Squire Sancha saw all manner of wonders as she rode across the sunbaked planes of the Andalian Peninsula, and her heart sank a little deeper with each one. She sighed when they passed by mermaids planting seashells on the distant shoreline and a grove of gossiping dryads uprooting themselves for better sun. She gripped her sword in useless exhilaration as they ignored the rival gangs of sorcerers casting ball lightning at each other in the clouds and then the silhouettes of two tilting centaurs dueling on the horizon at dawn. Sancha yearned to throw herself after all of them, and yet sadly each of these calls to adventure was refused by her knight, the steadfast and implacably indifferent Don Quotidene, who unerringly kept them to the road and would not so much as lift an eye from his account books.
When Sancha first presented herself to the court of the King of Andalia in hopes of convincing one of its storied knights to take her to squire, Don Quotidene was far from the master she’d dreamt of. He had earned his place in the King’s court not for piety or horsemanship or skill at arms, but for his unusual and rather unknightly skill in balancing ledgers. While the other knights were dispatched across the peninsula to discover relics, rescue princesses, and vanquish mighty enemies, the king had tasked Don Quotidene with saving the kingdom of Andalia from a far more subtle and cannier foe: bankruptcy. As his squire, Sancha was expected to aid him in this battle by keeping his weapons—the quill, ink pot, blotter, and paper knife—at the ready, and occasionally to aid him in the sorting and copying of figures. Sancha supposed she should have been grateful – all the other knights had simply laughed at the idea of taking a simple grocer’s girl to squire. Don Quotidene alone proved willing to look past the accident of her birth; she wished only that it had been to perceive more than her quickness with sums and that her handwriting was neater than most.
Most of Sancha’s days were spent locked in the palace treasury with Don Quotidene. They had been sent out on the road only because the king had noticed grain levies were yearly underperforming expectations, and thus he bid Don Quotidene—his knight of the shrewd expenditure—venture forth and discover the source of the deficit. Don Quotidene and Sancha had ridden out across the length and breadth of legendary Andalia, ignoring ogre’s dens and wizard’s towers to survey village harvest catalogues.
One day shortly after lunch, there came down the dusty road towards them a half dozen or so black-habited friars, riding like they had the devil at their backs. There was one friar well in the lead of the rest, and he shouted warning to Don Quotidene and Sancha as he rode up on them:
“Beware, sir, beware! A tribe of giants has taken up in yonder plain to fish the sky!”
The friar’s nag galloped so fast she nearly outpaced the friar’s scream, and he was well down the road behind them by the time he bit off the end of it. A few more black habits whipped the wind past Sancha’s ears, leaving words no more articulate than “Turn back!” or “Giants! Giants!”
Finally, two friars at the end of the train proved brave enough to pull their horses to a stop and tarry long enough to provide an explanation.
“Beware, sir. Continue on this way and you will run right into them,” said the first friar. “The giants stand ascatter throughout the fields, reaching their arms into the firmament and wiggling their fingers in the flow of clouds. They are fishing for the great sky serpents which swim the waters between heaven and earth.”
“We saw a giant grab one by its tail and slam it down to earth,” the second friar added. “Then the whole wicked tribe fell upon it with stone daggers flinted from mountains. They picked the dragon clean and ate it raw, setting aside only the brightly colored heart and liver for burning – a sacrifice for their patrons below, no doubt.”
“No doubt,” said the first friar. “When the giants saw us, they captured some of our brothers and hoisted them high for the serpents; Oh horror, I think they use us for their bait!” And at that, he kicked his horse into dusty flight down the road.
“For the love of God, sir, save yourself and turn away from this course!” shouted the second friar, riding fast behind the first.
“Yes, yes. God love and save you as well, brothers. Good day,” said Don Quotidene. Through the whole of the friars’ frenzy, he had not once looked up from his reading of accounts, and he gave no sign of heeding their warning.
“We’re not going to take a detour round to the next village, sir?” Sancha asked.
“What? Detour? Of course not. We must be through this field or we won’t keep our schedule. Now, forward.”
Don Quotidene kicked his horse into a lazy trot, and Sancha, following close behind, decided not to contravene him further. She was afraid, but she knew this might be her only chance at a real adventure; after all, not even Don Quotidene could ignore a giant if he rode right into one. Little did she know, however, that the Don had a secret power, unknown even to himself. He had developed it after long years studying his actuarial lore, transmogrifying treasures into sums and grinding the wide world down into tables and measures. The giants would never even have the chance to try them.
Sancha and Don Quotidene rode into the plain, and the first thing Sancha saw as they went was the giant’s great sacrificial fire. It stretched across miles and miles of countryside, generating terrible heat as it spilled its smokey libation down to the underworld.
“Sir, do you see it?” cried Sancha. “There’s the giants’ burnt offering which the friars spoke of!”
“Nonsense, girl,” said the don, not looking up from his accounts. “The local farmers have simply set fire to their field. It enriches the soil and helps the wheat to grow.” And as Don Quotidene said it, so his squire saw it. The giant’s dark hell-pyre changed before her eyes into the innocent smoke of cultivated field burnings. These fires sacrificed only weeds, and they conveyed prayers no darker than that next year’s harvest be plentiful.
The pair had ridden a little further when Sancha spotted the stripped bones of a sky serpent glistening in the sun.
“Sir, do you see it?” cried Sancha. “There are the bones of the caught dragon the friars spoke of! Do you see the tall ribs?”
“Nonsense, girl,” said the don, not looking up from his accounts. “It is but the remains of an old, abandoned abbey fallen into disrepair. Those ribs you see are but the arches of its church or, perhaps, the refectory.” And as Don Quotidene said it, so his squire saw it. They rode past no remains of a butchered sky serpent, but simply a dilapidated pile of crumbling ruin where once the monks would chant vespers and eat their meager meals of broth and barley.
They rode a little further still, and at last, Sancha saw the giants. They were about thirty in all, colored in a wild motley of red skin and green skin and purple skin and more. Each stood the height of a castle tower and reached their hands even further up into the cloud currents above. One of them, a great blue monster with all manner of moss and lichen hanging from its beard, leered at Don Quotidene and Sancha. It stalked towards them.
“Don Quotidene, look out!” cried Sancha. “The giants are coming for us! That one is going to snatch you with its long, terrible arms!”
“Nonsense, girl,” said the don, not breaking eye from his accounts even as the giant stooped to grab him. “They’re only windmills; those arms you see are merely the vanes taking wind and churning grain into coarse flour.” And as Don Quotidene said it, so, of course, his squire saw it. When Don Quotidene finally deigned to spare a glance up from his accounts, he saw nothing more dangerous than a blue windmill milling peacefully away. They passed a few more garishly painted windmills and left the plain for their errand.
However, Don Quotidene’s power continued to work away on the empty field after they’d gone. After all, his was a very reasonable sort of magic, and it simply didn’t make sense that there should be windmills, a monastery, and burning wheat fields struck down in the middle of nowhere. So, the magic set to making farmers to fill the fields and millers to work the windmills. It created houses and families for the millers and farmers to go home to at night, markets where they could barter on Sunday, taverns where they could drink, fight, and lament a hard life. Before it was through, the Don’s magic had even birthed a curmudgeonly church deacon to harass the population for letting their once-proud monastery fall to ruin.
When Don Quotidene and Sancha returned from their errand back through the plain, they found nothing less than a thriving town with a community of cereal farms ringed around it. Don Quotidene was shocked, for the town had somehow entirely evaded the royal census and his accounts showed no record of it. He was delighted, however, for the missing revenues from this town would neatly cover the deficit his king had commanded him to correct. Don Quotidene set to work taking the tally of the town’s dues, and he was near as he knew to gaiety. His squire Sancha faithfully recorded his figures for him, glancing sometimes at the town’s windmills and dreaming of giants.
© 2022 by A.J. Rocca
Author’s Note: I used to always get the words “quixotic” and “quotidian” mixed up, and this story grew out of that. I thought it would be fun to try to write a reversal of the classic Don Quixote tale with rationality replacing fantastic chaos, but as I wrote it, I came to realize that was always the theme of Don Quixote, more or less. Don Quixote documents the shift from the fantastic modes of epic and chivalric romance to the realist mode of the classic literary novel, and this story does much the same thing. The real difference between the two, I like to think, is that Don Quixote documents that shift from the point of view of the realist while Don Quotidene is from that of the fantasist.
A.J. is a writer and English teacher from Chicago. He specialized in the study of speculative fiction while pursuing his M.A., and now he writes both SFF criticism as well as his own fiction. A.J. hopes to eventually put together a few booklength projects, but for now his writing is primarily restricted to short stories, essays, and the occasional odd poem. Sometimes he produces his essays as videos, and these can be found on his YouTube channel: BlueMorningStar. The rest of his work can be found collected at his website: ajrocca.com.