DP FICTION #96B: “Devil’s Lace” by Julie Le Blanc

edited by David Steffen

The demon and I had been crocheting for hours, in what appeared to be a sliver of space it’d created between Here and There. Around a plush couch floated pale, winter fog that obscured anything more than a few feet past the limits of the cushions.

I’d only ever heard of devils challenging people to chess, or the fiddle, or riddles, maybe. I think this demon had only ever done those things, too, so when I blurted out the first thing that came to my mind, well, we were both kind of stuck, weren’t we?

I pulled the blue thread around my hook and tucked it under the previous row of the blanket, forming another triple-crochet shell.

“You’ll mess up eventually,” the demon said. I had to admit, I was impressed it could do anything with those enormous claws. It laughed. “Or, rather, you won’t. You’re too much of a perfectionist to intentionally include a mistake in the thread.” It rummaged in its carpet bag for a change of colour.

“One mistake is all I need,” I said, muffled, biting my tongue to keep the tension right. A bead of sweat dripped down my hairline. “The knots only trap me if it’s perfect.”

“Exactly,” the demon said. It smiled, and a trickle of smoke escaped its teeth. “Since when have you allowed yourself anything less?”

***

My grandmother told me about the trap when she was first teaching me to crochet. She’d taken me aside one October after a panic attack in school. I still remember, her old hands smelling of the garden, holding my blindingly-hot pink yarn.

“Life is imperfect, hun. You and me are no different,” she’d said. “Always leave just one mistake. Or the lace… it’ll slowly draw out a bit of you — just a bit — with every stitch. Not that different from the rest of life, really.” She’d held my hands to correct the tension, hers trembling slightly. “There we go.”

“That’s not real though, Memere,” I said, my thumb already twitching from overuse. “Magic isn’t real.” I thought bitterly of dragons and unicorns.

“Do you believe your soul is real?” she asked. 

I nodded.

“Do you notice, when you pick up your crochet again after a day or two, you can remember exactly what you were feeling, and what you were doing the last time you held the yarn?”

I gasped. “Yeah, I do… that’s…?”

She nodded, and all the air seemed to be sucked out of the room.

“Be careful, honey. Always leave one small mistake. Nobody who doesn’t crochet will notice, and nobody who does will say a word. It’s an art, but it requires control. You have to protect yourself.”

***

In the present, I met the demon’s eyes. They smouldered a dusty white, like hot coals.

“You want a stitch counter?” it asked, nudging the box of supplies with its tail.

Fuck.

***

As a kid, I’d won awards for crochet. Lace collars, sweaters, skirts… I’d wait till the week before the due date to start my project, and the pressure bled me dry, but winning gave me such a high. My grandmother always hugged me and told me how proud she was, beaming like a cut gem, which meant even more than the ribbon did. But when no one else was listening, she’d whisper, “You left one?” And I’d grip her hands and nod, and she’d smile.

But I lied.

The guilt sat inside me like a stone. And then my Memere passed away and… I couldn’t crochet anymore. I can’t say I made lots of friends… but by the end of senior year in college, no one was surprised I was valedictorian, and everyone knew I was the one to beat at table quizzes. Even if, as I sometimes wondered, they didn’t necessarily want me there in the first place.

A few years after graduation, one of my few friends invited me over for drinks, dancing, and tarot card readings. At first I’d said I couldn’t go. I had a review at work the next day; I had a stomach ache; I didn’t really care for candy corn. In reality, every October I thought about what my grandmother said — and I’d wonder, if just for the 31st, if what she’d said was true.

It scared the shit out of me.

But, inevitably, I went. 1) I have an honest to goodness FOMO problem and 2) Spooky Sara Yoo, in addition to being a legit witch, was also super pretty, and wielded eyeliner so slick and sharp you could cut yourself on it, and even though she had a girlfriend, I couldn’t help myself.

I arrived fashionably late.

“Lucie!” Esther Ngugi, Sara’s girlfriend, greeted me at the door. Her “this is fine” meme costume was on point, but in all honesty, I admit I was searching the crowd behind her for Sara. “Come on in, the snacks are over there, drinks are in the kitchen — great costume!”

Internally, I felt some tension release. I’d seen Beetlejuice only once but had spent the entire day driving from thrift store to thrift store until I found the absolute perfect pieces for the look. My makeup, admittedly, had taken the longest. I let Esther take my coat and stepped over to the snack table—

Perhaps if I’d gotten there on time, and not listened to my own poisonous voice that kept insisting the “eyebrows were wrong”, and everyone would laugh unless I redid them again, perhaps I wouldn’t have entered the party when it was so dark, when cups had already been emptied and forgotten, when bits of candy wrappers had drifted to the ground like autumn snow—

I searched the crowd. Where was Sara? God, everyone’s costumes are amazing— and suddenly felt my center of gravity slip up and back and slam—

I skidded into a table leg and landed on my ass. Pain shot up my hip, and I wondered if this was one of those dumb injuries that’d haunt me forever. Then—

—the mirror propped on the table tipped and shattered on the floor.

Everyone stopped dancing — a crowd of masked faces stared at me, in the dark, in silence. Sara broke through, her necromancer costume billowing around her like a hurricane. The stone was in my stomach again, pinning me to the floor.

“Oh my god, are you okay?” Esther asked, running to me. She reached down to help me up; I peeled back the half-melted Butterfinger from the bottom of my shoe.

“I’m sorry!” I managed. Sara was staring at me. “I’m so sorry!”

“You broke the mirror!” Sara whispered. She stood, frozen. Her knuckles showed white where her hands clenched.

“It’s okay, babe,” Esther said, reaching for Sara’s hand. “I’ll take care of it.”

Sara finally pulled her eyes from me and the shattered mirror to look at Esther.

“Sage,” she whispered, nodding to herself, and fled from the room as quickly as she’d come.

The DJ, a boy named Takeshi that I only kind of knew, called out, “We got some witchcraft goin’ on in the house tonight!”

The crowd cheered, broken from the spell, and started dancing again, migrating drunkenly away from the glass. I could feel myself sweating beneath the thick cheap makeup. Esther ran for a broom.

“I can clean it up,” I said. Heat ached behind my eyes. “I’m sorry, Esther, I didn’t see—”

“It’s not your fault,” she shook her head, and let me take a trash bag. “So long as you’re okay, no harm, no foul.”

“But Sara looked so upset—” I held it open while Esther dumped in fragments of glass.

“She’ll be okay,” Esther said, and tried to smile. Even in the half-light, though, I could see the tightness of her expression. “It’s not great luck to break a mirror, and on Halloween, you know, I think it spooked her a bit… but then, ‘tis the season, right?”

Sara appeared just as we were finishing up, blowing out the spark she’d started at the tip of the dried sage bundle, and trailing a long snake of white smoke behind her. She wove it over the table, over me, over Esther, the broken glass, and even across the doorway. Then she stopped, hand on her hip, and nodded.

“That’ll have to do,” she said. Then she looked up at me. “Gosh, Lucie, d’you want a drink or something?”

***

“You know,” the demon was saying. We hadn’t spoken for an hour or more, engrossed in our task. “I have to say, this is harder than it looks. I think I like it, though.” It held up its end of our blanket, inspecting.

“Your tension’s definitely getting better.” I wiggled a finger through a hole between shells where it’d started, too slack and a little unsure. “Be careful you don’t go too far the other way, though — I’ve made that mistake. See, here,” I pointed to a place in the row it had just finished, where the shells clustered claustrophobically tight.

“Hm.” The demon nodded. “You’re right. You think I need to take it out?”

“Of cour—” I bit my tongue. The demon laughed, a sound like falling bells. In one liquid movement, it extended its arm and pulled. Wriggling like worms in a sped-up film, the entire row undid itself.

“No half measures,” it said, and picked up its hook again.

***

“It doesn’t have to be perfect,” my boyfriend Eduardo was saying as I fought the urge to rip my iPad in half. Four years after the disastrous Halloween party, we were working on a fundraiser for  our work, and like always I’d left the design till the last minute.

“It’s just this eye!” I howled. “This banner is supposed to have a whimsical-slash-creepy cat monster and I—I can’t get it right—”

“So it’s an eye,” Eduardo said. We were the only two left in the office, and we’d missed our anniversary dinner reservations by an hour. He’d been patiently sitting with his bag slung over his shoulder for thirty minutes. And I knew that. But.

“If this isn’t perfect, that’s my reputation. Gone.”

“Hun, it’s a banner across a temporary page on the website. Who’ll notice?”

I gripped my digital stylus so hard I thought the plastic would snap.

“I didn’t even want to do this in the first place because I knew it would be shit!” I shouted. “Jason will realize he never should’ve hired me, and it’s all because you convinced me to—”

“No,” Eduardo was on his feet now, his face like stone. “No, you don’t get to blame me for this.”

“How did—”

“You never even try unless it’s perfect—”

“I am a designer, if I churn out shit work, I don’t get hired—”

“I knew this relationship would be tough ‘cause I knew you were like this, but I tried anyway—”

My mouth dropped. I looked at him.

“‘Tried?’ Eduardo—”

“Every anniversary and holiday for two and a half years, Lucie.” He worked the muscles in his jaw and shook his head. “I wish you cared as much about us as you do about the goddamn ad.”

I watched him go, his steps echoing through the empty office. My stomach twisted. I knew I needed to chase him, needed to run after him through the darkened cubicles, catch him before the elevator doors closed, and tell him I was sorry.

I gripped my stylus.

…the eyeball turned out great.

***

Yarn over. Pull six loops through. Chain one. Yarn over, pull through—

“Angels, man,” the demon was shaking its head. “They always go on about meditation, the rosary, inner peace, blah blah,” it nodded over its half-moon glasses. “But this is kind of meditative, you know? I kind of get what they were on about. Not that I wanna do it, you know, long term.”

“I know what you mean,” I said, finishing another star stitch. A thought crossed my mind, and I switched my legs on the ethereal couch cushion.

“Do demons ever worry about failure?”

“Whoa there tiger, we did not agree to Philosophy 101 as part of this little tête-à-tête—”

“But, you must have quotas.” I pushed up my glasses. “KPIs. Weekly targets. Something.”

The demon adjusted the hook in its claws. Its form dwarfed it so much that the hook appeared more like a toothpick. “Well, of course. I mean, Hell would be chaos otherwise. Pandemonium.” It giggled, a sound like churning rocks. “That’s a joke.”

“But what does that look like?” I asked. “I can’t imagine eternal damnation as just some big office building.”

“Plenty of people would disagree with you,” the demon muttered as it finished some lovely Irish rose lace. “I mean, there’s a soul quota, for sure. Time is a flat disk so it’s not really like you’re imagining, but we still have to hit our targets. ‘Keep the temperature high, let the souls cry’, that’s the motto. And we get audited sometimes.”

I took out my stitch counter. “Do you ever get anxious about it?”

“Pfft. Anxious? No. Why would I?”

“Well, I dunno. Sounds like a lot of pressure.”

The demon’s shoulders had slowly started to hunch around its ears. “It is, but it’s fine. It’s not enough pressure that it ever gets to me. I’m not human,” it spat, working at a sudden knot in the middle of its stitch.

Hm.

***

The day the demon appeared, I’d been cleaning house. I was changing jobs, changing cities, and had a week to move out. Most things had been boxed and bagged, all that was left was my bedroom.

Reaching under the bed, expecting to unearth dusty paperwork, I’d instead pulled out a plastic container filled with soft bouncing riotous colour. Ocean blue. Fuzzy green. Hot pink. And the soft twinkling sound of loose hooks rolling.

How long had it been? I reached, like a ghost discovering its body, towards the half-folded blanket beneath the skeins. Soft with age, the cheap acrylic draped over my hands in mismatched shades. Everything we’d been able to scrounge at the Woonsocket Salvation Army, “Sally’s Boutique” as my grandmother called it, had been poured into this. My first big project.

The first row was so tightly laced that the blanket edge had warped and curled. Tie-dyed cerulean, turquoise, and white yarn melted into larger and larger stitches, Memere’s shells that she loved so much. The final row had lost a few, just from being jostled around over the years, but the stitching was good and clean. A practised hand.

Waiting to be finished.

I’d given it up once I’d gotten good enough. My heart prickled with the pain of half-healed cuts, remembering how I’d abandoned it. I could run my fingertips over the stitches and pick out every one my grandmother had done for me, to show me. She was woven through this as deeply as I was.

And yet…

The new apartment would be small. With two parents long-gone and no siblings, it’s not as though I could foist this on someone else’s closet. I had plenty of other things Memere’d made, exquisite pieces of art that I’d never part with—

I ran my hands over the blanket again. It drooped like a tamed wave.

You have to protect yourself.

I wavered over two boxes. One marked “Donation”, the other, “Bedroom” in scrawling marker.

You left just one, didn’t you?

My face felt warm—

The blanket seemed heavy—

Would she be disappointed? Did Memere know?

Just one—

I dropped the blanket. As it tumbled into the busted cardboard, a booming, creaking sound unfolded behind me, like a heavy door cracking open. Shadows ribboned out from beneath my bed, spilling — knotted, tangled, and unlovely — into the room. A figure stretched and yawned, an ashen demon with horns that scraped the ceiling. Smoke clouded its claws as they dug into the carpet.

I fell to my knees—

“I hear breaking a mirror is seven years’ bad luck,” it said with a voice like banked flame. “Misconception about the rules there, I’m afraid.”

It grinned.

“Hope the last seven were perfect.”

***

The demon had finished its end of the blanket long ago, and sat watching me, its head in one of its pale hands.

“You missed a loop,” it said, pointing.

“Shut up,” I said. Under my arms and beneath my chest and all down my back were drowned in sweat. “Shut up.”

“You’ve really left it to the last row,” it said. It sighed, producing a small bone and picking its teeth. “Honestly, just wrap it up so we can both go home. I’m not supposed to accrue overtime if I can help it.”

“By ‘home’, you mean—”

“Eternal damnation in the nine hells, yes,” it said, nodding. “Well, I suppose one of the nine hells. Did you make your First Communion? Limbo’s pretty boring, I feel like you’d make it to at least, I dunno, the Sixth or Seventh level. I could pull some strings—”

The yarn, the same patterned blue-tourquoise-white that was so familiar to me, seemed slippery between my fingers. While the demon wondered if my sins “counted as Sorcery, ‘cause then the Eighth would be more your jam—”, I carefully counted the loops I had left.

Eight. Eight loops, enough for two shells. I hadn’t been working shells in this row, all the rest were part of a complicated popcorn stitch. But somehow I knew that I needed two of these old-fashioned stitches there. Abstractly I also knew that if this blanket were not tied up with my immortal soul, the final row of the afghan would be a simple single crochet, or a slip stitch, all the way around to strengthen the ends—

But my life wouldn’t be decided by a simple slip stitch.

I wiped my palms on my jeans.

“You don’t have to be nervous, I’ll show you round,” the demon was already packing up, tucking its hooks into a crochet wallet with loving care. “There’s this gelato shop just outside the Ninth ring—”

In my mind, I saw myself standing in my room, again, hovering over those two boxes.

“—blueberry mochi on top—”

I saw myself from the side, like a film reel played back. A muscle in my forearm flickered beneath the blanket; my gaze scattered back and forth.

“…are you even listening?”

Which box did I put the blanket in?

“Lucie, we both know what you’re doing. Let’s go, there’s only so many trains this time of neverwhere—”

I watched myself in my memory, where I’d stood by the bed, undecided—

Which box did I put the blanket in?! “Donation”, or “Bedroom”… I knew which one I hoped I chose, the one with so little inside—

My stomach ached. I squeezed my eyes tight where I sat, so tight I saw stars like white fireworks shatter across the velvet black.

A lifetime of guilt—

The missed chances.

The lies.

Lies to people I’d loved. I’d wanted so badly to be accepted, but in the end, what had I done?

Which box?

My grandmother’s face flickered.

Without opening my eyes, I hooked the last stitches onto the blanket and broke the thread.

“There, that’s better,” the demon sighed. Somehow it had fit a green trilby hat between its horns. It reached down to the blanket we’d made, worked from either end, and gently began to fold it into its carpet bag. “I have to thank you, this has actually been quite enjoyable—”

My face flushed, and heat began to slice my cheeks.

“Ah, don’t cry,” the demon paused. “It’s not all bad.” It reached a claw around my shoulders and squeezed. “I admit, I’m pretty grateful. I don’t think I’ve got the hang of that granite stitch yet—”

Then a jolt of electricity sparked across my shoulders, sending us leaping away from one another, energy singing the air.

“What!” Maw open, confusion, hurt — then rage boiled from the demon’s eyes. Its cutlass tail thrashed, and the handle of the carpet bag snapped in its fist, tumbling our blanket to the ground. Gone was the personable pencil-pusher — what stood in its place was the blue flame of a welding torch; the combustion heat of a star. “WHAT DID YOU DO—”

I shook my head, eyes wide—

Out of the top of the abandoned bag hung my corner of the blanket. And even from this distance I could see the corner of the last shell… two long treble stitches, where there should have been three.

Life is imperfect, Memere’s voice whispered, and we are too.

Intoxicated relief burst from my mouth. The scent of my grandmother’s perfume caught me, filling my lungs with what felt like pure oxygen, and my head swam.

“No!” the demon roared. “I’ve beaten seventeen chess champions and a goddamn Grammy nominee, this is not how it happens!” Its voice took on the poisonous tinge of my own, heard too often, in the soft moments when I needed comfort, and instead doled out cruelty to myself, again and again.

The forever space we’d inhabited began to pucker at the edges, and a seam was forming in the air. A white, icing-sugar smoke was seeping through, grasping the demon’s arms and legs and throat. It fought them off, wrath and spittle flying. “You’re incapable, you’re self-obsessed, you drive everyone away—”

“I’m not perfect,” I said, shaking. “And I have to learn to be okay with that…

“I’m not. And neither are you.”

The demon leapt, claws out, the scream of a steam train on its lips—

And in one swift flick of a cosmic wrist—

—the world unraveled.

And I fell.


© 2023 by Julie Le Blanc

3597 words

Author’s Note: My academic background is Irish mythology, and my personal background has involved crochet since I was 9 years old. Like the girl in the story, my Memere Florence taught me, and as we’ve both grown older (she’s 98!), it’s become more and more something we bond over. Last year, I came across an old tweet about crochet in Irish folklore. While it proved unfounded, it got the mythology and fiber craft parts of my brain working. What if someone did have their soul on the line, Seventh Seal-style, with nothing but their handy crochet hook and a bit of yarn? That was the first spark of what eventually became this story. As a side note – the turquoise blue blanket is real: it was my first big project Memere taught me. This story is for her.

Julie Le Blanc (she/her) is a Rhode Islander currently living in Galway, Ireland. She once wrote 100k words about the Irish goddess of war, the Morrígain, and got a PhD for it. Her fiction has been published by Paper Lanterns Literary Journal, Channel Magazine, and The Magazine of Fantasy and Science Fiction. When she’s not writing or crocheting, she’s studying Italian and Irish and going for rainy walks along the beach in Salthill.


If you enjoyed the story you might also want to visit our Support Page, or read the other story offerings.

DP FICTION #96A: “The Monologue of a Moon Goddess in the Palace of Pervasive Cold” by Anja Hendrikse Liu

edited by Ziv Wities

I used to think that the Mid-Autumn Festival was simply a pain in the ass. Embodying the popular conception of idealized heterosexual womanhood—even for one night—is an arduous challenge. 

That’s still true, of course. But lately it’s been overshadowed by a larger problem: The offerings are dwindling. Two centuries ago, I would’ve built thrones made of mooncakes in every room of my silent palace, would’ve filled hot tubs with the fruit sent up on festival night. Nowadays, storing and preserving and pickling feels like a losing race, like if I let even one persimmon spoil in the cold moon air, there won’t be enough to sustain me and Jade Rabbit for the year. 

That worry sits at the top of my mind as I consider my checklist for the festival.

Beauty. Gentleness. Elegance. Quietness. Kindness. Self-sacrifice. Intelligence is in there somewhere, though I’m always exhausted by the time I reach it.

And the intangible qualities are just the start of it. Being the real moon goddess requires a great deal of clothing and makeup. The real moon goddess must be elaborate, delicate, draped in folds of silk. The real moon goddess must be radiant. In other words, the real moon goddess must be utterly unlike the real moon, which is content in its quiet, rocky existence—cold and gray, gray and cold, just gray dirt and darker gray shadows in the shallow craters, all the way to the horizon where the gray edge meets the black sky.

The single parallel that redeems the comparison? Both the moon and I glow. From afar. 

That’s all.

And so it’s the version of me in a full face and silk hanfu—bright, ethereal—that people believe is the real moon goddess. They probably also believe that I eat a few mooncakes one night a year, then subsist on mysterious moon mists the rest of the time.

Jade Rabbit helps with my hair and face, bless him, mumbling about skin serums and retinoids as he applies my eyelashes. “Not that you’re aging, obviously,” he says.

Obviously. I’m a goddess. 

But I am fading. Every year, it takes a thicker layer of makeup to paint on my celestial visage. I would’ve given it all up a long time ago, except that I’m under eternal contractual obligation.

The most ridiculous part? By the time Jade Rabbit finishes my makeup, I’m wishing there were one more layer of blush to apply, one more eyebrow hair to pluck. But the makeup has already taken longer than it should. I can’t put off the last step. At my nod, Jade Rabbit unwraps the veil of elegance, quietness, self-sacrifice, and all the rest. 

At this point every year, I tell him, “You should be the moon goddess instead of me.” He’s a true embodiment of all those traits, plus he has naturally thick eyelashes. 

At this point every year, he just lifts up the veil and settles it over my head. His arms are the size of little shrimps, but he carries it as if it’s a sheet of silk, not a crushing shroud.

My neck cramps immediately under the weight. It feels heavier every year, no matter how much cross-training I do. Jade Rabbit pokes his paw into my cheek, turning my face to the mirror. The reflection is my own and not my own: eyes drawn large and dark, lips tinted into rosebud perfection, round cheeks washed out to sepulchral white. 

“You look so sad,” Jade Rabbit says. “What’s wrong? Not just your usual festival grumpiness?”

I hold the veil of elegance, quietness, self-sacrifice, and all the rest away from my face. It takes all my strength. “Every year, it’s getting worse. Soon we won’t even have enough to live on.”

Jade Rabbit nods, tapping away on his iPad. When he holds it out, I see a graph that looks like a playground slide. “If the trend holds, that’ll be in twenty-three years.”

“How are you so cheerful about it?” My arms shake so badly that I have to let go of the veil. It drops over me with a whump. My voice echoes inside it as I add, “Is it because you think I’ll starve myself so you can have enough to eat? You’re cute, but you’re not that cute.”

It’s a lie. I would absolutely starve myself if it meant Jade Rabbit could live, and he knows it. 

He’s nice enough not to rub it in. The iPad goes away, and he reaches through the veil as if it’s only fog, tucking a strand of my hair into place. “I’m not cheerful,” he says. “What happens, happens. At least we’ll have each other.”

“Is it a problem with me?” I don’t really mean to say the words, but the veil of elegance, quietness, self-sacrifice, and all the rest has a way of making me say things I don’t really think, and believe things I know aren’t true. “Would they give more offerings if I were more elegant? Quiet? Self-sacrificing?”

Jade Rabbit only shakes his head.

I know the moment of moonrise because the LED light fixtures power up, brighter, whiter, more ethereal than the moon’s natural light. I step out onto the balcony of the Palace. Like me, it’s been made up for the festival, with silk screens to hide the LEDs, the atmospheric wind machines, and the freezers where we store the offerings. 

For an instant, looking out at the mid-autumn evening, I forget the weight of the veil and the empty freezers behind the screens. I tilt my head ever so slowly (it’s the only way I can move without snapping my neck), and look down on the earth. In my arms, Jade Rabbit whispers something warm and gentle. This is how festival nights used to feel.

A forest of red candles glows in the dark, the lights diffuse and haloed, like reflections in a still lake. Laughter carries up to the moon, twined together with the scent of incense, and countless faces gaze upward, families seated together in yards and on roofs. Every face opens in wonder as I step onto the balcony. If I had any doubt that the old contract stands firm, that moment of wonder dispels it. To the people below, both the moon and its goddess appear close enough to touch. 

Among the glowing faces, a child holds tight to a mooncake with one hand and a parent’s arm with the other. That wide-eyed girl, along with all the other people looking up tonight, will dream of me: a vision with a kind, distant, lovely face, my hair and my silks billowing gently in the breeze of a hidden fan.

As my eyes adjust to the lights, though, the candles resolve into discrete points, and I see that the forest has thinned again since last year. Between the upturned faces are the napes of endless necks and the backs of countless bowed heads. The offering tables are even fewer, sparsely provisioned with persimmons and grapefruits and carved watermelons among the mooncakes. The child doesn’t offer up her cake, instead holding it tighter. Once, the parents would’ve scolded her; now, they don’t notice.

I want to curse, but the veil keeps my face fixed in a peaceful smile. If only I could go back to the days when the Mid-Autumn Festival was just a pain in the ass.

The offerings come to me, as I’m entitled by my contract, and Jade Rabbit logs them all on his iPad as they arrive. I stand on display for hours, until the red candles wink out and our grand LED moonlight dims. Down below, the families return indoors to enjoy each other’s company or to fall into bed. 

The time is a blur, but finally, I’m back inside. Jade Rabbit lifts the veil of elegance, quietness, self-sacrifice, and all the rest. Air rushes into my lungs and I collapse onto a couch. “Thank Heaven. I thought my face was going to get stuck that way.”

“You say that every year. Get up so I can rescue your hanfu.”

I oblige him, grabbing a pear from among the offerings. I’m vindictively happy to see my lipstick smear a pink mark when I bite into it. I wipe off the rest of the makeup, and Jade Rabbit lets down my hair. Only when I’m back in my sweats do I feel strong enough to ask, “So? How bad is it?”

“I’m doing the math.” He doesn’t provide details.

I lie on the couch and watch him for a few minutes as he plans how to store and preserve the offerings. I can feel my body relaxing back into its comfortable shape, my shoulders a little slumped and my lips tilted down instead of up. Jade Rabbit is chomping on his ear as he enters numbers into his spreadsheet, so I give him a mooncake to chew on instead, and then take one for myself, one of the trendy ones stuffed with ice cream. I pick up a bottle of wine to go with it, and head out to the balcony.

Things look different without the festival spotlights. Only a pale film of light remains, illuminating the walls and grounds of my Palace of Pervasive Cold. Despite our efforts to keep it clean, it looks old and gray and a little grubby, like the moonsoil. Earth seems much more distant.

I dangle my legs over the balcony edge and open the wine. Far below me, a child slips out through a window and sits the same way: legs dangling over the side of a tiny metal balcony. In her hand, she holds a slightly crushed mooncake.

I recognize her. She’s the same child who clung to her parent’s arm during the festival.

As if sensing my attention, her head snaps up. For a few moments, she wears the same expression of awe from earlier in the evening. Then her mouth softens and her eyebrows tip upward, and I realize I was wrong. Her previous expression was not awe, but anxiety. Only in its absence do I recognize it.

I’m so busy trying to figure out what this new expression means that I forget where I am, what I look like—and the fact that no one should be able to see me now that the festival is over. But the girl clearly sees something. One of her hands uncurls into a minuscule wave.

My stomach drops. If I stay still—

“Hello?” the girl says.

I curse.

“You’re the moon goddess,” she breathes.

“How are you talking to me?” I shove my bottle of wine behind me. I haven’t spoken to a human in… centuries. They don’t talk anymore. They just stare.

The girl tips her head to the side. “You are the moon goddess, aren’t you? I’ve been wondering where you were, but Ma and Ba won’t tell me. They kept saying the goddess was that lady who came out before. Who was she, anyway?”

I’m out of practice with making conversation. I can’t think of a single thing to say.

She continues, with the seriousness unique to childhood, “It’s all right if you don’t want to talk. I know you’re the real goddess. The other lady was like, if someone imagined what a goddess would look like without ever meeting one.”

That other lady was me, I try to say. Maybe if I were wearing the veil, the words would’ve come out, but I’m not, and so they stay unspoken. 

The girl rests her chin on the bars of the balcony. If she’d been wearing the veil, the weight of it might’ve snapped her head right off at that angle, but she isn’t. She sighs, not a sad sigh.

We stare at each other for what feels like a long time, each on our own balcony, legs dangling, mirroring gazes and postures. The only light left is the moon glow, behind me, and I’m sure I must look like little more than a shadow in sweats, not like a goddess at all. So my heart flips strangely when the girl holds out her hand. In it is the slightly crushed mooncake, with a bite visible on one side.

“I can give this to you because you’re really Chang’e,” she confides. “Don’t let that other lady take it. She’s already stolen all your offerings.” She hesitates, then breaks off the bitten part of the cake and places the other piece on the railing. “I’ll leave it here for you, okay?”

I don’t say anything. The girl’s eyes lose focus. I don’t think she can see me anymore. I don’t know why we even got these few stolen moments of closeness.

I sit on the balcony. The LEDs have switched off, to lie dormant for another year. The natural moonlight makes me feel more like myself: I don’t have to worry about the way the LEDs glare at every dip of my body and every empty corner of the Palace.

It makes me feel like I used to, when the Mid-Autumn Festival was… 

When it was more than a pain in the ass. When it wasn’t a pain. Because, once, very long ago, it wasn’t.

Then, I would look down to the earth, and girls would look back, and speak to me, and understand that the face of the moon goddess was my face, not an imposter’s. Then, I didn’t think about the offerings. 

In the centuries since, I’ve forgotten how not to think about the offerings, just as I’ve forgotten what the festival feels like without the pain.

When I head inside, Jade Rabbit looks up from his iPad. “Just in time. We should pack away the mooncakes, and then we’ll need to spend the afternoon pickling. With a little planning—which I’ve already done—we’ll be all right for this year.”

I manage a smile and pick him up in my arms. Half of a slightly squashed mooncake perches at the top of the pile of offerings. 

Impulsively, unsure if I’m even speaking aloud, I say, “What would happen if I didn’t do the whole makeup-and-veil thing next year? What if I just went out there in my sweats?”

“You’d be in breach of contract,” Jade Rabbit says, not particularly disapproving.

“What else?”

He wriggles in my arms until he can reach his iPad. A moment later, he flips the screen around to reveal an updated graph: the same downward slope of offerings that he showed me before, and then a new line that drops in a much steeper cliff next year.

I expect my heart to drop with it. Instead, I find myself thinking about the way the girl looked at me as she perched her treasured mooncake on the balcony railing. I think of the veil, stored away in a cedar chest to keep off the moon moths. I think of how the air brushed my real face, my fading face, as I looked down at the earth and spoke to a human for the first time in centuries.

I’ve barely touched the mooncakes this year, but I feel full, and warm, with Jade Rabbit nestled in my arms.

“You know,” I say, “I think you’re right. I think we’ll be okay.”


© 2023 by Anja Hendrikse Liu

2533 words

Author’s Note: Growing up, I often came across the story of the moon goddess Chang’e: told by my Chinese teachers, in textbooks and storybooks, in translation and in Chinese. In some versions, she is purely greedy; in some, purely loyal; sometimes a cautionary tale, sometimes a noble martyr, often an object of desire, and on and on… but she’s never quite a fully fleshed-out person. So this story came about as I wondered who Chang’e might be in her private life, and how a mortal-turned-deity might react to the slow realization that even goddesses are not forever. Also, Jade Rabbit (who’s one of my favorite parts of the story) gets short shrift in many versions of the myth — but given that he is Chang’e’s only companion on the moon, I thought their relationship deserved much more than a footnote.

Anja Hendrikse Liu (she/they) is a creator and devourer of fantasy and sci-fi who wishes she had time and words for all of her dreams. Her short fiction has been published by Fusion Fragment, Air and Nothingness Press, and others. Anja works at an educational technology nonprofit, and in her free time, she loves exploring the world — literally, and also from her home in California via baked goods and mythology.


If you enjoyed the story you might also want to visit our Support Page, or read the other story offerings.