New Magazine: Cosmic Vinegar

written by David Steffen

Just a brief article today, to make anyone who might be interested aware of a new monthly non-fiction magazine titled “Cosmic Vinegar“, edited and (so far) written by Samuel X. Brase. In Brase’s own words, his goals for the magazine are twofold:

This e-magazine has two goals.

“One: to produce a politically inspired serial story. Written by Samuel X. Brase, myself, editor of this e-mag.

“Two: to produce reviews of independently published science fiction. Written by myself as well, to start, although I am open to outside reviewers.”

He has posted the first issue of the magazine, the October 2011 issue, and one of the two stories he reviewed was my “The Infinite Onion”, published in AE earlier this year. Brase says “This review is meant less to critique the stories and more to analyze the themes and narrative present.” I found it very interesting to see the discussion of my odd little flash story. One of the most interesting things I’ve found in this writing vocation is when others discuss the inherent themes in a story I’ve written. Sometimes those themes match up with what I intended, and sometimes they don’t, but I’m of the opinion that there is no incorrect interpretation of theme as long as it is supported by the text itself, regardless of author intent.

I’ve got to say I’m rather surprised for a story of mine to be reviewed in a magazine focusing on politically related science fiction. I’ve never really set out to write such a thing, and I would not have labeled my story as such, but I think his reaction is great.

Maker of Leviathans: Eric James Stone

A Nebula Award winner and Hugo nominee, Eric James Stone has been published in Year’s Best SF, Analog, and elsewhere. Eric is a Writers of the Future winner, graduate of Orson Scott Card’s writing workshop, and assistant editor at Intergalactic Medicine Show.

Eric lives in Utah. His website is www.ericjamesstone.com.

David Steffen: ÂThis has been quite a year for you, winning your first Nebula award, and being nominated for a Hugo for the same story. ÂHave these awards been a major goal for you? ÂWhat’s next?

Eric James Stone: I remember reading Hugo and Nebula anthologies when I was a teenager, so I felt incredibly honored to be nominated for both awards. While I did dream about being nominated for a Nebula or Hugo, I didn’t think it was all that likely because there are so many excellent authors writing today.

David: ÂWhere did the idea for your Nebula-winning, Hugo-nominated story “That Leviathan, Whom Thou Hast Made” come from?

Eric: It came from an assignment at a writing workshop taught by Dean Wesley Smith, Kristine Kathryn Rusch, and Sheila Williams. The prompt was: “You are in the middle of the sun and can’t get a date.” Because my religion is a big part of my life, and because I hadn’t seen a story with a believing Mormon protagonist in a high-tech future, I decided to write such a story. I wrote the first third of the story while at the workshop, but I had no idea what would happen in the rest of the story. Fortunately, I received a lot of encouragement from friends to finish the story, so I did. At the time, of course, I had no idea it would get nominated for anything.

David: ÂDo you find your view on writing has changed since you took the role as assistant editor at Orson Scott Card’s Intergalactic Medicine Show?

Eric:Â I’ve really learned the importance of a satisfying ending. One of the worst things for an editor is to read a story with a good beginning and middle, but which falls apart at the end.

David: ÂHas writing gotten easier for you over the years, or harder?

Eric: Both. It’s gotten easier in some ways, because I think I have a better feel for what makes stories work. But it’s gotten harder in other ways, because I notice my weaknesses more but haven’t quite figured out how to solve them.

David: ÂIf you could give just one piece of advice to aspiring authors, what would it be?

Eric: I took some creative writing classes in college. I thought one of the stories I had written might be publishable, so I submitted it twice and got rejected both times. That discouraged me enough that I quit writing stories for over ten years. My advice to new writers is not to be as big of an idiot as I was. Keep writing.

David: ÂWhat’s your happiest memory?

Eric:Â 2009 was a really happy year for me for reasons mostly unrelated to writing, so I look back on it rather fondly.

David: ÂWhat fictional place would you most like to visit?

Eric:Â The U.S.S. Enterprise.

David: ÂDo you have any works in progress you’d like to talk about?

Eric:Â I’m in the process of editing a novel for a publisher who may be interested, but I can’t go into specifics about it.

David: ÂAny upcoming publications?

Eric: I have new stories forthcoming in Analog Science Fiction, Daily Science Fiction, Digital Science Fiction, and Blood Lite 3: Aftertaste. (For some reason, I have the sudden urge to sing “One of These Things Is Not Like the Others.”) My Nebula-Award-winning story will be reprinted in an anthology called Monsters & Mormons, as well as the Nebula Awards Showcase volume coming out next year.

David: ÂWhat was the last book you read?

Eric:Â Mission of Honor by David Weber. His Honor Harrington series is my favorite series.

David: ÂYour favorite book?

Eric:Â Cry, the Beloved Country by Alan Paton.

David: ÂWho is your favorite author?

Eric:Â When I was a teenager, it was Isaac Asimov. Later, it was Orson Scott Card. Now, I’ve read so many fantastic stories by great authors that I really can’t choose a favorite.

David: ÂWhat was the last movie you saw?

Eric:Â The last movie I saw in a theater was X-Men: First Class. I think the last movie I watched at home was Harry Potter and the Deathly Hallows, Part 1.

David: ÂWhat is your favorite movie?

Eric:Â Probably Raiders of the Lost Ark.

David: ÂEric, thanks for taking the time for the interview.

Image Copyright © 2008 by Eric James Stone.

The Importance of a Thick Skin

written by David Steffen

This post was originally written up in response to after-story discussion on Dunesteef Episode 108 on their forum, speaking about how to take rejection.

A thick skin doesn’t come naturally. You have to cultivate it. One of the biggest ways that I did this when I started writing fiction is critique forums. My particular favorite is Baen’s Bar. Post some stuff there in the Baen’s Bar Slush, get some feedback, post feedback on other people’s stories. Yeah, the negative comments can be hard to take at first, but you learn to extract the useful parts of them. If you critique enough stuff from other people you can learn to take that cold critical eye and apply it to your own writing, and then when someone comments on your stuff, even when they don’t like it you can decide objectively “Yeah, that makes sense” or “No, that advice is absolute crap”. I wrote up an article a while back suggesting some rules for critiquing and receiving critiques. Some of it has to do with this subject, especially the rule “This Is Your Story”.

I don’t follow Dean Wesley Smith a great deal, but one concept he has that I really found useful is The Race. In that, you keep a score for all the stories you have submitted. 1 point for each short. 3 points for a partial novel manuscript, 8 points for a full manuscript. I mostly submit short stories, but I do have one old dog of a novel I occasionally send out. I have one children’s book going out occasionally that I count for 3 points, on the grounds that it has more monetary potential than a short story but is not as bulky as a novel. I have about 50 stories completed by this time, and I typically keep about 30 of them in submission at any given time, rotating the other ones in as I get rejections. With that and the children’s book, my Score’s hovered around 33 for quite a while, not too bad of a score.

One thing that helps is if you can find a way to not put too much anxiety into any single submission. Submitting in bulk really helps this a lot, because if you have only ONE submission out, it’s hard not to obsess over it. You send out one submission, and then when you get one rejection you are back at square one. If you have 30 stories submitted though, a rejection for one is just a scratch on the surface, not that big of a deal. I assume any given submission is a certain rejection, but that I have some chance across the board. Pessimism in specific, optimism in general. :)

And for tracking submissions, I keep an Excel spreadsheet for now. In which I do happen to do some obsessive stats tracking. The way I have it set up the file has gotten ridiculously large and it’s hard to update with new markets. I’m trying to work my way to a database system. I’ve got the basic database tables set up along with some forms to fill them and get simple reports, but I want more complicated stats reports and haven’t figured out how to do those yet in OpenOffice. If anyone wants it you can download a free copy of it at.

And, after that, just perseverence is the only advice I have. When I get one back i just send it out to the next available market I haven’t sent it to and work my way down the line. And just because it’s been around the block a few times doesn’t mean it’s doomed. 1 of my recent stories that I sold for pro rates had been on its 20th submission. And then finally it found that editor for which it was just right.

As part of those obsessive stats, I keep a count of my submission responses, and the number at which I receive rejections. I started submitting in June of 2008. In that time I have had 675 resolved submissions:
489 negative/neutral rejections
167 positive rejections
5 rewrite requests
14 purchase at normal rate (for 8 different stories).

To show how long the stretches were between selling those eight different stories, of those 675 submissions those were numbered #s 126, 129, 210, 232, 572, 591, 599, 626, 637. That gap between 232 and 572 was soooooo long for me!! But I made it, and now have had pretty good luck for the last few months! Here’s hoping my luck continues. As it is, with the sales I’ve made this year, and if the neo-pro markets I’ve sold to get listed by SFWA as pro markets, then I could be eligible to apply for SFWA’s “Active” status around June 2012, which is one of my major milestones I’ve set for myself.

Daily Science Fiction: June Review

written by Frank Dutkiewicz

At the time that I am writing this, DSF has passed its first year of publication. No news has surfaced on whether it is now a SFWA qualifying market. With a subscriber base of over 2600 and website that receives 10,000 visitors a month, I can only imagine that it is the-powers-that-be have yet to do the necessary homework to determine what most of us know already; they’re one of the most widely read speculative fiction venues out there right now. Some may consider their growth slow but I am finding it remarkable considering its expansion has been a grass roots type of campaign. Word is gradually spilling over, links are shared, and ecstatic authors announce their success to this new outlet.

Daily Science Fiction is the way of the future. The higher ups just don’t know yet. If you are still not sure, then check out this month’s reviews and go to their site and read them yourself.

 

The Stories

An explorer searches for a lost party in “V is for Vamonos” by the Alphabet Quartet (debut 6/1). The nameless protagonist braves the jungle to find the Colonel. The Colonel is ill and his camp has been overrun. Has it all been for naught?

This story is set in a world in which animals can speak and have become partners with humans. Other than that I cannot find a redeeming quality about this piece. The story goes nowhere and resolves nothing. I couldn’t even decipher what species the protagonist of the story was. The tale was like the setting, lost in a jungle.

 

Death has come for the protagonist’s beloved husband in “Dealing with Death” by Brenta Blevins (debut 6/2). She is there when the dark angel arrives to take him. She strikes a deal and accompanies Death as he runs his rounds.

“Deal with Death” shows the grim reaper as a compassionate soul, using his power to relieve the pain the dying suffer. All pain is not so easily seen. The angel aims to spare some of pain that is yet to be received.

The story has a fitting end. Although the tale didn’t wow me, it left me quite satisfied that I read it.

 

An inconsequential man awakes to learn a time-traveler has come to kill him in “Apology” by Sam Feree (debut 6/3). A young woman from the future sits on his new couch in her muddy shoes, informing him he is the one person in history whose life matters none. He has become the stress reliever for a time traveling society, getting murdered thousands of times. They spend the day together, contemplating life and enjoying it to its fullest.

“Apology” is a dark comedy. I found the two characters very likeable. The time traveler is a fun girl who has had a bad day the day before. The protagonist is a detached fellow, taking the news of his upcoming murder quite well. You get the feeling that learning his life is, and will be, unimportant as a justification of a suspicion he always had. The story evolves into a romantic comedy, without the romance. We follow the pair around Chicago. The soon-to-be-dead hero just rolls with it all. Resigned that he will be murdered and accepting it as an eventuality.

The story line to “Apology” does sound weird but the tale comes off as normal. The two treat the entire affair like a first date, rather than a tragic horror that it should have been. I found Sam Feree’s writing style attractive. The story was easy to follow and enjoyable to read. Maybe it was because I found his protagonist easily identifiable (I hope not). If you are one who detests romantic comedies, this one likely isn’t for you, but overall, I found it not a bad tale at all.

 

“Sister” by Melissa Mead (debut 6/6). Sister and Brother flee from their cruel Stepfather. The pair take refuge in a cave near an enchanted stream. Despite her warnings, Brother drinks from it and transforms into a deer. He now must avoid the King who hunts in the woods. Perhaps Sister can protect him yet, pleading with the king.

“Sister” is written like an Aesop tale. The story has that halting and disconnected feel to it. The characters have names that our pronouns and the story jumps through long stretches of time. However, like an Aesop tale it has a moral and a fitting end to it.

 

A man opposed to a fascist society is prepared to perform a mutual assured destructive act in “Dharma Dog and Dogma” by Steven Mathes (debut 6/7). The authorities have busted down Dobbin’s door. He waits with his trusted German shepherd by his side and his thumb on a nirvana bomb. The device will instantly ascend all who are worthy to heaven in a kilometer radius. Potts, the fascist negotiator, is eager to stop him.

I found this premise to be ridiculous. The bomb does two things; bring awareness to all within its range than make all who are worthy vanish. It causes no other damage. I would think a society eager to control would welcome its use, seeing that it instantly rids all who oppose it off the map. I did, however, enjoy the writer’s way of bringing the piece to us. His writing is crisp and engaging.

 

A disgraced prisoner is found by his warden in “W is for When” by the Alphabet Quartet (debut 6/8). Future violent convicts are sent to the past, made female and expected to become upstanding citizens. The warden is disappointed to discover the future felon has made prostitution her profession. She learns the practice of gender switching and exile has been declared cruel and unusual, but taking a job that is considered illegal does not bode well for her. The warden can overlook the indiscretion, if she is willing to do him a favor.

This was one of the better stories the quartet dreamed up. Loved the concept of the future time travel punishment. What made this one great was the poetic justice ending. Recommended.

 

A junkie constructs his dream woman from a discarded photo in “Building a Future” by Rhonda Jordan (debut 6/9). The protagonist finds an old picture in an abandoned house. He makes up stories of a fantasy past and tells it to others until he finds a female junkie who used to build androids. The pair work together to build their android, gradually forgetting their drug dependency as they create.

The tale is told as a success story. It was, but came off as disconnected success story. The distant feel made this piece not as appealing as it should have been.

 

Aliens seek to improve our favorite pet in “Made of Cats” by Judith Tarr (debut 6/10). Another invasion from space befalls on Earth. This time the alien’s motives are peaceful. They transform our cutest partners into something even cuter, as a demonstration of their good intentions, proving that even the best marketing sometimes overreaches.

“Made of Cats” is written as a humorous piece. Expect anything else and you’ll be just as disappointed as the protagonist’s five-year old daughter in this tale. I must admit, the story had its moments (the diet crack I found particularly amusing), but I felt it stepped over the line of funny and into the ‘generally silly’ territory half way through. Nevertheless, humor is subjective and subjectively speaking, Ms Tarr did well, but as a guy who likes to weave tales that tickle the funny bone, I can safely say my sides were never in danger of splitting.

 

Modern progress has come to a potion-maker’s home in “The Thinning” by Christopher Owen (debut 6/13). Becky is not happy at all when the power company arrives to link her house with the electrical grid. She sees no need for it and its very existence is a disruption to her potion creating.

Without elaborating, this tale is woven while Becky is in the middle of a love potion. The two events , making the potion and the arrival of modern convenience , have little to do with each other. The ending of the piece has a twist that mattered little to the overall plot.

 

In “The Clex Are Our Friends” by Mario Milosevic (debut 6/14), you are a soldier in a galactic war. The story is a manual intended to help you with the occupation and mopping up duty on the planet Cleck. It advises you on how to treat the native species and adapt to their culture. Take heed of its advice, even when it doesn’t make sense.

This satire of military and diplomatic protocol is more ridiculous than humorous. The manual is written as a pep talk, even when its very pages makes the world seem like a tour guide through the slums of a third world nation. Not a fun place at all.

 

A wizard misinterprets a want ad in “X is for Xylomancy” by the Alphabet Quartet (debut 6/15). A Xylomancer shows up for an audition for a xylophonist. It appears they have little use for a sorcerer whose gift is to predict the future by reading sticks but the Xylomancer is out to prove them wrong.

When I read this I thought, “Really? Working for a band is the best this guy can do?” I have chastised many stories on DSF for being about nothing. This story falls in that category but it deserves praise. Sometimes pointless tales can be fun. This story was fun.

 

June’s reality is up for interpretation in “Blivet for the Temporal Lobes” by Dave Raines (debut 6/16). June’s life changed the day an experimental surgery cured her epilepsy. Her mind now sees people and things as metaphors of their true nature , transforming them how her brain perceives them. Threatening people become horrible monsters while the kind and caring turn into softer images. Her world has become an ‘Alice in Wonderland’ kaleidoscope equipped with modern day cultural references. June has learned to adapt to her revived life, accepting her ‘gift’ as a way to see how people really think and behave, until the day a man walks into her life who doesn’t change at all.

“Blivet” is a very inventive tale. Despite its short length, Mr Raines effectively plunged the reader into a world most of us would consider a hell. June’s ability appears to have a psychic quality to it, or at least June assumes it to be as such. She somehow manages to keep her job as a waitress, even when customers morph into wolves, mannequins, and other similes that fit how she perceives them. A man she refers to as Adonis is the lone exception. His failure to transform unnerves her, and turns this tale into a metaphor of its own.

“Blivet” is the type of story for everyone who was suddenly faced with doubts in their own ability. June has come to rely on her gift, using it to see how people feel and grasp at how they treat others around them. Adonis represents her shortcomings and salvation in one package.

It was while I wrote this review, it dawned on me the larger meaning of this story. “Blivet” is not just a well-told tale; it’s a metaphor on human perception. I found it ironic how a story of metaphors so effectively hid one of its own. I hope those who judge which tales of speculative fiction are the outstanding ones in next year’s awards, don’t overlook this one because of its length. Recommended.


Humanity adjusts to a plague of undead in “The Three Laws of Zombie” by Lavie Tidhar (6/17). Susan Hobbes is in search of a zombie who doesn’t obey the three laws that are ingrained in all zombies. Society has come to grips with them, creating religions and rationales for their make up and psychology. Ms Hobbes isn’t interested on how they fit into humanity. She wants to know if they are here to end it.

“The Three Laws” is part satire, part horror, part mystery, with it all mixing like a stew of milk, water, and oil. The story line is disjointed; jumping from action scene, to an article, to a character’s inner contemplation. The title and loose plot devolves into a half-hearted comedic attempt involving Isaac Asimov’s three laws governing robots. The story is difficult to get into. The changing scenes of small slices of society made it impossible for me to get grounded into the plot. One thing I did find interesting was the nature of Tidhar’s zombies, an evolutionary leap as a plant/animal hybrid, allowing them to survive on photosynthesis. The tale is unpredictable with an ending I wasn’t expecting. In fact, I’m still not sure what that ending was about.

Based on Lavie Tidhar’s ability to get his stuff published in almost every publication I have reviewed over the past year plus it is clear he has a following and is able to impress any editor he presents his work to, but I just don’t get it. One thing I will say is he has certain appeal to his writing. His stories do draw me in and his plots are unpredictable, but they almost always lose me before the end. One of these times he’s going to write something that I love; unfortunately, this one ain’t it.

 

A man on a forsaken world wishes to connect with God in “Godless” by Stephen V. Ramey (debut 6/20). All the worlds of humanity have been linked into the Wholeness, save Earth. Man’s home world has become a worldwide slum, a primitive backwater. The Wholeness is seen as a link to God by the protagonist. He is approached by an off world tourist, a woman who seeks to get dirty on the filthiest of worlds. The protagonist wants to be touched by God, no matter what the cost.

“Godless” is an idea that is taken from A C Clarke’s axiom that advanced technology would be indistinguishable from magic to a more primitive society. I liked Mr. Ramey’s approach to this notion, well done; however, I felt the story was too brief to fully explore a future where off world technology outstripped Earth to this degree. Perhaps the author has intentions on building on this. I would like to see his next publication if he does.

 

A terminally ill John has awoken from a cryonics sleep to be greeted by a brother he never had in “His Brother was an Only Child” by Ronald D Ferguson (debut 6/21). When John Ashley died, he left a dying world. The one he has returned to appears to be rebounding. Enough trees have grown to make a forest, a strange creature called a ‘rabbit’ now has a population of a thousand. The planet appears to be on the mend but the caretakers of the hospital he is confined to are off. Save for his brother, everyone is distant, refusing to speak to him. Another patient shares the ground with him, deformed and shy. John finds it increasingly odd this hospital he is in and wishes to rejoin society again but learns recovery may take more time than he has.

This tale is reminiscent of an old Twilight Zone episode (not going to say which one), but the twist reveal in this story was done far cleverer than that crafty tale. Mr. Ferguson did a splendid job, providing enough clues so when I got to the reveal I was shocked that I didn’t know what was going on all along.

“His Brother” was masterfully done. Recommended.

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An ill woman is surrounded by yellow in “Y is for Yellow” by the Alphabet Quartet (debut 6/22). The protagonist’s husband has moved her into a home painted in yellow. Everyone who comes to see her is clothed in the school bus color, even the grass is killed to rid it of the green. Her husband has said it is necessary for her cure. Green calls to her, but yellow stands in her way.

This is a clever superhero story, like none I have ever read. The sex of the protagonist threw me off, but it is story line that is too good for the comics. I loved it.

“Y’ isn’t the best story the quartet wrote, it’s not even the best this month, but it impressed me. Recommended.

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Angering your time traveling girlfriend can result in unfortunate consequences in “Love at the Corner of Time and Space” by Annie Bellet (debut 6/23). Darrin has been abandoned at the Crossroads of Time and Space. It’s not first time he has made Ashley mad but it is the first time she failed to come back to get him. The surreal corner is nowhere with access points to anywhere, the problem is Darrin has no idea on how to access them. He can continue to wait for her in this place where time isn’t a linear measurement, or find a way out for himself and a way to repair their relationship.

“Love” is the story of man who hasn’t yet grown up. It is clear Ashley is the one in control, and she is vindictive woman with the ability to send her naughty boyfriend into the ultimate time out. The story starts off with Darrin and his passively aggressive, self-pitied attitude stuck, wondering if Ashley is ever going to come back. The rest of the story is Darrin contemplating what he’s done wrong, just like a spoiled child in ‘time out’ would do.

The only appeal of this tale was the setting, a strange and surreal place, but I found its lone character not likeable at all. It sounded like his girlfriend pulled all the strings in their relationship , a narcissist with too much power , but his whining self-contemplation made me think he deserved her.

“The Artwork of the Knid” by John Parke Davis (debut 6/24) is the story of an alien species who have quietly come to live among us. The Knid are small and unassuming creatures. They’re slimy with tentacles for mouths and are intrigued with us. The silent creatures (silent because they don’t speak) have become something of a new age immigrants, performing menial labor work. They appear to absent of any creativity or imagination of their own until the protagonist is granted a rare artistic viewing.

“Artwork” is a strange type of tale. There is a deeper meaning to this piece but I confess it missed me. Part of the story briefly touched on what the knid where doing on Earth. The characters puzzle on this subject, not remembering when they first appeared. An explanation on how they got there wasn’t even explored. From what I gathered, they were just ‘there’ as if they always were.

The tale shifts when the protagonist’s first views a knid’s ‘play’. The event sounded more like a psychedelic trip than artist’s creation. Strange by description, religious by the effect it left on the protagonist. From that point on, the protagonist becomes something of a minor activist for the knid, treating them as a big brother would a smaller and weaker sibling, doing his best to protect them from a cruel world.

“Artwork” is a tale that drew me in. I was genuinely intrigued by the writer’s presentation of the knid and his protagonists perspective of them. I truly wanted to learn more about them. However, like the story itself, once I learned all I could about them, I discovered they weren’t all that interesting after all.

 

A knot connecting two ladders slips on Hevsen’s ladder, setting in motion a chain of events resulting in the “Fall of the City” by Daniel Ausema (debut 6/27).

“Fall of the City” follows a trail of innocuous circumstances. The story is set in civilization built on webs with machines called ‘spiders’ used like cars. The entire place appears to be overly fragile. I wasn’t sure if the city I was reading about was set in a steampunk genre or an alien civilization.

I thought the tale was told from way too distant of a perspective. The place also was strange, lending to a general disconnect I had with the piece.

 

What could be a bigger thrill than space jumping from a space elevator? In “Freefall” by Eric James Stone (debut 6/28) we find out. Gina loves to freefall. Her brother and father run the elevator but she is after only the thrill of the jump. Then disaster strikes. The asteroid counterweight breaks free and her brother is on the crawler on the way up. GeoTerminal 1 will be saved but at her brothers expense. She is his only hope.

“Freefall” is excellent science fiction. The premise is based on a future but likely technology with a potentially real problem. The story is quick and thrilling. The protagonist’s solution to the problem I found clever. My biggest complaint was its length. The story could have and should have been larger. It would have likely been fantastic instead of great. Recommended.

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Anna is running in “Z is for Zoom” by the Alphabet Quartet (debut 6/29), but is she running from something or in search of the thing?

This tale baffled me. Anna just runs. Why? Couldn’t really tell you. There are hints but I was unable to decipher the reasons from them.

 

In “The God of the Poor” by James Hutchings (debut 6/30), the gods pick who and what they will have dominion over. Only one item is left. Who will look over the poor?

This is a very short, Aesop like tale. It didn’t quite work for me.

Analysis

ÂThis month marks the end of the Alphabet Quartet’s contributions. I have greedily reserved all the stories for myself to review. The entire series is set to be available soon at Escape Artists. Some of them I thought were wonderful, a few left me scratching my head, a good bunch I recommended. My personal favorite was the first, and longest of the bunch; “A is for Arthur”. This story is high on my best-of list for the year. In fact, it may be # 1. It is worth reading again.

Special note: My fellow reviewers (James Hanzelka, Dustin Adams, and Anonymous) have not abandoned me, nor did I forget to credit them for reviews they have done. This month was all mine but the next will be mostly theirs. I have just received my copy of the latest Writers of the Future. I plan on doing my usual review for the publication so set it upon myself to get all the June reviews done while piling July’s on my minions shoulders so I can turn my attention to the yearly anthology when it came in.

 

Frank feels like a big boy now, doing a whole months of reviews all by himself. He is so proud but is wondering when he will get his cookie.

Recommendation: Teddy Bears and Tea Parties

written by David Steffen

Just a brief post today to make an ebook recommendation. It’s one of my favorite stories, “Teddy Bears and Tea Parties” by S. Boyd Taylor, which I first heard on the Drabblecast. Don’t be fooled by the title; it is not for children. I am very serious about this. It’s a very dark story from a child’s point of view. Taylor’s an excellent writer, and I hope he continues to have success; I’ll be on the lookout for more of his stories.

Buy a copy on Kindle or Barnes & Noble, and check out his website.

Daily Science Fiction: May Review

written by Frank Dutkiewicz

A whole year of stories have gone by and here I am, 4 months behind. I’m catching up though. DSF does it make it easy for me. As long as they keep picking good ones, I’ll keep reading.

On to this month’s offeringsâ€

 

The Stories

A vampire comes to visit an old man on his deathbed in “Her Old Man” by Chuck Rothman (debuted 5/2 and reviewed by Anonymous). It is obvious that they had some sort of relationship earlier in their lives and he is resentful of the other female vampire that turned her. She makes him an offer…

This is quite a short story, but I wasn’t really taken with it. I love vampire stories and I think perhaps that is the problem: I am fairly certain I have seen this premise before, so it didn’t feel like anything new. It was well written, though and the twist at the end may appeal to others…

 

“Starlight Cantata” by Brian Laurence Hurrel (debut 5/3 and reviewed by Anonymous)

“Starlight Cantata” follows the first interstellar, faster-than-light space craft as it takes in new solar systems whilst sampling the delights of Earth’s ever expanding electromagnetic emission shell. The further they move from Earth, the older the broadcasts they hear–like traveling backward through time.

This didn’t really feel like a story to me as their was no actual conflict, no plot, no characters (the narrator is unnamed)–nothing really happens apart from observations. It was, however, a thoughtful piece and I quite like how it ended. I sat and thought about this story a little before writing this review and decided that this story itself was like piece of music and tails off quite nicely…

I think that was the effect the author was aiming for and, on that basis, I’d recommend it. Recommended.

 

The church raffle has finally received a donation worth bidding for in “R is for Raffle” by the Alphabet Quartet (debut 5/4). Serena Draffin has donated her life. She may be sick of it but the prospects of stepping into a marriage with a handsome husband and lovely home makes it a grand prize indeed. The novel idea sparks others to donate things about them that others may find valuable. The church will have no trouble filling its treasury this year.

Quite clever, inventive and fun. One of the better stories the Quartet wrote.

 

Yesterday boy lives in the past, but is threatened by street thugs in the present in “Barb the Bomb and Yesterday Boy” by Julian Mortimer Smith (debut 5/5 and reviewed by James Hanzelka). Barb the bomb intervenes, suffering the consequences. She is saved by her mother. The yesterday boy, stuck in the past, does not know about his savior, yet.

This is a nice little diversion, well done and with a nice message. It leaves one asking the question about how our actions of today will affect the future.

 

“Values, Vision and Mission” by James Van Pelt (debut 5/6 and reviewed by James Hanzelka). Crockett is typical of someone in today’s corporate world that just wants to do his job, but management’s business of “teambuilding” constantly gets in the way. The connection to his dog Max foreshadows a new meaning to the old saw, “It’s a dog eat dog world.”

This story isn’t for everyone. It’s a nice fable about the modern corporate world. A fable not because of the obvious, but because of the idea that someone who actually does the work gets rewarded.

 

“Unveiled” by Ron S. Friedman (debut 5/9 and reviewed by James Hanzelka). This story is reminiscent of H.G. Wells, “The Time Machine”, where the inventor has a difficult time making his friends believe his tale of time travel. In this case the inventor has a novel means of proof.

The story appealed to me on a couple of levels, the obvious tip of the author’s cap to Wells, but also the unexpected twist of the proof. It is so simple that you wonder why Wells didn’t use it, but of course then he would have no story to tell.

 

“Facts about Gel, Glop and Other Semi-Viscous Substance You May Have Encountered Recently” by Michael Canfield (debut 5/10 and reviewed by James Hanzelka). This is a fact sheet, complete with misspellings and mistakes normally found in all such works, about a product gone awry. The author even includes the obligatory appeal at the end.

Given the debacle we see every day from corporate America (and other countries for that matter), governments and agencies I’m not sure if the author expects us to laugh or cry. I laughed.

 

Encephalon awaits death and the end to everything in “S is for Solipsism” by the Alphabet Quartet (debut 5/11). The former supervillain (once known as Brainwave) has concluded that the world is a product of his imagination. His rival, Deathdrive, has come to end his tyranny once and for all. Encephalon is eager for it all to end, as his enemy.

An intriguing tale. Much of it is told as a classic bad guy monologue, pontificating to their enemy in the mist of a battle. The imagery is quite good, serving well to the satire the story is. This was one of the best the Quartet has written. So good I’m going to give it aâ€Â Recommended

 

The first man on Mars needs to be one driven dude in “Can’t Stop” by K T (debut 5/12).

Countless sacrifices, sums of money, and candidates are weeded through to get to the one person who will first set foot on the red planet. Such a man will have regrets to reach that goal.

Cute story. Not bad for such a brief tale.

 

“As Fast As You Can” by Nathaniel Matthews Lee (debut 5/13 and reviewed by Dustin Adams). What is it about super-hero stories that fascinate us? We read them and watch them and seemingly can’t get enough. Is it because like no other character, we wish we were them? We wish we could fly or that we were very strong.

Sideswipe is a speedster. He not only moves fast, but spends his moments in a state of sped up, so that we are all moving very slowly. He saves as many victims of accidents as he can, they, not knowing he was even there, believe they have simply been teleported to safety. But Sideswipe is also running from his pain. A failure to save his lost love which eats away as his seemingly eternal existence.

On the surface, perhaps we’ve seen these things before, but author Nathaniel Matthews Lee takes us beyond the mere facts and delves into the emotions of the characters/heroes and we learn not all is as it seems. Pain is found in the truth, and in the lies. This short story has more depth of character than some super-hero movies I’ve seen, and pound for pound, just as much action and gadgets.

Lengthier than most stories you’ll find at Daily Science Fiction, this one is worth every micro-second spent reading it. Recommended.

 

“The Instructions” by Amanda C. Davis (debut 5/16 and reviewed by Dustin Adams) is a harmless, fun little piece of writing about how to improve your life through the benefit of elvish folk, what they take in payment, and why not to slack off when the going gets good.

This isn’t a story per se in that it has a plot, but is nevertheless a fun, short read regarding the mythological creatures we sometimes take for granted.

Or at least, that’s what the instructions say we’ll do.

 

An epidemic paralyzes relationships in “Say Zucchini, and Mean It” by Peter M Ball (debut 5/17). The phrase ‘I love you’ has turned many into babbling catatonic patients. They repeat the words over and over. Hospitals fill and love ones are left behind. Changing the meaning of words seems to be the only hope.

This story revolves around the protagonist and Alice. The two have drifted together, her boyfriend and his roommate fallen victim to the strange disease. The protagonist strives to come to grips with his relationship and the world inflicted with plague driving mankind indifferent.

This tale was odd, and its oddness went beyond the strange premise. The story had the effect on me the author’s fictional disease had on characters. It left me down and indifferent.

 

Getting on the latest reality show should be a piece of cake for the muse of dance in “T is for Terpsichore” by the Alphabet Quartet (debut 5/18). The muse stands in the long line for auditions and watches and absorbs the other contestant’s routines. By the time it is her turn, she should have all she needs to win.

This story reminds me of the time Dolly Parton participated in a Dolly Parton look-a-like contest and finished second. An amusing work of flash fiction.

 

The League of Heroes has lost one of it’s own in “They Do It With Robots” by Eric James Stone (debut 5/19). A grisly stage show out at sea has led Guillermo to Ogden’s trail. Only a robot would be used to cut out a man’s heart, or a hero who had let his love down.

This short piece had an extraordinary premise to it, but the symbolism of it was grand. My only complaint was its short length hampered its execution. Nice idea. Would have been better with more words, in my humble opinion.

 

A model’s will to endure is the theme in “A Study in Flesh and Mind” by Liz Argall (debut 5/20). The protagonist in this story is a nude model for an art class. The instructor is known as the Great Teacher. He is hard and harsh on his students, and on his models as well. A job like this is hard to come by. Holding onto it will test her limits of endurance.

“A Study in Flesh and Mind” is a story of cruelty. There is only one word that fits the Great Teacher , sadistic. The model has worked hard and overcame much to get where she is. She takes pride in her ability to hold her position and interpret the pose her instructor desires. The Great Teacher seems to be bent on stretching the limits of what she can take, and does his best to shove her over the cliff.

This is a story I could have gotten into more if I knew anything about modeling, or even participated in a sketch class before. Where the setting left me feeling a bit out of place, the authors ability to submerge the reader into the protagonist head made this story a work of art. It is only from her point of view can we experience the sadistic cruelty of the Great Teacher and see the session for what it really is , a one-sided battle of wills. I could feel the protagonist’s anger and hatred for the Great Teacher, and I could identify with her exhaustion at the end. Special note: the ending was fabulous.

It is only because of the slow start and my opinion that this story was a bit on the long side that reserves me from giving this piece my full-fledged recommendation, but if you’re looking for the definition of a character driven story, by all means, read this one.

 

A village combats a horrible monster in “Shades of Orange” by Caroline M Yoachim (debut 5/23). Demons deposit Ao, an orange, poisonous creature in the middle of the village. The villagers chose the protagonist, a fellow farmer, to lead the fight against it. The battle is hard fought. Victory means little for the monster’s poison has already infected the land.

This story has its roots in the Vietnam war and associates what Agent Orange did to the poor people over there. The tale failed to move me. Too depressing and predictable.

 

Two asteroid prospectors contemplate how they will spend their riches in “Men of Wealth” by Ross Willard (debut 5/24). Thomas and Geezer have just found the big score. They gamble as they wait and talk of what they will both do when they get back to the station.

This is one of those tales where you have to wait to the end to find the piece of this puzzle of a story you know is missing. The author set this up as well he could, but I still felt cheated in the end.

 

“U is for Ubiquitous” by the Alphabet Quartet (debut 5/25) Privacy? This 68-word story hinges on the present day dual definition of window. Not bad, considering its length.

 

The World Cafà © offers six beverages in “To Soothe Ravaged Throats” by Allison Jamieson-Lucy (debut 5/26). The items on the menu are potent, and are more exotic the further down the list you read, save the last. That one item is a noble choice, and for a price anyone can afford.

A quaint story with an appropriate length. There is little to quibble about it, but not one I would describe as special. Not a bad ending.

 

Friendship runs deep in “Cloaks and Gloves” by Patricia Russo by (debut 5/27). Rall is afraid of the world. Verenisse wishes to help her talented friend and offers to go on a quest to get him a pair of hero gloves. With the help of her cloak, Verenisse braves the harsh world to get her friend the courage he needs.

An editor friend once remarked how amazed he was to receive so many stories that were about characters who walked out their door and go for a walk without anything much happening to them. “Cloaks and Gloves” didn’t have that empty of a plot but it was close.

The story is set in a fantasy dystopia. Civilization appears to have crumpled. Sinister creatures called ‘Rat Folk’ lurk about. Rall creates and sells charms to guard against the monsters, but he makes the charms with his bare hands, a bad idea in this world.

Verenisse, a maker of cloaks, is his friend. Her cloaks give her a false appearance. She dons a cloak of an old woman and braves the outside world.

This tale has all the makings of a dark and scary fantasy. It was setup for a conflict, but a conflict never came. Much was made of the ‘Rat Folk’ yet the characters never come across one. Verenisse does confront a group of ‘Breakers’, which are nothing more than a gang of children. The encounter becomes a non-event, which is how I would describe most of this story.

Despite its eerie setting and ominous promise, “Cloaks and Gloves” became nothing more than a story of a shopping trip in the end.

 

A desperate voice is trying to reach from the other side of your computer screen in “Remember” by Will Arthur (debut 5/30). You are John Samuels, a member of the resistance. You have discovered an important secret about the invaders, so important they placed you in a memetic coma. You now believe you are someone else, living peacefully in 2011. This is your last chance to be free of your illusion.

This story is reminiscent of the movie The Matrix. The play on this tale is you are reading very important information while you read your computer. Not a bad attempt but really, it’s been done before. So ignore the story or we’ll unplug your brain.

Â

A time traveler’s dire warning is wasted on the wrong crowd in “Just Enough Time” by Douglas K. Beagley (debut 5/31). The protagonist and his four friends are enjoying their time in Starbucks when a lovely woman from the future bursts through the door with news of the future. The five latte sippers interrupt her and ignore her pleas to listen, eager to have their own innate curiosities answered instead.

The protagonist engages in prattle in this piece. He (like his friends) come off as extraordinarily self-absorbed. His narration is, you know, like totally dumb or something , if you get my drift. A story about modern twenty-something’s refusing to get the gist of future forewarnings is one thing. Babble with a time traveler as a back-drop is quite another.

Analysis

ÂI haven’t mentioned any before but May’s cover art I really liked. The black, sinister dragon under a full moon with a castle in the background is cool.

David Steffen is the editor and owner of Diabolical Plots. It is by his good graces that you are able to read these reviews of Daily Science Fiction. But other than providing space for them, he hasn’t done a damn thing to help. Nope. Hasn’t bothered to lift a finger at all. It seems he’s too busy establishing a “writing career”.

He completely ignores my suggested path to success – buttering up the publisher with compliments – instead choosing to “submit his best material” and relying that they’ll select his work based on “merit”. Please. Like that will get you anywhere.

Sure, he has some success, managing professional sales to places like Bull Spec, Digital Science Fiction, One Buck Horror, AE Canadian Science Fiction Review, and DAILY SCIENCE FICTION!?!

I guess congratulations are in order, Dave. Could you at least try to not look so happy about it?

Adventures in Amateur Art (Drabblecast Edition)

written by David Steffen

Introduction

I’ve always felt drawn to creative endeavors of various kinds. When I was a kid, I wanted to be a cartoonist. When I was in high school I wanted to program video games. I tend to wander from one creative medium to another, drawn from one to the next by the prospect of something new and interesting. Writing has been the odd duck in this string of attempts in that I actually have stuck with it for years, and I feel like I’ve gotten to a point where I’m pretty good. I’m not planning to quit any time soon. Yet I’m still always looking to explore other mediums just to keep myself from getting too comfortable, because that way lies boredom. If you believe in Muses, at least in a metaphorical sense, I like to say “My Muse, she be fickle.” I’ve tried to force her to work for me, and that always fails. She just leaves if I try that, and will stay away until I stop trying to give her orders. I am much happier, and much more productive if I just go with the flow, and let her drive the car.

Anyway, the point is that I am now, as ever, having fun trying out new creative fields. At the moment I’m dabbling in story illustrations. I’ve thought about doing something like this for a while. In particular, I think it’d be fun to illustrate my own stories, or the stories of friends.  But I have never felt particularly driven to do so. But then along came the perfect opportunity, as offered by the Drabblecast!

Drabblecast is working their way up to a major site upgrade. As part of this grand project, Bo Kaier, their art director, has kicked off the Drabblecast Art Reclamation Project (follow the link for all the juicy details). Since about episode 130 of their podcast, they’ve had illustrations for every single episode, provided by volunteer artists. When they move to the new site, in an effort to make everything more uniform and to provide shiny new content to attract listeners, Bo has asked for volunteers to fill in the episode artwork for all those older episodes. Anyone who feels they might like to take a crack at it, there are still more than 50 episodes unclaimed–follow the link. The deadline stated there is August 1st, but that’s a very soft deadline. They’re currently shooting for mid-September launch, and anything they don’t have artwork for at that time… will just have to go without art for now. So, I’m sure they’d love to have whoever volunteer.

I decided to volunteer for 3 episode artworks for now, and I’ve completed and submitted by the time of writing this post. These will go up on the Drabblecast site when it’s ready to launch, but I’ve asked for permission to show the artwork I’ve done here. And, for those who might be interested in such things, I will describe how I did each of these pieces of visual art from start to finish.

The Art

“Malish” by Mike Resnick

“Malish” is a story about a deal with the devil. It’s a bit out of the ordinary for that type of story in that the main character is not the one who makes the deal. The main character is Malish, a racehorse, and his owner has made a deal with the devil, described in the story only as “the gnarly little man”. The devil comes to claim the owner, and while he’s there decides to nab the horse as well. But Malish won’t be taken so easily.

1. What to depict?
The first thing I had to decide is what I wanted the illustration to depict. I chose this specific story because I figured that I could do the image of the horse justice with the “pet cartooning” method that I was playing with last year. So, of course, I knew the horse would be in the image. But I wanted to get at least some hint of the speculative element into the image as well. In this case, the only speculative element is the presence of the devil, described as “the gnarly little man”. One of the biggest moments in the story is when the gnarly little man first tries to take Malish in the stable, so I decided to illustrate that.

2. Picture of a horse
Next, I needed to actually get started on the image. In particular, I needed to get the outline of the horse. My method for doing this is perhaps not the most sophisticated, but I think it worked well enough. First I needed a picture of a horse. I mentioned this to Bo and, he is such a nice guy, he contacted another Drabblecast fan and got me a few home pictures of one of her horses. Of the three, one stood out to me as a particularly interesting image, so I picked that. I like it, because the horse is looking right at the camera. You can see the horse’s face very clearly and it is the most prominent part of the image, but you can also see the horse’s body in the background. It has some interesting perspective proportions, with the horses hindquarters appearing smaller than its head.

3. Cartoon outline of the horse
Now I needed the bold line drawing of the horse, to give it a cartoon feel, with digital colors to be added in later. I can draw relatively well in freehand, but I decided that, in order to do the horse image justice, I would do some good old fashioned tracing. I printed out the image, overlaid it with tracing paper, and traced the boldest lines with a nice thick 1.2mm felt pen. The lines on the outer edges were easiest to see, as they showed through the tracing paper most clearly. Some of the others I had to just eyeball. Note, I added some lines that aren’t strictly lines in the photo, to suggest the shape of the horse’s body.

4. Binary image of outline of the horse
One trouble is that, when I scan this nice clean outline, the scanned image that ends up on my computer is not perfectly clean. The scanner picks up some of the paper’s texture, etc… So, to get a really clean image, I opened it up in Microsoft Paint, and saved it as a Monochrome Bitmap. This format only stores white and black, nothing in between, what computer vision folk call “binary thresholding”. Saving it as that leaves some extraneous speckles, but by zooming upsize in Microsoft Paint, I could clean those up with the eraser tool.

5. Sketching the hand
And then on to the hand. I drew it in a sketchbook freehand using my own left hand as a model. I’m very happy with how the hand turned out, as it’s one of my better attempts at realistic freehand drawing of human anatomy. For now, drawing the hand as close to my hand as I can.

6. Gnarlifying, cartoon outline, binary image
From the sketch I had to get back to a similar type type of cartoon image as the horse. Tracing paper, thick felt tip. And, remember, the hand is supposed to be the hand of the gnarly little man, so at this stage I embellished from the original image to make it gnarly. I tried to add swelling to all of the knuckles, and while I was at it, extend the fingernails and add prominent veins. And then I repeated the same steps I’d used for the horse to get a clean binary image.


7. Combining cartoon horse with cartoon hand
Now to combine the images, resizing, overlaying. Using Microsoft Paint for this again.

8. Simple coloring of image
Simplest coloring step, just using Microsoft Paint’s basic paint bucket. Tried to match colors to photograph. Tried making the hand green to begin with. The story did not specify the color and I wanted it to appear somewhat “other”.

9. Color shading of image
That last coloring scheme was rather too simple, so tried to add a comic style 2 step shading to the main body of the horse as well as to the hand. To make the shaded areas look like a differently lighted patch of the same color, went into Microsoft Paint’s custom colors, started with the original color, and simply dialed the Saturation level down. Since the new shading levels suggest the shape of the horse’s body, I removed the black contour lines I’d added to suggest that shape.

10. Extra Shading, Red Hand
I changed the color of the hand from green to shades of red because one person, upon seeing the image, immediately said “Is that a zombie and a donkey?” Okay, so green does tend to suggest zombies, so may as well change it. Confusing the horse for a donkey though… Not much to be done about that but educate him on the difference between donkeys and horses. 🙂

11. Final copy
Had to make some more changes before the final draft. In the original one, the hand is rather hidden behind the Drabblecast logo. There wasn’t anything to do but to shrink the image down and draw extensions. These extensions go outside the boundaries shown in the photo so I had to estimate what the rest would look like. I also added in a new background color with a gradient so it isn’t so uniform, and added in the title. I got some help from Bo on the title formatting, adding in the darker boundary to the letters, which i haven’t figured out how to do. That’s good because the font didn’t pop out of the background clearly enough without that.

“Marbles” by Ayn Sauer

“Marbles” is a dark story from a child’s point of view. This is one obsessive little girl, fixated upon her button collection. She plays by herself and sorts the buttons by size, color, number of holes. A neighborhood boy invites her over to play, and shows her his stuffed bunny with button eyes. Big mistake, as she immediately extracts one of the button eyes for her collection. And that’s not the end.

1. What to depict?
Decided to do this one in a child’s art style. I figured it could be a simple crayon drawing, perhaps a self-portrait drawn by the girl at a psychiatrist visit after the fact. And, what better moment to show, but the very moment when she has extracted the button eye. So I decided I’d draw the girl with the button, and the boy with the bunny within a child’s simple house shape. A bit later in the story, the boy’s cat plays an important role, so the cat’s in the image as well.

2. The drawing
I learned a lesson from the Malish illustration, to leave room at the bottom for the Drabblecast logo, so I made a grassy lawn down there. Simple house outline. Girl with triumphant smile and pose, holding up the button. Boy wailing and crying with one-eye bunny in tow. Cat off to the side. Instead of making an electronic font, I decided to draw the title and episode number into the crayon drawing itself. And, since the episode number has a zero in it, I made the zero into a button.

3. Final copy
I handed the image off to Bo, and he did some treatments to it, which I thought turned out well.

“The Fine Point” by Gary Cuba

“The Fine Point” has a very classic SF feel to it. In the story, someone has made a profound discovery about the world we live in–the world is made up of a limited set of repeating hexagon-shaped tiles. He proves this by marking a couple of nearby forested locations. Taking a photo from these two locations creates the exact same photograph. Evidence, he says, that rather than making every bit of Creation completely unique, God has used a repeating set of tiles.

I volunteered for this one because Gary’s a good friend of mine. I get a kick out of his stories and I thought it’d be fun to illustrate one of them to share with all the Drabblecast listeners.

1. What to depict?
This one was a bit trickier than the others to try to decide what to do. I wanted to get the speculative element into the illustration, but the speculative element in this case is extremely subtle. It manifests in the story by showing the two photographs side by side, but that by itself wouldn’t make a very compelling illustration to me. Instead, I decided that rather than illustrating an explicit scene/even in the story I would try to illustrate the concept of the story in a more abstract way. I decided that one way that I could manage to do this would be to try to do an image that might interest the great M.C. Escher, blurring the boundaries between reality and unreality. Since the pictures in the story were a forest, I thought I’d start with a forest.

2. Find a forest picture
I’d fully intended to take a forest picture with my own camera. But, that didn’t end up working out. Whenever I would head out to a nearby park, something would stop me from getting the picture. Sometimes it was weather. Once I got all the way there only to realize my camera batteries were too dead to take even a single picture. So, instead, I searched online and found at Burning Well, a website that has public domain images.

3. Sketch the forest
Hey, look, another use for tracing paper! :) I printed out the photo, then laid tracing paper over it. From that I was able to get the boldest outlines, the starkly contrasting tree trunks, the edge of the treeline in the background. There were a lot of details I had to doodle out by eyeballing it, all the leafy details especially.

4. Lay out hexagon pattern
Just found a single hexagon and repeated the pattern until I’d filled the area. In GIMP, I made the spaces between the grid transparent. I wanted some hint of the hexagon tiles in the story, so that the illustration could more effectively bring the story to mind.

5. Combine, with layers
Okay, now to combine three layers together with selective transparency effects. Again, using GIMP.
First, the sketch on the bottom layer, no transparency.
Next, the photograph on top of that, with a radial transparency to make it look like the photograph has bled away in a circular pattern.Â
Next, the hexagon pattern. This one with a square transparency pattern, so that the hexagon just bleeds in at the very edge.

6. Final copy
I couldn’t quite figure out how to get the title just right, so I handed it off to Bo and asked him for help. He worked his magic, and made the title work very well with the image. Note that the new title even has a color gradient from gray to green, that matches the image. Perfect.

Daily Science Fiction: April Review

written by Frank Dutkiewicz

Cripes! When was the last time I posted a review? Falling behind, falling behind. Someone needs to review these finely crafted tales. Too bad those someone’s aren’t Locus, Tangent Online, or one of those other award nominated reviewing sites. One of these days the rest of the industry will acknowledge the fine work posted at DSF, and Jon and Michelle’s innovative idea of using the internet. One of these days they all will! You’ll see!

Whew. I usually save that rant for my 3rd party political obsession. Instead of politics, lets focus on things far more important. Like this month’s DSF offeringsâ€

 

The Stories

“The Blue Room” by Jason Sanford (debut 4/1) opens with a bored mid-teen named Aiesha. She lives with her grandfather on the family farm in the middle of Wyoming, an unlikely place for a young black lady who spent most of her life in the city. Sensitive to her isolation, Grandpa Loren opens a door she has never seen before and reveals a crystal clear pool. Steps descend into the pool and lead to a stone arch far below. Grandpa claims the water is history and its depths are rich with experiences of her ancestors. She can talk to her lost grandmother and experience past events of her great-great grandfather who first settled the land. The water is a connection to her past, or a trap to keep her there forever.

“The Blue Room” has a plot as deep as the depth of the pool. The wide-open prairie is hardly a place a black girl would choose to live. A few in the white community have not rolled out the welcome mat for her, but it isn’t all bad for Aiesha. A handsome boy from school has taken a shine to her.

Coe lives on a ranch nearby. His family shares a past with Aiesha, and it is a violent one at that. As much as Coe loves the land, he is ashamed of the way his ancestors treated Aiesha’s. The boy defends her honor and as payment Aiesha shows him the Blue room. Grandpa Loren hasn’t forgotten the stories of violence a century and a half ago, and neither have the waters.

“Blue Room” is a delicate mystery. The readers are shown the waters but are left to guess of its true nature. Grandpa Loren is eager to join its depths and can hear his departed wife in its waves. Aiesha loves to swim in it and can experience the past the deeper she dives. It is the mystery of what the waters that kept me glued to this story.

There were plenty of possible outcomes for this piece. The direction in which Mr Sanford chose to take is not one I would have taken but I prefer Jason’s approach. The waters in the tale prove to be a catalyst of events rather than a mirror of the past. What I especially enjoyed about the story was the way it ended, poetic and fitting.

“The Blue Room” is a finely crafted work of art. Not sure I like it enough to hang the art on my wall but I do believe it is lovely enough for any museum. Mr Sanford demonstrates why he is always a threat to win the leading awards every year.

 

Doctor Monveve works in a cryogenic storage facility in “The Rules of Regeneration” by Andrew L Findlay (published April 4th, 2011 and reviewed by Anonymous) and is surrounded by dead but frozen corpses of people wishing to be revived when/if whatever killed them becomes curable. Obviously in a world driven by market forces, the cryo company is forced to ‘wake’ some of its customers earlier than expected when their funds for storage turn out.

The story focuses on the good doctor waking one such individual. I thought the story was well written and an easy read, but it was a little plot-thin. The prose was interspersed with quotes from the company’s rule book for regeneration, but otherwise it felt more like vignette than a plot. The tiny twist is delivered at the end, was very tiny, but was it enough? Not sure it was for me.

 

In “Wings for Icarus” by P. Djeli Clark (published on 5th April 2011 and reviewed by Anonymous), a young boy misses his father, a part time inventor (in his shed). The boy’s father died when one of his inventions–a set of silver wings–fails to perform and he falls from the sky.

The boy finds the wings in the shed and sets about repairing them in secret…

This is well written story with good characterisation, but it didn’t work for me. I didn’t really believe the story; it felt a little contrived in the end. Perhaps others wouldn’t wonder how a boy could repair and fly the wings that his more experienced father couldn’t, but I did.

 

Eternal youth has lost its appeal in “N is for Nevermore, Nevermore Land” by The Alphabet Quartet (debut 4/6). A fairy appears at Ember’s window with an offer reminiscent of Peter Pan. Even if the woman with wings isn’t crazy, Ember isn’t one to throw away the good thing she has for a life in a grim fairy tale.

Rather liked this very brief tale. Ember is the type of child we all hope our children turn into.

 

Our main character meets Femi in a break room and is immediately smitten, in “Break” by Mishell Baker (debut 4/7 and reviewed by James Hanzelka). She warns him that it’s only a spell and that he will see the true her in time. She gives him something to help the process, but he’s sure that it’s not as simple as that.

Nice little story and interesting to follow the two characters through this brief encounter. You keep hoping for something special between them. I enjoyed following them through the process.

 

“Outer Rims” by Toiya Kristen Finle (debut 4/8 and reviewed by James Hanzelka). On their way back from a visit to the rapidly vanishing shoreline, a mother and her kids pick up a hitchhiker. When he shows signs of sickness they take him to the hospital, which is overrun with other victims. The new sickness is virulent and devastating. Can they find a cure before the next storm inundates the place?

I was a little thrown off by the definition at the start, seemed a little confusing. Once into the story, however, it moved forward with a nice pace and interesting twists along the way. Pretty good read.

 

A species of a small world threatens all the realities in “The Pen is Mightier” by Mik Wilkens (debut 4/11). Anseel partitions the Chamber of Overlords to destroy Earth. The inhabitants’ active imaginations have created an entertainment called ‘fiction,’ resulting in an abundance of multiverses in its locality. The splits in reality have become so numerous they threaten to unravel the multiverses and destroy all the realities in the process.

I found this tale clever. How do I love a story that ends the way that it begins.

 

An unusual family’s lives are changed when the authorities crash down their door in “Shards” by Leah Thomas (debut 4/12). The crime they have committed is harboring a golem. The golem was created by the mother to serve as her son’s father. Now men have come to destroy it, imprison her, and take the boy away.

This story is told in three separate letters in the voices of each family member. They are apologies and confessions – explanations of how they felt for each other. They tell of the day when they last saw each other and of the mark that day left on their soul. The tone, attitudes, and perspectives are so very different in this odd world Ms Thomas created. I found them masterfully done.

I waited the good part of a day before I wrote this review. The more I thought of the story, the more impressed I became with it. The premise and narrative left its own mark on me. The ending was surprising, one of which I approve. A story that sticks to your psyche as if it were gum on the bottom of your shoe is one worth recommending. Recommended.

 

“O is for Obfuscation” by the Alphabet Quartet (debut 4/13) is the tale of a boy who wishes to be invisible. The genie warns he would be blind (simple physics) if he were granted that gift but has a solution so he can’t be seen.

Cute story. I like clever genies. The protagonist gets his wish. I liked the outcome of this flash piece.

 

“Selfless” by Kenneth S Kao (debut 4/14 and reviewed by Dustin Adams). Imagine a version of you watching you, judging every move you make with the life that was once theirs.

This story begins with a man, cured of his wasting disease, about to restart his life, only to find he’s a clone of his dying self. There was no cure, only transition.

The clone will live the life he’s always lived, only now he’ll be looking over his shoulder. For the man who is the same man he’s always been, this added insecurity is a bane to his future daily existence. After all, he didn’t decide to clone himself, his “parent” did. So, while his memories are all the same, he is a different man, on a different path.

This feels wrong somehow. Unfair. The author of this piece, Kenneth Kao, did a great job of making me feel for this character and I wonder what his new life will be like. This story, while short in word count, is large in creativity. It will make you think.

 

Young Veri is one of the lucky chosen to ride the mysterious elevator in “The Elevator” by Erik M Igoe (debut 4/15). The elevator is an old relic, set alone in a desert, rusted and weathered. Only a few, winners of a lottery, are granted a rare ride in it. Those who have ridden it before have never spoken of their trip.

Eight-year old Veri receives his invitation in the mail. Telling no one that he was selected, he boards a bus destined to the elevator, where he meets several others lucky enough to be chosen as well.

“The Elevator” is a “Canterbury Tales” collection of conjecture. Each passenger on the bus has their own idea of what the elevator is and what is in store for them. Their opinions vary greatly but all the riders have grand expectations of what is to come. Veri is the lone passenger who hasn’t formed an opinion, he is only eager to experience the unknown the elevator represents to him.

I found this tale to be all build up to a great event that didn’t pay off, which is what the story was about. All the passengers are filled with hope, yet all, except Veri, miss the hope the elevator offered.

The tale ends up being a metaphor of cynicism. Unfortunately, I shared the feelings many of the characters experienced. This finely crafted story failed to have the payoff I hoped for. I suppose that makes me self-absorbed in my own selfish expectations, like most of the author’s characters

 

Megan confronts her school counselor about her friend Susie in “The School Counselor” by Mark Sarney (debut 4/18). The 22nd century is a job-scarce, highly competitive society. Only driven students have a chance of achieving their career desires. Megan believes her friend is destined for poverty unless their counselor pushes Susie to apply herself.

American schools have become career-engineering specialists in Mr Sarney’s bleak future. To stand a minimal chance, students must commit to countless hours of training. Megan is one of the few who is driven to beat the odds, regardless of the cost. Much of this flash is told in miniature bios, usually a turnoff but they served this piece well. For such a short tale, I found the characters engaging and the ending done well. Not too bad for the author’s first publication.

 

Too much of a good thing is better than nothing at all in “Pippa’s Smiles” by Cat Rambo (debut 4/19). Marcus falls for a shipwrecked beauty. Pippa knows little of his language but clings to her new husband as if he is her life preserver. Marcus cannot take her obsession for him. He leaves her the keys to his shop, choosing to remember her warm smile as he walks off to experience life and adventure for himself.

“Pippa’s Smiles” is Homer’s ‘Odyssey’ in reverse. Marcus searches for the love of his life he imagined instead of staying with the love he left behind. Much happens to Marcus in his travels (I will not indulge so as not to spoil it for you) but the ending is predictable the moment he walks out the door. Ms Rambo’s tale is one big moral, a moral that has been told over and over for millennia.

Although the details and events of “Pippa” are new, this is a story everyone has read before.

 

Everyone loves a parade in “P is for Parade” by the Alphabet Quartet (debut 4/20). This futuristic event has much in common with parades of today, but so much is so different.

This very brief tale by the group is by far the weirdest one they have done, yet. I just don’t know what to make of it.

 

“Writing on the Wall” by Vaughan Stranger (debut 4/21 and reviewed by James Hanzelka)

What would happen if machines became self aware? How would that affect daily life for those used to them? This subject has been handled by many authors and in many films. This is a short work that takes on that subject.

Nice humorous look at what happens as machines begin to think like humans. Not a deep and philosophical as longer stories by someone like P.K. Dick, but in a short work still manages to take on the subject with humor and deft. Very well done.

 

“The Ambiguity Clock” by Lavie Tidhar (debut 4/22 and reviewed by James Hanzelka)

This story is set in Southeast Asia. The main character is forced to search for something called an Ambiguity Clock. Set in the near future where technology is rampant he encounters many strange things along the way that are both dangerous and wonderful.

This one started a little slow for me, but I found myself drawn into it. The author did a pretty good job of setting the world and creating interest in the search. Worth a read, just stay with it.

 

In “Necessities” by Nathaniel Matthews Lee (debut 25th April 2011 and reviewed by Anonymous), a squad patrolling on an alien world come across a family of humans living in a house in a clearing. They are invited to share a meal–the fruit of a nearby tree. When they peel their orange-like fruits they find cheeseburgers and other unexpected treats. Apparently the tree gives people what they need, not necessarily what they want.

The soldiers immediately wonder if the tree would grow on Earth, but then find out the tree can produce more than just food.

I liked this story. It was well-written, interesting and the premise was fresh (like fruit from a tree). It’s a pretty short story but works well, although there is no explanation of how the tree works. I initially believed the story was a sci-fi story, but then the introduction of the tree made me think it was a fantasy story.

Still, I liked it. Nice mini-twist at the end.

 

A weary woman’s train has finally arrived in “This Life” by Lee Hallison (debut 4/26). An exhausted Hope is ready to board the crowded A-train. Work is tedious and her dull apartment, and life, hardly seems worth it. The train that arrives is old and empty. An old woman joins her, asking if Hope is ready for a change.

“This Life” is a tale of an offer to start anew. The train destinations are new opportunities. All Hope has to do is step off and a fresh start awaits her. She only needs to decide if a change is what she really needs.

The story’s execution didn’t quite work for me. If in Hope’s position, I imagine I would have chosen differently. However, the old woman knitting may have kept me from making a choice. The story was just too strange for me. Hope’s actions may be understandable because this offer of new opportunity felt too much like an abduction.

Like the train, this tale felt too rushed for me.

 

The different perspective of the tale of Beowulf is the theme of “Q is for Quit” by the Alphabet Quartet (debut 4/27). The hero of the fable contemplates his coming fight with the beast. Eager to confront an equal, for once, in his ongoing battle with evil.

This tale focuses on the motives of Beowulf. I found it intriguing but unsatisfying. Just when it piqued my interest, the story ended.

 

A breakthrough in limitless energy has been discovered in Vacuum Decay by Ramon Rozas (debut 4/28). There is a concern of uncertain disaster. Will history repeat itself? Not in this universe.

I found this very brief story cute but unremarkable.

 

An older woman must convince a dragon in search of beauty her splendor runs deeper than skin deep in “The Beauty Garden” by Damon Shaw (debut 4/29). Eurwen’s village has lost a battle with the white dragon’s army. Now the village must present it a trophy, a beautiful maiden that will satisfy the dragon, or the village will be destroyed. Eurwen’s young and fairer days were long in the past, but she is betting the dragons definition of beauty has a deeper meaning than what lies on the surface.

“The Beauty Garden” has the broadest plot I have read in DSF yet. The white dragon has a desire and motivation I found odd for a mythical reptilian beast. It commands an army and is set on a war of conquest for the sole purpose of collecting living works of art for its own fancy. Eurwen’s plan is a hasty one and it evolves as events are presented to her. The changing premise made the story less and less believable the further I read. The white dragon’s reaction to Eurwen’s continuous attempts to deceive it I found unlikely, especially for a ruthless tyrant.

The author’s comments at the end of the story explained why the story felt incomplete. It is the second installment of a trilogy. The tale read too much like a large excerpt of a much larger piece. I am a fan of many dragon tales but I do have narrow standards of what it takes to make a good dragon story. “The Beauty Garden” falls outside those standards. The author’s excellent writing did draw me in but the unsatisfying storyline left me disappointed in the end.

 

Analysis

I have made much of so many of the brief tales Jon and Michele have given us. So much that I have neglected on giving the lengthy Friday editions their due. With four (sometimes five) works at five thousand words or more, the Friday stories alone represent more literature than acclaimed publications like Lightspeed, Fantasy, Beneath Ceaseless Skies, and several others provide in a month.

The Friday stories are as good, if not better, than what the other professional publications have decided to publish. Maybe I’m not as impressed with the other editors’ choice of literature. Or maybe my tastes in fiction run more in line with DSF than the rest, I don’t know. What I do know is the authors I tend to like who have appeared in those other publication I have found in DSF as well. I contend again. I believe many of those authors are sending their best to DSF first.

Keep up the good work, Michele and Jon.

I like to thank Jim Hanzelka, Dustin Adams, and the Anonymous one. Without their help I likely would have cried uncle by now. You three are priceless to me.

 

Daily Science Fiction April 2011

Cripes! When was the last time I posted a review? Falling behind, falling behind. Someone needs to review these finely crafted tales. Too bad those someone’s aren’t Locus, Tangent Online, or one of those other award nominated reviewing sites. One of these days the rest of the industry will acknowledge the fine work posted at DSF, and Jon and Michelle’s innovative idea of using the internet. One of these days they all will! You’ll see!

 

Whew. I usually save that rant for my 3rd party political obsession. Instead of politics, lets focus on things far more important. Like this months DSF offeringsâ€

The Blue Room by Jason Sanford (debut 4/1) opens with a bored mid-teen named Aiesha. She lives with her grandfather on the family farm in the middle of Wyoming, an unlikely place for a young black lady who spent most of her life in the city. Sensitive to her isolation, Grandpa Loren opens a door she has never seen before and reveals a crystal clear pool. Steps descend into the pool and lead to a stone arch far below. Grandpa claims the water is history and it’s depths is rich with experiences of her ancestors. She can talk to her lost grandmother and experience past events of her great-great grandfather who first settled the land. The water is a connection to her past, or a trap to keep her there forever.

 

“The Blue Room” has a plot as deep as the depth of the pool. The wide-open prairie is hardly a place a black girl would choose to live. A few in the white community have not rolled out the welcome mat for her, but it isn’t all bad for Aiesha. A handsome boy from school has taken a shine to her.

 

Coe lives on a ranch nearby. His family shares a past with Aiesha, and it is a violent one at that. As much as Coe loves the land he is ashamed of the way his ancestors treated Aiesha’s. The boy defends her honor and as payment, Aiesha shows him the Blue room. Grandpa Loren hasn’t forgotten the stories of violence a century and a half ago, and neither has the waters.

 

“Blue Room” is a delicate mystery. The readers are shown the waters but are left to guess of its true nature. Grandpa Loren is eager to join its depths and can hear his departed wife in its waves. Aiesha loves to swim in it and can experience the past the deeper she dives. It is the mystery of what the waters that kept me glued to this story.

 

There were plenty of possible outcomes for this piece. The direction in which Mr Sanford chose to take is not one I would have taken but I prefer Jason’s approach. The waters in the tale prove to be a catalyst of events rather than a mirror of the past. What I especially enjoyed about the story was the way it ended, poetic and fitting.

 

“The Blue Room” is a finely crafted work of art. Not sure I like it enough to hang the art on my wall but I do believe it is lovely enough for any museum. Mr Sanford demonstrates why he is always a threat to win the leading awards every year.

 

 

Doctor Monveve works in a cryogenic storage facility The Rules of Regeneration by Andrew L Findlay (published April 4th, 2011 and reviewed by Anonymous) and is surrounded by dead, but frozen corpses of people wishing to be revived when/if whatever killed them becomes curable. Obviously in a world driven by market forces, the cryo company is forced to ‘wake’ some of its customers earlier than expected when their funds for storage turn out.

The story focuses on the good doctor waking one such individual. I thought the story was well written and an easy read, but it was a little plot-thin. The prose was interspersed with quotes from the company’s rule book for regeneration, but otherwise it felt more like vignette than a plot. The tiny twist is delivered at the end, was very tiny, but was it enough? Not sure it was for me.

In Wings for Icarus by P. Djeli Clark (published on 5th April 2011 and reviewed by Anonymous), a young boy misses his father, a part time inventor (in his shed). The boy’s father died when one of his inventions–a set of silver wings–fails to perform and he falls from the sky.

The boy finds the wings in the shed and sets about repairing them in secret…

This is well written story with good characterisation, but it didn’t work for me. I didn’t really believe the story; it felt a little contrived in the end. Perhaps others wouldn’t wonder how a boy could repair and fly the wings that his more experienced father couldn’t, but I did.

Eternal youth has lost its appeal in N is for Nevermore, Nevermore Land by The Alphabet Quartet (debut 4/6). A fairy appears at Ember’s window with an offer reminiscent of Peter Pan. Even if the woman with wings isn’t crazy, Ember isn’t one to throw away the good thing she has for a life in a grim fairy tale.

Rather liked this very brief tale. Ember is the type of child we all hope our children turn into.

Our main character meets Femi in a break room and is immediately smitten, in Break by Mishell Baker (debut 4/7 and reviewed by James Hanzelka). She warns him that it’s only a spell and that he will see the true her in time. She gives him something to help the process, but he’s sure that it’s not as simple as that.

 

Nice little story and interesting to follow the two characters through this brief encounter. You keep hoping for something special between them. I enjoyed following them through the process.

Outer Rims by Toiya Kristen Finle (debut 4/8 and reviewed by James Hanzelka). On their way back from a visit to the rapidly vanishing shoreline, a mother and her kids pick up a hitchhiker. When he shows signs of sickness they take him to the hospital, which is overrun with other victims. The new sickness is virulent and devastating. Can they find a cure before the next storm inundates the place?

 

I was a little thrown off by the definition at the start, seemed a little confusing. Once into the story, however, it moved forward with a nice pace and interesting twists along the way. Pretty good read.

 

 

A species of a small world threatens all the realities in The Pen is Mightier by Mik Wilkens (debut 4/11). Anseel partitions the Chamber of Overlords to destroy Earth. The inhabitants active imaginations have created an entertainment called ‘fiction,’ resulting in an abundance of multiverses in its locality. The splits in reality have become so numerous they threaten to unravel the multiverses and destroy all the realities in the process.

I found this tale clever. How do I love a story that ends the way that it begins.

 

An unusual family lives are changed when the authorities crash down their door in Shards by Leah Thomas (debut 4/12). The crime they have committed is harboring a golem. The golem was created by the mother to serve as her son’s father. Now men have come to destroy it, imprison her, and take the boy away.

This story is told in three separate letters in the voices of each family member. They are apologies and confessions – explanations of how they felt for each other. They tell of the day when they last saw each other and of the mark that day left on their soul. The tone, attitudes, and perspectives are so very different in this odd world Ms Thomas created. I found them masterfully done.

I waited the good part of a day before I wrote this review. The more I thought of the story, the more impressed I became with it. The premise and narrative left its own mark on me. The ending was surprising, one of which I approve. A story that sticks to your psyche as if it were gum on the bottom of your shoe is one worth recommending.

Recommended.

 

 

O is for Obfuscation by the Alphabet Group (debut 4/13) is the tale of a boy who wishes to be invisible. The genie warns he would be blind (simple physics) if he were granted that gift but has a solution so he can’t be seen.

Cute story. I like clever genies. The protagonist gets his wish. I liked the outcome of this flash piece.

Selfless by Kenneth S Kao (debut 4/14 and reviewed by Dustin Adams). Imagine a version of you watching you, judging every move you make with the life that was once theirs.

This story begins with a man, cured of his wasting disease, about to restart his life, only to find he’s a clone of his dying self. There was no cure, only transition.

The clone will live the life he’s always lived, only now he’ll be looking over his shoulder. For the man who is the same man he’s always been, this added insecurity is a bane to his future daily existence. After all, he didn’t decide to clone himself, his “parent” did. So, while his memories are all the same, he is a different man, on a different path.

This feels wrong somehow. Unfair. The author of this piece, Kenneth Kao, did a great job of making me feel for this character and I wonder what his new life will be like. This story, while short in word count, is large in creativity. It will make you think.

Young Veri is one of the lucky chosen to ride the mysterious Elevator in The Elevator by Erik M Igoe (debut 4/15). The elevator is an old relic, set alone in a desert, rusted and weathered. Only a few, winners of a lottery, are granted a rare ride in it. Those who have ridden it before have never spoken of their trip.

Eight-year old Veri receives his invitation in the mail. Telling no one that he was selected, he boards a bus destined to the elevator, where he meets several others lucky enough to be chosen as well.

“The Elevator” is a “Canterbury Tales” collection of conjecture. Each passenger on the bus has their own idea of what the elevator is and what is in store for them. Their opinions vary greatly but all the riders have grand expectations of what is to come. Veri is the lone passenger who hasn’t formed an opinion, he is only eager to experience the unknown the elevator represents to him.

I found this tale to be all build up to a great event that didn’t pay off, which is what the story was about. All the passengers are filled with hope, yet all, except Veri, miss the hope the elevator offered.

The tale ends up being a metaphor of cynicism. Unfortunately, I shared the feelings many of the characters experienced. This finely crafted story failed to have the pay off I hoped for. I suppose that makes me self-absorbed in my own selfish expectations, like most of the authors characters

 

Megan confronts her school counselor about her friend Susie in The School Counselor by Mark Sarney (debut 4/18). The 22nd century is a job scarce, highly competitive society. Only driven students have a chance of achieving their career desires. Megan believes her friend is destined for poverty unless their counselor pushes Susie to apply herself.

American schools have become career-engineering specialist in Mr Sarney’s bleak future. To stand a minimal chance, students must commit to countless hours of training. Megan is one of the few who is driven to beat the odds, regardless of the cost. Much of this flash is told in miniature bio’s, usually a turn off but they served this piece well. For such a short tale, I found the characters engaging and the ending done well. Not too bad for the author’s first publication.

Too much of good thing is better than nothing at all in Pippa’s Smiles by Cat Rambo (debut 4/19). Marcus falls for a shipwrecked beauty. Pippa knows little of his language but clings to her new husband as if he is her life preserver. Marcus cannot take her obsession for him. He leaves her the keys to his shop, choosing to remember her warm smile as he walks off to experience life and adventure for himself.

 

“Pippa’s Smiles” is Homer’s ‘Odyssey’ in reverse. Marcus searches for the love of his life he imagined instead of staying with the love he left behind. Much happens to Marcus in his travels (I will not indulge so not to spoil it for you) but the ending is predictable the moment he walks out the door. Ms Rambo tale is one big moral, a moral that has been told over and over for millennia.

 

Although the details and events of “Pippa” are new, this is a story everyone has read before.

 

 

Everyone loves a parade in P is for Parade by the Alphabet Group (debut 4/20). This futuristic event has much in common with parades of today, but so much is so different.

 

This very brief tale by the group is by far the weirdest one they have done, yet. I just don’t know what to make of it.

 

Writing on the Wall by Vaughan Stranger (debut 4/21 and reviewed by James Hanzelka)

 

What would happen if machines became self aware? How would that affect daily life for those used to them? This subject has been handled by many authors and in many films. This is a short work that takes on that subject.

 

Nice humorous look at what happens as machines begin to think like humans. Not a deep and philosophical as longer stories by someone like P.K. Dick, but in a short work still manages to take on the subject with humor and deft. Very well done.

 

 

The Ambiguity Clock by Lavie Tidhar (debut 4/22 and reviewed by James Hanzelka)

 

This story is set in Southeast Asia. The main character is forced to search for something called an Ambiguity Clock. Set in the near future where technology is rampant he encounters many strange things along the way that are both dangerous and wonderful.

 

This one started a little slow for me, but I found myself drawn into it. The author did a pretty good job of setting the world and creating interest in the search. Worth a read, just stay with it.

 

 

In Necessities by Nathaniel Matthews Lee (debut 25th April 2011 and reviewed by Anonymous), a squad patrolling on an alien world come across a family of humans living a house in a clearing. They are invited to share a meal–the fruit of a nearby tree. When the peel their orange-like fruits they find cheeseburgers and other unexpected treats. Apparently the tree gives people what they need, not necessarily what they want.

The soldiers immediately wonder if the tree would grow on Earth, but then find out the tree can produce more than just food.

I liked this story. It was well-written, interesting and the premise was fresh (like fruit from a tree). It’s a pretty short story but works well, although there is no explanation of how the tree works. I initially believed the story was a sci-fi story, but then the introduction of the tree made me think it was a fantasy story.

Still, I liked it. Nice mini-twist at the end.

A weary woman’s train has finally arrived in This Life by Lee Hallison (debut 4/26). An exhausted Hope is ready to board the crowded A-train. Work is tedious and her dull apartment, and life, hardly seems worth it. The train that arrives is old and empty. An old woman joins her, asking if Hope is ready for a change.

 

“This Life” is a tale of an offer to start anew. The train destinations are new opportunities. All Hope has to do is step off and a fresh start awaits her. She only needs to decide if a change is what she really needs.

 

The stories execution didn’t quite work for me. If in Hope’s position, I’d imagine I would have chosen differently. However, the odd woman knitting may have kept me from making a choice. The story was just too strange for me. Hope’s actions may be understandable because this offer of new opportunity felt too much like an abduction.

 

Like the train, this tale felt too rushed for me.

 

 

The different perspective of the tale of Beowulf is the theme of Q is for Quit by the Alphabet Group (debut 4/27). The hero of the fable contemplates his coming fight with the beast. Eager to confront an equal, for once, in his ongoing battle with evil.

 

This tale focuses on the motives of Beowulf. I found it intriguing but unsatisfying. Just when it piqued my interest, the story ended.

 

 

A breakthrough in limitless energy has been discovered in Vacuum Decay by Ramon Rozas (debut 4/28). There is a concern of uncertain disaster. Will history repeat itself? Not in this universe.

 

I found this very brief story cute but unremarkable.

 

 

An older woman must convince a dragon in search of beauty her splendor runs deeper than skin deep in The Beauty Garden by Damon Shaw (debut 4/29). Eurwen’s village has lost a battle with the white dragons army. Now the village must present it a trophy, a beautiful maiden that will satisfy the dragon, or the village will be destroyed. Eurwen’s young and fairer days were long in the past, but she is betting the dragons definition of beauty has a deeper meaning than what lies on the surface.

 

“The Beauty Garden” has the broadest plot I have read in DSF yet. The white dragon has a desire and motivation I found odd for a mythical reptilian beast. It commands an army and is set on a war of conquest for the sole purpose of collecting living works of art for its on fancy. Eurwen’s plan is a hasty one and it evolves as events are presented to her. The changing premise made the story less and less believable the further I read. The white dragons reaction to Eurwen’s continuous attempts to deceive it I found unlikely, especially for a ruthless tyrant.

 

The author’s comments at the end of the story explained why the story felt incomplete. It is the second installment of a trilogy. The tale read too much like a large excerpt of a much larger piece. I am a fan of many dragon tales but I do have narrow standards of what it takes to make a good dragon story. “The Beauty Garden” falls outside those standards. The author’s excellent writing did draw me in but the unsatisfying storyline left me disappointed in the end.

 

 

Analysis

I have made much of so many of the brief tales Jon and Michele have given us. So much that I have neglected on giving the lengthy Friday editions their due. With four (sometimes five) works at five thousand words or more, the Friday stories alone represents more literature than acclaimed publications like Lightspeed, Fantasy, Beneath Ceaseless Skies, and several others provide in a month.

 

The Friday stories are as good, if not better, than what the other professional publications have decided to publish. Maybe I’m not as impressed with the other editor’s choice of literature. Or maybe my tastes in fiction run more in line with DSF, than the rest, I don’t know. What I do know is the authors I tend to like who have appeared in those other publication I have found in DSF as well. I contend again. I believe many of those authors are sending their best to DSF first.

 

Keep up the good work, Michele and Jon.

 

 

 

 

I like to thank Jim Hanzelka, Dustin Adams, and the Anonymous one. Without their help I likely would have cried uncle by now. You three are priceless to me.