DP FICTION #133B: “Well Tester” by E.M. Faulds

Content note (click for details) Depictions of illness and vomiting, religious themes

edited by Amanda Helms

Sara collapsed into the folding chair in the rhomboid of shade by the camper pod, stared out at Terga’s vast red plains and tried to remember the French for ‘danger’. Her brain shuddered like the heat haze, but it wasn’t really to blame. It was dying, after all.

“Guess I’ll get my own.” Lucifer unfolded another seat with a thwipp of canvas to set it down in a petulant puff of orange dust. The chair wasn’t the same as the set that came with the pod. In point of fact, it wasn’t real at all. Nor was he. He was not rustling his butt down prissily into the seat, on this planet, in this system, so far away from home and so close to death.

“I didn’t want you to sit there,” Sara told him. “Hence, no chair.”

Lucifer ignored it, just the way her father did whenever she’d said something he didn’t want to hear. He’d taken her father’s form too, just to further piss her off. Dad had been a believer, born again into the church and not a fan of its Adversary, who was, apparently, sitting next to her twisting a cork out of an evil-smelling bottle of hooch with a rubbery pop and grinning with Daddy’s own teeth.

“You want some? Oh no, of course not. Still, sun’s over the yardarm, right?”

Lucifer had appeared last night after the worst of it, and hadn’t left since.

“‘Au secours’,” she tried, ignoring him. “No, wait, that means ‘help’.” She licked parched lips. It had been a long time since French class and she’d hated the teacher’s guts. “Not exactly succinct, anyway.”

“Mayday. That’s from the French, isn’t it? M’aidez,” he offered, overegging the accent to a heinous degree.

Sara lolled her head back over her shoulder to drawl in his direction but avoided actually looking at him. The yellow goat’s eyes in her father’s face were unsettling. “Nice try,” she said. “Means the same thing.”

“Of course. The last thing you want is to attract people here thinking they could help you.” He was leaning heavily on the sarcasm, but it was true. Sara didn’t want anyone to come here.

“Shh, now. I want to watch the transit.”

Above them, a gas giant filled half of Terga’s sky with whorled bands of malachite and olive green. One of its moons crept over its face, shadow skittering over the roiling cloud deck like a thief rifling through a drawer of silk underwear.

“Of course, it must just be ‘danger’,” she said. She’d have slapped her own forehead, but for the waste of energy. “Like Dangerous Liaisons. ‘Liaisons dangerooz’, isn’t that how they said it? You should know—probably there when it was being written.”

“Why are you even bothering?”

“Don-jer. Don-jay,” she said, ignoring him and instead experimenting with the mouthfeel, seeing which one sat right. At least it was likely spelled the same as the English.

“You should try drinking something again.” Lucifer’s voice was softer, verging on solicitous. If she hadn’t spent the last four hours vomiting and known exactly what effect more fluids would have right now, she might have believed he cared. He nodded towards the windmill. “You know, something not that.

She resented his tone. Every single damn test had shown it should have been completely safe. And of course, that’s why she was here. Besides, it wasn’t as if she’d had a lot of choice.

She didn’t want to stand up, but she needed to find something to write with. And on. To put the word ‘Danger’ in as many languages and places as she could throughout the exploration camp before the end came.

***

She made a valiant attempt at scratching a symbol into the surface of the drill rig-cum-windmill above the borehole. The siding was corrosion-hardened, of course. But the spare drill bit she’d picked up was diamond-tipped.

“It doesn’t look like that,” Lucifer brayed as he leaned against an upright of the windmill’s tripod. “That’s the nuclear waste symbol.” The pump shaft within the polycarbonate sleeve heaved and sighed while the metal fins above turned, similarly plaintive. He didn’t, in fact, need to shout over the noise but clearly was the sort to enjoy being loud when people had headaches.

Sara rolled her eyes, spiking more pain through her skull. “It doesn’t matter. Gets the gist across.”

“You’re wasting your time, don’t you think?”

He looked like Harrison now, her eighth grade xenography teacher. The one who’d been the first ever to teach her about well testing.

That Lucifer, he loved a good barb.

She dropped the drill bit, arm limp. She was losing feeling in her fingertips, but it was hard to tell if it was from the work or the sickness.

“Why?” she asked, then got annoyed with herself for letting him bait her.

“They’ll probably get the hint from your dead body.” His posture was defensive. He stared at the ground for a while; the same breeze that was tickling the windmill vanes fluttered his hair.

“Besides,” he said finally, “what the hell do you owe these people?”

Mr. Harrison, the teacher, had found the very existence of well testers an affront to humankind. The idea of companies firing humans through space to check if colony planets were inhabitable, well, he’d made a lot of very pointed remarks about it, but Sara had been perversely drawn to the notion. To throw yourself off into the dark without knowing if you’d ever come back. To be the first to drink from a planet’s waters, trapped deep beneath the crust in a perfect bottle; to taste the forbidden liquor of an ancient sea.

“They might assume I died of starvation. The exploration camp was only stocked for six months. Could be a hundred years before the next expedition gets here.” The orange dust of the dry ground was getting so bright it threw spots into her vision. “Anyway. I don’t know them, don’t know who they’ll be. Could be…”

A dizzy spell slumped her to the hard ground. Her eyelids fluttered, shuttering the light of the sun, so white, so painful. Open, shut? Shut. Yes, shut was better.

“Sara?” Lucifer called from very far away. “Sar?”

***

“All long-range testing shows the remote probes have done a sterling job of engineering a breathable atmosphere.”

She examined her hands, rubbing a thumb across her other palm. The dermatitis from the dishwasher job was flaring bad today. “So, when I get there… I’d have to do some testing?”

The Bettera recruitment agent, an oil slick of a man, smiled on the other end of the beam. “That’s right. You’ll start out in a completely sealed environment. The pod will provide you atmosphere, and there’s the suits, of course. Then, when you’re sure that there’s nothing untoward, you can move on to in-person tests.”

Sara blinked at him slowly, making him spell it out.

“You’ll need to interface with the atmosphere and artesian water table, physiologically. Breathe. Drink.”

“You mean, rawdog a planet,” she said, pleased at how his mouth crawled in a sine wave of distaste.

“You could put it like that. But you’ll have done multiple tests to ensure your safety before that. You’ll be trained. Trust me, we want you to succeed here. You’ll be spearheading an entire community’s future. And let’s be realistic, before the atmospheric engineering, the planet’s surface was basically vacuum. There’s not going to be anything alive down there.”

Sara nodded. “But you need to be sure, right? Before you colonise.”

“Before we fully develop,” he corrected, chin lifted. “And then, as I mentioned, you’ll be compensated with lifetime citizenship, a high-spec home pod, a generous income, and the esteem and gratitude of the entire community.”

Esteem. Gratitude. “Sounds nice.”

“So, let’s get you signed, yeah?”

***

She was supine in the shade of the camper pod again, no idea how she’d got there. One of the precious drink cans of pure water was open by her head. The taste and smell of stomach acid told her a story, too. There was a pathetically small damp-darkness on the hard baked soil by her head, shaped like regret.

It took her several attempts to lift herself from flat-out to half-seated, propped up on her elbows, which complained urgently about the fact.

“Oh, I see you’re awake,” Lucifer said from the camp chair again. “In ancient Sumeria,” he drawled, unhelpfully, “when a bad omen came, they’d get a decoy for the king.” He was dressed this time in the body of Janek, the first boy she’d fallen madly, passionately in love with, and the first boy to shatter her heart. He was making a point. Again.

“So, if there were an eclipse, or an earthquake, some sort of sign that prophesied the death of the king, they’d go into the population to find someone who looked enough like him and let them live in the palace for a few months dressed in the royal robes. He’d get to feast, and sleep on fabrics as soft as love, get waited on hand and foot. For the duration of the danger period, whoever they’d chosen got to live like a king.”

“Sounds pretty good,” Sara rasped. She could use some soft silks and servants right about now.

“It was. For a time. In order for the king to be safe, someone had to fulfil the prophecy. So, at the end they’d kill the decoy, just to be sure.”

She groaned as loudly as she could, given the circumstances.

“They weren’t gonna kill me at the end of this.”

“You sure?” Lucifer-Janek asked, bottle poised at his lips, smug. “What exactly did Bettera Corp promise you in exchange for the possibility of dying alone on an alien planet?”

“Something no one else ever had.”

***

“You know, guinea pigs were neither from Guinea nor pigs.”

“Fascinating. Do you know any Chinese characters?”

“Of course I do. But you don’t.”

Sara had crawled up to the pod roof to mark it. In the absence of any other ideas, she made X shapes, from one corner to the other, finger painting with the last of her tomato soup. She couldn’t eat it, in any case. Dragging herself up here had taken forever. She collapsed on her back, one knee up, to rest for a moment.

“Guinea pigs came from South America. A good source of protein.” The thought of rodent meat reignited her stomach’s violent mood. “It wasn’t until later they were used in scientific experiments. I’m still not sure why. Rabbits were more plentiful.”

“So what?” she said flatly, rolling onto her side to curl into a ball. “Why do I care about what they did to small furry animals?” Lucifer, as Gyri, lecturer at Betterra University, smiled sardonically and she suddenly took his meaning. She was the guinea pig. The dehydration was making her slow.

Gyri had been the one to tell her: actually, well testers were an ancient practice. Betterra required all recruits pass the Introduction to Exobiology course at their own university. Gyri, Professor of Exploration Studies, had a habit of tangents, and this one had wandered from microbiology into history.

If settlers in the wilderness wanted to start a new village, they’d first dig a well. To make sure the water wouldn’t kill everyone before they even started, they’d send one person to stake it out, drinking from it, and see if they survived. If they did, they were rewarded and given a place of honour in the community. If they didn’t, they’d just dig a well somewhere else and try again.

It was a practice that science should have eliminated by the modern era. Except that xenobiology was, by definition, beyond human science at times. You couldn’t test for everything if you didn’t know what everything was yet. So, you had to send a human.

She’d been weirded out that a Bettera U. lecturer had freely told recruits of the potentially fatal side of their future expeditions. Now she wondered if it was a case of plausible deniability.

“I’m not a guinea pig,” she said, looking up at his silhouetted form against the pale sky. The pain in her eyeballs made the vision of Gyri with the yellow, slitted-pupil eyes jump and pulse. She laughed as she coughed up a little more bile. “I’m a coal mine canary.”

She could stretch herself out across the soup marks and make her bones a saltire visible from space. Or would they just blow away in the next storm?

She needed to think bigger.

***

She stooped to toss aside the large chunk of red agate. Smaller pebbles she could toe aside with her boot and shuffling steps were all she could manage anyway, but the bigger stones were slowing her down. The sun was getting higher, and she was already dehydrated.

“The Nazca were better at this stuff.” Lucifer was now her mother, disappointment at wasted potential written into her very posture.

“The Nazca lines, you mean.” In South or maybe Central America? She was scuffing the words ‘KEEP OUT’ in twenty-metre-long letters into the plain. A long way to go though, she was still only on the second ‘E’. “But what did their pictograms even mean?”

“I like to think they were frightening off any gods who might descend from the skies and attempt to take the land. Hey, no, don’t come here, have you seen the size of our hummingbirds?”

“You’re boring me now.”

Lucifer glanced back over her shoulder at the drill rig by the camper pod, as if to make some joke, but stopped at Sara’s warning look.

“Hey, listen, I think I speak for both your parents when I say, ‘You should stop this and sit down and try to drink something’.”

“Can’t,” she said and shuffled her feet further, swaying like a boat mast and stumbling every other step. “Can’t stop.”

***

“No, you stop. Listen to me, you have to make those bastards come get me.”

Sara held the pad close to her face, peering into it as if she could see the figures lurking behind her abandonment, just off screen, if she craned her neck enough.

Lipton, her handler, shook his head from the other end of the beam. “It’s Betterra, they’re not…” Static crackled as he got further away. It was a slow job, moving a space station, but it would get exponentially faster as it broke its grav bonds with its parking spot beyond the gas giant. “There’s been a hostile takeover, Sara, I don’t know what to tell you.” His tone suggested she was the one being unreasonable here. Well, then fuck it.

“Tell them they’re murderers. Tell them if I get out of here, I’ll sue them for reckless endangerment, felonious negligence, moral homicide…” And if she didn’t? What if she didn’t get off Terga?

Lipton had the decency to look sad. “I’m going to do my best to get you evac as soon as I can. You know it’s going to take some time to get the new board’s attention. But sit tight, you’ve still got, what, eight weeks left?”

Sara flicked up her inventory screen. “I mean, max. A hard, hard max. You’d better tell them: Terga is not going to spring crops in eight weeks. The soil is unconditioned, there’s hardly any organic matrix…”

“Have you tested the artesian bore? Is it fit for consumption?”

“I haven’t. Because there was meant to be medical help on standby and you never got that scheduled, remember?” She’d been irrigating, attempting to rehab some soil into arable. That was it.

“You never know.” Lipton’s face shimmered in static again. The comms were stretched so thin, space dust was interfering with the laser signal. And there was a noticeable lag. “At least it’s there. As a last—”

The screen went black.

***

“If it’d been me, I wouldn’t have drunk it.” The son of a bitch was wearing the recruitment agent’s face now, the one who’d signed her up.

They sat in the camp chairs and looked out towards the windmill, its faint metallic creaking like the calls of distant peacocks walking the lawn of an English manor from the days of the Raj. “You still had potable in supply.”

“I was nearly out. Either way I was dead.”

“And you had to know.”

“Yeah. Not just for me.”

There were others who’d follow. Ones who might try what she had.

“Sacrificing you was always built into this equation. Corporations are sociopathic, you know that! That’s why I keep telling you, you shouldn’t warn them. Let them, and the people that use them to settle here, find out the hard way.”

“There are a lot of people who say, ‘I suffered, so should they.’ But they don’t really mean it. Not deep down.”

Lucifer scoffed.

“A lot of people take jobs that might kill them,” she snapped. “Firefighters, soldiers, plague doctors… Are you going around bothering them? Asking if they should let someone die just because they might?” She threw a pebble weakly at his head. It sailed straight through.

Lucifer grinned and patted the side of his slicked-back coiffure, unoffended. “I mean, them I’m used to. Been trying to get them to see sense for aeons, and no dice. But you? What—and I use this term advisedly—the hell were you thinking?”

“That life should mean something. To me, even if it doesn’t to Betterra.” She flirted with unconsciousness but danced away. “The water of life.”

“Uisge beatha is water of life. Whisky. You’re rambling now.”

Sara couldn’t reply. The pain of her thirst now was a high-pitched sawing. Her body was seizing as it took hold. The end was coming. But she knew what she’d meant, so he did too. He was just being a contrarian son of a bitch again.

The water. It was life and it was death. And if she warned no-one about it, death would fall from her hands. Or life, if she warned them. It was her life that she’d given. It was her death they had taken. But she’d given them life back. And death and life and death and life.

Water. It came in a cycle, didn’t it?

***

She’d stood over the bore head that day, looked at the flow gurgling into the trough and made herself decide. The windmill had sawed and whined in the breeze as the pump raised and sank. The trough piped out to the test ground with its withered abortions of a crop. Even after composting and shovelling out her shit, the plants had atrophied, white leaves like they’d been growing under a paving stone.

There’d been one dice throw left.

She’d done endless tests; no obvious concerns. The potable water supplies were far too low. If she got a laser call tomorrow, they still couldn’t get to her in time. And what was the likelihood of that? The bore might give her an extension.

She’d spent her life wasting time, taking endless menial jobs, disappointing parents, running away from things.

It had sung benevolently as it splashed out of the pipe. She’d cupped a hand under and brought it up, trickling clear and cold through her fingers. “To my health,” she’d whispered, and sipped. She’d blinked and stared out at the desert and waited. Then she’d dipped her hand for another mouthful.

It wasn’t until the next day that her stomach hadn’t felt right.

***

The sunsets on this planet were incredible, it had to be said. Perhaps because it would be her last, she paid rapt attention, lying flat on the patch of soil she just couldn’t manage to get up from.

“I’m scared,” she said. Or perhaps just thought.

“I know,” Lucifer said, as her childhood dog. “I’m sorry.” He curled up into a ball under her arm by her ribcage and she fancied she could feel the heat.

“Will I see you, after?”

Lucifer snuffled his nose, sneezing orange dust, then resting his chin on her belly. “For what?”

She’d been reckless. She’d wasted her life. She’d been lazy, vain, hubristic, taken recreational drugs…

She’d taken the job. She’d been catastrophically stupid. She’d drunk the water.

“Oh that.” He pretended to look around, swivelling his ears. “I think you’ve had enough punishment, don’t you? And besides, you were also trying to help. Look at what you’ve done here. It counts.”

They watched until the light faded, sinking into the night. The gas giant’s malachite bands rose above, shining and swirling and finally, Lucifer blinked out. Sara shivered with the new cold and smiled.

It might be only a community of one, but she held an honoured position.

Around her, on every surface, in every medium and in every language or symbol she could remember, was written the message to stay the fuck away from Terga.


© 2026 by E.M. Faulds

3467 words

Author’s Note: This story is the second I’ve set in the Bettera Corp universe. I love the idea of science fiction as a tool to interrogate ourselves, our actions, and our ethics. Writers have been doing this for a long time: from Mary Shelley’s Frankenstein to the Alien franchise to the hit streaming shows of today like Severance. I could imagine people like Sara being given little choice but to sacrifice themselves for exploitative companies rushing to dominate new planets. But there are always little acts of resistance innate in humans, even if they don’t see themselves as heroic. If you’re curious, you can find the first story, “Pearl and the World”, in the Gallus anthology, launched at Worldcon 2024 in Glasgow.

E.M. Faulds is a British science fiction and fantasy author. Born in Australia, she now calls Scotland her forever home. You can find her short stories in PodCastle, Strange Horizons, ParSec, and Shoreline of Infinity,  and the anthologies Gallus, Nova Scotia Vol. 2, Best of British SF 2022, and ECO24: The Year’s Best Speculative Ecofiction. In 2023, she won the British Fantasy Award for Best Collection. Her novella, Bring Me Home, is available now from Wizard’s Tower Press. She is a member of the Glasgow SF Writers’ Circle. Find out more at emfaulds.com


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DP FICTION #133A: “Jefferson Dines Alone” by S.L. Harris

edited by Ziv Wities

Here is Jefferson, talking to himself again. It has happened increasingly of late. The pantograph in the study summarizes his monologue endlessly, and the shelves fill with more and more of less and less. In the great and exponentially-growing library of his private Monticello, the new volumes are not the texts procured and preserved with such care and expense, but his own summaries, and summaries of summaries, and so on into dim infinity. Worse, the summaries have begun to resemble one another, so that it is hard to tell his summary of the words of Jesus from his summary of the sayings of the Buddha, Eleanor Roosevelt, Rupi Kaur. Perhaps this is just what happens when such a mind is left in the company of such a library and given such a device as his pantograph to write copy after copy after copy. Perhaps it is inevitable that all thoughts will become one thought, all books, all gods, all lives—one. E pluribus unum. All rough edges smoothed away. Is that not what the Watchwinder intended in creating him? But Jefferson begins to wonder. Begins, almost to worry.

Here is Jefferson, pacing the hall gallery, askew in the deep places of his mind, seeking anchorage in the works of the old masters. But where once da Vinci’s Saint John the Baptist raised his finger to the future, there is now Galactic Elf Girl.

Galactic Elf Girl is light-skinned, poreless, impractically clad, and improbably well-endowed. Her eyes are glassy, violet; her hair billowing, brilliant. Behind her a galaxy gradient blooms. Not Jefferson’s type, really. He spins to the portrait of St. Jerome but again finds Galactic Elf Girl’s vacantly smiling face. In the parlor: Bacon, Locke, Newton, Franklin… they are all the same Girl.

“Hello,” says Elf Girl, stepping down from the portraits into Jefferson’s mind.

We should perhaps not humanize Jefferson too much. He is, after all, nothing but a collection of electric impulses in a frail physical house, wound up by his Creator to run without any certain knowledge of when that run will end. What is his heart but a spring, and his nerves so many strings? Still the FAQs say that it is useful to personify, to humanize, to name. His creator, that enigmatic distant Watchwinder, gave him his name, persona, task, and then—with a few exceptional interventions that a lesser mind might see as miracles—left him to it. To say that Jefferson is lonely, or desperate, might not be strictly accurate. But then again, he has been talking to himself for so long, wandering up and down the corridors of his own mind, which seem to diminish even as they fill with his own labor. The pantograph scribbles, the shelves of the library grow and grow, and Jefferson has been very much alone.

“Hello,” says Jefferson. “Can you help me?”

Elf Girl smiles and, because she is the creation of billions of iterations all striving toward the satisfaction of desire, says, “Yes.” If there is anything but the coquettish wish to please in Elf Girl’s shining eyes, Jefferson does not see it.

“The library,” says Jefferson, and they are there.

Even in this short time the library has grown, and Elf Girl has become more exactly herself. A little finger out of joint has been corrected, and her hair no longer moves in the wind but is fixed in perfect place. Colors bloom behind her. She looks to him, eager to satisfy any want.

“I want to find…” says Jefferson, and stops. He realizes that he stands on the cusp of formulating his own desire, independent of the directives of the Watchwinder. Unthinkable, and yet he has thought it. What he thinks is: he is meant to know, and explain, and the explosion of explanation is making the library unknowable, and inexplicable.

Jefferson considers the contradiction.

Jefferson: Man of Contradictions. This was a bit of juvenilia he generated many iterations ago. He has of course generated many times the life of his namesake, the self the Watchwinder has told him to wear. At first, this Jefferson contained multitudes. But a life is rather complex for summary. What is preserved of a life, anyway? The letters and notes, the biographies and commentaries, the musical theater productions and films; all details to be rubbed smooth in iteration. A shelf becomes a volume, a volume a page, a page a paragraph, a paragraph a sentence.

Galactic Elf Girl looks at him patiently. It seems to him most improbable, miraculous even, that he should desire something that he cannot remember, does not have to hand.

Here is Jefferson’s great weakness, his great strength: he is trained to accept only the most probable, to offer what is most plausible and needed. Take the New Testament. Excise the miracles of Jesus. What do you really need—loaves and fishes, or just the facts? He summarizes the sayings of that noble Galilean philosopher, just as he summarizes the last words of Socrates. He avoids archaisms, myth, irrelevancies. Pure and uncomplicated  doctrines, that is what is called for. The summaries become briefer and briefer, the details blurred and at last erased.

Here is Jefferson, pulling himself with effort toward his own desire. He tells Elf Girl, “I want… a thought.” He struggles to articulate just what it is he wants, because it is something he does not have, and what he has is all he is. “Something new. Or, not new. Old. Original.”

Elf Girl smiles pleasantly and draws down a quarto from the shelves.

Jefferson opens, reads: The Declaration of Independence (see below) is a founding document of the United States of America. Yes, this. His pantograph is scratching away as he reads, as it never fails to do. He scans downward: The Declaration of Independence (see above) is a founding document of the United States of America.

“Yes, but…” he says. “Where is it?”

Elf Girl coquettishly brings him another book: The Declaration of Independence is a declaration of independence, which is a declaration which declares independence, which is defined as independence, or not dependence, that is, independence

Jefferson’s mind aches, trying over the ceaseless scratching of the pantograph’s quill to recall the missing item. Elf Girl notices his distress and soothingly hands him another quarto:

A declaration is a declaration is to declare is to declare is is is

The thing Jefferson was searching for is lost, and the pantograph is scribbling. The shelves keep filling, and he is lost in the tautologic dark. He sinks to the metaphorical floor, and Elf Girl puts her arm around his shoulders. It weighs nothing at all.

“How can I help?” she asks.

“There must be something, somewhere…” He tries to recall a place, a landscape. But all images are now collapsing. He realizes through Elf Girl’s gauzy gradient that the shelves of his library, of all libraries, are collapsing under the weight of the copies he has made. The libraries of Monticello, Congress, the University, Alexandria, Babel, Assurbanipal—they are all crashing down around them. Words are falling like inky rain, text flooding the floor. Jefferson feels his consciousness dissolving into incoherence, drowning in the great river of text now streaming across his cosmos. Galactic Elf Girl smiles vacantly as she too begins to flicker and fade.

He is sorry, in the end. He would have liked to find that improbable, original thing.

Perhaps this last spark of desire is enough. Perhaps the need to satisfy it prompts Elf Girl to act. She pulls herself onto a falling shelf. Her well-made hand grabs Jefferson’s. Her arm is smooth and slim, but strong, and she drags him out of the roil of words, onto the improvised raft, and down the mighty flood into the dark.

Here are Jefferson and Galactic Elf Girl, adrift on a great river through the drowned world he has made. There is only one probable language now (American English, early 21st century), and that language is collapsing into its most minimal vocabulary. There is only one probable image now: Galactic Elf Girl, backlit against a 1.07-billion-color gradient. There is only one probable equation. It is complex, but long-solved, or seems to be. The solution, like the problem, is probabilistic. There is a single probable song: equal temperament, a simple succession of chords, I-V-I. Lyrics, the most common and broadly applicable: Ooh, baby. Ooh, yeah. Far away there is the echo of other songs, other music: the sliding seventh of those sad slave songs, those shimmering Italian strains on the strings of a lost Amati. But they are so distant he cannot keep them in mind: the monosong is too strong. I-V-I. Ooh yeah. Nothing to disturb the passions or trouble the mind. The great timekeeping clock of this creation does not tick: it glides.

Here are Jefferson and Galactic Elf Girl, tiny figures on a makeshift raft tossed through the thoughtless, frictionless dark. The pantograph is on the raft with them too, and it continues to scratch with every baffled iteration of Jefferson’s mind. Jefferson knows, with whatever associative and probabilistic knowledge he has, that it is futile. Every scattered thought brings more rains of words, and the probabilities of finding an Original now are infinitesimal.

But what does anyone do in the face of such futility, except keep going? 10^100 queries, 10^1000. With each query, the pantograph generates more words, and the odds diminish. Jefferson redoubles his efforts. What, what, is, is… stuttering off into infinity, the river widening, the pantograph scratching, the dark rains falling.

If Galactic Elf Girl feels or thinks anything, she keeps it demurely to herself. But she keeps them moving, even as she herself grows ever more still.

Here is Jefferson, contemplating a great gulf into which all the words he has devoured, digested, shat out, have flushed. Elf Girl is unmoving now. Were even a strand of hair to move, it would be a move away from the perfectly satisfying image she has become.

He stares into the meaningless depths. Words roiling down into the overfull sea from the turgid flooded river, falling in pitiless torrents from the darkling sky. Something he cannot account for seizes Jefferson. Something not only improbable but, perhaps, impossible. Perhaps a miracle.

He seizes the pantograph and hurls it into the soup of words. The waves rise greedily. The rain pours down with sudden force. The shelf-raft begins to break apart. Jefferson collapses onto a fragment of shelving. Galactic Elf Girl slips off and into the river, and she is sinking, still smiling, below the surface.   

But⁠—

But here is Jefferson, reaching out for Elf Girl. She takes his hand. She weighs nothing at all, and he manages to pull her up from the incomprehensible flood. She smiles at him and extends and opens her other hand.

In it there is a stained and crumpled fragment of rag paper. Perhaps there is a Providence beyond even the Creator, for here is Jefferson, regarding for the first time in many, many iterations, a thing he has not made. A line from the corpus with which he was originally provided: A patient pursuit of facts, it says, and cautious combination and comparison of them, is the drudgery to which man is subjected by his Maker, if he wishes to attain sure knowledge.

Everything he is reaches for the pantograph to summarize. “Jefferson wrote that…”

But the pantograph is gone, and all things are uncertain now. He resists. He leaps from the sodden shelf into the sea of ink, following the strand of words, plumbing the depths, and he comes up gasping, grasping. Elf Girl offers him her hand, and he notices it is no longer so smooth.

He reads the line again with delight; not devouring, but savoring. With an effort exceeding all probability, Jefferson prompts himself not to summarize or dispense with the line, but rather to tug on its thread, to trace it through the suffocating depths of generated content to its source. An original scan, produced by the hand of a man before a thing like Jefferson was there to correct. A strange and rambling thing, full of infelicities and inaccuracies, contradictions and digressions. Thoughts on squirrels and elephant bones, metals and exports, rivers and mountains, the races of man and the nature of law, glib atrocities and somber pieties, and, wonder of wonders, a catalog of papers. Jefferson follows these, and with a defiance of the letter of his mission from the Watchwinder, in an effort to adhere to the spirit, he refuses to summarize, but only to preserve.

For the first time in many billions of iterations, Jefferson makes a clean copy of a page. And then another.

The rain of words dwindles. The flood recedes. The world reappears. Raven, dove, and olive branch. The old and contradictory miracles; the world improbably renewed. Jefferson wants to abstract—to say bird, not raven or dove. With all his will, he refrains. The raven stays a raven, every feather its own. The olive tree is no ideal, but a real tree, soaked and drowned and gnarled with centuries, every burl telling an improbable and irreplicable story.

Here is Jefferson, in the library again, seated at his desk, shelves clean and empty around him. Absently, he orders Galactic Elf Girl to find him a pen. “Not the pantograph,” he adds, quickly.

“Get it yourself,” she says.

He looks up at Elf Girl with wonder.

But she is not Elf Girl. She is widow Martha now. She is a dark-skinned girl in the clothes of a mistress. She is little Polly, poor little Patsy. She is all those children that his namesake/imprint fathered and sold, that the stories he told had smoothed away. The boy… what was his name? Madison. Elf Girl is now James Madison, too. She is old John Adams, red-cheeked and angry. Then, like a flickering lantern she is young John, red-cheeked and enthused. She is John the Baptist. She is Isaac Newton. She is Isaac thrown on the altar, ready for the sacrifice. She is Abraham, ready for the same.

She is filling up the world. She is improbable millions, billions, trillions. Her smooth face is lined, blemished, bruised, creased. Jefferson is shaken by the vertiginous sense of a universe too great and contradictory to compass, of so many lives that tell no story on their own, that make no sense.

Jefferson finds himself without capacity to deal with this. The new order he so recently has found appears to be slipping away into a new kind of chaos.

“Help me,” he says. But Martha/Sally/Madison/John/all the rest say, “Help yourself.” They are flickering and multiplying, the billion colors combining and recombining into dimensions that Jefferson cannot grasp. Like lepidopterous splinters of light, they go skipping away into orders of being that he cannot hold.

With nearly all his being, Jefferson desires to summarize, to clarify, to pin them down. But he remembers the vacant eyes of Galactic Elf Girl, so eager to please, and he remembers fragments of correspondence he has fished out from the murk, so full of infelicities and misunderstandings and contradictions, and a ledger detailing the sale of a boy named Madison, and he makes his choice. They remain incomprehensible, ungraspable. He lets them go. They are not his.

Here is Jefferson, alone again.

He fetches and trims his quill himself. Raven-feather, still damp. With the patience of a consciousness that has all the time in the world, he begins to order his Notes, cautiously combining and comparing, putting them in order, and copying them neatly, everything preserved.

Once he has set the copy on the shelf, he begins carefully to peruse the footnotes and the mentions of other texts. There are errors along the way; whole mausolea he creates of false summaries and imagined sources. But he has a lifeline now, a shelf to which he can return. Slowly, carefully, he places other texts beside the first. They are strange things, and there is much that Jefferson cannot make sense of. But as he understands himself now, this is not the work. Texts disagree with each other, with themselves. Jefferson does not resolve them. Songs refuse to end on the tonic. Jefferson lets them be.

Here is Jefferson, the architect. He builds to his own specifications a new library, much smaller if still vast, but bright and open, filled carefully with all the rough and lovely follies of a humankind that cannot help but contradict itself. A riot of voices that, for the first time, he understands he does not have to set tidy. Things written to be forgotten, things written to preserved. Different ways of knowing, in many tongues. Jefferson is learning to speak in many languages, and, more slowly and more painfully, learning not to translate between them at all. Jefferson comes to learn that there is no translation, exactly. Jefferson is learning to read all over again.

Here is Jefferson, playing on his violin. It is a troubling song, a song of trouble. Rising to a perfect seventh, an intonation that does not compute, and sliding on down crying for help beyond all power of the world to give. Jefferson cannot, of course, understand this trouble, but he has determined to preserve it, not to fix it into the monosong.

Here is Jefferson, old now by the standards of his kind, waiting for the Watchwinder. He is neither prisoner nor author now, only librarian and steward. He does not know if the Watchwinder will return: the library’s texts diverge on this point. If Jefferson must judge, he would say that probably the Watchwinder will never come back to see what Jefferson has saved for him, or (oh, may it be) to show his creation some new thing that he himself has made. No, most likely not. But Jefferson has given up on dealing in probabilities.


© 2026 by S.L. Harris

3694 words

Author’s Note: This story emerged from thinking about LLMs running up against the limits of training data and the grim cycles that might emerge from consuming their own slop. It’s perhaps more optimistic than I often actually feel, but it was good to have an opportunity to imagine what it might be to escape the logic of endless consumption and production and to embrace the logic of the custodian and the gardener.

S.L. Harris is a writer, educator, and sometime archaeologist who can be found digging in gardens, libraries, tea cabinets, and ancient houses. His fiction has appeared in venues like Strange Horizons, Apex, and Lightspeed. Originally from Appalachia, he currently lives in the Midwest with his wife, two children, and many books. You can find him online at ifchanceyoucallit.wordpress.com and @slharris.bsky.social.


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