Daily Science Fiction: July Review

written by Frank Dutkiewicz

Fall is here but memories of a warm summer resurface when I compiled these reviews from my wonderful friends. The June reviews were ones I reserved for myself but while I worked on them my rock-solid cohorts plugged away at July. Mr Anonymous, Dustin Adams, and James Hanzelka have done their diligence and gave these wonderful works of art the once over. I, of course, couldn’t let them take all the glory so took the time to review a few of them myself. But this review isn’t about the people who do the reviewing, it’s about the storiesâ€.

 

The Stories

“Barnaby: Or, As Luck Would Have It” by K. G. Jewell (debut 7/3 and reviewed by Dustin Adams) is a tale of irony. Or in Barnaby’s case, unfortunate irony. Barnaby travels to an auction in Paris to bid on a simple abacus for his and his family’s collection, but soon finds something much more interesting, a ward of Napoleon, which brings good luck to the wearer.

The ward, however, can only be possessed by someone who is pure of heart, and Barnaby wants it for unselfish means. At first, Barnaby thinks only of himself, and thus cannot own the ward, but eventually, upon rearranging his thinking to that of his sick fiancee, becomes able to steal the ward from its current owner. Only at the last, does he realize his mistake.

I won’t reveal the particulars of the ending, but I will say the clues presented throughout were fairly revealing. Because of this, the story felt long. Once it became obvious there was to be a twist of luck at the end, I found myself anticipating it and growing impatient as the details of Barnaby’s desire and his theft wore on.

Overall, this was a fine story, but it could have been a little shorter.

 

I found “Like the Fourth of July” by John Paolicelli (debut 7/4 and reviewed by Dustin Adams) to be a convenient story for the date it was published, but lacking in being a true yarn.

We focus on a girl renamed Rebekah, who lives among others in a cult ready to cross over on the day of Rapture. Reminiscent of the Heaven’s Gate cult, we’re given a glimpse of what it might have been like.

Rebekah remembers her “before” name and at the last moment, decides not to take her pill and expire with the others, but to go outside and observe the comet which she’s been told will resemble a trillion Fourth of Julys.

This turns out to be quite true as the comet crashes into Earth and presumably extinguishes all life. I’m all for humanity ending stories, as long as that’s the beginning of the story, not the quick end.

 

“UPGRADE” by Allison Starkweather (debut on July 5th 2011 and reviewed by Anonymous).

An old woman’s failing memory is worsened by the fact her implant–digital memory–is failing too. Her grandson arranges for her to have state of the art module to replace the defective unit and so improve her life.

I had a sense of growing annoyance when I read ‘UPGRADE’. To be fair, I always get that sinking feeling when I have a nice mature story idea sitting on my hard drive waiting to be written and then come across something similar already written by someone else. However, this story was well written, and reflected some of the lack of coherence implicit with a failing mind. It was an easy read, but not a standout story. I did think that a little more could be done with the premise, but perhaps that is just me.

 

Is this what the future holds? Is this the extreme of cures in pill form? In “Blink” by Carol Hassler (debut 7/6 and reviewed by Dustin Adams), it is indeed. The pills to eliminate sleep proved to have ill effects, so the next great thing are pills which allow for the reclamation of our blinking time. Seconds a day add up!

I enjoyed this story, and interestingly, DSF broke the story in a place where I felt it had reached its natural conclusion. I then displayed the entire story, but found the additional words didn’t add to the narrative. In fact, they started us in a different direction which was wrapped up quickly, albeit apropos to the story itself.

So, I encourage you to check this story out. Read to the break, or beyond, it’s almost like reading two stories for the price of one. Someone should market this idea. Perhaps there could be a pill…

 

“Off The Shelf” by Gaea Dill-D’Ascoli (debut 7/7 and reviewed by Dustin Adams) represents the idea of purchasing a child. The main character buys a baby boy, after his expiration date, and we spend a few paragraphs reading about her/his second thoughts regarding the purchase. Each time something negative happens in the boy’s life, doubt creeps in regarding the initial purchase.

At 350 words, there isn’t much time to get to know anyone, but the author does a fine job of presenting a problem, and giving us a conclusion.

I found the age of the boy difficult to keep track of. I couldn’t latch on to a linear storyline. I also felt the short word count hurt the story. If it doubled to 700, this story could have easily been twice as satisfying.

Short, and well written, it’s worth a quick read.

 

“Filling up the Void” by Richard E. Gropp (debut 7/8 and reviewed by Dustin Adams) is about an indentured servant who’s paying back a debt to the geneticists that gave him his new wolf body. The repayment is made through filming porno movies with other animal/human hybrids, as well as through individual sexual encounters.

The death of the Big Bad Wolf’s favorite client, The Linguist, creates minor complications to the plot, but major ones to his heart. However, here is where the story diverges.

As it turns out, The Linguist works at a university, “developing computer algorithms to better encode information.” i.e. coding our consciousness into data form. His death – is only the beginning.

This is a love story, told through the eyes of sex, violence, swear words, and blasphemy. (These are the author’s words, not mine.) Certainly this story offers a different fare, but heed the initial warning at the top of this page. If these things aren’t for you, read the following day’s story.

 

“Persistence” by Kurt Newton (debut July 11th 2011 and reviewed by Anonymous)

A pair of brothers have created a machine to bridge the gap between the living and the dead. They try to contact their father to offer him some solace.

This was a brief, well written story with an interesting, but not relatively fresh premise–I am reminded of a similar device proving the existence of Jesus in an another story.

There is a nice twist delivered half-way through the story. Despite being a very short story, it persisted for longer than I expected after the twistâ€

 

“Suspicious” by James Patrick Kelly (debut 7/12 and reviewed by James Hanzelka). After suffering a traumatic end to her marriage and suspecting infidelity Marva Gundersen seeks treatment. Initially agreeing to having a false memory implanted, she now wants it removed, or does she?

This story has an interesting premise and is done fairly well. I was a little let down by the ending because it seemed a little too mundane for the level of expectations built by the story.

 

“Distant Dragon” by L.L. Phelps (debut 7/13 and reviewed by James Hanzelka). Mei Ling is sitting with her grandfather hoping to catch sight of the yearly flight of the dragon. The dragon’s appearance brings the rains that sustained her village, but few are chosen to see him. Mei Ling hopes this will be her year.

This is a nice story about family, faith and the hopes of children. Like Santa, Mei Ling’s dragon is something that transcends the real world, and the author does a good job of transporting us to that mythical realm.

 

“Heart of Gold” by James Valvis (debut 7/14 and reviewed by Anonymous) is a super short story about a man born with a heart of gold, literally. It is written more like a fable. His condition is discussed in the story and compared to other conditions (brass balls!).Then man with a heart of gold meets a man without a heartâ€

I enjoyed this very brief story. It was well written, nicely paced and ends well. Small, but perfectly formed. Recommended.

 

Doll is a new little sister to Jakey, but not a normal little sister in “Still Life” by A.C. Wise (debut 7/15 and reviewed by James Hanzelka). She’s been created to fill the void left by a missing wife and lost daughter. As this family moves through life there are the normal twists and turns, but will the ending be the same?

I found the writing a little uneven in the beginning, but once the story settled in it became better. The story itself has a great deal of depth and touches on a number of different themes. In the end though, it’s a story about a family. The author does a good job of getting you to feel their loss and growth.

 

What if you had a peculiar form of Alzheimer’s? One where you could only remember what happens in the future. How would that affect those around you? Well, in “Deathbed” by Caroline M Yoachim (debut 7/18 and reviewed by James Hanzelka) you are about to find out.

This is a short story with a big impact. Maybe it’s just because I’m getting older, but the sadness and love the author packs into this little tale is touching.

 

“The Wishwriter’s Wife” by Ian McHugh (debut 7/19 and reviewed by James Hanzelka) is the story of a gentle and generous wishwriter and his gentle and generous wife. The wishwriter writes wishes so that people may get what they desire from a single wish, as long as it doesn’t break certain rules. He has his wish, but does his wife?

I’m not a big fantasy fan, but this story was well crafted and carried a nice story. I was a little put off by the repetition of “gentle and generous”, but that is a small quibble. The story has a nice little twist at the end, which I love in a shorter work.

 

“Paying the Tab” by Brain K Lowe (debut 7/20) is the story of Santos and Bernard. Santos is the hunter, Bernard the prey. Stalker and Werewolf meet one last time in a bar where hunter becomes prey, or does he?

I love a good werewolf or vampire story set in modern times. This is one of those with twists and turns throughout its short length. Good fun and a good read.

 

In “Counting Coup” by Kat Otis (debut 7/21 and reviewed by Anonymous), a world where people are divided into ‘daylighters’ (see in the day only) and ‘nightlighters’ (see in the night only), a young girl is able to see in both worlds due her mother catching moonblink during her pregnancy. When a young nightlighter comes silently to steal her belongings to prove his manhood to his clan(?), she spots him in the darkness and they talk for a while…

This story was a nice read and was well written. I found it rather hard to believe that groups of people could ONLY see in the day or ONLY see in the night, but I guess a longer story may explain this condition satisfactorily. That said, I was able to overlook this while reading and enjoyed the story.

 

“Forever Sixteen” by Amy Sundberg (debut 7/22 and reviewed by Frank) is the story of a very old woman who is still a young and vibrant sixteen-year old virgin. Clara is the Sybil, a woman with the gift of prophecy. She has been frozen in the twilight between adolescences and adulthood, the time in which a virgin girl is blessed with foresight, but with the gift of immortality comes isolation. She is a prisoner in a palace, forever locked away from a real life. Clara plans an escape, hoping a champion will rescue her, or at least take her virginity so her gift will be useless. She pins her hope on Eric, a young man seeking advice for his path.

“Forever Sixteen” is a castaway tale for a woman who isn’t alone. Her palace is set in a barren land. Clara is living in regret. She clings to a name she hasn’t spoken of in eons, the last bit of a girl she used to be long ago. Her noble commitment to become the Sybil for the benefit of her family now rings hollow to her. She increasingly seeks escape.

The story turns midway through when a new Sybil is ushered in, her replacement, a young girl who is looking forward to becoming immortal, will allow Clara to leave for good, but exchanging places for this naà ¯ve girl is more than Clara can bare.

I did like this story. Done from Clara’s perspective, you can envision the poor girl’s imprisonment within her mystique. From afar, she is revered. Imagine if the Pope begged you to help him escape for the Vatican. You might think he was testing your faith.

Although I did enjoy the premise, the sad existence of the character (and sad ending as well) left me more bummed as I read on. I almost feel as if my life would have been richer if I passed it by. Good story, but don’t expected it to brighten your day.

 

“Toad Sister” by Joanna Michal Hoyt (debut 7/25 and reviewed by Dustin Adams) is a tale about the necessity of the negative. Told first person from the perspective of the character who is traditionally vilified, the protagonist, in this case, is shunned until the realization comes that there’s a place for her in the world after all.”

“Toad Sister”‘ suffers mildly in prose due to its brevity, however, it makes up for this with compact storytelling. The story, for the most part is told, not shown, contradicting the modern tendency toward all show and description. Sometimes it’s OK to just tell it like it is, and how it happened. This story agrees.

I gave this story 4 rockets.

 

“Only Backwards” by Kenneth S Kao (debut 7/26 and reviewed by Dustin Adams) is a quaint story about a perfect moment and the time travelers who seek to revisit said moment.

I think.

Kenneth Kao gets a pass because I’ve read numerous quality stories from him. Regarding this one, I can only state that I started it confused, finished it confused, and was confused along the way. I love time travel stories. Big fan. Just not this one.

I rated this story by giving it 1 rocket.

 

The court jester entertains Prince James with a tale of a past employer of his in “The Jester” by Maria Melissa Obedoza (debut 7/27 and reviewed by Frank). The jester is popular in the court. He is loved by all but is clumsy. The jester jests to the prince that he is really a dark mage and shows him a box with puppets joined by a string, claiming they are a princess and her lover.

I found this to be a pleasing tale. The tale is a fable within a story, told well in the short amount of words with a creepy ending. What I didn’t like was the author’s overuse of adverbs, giving the piece false excitement when it wasn’t needed.

Despite my minor complaint, “The Jester” is a tale worth reading.

 

“Blessed are the Sowers” by Robert Lowell Russell (debut July 28th and reviewed by Anonymous)

I read Blessed are the Sowers once on the principle that a story only needs to read once and everything should be clear–I didn’t quote get that. The human race has been pushed to almost extinction by an alien race; Earth has been destroyed and humanity is on the run between the stars, but they haven’t given up. Despite being hunted themselves, human covert military units raid alien owned worlds, wreaking havoc and vengeance. The message they are sending is clearâ€

The story is one big explanation–a summary of events, if you will–delivered by the human commander to a captured alien. There is no action apart from small gestures, holding hands, etc. While the world/situation was interesting I can’t say the story really worked for me on an emotional level.

 

Patricia finds a bowler hat on the ground with a head poking through the soil under it in “The Large People” by Karen Heuler (debut 7/29 and reviewed by Frank). In short time, other heads begin to emerge from the earth, growing like weeds. Men and women, smartly dressed, reading newspapers while drinking coffee as if waiting for the bus, sprout from the ground until they are free from the earth. They are headed to the city, on their way to change it. The retired Patricia – missing her professional life – follows along.

“The Large People” is a uniquely inventive tale. The ‘grown’ people are indeed large, standing at a towering seven feet. They are coming to green up mankind’s sprawling progress. Patricia inserts herself as member of the group. Their leader, the bowler hat wearing man named Roland, is grateful that she is joining on their crusade. She becomes conflicted when she learns of the groups intentions. As the lone real person, she wonders if she is betraying mankind.

The story starts off as a curious fantasy that evolves into a speculative tale of activism. What first appeared as a harmlessly fun story, became a violent one. Roland tells Patricia that they are declaring war; even admitting that some may get hurt. The changing premise did give it a different tone.

Ms. Heuler wrote a splendid story. I could see a reader or two getting turned off by a tale that starts off as harmless fun then turning into something that appears to be making a political statement. “The Large People” does have an environmental activist flavor to it, but I rather liked it. The story does deserve a recommendation but the holes in its premise kept me from giving it one. I found it difficult to accept that no one wanted to detain seven-foot strangers when so much mayhem occurs. Absent that, I found the tale flawless, an excellent tale complete with a subtle moral.

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Analysis

Flash fiction is on the rise. More publications ask for it, are publishing more of it, and are reserving larger amounts of space in their pages for it. Yet, it is treated like the forgotten stepchild, left to walk home alone from school to do the chores while the natural children are driven to their dance recitals and football practice. Novella and Novelette receive all the praise while Flash Fiction child gets the calluses. Well not this time.

On Oct. 10th, Daily Science Fiction brought to all who receive their emailed story attention, the Micro Awards. The award honors the best flash fiction story of the year (flash fiction defined as works of fiction 1000 words and under). The editors of DSF encouraged their readers to nominate their favorite of the year. There is one problem with that, readers aren’t eligible to do the nominating.

As stated in their rulesâ€

An author may submit one story of his or her own; the senior editor of a magazine or anthology, or any staff member designated by him or her, may submit two stories if both are from his or her own publication and neither is self-written.

So we can’t (unless you wrote the story) but Jon and Michele can, and they can pick their own favorite, one apiece.

Although I can’t nominate my favorite, picking the one I think should win is something I can do here. There are several well worth nominating, but picking my favorite here at DSF was easyâ€

”Buy you a Mocking Bird” by Eric James Stone.

â€unfortunately, it debut Dec. 14 of last year (bummer). My second place choice would beâ€

“Y is for Yellow” by the Alphabet Quartet (debut June 22) .

â€but there are several well worth nominating. I hope to see several from DSF in the final round of the Micro awards. I urge all who have submitted to DSF to submit theirs to it.

I would like to congratulate fellow reviewer Dustin Adams for his finalist entry in the 3rd quarter of the 2011 Writers of the Future contest. His story was picked in the top half of the eight finalist; unfortunately, you need to make the top three to win L. Nevertheless, an amazing feat. Expect to see big things from Dustin in the near future. He is that good of a writer.

 

The Best of the Dunesteef

written by David Steffen

And so ends my latest stop on my world podcast tour, this time with Rish Outfield and Big Anklevich of the Dunesteef Audio Fiction Magazine. I highly recommend listening to this podcast for your fiction fix. Not since the Drabblecast has any publication given me a stream of stories that I so consistently enjoyed. Their choice in style does remind me somewhat of the Drabblecast, though they take longer stories, but Rish and Big have instilled the podcast with their own brand. This Best Of list covers the episodes from Episode 0 all the way to the current Episode 114.

They pick good stories, but where they shine the strongest is in the production values. Most episodes have a full cast recording, often with full-on Foley effects. The result sounds completely professional. In more recent episodes, they’ve taken volunteer producers, and the result has been consistently great from these guests, as each puts their own (but all hard-working) spin on it.

What makes The Dunesteef really unique is the after-story talk. After the story, Big and Rish talk about whatever they feel like talking about. Movies, or writing, or pet peeves, or about the making of the show. Very little of it is scripted, which makes it feel like hanging out with friends. They say they put the banter after the story so that listeners can easily skip it, but I have found it consistently entertaining. I’ve never skipped past it (nor any of the stories for that manner). This is what morning radio comedy shows are supposed to be like, but Big and Rish are actually funny, and they actually talk about stuff that I give a crap about. Besides Big and Rish, the other two regular staff members are the always entertaining Announcer Man (who always reminds me of Stan Lee for some reason), and their robotic production assistant R080T.

Another feature that makes this podcast particularly interesting is the “Broken Mirror Story Events” they held in 2009 and 2010. For this event, they give a short prompt for a speculative fiction premise, and all entered stories must follow that premise. Entrants can all read each other’s stories and vote on their favorites, and the top voted few make it onto the podcast. For instance, the 2009 event was based on the line “”Someone arrives in town, and discovers that everyone there is exactly the same.” I hope they do another one now that I’m a member, because this sort of writing exercise really gets me excited!

“That’s all well and good,” you say, “but what the heck does ‘Dunesteef’ even mean?” I wondered that myself. Oddly, Big and Rish have never explained what it means. I did the liberty of doing a bit of research so that I could share it with you good people, and you wouldn’t be frustrated while listening to the backlog that you don’t know what it means.

It turns out that Dunesteef is the common name for Clupea sanguis, a rare fish. The Dunesteef fish is easily marked out by its distinctive smell of freshly soiled sweat socks, and it reputedly tastes much like burnt hair, but it is considered a delicacy among the world’s mega-elite for its extreme rarity(only 12 people alive today have tasted of its meat) . Decades-long wars have been ended by the gift of a single plate of boiled Dunesteef given from one leader to another as a sign of great respect, creating a nigh unbreakable bond between the nations for centuries after. I don’t know exactly what Big and Rish had in mind with this name, but I’d guess they were trying to say how much they respected their audience, and how they intend to provide only the best for us. Or maybe it’s some kind of obscure satirical commentary on the plight of the noble Komodo Dragon. Or maybe it’s a joke about body odor. Really, with these guys, there’s no telling.

On to the list!

 

The List

1. This Must Be the Place by Elliot Bangs
What would you do if you could travel through time? This one gives a plan that I had never seen coming. Great story, great characters, well told.

2. Hang Up and Try Again by Derek L. Palmer
Who would you call if you could call anyone and talk to them for three minutes? Anyone, real or not, contemporary or not. What would you ask?

3. The Day Hypnotism Died by Kevin David Anderson
Four teenage boys go to a hypnotist act. They just want to kill a little time, but the show isn’t at all what they expected. A hell of a dark story.

4. Peacemaker, Peacemaker, Little Bo Peep by Jason Sanford
Jason Sanford is quickly becoming one of my new favorite authors. He has a varied style, and an incredible imagination. In this story, normally quiet and peaceful people have turned suddenly violent. It’s not a zombie apocalypse, it’s something different, something like I’ve never seen. “Peeeeeeeaaaaaaaaaaaaaaaccccceeeee!”

5. Anakoinosis by Tobias S. Buckell
Awell-told alien point of view, telling of a race of furry little aliens that have become the new workforce for a crashlanded ship’s crew.

6. ÃÅ”berman by John Medaille
This one is very dark, and definitely not for everyone. It is told as an interrogation of indestructible ÃÅ”berman, Nazi Germany’s superhuman soldier, captured in the midst of World War II.

7. Plague Birds by Jason Sanford
Yup, another Sanford story. This one in a post-apocalyptic wilderness filled with human-animal hybrids and AI vigilantes. I love this guy’s imagination.

8. Whelp by Damon Shaw
A horror story about a dog, not for the squeamish. I’ll leave you to discover the rest.

9. Tattletale by Christopher Fisher
A father makes up a scary story to scare his kids, but sometimes a lie goes further than you could ever anticipate.

10. Tupac Shakur and the End of the World by Sandra McDonald
Post-apocalyptic story where the world’s population has been afflicted by a condition where the slightest bruise will cause your entire body to turn rigid in a matter of hours. Don’t worry, you don’t have to like Tupac to like the story.

 

Honorable Mentions:

Good Day by Saul Lemerond
Not for the easily offended. One that manages to be very dark and funny at the same time.

Open Twenty-Four Hours by Edward McKeown
Welcome to Earth Mart!

Casts a Demon Shadow by Derek J. Goodman
A Weird West tale with curses, gargoyles, and six-shooters.

Raising Archie by Michael Stone
Michael Stone is a regular contributor to the Dunesteef. This is my favorite of his stories here.

Emmett, Joey, and the Beelz by Ralph Sevush
Golems. ‘Nuff said.

 

New Magazine: Cosmic Vinegar

written by David Steffen

Just a brief article today, to make anyone who might be interested aware of a new monthly non-fiction magazine titled “Cosmic Vinegar“, edited and (so far) written by Samuel X. Brase. In Brase’s own words, his goals for the magazine are twofold:

This e-magazine has two goals.

“One: to produce a politically inspired serial story. Written by Samuel X. Brase, myself, editor of this e-mag.

“Two: to produce reviews of independently published science fiction. Written by myself as well, to start, although I am open to outside reviewers.”

He has posted the first issue of the magazine, the October 2011 issue, and one of the two stories he reviewed was my “The Infinite Onion”, published in AE earlier this year. Brase says “This review is meant less to critique the stories and more to analyze the themes and narrative present.” I found it very interesting to see the discussion of my odd little flash story. One of the most interesting things I’ve found in this writing vocation is when others discuss the inherent themes in a story I’ve written. Sometimes those themes match up with what I intended, and sometimes they don’t, but I’m of the opinion that there is no incorrect interpretation of theme as long as it is supported by the text itself, regardless of author intent.

I’ve got to say I’m rather surprised for a story of mine to be reviewed in a magazine focusing on politically related science fiction. I’ve never really set out to write such a thing, and I would not have labeled my story as such, but I think his reaction is great.

Maker of Leviathans: Eric James Stone

A Nebula Award winner and Hugo nominee, Eric James Stone has been published in Year’s Best SF, Analog, and elsewhere. Eric is a Writers of the Future winner, graduate of Orson Scott Card’s writing workshop, and assistant editor at Intergalactic Medicine Show.

Eric lives in Utah. His website is www.ericjamesstone.com.

David Steffen: ÂThis has been quite a year for you, winning your first Nebula award, and being nominated for a Hugo for the same story. ÂHave these awards been a major goal for you? ÂWhat’s next?

Eric James Stone: I remember reading Hugo and Nebula anthologies when I was a teenager, so I felt incredibly honored to be nominated for both awards. While I did dream about being nominated for a Nebula or Hugo, I didn’t think it was all that likely because there are so many excellent authors writing today.

David: ÂWhere did the idea for your Nebula-winning, Hugo-nominated story “That Leviathan, Whom Thou Hast Made” come from?

Eric: It came from an assignment at a writing workshop taught by Dean Wesley Smith, Kristine Kathryn Rusch, and Sheila Williams. The prompt was: “You are in the middle of the sun and can’t get a date.” Because my religion is a big part of my life, and because I hadn’t seen a story with a believing Mormon protagonist in a high-tech future, I decided to write such a story. I wrote the first third of the story while at the workshop, but I had no idea what would happen in the rest of the story. Fortunately, I received a lot of encouragement from friends to finish the story, so I did. At the time, of course, I had no idea it would get nominated for anything.

David: ÂDo you find your view on writing has changed since you took the role as assistant editor at Orson Scott Card’s Intergalactic Medicine Show?

Eric:Â I’ve really learned the importance of a satisfying ending. One of the worst things for an editor is to read a story with a good beginning and middle, but which falls apart at the end.

David: ÂHas writing gotten easier for you over the years, or harder?

Eric: Both. It’s gotten easier in some ways, because I think I have a better feel for what makes stories work. But it’s gotten harder in other ways, because I notice my weaknesses more but haven’t quite figured out how to solve them.

David: ÂIf you could give just one piece of advice to aspiring authors, what would it be?

Eric: I took some creative writing classes in college. I thought one of the stories I had written might be publishable, so I submitted it twice and got rejected both times. That discouraged me enough that I quit writing stories for over ten years. My advice to new writers is not to be as big of an idiot as I was. Keep writing.

David: ÂWhat’s your happiest memory?

Eric:Â 2009 was a really happy year for me for reasons mostly unrelated to writing, so I look back on it rather fondly.

David: ÂWhat fictional place would you most like to visit?

Eric:Â The U.S.S. Enterprise.

David: ÂDo you have any works in progress you’d like to talk about?

Eric:Â I’m in the process of editing a novel for a publisher who may be interested, but I can’t go into specifics about it.

David: ÂAny upcoming publications?

Eric: I have new stories forthcoming in Analog Science Fiction, Daily Science Fiction, Digital Science Fiction, and Blood Lite 3: Aftertaste. (For some reason, I have the sudden urge to sing “One of These Things Is Not Like the Others.”) My Nebula-Award-winning story will be reprinted in an anthology called Monsters & Mormons, as well as the Nebula Awards Showcase volume coming out next year.

David: ÂWhat was the last book you read?

Eric:Â Mission of Honor by David Weber. His Honor Harrington series is my favorite series.

David: ÂYour favorite book?

Eric:Â Cry, the Beloved Country by Alan Paton.

David: ÂWho is your favorite author?

Eric:Â When I was a teenager, it was Isaac Asimov. Later, it was Orson Scott Card. Now, I’ve read so many fantastic stories by great authors that I really can’t choose a favorite.

David: ÂWhat was the last movie you saw?

Eric:Â The last movie I saw in a theater was X-Men: First Class. I think the last movie I watched at home was Harry Potter and the Deathly Hallows, Part 1.

David: ÂWhat is your favorite movie?

Eric:Â Probably Raiders of the Lost Ark.

David: ÂEric, thanks for taking the time for the interview.

Image Copyright © 2008 by Eric James Stone.

The Importance of a Thick Skin

written by David Steffen

This post was originally written up in response to after-story discussion on Dunesteef Episode 108 on their forum, speaking about how to take rejection.

A thick skin doesn’t come naturally. You have to cultivate it. One of the biggest ways that I did this when I started writing fiction is critique forums. My particular favorite is Baen’s Bar. Post some stuff there in the Baen’s Bar Slush, get some feedback, post feedback on other people’s stories. Yeah, the negative comments can be hard to take at first, but you learn to extract the useful parts of them. If you critique enough stuff from other people you can learn to take that cold critical eye and apply it to your own writing, and then when someone comments on your stuff, even when they don’t like it you can decide objectively “Yeah, that makes sense” or “No, that advice is absolute crap”. I wrote up an article a while back suggesting some rules for critiquing and receiving critiques. Some of it has to do with this subject, especially the rule “This Is Your Story”.

I don’t follow Dean Wesley Smith a great deal, but one concept he has that I really found useful is The Race. In that, you keep a score for all the stories you have submitted. 1 point for each short. 3 points for a partial novel manuscript, 8 points for a full manuscript. I mostly submit short stories, but I do have one old dog of a novel I occasionally send out. I have one children’s book going out occasionally that I count for 3 points, on the grounds that it has more monetary potential than a short story but is not as bulky as a novel. I have about 50 stories completed by this time, and I typically keep about 30 of them in submission at any given time, rotating the other ones in as I get rejections. With that and the children’s book, my Score’s hovered around 33 for quite a while, not too bad of a score.

One thing that helps is if you can find a way to not put too much anxiety into any single submission. Submitting in bulk really helps this a lot, because if you have only ONE submission out, it’s hard not to obsess over it. You send out one submission, and then when you get one rejection you are back at square one. If you have 30 stories submitted though, a rejection for one is just a scratch on the surface, not that big of a deal. I assume any given submission is a certain rejection, but that I have some chance across the board. Pessimism in specific, optimism in general. :)

And for tracking submissions, I keep an Excel spreadsheet for now. In which I do happen to do some obsessive stats tracking. The way I have it set up the file has gotten ridiculously large and it’s hard to update with new markets. I’m trying to work my way to a database system. I’ve got the basic database tables set up along with some forms to fill them and get simple reports, but I want more complicated stats reports and haven’t figured out how to do those yet in OpenOffice. If anyone wants it you can download a free copy of it at.

And, after that, just perseverence is the only advice I have. When I get one back i just send it out to the next available market I haven’t sent it to and work my way down the line. And just because it’s been around the block a few times doesn’t mean it’s doomed. 1 of my recent stories that I sold for pro rates had been on its 20th submission. And then finally it found that editor for which it was just right.

As part of those obsessive stats, I keep a count of my submission responses, and the number at which I receive rejections. I started submitting in June of 2008. In that time I have had 675 resolved submissions:
489 negative/neutral rejections
167 positive rejections
5 rewrite requests
14 purchase at normal rate (for 8 different stories).

To show how long the stretches were between selling those eight different stories, of those 675 submissions those were numbered #s 126, 129, 210, 232, 572, 591, 599, 626, 637. That gap between 232 and 572 was soooooo long for me!! But I made it, and now have had pretty good luck for the last few months! Here’s hoping my luck continues. As it is, with the sales I’ve made this year, and if the neo-pro markets I’ve sold to get listed by SFWA as pro markets, then I could be eligible to apply for SFWA’s “Active” status around June 2012, which is one of my major milestones I’ve set for myself.