Announcing The Mulligan Awards

NOTE:  This post is outdated.  Please visit this other article to find out about the updated plan.  Other than this introductory note, I leave this post and its comments unchanged so that you can read about the idea if you like.

WHAT ARE THE MULLIGAN AWARDS?

The Mulligan Awards are a response to the joke that is this year’s Hugo ballot.  This is for the people who want to compare and contrast great stories and publications that were chosen by the two thousand people who registered and nominated, rather than the opinion of just two or three.

So there will be a final ballot which is based on what non-voting-bloc Hugo voters nominated, an opportunity to vote and, depending on what can be arranged with the parties of interest and the level of interest from fandom, there may be trophies, or a reprint ebook anthology of those on the final ballot who are interested in participating.

 

WHY ARE THE MULLIGAN AWARDS?

There are a lot of people very upset about how the Hugo ballot turned out this year.  No mystery why, since the final ballot is conspicuously off-kilter, matching the Sad Puppies voting bloc slate almost exactly with a bit of Rabid Puppies mixed in.  The Hugo rules are set up so that anyone with the price of entry can vote, and there’s nothing to prevent a hivemind like the Correia-Torgersen-Vox collective from forcing whatever they want onto the ballot to take a stance on somethingsomething and prove the point about mumblemumble while only actually accomplishing in transforming the award from something that boils down interests of a bunch of interesting subsets of fandom into a ballot that only the collective itself thinks is worthy.

I will point out that the collective has not broken any rules, but they have made the ballot very dull because it only represents the opinion of three people, rather than the opinion of two thousand.

The biggest loss is the loss of discussion about new and interesting stories that rise out of the woodwork from a group voting in an uncoordinate fashion, which is what I look forward to the Hugos every year for.  So the Mulligans are an attempt to salvage something worthwhile from the Hugo year, and give some recognition to authors who deserve it.

 

HOW DO I NOMINATE FOR THE MULLIGANS?

You already have or haven’t.  The nominations will be based on Hugo nomination numbers rather than being a completely separate procedure.  Each year the Hugo committee publishes a list of the top 15 nominees with voting counts for each one.  The Mulligan nominations start with the Hugo nomination list, but estimates what the top 5 would be in the absence of the voting bloc.

How will it do this?  Well, since the bloc has succeeded so thoroughly in sweeping the ballot, this implies that the members of the group followed their leader’s orders and voted slavishly for everything suggested.  This should make them easier to spot in the nomination numbers because there will be some things from the voting bloc’s slate that didn’t get votes from anyone else, or almost no one else.  That lowest number will give an estimate of how many actually followed orders–the lowest rather than the highest because some of the voting bloc’s choices may have been popular in their own right, and perhaps could have made it on the Hugo ballot without collusion.  Then, by subtracting the estimated bloc count from all of the nominees that came from the bloc’s slate, that will be a rough estimate of what the ballot would look like without the bloc’s effects.

Note that this doesn’t automatically knock all stories from the voting bloc off the ballot–if they were legitimately popular in the overall vote, then they could be on the Mulligan ballot too.

These numbers aren’t released until after WorldCon, so the Mulligan final ballot can’t be released until September.

 

HOW DO I VOTE FOR THE MULLIGANS?

The details for this are still being determined and will be advertised at a later date.  Ideally, if there’s some way that eligibility for actual Hugo voting can be verified by those who choose to vote, that would be the best way to keep the voting group similar–but I’m not sure if that will be possible.  There will definitely be a way to vote, and it will be based on a rank-order instant-runoff system with “No Award” as an option–and counting will generally work like the published Hugo rules.  Except that there will be no 5% minimum for a nominee to be listed.

 

ARE THE MULLIGANS AFFILIATED WITH THE HUGOS?

No.  Not even slightly.

 

WHAT WAS THAT ABOUT TROPHIES?  AND REPRINT ANTHOLOGY?

At the very least I will post a ballot and provide some way to vote.  This I can set up for limited cost.

If there is enough interest, I might run a Kickstarter for the Mulligans–if enough of the Mulligan nominees are interested, a reprint ebook anthology paid at 1 cent per word or more.  Whether I set up the Kickstarter will depend somewhat on how much interest people express, so if you’d be willing to kick in a few bucks to get a copy, let me know.

 

BUT MY VOTE IS ONE THAT’S GETTING SUBTRACTED!  MY VOICE COUNTS!

If you are a member of the collective, then you can console yourself with the Hugo Awards.

 

WILL THIS RUN EVERY YEAR?

I sincerely hope it won’t need to.  But if a bloc dominates again, I’ll consider it.

Diabolical Plots Fiction Lineup (Year One)

written by David Steffen

I have twelve short story contracts in hand, signed by the authors of twelve stories.  That means that I can announce the lineup of stories for Diabolical Plots first year of publishing fiction.  All of these were chosen with the author names hidden so all of them made it on the merit of the story, regardless of how well the author is known or their publishing histroies.

 

March:  “Taste the Whip” by Andy Dudak

April:  “Virtual Blues” by Lee Budar-Danoff

May:  “In Memoriam” by Rachel Reddick

June:  “The Princess in the Basement” by Hope Erica Schultz

July:  “Not a Bird” by H.E. Roulo

August:  “The Superhero Registry” by Adam Gaylord

September:  “A Room for Lost Things” by Chloe N. Clark

October:  “The Grave Can Wait” by Thomas Berubeg

November:  “Giraffe Cyborg Cleans House!” by Matthew Sanborn Smith

December: “St. Roomba’s Gospel” by Rachael K. Jones

January:  “The Osteomancer’s Husband” by Henry Szabranski

February:  “May Dreams Shelter Us” by Kate O’Connor

 

Diabolical Plots To Become Professional Fiction Market

written by David Steffen
Diabolical Plots has been continuously providing nonfiction content related to speculative fiction since I launched it in 2008. Reviews, interviews, “Best of” lists, relating to magazines, books, TV shows, games. It was founded by me in 2008 on a very simple Blogspot page. Anthony and I joined forces in 2009 and, among other things, moved to the much nicer site that is still used today, commissioning the iconic mad scientist artwork by the wildly talented Joey Jordan.
In January 2013, Diabolical Plots launched the fiction writers’ submission-tracking and market-finding tool, The Submission Grinder.
This post is to announce the news that Diabolical Plots will trying something entirely new, expanding to become a professional-paying publisher of original speculative fiction! We’re not open for submissions quite yet, but we wanted to share the exciting news and let you prepare your very best short stories that are 2000 words or less for submission. For full guidelines see <LINK TO GUIDELINES>.
And Diabolical Plots the fiction market now has a market listing on the Grinder <LINK TO GRINDER LISTING>. We’ve put in requests to Ralan for the same.
This is all a grand experiment to see what kind of interest we get from writers and from readers. At this point we’re aiming for a single original story of 2000 words or less once a month for a year. What happens after that depends largely on how much interest. We have set up a Patreon page <LINK TO PATREON PAGE> with some goals for breaking even and goals for expanding our offering to more stories. If we get enough support through Patreon or through PayPal (and support of the Grinder all goes into the same place so Grinder donors, thank you as well) and iwe enjoy doing this fiction thing, then we’ll keep on going after the year is up. If not, we will surely have learned from the experience , and we will have helped the twelve authors find a venue for their work.
So, thanks for all the support over the years, everyone. We hope you’re as excited about this grand experiment as we are.

“Catastrophic Failure” at Perihelion

written by David Steffen

My story “Catastrophic Failure” just went live at Perihelion today. It’s outside my usual comfort zone, hard SF, near novelette size, about a disaster on a Venusian mining crawler. Full of action and science fictiony goodness. If you get a chance to read it, let me know what you think.

The Submissions Grinder Proto-Newsletter

written by David Steffen and Anthony Sullivan

This is a copy of the newsletter sent out to users of The (Submission) Grinder who have opted in for the newsletter as of Monday, November 10, 2013. We have included it here to let people who might be interested in hearing about the upcoming newsletter feature, but who are not users or who have not opted in.

 

Hello Grinder Users!

“What’s this in my inbox?” you might be asking yourself right now. Well, if you’re getting this email, your address is registered to a user of the (Submission) Grinder and in your profile you have opted in to the Grinder’s newsletter. If you don’t want to receive any more emails from us, all you have to do is uncheck the “Newsletter” box in your profile settings. If you believe you have received this email in error, let us know.
So, this is our first newsletter. More of a proto-newsletter, I suppose you could call it, to give you an idea what we have in mind for these newsletters and to give you an opportunity to give us some feedback about what kind of content you would like to see in these newsletters. This will probably be a weekly-ish newsletter once we have it off and running, though it might be a while before that happens–this is an early audience check.
So, here’s a list of subsections that we have in mind for Grinder Newsletter.
1. Greeting–A brief hello from us folks running the Grinder, might include a wish for happy holiday (for instance), a link to this week’s Diabolical Plots article, a link to newly published stories by the folks behind the Grinder. This will generally be quite brief, but is mostly a place to say “Hello” to all you fine users.
2. Grinder feature updates–When we have a shiny new feature we want to share with you, we’ll mention it here so that you can give it a try.
3. Market Updates Based on Custom Genre and Pay Interests–This is the core of the newsletter: market updates delivered right to your inbox, pointing out new market listings and market listings which have opened, temporarily closed, or permanently closed in the time since the last newsletter. But even better, this section of your newsletter will be tailored to your personal market interests of genre and minimum pay rate. If you want to get only updates about pro-paying fantasy/science fiction/horror markets, that’s what you will get. If you want to get only updates about any General genre markets, that’s what you will get.
4. A list of upcoming submission and theme deadlines
5. List of fundraising Calls–There will be a section of publishing related fundraising calls, be they Kickstarter, Indiegogo, or any other medium. A lot of anthologies, magazines, etc, do this kind of fundraiser from time to time, so it is our hope that we can help raise the visibility of their efforts. We will post the ones that we come across on our own, but we will also happily take suggestions (once the newsletter is running, that is)
For instance:
Escape Artists Fundraiser: Escape Artists, the audio production company that brings you the fiction podcasts Pseudopod, Podcastle, and Escape Pod, is running short on money to an extent that they won’t be able to continue much longer at the current funding. Follow this link to find a post with a brief summary, a link to the full metacast, and links to different donation options. There are also donation incentives (extra stories) if you chip in before the end of November.
6. List of recently accepted (and recently published) authors–A list of names of the authors who have logged acceptances since the last newsletter and who have selected to opt for the Brag feature. In the future this will also include those who’ve been recently published.

FEEDBACK

So, what do you think? Does the newsletter, as described, sound like a useful feature of the (Submission) Grinder? Are there other shiny ideas that you’d like to suggest to us? Just reply to this email or use the Grinder’s Contact Form to tell us what you think. I will also post this to Diabolical Plots so that other people who may not have signed up for the newsletter yet can see what we’re offering–feel free to comment on that post as well (or, again, use the Grinder’s contact form)
Thanks so much for using the Grinder.
best wishes to you and yours,
David Steffen and Anthony Sullivan, Grindmasters

“Could They But Speak” at Perihelion

written by David Steffen

This story was published about a month ago, but I haven’t gotten around to posting about it until now.

A previously unpublished story is now published at Perihelion, free to read, and it even has an illustration. It’s the story of Gunther the Dachshund who is one of the first and most public recipients of the Awakening procedure that allows animals to talk. He’s become a canine rights advocate since the procedure, but now it appears that someone is making an attempt on his life. Gunther and his agent (formerly his owner) Daniel must solve the mystery of who tried to kill him.

If you get a chance to read it, do let me know what you think.

Cheers!

,David

“Reckoning” at Stupefying Stories

written by David Steffen

My flash fiction story “Reckoning” is now posted on Stupefying Stories for you to read for free. It’s the tale of southern fire-and-brimstone Preacher Paul and his encounter with Death. This one’s been around for a little while, though I think a recent complete rewrite of the ending is what helped push it over into purchase territory.

The story began from the opening joke:

“The Day of Reckoning is upon us,” Preacher Paul said.
“You reckon?” Jake answered.
“I reckon.”

 

I hope you enjoy! Feel free to leave a comment here.

“I Will Remain” in After Death anthology

written by David Steffen

The After Death anthology, edited by Eric Guignard with my story “I Will Remain” is now available for sale. It’s anthology of stories that take place after death, one of my favorite topics to contemplate and write about.

I have good company in the anthology, Deborah Walker, Steve Rasnic Tem, and David Tallerman to name just a few.

My story’s about an English dog who remembers being a man, but it’s not as
straightforward as it might sound–I just don’t want to spoil it because it’s a story that I think will work better without foreknowledge of it.

If you get a chance to read it, let me know what you think!

“Coin Op”

written by David Steffen

I’m a bit tardy in posting this, but in February Daily Science Fiction published another of my stories: “Coin Op”. It’s a comedy, based around sex. It is definitely mature content, so if you don’t care for that sort of thing, just skip it. And feel free to let me know what you think of it. Here it is.

Enjoy!