MOVIE REVIEW: Get Out (Ray Bradbury Award Finalist)

written by David Steffen

Just a few days ago I reviewed most of the Ray Bradbury Award finalists (an award that is held alongside the Nebula Awards for movies), but I didn’t review Get Out because I hadn’t quite gotten a rental of it yet.  Just before the Nebula voting deadline, I’ve watched it and slipped in the review–the voting deadline is tonight!

Get Out is a thriller/horror film written by Jordan Peele and distributed by Universal.  It won the Academy Award for Best Screenplay and was on the final ballot for Best Film of 2017.

Photographer Chris Washington (Daniel Kaluuya) reluctantly agrees to accompany his girlfriend Rose Armitage (Allison Williams) to her parent’s isolated rural estate.  Chris worries that her parents won’t be welcoming of a black man dating their white daughter.  He meets her neurosurgeon father Dean (Bradley Whitford) and hypnotherapist mother Missy (Catherine Keener) and brother Jeremy (Caleb Landry Jones), who all (unsurprisingly to Chris) make discomfiting comments about Black people.  There are a lot of things that are… off about the Armitages and what goes on on their property.  Their servants (both Black) (Marcus Henderson and Betty Gabriel) are oddly intense and hostile toward him, and Missy repeatedly pushes Chris to let her hypnotize him out of his cigarette habit.  One night, when he comes back into the house after sneaking a smoke, Missy catches him alone and seems to hypnotize him, but he wakes up sure it was a dream.  The next day the Armitages have company, a yearly gathering of all their friends, and things only get weirder.

This is a hell of a movie.  Intense.  Very well written, and the actors are all incredible, often acting on at least two distinct levels–trying to put up a reasonable facade for their visitor while other odd behaviors slip through that front.  Even when nothing overtly scary is happening the sense of unease rarely leaves, only waxes and wanes as you try to figure out what is going on with these people.  Particularly great actors are the actors who played the servants, constantly showing these odd little behaviors, saying polite things with eyes and smiles a bit too wide.  And when the movie gets scary it gets Scary.  Not a lot of movies scare me, but this one genuinely had me on the edge of my seat, on an emotional ride with the characters, and not just depending on cheap jump-scares to manage it.  Not every moment of it is dark, there is comic offsets as well, especially from Chris’ friend Rod (Lil Rel Howery) who he calls to talk about the weird stuff going on and Rod constantly throws out freaky theories about what’s going on and tells Chris to get out.

I barely watched this before the voting deadline, but this got my vote.

Ray Bradbury Finalists Review 2017

written by David Steffen

The Ray Bradbury Award is given out every year with the Nebula Awards but is not a Nebula Award in itself.  Like the Nebula Awards, the final ballot and the eventual winner are decided by votes from members of SFWA, the Science Fiction and Fantasy Writers of America (which despite the name has an international membership).

I like to use the award every year as a sampler of well-loved science fiction and fantasy movies from the previous year.  I have been very happy with this tactic, and this year is no exception.

Not included in this review is a nominated episode of The Good Place, because I don’t seek out individual episodes of TV shows for these reviews.  Also not included is Get Out because I haven’t managed to get hold of rentals yet (I’m hoping to rent it this week before the voting deadline, but I’m not sure if I’ll write up a review in time).

 

1. The Shape of Water (Screenplay by Guillermo del Toro & Vanessa Taylor)

Elisa Esposito (Sally Hawkins) is a mute, lonely woman working as a janitor in a top secret government facility in Baltimore in the 1960s.  Generally ignored by the scientists and military men doing their work there, she witnesses the arrival of a strange man-shaped fish-like creature that was captured in South America.  She witnesses atrocities committed upon it in the name of science and in the name of the Cold War to get ahead of Russia, and she risks everything to be kind to the creature, offering it food and teaching it sign language in secret.  The connection becomes friendship becomes love, and she must make very hard decisions.

This was a superb film and I can see why it won the Oscar.  I was skeptical from the early discussion of it that they would be able to sell a romance with a fish-man without it turning out corny or unbelievable, but they did a great job expressing the appeal between the two characters, and selling us on why Elisa is willing to risk everything for him.  It’s certainly not romance-only, there is a lot of drama and action in there as well, and between everything there were moments where I caught myself holding my breath, or gasping aloud.  Excellent film, well done.  Guillermo del Toro continues do make incredible movies, and I always look forward to seeing his next.

 

2.  Star Wars: The Last Jedi (Written by Rian Johnson)

The latest in the Star Wars series, the second since Lucas handed the rights over to Disney, Episode VIII continues where The Force Awakens left off, with Rey (Daisy Ridley) finding Luke Skywalker (Mark Hamill) to seek her Jedi training.  Rey finds the The rest of the weakening New Republic led by General Leia Organa (Carrie Fisher) is trying to hold itself together against the rising force of the First Order led by Supreme Leader Snoke (Andy Serkis) and Kylo Ren (Adam Driver) as the young Darth Vader wannabe.  Finn (John Boyega), carrying the beacon that Rey will track to return, tries to leave the threatened Republic fleet, but is brought back by Rose Tico (Kelly Marie Tran), a loyal maintenance worker.  Together they concoct a crazy plan, something which is in no short supply with hotshot pilot Dameron (Oscar Isaac) Poe also trying to save the New Republic.

Opinions on this movie seem to be very polarized–either loved it or hated.  I loved it.  I thought there was more humor in this one than on average in the series, and the humor was played off well.  Much of the series was built on making some really stupid one in a million strategies and having everything work out perfectly, I felt like this movie made a nod to that tradition but made it so that the results of hare-brained strategies weren’t guaranteed, which I thought raised the tension as well as being a good basis for humor.  The diverse cast continues to be exciting and wonderful–as a woman Jedi main character, Finn continues to be likable and impressive, and the introduction of Rose Tico as a competent likeable maintenance worker contributing just as much as any of the rest of the cast.  The interaction between Rey and Luke was a great source of tension and humor in the movie, and we find out about the history between Luke and Kylo Ren.  Lots of great visual moments, great tension, fun movie.  I look forward to seeing Episode IX to round out the trilogy of trilogies.

 

3. Logan (Screenplay by Scott Frank, James Mangold, and Michael Green)

In 2020, Logan (Hugh Jackman) is in hiding in Mexico with an ailing Charles Xavier (Patrick Stewart) and the albino mutant Caliban (Stephen Merchant) who can track the whereabouts of other mutants.  Something is wrong with Logan–his healing factor should allow him to live basically forever without aging, but he is aging, and he cannot bounce back like he used to.  He drives a limo to make ends meet, and spends much of his time in a drunken haze.  Charles has been having seizures that, combined with his psychic abilities, are paralyzing not just for him but for everyone within hundreds of feet from him, but the medication makes him confused and agitated.  As if they don’t have enough problems, they soon end up having a rebellious girl (Dafne Keen) without a name dumped on their doorstep, pursued by a militant group tasked with capturing her however they can.  The girl reminds Logan of himself in more ways than one–she has the healing factor, adamantium-plated skeleton, and arm-claws, and when cornered she fights like an animal, a formidable fighter despite her small size.  Logan, Charles, and the girl flee their refuge, following the scant rumors of a safe place for mutants in Canada.

Many of the other movies in the X-Men universe would be easily described as “fun” even when the consequences of the conflicts therein are catastrophic.  This movie is much more of a dark post-apocalyptic feeling film.  Everything starts out badly and only gets worse.  Logan, who we’re used to being the picture of health, and too stubborn to die, is ailing and has clearly had suicidal thoughts.  It’s hard to see him that way, and it’s hard to see Charles in such a sad condition as well, and that’s all before the mysterious girl brings a world of trouble into their lives.  The fight scenes in the movie are fast and brutal and don’t cut away from the killing like they have in previous movies–you see the consequences of those adamantium claws.  The ending was satisfying, and fit with the rest of the movie, but given the stakes and the desperate always fighting for that last grip on life tone of the whole film, it gets very dark, very quickly, and rarely surfaces from that.  It’s not a movie to watch if you’re looking for a feel-good light film, but I thought it was a solid entry in the X-Men series, most notable for how different it is from the rest of the series.

 

 

4. Wonder Woman (Screenplay by Allan Heinberg)

Diana (Gal Godot) is raised as the only girl among women on the secret isle of (apparently immortal?) Amazons, formed from clay by her mother and given life by Zeus.  They have been tasked with protecting the world from Ares who has long been determined to corrupt and destroy humanity, but their island is so masked from the outside world that they know nothing of the world outside until an American pilot Steve Trevor (Chris Pine) crashes his plane near the island and she saves him from drowning.  He tells the Amazons of the raging globe-spanning war going on, and Diana sets out with him into the world to find Ares and stop him from destroying the world with his war.

They’ve been talking about making a Wonder Woman movie for quite a while, and it always seemed to crumble before getting much of anywhere, so it’s great to see this finally hit the big screen, and looking great.  Wonder Woman is an old enough comic that it does run the risk of looking corny, but the writers and actors did a great job of making it fit the modern aesthetic without losing its roots.  I loved Gal Godot in this, as one who is both formidable but often naive because she’s never been out in the world, she doesn’t know the world’s current customs, and she has literally never met a man before.  She makes allies through her tough and straightforward nature, and heads straight into a war zone to meet her destiny, and you can’t get much more big hero than that.  It was a great movie, great to see an action movie with a woman as lead, and I look forward to future Wonder Woman movies.

BOOK REVIEW: From Dead to Worse by Charlaine Harris

written by David Steffen

From Dead to Worse is a romance/mystery/horror novel from 2008, the eighth in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

After surviving the deadly bombing of the vampire summit, and surviving the aftermath of Hurricane Katrina, Sookie just wants things to get back to some semblance of normality.  But her boyfriend Quinn (a weretiger) is missing, she learns that she is descended from fairies and meets her great-grandfather who is fairy royalty, she is recruited to help investigate a series of mysterious werewolf disappearances, and the vampire King of Nevada seeks to wrest control from the wounded and bankrupted Queen Sophie-Ann of Lousiana.  So, well, I guess that is normality for Sookie.

Another action-packed book with a lot of threads all tied together in it.  I especially enjoyed seeing the vampire power struggle because up until now the vampire hierarchy has been relatively stable despite knowing that vampires have a tendency for violent scheming.  All Together Dead (the previous book) is a really hard one to top in the series, and I don’t think this one did, but it was quite good, interesting throughout.

My one pet peeve is that Sookie seems to have a tendency to call just about anything a “war”.  A dozen werewolves get into a fight that is over in less than an hour?  That’s a war, apparently (I would call that a battle).  And so, when Sookie promises in the narration that there’s going to be a war, the result is anticlimactic, finished within a chapter.

DP FICTION #37B: “Soft Clay” by Seth Chambers

I wander the Chicago streets unseen. I’m plain, drab, faceless. I’m a shadow drifting through the world of form. It isn’t all bad, being this way. I ghost into theaters and museums and concerts without paying. Guards see me bypass the lines and slip through the doors, but somehow I never quite register.

Being nobody has its perks but now I hunger to be somebody once again, to have a name again. To do this I must find the right man to follow. I wander the Chicago Loop looking for certain telltale signs of pain, longing, emptiness.

We live in a world of grief and so it doesn’t take long to find him. He carries himself with an undefined heaviness and peers through a fog of yesterdays. His emptiness drags me along.

I follow him into a coffee shop and stand behind him in line. He doesn’t notice me because there is nothing to notice. I am nobody. I am soft clay in search of a potter. I won’t know who I am until he shows me. I touch his hand. He glances back but I still don’t register on his radar.

And yet, in that brief touch I feel his longing. I loop my finger around one of his and this time he finally fixes his gaze on me. I peer up at him, only now I have a freckled face with a cute nose, framed with auburn hair. He gasps. They usually do. I smile, just the way she used to smile.

My God, he says.

Then we’re at a table, my small hands enveloped in his large ones, coffee all but forgotten, our eyes locked. I become more her by the second. Elsa is her name. His memories of Elsa blaze to life. I become a little shorter and plumper. I grow to like strawberry ice cream and mystery novels with cats in them. I fell off a horse when I was a little girl.

I hear it like a rolling echo in my head, the same words, said to me by a hundred men: Is it really you? It can’t be!

You’re right. It isn’t.

I pull my hands away and return to being plain, drab, soft clay.

No. I’m not her. But I can become her.

He glances about, like they all do, and I know what he’s thinking: Are there hidden cameras? Is this some reality TV show? A prank? A sick joke? 

I take his hands and become her once again, even more so this time, and his doubts vanish. He is hooked. We talk. We make a deal. Money is passed from him to me. I don’t tell him the truth: that I need to become Elsa as much as he needs me to be her.

We go to his Michigan Avenue hotel room and sit on the queen-size bed. We hold hands and I swim in his memories.

I say: Tell me about her.

We were in love but never got married. Then she died. It was so sudden. I married somebody else but—

He stops.

But your wife can never know how much you miss her.

God no.

We’re quiet for a long time. Then he speaks again, only this time he isn’t talking about her but to her. To me. To Elsa.

I’ve missed you so fucking much! All the stupid, silly little things you did. You would piss me off sometimes because there was that crazy energy between us. And the way you laughed! You know what I used to say about you? That you were one half sweetheart and one half lunatic.

I laugh, just like Elsa. Because I am her, more and more and more with each passing minute.

Why the fuck did you have to go and die like that? I didn’t even know you were sick. I married somebody else, you never knew her. I go away on business, like now. I never cheat. Not because of her, though. My God! It’s because of you, Elsa. Because of you.

His cell phone rings.

I tell him to answer the phone, that I’ll be quiet as a mouse. Something Elsa used to say all the time. She had lots of cute sayings like that. I let go of his hand and scootch away from him.

He answers and talks to his wife for a few minutes. I don’t really listen. I feel Elsa slipping from me. I try to hold on. Elsa had parents and went to school and held down jobs, but those memories wisp away like dandelion seeds in the wind. I search my mind for my own past, as I have so often before, and come up empty.

He hangs up the phone and looks at me, a drab and pale thing sitting on the bed of his fancy hotel room. I need to become somebody, need to be molded and directed, but it’s a strain. It takes a lot of energy.

I reach for him again. He pulls away. He’s wondering, What is this creature beside me? I’m floating away. I need to become Elsa again.

He demands, How did you do that? Did you drug me? What the hell is going on?

I have no idea how I do it. I only know this hunger to become somebody, to feel, to live. For a short time I felt his love for Elsa, poor dead Elsa, and could almost believe that love belonged to me. I ache to be her again.

I reach for him, quicker this time. I latch onto his hands, my small fingers clamping so tight he shouts. I don’t let go until I’m Elsa again, sitting on the bed. He still has questions but they don’t matter. Elsa is with him. I look like her, smell like her. My skin is soft and warm, just as Elsa’s was. He throws his arms around me and says my name: Elsa, oh Elsa!

We talk, we embrace, we order room service, we make love. We talk deep into the night and fall asleep in each other’s arms, with him still murmuring my name over and over.

Elsa, Elsa, Elsa.

***

I awake, no longer Elsa, and slip away while he sleeps. I have money now. I leave this fancy hotel and check into a cheap dive, one of those TRANSIENTS WELCOME places, where I don’t have to show ID. I get my key and go upstairs.

I enjoyed being Elsa but the strain has been great. I sleep for a long time.

*

Sometimes I’m the One Who Got Away.

Other times I’m the Childhood Sweetheart.

Or the Dearly Departed.

I sift through the remnants of other peoples’ memories. I think about the names I had. The memories and the names fade because they don’t belong to me. They are merely heirlooms I borrow. I have no name of my own, not that anybody ever asks.

After some time in the cheap hotel, I emerge and walk through the Loop once again. I’m merely wandering, not yet looking for somebody new to follow. Being Elsa was nice. The warm glow of her energy has stayed with me.

But now, as I wander through the Loop, I’m back to being nobody. It seems like it has always been this way: me spotting the right man, following after, dipping into his mind, and becoming the love of his life for one glorious night. It feels like I was made for this.

I go to a bagel shop. It always surprises people when I talk to them. The young lady behind the counter punches my order into her machine. She looks so confused, wondering why this drab, formless shape is talking to her. She seems like a nice person, though, and I want to hug her. She asks my name, so they can call it when my order is ready. I tell her Elsa. I feel like a thief, stealing Elsa’s name like this. But it’s so delicious! I have a name.

When my order is ready, the girl calls my stolen name: Elsa? I get my food and say awesomesauce! Because that’s another cute thing Elsa used to say. But Elsa is a faded memory.

When I sit down, a man looks my way. He’s somebody I’ve seen before. Something stirs inside me. Nobody ever looks at me when I wander alone, but he does. Tall, sharply-dressed, distinguished gray hair that lends him a quiet authority.

He has a laptop open but keeps stealing glances my way. Does he need me to become somebody? No, I don’t think so. Why does he look familiar?

It comes to me: He’s been following me. Just as I’ve followed so many people. How could that be? Nobody ever sees me, let alone follows. I’m not used to this. My heart pounds and I don’t know what to feel.

I pick up my bagel and step over to his table. He looks up and sees me. He doesn’t see some Lost Love. He doesn’t see the One Who Got Away. He sees me, I can tell. Plain, drab me, with no past and no name to call my own.

I have other memories of him but they’re locked away and I can’t get to them. I hear them like voices from a further room.

He reaches for my plain, drab hand. I snatch it away and drop the bagel. I’m aware that he’s standing, calling to me, but something drives me off. I bolt through the revolving door, run headlong into the crowd on LaSalle, people shouting.

Without warning, the need to be somebody descends and claws me like a ravenous bird. I follow first one man then another and another. I can’t concentrate. Borrowed memories swirl and slam through my head. It’s dizzying. I run and stumble for hours.

***

I’m on the south side and it’s dark before I finally latch onto somebody. I find him in a bar. Or he finds me. His name is Dale. He glares at me through a haze of hatred. He sees me: haggard, worn, angry. My face is drawn up in sharp angles and dry skin.

You bitch. You goddam filthy bitch, what are you doing here?

I try to tell him: I’m not who you think I am, I only look like her. As I try to explain, his memories of her seep through me like dirty oil. His only name for me is Bitch.

I told you what I’d do if I ever saw you again. I told you never show your face round here. Then, loudly to another man: Hey, Bubba, look who’s here.

Bubba looks up from where he was about to sink the eight ball. He eyes me and frowns. He’s huge and looks like a confused gorilla. He doesn’t see Bitch. He sees plain, drab me.

Dale latches onto my arm. He is very strong and it hurts. His foul energy slams into me. Other men have a grab bag of mixed feelings but Dale’s hatred is undiluted. I throw up walls inside myself but his rage invades, relentless and without mercy. Against my will, I become Bitch, more and more.

Now Bubba’s eyes blaze with recognition and he sneers: Tiffany! He throws down the cue stick and lumbers over. He slides one fat, puffy hand over my face. His memories of Tiffany crawl inside my head like spiders. I cry out and both men laugh. Somebody chucks quarters in the jukebox. Music blares. I scream for help but nobody gives a shit.

This has never happened before: two men seeing me as the same woman at the same time. I become an amalgam of their memories of this woman. My name is Bitch. My name is Tiffany. I have a thing for Vicodin and alcohol and rough sex and any other distraction the world can throw at me. When I was a kid my mother got so mad she ripped out a lock of my hair and it never grew back. I had a back alley abortion when I was thirteen.

Dale hauls me across the bar. I am Bitch. I am Tiffany. Was I always her? I can’t tell. But I’m Bitch now and she damn sure knows how to fight. I snatch a bottle from somebody’s table and let Dale have it upside the head. It shatters and Dale goes down. Bubba comes at me but I lay into him good with the broken end of the bottle.

Bitch screams. Tiffany runs.

I plow through the front door into the street and a car screeches to a stop. The driver curses. I stumble. Dale and Bubba can’t be far behind. I spot a nice car, a fancy SUV that’s out of place in this neighborhood. Tiffany knows how to hotwire cars. Do I have time?

The door of the SUV swings open and he gets out: the distinguished-looking man who was following me earlier. He opens the back door of the SUV. I dive in and he slams the door. He gets in and cranks the engine just in time because Dale and Bubba are hot on our ass.

He peels out just as the two men begin pounding the shit out of the SUV. He drives off and very soon pulls onto Lake Shore Drive. I weep in the back seat. I’m still Bitch and I hate this man and hate all men and hate myself.

Only slowly does Bitch drain away and I go back to being nobody. I weep some more. I don’t know which is worse: being Bitch or being nobody.

He drives for a long time, not saying a word. He lets me cry it out. Eventually, he pulls into a lot and parks. He turns and looks over the front seat. He sees me. I can tell. He doesn’t see Elsa or Bitch or Tiffany or anyone else. He sees me.

I ask: Who are you?

I look at him. He gazes back, a sad smile spreading across his face.

My name is Wolfgang Bollinger. I’m your father.

I tell him I have no father or mother. I had no childhood. I never fell off a horse when I was a little girl. I never had a job. I don’t like strawberry ice cream or mystery novels with cats in them. I don’t know how to fight or hotwire cars.

There is sadness about him but it’s different from the pain I look for in a man. I don’t understand. I grab his hand. He doesn’t pull away. I slip into his memories and become confused because they’re mixed in with my own. The memories that I kept locked away.

We both remember: a vast cavern of a place with all the latest high-tech equipment. I float in a warm vat of amber fluid. A younger version of this man comes by and talks to me. It’s a laboratory but he doesn’t treat me as a test subject or a guinea pig. He presses his hand against the clear side of the vat. I open my eyes, somehow knowing he is there. I press my hand against the clear wall and we smile at each other.

But I still don’t understand.

Why, oh why, would he do such a thing?

I created you to become my lovely Lisa. We were together eighteen years and I missed her more than life itself.

Lisa?

You became her and we got to say all the things we never got around to saying when she was alive. I had always been so busy with work, but then I got another chance. It was a brief but magical time.

We sit quiet. The windows fog up. Eventually, he speaks again.

I still love her and miss her and think about her. But after that night, the deep and horrible pain was gone. My heart was able to heal.

Yes, I remember now!

And then I slipped away. Into the night.

You did.

So I was your daughter because you created me. Then I became your wife for a night, because that’s what I was made for. But who am I now?

Tears flow from his eyes. He crumples in upon himself like a paper sack and pulls his hand away. He has no answer to give.

I crawl from the back to the front passenger seat. He won’t look at me. His gaze is fixed on his lap. His shoulders shake with quiet sobs. I reach over and take one of his hands in both of mine.

I say: Look at me.

It takes him a long time but he looks. I begin to change. This time I become somebody he has never seen before, but our minds are joined and so he knows who it is.

Isabelle? My God. This can’t be. It’s you. Isabelle!

His wife lost her in the first trimester. That was nine years ago. I feel myself shrinking down to child size. I giggle, my voice airy and carefree.

Hi, Daddy.

What I’ve done! What I made of you! It was a sin. I created you for my own selfish ends.

I pull his head onto my tiny shoulders and let him weep. I tell him everything is okay. I don’t need to know who I am. I don’t need a horse or strawberry ice cream or mystery novels with cats in them. I have everything I need.

I have a father who loves me.

I have a name.

My name is Isabelle.


© 2018 by Seth Chambers

 

Author’s Note: This story, along with my other changeling tales, is a way of exploring the experience of being adrift, socially invisible, and without personal identity.

 

sethSeth Chambers was born with a Pentel Rolling Writer in hand and has been pathologically addicted to writing ever since. In his quest for life experience, he has worked as an army medic, mental health counselor, farm hand, wilderness guide, bike messenger and ESL teacher. His writings have appeared in F&SF, Daily SF, Fantasy Scroll, Isotropic Fiction, and Perihelion SF. His novella, “In Her Eyes,” was a nominee for the Theodore Sturgeon Award and included in Prime Book’s, The 2015 Year’s Best Science Fiction and Fantasy Novellas.

 

 

 

 

 

 

 


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The Best of Toasted Cake 2015-2017

written by David Steffen

Toasted Cake is back!  After the last Best of Toasted Cake list for the year 2014, Tina Connolly decided to put her idiosyncratic podcast on hiatus.  With a young child in the house and books on deadline, Tina needed to find more time.  But she has missed it enough, and she has decided to run Toasted Cake for a school year run, and revived the podcast in September for that reason.  So, this list covers the last few months before hiatus in 2015, the one story Toasted Cake slipped quietly into the feed in 2016, and the fall portion of the school year run of the revival, for a total of 35 stories considered for this list.

Toasted Cake has already raised author pay rates, so now pays at least 1 cent/word, which is also exciting.  It sounds like Tina might want to run the podcast longer term if there’s some Patreon support, so if you love some weird flash fiction you might want to consider tossing in a couple bucks a month.

Toasted Cake did publish one of my own stories, my only original story published in 2017, “Cake, and Its Implications” published  just before the end of the year, a funny flash story about an android who loves cake.  But of course I don’t consider my own fiction for these lists.

Note that I did end up including a story that Toasted Cake reprinted that I originally published (#2 on the list).  I decided to make the list one item longer than it would usually be to accomodate for this, so that a story I published wouldn’t bump another off the list.

Every short story that is eligible for Hugo nominations this year which were first published by Toasted Cake are marked with an asterisk (*).

Welcome back, Tina, and long live Toasted Cake!

 

The List

1. “Un Opera nello Spazio (A Space Opera)” by Oliver Buckram
A space opera that’s an actual opera.

2.  “St. Roomba’s Gospel” by Rachael K. Jones
A sentient Roomba lives in a church and tries to help preach the gospel to the congregation.

3.  “Copy Machine” by Shane Halbach
What would you do if you could copy yourself?

4.  “Carla at the Off-Planet Tax Return Helpline” by Caroline M. Yoachim
The story is exactly what the title sounds like.  🙂

5.  “Beholder” by Sarah Grey
In a world where everything is defined by social media popularity, how do those of us who are less savvy get along?

6.  “So You Have Been Claimed By a Magical Cat” by Beth Cato*
Also exactly what the title sounds like. 🙂

Honorable Mentions

“Gunfight Over an 8-bit Rhythm Two-Step Skank at the O.K. Corral” by Ken Brady

 

 

 

The Best of Strange Horizons 2017

written by David Steffen

Strange Horizons is a freely available online speculative fiction zine that also publishes nonfiction and poetry.  Their editors-in-chief are Jane Crowley and Kate Dollardhyde.  Their senior fiction editors are Lila Garrott, Catherine Krahe, An Owomoyela, and Vajra Chandresekera, and their podcast is edited, hosted, and usually read by Anaea Lay.  They publish a variety of styles of stories and have regularly attracted award nominations in recent years.  All of the stories and poetry in the zine are published in the podcast.  This list covers all of the stories published since the last Best of Strange Horizons list posted here on November 9, 2015.  In that timeframe, Strange Horizons published about 53 stories (it’s hard to get an exact count because the poetry podcasts are mixed in the same feed).

This year they posted extra episodes as part of a Resistance special issue after the US presidential inauguration in January, and hosted a special issue in October for Arabic translations.

This year they added a new feature when they reached a fundraising goal to add Spanish translations.

Stories that are eligible for this year’s Hugo awards are marked with an asterisk (*).

 

The List

1. “Krace is Not a Highway” by Scott Vanyur*
An AI designed to monitor highway repair conditions keeps on going, doing its best, after societal collapse.

2.  “Utopia, LOL?” by Jamie Wahls*
A person woken up in the extreme far future where humanity is organized by a benevolent AI master, guided by one of the few humans still coherent enough to guide him.

3.  “Oshun, Inc.” by Jordan Ifueko*
Goddesses who live by eating shards of people’s souls try to find ideal candidates.

4.  “Owl Vs. the Neighborhood Watch” by Darcie Little Badger*
A young modern-day Apache woman who is visited by Owl as a harbinger of unspecific disaster does her best to guard her neighborhood against it as best she can.

5.  “Three May Keep a Secret” by Carlie St. George*
Two teenagers help each other fight elements of their past that are literally haunting them.

Honorable Mentions

“Sasabonsam” by Tara Campbell*

“The Dead Father Cookbook” by Ashley Blooms*

“Only Calculate the Motion of Heavenly Bodies” by Marcia Richards*

 

 

 

 

 

The Best of Cast of Wonders 2017

written by David Steffen

Cast of Wonders is the YA branch of the Escape Artists podcasts, edited by Marguerite Kenner, covering all speculative genres and aiming to appeal to YA audiences.  I think their definition of YA is significantly broader than most, which I see as a positive thing–I had very broad tastes when I was a young adult, so it makes sense to me anyway.

After Cast of Wonders joined Escape Artists in 2016, they increased their pay rates which helped them become qualified as a SFWA-qualifying market, which is a great sign of progress.

In 2017 they produced weekly episodes very regularly, and during their Banned Books week they published a story a day for an extra stretch of bonus content, for a total of about 63 stories

Cast of Wonders reprinted one of my own stories in 2017, titled “Always There”, about a grandmother who has maybe died but not yet admitted it (it is an episode on the subject of grief).

 

Every short story that is eligible for Hugo and Nebula nominations this year which were first published by Podcastle are marked with an asterisk (*)

The List

1. “Lost In Translation” by Afalstein Kloosterman*
The ancient texts prophecying the chosen one are… hard to translate.  This has caused some problems seeking the fulfillment of those prophecies.

2.  “Random Play All and the League of Awesome” by Shane Halbach
Teenagers with debatable superpowers form a semi-superhero team.

3.  “More Than Machines Will Fall to Rust” by Rachael K. Jones*
A pair of friends become superhero and archenemy, can they rekindle their friendship?

4.  “The Scent that Treason Brings” by Holly Schofield*
A bookbinder in a hive society decides to rebel against the oppressive leadership.

5.  “Cross the Street” by Marie Vibbert*
When city design makes it harder and harder for poor people to survive, it can become an obstacle to even get from place to place.

6.  “Single Parent” by Sarah Gailey*
Great story about a widowed father trying his best who is called into his kid’s room and finds a real monster there.

Honorable Mentions

“Contractual Obligations” by Jaime O. Mayer*

“Brothers in Stitches” by Dantzel Cherry*

“Strong as Stone” by Effie Seiberg

The Best of Lightspeed Magazine Podcast 2017

written by David Steffen

Lightspeed Magazine is the award-nominated science fiction magazine edited by John Joseph Adams, and their podcast is  produced by the excellent Skyboat Media.  They publish about half of the stories they publish in text.  They published about 47 stories in 2017.

The stories eligible for the upcoming Hugo award season are marked with an asterisk (*), with novelettes eligible for the season marked with a double asterisk (**), and novellas with a triple asterisk (***).

The List

1. “The Greatest One-Star Restaurant in the Whole Quadrant” by Rachael K. Jones*
Hilarious (in a very dark way) story of a ship of cyborgs trying to pass as a human restaurant ship in a remote part of the galaxy.  Soon it becomes very clear that the priorities of the individual cyborgs are not aligned.

2.  “Infinite Love Engine” by Joseph Allen Hill*
Fun and hilarious over-the-top space opera.

3.  “The Dragon of Dread Peak” (and part 2) by Jeremiah Tolbert***
Sequel to Cavern of the Screaming Eye (should probably read that one first), this continues the adventures of a band of teenagers questing in the pockets of dungeon-space that open randomly.

4.  “Cake Baby (a Kango and Sharon Adventure)” by Charlie Jane Anders*
Strapped for cash space crew for hire takes a job to get DNA from radiation-proof babies born into a religious group that denies modern technology.  Very fun story.

5.  “Probably Still the Chosen One” by Kelly Barnhill*
“You must wait here,” the Highest of the High Priests told her, before returning back through the magical doorway in her childhood home.  But time works differently on different sides of a magical portal.  How long would she have to wait?

Honorable Mentions

“Remote Presence” by Susan Palwick**

“The Heart’s Filthy Lesson” by Elizabeth Bear

 

 

 

 

 

 

 

 

 

 

The Best of Clarkesworld 2017

written by David Steffen

Another great year for Clarkesworld, lots of great stories by authors both familiar and new.  Clarkesworld remains the most prolific of the podcasts I listen to, clocking in at 82 stories for the year of 2017, and with a much higher wordcount limit than most of the others, that comes to significantly more words.  Neil Clarke continues as editor, and Kate Baker continues to produce, host, and narrate most of the episodes of the podcast.

They continue to publish monthly stories published from Chinese through a relationship with StoryCom, which have been among many of my favorites.

Every short story that is eligible for Hugo nominations this year which were first published by Clarkesworld are marked with an asterisk (*), novelettes are marked with a double-asterisk (**).

The List

1.  “The Secret Life of Bots” by Suzanne Palmer**
A maintenance bot is given the major task of dealing with a major invading bioform on a ship, and is forced to consider the utility of improvisation.

2.  “Who Won the Battle of Arsia Mons?” by Sue Burke **
Battlebots on Mars become a major reality program.

3.  “A Series of Steaks” by Vina Jie-Min Prasad**
A 3-D printer forger is coerced under dire threat into forging a banquet of fine steaks for a major wedding.

4.  “Some Remarks on the Reproductive Strategy of the Common Octopus”  by Bogi Takács*
Octopus hive minds overcome the obstacles to octopus higher learning.

5.  “Second Person, Present Tense” by Daryl Gregory
Science has shown that our lower brain functions “decide” what we’re going to do a fraction of a second before we have made the “conscious” decision.  A new drug lengthens that delay indefinitely, making us question our definition of consciousness.

6.  “The Bridgegroom” by Bo Balder**
A new caretaker of an intelligent bridge is tempted by its seductive words to betray those who employed him for that purpose.

7.  “The Blood of a Martian” by Allen M. Steele
A hired guide on Mars takes a researcher to take DNA samples of the native Martians to determine how closely related they are to humans.

8.  “The Waiting Stars” by Aliette de Bodard
Heartfelt explorations of the effects of imposing someone’s culture onto a person from another culture.  This is one from de Bodard’s Xuya universe.

Honorable Mentions

“Shiomah’s Land” by Nisi Shawl

“Bonding With Morry” by Tom Purdom

“The Psychology Game” by Xia Jia, translated by Emily Jin and Ken Liu*

 

 

DP FICTION #37A: “What Monsters Prowl Above the Waves” by Jo Miles

We emerged, inching forth from the sea’s safe haven into the bright void above.

We had done it.

Sharp-edged light flooded the vehicle, casting disturbing shadows through the water within. Three of our arms, drifting lazily in a moment’s rest, merged shadows like a new menace from without. One arm whipped about in alarm, and we spun, searching, assuring our whole self that no danger was near. But that arm refused to calm. The interior of the vessel was safe – our other arms, questing, found nothing but smooth walls and each other, confirming we were alone – but the cloudy surface of our vehicle revealed only dim and distant shapes.

For proof of safety, we needed more. We rolled the vehicle forward until the hatch sat at the top, where it would not spill our life-water into the emptiness. First we popped off the hatch, then quested out with cautious arms, and finally stuck out our head to see what none of our cousins ever had seen and returned to tell of: the void-above.

In all our hunting, we’d never found such stark, forbidding emptiness. The sea’s edge lapped against a surface that looked to be rock, but was not. Too hot, and too flat. Unnatural. The flatness stretched away ahead, beyond the edge of our sight. Unnatural structures reared up on either side, adorned with indecipherable markings; sunlight flared off their pale, too-flat walls. The vanished builders had a peculiar taste for flat surfaces.

These structures were familiar: we knew them from such ruins as the sea had claimed for its own, but those ruins were well-settled now, teeming with all manner of creatures. Here, we detected no movement, no sign of builders, no life at all.

The void was vast and open, no shelter within reach of our arms. We did not trust it.

Yet we saw no dangers, no sign of such vile poisons as our cousins claimed would await us here, no traps to leave us helpless and desiccating beyond reach of aid. Their warnings never broke our curiosity’s grip, and nothing we saw from the water’s end changed our determination.

We would go on.

Retreating into our vehicle, we gripped the hatch with our suckers and pulled it tight behind us. The flatness, easy to traverse, would determine our route. Pulling ourselves up the forward side of the sphere, our weight set it rolling, and we advanced into the desolation.

Our arms climbed ever-upward, tireless, as we left the broad flatness for smaller channels. We rolled through spaces wild with sprawling plant-fronds, past structures that reached for the blue heights or hugged the ground. Such strangeness, yet its variations gradually grew familiar.

All this time, we’d seen no sign of animal life. So when the hiss sounded, close beside us, we flailed in alarm.

We nearly inked ourself, a startled and lethal instinct. Our body reddened, as much in distress at our near mistake as at the shock of the encounter. To spew ink within the sphere’s enclosure would blind us at once, poison us within minutes.

But what startled us?

Poking out a few brave arms, then our head, we saw it. Back arched, tail erect: utterly alien, horrible in its rage.

The beast had four limbs. Unlike the gangly builders, it stood on all fours, its long, facile tail thrashing behind it. Pointed protuberances atop its head curled forward, trained on us, and spiky matter stood upright atop its back. It hissed again, showing off small, sharp teeth, and bunched its muscles for a leap.

Alarmed, we jetted it with water, and the creature leapt aside with a yowl. Taking advantage of its distraction, our arms took swift action, not waiting for our head’s agreement. They tugged the hatch shut and leapt up the sphere, reversing our direction, rolling us away at speed.

We made it halfway back to the sea before our head talked sense into the rest of ourself. Our roll slowed, stopped.

What was that creature? Grotesque as its form appeared, it seemed no threat to us, certainly not within our vehicle. But looks could mislead. Could it spew poison? Extend that eel-like tail to lash at us? How dangerous would a second encounter be?

Could we return home, tell a tale of a ferocious land-monster, and admit that we darted off at first sight of the thing? That we nearly inked ourself in fear?

That was not why we labored so long to construct our vessel, nor why we traveled so far. Our color faded to a cautious pink, and we reversed our course.

The creature sat where we left it, watching. This time, it thrashed its tail but did not stand or hiss. For a time, we watched each other in mutual fascination and disgust. We sensed in it a fellow hunter, patiently waiting and learning, wary but not hostile yet.

Then, to our astonishment, it rolled onto its back in the dust and showed its underside in submission. It nosed a stack of round metal objects, mewing pitifully. Imploringly? Treacherously? Hungrily? We debated its possible intentions. Though we lacked a point of reference, it did look thin and ragged…

Before we reached a decision, our most curious arm decided for us, snaking toward the nearest metal cylinder. Stacked tidily against the door of a dilapidated structure, the cylinders seemed prepared for some purpose. Did they belong to the creature? Did it live here?

A few suckers sufficed to lift one cylinder for a closer look. As it passed overhead, the creature flew into motion, yelping and leaping into the air after it. We turned our jet toward it, ready to fend off an attack, but the creature sat and stared at our arm, head tilted in such obvious expectation that we fluttered in amusement. Turning our examinations to the cylinder, it proved similar to those cylinders we sometimes found in the submerged ruins. Those usually contained… yes, of course.

We applied pressure to the lid with a few additional suckers and pried it free. The creature yapped wildly, and as we lowered the container to the ground, eagerness outweighed its caution. It dove forward, devouring.

Fascinated, we crept closer, inching down the surface of the sphere. Our bravest arm reached cautiously toward the creature’s head. It froze, wary, and sniffed at us. Then it returned to eating. Taking this as permission, we touched its head with a careful arm-tip, stroking it lightly, feeling its odd soft coat of cilia and the skull beneath it. The beast was intelligent, a fellow hunter — not so smart as a dolphin, or even the dimmest breed of our eight-legged cousins, but cleverer than a grouper or an eel. When it finished eating, it rubbed its head against our arm and curled up, its torso rumbling softly.

What strange wilds do you inhabit, little hunter? What alien prey swims through your dreams?

It did not answer. Maybe it did not understand. We returned to our sphere and began to roll away.

It hopped up with an excited chirp, batting at our vehicle as if in play. Its antics threw off our momentum, and we paused, considering. The creature rubbed its head against the sphere, peered up with hopeful green eyes. We sighed, expelling a soft puff of mist into the air. Very well.

Picking up three more of the metal cylinders, we stashed them in our vehicle for later. This time, when we rolled away, we let our strange new companion pad along beside us.


© 2018 by Jo Miles

 

Author’s note: Once I started learning about octopuses, I became a bit obsessed. Octopuses are truly, remarkably cool creatures. They can change to any color or pattern at will, and can squeeze through the smallest gap. They can solve complex puzzles with their many clever arms — not only dexterous, but literally clever, because they have more neurons in their arms than in their heads. Though solitary by nature, they’re insatiably curious and playful. In her book The Soul of an Octopus, Sy Montgomery describes them as virtual aliens right here on Earth. We’ve explored their homes many times; it seemed only right that they’d want to explore ours in turn.

 

jo-miles-headshotJo Miles is a science fiction and fantasy writer and a 2016 graduate of the Viable Paradise writers’ workshop. She has short fiction in the Agents and Spies anthology and the Mad Scientists Journal. She also runs FutureShift, a project working to broaden the intersection between speculative fiction and social change work. When she’s not writing, you’ll likely find her hiking up a mountain or riding her bike. She lives in Maryland, where she is owned by two cats.

 

 


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