which was very unfortunate when the kid was very young and would leave small plastic objects everywhere. Pacifiers were a particular favorite, but any plastic toy would do. Sometimes we find part of a chewed-up toy and we wouldn’t know whether Mikko or Violet ate it and we would have to bring both of them to the vet to induce vomiting. He also ate some leaves of a plant that we found out was toxic and had to take him in for that.
Mikko had problems with smegma buildup throughout most of his life. I won’t go into details here, but if you decide to do a search for the word, you probably want to leave the image search off until you read what it is.
In the last couple years of his life, we started to notice he would get a “bubble butt” sometimes, where he would have a section near his butt that was literally like a little inflated balloon. It didn’t seem to bother him, and with a little pressure it could be pushed into his body. It turned out that this was a prolapsed bladder. As he aged he was losing quite a bit of muscle mass, and so there was more of a gap in his pelvic area where muscles would normally be and his bladder could sneak out through there. The vet said a surgery was available where they would try to fix the bladder in place and suture some of the muscles together so there was no space for it to sneak through. We were fully planning on doing this, when he got an intestinal bleed from something unrelated and had to delay it due to not wanting to anesthetize him while he had another condition. By the time we got all that sorted out, he was struggling with other health problems again and we decided to put it off. It was some risk to do so, because if his bladder became strangulated it might have meant extreme pain and a visit to the emergency room, but doing the surgery would also have been quite risky at that point. He continued to have the bubble butt for the rest of his life, but it never really seemed to bother him, and didn’t escalate.
One time fell and managed to jam his tail on landing and he couldn’t wag it at all for a while, and he wagged his tail so much generally this was very difficult for him.
One time when we had a guest over at our house and we were working on putting the dogs in a separate room, Mikko tried to sprint out to the living room to see them and got deflected just enough by someone’s leg to run full speed into a doorframe and knocked a tooth loose in the front of his jaw.
The Sad Part
In 2018, when he was having some problems with urination we took him to the vet to get him checked out, to see if there was crystals in his urine, that sort of thing. As part of that, the vet did a sonogram and concluded that he had a tumor in his bladder and that vet pretty much said that we should say our goodbyes because we had between weeks and months to be with him whether or not we started cancer treatment. He was still generally very healthy and we didn’t want to give up on him so we were considering whether for a dog cancer treatment would affect his quality of life too much, but before we made any major decision we got a second opinion and they couldn’t find any sign of a tumor, so the other vet’s original diagnosis seemed to be based on one image and maybe there was a weird angle or something. We decided not to move forward with cancer treatment, given that there was no clear sign, and given that he lived five years longer after that and no sign of a tumor presented itself, in retrospect it must have been an incorrect diagnosis. This didn’t actually play into his end of life health issues in any way, but I put it in this section because it was scary and sad anyway.
In September 2020, he had a strange and scary episode where he started acting dizzy, fell over, and then was breathing fast and heavy after that. Fast and heavy breathing can be a sign of serious urgent issues and can indicate pain among other things, so we took him in right away. He had had a heart murmur for years before that, and they said that the issue was that he was going into congestive heart failure where the heart enlarges from gathering too much fluid, we were already familiar with this from when Timmy went through it. So they sent us home with a diuretic to try to pull some of the fluid out of his lungs. Over the next twenty-four hours this didn’t help at all, and at times was up to 95 breaths per minute resting which is much higher than it should be. We ended up taking him to the emergency room and they found that there was fluid outside of his lungs pressing on his lungs and making it hard to breathe. He was diagnosed with protein-losing enteropathy (PLE), a digestive issue which causes albumen protein to leak, which pulls water out into the abdomen and causes other issues. They put him on a special low-fat diet after that, and we had to be very careful what kinds of foods and treats that we gave him, because going off-diet could send his health plummeting again.
He had always had irritable bowels, and during this time we struggled with further digestive symptoms like colitis, and had to constantly watch him for bouts of foul-smelling strange-looking diarrhea, though much of the time he was fine. He went on like that for quite some time, having good health most of the time on this diet and with an increasing set of medications to help with his heart and his PLE, and with periodic checkups with the cardiologist and internal medicine to adjust his medications now and then, as we watched his albumen very closely to make sure it didn’t go too far. He sometimes had bouts of digestive issues but was manageable most of the time.
In October 2022, he started having some weird violent flinching reactions to movement or to light. We thought it might have been due to him gradually losing his eyesight as his eyes clouded over. And then he had the scariest medical episode of his life thus far. He was just coming in from using the lawn, and he seemed to freeze up like a statue, all his legs going rigid. I was getting the leash off of him and he just tipped over onto his side as I called for Heather who was across the room. She came and picked him up and he was as stiff as a board with his legs and neck outstretched. We tried to comfort him with words and touch as best we could, though we couldn’t tell if he could hear us. He stayed like that for maybe thirty seconds and then suddenly he went as limp as a rag doll, with his head lolling down at an unnatural angle.
We really thought he was dead, and we were frantically telling him we loved him just in case, and he started to come awake, very groggy and confused. We of course rushed him to the emergency room and spent a long night there. At first they told us that it couldn’t have been a seizure, because nothing seemed to indicate a cause. But some of his digestive conditions make some tests give weird results, so they didn’t realize at first that he had dangerously low calcium, which was probably what caused the seizure. So we added more medicines to his daily regimen to manage his calcium levels and that stabilized him for quite some time.
Every month we were surprised but blessed that he was still with us and we cherished our time with him. We were both working from home, which did make it easier, because we could take him into one of our offices with us, and could usually rush him outside if he needed it. No more having to put him a kennel during the workday.
As time went on in those last months, he had more difficulty with appetite, more difficulty with vision, and controlling his bowel movements, and loss of muscle mass, and slept more and more. He had bad days pretty more and more often and we started to have conversations about when we would have to say our final goodbyes. We had to rotate between foods to try to tempt him into eating, but we were limited in our options because of the PLE.
We found that we could never leave him alone with Mabel in that last stretch because although she seemed to adore him, sometimes if he was acting strange like stumbling or struggling to get up she would react incongruously and either jump on him, or even one time she bit him though she had no teeth. We’re still not sure if she was just trying to help somehow, or if this was some kind of instinctual reaction or what.
The spring came late in 2023, but when the weather was nice enough we would still take him for walks, but we would take him in a stroller while we walked the other dogs on leashes, as he still enjoyed the fresh air and the sights.
We gave him a hair clipping in the spring with the help of Heather’s mom, because we couldn’t send him to the groomer anymore with all his conditions and he had gotten quite shaggy. It took three of us to do it, because he was getting pretty cranky about it at that time and snapped at the clippers a lot.
As May arrived, he was barely anything but skin and bones–when we had to give him a bath after a digestive issue, and all the fur clung to his skin, his ribs and other bones protruded very prominently.
He started to have trouble standing and walking for any period of time. We would feed him by hand in a bed, and when we took him outside we would stand him up and he could manage it after a couple tries and then we would carry him back inside. He got very sensitive about his head, which he normally would like to be pet, but if anyone pet him on the head in the last few days he would snarl.
He stopped eating his prescription food entirely and we had talks hourly about what we could do, what we could try, what other kinds of simple non-fatty foods we could try to feed him, and whether we needed to make the difficult decision yet. Finally, we decided, with him not eating anything and struggling to take care of his basic needs, we needed to make the tough call. We decided we would give him a chance to eat some junk food as a last hurrah, so on the last day he got to eat Arby’s roast beef, hamburger, chicken nuggets, and some other things that we normally could not allow him to eat.
The last week or so of his life, he could get very sensitive about being touched in certain contexts and he would snarl to try to get his space. Which, if he needs space, that’s fine, but it did make nights difficult because the dogs sleep in the bed and any slight movement would set him off. But it all worked out much better when we decided to put an open-topped soft-sided kennel by our bed, with a dog bed and a blanket inside it. That way he could have his space without being bumped, and we could know that he was safe and not wandering the house, and nearby so we could help him if he needed it. The last night with us, even though he was having trouble walking and didn’t seem to always know where he was, he was still diligent about informing us when he needed to go out, he reached the side of the kennel and clawed it with his paw so it made a zipzipzip sound and woke me up so I could take him out.
We used a home service, the first time we have done it that way instead of doing it in a veterinary setting.. After work we got him to the park for a last walk in the stroller before the vet came to our home, gave him special snacks. He passed away with the three of us holding his feet and petting him gently (but not on the head). After the first medication seemed to have him conked out, Heather patted him on the head and he still had some fight in him then because he snapped at it. But soon he slipped away peacefully, with his family at his side.
What Came After
Mabel missed him fiercely, looking around the house for him wondering where he was. Her general anxiety seemed to be worse. If she hears Michael yowling somewhere , then she has been freaking out trying to get to wherever he is. Maybe she worried that Mikko’s disappearance is not the last. We watched some old videos of Mikko; in the ones where Mikko barks she recognizes his voice and looks around for him.
Heather always looks for signs after a dog passes that the dog is coming back to visit. When Violet passed, she saw three cardinals in a group (one for each dog we had lost), so she was watching for cardinals again after Mikko passed. She didn’t see more than two cardinals the day after he passed, but she did find Mikko’s zebra leg, crab leg, and monkey paw lined up neatly under the projector screen where we watch TV and swore she hadn’t seen any of those for a while.
Don’t you understand? I only ever wanted to make you proud.
***
This is dawn: fields shading from black to grey, flicker-fading starlight, our voices raised against the wind and the red scarves whipping our faces. Our song levitates us ten feet in the air, above dirt roads packed down by wagon wheels and chariots: Carl Lang’s Canter, an ode to unseen horses and sunrise and longing. When we sing—as long as we sing—our feet do not touch the ground.
The town in which we finally stumble back to earth is a tiny nest of weathered homesteads: cows collared with slow-tolling bells, a rooster’s crow, the smoke of yesterday’s fires a thin scrape against the air. A wooden pole stands in the main square, dark with carvings—poems, its makers would claim, never songs. I have seen dozens like it, windblown as excuses.
We surround the faded house to which Maestro has directed me, shivering against the wind. The sky teeters on the brink of rose and indigo; in the rising light, our robes glow like ghosts.
“For the Great Sound.”
I raise my gloved hands against the cold. Seven pairs of eyes meet mine—an octet, two singers for each voice part. Each of us newly minted lieutenants, eager to prove to the Empire our worth.
“For the Great Sound,” they murmur in turn, and adrenaline arches through my body.
I was born for this. Have trained all eighteen years of my life for this.
I sing our starting notes—a high clear D minor triad, no pitch pipes, not with us—and our voices call down fire.
***
This town. One of the Emperor’s spies heard a violin, its sweet unmistakable lilt escaping through the crack in a window, laughter muffled but not silenced by cold stone walls. The instrument itself is not strictly outlawed—only voices bend the earth, the air—but where there is a tune, there are songs, and where there are songs—
Foolish, these people. It has been a hundred years. They should have known.
***
We learn four songs for fire, one for every two years we spend in the Conservatory.
Ember, to warm.
Spark, to illuminate.
Flare, to signal.
Inferno, to destroy.
We discover, today, that the Inferno blazes red as the brightening sky.
I discover, today, that I can hear the violinist’s screams as she burns, even through her walls.
***
We touch down before the Conservatory wall as blush-streaked clouds pearl to white, our robes still dusted with ash. We could sing them clean, of course, and we do, for performances. But this is different: this is the blood streaked on the sheets of a first wedding night, this is the battle scar lanced across a once-soft hand, this is our only trophy when traitor and house have burned to ground.
“I hate when we hear them.” The second tenor—Cas. He leans into his roommate as we pass beneath the Conservatory’s marble watchtowers; the fog of their exhales curl into a single creature.
“Why?” I ask, and the two of them stiffen in tandem, feet lifting a beat too long. “The town is better off now than it was before.”
“You’re Hanwa,” the roommate tries—eyes lingering too long on my black hair, my olive-toned skin—and shrivels under my glare.
“The Empire honors all who serve it.” I stride back to barracks ahead of them, my red scarf flashing behind me, and hum the first few phrases of Inferno—my part only, and therefore harmless—over and over.
***
I wonder if you blame yourself.
I wonder if you think that first piano a mistake: the chipped ivory greyed with sweat and age, the wooden contraptions you strapped around my feet so that, at age four, I could work the pedals but not walk away from the bench. I wonder if you regretted sending me to the church elder who twisted my ears, or the sawdust-grubbed coins you slipped into his pockets as I pounded my fists on the piano bench and screamed.
I will not blame you. There is no fault to be found in a dark man in a pale empire, who only wanted the best for his daughter.
But what did you expect, stranger in a strange land? What did you think would happen?
When the soldiers came, whose song did you think I would sing?
***
“Bravo, Vitka,” Maestro tells me, one hand on my shoulder. Our steps echo off fluted columns, the wide marble hallway with its blue pools of floored sunlight, and my breath catches again—the Darbaum Conservatory, and I am inside, eye to eye with its commanding officer, addressed by the Imperial name I chose. “Cas tells me the house was but a smudge of ash by the time you were done.”
At least that boy gave credit where credit was due. “Yes, sir.”
We walk shoulder to shoulder through the mahogany double doors, thrown open to fresh winter air, then down the sweeping staircase. Maestro’s epaulets glint red and gold—four stripes like a future.
“There is talk,” he says, “of your company touring this season.”
A second dawn blooms in my chest. “Is there?”
He looks at me sideways. “I’m only telling you what I’ve heard.”
Darbaum has twenty companies of fully trained Kor, nearly two hundred voices. Ours is one of the smaller ones, but we never needed to be many, only the best. I would know—I chose them myself. I incline my head. “We would not be worthy of such an honor.”
At the base of the staircase, we pause. An old man stoops beside the adjoining road, robed in brown. A stranger, not a soldier, whom the guards have somehow allowed through.
When he looks up, his eyes widen, and he calls me by my Hanwa name.
***
No.
That man is not you. That man—bony-shouldered, twig-thin arms, white wisps of hair strewn over balding shine—cannot be you.
“You,” he says, his outstretched finger trembling, and I sing of crushed lungs and fleeing air until he sinks to his knees.
***
I do not kill him.
I do not kill him, because the Empire has not yet decreed it, because it is not my place to decide whether he is deserving of life or death.
I only let him fall, and as a couple second-years drag him away, grey robes fluttering, I watch Maestro’s eyes crinkle into a smile.
The stranger dies later, in the infirmary, fists clutched to his heart.
***
Again, you said, your breath heavy on the back of my neck.
Again.
Again.
There were never any blisters on my fingers—only an ache in my wrists and elbows, fear charring ash on the back of my tongue. I always got it right ten repetitions too late: ten lashes, two more hours stiffening on the cold bench, wincing every time I didn’t reach high enough.
Again, you said, and I watched a tear slip silver between the keys, burning a new vein like weakness. And I think, now, that you had no song but this: the shout and the lash, your arm weighted with all the lives you never lived; your insistence, in this country where you were suddenly nothing, that I live them all instead.
***
Crimson curtains rise on a mahogany-paneled amphitheater, a sea of silent faces. The Empire does not like to loose its hold over political prisoners, even after the labor camps; our people are too weak to handle the truth of governing, and rebellions may spark at a few overwrought stories.
And so: this room, velvet-swathed and trimmed with gilt, the prisoners’ wrists bound to their chairs and lined up like an offering. Pink trails leaking out of their mouths, from tongues excised by sixth-years in grey.
I raise my arms, hum an A and then D-sharp: the devil’s interval.
Song of Dissolution is dangerous even in pieces—we have only ever rehearsed in twos or threes, lest the world begin to twist—but in its fullness, every part will slip between three others at a time, echoing, amplifying, modulating. Accidentals will fall like stones in a stream—ripple through the main thread until the entire melody shifts, pulsing and perfect, and dissolves every living thing within its parameters to sand.
No one ever leaves this song alive—sometimes, if they’re not careful, even its singers.
Cas’s gaze meets mine. Behind him, another five hundred glares, heavy with apprehension. My palms tingle; my throat pulls taut. Ghost tongues lick the shells of my ears.
Behind me, I hear my Hanwa name.
The amphitheater goes liquid and slow, my hands frozen in the sign of universal surrender. Beyond the stage, half a thousand souls suck in the last oxygen they will ever breathe, blood sliding acrid down their throats.
Focus. One slipped note and the song’s power will ricochet. We will have to start over, if we have not already crumbled to powder—begin again and again until the fabric of the world bows, burns.
I hold the F-sharp behind my tongue. My pulse roars.
I am Kor, I tell myself. I am unbreakable.
My hands rise of their own accord, the old dance beaten into their bones, and on the count of four they fall like blades.
***
You arranged that first and only gathering—gathering, not a performance, because performances were events attended only by the Emperor and his entourage and cause for execution for anyone else. This gathering only a wind-beaten barn on a hillside, steeped in sunlight and old hay; the blacksmith’s sons grunting the piano up the hill as I stood quietly under a blossoming redbud. Only the slow plink of other children’s attempts, their mothers’ dry coughs and light clapping after.
And then. Then. The creak of the old bench, the linen rustle of my new white frock, and my hands danced across the keys as if they had been born knowing, and this was my language: not the stilted sounds I forced out in the schoolhouse, swamped by boys’ laughter and tainted with every word you spoke to me; not my head ducked in silence as the town ladies pursed their painted lips.
This, dark wings curled inside my ribcage. This, singing out of my hands.
No one would quite meet my eyes, after.
You must be twice as good, you said, and I was. I was.
***
Our octet sings of autumn: leaves red as proclamations, sun sunk cold beneath turning ground, high hills sharp with the melancholy of coming snow. It is a melody to tug at your heart and your bones; to take you apart, particle by particle, until all that is left of you is dust.
The prisoners listen, impassive at first. Then Ana slides into the arc of a soprano solo, the rest of us fading on a minor triad, and the darkness loosens like a sigh.
My hands, conducting, go still. From the seats, sand drifts upward, snow-soft, glittering under the lights. Hands disintegrate to nubs, pull out of manacles—except by the time the first man thinks to flee, he has no feet to stand on, then no calves, no knees.
Their eyes are the last to go: pinpricks of light, inscrutable as stars. Some of them, perhaps, the same brown as mine.
When we finish, quiet fills the amphitheater like a sunlit afternoon. Sweat gleams on our foreheads; my throat is a dry scrubland. I meet my singers’ eyes one at a time. We survived. We survived.
Then Cas, the idiot, chuckles—and we fall to our knees, howling with a laughter that should not be.
***
Maestro meets me outside the green room. His hair is dusted white—the third-years’ clean-up Whirlwind not terribly precise yet—but his uniform is starched ceremony-sharp.
“The Council would like to hear you in Kelsburg,” he says, both hands clasping mine, and a strange vertigo twists inside me, as if I have left my body. “They’ve commissioned a new octet from Carl Lang. Mountains and Night Sky. Absolutely sublime.”
The old man’s face ghosts the edge of my vision, his eyes flashing a warning. No.
But he has no power over me. Not anymore.
“Perfect,” I say, and smile so hard it hurts.
***
The morning after the gathering, the soldiers came to our town.
Flash of white at my bedroom window, song trailing the air like the first breath of summer, and I slammed out the door, my heart a bird thumping between my ribs.
“Take me with you,” I shouted, and my voice slapped the walls of other houses, cracked through my neighbors’ open windows. The blacksmith’s curtains flicked. I didn’t care. “I’m ten, I play the piano, my father wants me to go to university for it but I’d rather learn to sing—”
The Kor stopped in midair.
Two towering pillars of white, golden hair and eyes of lightest ice. Angels, I couldn’t help but think, come to answer the prayer sung by my hands.
“How old did you say you were?” the one to my right asked, and even their voice was a melody.
I lifted my chin. “Ten.”
“Then we will have you tested for the Conservatory.”
They did not ask my name. One of them nodded over my shoulder—to you, stooped in the shadows of the house, the lines of your face deepened with many hours beneath the sun. You, who had seen me run; who were already stooping under the weight of having raised a traitor.
You touched your interlaced fingers to your forehead in the old manner—I had seen you, some nights, thus salute the shrine in the corner of our bedroom—and bowed.
“Do as you wish,” you said softly, your mouth moving as if you knew some poem, some song, that would not gutter out like a candle in the sweep of the Empire’s storm. You did not look me in the eye. “Be good, child.”
You did not say my name, either.
“I will,” I said solemnly, my feet already turned toward my saving angels, and I meant it, and it was that easy.
***
Curtains rise on arches of stone. Chandeliers slant the walls amber, paint the air honey-thick. This is the Kelsburg Cathedral: a marvel of marble and glass, a prism of glitter when the earth turns toward dawn. Premiere stage for the Great Sound, and for us.
Our audience is eager this time—all powdered wigs and lush velvet cloaks, song-paled faces and bosoms crooned to voluptuousness.
“Sing!” they cry as we circle onstage, our white robes glowing from recent serenade. “Sing!” As if our voices could not kill them in a minute. As if they are not playing with fire.
But we can sing beauty, too, and Mountains and Night Sky carries us to the top of the Empire’s highest peak, the Milky Way flung high into the dark. Out beyond the velvet folds of sound, someone begins to weep.
Come back, you say, and then you are standing beside me on the peak, hand outstretched, and it’s really you this time: dark-haired, broad-shouldered, your mouth hardened the way it did when my fingers slipped yet again on the keys. This is not what I wanted for you.
The song wraps me in gossamer, a silken swath of stars. I keep conducting; my voice skims along roads I have paved in midnight rehearsals and traveled in dreaming. If I stop now, the illusion will wither, cast us as a company of fools. And there is Darbaum to consider: we will not be the first of its graduates to have slipped a note, but Maestro will know, and everyone listening. The school will lose face.
Not now, I think, but you shake your head.
You don’t know what they will ask of you next.
My throat moves in reply. Spit shoots down the wrong path, and shock lances my fists as I choke, try to swallow, breathe, breathe—
Instead, I cough, and the stars break.
***
“Vitka,” Maestro says, and his eyes are so kind. Cas stands silent and knowing behind me; a crimson bandage wraps Ana’s ear where the thwarted song lashed out mid-phrase. “Are you all right?”
Sleet spatters our foreheads. We are huddled outside the cathedral, cold seeping through the cracks in our boots, waiting for a carriage. No songs of unseen horses now—the rest of the company is too afraid to try.
The people dashing past us to ice-slick carriages pay us no mind, as if we have become one with the sopping hedges.
I raise my chin. My throat is dry, now. My knuckles warm with the echo of fingers wrapped around mine.
You used to hold my hand, when we walked into town. As if you could keep me safe.
“Yes, sir,” I say.
Maestro’s gaze flicks to my scarf, and it is my turn to be afraid. “Good.”
***
The next week, Maestro tells me of a whole town, singing. The Empire’s command: Inferno in the broadest parameters we’ve ever cast, a mile-wide radius of destruction.
No, you say, as I grin.
Yes.
***
We sing, we break.
Grandhalls crumble; horse-drawn carriages stagger and burn. A treasonous composer collapses in his ivory tower; seditious dukes gasp their last breaths in Oslar, drowned in oceans of sound and fury. Nobles stop to greet us in the Conservatory halls; Maestro begins to smile once more.
With every song, I tongue the fear at the back of my throat and vow: never again.
But even so. Even so. Your face darts through the fringes of my dreams. Your gravity bends me in an arc around your will. Your voice plunges into the soft place beneath my sternum; slashes down, spilling warmth.
And I feel myself crumble, hourglass-slow, into the shape you always wanted me to be.
So I sing louder. I break faster and for an hour, a day, I drown you out.
***
Our last stop is the Emperor’s palace, Mountains and Night Sky ghosting our inner ears alongside a new commission from the Emperor himself. This stage is its own world—colored glass threads the high beams, wrist-thin stone columns shoot up to a high crimped ceiling; as we arrange ourselves for sound check, sing a few experimental phrases, I think about the time you rode the carriage with me to Hettgart University, folded your hands as I craned my head up at centuries-old frescoes. The Emperor’s commission today is just that: Glory. An alto-tenor duo like a herald-march of trumpets, bass lines austere and forbidding as mountains touched with winterlight. Broken midway, its parameters incomplete, the song will whiplash as utter void.
B, D-sharp, F-sharp. My absolute pitch does not fail me. My hands do not shake as they rise. The eight of us breathe in together and soar from phrase to phrase, harmonies bloomed spring-bright and sparkling with dew.
Halfway through—a golden swell beneath my ribcage, clean scent of ocean, the Emperor’s distant inhale like a catching sob—your voice blows warm in my ear.
I love you.
You know that, right?
My throat closes.
In the silence, I watch my hands fall.
***
I love you.
I don’t know if you did. If you do. I don’t know if this weight you thought was love simply failed to translate, or how much of your strength was desperation, or whether it was a thing you used to know, the way one learns a poem by heart and then loses it to the slow grind of time. I don’t know if I can forgive you for once holding my hand, or myself for needing you to.
Only this: that I was never your promise to keep. That my future was never yours to bequeath me. That you wanted, and I ran, and maybe our need outpaced both of us—yours to sing through me, mine to be more than your song.
But I was always going to be your daughter. I could never have run away.
***
This time, when the song recoils, it shoots straight for my heart. As if it knows.
P. H. Low is a Rhysling-nominated Malaysian American writer and poet with work published or forthcoming in Strange Horizons, Tor.com, Fantasy Magazine, and Death in the Mouth: Original Horror By People of Color, among others. P. H. attended Viable Paradise in 2019 and participated in Pitch Wars in 2021, and can be found online at ph-low.com and on Twitter and Instagram @_lowpH.
