2014 Hugo Noms!

written by David Steffen

It’s award season again! If you’re eligible to vote for the Hugos, you have until the end of March to decide on your picks. I wanted to share my picks, as I always do, in plenty of time so that if anyone wants to investigate my choices to see for themselves they’ll have plenty of time.

Quite a few of the categories I don’t have anything to nominate because I don’t seek out entries in them, so I left those out. And for any category that I have eligible work I mentioned them alongside my own picks.

The entries in each category are listed in no particular order.

Best Novel

Ancillary Justice by Ann Leckie
Premier novel by Leckie. Great premise, difficult point of view, great space opera. I reviewed it here.

A Memory of Light by Robert Jordan and Brandon Sanderson
The 14th and final book of Jordan’s epic Wheel of Time series.


Best Novelette

Monday’s Monk by Jason Sanford (Asimov’s)

Best Short Story

The Promise of Space by James Patrick Kelly (Clarkesworld)

The Murmurous Paleoscope by Dixon Chance (Three-Lobed Burning Eye)

HELP FUND MY ROBOT ARMY!!! by Keffy R.M. Kehrli (Lightspeed)

Hollow as the World by Ferrett Steinmetz (Drabblecast)

The Boy and the Box by Adam-Troy Castro (Lightspeed)

For Your Consideration:
I Will Remain in After Death Anthology
Could They But Speak at Perihelion
Reckoning at Stupefying Stories
Meat at Pseudopod
Coin Op at Daily Science Fiction
Escalation at Imaginaire

Best Dramatic Presentation (Long Form)

Ender’s Game

Warm Bodies

Game of Thrones Season 3


Best Dramatic Presentation (Short Form)

The Rains of Castamere (Game of Thrones)

And Now His Watch Has Ended (Game of Thrones)

Walk of Punishment (Game of Thrones)

Second Sons (Game of Thrones)

Valar Doheris (Game of Thrones)


Best Editor (Short Form)

Neil Clarke (of Clarkesworld)

John Joseph Adams (of Lightspeed, Nightmare, and anthologies)

Tina Connolly (of Toasted Cake)

Norm Sherman (of Drabblecast and Escape Pod)

Shawn Garrett (of Pseudopod)


Best Semiprozine

Beneath Ceaseless Skies

Daily Science Fiction


Escape Pod


Best Fanzine

SF Signal

My work for you to consider:
Diabolical Plots
I do consider Diabolical Plots a zine. Consider, too, that this was the first year Diabolical Plots also provide the Submission Grinder. The Submission Grinder itself doesn’t fit any of the categories, I think, but Diabolical Plots does.


Best Fancast

Toasted Cake




Cast of Wonders


Best Fan Writer

Ken Liu

Ferrett Steinmetz

Juliette Wade

Cat Rambo

Anne Ivy

For your consideration:

David Steffen
Frank Dutkiewicz
Carl Slaughter


Review: Ancillary Justice by Ann Leckie

written by David Steffen

“Breq is both more than she seems and less than she was. ” This line is from the back-cover blurb of Ancillary Justice, the debut novel by Ann Leckie published by Orbit Books. Breq is a fragment of the ship AI known collectively as Justice of Toren, whose mind once occupied many bodies simultaneously: the body of the ship itself and thousands of ancillaries. Ancillaries are “corpse soldiers”, human bodies whose minds have been overwritten to function as appendages of a ship AI. At the point where the story begins, there is only Breq. All the rest of her is gone. She has chosen a mission, a dangerous mission against astronomical odds.

The genre is probably most easily described as a space opera SF. Galaxy-spanning empires, fights, drama, action. But I don’t mean that as a criticism. This book is everything that space opera should be: exciting, emotional, action-packed, and well-paced. The story hits the ground running–there’s no infodump to ground you in the politics or technology of the universe. Action is happening on page one, and reading the story is as much a puzzle to figure out the significance of different political factions, the limits of the available technology, as the story is happening around. With such a grand background, it would be easy to lose the individuals in the midst of it or to use one-dimensional characters from central casting, but the story is full of strong characters, including Breq herself, which give the very human, emotional components that a story needs to be really engaging.

In some ways Breq is superhuman–a very efficient killer when she wants to be, with flawless aim and a computer-like ability to calculate complex math. In other ways she struggles where an ordinary human would not–interpreting facial expressions, trying to tell male and female genders apart. It’s just taken for granted that she is extremely capable, but the book places her against such tough odds and difficult situations that even then her success is not inevitable. But it also manages to pull off the conclusion in a convincing manner so that it doesn’t seem a contrived success. A tough balance to strike but it is done well.

All that’s well and good, but what really makes this book stand out in my mind from other space operas is the interesting format of the point of view of Justice of Toren. The first scenes take place once Breq is all that’s left of Justice of Toren, and although she thinks and acts differently than a typical human, she is more-or-less very human-like, so the POV is not particularly novel. But scenes from that time period are interspersed with flashback scenes from Justice of Toren in all her legion of bodies. She is a single entity, despite all the bodies, receiving sensory input and exerting control over all of them simultaneously, and each body is basically an appendage of the whole, though the bodies are capable of functioning in isolation (as the continued existence of Breq shows you). Writing such a complicated point of view was a risk that could’ve easily made the book unreadable for anyone but the writer (who of course knows how it’s all supposed to fit together). Quite frankly, this is a point of view that shouldn’t work. In the hands of a lesser writer, it would be a garbled mess from which you wouldn’t be able to extract a narrative. Ann Leckie took a risk with this, and she made it look easy. If you’re interested in reading, if you’re interested in writing, even if you have no interest in space opera, you should try out the first few chapters of this book to see how she did it.

I’ll admit, there are parts of the book where I felt like I was falling a little behind, particularly having to do with the relation between some political/social factions. I think that I could sort these out with a second read-through. I don’t think these were the faults of the writing, but of me being a bit slow on the uptake, and even with that I was able to understand the central plotline perfectly well.

And, even better, this is slated to be the first book in a trilogy. The first book stands well enough on its own as a complete story that you don’t need to go further, but I’ll be looking forward to reading the next two books–it’s always hard to outdo the novelty of the first in a series, but I look forward to seeing what Leckie can do for a followup.

I’ve heard some buzz about Ancillary Justice in relation to Hugo and Nebula nominations. I will certainly be nominating it for the Hugo, and voting for it if it is one of the finalists. I would love to see this book get all the recognition it deserves. Please read this book and tell everyone you know about it.