Introducing: The Submission Grinder Newsletter

written by David Steffen

Since the start of 2016 I have been working hard on completing some major upgrades to the Submission Grinder site.

For those of you who may not be familiar with it, the Submission Grinder is a web tool for writers to find markets for their fiction: market listings, a search engine to find markets that fit your criteria, a submission tracker, and anonymized submission statistics to get an idea of what kind of response time can be expected from a particular market.

As part of the development work, in January the Grinder began sending out weekly Submission Grinder newsletters to subscribers which contained a list of recently added markets with links to the Grinder listing for each of those markets.  The newsletter also includes updates on Submission Grinder feature development, and fundraising updates.

Starting next week, the newsletter is expanding to also include lists of markets that have recently opened or recently closed, making it easy to keep track of changes in market status, all delivered right to your inbox.

And, best of all, each of these lists is filtered based on user preferences for genre and pay rate, so you only hear about the kinds of markets you have personal interest in.

To sign up for the newsletter you don’t have to be a registered Grinder user, or even have experience with the site’s features.  All you need to is sign up here and enter your preferences for filtering.

There is also a separate newsletter to talk about Diabolical Plots’s publishing projects, which you can sign up for here.

The Long List Anthology Released!

written by David Steffen

Pageflex Persona [document: PRS0000039_00012]Today marks the official release ebook and audiobook versions of the Long List Anthology, a collection of stories published in 2014 from the Hugo Award nomination list.  (The print version was released not too long ago).

See the Books page for a link to all of the different vendors for the different formats.

In case this is the first you’re hearing about this, I ran the Kickstarter to fund this anthology in October, which you can see here.

I hope you enjoy the stories in this book as much as I have.  Share links!  Leave reviews!

Description

The Hugo Award is one of the most prestigious speculative fiction literary awards. Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. Between the announcement of the ballot and the Hugo Award ceremony at WorldCon, these works often become the center of much attention (and contention) across fandom.

But there are more stories loved by the Hugo voters, stories on the longer nomination list that WSFS publishes after the Hugo Award ceremony at WorldCon. The Long List Anthology collects 21 tales from that nomination list, totaling almost 500 pages of fiction by writers from all corners of the world.

Within these pages you will find a mix of science fiction and fantasy, the dramatic and the lighthearted, from near future android stories to steampunk heists, too-plausible dystopias to contemporary vampire stories.

There is something here for everyone.

The cover art is by the Hugo-Award winning artist Galen Dara, the cover layout by Pat R. Steiner, and the interior layout by Polgarus Studios.  Audiobook production by Skyboat Media.

Table of Contents

  • “Covenant” by Elizabeth Bear
  • “This Chance Planet” by Elizabeth Bear
  • “Goodnight Stars” by Annie Bellet
  • “The Breath of War” by Aliette de Bodard
  • “The Truth About Owls” by Amal El-Mohtar
  • “When It Ends, He Catches Her” by Eugie Foster
  • “A Kiss With Teeth” by Max Gladstone
  • “Makeisha in Time” by Rachael K. Jones
  • “Toad Words” by T. Kingfisher
  • “The Vaporization Enthalpy of a Peculiar Pakistani Family” by Usman T. Malik
  • “The Magician and LaPlace’s Demon” by Tom Crosshill
  • “The Litany of Earth” by Ruthanna Emrys
  • “A Guide to the Fruits of Hawai’i” by Alaya Dawn Johnson
  • “The Bonedrake’s Penance” by Yoon Ha Lee
  • “A Year and a Day in Old Theradane” by Scott Lynch
  • “The Husband Stitch” by Carmen Maria Machado
  • “We are the Cloud” by Sam J. Miller
  • “Spring Festival: Happiness, Anger, Love, Sorrow, Joy” by Xia Jia, translated by Ken Liu
  • “The Devil in America” by Kai Ashante Wilson
  • “The Regular” by Ken Liu
  • “Grand Jeté (The Great Leap)” by Rachel Swirsky

Long List Anthology Kickstarter: The Home Stretch!

written by David Steffen

A City On It's Tentacles (1)It occurs to me 20 days into a 26 day Kickstarter campaign for the Long List anthology that I have not actually mentioned the Kickstarter campaign on my own website.  It has been a crazy 20 days and so much has been happening this particular thing has been postponed while I was working on other factors related to the campaign.  Well, better late than never, and with 6 days left in the campaign there is still some time for those who are interested to back the project to get their rewards and to help push toward the couple of remaining stretch goals.

You can read more detailed information on the Kickstarter page, but I’ll give a brief rundown here.

Purpose

Every year the Hugo Awards celebrate short stories (and other content) related to SF fandom as nominated and voted by supporters of WorldCon.  The works on the ballot receive a great deal of attention as they are distributed in a packet to voters and the voters discuss them.  Every year after the awards are given out, the Hugo administrators publish a longer list of nominated works which receive much less attention though they are also works that were greatly loved by the voting fanbase.  The purpose of the Long List anthology is to publish as many of the works from that longer list as possible.

Goals

The campaign’s base goal was relatively modest–only covering the purchase of nonexclusive reprint rights for the stories in the short story category, with stretch goals to add novelettes and novellas.  The campaign got off to big start with the base goal being reached just 2 days into the campaign, and the stretch goals being reached only a few days later.  Since the stretch goals were reached so early in the campaign I got to work making ever larger and ever more exciting stretch goals.  This added up to three stretch goals to produce an expand an audiobook of those stories for which audio rights could be acquired, produced by Skyboat Media who you may know as the folks who produce the excellent award-winning Lightspeed Magazine podcast.  The first of those goals has been reached, so there will be an audiobook which will contain 8-9 of the short stories.  There are two stretch goals remaining to add novelettes and novellas to the production.  I am very excited to have the opportunity to work with Skyboat Media–they have produced many of my favorite podcast fiction recordings and I am very excited to hear their productions.

Table of Contents

The following is the list of the table of contents of stories that will be part of the anthology.

Note that there will be 3 formats of the anthology:
1.  Ebook:  Will contain all of the stories (180,000 words of short fiction).
2.  Print book:  Will contain all of the short stories and all of the novelettes. May contain novellas depending on printing constraints. (around 140,000 words for short stories and novelettes)
3.  Audiobook:  Will contain at least 8-9 of the short stories (close to 40,000 words, which I think comes out to perhaps 4 hours of produced audio?), and if higher stretch goals are reached may contain novelettes and novellas which will add more content.

The following is the full list of stories:

Short Stories

  • “Covenant” by Elizabeth Bear
  • “This Chance Planet” by Elizabeth Bear
  • “Goodnight Stars” by Annie Bellet
  • “The Breath of War” by Aliette de Bodard
  • “The Truth About Owls” by Amal El-Mohtar
  • “When It Ends, He Catches Her” by Eugie Foster
  • “A Kiss With Teeth” by Max Gladstone
  • “Makeisha in Time” by Rachael K. Jones
  • “Toad Words” by T. Kingfisher
  • “The Vaporization Enthalpy of a Peculiar Pakistani Family” by Usman T. Malik

Novelettes

  • “The Magician and LaPlace’s Demon” by Tom Crosshill
  • “The Litany of Earth” by Ruthanna Emrys
  • “A Guide to the Fruits of Hawai’i” by Alaya Dawn Johnson
  • “The Bonedrake’s Penance” by Yoon Ha Lee
  • “A Year and a Day in Old Theradane” by Scott Lynch
  • “The Husband Stitch” by Carmen Maria Machado
  • “We are the Cloud” by Sam J. Miller
  • “Spring Festival: Happiness, Anger, Love, Sorrow, Joy” by Xia Jia, translated by Ken Liu
  • “The Devil in America” by Kai Ashante Wilson

Novellas

  • “The Regular” by Ken Liu
  • “Grand Jeté (The Great Leap)” by Rachel Swirsky

 

Rewards

There are a variety of backer rewards left for those who might be interested, listed briefly here.

  • Copies of ebook, print book, audiobook or combinations thereof.
  • A sonnet or sestina written by Ruthanna Emrys
  • A question for Rachel Swirsky which she’ll answer in a blog post
  • A “Women Destroy Science Fiction” (Lightspeed Magazine special edition) audiobook autographed by Gabrielle de Cuir
  • Special thank you within the audiobook
  • 11×17 poster prints of the wonderful cover art for the anthology “A City On Its Tentacles” by Galen Dara)
  • Custom digital art by Sam J. Miller in which he will sketch an animal of your choice in the occupation of your choice
  • Studio recording copy of the Long List anthology with director notes and narrator autographs
  • Audio recording of your story by voice actors Stefan Rudnicki, Wilson Fowlie, or Graeme Dunlop
  • Voice mail recording by voice actor Stefan Rudnick (of Skyboat Media)
  • Story critiques by Yoon Ha Lee, Anaea Lay, or me
  • Consultation with Skyboat Media regarding suitability of book for audiobook format
  • Lunch with Skyboat Media at WorldCon 2016 in Kansas City
  • Breakfast and watching recording session at Skyboat Media in Los Angeles
  • Audiobook co-producer credit

Diabolical Plots Fiction Lineup (Year Two)

written by David Steffen

Diabolical Plots opened for fiction submissions for the month of July, one story per writer for the submission window.  During that month 425 valid submissions arrived in the slushpile.  59 stories were held for a second look.  13 stories were purchased.  Both rounds of the process were judged entirely by me, and author names were hidden from me until the final decisions had been made, so the stories had to stand for themselves.  Here are the story titles and authors for that year of purchases.  I am very excited to bring these stories to readers.  I hope you enjoy them as much as I did!

March 2016
“One’s Company” by Davian Aw

April 2016 
“The Blood Tree War” by Daniel Ausema

May 2016
“Further Arguments in Support of Yudah Cohen’s Proposal to Bluma Zilberman” by Rebecca Fraimow

June 2016
“The Weight of Kanzashi” by Joshua Gage

July 2016
“Future Fragments, Six Seconds Long” by Alex Shvartsman

August 2016
“Sustaining Memory” by Coral Moore

September 2016
“Do Not Question the University” by PC Keeler

October 2016
“October’s Wedding of the Month” by Emma McDonald

November 2016
“The Banshee Behind Beamon’s Bakery” by Khaalidah Muhammad-Ali

December 2016
“The Schismatic Element Aboard Continental Drift” by Lee Budar-Danoff

January 2017
“Curl Up and Dye” by Tina Gower

February 2017
“The Avatar In Us All” by J.D. Carelli

March 2017
“Bloody Therapy” by Suzan Palumbo

 

Kickstarter for Long List Anthology Launched!

A City On It's Tentacles_smallerToday is the first day for the Kickstarter of the Long List anthology.  The purpose of the Long List anthology is to celebrate more of the short fiction chosen by the Hugo voters.  This will be done by soliciting the short fiction works on the Hugo “long list” that the Hugo administration publish every year after giving the award.  See the Kickstarter for more details

Thank you!

“Long List” Anthology (Replacing the Mulligan Awards)

NOTE: The original post suggested the title “Ones to Watch” but someone rightly pointed out this implied an anthology of up-and-coming authors just starting to get noticed, which will probably be untrue more often than not.  So, “Long List” is the working title at this point instead.

For anyone who read the previous plan proposing the Mulligan Awards, this announcement is to announce that there will be no Mulligan Awards, and to announce a new plan that I hope will accomplish the same goals I had in mind, but in a way that better fits my goals.

WHAT IS CHANGING?

There will be no Mulligan Award

There will be no attempt to use the numbers to extrapolate what would’ve been on the Hugo ballot without the voting slates.

There will still be a Kickstarter.

The Kickstarter will support a reprint SF/F anthology tentatively titled “Long List”.

The contents of the anthology will be those stories on the longer Hugo nomination stats list that they publish at WorldCon for the appropriate category, as long as:

  • The story was eligible for the Hugo in the appropriate year (especially, that it was first published in the appropriate year)
  • The author agrees to the terms, which will include 1 cent/word pay and attribution of the original publication.
  • If the story is still within its exclusivity period with the original publisher, the publisher agrees to allow the reprint.

The baseline goal of the Kickstarter will include the short story category.  There will be stretch goals that will include the novelette and novella categories.

The anthology will be published in ebook formats.

I will consider doing this in future years as well, regardless of whether that year has a controversy or not.  No matter what makes the ballot or how it makes the ballot, there are other stories that came very close–with the nomination numbers we will know which ones they are, and I see no reason why this couldn’t be an annual production.

WHY IS IT CHANGING?

For a variety of reasons.  But first and foremost, it’s a matter of tone.

There has been a lot of anger surrounding this Hugo season from a variety of people with a variety of viewpoints.  I am not going to examine that anger here–the SF corners of the Internet are full of that examination, and it’s all out there for you to read.  What frustrates me most about this award season is the loss of excitement that usually surrounds it, of taking the time and space to share and discuss stories, to celebrate this genre that we all love so much, even though different people love different kinds of stories and different aspects.  To me, the Hugos at their best are a recommended reading list vetted by a couple thousand fans that like all kinds of different things.  I like them best when they’re a hodgepodge–some stuff perfectly suited to my reading, others that I don’t like or don’t understand but which are interesting as a study of understanding other people’s viewpoints and perspectives.

The reason I suggested the Mulligan Awards in the first place was because I wanted to offer a place where people could be excited about this award season again, where it wouldn’t just be anger from one end of the calendar to another.  The more I thought about it, the more I realized that even though I wanted it to be a way to add positivity and excitement to the award season, the more I realized that it was inseparable from the anger because its basis was blame.  And that it could make the experience of people already having a tough time even tougher.  For example, if a novelist found out that she had almost made the ballot this year, that would be hard–almost making something is hard no matter the circumstances.  If she then got a communication from someone she’d never heard of, offering her an award for not quite making the ballot?  Well, no matter what the intent of the award, that might just hurt all the more.

Which brought me back to pondering what I really wanted to do with this project to begin with and how I could meet those goals in the most positive way.  The idea of the award was exciting to me, but more exciting was that those works that didn’t quite make the ballot would get some attention, and maybe fans out there would find new authors and new publications that get them all the more excited for short fiction.  And I decided that this kind of anthology would be better if I didn’t make any judgment calls–no consideration of whether something was on a slate, or whether it was recommended by who or why.   The anthology is going to be a mixed bag, and I like that idea.

 

Announcing The Mulligan Awards

NOTE:  This post is outdated.  Please visit this other article to find out about the updated plan.  Other than this introductory note, I leave this post and its comments unchanged so that you can read about the idea if you like.

WHAT ARE THE MULLIGAN AWARDS?

The Mulligan Awards are a response to the joke that is this year’s Hugo ballot.  This is for the people who want to compare and contrast great stories and publications that were chosen by the two thousand people who registered and nominated, rather than the opinion of just two or three.

So there will be a final ballot which is based on what non-voting-bloc Hugo voters nominated, an opportunity to vote and, depending on what can be arranged with the parties of interest and the level of interest from fandom, there may be trophies, or a reprint ebook anthology of those on the final ballot who are interested in participating.

 

WHY ARE THE MULLIGAN AWARDS?

There are a lot of people very upset about how the Hugo ballot turned out this year.  No mystery why, since the final ballot is conspicuously off-kilter, matching the Sad Puppies voting bloc slate almost exactly with a bit of Rabid Puppies mixed in.  The Hugo rules are set up so that anyone with the price of entry can vote, and there’s nothing to prevent a hivemind like the Correia-Torgersen-Vox collective from forcing whatever they want onto the ballot to take a stance on somethingsomething and prove the point about mumblemumble while only actually accomplishing in transforming the award from something that boils down interests of a bunch of interesting subsets of fandom into a ballot that only the collective itself thinks is worthy.

I will point out that the collective has not broken any rules, but they have made the ballot very dull because it only represents the opinion of three people, rather than the opinion of two thousand.

The biggest loss is the loss of discussion about new and interesting stories that rise out of the woodwork from a group voting in an uncoordinate fashion, which is what I look forward to the Hugos every year for.  So the Mulligans are an attempt to salvage something worthwhile from the Hugo year, and give some recognition to authors who deserve it.

 

HOW DO I NOMINATE FOR THE MULLIGANS?

You already have or haven’t.  The nominations will be based on Hugo nomination numbers rather than being a completely separate procedure.  Each year the Hugo committee publishes a list of the top 15 nominees with voting counts for each one.  The Mulligan nominations start with the Hugo nomination list, but estimates what the top 5 would be in the absence of the voting bloc.

How will it do this?  Well, since the bloc has succeeded so thoroughly in sweeping the ballot, this implies that the members of the group followed their leader’s orders and voted slavishly for everything suggested.  This should make them easier to spot in the nomination numbers because there will be some things from the voting bloc’s slate that didn’t get votes from anyone else, or almost no one else.  That lowest number will give an estimate of how many actually followed orders–the lowest rather than the highest because some of the voting bloc’s choices may have been popular in their own right, and perhaps could have made it on the Hugo ballot without collusion.  Then, by subtracting the estimated bloc count from all of the nominees that came from the bloc’s slate, that will be a rough estimate of what the ballot would look like without the bloc’s effects.

Note that this doesn’t automatically knock all stories from the voting bloc off the ballot–if they were legitimately popular in the overall vote, then they could be on the Mulligan ballot too.

These numbers aren’t released until after WorldCon, so the Mulligan final ballot can’t be released until September.

 

HOW DO I VOTE FOR THE MULLIGANS?

The details for this are still being determined and will be advertised at a later date.  Ideally, if there’s some way that eligibility for actual Hugo voting can be verified by those who choose to vote, that would be the best way to keep the voting group similar–but I’m not sure if that will be possible.  There will definitely be a way to vote, and it will be based on a rank-order instant-runoff system with “No Award” as an option–and counting will generally work like the published Hugo rules.  Except that there will be no 5% minimum for a nominee to be listed.

 

ARE THE MULLIGANS AFFILIATED WITH THE HUGOS?

No.  Not even slightly.

 

WHAT WAS THAT ABOUT TROPHIES?  AND REPRINT ANTHOLOGY?

At the very least I will post a ballot and provide some way to vote.  This I can set up for limited cost.

If there is enough interest, I might run a Kickstarter for the Mulligans–if enough of the Mulligan nominees are interested, a reprint ebook anthology paid at 1 cent per word or more.  Whether I set up the Kickstarter will depend somewhat on how much interest people express, so if you’d be willing to kick in a few bucks to get a copy, let me know.

 

BUT MY VOTE IS ONE THAT’S GETTING SUBTRACTED!  MY VOICE COUNTS!

If you are a member of the collective, then you can console yourself with the Hugo Awards.

 

WILL THIS RUN EVERY YEAR?

I sincerely hope it won’t need to.  But if a bloc dominates again, I’ll consider it.

Diabolical Plots Fiction Lineup (Year One)

written by David Steffen

I have twelve short story contracts in hand, signed by the authors of twelve stories.  That means that I can announce the lineup of stories for Diabolical Plots first year of publishing fiction.  All of these were chosen with the author names hidden so all of them made it on the merit of the story, regardless of how well the author is known or their publishing histroies.

 

March:  “Taste the Whip” by Andy Dudak

April:  “Virtual Blues” by Lee Budar-Danoff

May:  “In Memoriam” by Rachel Reddick

June:  “The Princess in the Basement” by Hope Erica Schultz

July:  “Not a Bird” by H.E. Roulo

August:  “The Superhero Registry” by Adam Gaylord

September:  “A Room for Lost Things” by Chloe N. Clark

October:  “The Grave Can Wait” by Thomas Berubeg

November:  “Giraffe Cyborg Cleans House!” by Matthew Sanborn Smith

December: “St. Roomba’s Gospel” by Rachael K. Jones

January:  “The Osteomancer’s Husband” by Henry Szabranski

February:  “May Dreams Shelter Us” by Kate O’Connor

 

Diabolical Plots To Become Professional Fiction Market

written by David Steffen
Diabolical Plots has been continuously providing nonfiction content related to speculative fiction since I launched it in 2008. Reviews, interviews, “Best of” lists, relating to magazines, books, TV shows, games. It was founded by me in 2008 on a very simple Blogspot page. Anthony and I joined forces in 2009 and, among other things, moved to the much nicer site that is still used today, commissioning the iconic mad scientist artwork by the wildly talented Joey Jordan.
In January 2013, Diabolical Plots launched the fiction writers’ submission-tracking and market-finding tool, The Submission Grinder.
This post is to announce the news that Diabolical Plots will trying something entirely new, expanding to become a professional-paying publisher of original speculative fiction! We’re not open for submissions quite yet, but we wanted to share the exciting news and let you prepare your very best short stories that are 2000 words or less for submission. For full guidelines see <LINK TO GUIDELINES>.
And Diabolical Plots the fiction market now has a market listing on the Grinder <LINK TO GRINDER LISTING>. We’ve put in requests to Ralan for the same.
This is all a grand experiment to see what kind of interest we get from writers and from readers. At this point we’re aiming for a single original story of 2000 words or less once a month for a year. What happens after that depends largely on how much interest. We have set up a Patreon page <LINK TO PATREON PAGE> with some goals for breaking even and goals for expanding our offering to more stories. If we get enough support through Patreon or through PayPal (and support of the Grinder all goes into the same place so Grinder donors, thank you as well) and iwe enjoy doing this fiction thing, then we’ll keep on going after the year is up. If not, we will surely have learned from the experience , and we will have helped the twelve authors find a venue for their work.
So, thanks for all the support over the years, everyone. We hope you’re as excited about this grand experiment as we are.

“Catastrophic Failure” at Perihelion

written by David Steffen

My story “Catastrophic Failure” just went live at Perihelion today. It’s outside my usual comfort zone, hard SF, near novelette size, about a disaster on a Venusian mining crawler. Full of action and science fictiony goodness. If you get a chance to read it, let me know what you think.