BOOK REVIEW: Deadlocked by Charlaine Harris

written by David Steffen

Deadlocked is a romance/mystery/horror novel from 2012, the twelfth in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

In the last book, Eric, Pam, and Sookie succeeded in killing the vampire Victor, the representative of the king of this vampire district.  As the book starts, Felipe de Castro, the aforementioned king, visits the area to investigate the disappearance.  Eric hosts a party in his honor, and during the party, a dead woman is found on the lawn of Eric’s house.  Meanwhile, Sookie is struggling with the quesiton of what to do with the magical fairy artifact left to her by her grandmother which will grant her one wish.

This one was definitely a pickup from the last book (which was in my opinion probably the weakest in the series), and there was lots of tension built in from the beginning which definitely kept my interest throughout.  The mystery involving the dead woman was… a little hard to follow, seemed like it was built backwards from the resolution, if that made sense?  Like one of those locked-room mysteries that is interesting to unravel but is also kind of absurd in retrospect.

One book left in the series!

BOOK REVIEW: Dead Reckoning by Charlaine Harris

written by David Steffen

Dead Reckoning is a romance/mystery/horror novel from 2011, the eleventh in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

Sookie witnesses the firebombing of Merlotte’s (the bar where she works).  Before Sookie gets to the bottom of that, she finds out that her vampire boyfriend Eric is plotting to kill the oppressive representative of his vampire district, and she is drawn into the plot.  She has also been chafing at the blood-bond between her and Eric that makes a telepathic feedback loop between the two of them.

I thought this was one of the weaker books in the series.  Most of the books have a lot of subplots but it still feels tied together around some central conceit or main plotline.  This one… just felt scattered.  And, Eric feels very different in this one.  Eric has always been a bit opaque and frustrating (not in a bad way, I mean) but in this book he just struck me as being purposefully obtuse on every damned thing, that I just wanted him to go away and stop being the current love interest.  If the series hadn’t already ended by the time I read this book, I probably would’ve stopped reading in the midst one and not kept going.  (But since I knew there were only 2 more books I did keep reading).

 

DP FICTION #41A: “Crimson Hour” by Jesse Sprague

Don’t think. Don’t feel. Concentrate on the work. Berend sliced under the unicorn’s scarlet hide. He worked swiftly to skin the beast while the pelt remained a vivid red. For a short time at dawn and dusk, a unicorn glowed red, and only during those few minutes could a blade pierce the animal’s hide. Normally, animals came to his butcher shop gutted, but with a unicorn that was impossible.

As he pulled the pelt back, he pondered the cuts that would come next. He’d have to remove the heart first—for the Hero.

Lined up on the stone table beside the unicorn, an array of tools waited. For now, the bone knife was all the job required. Berend’s hand paused under the unicorn’s jaw. The village shaman had already removed the horn, leaving a jagged circle of white bone. Around this circle and coating the muzzle was a thick splatter of human blood.

The blood of my only son.

Forcing thoughts of Ulfric from his mind, Berend focused on his work. He finished removing the precious hide, already darkening to the onyx black a unicorn took on at day’s end.

“Rhea!” Berend shouted before recalling that his daughter, along with his wife, were with the healer preparing Ulfric’s body.

His eyes filled with tears, obscuring the room. In front of him, the carcass wavered. And the rest of the stone-walled chamber blurred like a half-forgotten dream. He barely made out the faded paint on the wooden door or the unshuttered windows.

Stop! Keep working.

A few squares of butcher’s cloth lay over the display counter across the room, waiting for the flesh of the beast. And behind the counter was the cold-room’s door. He’d have to lug the carcass in there before the evening ended.

This was no way to mourn. He shouldn’t touch dead flesh for half a moon out of respect for Ulfric’s death. But no one in this village would understand a two-week break from the butcher.

If only I were home. Not this land forgotten by the ocean.

The constant ache in his right leg rarely let him forget why he’d relocated inland. With a gimp limb, he’d have been useless to his warfaring people and had wanted to find a new purpose. Here, far from the sea, he’d met a butcher’s daughter. And with her by his side, being an outsider hadn’t seemed too great a burden.

Berend turned back to the carcass. From amid his knives, he selected a bone saw.

With the full force of his weight, Berend sawed through the animal’s sternum. A scent of summer pollen and iron wafted from the cavity. Then, shunning tools, he trusted to his bare hands and cracked open the chest cavity.

Outside his shop, a burst of cheering filled the town square. Cheers for the man who’d slain the beast that had been terrorizing nearby towns for months. Cheers for Chariton, the Hero of the Mid-Kingdoms.

Berend gritted his teeth.

“Hero,” he sneered, and drove his thick-muscled arm between the unicorn’s ribs. His hand sank into the beast’s slick innards.

He carefully extracted and trimmed the heart. After crossing the room to the counter, he set the organ onto a square of butcher’s cloth.

A sob broke from the prison of his chest. His body hunched, shaking as loss washed over him.

Ulfric had been a good son. Uninterested in the family business, but strong-spirited.

Of late, his son had spent more and more time in the forest. Yet despite hunting so much more, he brought less and less game home. Had a sense of debt to the family driven him out there? They’d never needed the meat. Ulfric hadn’t needed to go into the woods.

“Papa?” Rhea’s soft voice preceded her young arms around him by mere seconds.

How did I miss them returning? Berend wiped his face with the back of his sleeve and straightened. His wife, Naiyah, stood in the doorway, looking gaunt. Her olive skin appeared waxy, and a leaf hung in the wild coils of her hair.

He wrapped his arm around Rhea. She leaned closer to him as he stroked her hair, black like her mother’s—like all the locals—rather than his own oaken brown. His daughter didn’t flinch at the dark blood coating his hands. At ten, half her brother’s age, she was already better with blood than Ulfric ever had been.

“As you asked, his body has been prepared to your custom.” Naiyah’s brown eyes stared past her husband and daughter at empty space.

“Thank you.” The words ground from Berend, bitter and cold. He didn’t feel thankful. It didn’t matter that Naiyah had agreed to anoint the body with salt and paste, or that she’d shaved him clean.

Ulfric’s bones would never make it to the distant ocean. He’d never board the White Ship and travel with his ancestors.

“We take him to the Wall tomorrow night,” Naiyah said. “Since tonight is reserved for the Hero’s Feast.”

Berend cringed. Of course, Ulfric’s not as important to those damned villagers as celebrating Chariton. Why should the butcher boy’s death matter to them?

Naiyah looked so frail and empty. Despite the riot of emotion in him, Berend held his tongue.

“I’ll prepare the heart for Chariton,” Rhea said, looking alternately at her parents’ grim faces.

“No,” Naiyah and Berend said together.

He would not burden his only daughter with butchering the beast that had skewered and eaten hunks of flesh from her brother. Nor would he ask her to serve a dish of conquest to the cowardly Hero who’d watched Ulfric die, used him as bait.

Even if Ulfric had volunteered to lure the unicorn out and keep it revealed until dawn, which Berend doubted, no Hero should have taken such a sacrifice. Not from a man so young.

“Come.” Naiyah motioned to her daughter. “We’ll prepare an evening meal. I will not attend the feast.”

The two retreated to a stairway at the back of the room and descended into their living quarters.

He glanced out a window.

The square seethed with villagers. At the center, on the raised platform used for announcements and performances stood the five village leaders and of course, Chariton.

The shaman addressed the crowd with an arm slung around Chariton, but Berend couldn’t hear the speech. None of the man’s words mattered. Still, he watched.

Chariton stood there, his blond locks and golden skin contrasted with the locals’ darker coloring. He stuck out like one dipped in starshine.

Berend could imagine the praise being heaped on this paragon of an adventuring Hero. He’d slain the unslayable unicorn. He’d lured it out at the precise moment of dawn when the unicorn’s hide was penetrable, before it turned the blazing white of the Summer sun.

But, he’d used Ulfric as bait to tempt the beast. Had Chariton met Ulfric in the woods and tricked him? Or had he fooled Ulfric in town and led him away to the dawn which would be his doom?

My son gave his life. Where’s the recognition of that?

Berend smashed a fist into the counter. And worse than giving his life, now his soul will be barred from the White Ship because I can’t find a way to bring his bones to the ocean.

Before he could do more, Rhea emerged from the family quarters, holding a wooden bowl and a white plate. She crossed the room. Her hands held out the food like a religious offering.

“Here, Papa. Eat this.” She placed the bowl of berries and nuts on the counter. The plate held squares of fresh cheese. No meat. “Momma’s planning to make liver for us, but I knew you wouldn’t eat it.”

Berend wiped his wet eyes, refusing to cry in front of the girl again.

Rhea paused, her face scrunching with unspent tears. “Nothing helps. It hurts, but none of the rituals help. How do I go on?”

“Only time eases the pain. We can’t bring him back, and helplessness would drive us insane if we didn’t do something.”

“But it isn’t enough.”

“We do what we can.” Outside, the last of dusk’s angry light faded.

***

Berend took a long swig from his bottle—Barenfang from his homeland. The sharp, honeyed taste coated his tongue and his throat.

The evening air stank of charred flesh and a cloying incense. Smoke choked him and stung his eyes. Yet the warmth provided by the bottle built a barrier, brick by brick, between him and the ceremony.

Naiyah wept beside him. The light from their son’s pyre flicked over her features. Leaning against her mother, Rhea trembled, red-eyed but expressionless.

His hand instinctively grasped the hunting knife at his side. But death was not a beast he could defend her from.

Behind the fire stood a pale silver wall that spanned the entire clearing. The locals called it The Wall of the Gods. The stone was uncarvable and yet markings of unknown symbols covered it—leaving no dents in the stone. At the foot of this wall lay piles of blackened bones from previous funerals.

Berend took another deep drink. His son would rest for eternity in this foreign place. But what option was there? There was no ocean within a moon’s ride. Even if he could ride so far with his leg, he couldn’t leave his shop.

I can’t watch this.

Berend turned from the stinging flame and began walking. He had no desire to return home. Instead, he hiked off the path to a stream. It was a place he’d taken Ulfric when the boy was young. Where Berend had first taught Ulfric to hunt—the one interest the two had ever shared.

He sat on a rock until darkness fell. Then he remained, listening to the stream gurgle and sigh as the night air fed his guilt and regret.

Near dawn, his body stiff and chilled, he fought his way through the heavy brush toward the path. His leg ached as he moved, and by the time he reached the trail, it took effort not to limp.

Despite the darkness surrounding him, the impending sunrise sent out its first pink haze. His family was bound to wake and worry. But, the thought of returning home—returning to Naiyah, returning to Rhea who floundered under the weight of her grief—offered his fevered mind no relief.

He headed toward where Ulfric’s pyre had been. Maybe there was comfort there.

Berend limped along until he glimpsed the Wall through the trees. An uneven gold light danced over pale stone.

But why? The town’s custom was to leave around nightfall once the pyre finished burning.

He stepped into the clearing. A steep hillside dropped off on the opposite side of the Wall. From this angle, it appeared to rise from the edge of the world.

In front of both wall and abyss, a golden-haired man tended a small fire, a pile of sticks at his side.

Chariton, the Hero of the Mid-Kingdoms.

A bitter taste filled Berend’s mouth. Him! The coward who watched Ulfric breathe his last breath dares to linger here by his bones. Berend drew the hunting knife at his side.

Without a sound, he crept toward the light. The tactics of war, not used since his youth, were not forgotten.

The advice he’d given Rhea returned to his mind. Helplessness will drive us insane if we do nothing. Gutting Chariton would be doing something.

He lifted the blade as he slunk behind the seated figure of the Hero.

Chariton’s shoulders shook, and he leaned into his hands. Berend paused.

The fire cracked.

“If you wish to slay me,” Chariton said, his voice heavy with tears, “do it.”

The butcher lowered his arm.

“Do you know the legend of this wall?” Chariton asked.

Berend didn’t answer. Rage fought with doubt inside him.

“They say, if a man can damage it—make a mark on the surface beside the sacred markings of the gods—he can bring one he loves back from the dead.” Chariton motioned toward the pile of bones. Something shone in their midst.

The blade of a sword.

Chariton lifted his right hand where he held an empty hilt.

Fragments of thought moved in Berend’s mind, but they fit nowhere. The Hero’s presence here—his concern over Ulfric’s death—made no sense.

Berend grabbed the Barenfang from his coat, took a swig, and sat beside Chariton.

“Why do you care?” Berend asked. “Do you feel guilty?”

“The story circulating isn’t true.” Chariton gave a dry laugh. “What could I say that would improve Ulfric’s legacy? Not the truth. As a willing sacrifice, he’ll be remembered as a heroic spirit.”

Berend gazed at the broken sword. He remembered Ulfric’s recent absences from the family home. And hadn’t Chariton been around more than usual? Typically, the Hero disappeared to look after other towns or sought distant foes.

“You loved him,” Berend said, each syllable dropping grudgingly.

“Heroes don’t live long. Villagers throw virgins at me, but none would offer me someone to wed. I travel and follow the will of the gods. This life offers much, but not a family, not love.” Chariton threw a stick into the flames. “I got greedy. I neglected my duties and stayed here. This is my punishment. The gods don’t speak, they yell.”

Berend sighed and offered the Barenfang.

Chariton waved the bottle away. “I don’t drink spirits.”

“It’s from my homeland—meant for Ulfric’s wedding.”

Chariton took the offering and drank. A soft predawn glow whispered near the top of the wall.

“How did it happen?” Berend asked.

“Ulfric and I had made camp. As dawn came, I left to get water from a nearby stream. By the time I heard him scream, it was too late.”

Berend understood. Even if no one else knew, killing the unicorn was retribution for Ulfric’s death—the cry of a heart shattered, now avenged. But he felt no better.

He stared at the fire, then, at the Hero’s golden hair. Chariton is an outsider too.

“The fire, it’s your tradition?”

Chariton nodded. “The flame must stay lit all night. The spirit fire will guide his soul to the afterlife. Who knows what tradition, if any, is true, but I feel better knowing I’ve done all I can to aid him.”

Berend looked at the Hero. Here was someone who might understand, someone who might be able to help him.

“Can you do something for me?” Berend asked. “On your travels, when you come to the ocean, can you lay one of Ulfric’s bones on the shore for the tide to consume? Only a single bone and the White ship will find him.”

Chariton’s shoulders hunched, and he took another drink of the honeyed liquor. “I can do that.”

Berend reached out and wrapped an arm around the Hero. The crimson light of dawn made its own writing on the Wall of the Gods.

 


© 2018 by Jesse Sprague

 

Jesse Sprague has previously published several speculative short stories, including the Once Upon Now anthology by Gallery books, two short stories published in Seattle Crypticon’s Decompositions 2017 and stories in both the Nemesis and Undeath by Chocolate anthologies. Her book Spider’s Game, the first in a three book series, won a Watty award and can be read on Wattpad. Jesse can be found on facebook at https://www.facebook.com/JesseSpragueauthor/  her websitejessesprague.comand on both Wattpad as @jessesprague and Radish Fiction.

 

 

 

 


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HUGO BOOK REVIEW: Provenance by Ann Leckie

written by David Steffen

Provenance is a science fiction novel written by Ann Leckie released in September 2017 through Orbit Books, which takes place in the same universe as her breakout Imperial Radch trilogy (Ancillary Justice (2013) , Ancillary Sword (2014), Ancillary Mercy (2015)).  This book takes place shortly after the events of Ancillary Mercy.  It doesn’t share any of the characters or settings, but some of the political forces, cultures, technology, and alien races are familiar to those who’ve read the trilogy.  I don’t think you’d have any trouble following the story if you hadn’t read the trilogy, and I think it would work fine as a standalone, but you may have a shortcut to understanding certain elements from having seen the cultures and species in the previous books.

Ingray Aughskold is the adopted daughter of a wealthy politician, eternally pitted against her brother for her mother’s favor since her mother hasn’t chosen a successor for her position yet.  Always outdone by her brother, Ingray spends all of the money she has at hand in a desperate bid for her mother’s attention, and pays to have a criminal smuggled out of what is supposed to be an inescapable prison for a far-fetched scheme to win money and fame.  When the person she is delivered claims to have no idea who she’s talking about, she’s back to square one on a strange planet with very little resources.  She can’t call her family for help if she wants to make it anywhere in the competition with her brother.  She tries to salvage some scraps of her original plan.

I enjoyed revisiting the universe from the original series, and to see some areas of it that are not familiar.  Most of the trilogy had taken in Radch space and so was colored by Radch technology and Radch politics and Radch culture.  This takes place outside of Radch space, though there are Radch characters.  One of the interesting things about the Radch trilogy had been that Radch refer to everyone by default pronouns and have little to no concept of differing genders at all, finding it very disconcerting when they need to speak in other languages where gendered pronouns are required.  In this book, you get to see a mixture of different cultures and how they view things like gender, and tradition, and I found that fascinating.  I was also very excited to get to see closer interactions with one of the alien races that I hadn’t seen in the Radch books.  While Ingray did have a vague plan in mind for much of the books, I felt at times that coincidences tended to land a little too neatly to make it all work out, but the plot kept me guessing and I was rooting for her along the way.

I recommend the book, especially if you read the Imperial Radch trilogy and would like some more from the author in that universe.

 

MOVIE REVIEW: The Incredibles 2

written by David Steffen

The Incredibles 2 is a superhero family action/comedy animated feature from Pixar, released in June 2018.  It’s the sequel to The Incredibles, the first in the series, released way back in 2004.  The Incredibles 2 picks up where the first one left off, after the superhero family has had their first big win together thwarting Syndrome’s plan to set up superheroes for failure, and with the emergence of the Underminer’s big drilling machine from under the city.

The family joins together again to save the city from the Underminer (John Ratzenberger), and soon after Elastigirl aka Helen Parr (Holly Hunter), Mr. Incredible aka Bob Parr (Craig T. Nelson), and Frozone aka Lucius Best (Samuel L. Jackson) are approached by rich superhero-sympathist brother-and-sister business partners Winston Deavor (Bob Odenkirk) and Evelyn Deavor (Catherine Keener), who want to start a new campaign to make superheroes legal again, starting with financing Elastigirl to fight crime and improve the public image of supers.  Bob and Helen talk it through and decide that she should do it, in part to make a more accepting future for their children Dash (Huck Milner) and Violet (Sarah Vowell).  Bob stays home to watch the kids while Helen goes out on this mission, and their baby Jack-Jack begins manifesting superpowers.  Soon a new supervillain rises, Screenslaver (Bill Wise), who uses hypnosis to turn others into his minions.

People who are susceptible to strobelight-triggered seizures should be aware that there are some scenes which have intense strobe effects without warning, so I would suggest you should avoid this movie for your health.

Overall this movie fits Pixar’s high-caliber storytelling, lots of fun action, funny lines, memorable images, and high adventure.  As with almost all of Pixar’s other movies I would highly recommend it, and I would see it again myself given the opportunity.  In particular, with a young child myself, I completely related to Bob Parr at home trying to take care of a superpowered baby who has teleported into another dimension or has turned into a monster at the mention of cookies.

But there was something that bugged me about one of the storytelling choices here that is not up to Pixar’s usual storytelling standards–Pixar pulled a major and obvious retcon of the events from the first movie… and it’s not clear why.  At the end of The Incredibles, they discover Jack-Jack has powers.  It is, in fact, a major plot point that contributes to the resolution.  The super-villain Syndrome is very good at risk-assessment and he has plans for how to deal with every anticipated threat.  The only way that they succeed in defeating him is that he tries to kidnap Jack-Jack and Jack-Jack suddenly starts manifesting powers in an highly unpredictable way.  This distracts Syndrome long enough and he ends up getting sucked into a jet engine and the jet crashed on the Parrs’ house.  But… Pixar has apparently decided that somehow, Syndrome was defeated, and the Parrs’ house was destroyed by a jet crash, but that somehow this happened without Jack-Jack manifesting his powers.  And now Jack-Jack unexpectedly manifesting powers is a major plot point in this movie.  I suspect that they did this because they felt it would be implausible for Helen to leave Bob alone with the family right after Jack-Jack starts showing powers, but they could’ve figured out a way to write around that.  So that bugged me, not enough to hate the movie, but enough that it was distracting, especially when each character declared “Jack-Jack has powers?!” as though we hadn’t already known about all that already.

 

Anime Review: Hakata Tonkatsu Ramens

written by Laurie Tom

hakataramens

Hakata Tonkatsu Ramens has a ridiculous premise, but once you buy into it, it’s a lot of fun. Hakata City, within the Fukuoka Prefecture, is city so populated with hitmen and other criminal elements that they’ve essentially organized into businesses. Not public facing, mind, but this is the kind of show where in the first episode a hitman finds out someone else has already killed his target, because, well, hitmen are just that easy to hire. (I imagine people with enemies don’t last long in Hakata City.)

Private detective Banba and genderbending hitman Lin are the two most prominent members of the cast, and following their story is the first arc of the series, but the first arc also introduces their fellow miscreants and the show becomes an ensemble after that point.

The cast is very good at what they do, but they sell themselves as people first, rather than what their jobs could have made them. Jiro might be in an unsavory line of work, but he’s an attentive father (even if his daughter sometimes accompanies him on jobs) and a generally cheerful man. Maru’s enthusiastic about trying to find work appropriate for his skill set (torture is his preference, but he also avenges people for pay) and there’s something about him posting a job listing at shadyjobs.com telling people to ask about his rates that makes me laugh.

This is the sort of show where one character is visiting the doctor (who does body disposal), runs into a second character who is the middle of getting rid of a corpse, and then asks if he can use that corpse for a different job.

A series about criminals, whether they’re hitmen, information brokers, cleaners, or other unsavory things could have gotten really dark, and make no mistake they do their jobs pretty efficiently, but instead we end up with a group of friends who go out eating and drinking together after a long day and play baseball on the same club sports team. The series title comes from the name of their baseball team, Hakata Tonkatsu Ramens. It helps that anyone killed by the primary cast are other criminals with a lesser sense of camaraderie.

The one thing that really sticks out though is that there is a dearth of female characters, even among the less prominent members of the baseball team. Jiro’s elementary school-aged daughter is the most frequently recurring female character and there are only two others with speaking lines who appear in a handful of episodes. In a way it feels like Lin’s penchant for wearing women’s clothes only exists because otherwise they wouldn’t have someone in a skirt for the promotional images.

I do want to talk about Lin though. He identifies as male and he’s straight (he doesn’t like getting hit on by other men), but he likes to wear women’s clothes. The rest of the main cast doesn’t give him any crap about it. Rather, they just treat it as his particular fashion sense. I’m not entirely sure anyone in the core cast even brings it up, which is refreshing. The team does use him as bait on occasion because he can pass as a woman as long as he’s not talking in his regular voice (which is deep and unmistakably male), but that’s about the extent of acknowledging it.

Hakata Tonkatsu Ramens is based on a light novel series, and I suspect there were three or four books used to make this anime since there are four storylines, the two in the middle being the shortest. Because of that, the show doesn’t have an overarching plot, but rather distinct mini-arcs covering different problems.

Though the novels are still ongoing, the anime is entirely self-contained. It’s not the type of series that beggars a resolution (there is no master organization to take down, no big bad who must be defeated) so even though it ends on an arc rather than a dramatic episode that ties together everything that came before, it still feels more than satisfying.

I recommend Hakata Tonkatsu Ramens. It’s not Baccano levels of madness, but if you like humor with your hitmen it’s pretty good.

Number of Episodes: 12

Pluses: Great sense of humor, memorable cast of characters, genderqueer Lin is treated as just another part of the team rather than constantly having attention drawn to his choice in clothing

Minuses: Female characters are almost non-existent, first named female character is fridged to provide motivation for male character, ends on arc rather than a series ending

Hakata Tonkatsu Ramens is currently streaming at Crunchyroll (subtitled) and Funimation (dubbed).

laurietom
Laurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie’s short fiction has been published in Galaxy’s Edge, Strange Horizons, and Intergalactic Medicine Show.

DP FICTION #40B: “Withholding Judgment Day” by Ryan Dull

5:00 AM GMT

Brother Franco Corsini always woke up early when the world was ending. Some Elegian monks could roll out of bed twenty minutes before Christ returned and perform their duties without a hitch, but Brother Franco needed a long morning to get into the right mindset. He lay in the pre-dawn light with his blanket pulled to his chin and prayed for humanity in expanding concentric circles – first himself, then his monastery, then the city of Milan, the nation of Italy, the people of the world, the dead, the unborn, and all Creation. Through the wall of his cell, Brother Franco could hear his neighbor already rejoicing at the top of his lungs. But his neighbor expected Christ to return before 6:00 AM, and so of course he was yelling. Brother Franco belonged to the 2:00 to 3:00 PM GMT slot, which he shared with Brothers Dimitri Abdulov and Hernan Esteban, both of whom were currently sound asleep in the Elegians’ second monastery in central Colombia. Brother Franco had nine long hours left. He knew, but did not yet expect, in an immediate, physical way, that the world would end. For a novice, this might have been cause for alarm. But Brother Franco had been expecting the end for years now, and he trusted that he would get there, even if it took all morning.

The world was always ending. That was the miracle of the Order of Saint Elegius, that the world was always ending, but it never ended. Two thousand years ago, before Jesus Christ had ascended into Heaven, he had warned the crowds that he would be returning soon. For two thousand years, this soap-bubble Earth, this mass of lonely Creation inexplicably divorced from Eternity had crept along from one nervous moment to the next. The Bible says, “The day of the Lord will come like a thief in the night.” Time was short. The sun was low and the shadows long. And Creation, even as human beings laughed and struggled and prayed within it, hungered for the end. Creation knew what it was to be unified with the living God, and it knew what it was to be separated. Intolerable. Each new moment was a breach of natural law as absurd as walking on water, as shocking as resurrection.

And humanity needed every second. The early church fathers monitored the sky and tore at their hair. They weren’t ready for Christ. Just look at all the souls left to be saved. Look at the world, this unrighteous, unjust, humiliating mess. They needed more time.

Perhaps that’s why the Church called Elegius a saint instead of a heretic. A fifth-century legal scholar, it was Elegius who had first read Luke 12:40, “You must be ready, because the Son of Man will come at an hour when you don’t expect him,” and wondered aloud if that meant that as long as someone expected Christ to return, he wouldn’t. If so, a dedicated group of believers could postpone the End of Days indefinitely. His contemporaries had scoffed and Elegius, shamed, had moved on to other things, but the idea stuck around. There was something to it. It felt like doctrine was supposed to feel. Renounce the world in order to gain it, die in order to live. Expect God’s return in order to forestall it. Why not? It was Gospel. More than that, it was useful. Hence, two centuries later, the Order of Saint Elegius. They had persisted for over fourteen-hundred years, and by all measures, they had achieved great success. The world was still here.

But eternity was long, and Armageddon only had to wait. And the Elegians – how can we judge them? They were few. They were secretive. They were a handful of well-intentioned clerical washouts who lacked the discipline to be Trappists, the humility to be Dominicans, the grades to be Jesuits. Their method was odd and their mission – there was no getting around it – was to thwart the will of God, to imprison Him in His Heaven, to praise Him in the morning and subvert Him at night. Impossible to maintain rigor under such circumstances. A stressful, thankless office. So we can forgive the Elegians if they occasionally slept through Vigils or even Lauds. And maybe we can forgive them for abandoning their watch today between 2:00 and 3:00 PM GMT. It wasn’t all their fault. Anyone could have stopped Armageddon. We should be careful who we blame.

 

12:55 PM GMT

Certainly we can’t blame Brother Hernan, who by 7:55 AM local time an hour outside of Bogotá, was awake, dressed, and firmly believed himself to be Expecting. Elegian Expectation was a tricky feat. It wasn’t enough to contemplate the end, to have a hunch. One had to truly anticipate it, like sunsets, gravity, lentils for lunch on Friday. Armageddon was opportunistic. It could find purchase in the tiniest gaps. Brother Hernan was doing his best. He had made the rounds, grabbing his brothers by the shoulders and advising everyone to fast, because tonight they would sit at the Lord’s Table, and the Lord would want them to be hungry. Now he was heading out into the sunshine to say a mass or two and wait for Christ to descend. To any outside observer, he was hitting all the beats.

But a few days earlier, Brother Hernan’s mother had passed away. She had been old and she had been sick for many years and Brother Hernan understood that her transition from pain and infirmity to the loving arms of God was a joyous one. But something about her absence, about his no longer having a biological family, about the first Saturday in half a decade on which he would not borrow a car to make the long drive to the house she shared with her nurse – something about it made Brother Hernan feel intensely fixed to the Earth. Technically, officially, he should have been thinking, “I will see you soon.” But it had only been a few days, and the floodwaters were still receding. We can forgive Brother Hernan if he hadn’t yet made it past, “Mother, where are you?”

Brother Dimitri – perhaps Brother Dimitri deserves some blame. He was oversleeping. His alarm clock had shorted out overnight and no one had thought to knock on his door. It was the sort of thing that happened from time to time. That’s why they worked three to a shift. Still, the Lord was returning and Brother Dimitri was asleep in bed. It didn’t look good.

And what about Brother Franco, back in Milan? By now, he was a dozen rosaries deep, striding through what appeared to be some showcase Expectation. He was feeling it today. His every word was sincere and his eyes were Heaven-bound. Brothers who saw him praying found themselves looking skyward, listening for angel’s wings.

But Expectation was so fragile. Three days before, Brother Franco had seen an advertisement in the newspaper for a documentary about humpback whales. Brother Franco quite liked documentaries and humpback whales, and although the film would not be screened for another two weeks, well after the Apocalypse, he had thought, “I’m looking forward to seeing that.” He was still looking forward to it. Which is to say that some tiny, overlooked lobe of Brother Franco’s brain believed that cinema schedules would survive past 3:00 PM GMT. His Expectation was insincere. He had no idea.

But there were so many other people in the world. Surely someone must have expected something.

Well, not necessarily. The main problem – and again, we shouldn’t cast blame, we aren’t accusing, we’re trying to explain – but Creation probably would have been safe if humanity hadn’t been distracted by the World Cup finals. They were being held in Lagos, Nigeria. The story of the so-far stunning tournament was the upstart Chinese national team, which had blitzed through half a dozen traditional juggernauts behind the heroics of Tan Mingjian, their preternaturally quick midfielder. China, never before a football powerhouse, had been overtaken by World Cup fever. At 1:30 PM GMT, China would face off against Brazil in an Old Guard versus Young Bucks grudge match that was expected to draw more viewers worldwide than any televised event in history. In the hours before the match, a few sweating fans quietly wished that the world would end, so that their team might be delivered from humiliation. But at 1:30, all thought of eschaton evaporated. Armageddon was unthinkable. Surely God, like everyone else, was too busy watching the game.

And where were the doomsayers, the street-corner visionaries, the amateur obsessives? There were piles of those people, a whole cottage industry, and they could find a volcano in a vegetable garden. Hard to imagine those fanatics asleep at their posts.

What you have to understand is that the Apocalypse industry moved in cycles, one dire prophecy at a time. The latest had involved a fragment of Sumerian tablet that bore the words “We Finished” and a date in three-inch-tall cuneiform. It hadn’t gotten a lot of attention when it was first yanked from the ground back in the 1980s, but after the Mayan long count calendar deadline had failed to pan out in 2012, everyone had gone looking for the next thing. Marion Seebler, who ran the digital magazine End Times Now out of Gasper River, Kentucky, had found a reference to the Sumerian tablet in an old university newspaper and published a blurb. And although the tablet was unimpressive and its message was oblique, it rose to prominence on the strength of its single, huge advantage: the date, as best as self-tutored Sumerian translators could figure, was right around the corner. Last Monday, as it happened. People cashed bonds and bought canned goods and got cozy in their backyard bunkers. But last Monday came and went. Last Tuesday came and went. By Saturday, the world’s doomsayers were nursing themselves through the let-down, reading old favorites about ancient aliens and waiting for the next big prophecy.

As for the few billion otherwise accounted for, it was hard to say. On any given day, at any given hour, the total population of non-specialists predicting biblical Armageddon might fill a stadium or an auditorium or a restaurant or a mid-sized sedan. Today, there weren’t very many at all. And as Creation approached 2:00 PM GMT, there were none.

So as clocks rolled over and the Elegian brothers of the 1:00 PM GMT shift let the last echoes of their final, desperate prayers fade to sour silence, Creation found itself in an unfamiliar situation. For the first time in a very long time, no one expected a thing. God did not seize upon these unattended seconds to return in glory. Luke 12:40 said, “an hour,” an entire hour. God was playing fair. But Creation noticed. It looked like a real opportunity. And O, the horrible anxiety, to be separated from its Creator, that interminable stress, those eons Creation had endured one microsecond at a time, grinding its tectonic plates like teeth. Understandable, that Creation couldn’t bear to wait any longer. Maybe we can forgive it.

 

2:09 PM GMT

The Earth gave a few, tentative shudders, mostly unnoticed. Predators circled, birds went silent, herds packed in close. Near Bogotá, a young woman who had walked into the woods to think her way through a new romance was interrupted by the peculiar creaking yawn of a thousand bent trees suddenly standing up straight, trying to look their best. She looked around for a moment, and then dropped back into her thoughts. Volcanoes cleared their throats. Things deep in the ocean, in defiance of all instinct and fear, began to swim toward the light.

 

2:12 PM GMT

Brother Hernan was sitting on a bench outside his dormitory. He hefted his Bible into his lap and it cracked, by chance, to Luke Chapter 12. He was so familiar with the chapter that his eyes scanned across it and he didn’t think much at all, except to wonder what the kitchen made for lunch on Saturdays. It had been years since he’d been at the abbey on a Saturday afternoon.

At precisely that moment, halfway around the world, Brother Franco caught an object in his peripheral vision and jumped, certain that it was the floating body of Christ resurrected. Four blocks away, a cinema owner frowned at a poster for one of this month’s features. It looked crooked, and he thought he could detect a flicker of menace in the humpback whales.

Marion Seebler, back in Gasper River Kentucky, was trying to squeeze a few more page views out of that Sumerian tablet. Sumerian dates could be finicky. Who was to say they hadn’t mistimed the Apocalypse by a few days?

The crowds in Lagos were sagging. Brazil had just gone up two to nothing in the first half. China looked hopelessly outmatched. Meanwhile, stadium staff scrambled. Two dozen spectators had suffered seizures in the last fifteen minutes. Officials ran for crash carts and blamed the heat. Some people were sensitive like that.

 

2:17 PM GMT

The young woman walking in the woods outside of Bogotá was not available for natural peculiarities or obscure harbingers of the end times. She was thinking about her last relationship, and the one before that, and the one before that, and the entire, grinding karmic cycle of romance and anguish, birth and death, things moving together and things moving apart. When she looked at this new relationship, this ecstatic living thing, she also saw the way that it would one day fester and bloat. Clouds were gathering – literal clouds in the literal sky. It felt like a bad omen. She couldn’t know that they were gathering everywhere.

 

2:24 PM GMT

Steam billowed up from sewer grates. Seeds cracked and unfurled while they still had time. Eggs rattled in nests. Graves shook.

 

2:29 PM GMT

In a few small places and without much fuss, the ocean began to boil.

 

2:36 PM GMT

A bird flew into Brother Dimitri’s window with a sound like a kettledrum, leaving behind a few drops of blood. Brother Dimitri rolled over and pulled his blanket tighter.

 

2:39 PM GMT

Brother Hernan closed his Bible. He knew it wasn’t working. He wasn’t sure he wanted it to. Somewhere beneath the doctrine, beneath his oaths, beneath habit and intricate self-deceit, somewhere way down in the storm cellar of his soul, Brother Hernan craved the End of Days. “He will wipe every tear from their eyes. There will be no more death or mourning or crying or pain.” Every Expectation day for twenty years he’d set that hunger against his duty – the kingdom wasn’t ready, there were souls left to save – and he’d managed to do his job. But now the resurrection of the dead had a face. It had small hands and a voice that had prayed over Hernan when he was young and lost in a fever that felt like an abyss. What was his duty, then? And what, exactly, was he expecting?

 

2:43 PM GMT

Clouds were massed above the stadium in Lagos. Spectators craned to see Tan Mingjian steal the ball, run fully 80 meters, attempt an irresponsible stab at the goal, and score. The entire stadium and a good sixth of the human population took to their feet.

 

2:47 PM GMT

Graveyards were trembling and gasping, queasy earthquake shudders that pitched mourners onto their knees and sent pedestrians running for their cars.

 

2:49 PM GMT

Marion Seebler read the same translation four times, squinted, realized how dark it had become, and decided to take a break.

 

2:53 PM GMT

The Chinese national team hauled the game to 2-2, and the broadcast was a steady roar of manic crowd noise. Impossible to step away from a game like that. All three of the upcoming 3:00 Elegians were huddled in front of outdated, contraband televisions. They would tear themselves away to begin Expecting at 3:00 and not a moment before. There would be no last-minute rescue.

 

2:55 PM GMT

Astronauts in the International Space Station reflected that they’d never seen the surface of the Earth so obscured. They made a note.

 

2:56 PM GMT

People were packed into churches, temples, shrines of all kinds. People were contemplating God and truth and high principles. People were shoring up their homes against all sorts of end time scenarios: meteors, environmental collapse. People were so, so close.

 

2:57 PM GMT

Brother Franco, pulsing with joy, began a loud countdown. Nearby brothers joined in. His enthusiasm was infectious, but the others all had different Expectant hours marked on their calendars and none imagined that they were counting down to anything in particular.

 

2:58 PM GMT

Bibles in the libraries and homes of nonbelievers all over the world threw themselves off of shelves and opened to inspiring passages. It was now or never. Some people picked them up, some glanced at the words.

 

2:59 PM GMT

Brother Franco’s countdown was going strong. A dozen cheerful brothers were chanting along. Several hours away, Tan Mingjian had the ball and a swathe of open field and he looked unstoppable. It had become so dark that stadium staff considered turning on the floodlights. On the other side of the world, Brother Hernan reached the conclusion that life, despite all, went on. He would someday meet his family again and until then, he would cling tightly to the Earth and embrace the gift of existence as fully as he was able. He felt better, but it was exactly the wrong conclusion to reach at this particular moment.

 

2:59 PM GMT

Tourists could no longer ignore that the figures in the fresco of the Sistine Chapel appeared to be moving. Glistening aquatic behemoths climbed toward the light. Thousands of feet above them, cruise ships and fishing trawlers bucked on churning waves. A child in Vancouver emerged from the womb with Paul’s first letter to the Romans written out in its entirety just beneath the fuzz on her scalp. Brother Dimitri shot upright in bed, heart like a hummingbird, no idea where he was or what time it was or what he was supposed to be doing. And everywhere, people hurt, people died, people sinned, people cried out for release, for redemption, for a change. No one cried louder than a handful of talentless monks who thought that their transparent playacting was saving the world, and who at any other hour may have been right. Altars rumbled. Ley lines shifted. Thunder roared from the core of the Earth to the clouds and back. A young woman who was just beginning to fall in love sat in the early morning darkness on a hill overlooking a small monastery outside of Bogotá where she sometimes went to mass and thought about how perfect the world was now and how imperfect it would one day have to become and didn’t it seem right, didn’t it seem appropriate, didn’t it seem almost inevitable that the world should end right here, right now, while the Earth was as beautiful and as still and as ready as it would ever be?

And the stones quieted down, and the oceans stopped boiling, and the vast, ancient things swam back to the depths. The crowd in Nigeria held its breath and the sun began to shine and everything was beautiful and nothing was still. And when Brother Franco reached “Zero!” and nothing happened, he shook his head and shrugged and stood for a moment in mopey silence while the rest of the brothers smiled and wandered off to wait for the end of the world.

 


© 2018 by Ryan Dull

 

Author’s Note: The bible verse in the story is real, at least in some translations. I came across it when I was eight or nine and reached the same conclusion as the monks – that the apocalypse was right around the corner, but that I could put it off if I expected it often enough. It was a bit of a stressful time until I realized that I couldn’t be the only person shouldering a job this important. There had to be professionals somewhere. And that’s the story.

 

Ryan Dull lives in Southern California. He thinks being a monk sounds like a pretty good time. It’s the promise of community that really appeals to him, and the chance to give your life a single, fixed purpose. Being a writer is a little like being a monk, but only a little.  Ryan Dull is going to shave his hair into a tonsure and see if that helps.

 

 

 

 

 

 

 


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BOOK REVIEW: Dead in the Family by Charlaine Harris

written by David Steffen

Dead in the Family is a romance/mystery/horror novel from 2010, the tenth in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

At the end of the last book, Dead and Gone, Sookie was tortured at the hands of two fairies that were part of the opposing faction of the short-lived but brutal fairy war.  As this book starts, she is still recovering from both the physical and psychological aftermath of this horrific treatment, with the help of her friends and her boyfriend the vampire Eric Northman.  Things begin to get very complicated when Eric’s maker, the ancient Roman vampire Appius Livius Ocella, shows up with another vampire he has made–Alexei Romanov, the last son of the last Czar of Russia who witnessed his entire family slaughtered and is still suffering from emotional imbalances even these decades later.  Sookie is asked to babysit the child of her (dead) cousin Hadley, who is also telepathic, and she helps him deal with social situations.  Meanwhile, Bill is still ill from the silver poisoning he got during the fairy war.  If his maker were still alive, she might be able to heal him, but the only chance is another vampire made by his maker–and Bill doesn’t want to contact her.

The beginning of this book was a major shift in tone from any of the rest of the series as Sookie deals with both physical injuries and the symptoms of post-traumatic stress disorder.  The series has always had the risk of dark consequences, but I found it very surprising that it got that dark at the end of the last book, it feels like a departure from the rest.  This recovery period is just the natural consequence of that–you can’t come out the other side of being tortured almost to death and expect to have your outlook on life unaltered, but I found it much harder to read, lacking the upbeat tone that is usually present in most of the rest of the book even when dire happenings are afoot usually Sookie is still joking and referencing her word-of-the-day calendar.  Conversely, though I found the change in tone a rough departure from the rest of the series, it also felt like she was pretty much fully recovered awfully quickly afterward.  So, I guess I’m just not easy to please or something.  But I found this book much harder to read because of that abrupt change in tone from the rest of them, while the rest of them have been smooth (if sometimes fluffy) reads.

(I kept reading, mind you, because this close to the end of the series I wanted to see how everything wrapped up.)

 

Anime Review: Kokkoku

written by Laurie Tom

kokkoku
I really wanted to like Kokkoku. I really did.

The setup in the very first episode has a lot of promise. Juri Yukawa is a young woman, newly graduated from college, and she’s from a middle class family that has fallen on hard times. Her mother is still working, but her father has been laid off. Her grandfather is retired, her older brother is unemployed, and her older sister is a single mother with a child she had with a man who has since exited her life.

All four generations of the Yukawas live in the same house and Juri feels like she needs to get out of town before she ends up going nowhere like almost every other adult in her family. She knows she’s not that special. None of her job interviews locally have resulted in any offers.

Though her family is not entirely functional, they dote on Makoto, the son of Juri’s sister, because out of everyone, he’s the one most likely to have a future, so it’s because of Makoto’s kidnapping that the entire story is kicked off.

Initially the kidnapping looks like it’s just for money, and Takafumi, Juri’s father, thinks they can scrounge up the funds from the family savings, but they’re both stopped by Juri’s grandfather (who oddly never gets a name–he’s just called “Grandfather” or “Father” depending on who is speaking to him). Her grandfather has a secret that he’s never shared, and he undergoes a ritual together with Takafumi and Juri while using an old stone heirloom and a drop of his blood.

This takes the three of them into what he calls the stasis world. Time is frozen everywhere, and because of that, the three of them can now leisurely walk over to the ransom exchange site and free Makoto and Tsubasa, Juri’s brother, who was with Makoto at the time of the kidnapping. With time in stasis, the three of them believe they can rescue their family and get back home again without putting anyone in danger or losing what money they have.

However, as they try carrying the time-frozen Tsubasa and Makoto home, they encounter other people moving in the stasis world, which should not have been possible.

Kokkoku has some really interesting worldbuilding involving the laws of the stasis world and its guardians, how things float without time to make them fall, and the unusual powers the Yukawa family members are able to manifest after spending a period of “time” in stasis. I especially liked that we have a multi-generational family all working together to save other family members. They’re dysfunctional at times (Takafumi is especially bent that his father has hid the stasis world from him his entire life), but they feel real.

The first half of the series is fun while all the worldbuilding is happening and secrets are being uncovered. Where it falls down is in the second half, when their enemy’s agenda becomes apparent, and by then, a couple of the Yukawa family members’ potentials are wasted. Takafumi becomes a joke and it feels like Tsubasa was being built up for something that just didn’t happen.

Kokkoku‘s final episode is built almost entirely towards a downer ending (which would be fine), but Juri is saved by a deus ex machina that literally comes out of nowhere involving a character we’d never been introduced to prior to the final minutes of the episode.

I did not particularly like the show’s attempt to build sympathy for its villain either. Considering how dangerous he is to the Yukawa family I was not in the mood to watch his sob story flashbacks, which are verbally told to our protagonists, and I’m not entirely sure why Juri and her grandfather would give him the time of day.

I don’t think I’ve watched a show that has started so high and fallen so low by its end as Kokkoku. If you don’t mind a bad ending, the first half’s worldbuilding and the premise itself is good; 95% of the series takes place within a single frozen “moment” of time. But don’t expect much in the second half.

Number of Episodes: 12

Pluses: Interesting premise, multiple generations of protagonist’s family involved, alienness of the stasis world

Minuses: Second half falls apart, ending is a deus ex machina, some of the characters never reach their full potential

Kokkoku is currently streaming at Amazon (subtitled).

laurietom
Laurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie’s short fiction has been published in Galaxy’s Edge, Strange Horizons, and Intergalactic Medicine Show.

BOOK REVIEW: Dead and Gone by Charlaine Harris

written by David Steffen

Dead and Gone is a romance/mystery/horror novel from 2009, the ninth in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

Before the series of books, the vampires of the world had publicly revealed their existence, but since then Sookie has learned of many other supernatural beings living among us as humans.  Among them are the shapeshifters, including werewolves and wereanimals of other types.  Now that they’ve had time to observe how the vampire revelation has gone, the shapeshifters have finally decided to make their big public reveal, outing themselves to the public both in a general sense and with individual members of communities revealing themselves at once.  The reveal in Bon Temps seems to go pretty well, until Sookie’s werepanther sister-in-law is found crucified outside Merlotte’s where she works.

The King of Nevada has now conquered all of Louisiana, killing all of the vampire hierarchy there except for Eric who he has kept on as sheriff, so that brings its own set of conflicts.

And Sookie learns that her fairy great-grandfather Niall is engaged in a major power struggle.

Never a dull day in the life of Sookie!

I thought it was really interesting to see this book tackle another great life-changing event with the reveals of the shifters to the world.  It makes sense, real worlds are always changing even if we’re used to them being somewhat static in book worlds.  There are enough conflicts all going on in parallel that there’s never a chance to get bored, and you have the mystery of who crucified Crystal to keep the reader engaged as well.

(Only minor quibble, as with the last book, is the tendency to call any conflict a “war”, even if there are only a handful of participants and the conflict lasts only a short period of time)