Even before The Force Awakens hit the big screen, Star Wars fans were instantly enchanted by the effects, mysterious storyline and intriguing but relatable characters. In particular, Rey has become the heroine of every young girl’s’ dreams and has since resonated with a vast majority of audiences because of her admirable independence and unmatched strength. In a series that has focused for so long on its young male heroes, it’s high time that a fully-formed female character like Rey has come into the limelight.
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Climate change has been a big button issue in recent years as more and more people have become aware of its negative effects. In fact, because of the burning of fossil fuels, the emission of carbon dioxide has increased about 40 percent since pre-industrial times, according to Ohio Energy. With this concern and changing environmental issues come a plethora of films that reflect our natural world’s burdens. Films have been warning us of impending ecological disaster for years. Whether it’s our own hubris coming to get us or the Earth fighting back, here are five of the most terrifying eco-horror-themed films.
The future of mankind is dark, desolate and generally pretty frightening. At least, that is what dystopian fiction like The Giver and The Maze Runner would have us believe. Dystopian fiction pictures a future world where many of our current problems are escalated to extreme proportions.These fictitious works are set sometime in the future after we have continued down our current path of destruction and the end result is a world overrun by violence, greed and sometimes even a creepy monster or two. There is an overarching presence of oppression by some sort of political force in all these works of fiction, and it is when citizens of these dystopias realize the system they live in isn’t the one they want to live in, that the story typically begins.
written by Carl Slaughter
I have counted seventy Hollywood actors, most of them A-Listers, who have switched from films to television. The studios are reducing the number of movies. Meanwhile, 48 television networks are offering scripted episodic dramas series. The only people outside the industry who can keep track of the number of shows are journalists on the TV beat.
Television is where the storytelling is and television is where the job security is. ItÃ¢â‚¬â„¢s only a matter of time before the likes of Tom Hanks and Julia Roberts join the party.
Who wouldnÃ¢â‚¬â„¢t have liked to have studied their university subject using their favorite science fiction or fantasy stories? I missed a crossover between my favorite genre fiction and the subject he was studying, so when I became a PhD student and lecturer at a German university, I decided to take matters into my own hands and asked my professor if I could teach a business course using Escape Pod as the main source. I might have understated the fact that Escape Pod is a science fiction podcast thoughÃ¢â‚¬Â¦
Waylines? Yes, Waylines! Haven’t heard of it? It’s a SFF magazine with a twist. We publish short speculative fiction PLUS stream short speculative films (and it’s free!) We’ve been out for a year now. In 2013 we ran 6 issues, published 14 stories and screened 18 films. We were lucky enough to run some great stories by Jake Kerr, Anaea Lay, and Eric Del Carlo among others, and get some interviews by the likes of Ken Liu, Cat Rambo, Nina Kiriki Hoffman, and Aliette de Bodard (we even interviewed old David Steffen). It was a great year.
“Thief of Futures” by D. Thomas Minton demonstrates value in terms of wealth and talent; the story is only concerned with characters who are either rich or possess a very certain innate skill. Everyone else is consigned to the background. “Antiquities and Tangibles” by Tim Pratt examines value through connections and luck; the more social-oriented tools of achieving success and accruing value. Those without connections and luck have no chance of exploring happiness to the extent the main characters do.
Not everything in a story happens on the page. When an author writes material that occurs “offstage,” that so-called “green room writing” may inform the events that the audience sees. Giving foundations for the characters, their motivations, personalities and activities, green room writing may well feel like wasted effort. Trust me, though Ã¢â‚¬” it’s really not.
The primary reasons for the decline of the magazine business have less to do with the quality of periodicals – less, even, than with the rise of the internet – than with an outmoded, archaic and unspeakably wasteful distribution process.
The method through which periodicals are distributed and sold dates back to the era of cheap paper, expensive televisions, limited media, general print literacy, and the rise of mass advertising.
Here are the stories resulting from the Storygasm event in rough chronological order of prompts received. Feel free to take yours and post it elsewhere or link directly to this page. Thanks for contributing!