Anime Review: KADO: The Right Answer

written by Laurie Tom

kadotherightanswer

KADO: The Right Answer is an usual piece of science fiction for anime to tackle. While first contact scenarios are about as common in anime as in Western movies, they are usually played for action (when the aliens are hostile) or comedy (when the aliens are not). KADO chooses to begin with an alien whose motivations are obscure by our understanding.

Yaha-kui zaShunina arrives in a giant extra-dimensional cube that lands on top of a passenger plane, accidentally absorbing it and all the people inside. Fortunately, one of those on board is ace government negotiator Kojiro Shindo. When the alien entity does not appear to be immediately hostile and goes to the effort of absorbing the the concept of human language, the two of them begin to communicate.

zaShunina offers humanity a means of advancement, with technology far above what is currently available. We’re not talking spaceships, but an unlimited energy source for humans to do with what they will. He (zaShunina takes on a male appearance but probably does not actually have a gender) likens his offer to a person who has so much of something they no longer have need of it all. If he has more bread than he can possibly eat, why not share it? This is why he has come to give gifts to humanity.

It’s a completely reasonable line of thinking, but naturally wreaks havoc across Japan (where zaShunina landed) and the rest of the globe as it will completely revolutionize industry.

Much of the series deals with how deal with zaShunina’s gifts (because he doesn’t stop at unlimited energy) from the point of view of nations and individuals. It’s not an action-based series and all the human characters are adults, though one scientist is childlike to the point of annoyance, but her mentality works for the story so I’m a little more forgiving than I would otherwise be. People are rightfully concerned about what zaShunina will mean for humanity and whether humans are moving forward too fast.

For the most part the early conflicts move well, featuring reasonable and restrained responses that we hope would be mirrored should any such event happen in the real world.

Shindo is the lead protagonist, but it’s difficult to see inside his thoughts and know him as a person, which is likely why Episode 0 exists. Because he agrees to represent zaShunina in discussions early on, so the anisotropic being has a human representative, he ends up cut off from a lot of the cast. zaShunina also does not fully understand how humans work, so a lot of Shindo’s interactions with him don’t really show him as a person so much as an aide.

This changes later on due to the influence of Saraka Tsukai, another negotiator, who is the designated representative of the Japanese government. While most people are intrigued by the possibilities zaShunina brings them, Tsukai tends to be the one voicing the counterargument, that perhaps it’s best if humanity continues to struggle and advance based on its own labor rather than what an alien being has given them.

KADO: The Right Answer is largely a thoughtful piece, exploring the ramifications of human advancement through alien intervention, and expresses numerous points of view. This is the nice thing about it. We see the cautious and the eager. About the only thing we don’t see are bands of crazy protesters, but barring a few outside shots the story takes place in Japan so it’s possible that this may be more of a cultural difference.

Where it begins to fall apart is towards the end. We know the story can’t just be about zaShunina bringing gifts to everyone, so something happens to raise the stakes, and what happens feels contradictory to the tone laid by previous episodes. The resolution itself is a bit of headscratcher. There’s a small part of it that works, but the rest involves a pretty hefty sacrifice from a couple people that isn’t really discussed before it happened, so it doesn’t feel as polished as it could have been.

KADO is also one of a growing number of CG-animated anime. For budget reasons, CG is getting more popular, but still has difficulty recreating the two dimensional look of traditional hand drawn animation. KADO handles itself fairly well, and the CG is handy for a project like this where there are a lot of alien artifacts that need to look unusual and outside of our reality. The human characters are rendered pretty well too. Though they are clearly computer generated rather than hand drawn, they’re one of the better efforts in recent years.

Overall, I think KADO is a worthwhile experiment. It doesn’t hit the heights it could have, but it’s a worth a look.

Number of Episodes: 12 (13, if including Episode 0)

Pluses: interesting premise, range of human reaction of alien intervention is pleasingly diverse, adult cast

Minuses: negotiation theme ultimately has no impact on the ending, ending requires huge sacrifices that don’t have much setup, pacing is really slow

KADO: The Right Answer is currently streaming at Crunchyroll (subtitled), Funimation (dubbed). Funimation has licensed this for eventual retail distribution in the US.

laurietom
Laurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie’s short fiction has been published in Galaxy’s Edge, Strange Horizons, and the Intergalactic Medicine Show.

BOOK REVIEW: Living Dead in Dallas by Charlaine Harris

written by David Steffen

Living Dead in Dallas is a romance/mystery/horror novel from 2002, the second in the Sookie Stackhouse series of novels by Charlaine Harris, which is the basis of the HBO show True Blood–this book was the basis for season 2 of the show.  The first book in the series is Dead Until Dark, which I reviewed previously.

In the previous book, Sookie met her first love–the vampire Bill Compton.  She’s a telepath and her ability to read minds has proved disastrous to her love life, but she can’t hear vampire thoughts.  They are together now, and he is teaching her new things about controlling her powers, as she learns more and more about the supernatural world.

In this book, after a car breakdown and a fight, Sookie is attacked by a maenad, yet another of the supernatural creatures that secretly exists in this world.  Bill takes her to Fangtasia, the vampire bar in Shreveport, where the owner Eric Northman has only a little time to save her from certain death.  Soon he negotiates with Sookie for her to do some work for him–Eric is the sheriff of area 5, a position of authority to vampires in the local area, and as a favor to another area he has promised Sookie’s mindreading abilities to help  with an investigation in Dallas where the vampires suspect one of their human employees of betraying them.  Dallas is also the headquarters of The Fellowship of the Sun, a newly founded church dedicated to revealing vampires for the monsters that the church believes them to be.  Back in Bon Temps, the maenad’s influence is spreading–she demands tribute to her god, and will drive people mad if her demand is not met to her satisfaction.

This book was decently engaging and action-packed, with Sookie undercover in a strange city, surrounded by both supernaturals that she doesn’t fully understand, and by people who have dedicated their lives to trying to destroy the supernaturals.    The plot in Dallas was all interesting and engaging, though I thought it was weird that Sookie didn’t immediately ask why the Dallas vampires didn’t just glamour (a kind of hypnosis) their employees to get the answer.

I found the maenad subplot extremely disappointing in the book.  I’m not sure what it added at all, apart from giving us a sense of other kinds of supernatural things out there.  The resolution to that subplot just felt like the writer had gotten themselves into a corner and just gave up trying to find a satisfying or epic way to resolve it.  I was probably spoiled for it ahead of time because the maenad plot in True Blood Season 2, which was loosely based upon this book, was crazy and epic and freaky and really really good with a really cool resolution.

And, another thing that happened right at the beginning of the book that was extremely disappointing was the death of Lafayette Reynolds.  Again, I have probably been spoiled by watching the TV show first, but he was one of my favorite characters in the show, in part because you don’t see a lot of queer people of color in SF/F/H shows.  So it was a big letdown for him to play basically no important role in the books at all.

This book was okay.  It’s possible that I’ve been spoiled by the higher stakes and engaging nature of the TV show that’s based on it, which probably isn’t fair since the TV show wouldn’t exist without the book.  This one soured for me at the beginning with the death of Lafayette and only went down from there.

 

Anime Review: Attack on Titan Season 2

written by Laurie Tom

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Attack on Titan‘s first season aired far enough back that I don’t have a review on Diabolical Plots to point newcomers to, but suffice to say it’s good! It crosses over to mainstream media much easier than most anime, but the story was clearly far from complete, which brings us to Season 2.

Be aware that there will be first season spoilers as I tackle the second season!

Attack on Titan took four years to return, which is surprising considering how popular it is. Part of the delay was no doubt because the first season had chewed through most of the available manga at the time it was animated, but considering that the second season is only covering one additional story arc, rather than two, I’m not sure why the studio waited so long. The manga has completed three more story arcs since the end of the first season, so from a storytelling standpoint, there’s a lot to work with.

After a brief recap, Season 2 picks up only moments after the end of the first season, with Annie being hauled away while encased in crystal and the Scout Regiment trying to figure out what to make of the mysterious Titan that appears to be inside one of the great walls that surrounds their country.

When a priest hurries over and tells Hange to cover the hole in the wall so the entombed Titan doesn’t wake up, it becomes clear that there are a lot of secrets to their world that some people are privileged to know and others are not. Worse, Titans have appeared inside the greater Wall Rose, which should not have happened unless the wall has been breached.

The Wall Rose invasion kicks off a furious first half of the season as the Scouts try to figure out where, or even if, the wall has been breached. The breach of the outermost Wall Maria at the start of the first season devastated the human population. Losing the middle Wall Rose as well would be a catastrophe.

Worse, there’s a new intelligent Titan involved and many of our fresh recruits have been isolated from most of the military. They are unarmed, without the maneuvering gear that allows them to sling themselves into the air to fight Titans, and they’re about to get surrounded.

After the gut-wrenching opening, the real story this season is figuring out who the enemy of humanity really is, because they are facing something much more complex than the mindless Titans outside the walls. At the end of the first season, Commander Erwin Smith had promised to flush out the Titans hiding among humanity, and in Season 2, he certainly delivers.

Arguably the biggest reveal happens at the season’s midpoint, capping off the manic first half, but the story doesn’t quite regain its footing afterwards.

Though a short breather is nice, the story loses momentum when it stretches past a single episode, which it does. The animators do their best to try to keep the episodes exciting when most of the plot involves people sitting around, but to be fair, they’re constrained by the fact the series has chosen to hew extremely close to the source material and there is a chapter where the characters literally spend the entire time sitting in trees. It wasn’t so noticeable in the manga, but the same chapter fares pretty badly in animation, even with a few additional scenes to break up the view.

Fortunately, Studio Wit knows how to sell a climax and the season swings back to full spectacle with a blood churning rally at the end. The season doesn’t end with many answers, but we do have a better picture of the enemy and even more questions for future story arcs.

Much has been made about the studio only animating half the episodes they did last time, especially since Season 2 started with enough source material to last in the ballpark of 35 episodes, but with the wonky exception of the Colossal Titan, which was clearly an out of place piece of CG, allowing the animation team to focus on a smaller set of episodes seems to have turned out to be a good thing.

Every episode is much more detailed and pleasing on the eyes than the first season, and the first was no slouch when it came to animation. There are fantastic sequences of running along walls, riding through murderous Titans, and soldiers flying through the air with their omni-directional mobility gear. Any random screenshot will have much better shading and line work.

Composer Hiroyuki Sawano returns as well with one of his best soundtracks to date, remixing themes from the first season and adding new favorites, whether it’s the heart-pumping “Barricades” or the thoughtful “Call of Silence.”

Despite the pacing stumble in the second half and the lack of answers, I still recommend Attack on Titan: Season 2 to anyone who enjoyed the first. It plays to the series’ strengths and then pushes itself to become even better at what it does best.

Best of all, on the heels of the season finale, Season 3 was announced for 2018, so there won’t be as long of a wait for the next round.

Number of Episodes: 12

Pluses: Gorgeous and highly detailed battle sequences, midpoint plot reveal is a great twist, a lot of side characters from the first season really get a chance to shine

Minuses: A lot of first season questions are still unanswered, sitting in trees episode was unusually boring, pacing is off in second half

Attack on Titan Season 2 is currently streaming at Crunchyroll (subtitled), Funimation (dubbed), and aired on Cartoon Network. Funimation has licensed this for eventual retail distribution in the US.

laurietom
Laurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie’s short fiction has been published in Galaxy’s Edge, Strange Horizons, and the Intergalactic Medicine Show.

DP FICTION #32B: “Three Days of Unnamed Silence” by Daniel Ausema

A letter would be waiting for me at home, a real physical letter, like the old days. I knew about it, knew what it would mean, as I rushed through the day, calibrating grading bots and marking AI tests. As soon as I met my quota and had the batteries for my hDevice fully kinked, I hurried down to the great rotating front door.

The grunt whose effort powered the door slipped just as I approached. It shouldn’t have been a problem. Engineers work all kinds of failsafes into the systems so what a grunt does won’t go directly into the connected machine. Supposed to, anyway. But for some reason, the grunt’s tripping translated into an interruption in the door’s power, which made the door jerk. I slammed my shin into it, limped inside.

Immediately the grunt was dragged away and another thrust into its place.

I rubbed my leg as I waited for the door to resume its usual rhythm, then headed out to the street. That time of day the busses had so many stops and starts, they were always unwinding their screws way too fast, having to pause and shove in new ones. Better to walk.

I cut across the university lawn, though it was a longer way. It was where my letter would come from. A letter adding, appropriately enough, a few key letters to my name. PhD, it sounded good added to the end of my name. I repeated it in time to my steps. P, H, D, P, H, D.

The sidewalk passed by the university library’s subterranean power station. In a gesture at humanitarianism that no one would insist on anymore, the power station had a wide, narrow window to let in the sunlight. The glass was angled into the side of a subtle rise, so that from the sidewalk I could easily see down into the station. The grunts worked furiously, kinking and winding the batteries that kept the library’s power-hungry devices running. Treadmills fed power to other machines, those not connected to the batteries. A great, horizontal wheel in the center of the station had a dozen grunts around it, all pushing together to wind up the massive battery placed in its center.

P, H, D, P, H, D. I left the library behind and walked past the campus center. Its clock tower beamed out the time into the air before it, with a ticker of class news and information. I focused on it for a moment, and the words expanded in my eyes. Was it announcing the new candidates? Would my name be there?

If I opened up my hDevice, I’d surely see my name right there. It was smart enough to display that portion of the ticker for me without asking. But I wanted to keep the batteries full, and searching with my eyes wasn’t worth the effort. I let myself enjoy the knowledge it was there, probably even pushed to the front for any friends who passed by. Knowing it was enough.

Across campus, I caught a moving walk. A waste of energy, most places, but gravity and high use by students meant it was one place a kinetic sidewalk made sense. I joined the crowds, watched them peripherally as we strolled along en masse. Did they realize what was waiting for me? Could they see the aura of the PhD hanging over me as I walked? One young man smiled as I passed at a faster pace, a shy smile that I returned. A stunning, older woman gave me a frank grin, which I returned as well. I smiled at everyone, wanted to ask everyone their names. Tell me them all!

I kept quiet, only thought the words. Still, there was a glow to the people around me, as if they could hear me asking, could hear my new title awaiting me at home. Maybe I only imagined it. But maybe my giddy mood did transmit in some way.

I got off the walk a few streets later and had to wait for a two-biker to pass, its grunts straining to pull a full cart of riders. My street was lined with high wires, twisted so tightly they hummed. By night they would all be loose, as we powered our houses through the evenings, the screens and dinners of home life. Then I’d be glad my hDevice was charged. Did I have all the numbers, all the people I’d want to tell the good news? I planned out my order as I walked.

By morning the grunts would have the wires set for breakfast and showers and the morning rush. By then I’d be a PhD for real. My first full day with a title to my name.

I took the steps up to my flat two at a time, and the hollow ring of my footsteps repeated those letters. P, H, D, P, H, D. My finger unlocked the door, and my house greeted me, though its voice was oddly subdued.

“Any deliveries for me, house?”

“Yes, Entity 37-58231-K. One delivery.”

Why my ent number? My house had never greeted me that way since I first moved in. I shrugged it off and looked in the slot for the delivery. There it was, a single envelope. My hands shook as I pulled it out.

It wasn’t labeled as university mail.

It was addressed to Entity 37-58231-K.

Inside was a government letterhead, and a letter that would have superseded any other deliveries of the day. Somewhere, intercepted by the nets and screens of the oversight offices, was my acceptance letter, but it didn’t matter anymore. The government letter was brief, direct. “Entity 37-58231-K, your lottery number has come up. You are scheduled for un-naming. While you retain your name, the government thanks you for your sacrifice for the good of all. Know that it is appreciated. Please report to the nearest courthouse or administrative center immediately.”

The letter dropped from my fingers.

***

When your name comes up for un-naming, you run. Not everyone does. It’s hopeless to flee, and many simply submit. But not you.

Before the letter has settled to the floor, you tear outside the flat, take the steps down at a leap. Are the officials already coming up the elevator? Maybe they’re at the foot of the steps, expecting this. At the second floor, you leave the stairwell, run to a window. It opens stiffly, but wide enough to drop through.

Alleys or main streets? Hiding or blending in? Either has its problems, so you stick with the small street you’re on, run as fast as you dare, as fast a pace as you think you can maintain. No sense sprinting only to have to walk once you’ve gone two blocks.

People look as you run past, but not to stare. A glance, you’re noticed, you’re forgotten…mostly. Forgotten until some official comes asking them. Someone running by? Oh, yeah. Late for a bus, looked like. Went that way. Maybe better not to run at all.

You slow down, ease in behind a group of deskies chatting with each other on their way home from work. Do they have titles behind their names? Unlikely, yet they still have names, and that’s key. They are still people, not grunts toiling away to serve modern society. You will yourself to be one of them, title-less but still named.

A police car passes by. You huddle into your coat, ease in close behind the deskies. The car doesn’t slow.

Still unnerving. When the group passes a thickly wooded park, you peel away. There are trees for cover, and you’re tired. Come morning, the chase will have cooled, and you’ll be able to leave the city entirely behind.

There are rumors of places off the grid, where sun and wind give power and grunts aren’t needed. You’ll find it, somehow. Somewhere out in the wastes you’ll stumble across a hidden settlement. You’ll befriend an odd stranger who gives you the secret, once you show you can be trusted. That’s how it works.

So you sleep, hidden inside the evergreen bushes, where the branches weave together into a perfect hiding place. No one will be able to find you here.

You wake up, stumble away before light, only to find the bush you chose already surrounded by police. Their guns whine with the pent up energy of their kinked batteries, and two grunts stand ready to recharge them.

As if you could ever put up such a fight.

The police grab you before you can flee, before you can swing a single fist or evade a single attempt to tackle you. None of which prevents the police from kicking, hitting, beating you senseless before they drag you away to your unnaming treatment.

***

The grunt trudges. It might well be the only way a grunt is allowed to move, after all. Once the surgeries and incisions are done to slice away a person’s name, it may be the only way it is still capable of moving. No grunts have ever done anything to undermine the idea, anyway.

It takes its place at a great wheel, grabbing the sawdust-coated handle with gloved hands. It does not know where that wheel is. The same one in the university library? Or any of countless others across the city? All identical, and any attempt to remember a named life causes a shooting pain in its brain.

The sawdust keeps the grunt’s hands from slipping off the wheel as it strains with the other workers to push. The device gives off sparks as they move, twisting and kinking as much power into its strands as the weave can hold.

After hours of mindless motion, the grunt is done for the day. Or for the shift, anyway. The lives of grunts are not organized around days but shifts. It enters a cramped dorm off the power station, eats a bowl full of protein-rich paste, and falls into its cot to sleep.

Another shift, some uncounted number of shifts later. The grunt is sent out to gather unwound batteries from drop boxes around the city. The same city where it used to live? Even thinking the question is enough to bring the sharp pain just behind its ear. It keeps its head lowered, lets the streetlight fall on its bare head.

After gathering the contents of two drop boxes, it pauses. The street is open. Has it forgotten that flight to freedom? Those rumors of another way to live? Nearly so, but a glimmer of that dream breaks through its namelessness. It weighs the bag of unwound batteries in its hands. To throw them? Smash some windows? A lifetime of viewing batteries as just shy of sacred holds firm, though, and it sets the batteries down beside the road.

It turns in a circle, a dog checking its internal compass, a beast following a pre-human instinct. But it doesn’t lie down to sleep. It dashes for the shadows of the nearest alley. Unnamed and so not entirely human, it no longer fears the rats and trash that clutter the alley. It slithers into the smallest place it can find.

Alas that the grunts clean the alleys so well. Alas that the humans know to watch for grunts on the run, especially those that are new. Its hiding is brief, and by the end of the shift it is back at its labor. Many shifts will pass before it is allowed outside again, and many more before it goes beyond the sight of a human overseer. By then even the glimmer of memory will have faded nearly to nothing.

Over time, grunts come to resemble each other. The hard labor, poor hygiene, and lack of names melds one into the next. What do minor variations in skin tone or gender matter in the face of drudgery? The grunt that was once Entity 37-58231-K loses the hair on its head, grows dense muscles on its legs and chest. Like all the others. The intelligence and drive that once nearly earned it a doctorate fades from its eyes.

The next time it goes out to gather unwound batteries, it never deviates from its assignment. Most shifts it plods along, turning the great wheel in its assigned power station, never talking and never complaining, even in demeanor. Along with the other grunts, it powers the city. And it watches its fellow grunts fall one by one and be replaced by the newly unnamed. The relentless kinking and twisting of modern life.

Until the grunts rise in revolt.

It starts at the wheel, with a grunt jumping onto the top and grabbing the central axle that rises up to the ceiling. The wheel kinks the grunt, killing it instantly. Its death jolts the rest of the grunts away from their work. At first, for a moment, they might flee in fright. But one —is it the grunt once known as Entity 37-58231-K? We may never know —checks its flight and lets the anger of unnaming rise up.

Anger? It should have been silenced with its unnaming. The humans remove much that made the formerly-named a human, a surgery physical and mental and psychological. Yet the sight of the dying grunt brings a measure of it back, and not only in one grunt. It is as if such strong emotion is a magnet, drawing out the same anger in grunt after grunt, until all roar in voiceless revolt.

They charge from the power station. At first, the humans don’t know what to do. The grunts are unnamed, unthinking, powerless. What can you do, when the machinery of society fights back? More grunts join, leaving behind their tasks. Spinning batteries unwind, and the twisting machines fall still. The more that join, the easier for the next to jump in too.

Then the shots begin. The police don’t hold back. Grunt after grunt falls. But what are bullets except another form of drudgery? Shot, they press on, even after a named person might give up. And unshot, they don’t shy from fear. What mental room they’ve pried open for emotion is filled with mob-rage.

And as they advance, the shooting lurches into uncertainty. How many bullets do the police have? How fully are their batteries charged? And who will they send to get more when they run out? Not a grunt. Even a person, named, must rely on the grunts to rush to the storerooms or face catastrophic delay.

The grunts gather strength, swell in unnamed fury. The police fall back, conserve their firepower, fear their loss of control.

This is it, the time to overthrow, the time to take back names. They move in concert down the street. Where to? It is not strategy but mob impulse that guides them away from the power station and toward the crueler power of the city center.

Here, where so much of the city is run, there is a greater stockpile of kinked batteries and ammunition. The humans find their resolve, form into lines, trust in their guns once more. Even the advantages of namelessness aren’t enough to overcome the firepower of mobilized human forces. They crest, push again toward their oppressors, and fall down. As more fall, the anger ebbs into fear, and grunts fall away one by one.

Our grunt, who once dreamed of a PhD, is still among those who fight, a tightening knot of grunts who refuse to concede defeat. There must still be a way to find the city’s weakness. The grunt falls. No, that’s another of the grunts…maybe. Their identities blur. The knot barges as one around a corner. More fall. Ours? They are too alike to know.

A choice lies before them, a split they must take. One way leads to the place where they had their names removed. Might they still reclaim them? Or make sure no one else loses theirs, at least? The other way leads outside the city, into the wilderness where rumors place other escapees.

They veer toward the wilderness. Too slow, as forces move in to stop them, humans with stronger weapons, sure now in their ability to stop the grunts before they run out of power. The knot nearly comes undone as they waver between fight and flight. Perhaps it is our PhD who pulls them together, forces them toward the unnaming place.

It is locked. Humans with guns move in. This time the grunts do not fight back. They take their places before the door, stand tall in the view of anyone who might see. With arms outspread, they stand, are shot, fall.

No humans lament their deaths, only the disruption.

The revolt is over, the nameless grunts forgotten. But the bullets that mow them down damage the entryway into the unnaming place. No one may enter. For several days, no one is unnamed, just when the city most needs new grunts. Only when human workers are able to repair the door can new grunts be made.

Three days of unnamed silence. That is the only memorial, the only name that remains of the fallen grunts and their brief revolution. But sometimes, at the limits of namelessness, the word only approaches, approximates everything.


© 2017 by Daniel Ausema

 

Author’s Note: The past couple of years I’ve participated in an event called Wyrm’s Gauntlet, which challenges writers with a series of tasks, winnowing the participants with each round. The final task in 2015 involved a quote about how society relies on stripping us of our identity. I’ve forgotten the exact quote, but at the time is struck me and inspired this story.

 

daniel-ausema-headshot-1A writer, runner, reader, parent, and teacher, Daniel Ausema’s work has appeared in many publications including Strange Horizons and Daily Science Fiction, as well as previously in Diabolical Plots. He is the author of the Spire City series, and his latest novel, The Silk Betrayal, is coming this fall from Guardbridge Books. He lives in Colorado, at the foot of the Rockies.

 

 

 

 

 


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BOOK REVIEW: Dead Until Dark by Charlaine Harris

written by David Steffen

Dead Until Dark is a romance/mystery/horror novel published in 2001, the first in the Sookie Stackhouse series of novels by Charlaine Harris, which is the basis of the HBO show True Blood (I reviewed the 7th and final season here, though keep in mind that will be spoilery if you’re just getting started)

Sookie Stackhouse is a twenty-five-year-old waitress living in the small town of Bon Temps, Louisiana.  She is also a telepath–she can hear people’s thoughts, whether she likes it or not.  This has not been as useful as you might think, and has mostly served to make her a bit of an outcast.  Among other things, she has found any semblance of a romantic life is impossible with this ability, since she can hear her date’s hidden thoughts, not great for a first-date kind of situation.

Not too long ago, science perfected the production of synthetic blood.  Designed as a medical product, its announcement had wider effects than anticipated, when vampires all over the world revealed themselves to be real.  The synthetic blood allows them to survive without feeding on humans,  and so many vampires have chosen this time to reveal themselves and integrate into human society.

People as a whole are still getting used to the idea. There are plenty of humans who think vampires are monsters no matter their claims to peace.  There plenty of vampires who would have rather remained hidden.  When a vampire comes to live in Bon Temps, Sookie finds herself immediately drawn to him.  His name is Bill Compton, and has taken up residence in the Compton house across the graveyard from where Sookie lives with her grandmother.  When she meets him she is shocked to discover that she can’t hear his thoughts.  With him, she can finally just be a normal person and not have to deal with every little thing he’s thinking at every moment.  Shortly after, she discovers him behind the bar where she works about to be drained of blood (which fetches a pretty price as a drug), but Sookie manages to scare them off, and befriends Bill.

Meanwhile, women who have sex with vampires start turning up dead, and Sookie’s brother Jason is the prime suspect.  He’s always been a bit of a womanizer, but Sookie knows he didn’t do it, so she agrees to help him clear his name.

This first book in the series matches the main events of season 1 of True Blood pretty closely.  There are some major characters from the TV show missing, and some other ones are drastically different, but overall the main throughline is pretty close.  The main thing that has taken a lot of getting used to in switching from the TV show to the books is that Sookie is the only POV character.  This means that many of the other characters are barely onscreen at all and don’t have nearly as rich of backstories as they do in the books.  Even Jason, who is the prime suspect and the brother of the protagonist, does not play a huge role in the books.

The tone between the books and TV show do feel drastically different to me.  The TV show feels like a drama/horror show while the book feels mostly like a romance in the style of narration it uses.  I find that I like the Sookie of the TV show better than the one in the book–she seems generally more engaged and competent on that side of things while the version in the book.

I don’t mean for this to be only a comparison between the TV show and the book.  After all, the TV show wouldn’t exist if the book hadn’t already been successful.  But having seen them both, and when a book and a season have a closely aligned plot, it’s hard not to draw comparisons.

There are sex scenes and…  Well, I know that sex scenes are super hard to write.  Make them too purple and they can get a little bit absurd, but push too far the other way and they can be too clinical.  The sex scenes in this book can tend a bit toward the absurd side.

Overall, I enjoyed it, though the romance book narrator voice has taken some getting used to.  I wouldn’t say it’s overly profound, but it’s an easy and relaxing read and this is the book that started the whole franchise.  If you have seen the TV series, you should consider reading this to see where it all started.  If you haven’t seen the TV series but have read the book, then you should consider watching the TV series to see a different interpretation of the characters and events, with a lot more backstory on the secondary characters.

 

MOVIE REVIEW: 10 Cloverfield Lane

written by David Steffen
10 Cloverfield Lane is a 2016 suspense movie published by Paramount Pictures.

After an argument, Michelle (Mary Elizabeth Winstead) leaves her boyfriend and drives solo across Louisiana late at night.  After hearing reports on the radio of sweeping blackouts on the east coast, a pickup drives her off the road.

She wakes up in a cellar on a mattress on the floor, hooked up to an IV bag, and with a brace on her knee chained to the wall.  Soon she meets Howard (John Goodman), who claims to have rescued her from the side of the road and is nursing her back to health, and that he is keeping her there for her own good.  They’re in a fallout shelter under his farm, and he claims they’re both lucky to be there, because he says that war has broken out and the shelter is the only thing keeping them safe from the fallout.

He unchains her brace from the wall and lets her loose, and she tries to attack him to get loose but fails.  She meets the other resident of the shelter, Emmett (John Gallagher, Jr.), and find Henry’s oppressive rules laid over their life together there.  Is there really a war going on out there?  Can she and Emmett find a way to escape?  Is there anything to escape to?

If you’ve seen the movie Cloverfield  you might have some suspicion about what’s really really going on above ground, but the connection was so tenuous (only the similarity in name and knowing they were both J.J.Abrams movies.  I had that suspicion, but I also suspected that Abrams might’ve just chosen the title as a red herring so that you had to constantly wonder about what is going on up there.

Great suspense movie, and I was never sure where it was going.  John Goodman plays a solid villain, creepy and malevolent even while he puts on a guise of reasonability in between threats.  Excellent movie, high stakes, always kept me guessing.  It’s free to view on Amazon Prime.

DP FICTION #32A: “Lightning Dance” by Tamlyn Dreaver

Lightning Dance sat next to Willa Bernardi on the side of the road. Rain splattered down around them, damp and uncomfortable, and the heavy smell from the gutter wrapped the air. Dance balanced a cigarette between her gloved fingers; its red tip glowed in the dark street. Somewhere in the distance sirens blared through the city. The police, ambulance, fire brigade: everyone came, and also probably the media.

Dance had pushed her mask up off her face, and without it she looked almost too human. She was beautiful, but faint lines of cynicism marked her mouth and eyes.

Willa huddled further into herself. She tried not to shiver in the chilly air. The rain had plastered her hair to her face. She’d lost her shoes somewhere, and her frozen feet were scratched and muddy. Her blue satin dress, which she’d thought so beautiful — which she’d thought made her beautiful —was ruined, the material stained and torn. Willa stared at her toes and wriggled them.

Dance wore elegant white boots that enabled her to leap from building to building, from wall to ground, as she fought the villains of the city. She didn’t have regenerative powers, but she was never hurt; she moved too quickly. Not many knew that, but Willa did. Willa knew everything about Dance — or so she thought, once upon a time.

Willa darted a quick look at Dance as the hero took a long drag from her cigarette. The street was empty of anyone but them. The sirens grew closer, but no one had passed the abandoned district and stopped to gawk; they’d follow the sirens. The constant sound of water mingled with the slow crumble of the half-demolished building behind them. One functioning street light reflected off the river of water gurgling through the gutters; the rest of the metal poles had been torn up and used as weapons in the fight between Lightning Dance and Unbender. He had used the poles; Dance fought with speed and lightning and pure grace.

The remaining light lit up the street all too clearly. A clump of something unidentifiable swirled by in the gutter, and Willa prodded it with her toe. She almost wished she shivered in the safe, obscuring dark.

“Your boyfriend?” Dance asked unexpectedly between drags; her voice was husky.

Willa hadn’t even known the hero smoked. “Yes,” she said quietly.

Garret had been charming and witty, and raised so many red flags, but she’d ignored them because she could never say exactly why he made her uneasy. Men like him never paid attention to women like her, and she’d alternated between amazement and terror that she’d do something wrong. She didn’t know if Garret had been real — if he was the person behind Unbender’s mask or if he was the mask.

“Babe, you have shit taste.”

“Yes.” Willa remembered the posters on her wall, at first of all the heroes, but then only of Lightning Dance. She remembered the scrapbook of newspaper clippings, then internet articles, the montage of computer backgrounds, and the embarrassing fantasies through high school she wouldn’t even share with her best friend. She still had everything stashed in a box in the back of her cupboard.

Dance muttered something under her breath, cursing, and Willa hugged her knees tightly to her chest. Her wrist hurt. Dance had dropped her down the stairs to get her out of the way, and she’d landed badly. Tears pricked her eyes, and she was glad then for the rain that spat around them.

“Not even going to say thank you?”

“Thank you,” Willa said mechanically.

Dance snorted. She stretched out her lithe body clad in white Lycra that somehow remained clean despite the fight and the mud and the dirty gutter. She didn’t look uncomfortable in the rain, only indifferent. “Not very grateful, are you?” She snuffed her cigarette on the wet sidewalk, then tossed it out onto the road.

“You shouldn’t do that,” Willa said.

The hero, one hand on her mask to slap it down and the other poised to push her to her feet, paused.

Willa flushed. “It can cause fires,” she whispered.

“Huh.” Dance half-smirked. “Not in this weather. Pretty sure I just caused a hell of lot more fires anyway.” Dance jerked her thumb back over her shoulder at the demolished building.

A piece of crumbling wall crashed down and drowned out the sirens. The explosion of dust momentarily overwhelmed the stench of the gutter. Any fires within probably sizzled before the growing onslaught of the rain. It had been an empty warehouse. Garret had said it was an exclusive nightclub. Willa hated nightclubs. It hadn’t seemed odd when they entered the abandoned district; exclusive often seemed to mean luxury in squalid surroundings.

Dance leant back again and pulled another cigarette from her belt but didn’t light it. “Do I know you?”

“No.”

The hero’s lips twisted. “Fair enough. Half expected a ‘you saved me once before’ there. It’s normally what I get.”

“You did once.” Willa rested her chin on her knees and stared fixedly at the road. “I was five.”

Dance snorted again. “Sorry, babe, don’t remember.”

“I don’t expect you to.” And she didn’t. She’d walked on air for days. She’d fallen in love with Lightning Dance then and there, and she’d thought she’d never fall out. “You rescue people all the time.”

“Way too many sometimes,” Dance muttered.

Willa twisted a fold of her soaked dress into her clenched fists. The sirens grew louder, and the rain heavier.

“You know…” Dance said slowly. “I do remember you. I think.” She twirled her cigarette in her hand and touched a fingertip to its end. With a slight sizzle of lightning, the cigarette glowed.

“I doubt it.”

“Yeah, I do. You told some dude off for littering then, too.”

Willa had. She’d stood up, a tiny child scratched and bleeding, and berated the bemused mayor. Dance had laughed, looked right at Willa, and told her not to change.

“The mayor.” Dance took a long drag on her glowing cigarette.

“Yes.” Willa bit her lip. “That was me.”

She’d almost rather Dance didn’t remember her. Her eyes ached through the rain. Her arm, still locked around her legs, throbbed from elbow to fingers, and she didn’t dare move it.

She wondered if Garret was dead or if he’d escaped. Nothing had been clear in the fight.

“Well.” Dance breathed a smoke ring that lasted only a second before the rain ripped it apart. “You were a lot more grateful then.”

“Yes.”

“What changed?”

Willa tilted her head back to the sky. Despite the rain, she could see a sprinkle of stars. A quick burst of light that sped across the clouds was probably Sprint. The city had a league of heroes; some places could only handle one.

“Babe?” Dance looked at Willa as if she was actually interested, and the cynicism in her face faded a little.

Willa sighed. “I grew up.”

The hero laughed and flicked her barely touched cigarette away. “I always thought that was a good thing.”

Willa thought she could hear the engines of the emergency response vehicles now as well as the sirens. They had to be near. “Not always,” she said before she realised she was talking – before she remembered she was sitting and waiting and hoping Dance left to save someone else. “When you’re little, you believe in everything.”

“Reckon if you’d closed your eyes and said this ain’t real, Unbender would have disappeared?”

Willa hugged her legs tightly to her. “No. You believe in heroes and good people and bad people and everything makes sense. When you’re older you realise…”

“Ah.” Dance tapped her fingers against the pavement. Lightning twitched across the concrete, and the rain evaporated with a hiss. As soon as the lightning disappeared, the dry patches disappeared too. “Sorry, babe. There are good people out there. I’m probably not one of them.”

Willa ducked her head. Lightning Dance was one of the good people. And Dance had to be good – she’d saved Willa when Garret would have killed her. She saved people. She protected the city. She just…

“That’s the problem with being a hero.” Dance’s lips twitched, a bitter movement. “People expect you to be perfect.”

She had been perfect when Willa was five and even when Willa was twenty.

Dance rose and wandered down the road; she flipped her mask down, preparing to leave, and suddenly looked much less human and much more the hero on the pedestal where Willa had put her. Willa dunked her feet into the freezing water in the gutter. Her cuts stung, but some of the mud washed away.

Looking back, Dance paused. “Hey, babe, don’t do that. The water’s probably contaminated.” Lightning flared around her and lit the street.

Willa blinked stupidly; then she looked down at her feet. A strangled laugh caught in her throat. It seemed Dance couldn’t help herself: she had to stop and say something because she saved people despite themselves, even when it irked her.

It wasn’t Dance’s fault Willa had grown up. It wasn’t Dance’s fault Willa had worshipped her to begin with.

It didn’t make Willa feel any better.

She drew her feet from the gutter, and Dance nodded in satisfaction.

“Two minutes, and the ambos will be here. You’ll be fine. I’ll see you around, babe.” Her teeth flashed in a grin beneath her perfect white mask. “If I’ve rescued you twice, I’ll rescue you again.”

She darted away, up the wall of the nearest building as if it was flat ground, and Willa sat alone in the street.


© 2017 by Tamlyn Dreaver

 

author-picTamlyn Dreaver grew up in rural Western Australia and now lives in Melbourne. She’s never had a secret basement or a dragon nesting in the backyard or anything nearly as interesting so she makes up stories about them instead. She can be found on the web at www.tamlyndreaver.com and tweeting at @tamlyn_dreaver.

 

 

 

 

 

 

 

 


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MOVIE REVIEW: The Hunger Games: Mockingjay Part 2

written by David Steffen

The Hunger Games: Mockingjay Part 2 is the 4th and final movie in the Hunger Games movie series, which is based on the second half of the third book of the written trilogy by Suzanne Collins, and was released by Lionsgate Films in November 2015.

Twelve districts are ruled over by the capital of PanAm.  In continued punishment for a rebellion 75 years ago, the capital rules over the districts oppressively, including forcing children from each community to participate in annual Hunger Games–tournaments to the death both for the entertainment of the capital and to send messages about rebellions.  Inspired by the rebellious actions of Katniss Everdeen of District Twelve, and from their new stronghold in District Thirteen that was previously thought destroyed by almost everyone, the districts are in open conflict with the capital for the first time in 75 years.

When the last movie left off, Katniss Everdeen, who has continued to play the hero for the cameras, now as an avatar of District Thirteen, has been reunited with her former Hunger Games partner and longtime love Peeta, but he has been brainwashed by the capital so thoroughly to twist his love for her into hatred, and he almost succeeds in killing her.  Their next move against the capital is to bring Katniss and Peeta through dangerous boobytrapped sections of the city to make their move against President Snow on-camera.  Katniss isn’t convinced that President Coin of District Thirteen is much better.

The trilogy of books this is based on is powerful and heartfelt, and the movies are reasonably fair adaptations of them.  As with most movie adaptations of books, I’d say the books are better if only because there is more space to spread out and we can get to know the internal conflicts of the characters in more detail, but these movie adaptations, including this one, are some of the best I’ve ever seen and are well worth watching, and I’m glad that because of the movies more people will be familiar with the stories.  Excellent conclusion to the movie series, well worth watching.

Long List Anthology Volume 3 Kickstarter

written by David Steffen

The Kickstarter for the Long List Anthology Volume 3 is launched as of this morning!  This is the third in a series of anthologies collecting works from the longer list of works that got a lot of Hugo Award nomination votes from the fans.

The art this year is a lovely piece by Amanda Makepeace.

 

The stories lined up are:

Short Stories (base goal)

  • “Lullaby for a Lost World” by Aliette de Bodard
  • “A Salvaging of Ghosts” by Aliette de Bodard
  • “Ye Highlands and Ye Lowlands” by Seanan McGuire
  • “Things With Beards” by Sam J. Miller
  • “Red in Tooth and Cog” by Cat Rambo
  • “Terminal” by Lavie Tidhar
  • “Razorback” by Ursula Vernon
  • “Welcome to the Medical Clinic at the Interplanetary Relay Station | Hours Since the Last Patient Death: 0” by Caroline M. Yoachim

Novelettes (stretch goal)  

  • “A Dead Djinn in Cairo” by P. Djèlí Clark
  • “Red as Blood and White as Bone” by Theodora Goss
  • “The Venus Effect” by Joseph Allen Hill
  • “Foxfire, Foxfire” by Yoon Ha Lee
  • “The Visitor From Taured” by Ian R. MacLeod
  • “Sooner or Later, Everything Falls Into the Sea” by Sarah Pinsker
  • “Blood Grains Speak Through Memories” by Jason Sanford

Novellas (stretch goal) 

  • “Runtime” by S.B. Divya
  • “Chimera” by Gu Shi, translated by S. Qiouyi Lu and Ken Liu
  • “Forest of Memory” by Mary Robinette Kowal

 

I hope you are as excited as I am!  Thank you for your support!