The year is almost over, and here we are with the obligatory award eligibility post. I know some people get annoyed by these, but to me they’re kind of like those Christmas letters from family members–I like reading other people’s posts to see what they’ve been up to for the year if nothing else.
I’ll start with my own stories, then on to Diabolical Plots stuff (I thought about making separate posts, but for those who don’t care for award eligibility posts I thought that might just be twice as annoying).
I am back from WorldCon 74, also known as MidAmericon 2, which was held in Kansas City, Missouri from August 17-21! I am back into my normal swing of things and trying to work my way back into the normal everyday types of things that WorldCon wasn’t.
The Hugo Awards Best Novella category covers stories between 17,500 and 40,000 words. See here for a full list of the nominees this year.
Today marks the official release of the ebook and audiobook versions of the Long List Anthology, a collection of stories published in 2014 from the Hugo Award nomination list. (The print version was released not too long ago).
See the Books page for a link to all of the different vendors for the different formats.
“A Single Samurai” was first published in The Baen Big Book of Monsters published by Baen Books.
In this story a mountain-sized kaiju has arisen in Japan, rising from beneath the land itself where the landscape had built up around it. The monster is moving across the countryside, crushing everything in its path. A samurai has survived its uprising where so many others haven’t by riding the kaiju as it rose up and climbing up its back even as the soil and trees and rocks shift off the kaiju as it walks. To save Japan he has to finish his climb and find some way to kill the monster.
For anyone who read the previous plan proposing the Mulligan Awards, this announcement is to announce that there will be no Mulligan Awards, and to announce a new plan that I hope will accomplish the same goals I had in mind, but in a way that better fits my goals.
In the near future, The American medical corporation Symbogen releases a product that dramatically changes the medical industry–the Intestinal Bodyguard, a a genetically engineered tapeworm that manages most of your medical needs, including suppressing allergic reactions, and producing insulin for diabetics. Within a few years, the tapeworm implants are so ubiquitous, you would be hard pressed to find an American who doesn’t have one, and cheaper models have even become popular in third world countries where they help keep people healthy who have never known good health. They are the universal cure-all elixir. There can be no doubt that they have all the marvelous effects that are claimed–these are well documented. What may not be so well documented are the side effects that may come with that little traveling companion in your gut.
And the last of the shorter categories for the Hugo this year, covering stories from 17,500 to 40,000 words. The longer categories are often misses for me because I feel they have a lot of word bloat, but when I do like one of them they have so much space to grow.
written by David Steffen
It’s award season again! If you’re eligible to vote for the Hugos, you have until the end of March to decide on your picks. I wanted to share my picks, as I always do, in plenty of time so that if anyone wants to investigate my choices to see for themselves they’ll have plenty of time.
This is the first big SF convention that I’ve ever been to, and the only one where I came with a large number of friends I’d known ahead of time. The only convention I’ve been to besides this has been MiniCon in the Twin Cities, which is a few hundred people, and although I’ve made some friends there, I didn’t know any of them ahead of time. Here at WorldCon there are literally dozens of people whom I have met in some respect, varying from casual acquaintances from forums, to editors who have considered my stories for their magazines, to close friends who I’ve been in continuous contact with for years.