2014 Hugo Noms!

written by David Steffen

It’s award season again! If you’re eligible to vote for the Hugos, you have until the end of March to decide on your picks. I wanted to share my picks, as I always do, in plenty of time so that if anyone wants to investigate my choices to see for themselves they’ll have plenty of time.

Quite a few of the categories I don’t have anything to nominate because I don’t seek out entries in them, so I left those out. And for any category that I have eligible work I mentioned them alongside my own picks.

The entries in each category are listed in no particular order.

Best Novel

Ancillary Justice by Ann Leckie
Premier novel by Leckie. Great premise, difficult point of view, great space opera. I reviewed it here.

A Memory of Light by Robert Jordan and Brandon Sanderson
The 14th and final book of Jordan’s epic Wheel of Time series.


Best Novelette

Monday’s Monk by Jason Sanford (Asimov’s)

Best Short Story

The Promise of Space by James Patrick Kelly (Clarkesworld)

The Murmurous Paleoscope by Dixon Chance (Three-Lobed Burning Eye)

HELP FUND MY ROBOT ARMY!!! by Keffy R.M. Kehrli (Lightspeed)

Hollow as the World by Ferrett Steinmetz (Drabblecast)

The Boy and the Box by Adam-Troy Castro (Lightspeed)

For Your Consideration:
I Will Remain in After Death Anthology
Could They But Speak at Perihelion
Reckoning at Stupefying Stories
Meat at Pseudopod
Coin Op at Daily Science Fiction
Escalation at Imaginaire

Best Dramatic Presentation (Long Form)

Ender’s Game

Warm Bodies

Game of Thrones Season 3


Best Dramatic Presentation (Short Form)

The Rains of Castamere (Game of Thrones)

And Now His Watch Has Ended (Game of Thrones)

Walk of Punishment (Game of Thrones)

Second Sons (Game of Thrones)

Valar Doheris (Game of Thrones)


Best Editor (Short Form)

Neil Clarke (of Clarkesworld)

John Joseph Adams (of Lightspeed, Nightmare, and anthologies)

Tina Connolly (of Toasted Cake)

Norm Sherman (of Drabblecast and Escape Pod)

Shawn Garrett (of Pseudopod)


Best Semiprozine

Beneath Ceaseless Skies

Daily Science Fiction


Escape Pod


Best Fanzine

SF Signal

My work for you to consider:
Diabolical Plots
I do consider Diabolical Plots a zine. Consider, too, that this was the first year Diabolical Plots also provide the Submission Grinder. The Submission Grinder itself doesn’t fit any of the categories, I think, but Diabolical Plots does.


Best Fancast

Toasted Cake




Cast of Wonders


Best Fan Writer

Ken Liu

Ferrett Steinmetz

Juliette Wade

Cat Rambo

Anne Ivy

For your consideration:

David Steffen
Frank Dutkiewicz
Carl Slaughter


Review: Eight Against Reality

written by Frank Dutkiewicz

I’ve sold stories. Dave’s sold stories. A sizable portion of the people reading this blog have sold them as well. Everyone (don’t deny it if you have sold one) couldn’t have done it without help. A friend to give it a look, lend a helping hand, and tell you when you are off your rocker and to change that thing you thought was so clever when you wrote it.

Writers never go it alone. Stories are their babies, babies that have had more than one uncle or aunt to help bring it to maturity. Most writers belong to a critique group. Some are large with an open door policy to all that want to join (Critters, Hatrack), while others are exclusive (Codex).

Eight Against Reality is an anthology put together by a very exclusive writers group called Written in Blood. It’s eight members vowed to help each other through thick and thin. So confident are they with each other’s abilities that they all contributed a story for all of us to read.

Let’s just see how good this exclusive club of writers isâ€

The Eminence’s Match by Juliette Wade

Eminence Nekantor is a difficult man to please. If His Eminence isn’t happy, then no one will be happy, and His Eminence is rarely happy. Bureaucrats run from his fury. The house-servants cringe from his cruelty. An entire nation will suffer when His Eminence is on a rampage. The task of pleasing Nekantor, and suffer the brunt of his fury, falls upon his Imbati manservant, a job that proves difficult to fill.

Kurek, an experienced manservant, is the latest to fail. Now the Service Academy must ready another. The Director is set to send one of its top students, but Details Master Arkad believes Xinta is the only one capable of handling His Eminence’s extrinsic need for perfection. Xinta has proved to have trouble dealing with the abuse of the academy, but Arkad senses a quality in him that may be just what His Eminence has desired all along.

The Eminence’s Match is a tale of a powerful man with an obsessive-compulsive disorder that has run amuck. It opens with the reader experiencing Nekantor tormenting his manservant, Kurek. Nekantor expects a level of perfection that any rational person would consider impossible. Trapped in his own sickness, Nekantor seeks to share his misery by making a game of breaking his Imbati manservants’ calm disposition.

The Service Academy is a school designed to teach young men to endure the abuse Grobal noblemen dish out on their manservants. The students must suffer through a gauntlet of physical abuse while a Grobal instructor verbally assaults them. The lessons taught within its walls would be considered felonious in any modern day western society. Xinta is a convincing timid and meek man-child that has been stripped of most of his pride so he will be able to live a life as a human punching bag.

The strength of this story is the characters. The tale is told from four separate points of view with most of it done through Nekantor and Xinta’s eyes. All the people are under an enormous amount of stress. From the start, the reader is led to believe that Nekantor is a spoiled man that is cruel only because it gives him pleasure, but he is in reality suffering from a mental illness that has him on the verge of rendering him incapacitated. The OCD that has consumed him is overwhelming, but not obvious from Nekantor’s perspective. In fact, Ms Wade did such a splendid job that the reader is able to piece together what is wrong with Nekantor without the character being aware of it himself.

The story done from Xinta’s eyes is equally as astounding. The academy challenges its students to defy the ‘turning the other cheek’ axiom they need to adhere to if they are to succeed. Ms Wade offers how such a character could rationalize enduring such an irrational task. I found him convincing and very likeable.

The Eminence’s Match is about insane people set in a crazy circumstance that is told so rational people can sympathize with it all. Juliette Wade managed an impossible task by bringing these people to life and making it all believable. I found the characters delightful and the story powerful, but like the theme of her story, all was not perfect. I have one complaint, and it is a big one.

The tale ended just as the really story was about to begin. The title and plot led me to believe that a titanic battle of wills was about to commence. The story from the first word to the last scene was written as a set up for a classic ‘unstoppable force vs the immovable object’ struggle. Instead, Ms Wade chose a different ending. The resolution was too simple and unsatisfying. I wanted, and expected, more.

The writing in The Eminence’s Match is first class. I loved Ms Wade’s style and her ability to bring her dysfunctional people to life. The story is fitting for an opening act for any best selling anthology.

Kip, Running by Genevieve Williams

Kip is a freerunner. She runs in a future Seattle that has grown tall and is connected with a complex mass-transit system. The races are run through the city’s skyline and the rules are simple; get to the finish line any way you can but you must do it on foot or by riding for free. Kip’s aim is to beat her rival, Narciso, and win the object of her affection in the process, Lily, Narciso’s girlfriend and freerunner groupie.

A freerunner race is a daring and dangerous game. The object of the race is to grab onto anything that moves to get you to the finish line, not unlike what modern day skateboarders do by grabbing the bumpers of passing cars, except this game has a 3-dimensional element to it with mass-transit lines running 80 stories above the ground. The racers give a whole new meaning to the concept of train jumping.

Kip, Running is a rollercoaster of a story. Kip glides through the tall skyline like a flying squirrel in a redwood forest. Following her run is an exciting adventure. Particularly enticing is the futuristic Seattle. The fast-paced city is very different from today, but not so different that it is alien to the reader. I could visualize Kip flying through its skyline, very well done.

Not as exciting is Kip’s obsession with Lily. Kip believes defeating her rival will win his girlfriend’s heart. It becomes the reason for her to risk her life, not the adrenaline surges of leaping from train to slidewalk hundreds of feet above an unseen street. Her obsession dulls the edge of a sharp adventure. It cheapened the thrill of the piece and made me less sympathetic for Kip. The sidebar story set up for a disappointing finish. I cannot remember an ending line that I disliked more. I would have preferred reading ‘The End’ in its place.

Despite my disappointment with the ending, I found Ms Williams’ story telling professionally well done. The writing is very solid and the visual narrative first class. I did enjoy 90% of Kip, Running and can see why it was chosen for this anthology.

The Lonely Heart by Aliette de Bodard

A thin street girl named Xia eyes a statue at Chen’s merchant stall. The girl is reminder of a life Chen escaped, but unlike Chen, Xia has fallen prey to a pimp. Powerless to help her, Chen returns home to the husband that rescued her ten years before and his mother. She tries to put the tormented child, and her pimp’s threatening words, out of her mind. Then Xia appears at her door. Chen is torn between looking out for her family’s best interest and the guilt of Xia’s empty life. But there is more to Xia than meets the eye. Chen has yet to learn how empty of life Xia is.

The Lonely Heart is a sad story that shifts unexpectedly to a creepy one. Chen is portrayed as one of the fortunate early in the story. She was lucky to survive the homeless existence of her youth to become a member of China’s lower middle-class. She is grateful to her husband for rescuing her. Ms Bodard does a masterful job of showing a life that most would find dismal as a blessing.

Xia has an effect on Chen immediately. Her presence tugs at Chen’s conscience. As the story progresses, Xia forces Chen to realize her role in her marriage, and why her husband rescued her long ago. The story would have been great if Ms Bodard would have stuck with this extraordinary theme, but she inserted a twist that I didn’t see coming. High marks for that.

I found The Lonely Heart special. A disguised horror that was so much more. Ms Bodard successfully created a character that is subtly filled with guilt. She set up a convincing past and a unique set of circumstances to make Chen’s choice believable. For anyone else, the price she paid at the end would be too high. Ms Bodard sold me that it wouldn’t be too high for Chen. Masterfully done.

The Flying Squids of Zondor: The Movie Script by Doug Sharp

Commandrix Dron and her valiant (and dense) crew of the Trigon have been saddled to play host to the female prince, and heir to the Tandori crown, Galina. To relieve her indignity of being relegated to a ‘whoremonger’, Dron spots a planet filled with flying squids to take her anger out on. The Planet Zondor is ruled by the giant squid Zondor the Fertile. The squids are a peaceful race (except for the second in command, Zondor 2). The primitive Zondor squids spot the Trigon approaching from deep space (no explanation how they were able to detect it), and do nothing.

Dron instructs her rocket crew to attack and floors it. Galina does her best to yank on the steering wheel (interstellar ships have steering wheels?). They crash on the planet, suffering only 60% casualties in the process. They proceed to attack the palace (the only structure on the planet) and that is when things get really weird.

The Flying Squids of Zondor: The Movie Script is more of a 20 minute skit than a movie script. If written, it would need a lot of actors. There of 17 speaking parts, 32 actually, considering MAN-16 is in fact 16 humans melded into one being. Reading it as a script is odd in itself. The narrative is preachy (just like a script), which made the story fast, as in a blur. Smooth prose was not an objective for this piece.

It is clear that Mr Sharp really wasn’t pitching the next great movie. The story is really a Sci-Fi satire. Well, more of a farce. I believe Mr Sharp was really writing a bit, but not one you would find on Saturday Night Live. I’m guessing Doug was going for more of a Monty Python flavor. The dialog, for example, was way over the top.

Treat Commandrix Den Dron like a whoremonger will you? Hump blatantly in my fearsome Trigon?

Record my vow: I shall wreak dreadful vengeance upon the Tandori crown.

The Flying Squids of Zondor: The Movie Script is simply silly. A silly premise filled with ridiculous characters. Some of the funniest comedies in history are controversial and misunderstood. The more over the top (Three Stooges, Family Guy, Cheech and Chong), the more diverse the opinions will be about them.

Writing funny stories in the fantasy/sci-fi genre is something I like to do, at least I think they’re funny when I write them. I bet Doug thought the same thing when he wrote this.

Humor is subjective, but when you are pushing the line on ridiculous, there is a point when the effort negates the humor. Kind of like when a horror movie goes way over on the gore and screaming women, it ceases to be scary to anyone.

I believe writing this as a movie script was a mistake. Sticking to the tried and true prose of a short story could have made this work. Some jokes need a set up, not much set up here. The Flying Squids of Zondor: The Movie Script is a story of punch lines, but no substance.

Spoiling Veena by Keyan Bowes

Shalini worked hard to make Veena’s birthday special and her best efforts are falling short. The snowfall she ordered became hail. The cake she bought was supposed to be a replica of the Snow Castle, instead they got America’s Congressional Capital. All Shalini wanted for her gender-manipulated daughter, was to make her princess happy. What will make Veena happy may be more change than Shalini expected.

Spoiling Veena is a tale of a parents desire to do what is best for their child. The story explores a future where gender tailoring is a possibility and how it affects the people around them. The author wisely sets the tale inside a future India, where old prejudices still linger in the progressively advancing society. Shalini’s generation is caught between her daughter’s ‘do what makes you happy’ philosophy and her mother’s ‘god intended people to be one way’ morals. The premise is a potential future problem, which makes for good Sci-Fi.

I liked the idea but I didn’t like the author’s decision to write it in a present tense format. The story is written over a time frame that covered a few months. I am not against the present tense style but it didn’t feel right for this one.

I found the ending fitting, one of those little twists that I like. Good idea. The story didn’t bowl me over but did make me think.

Man’s Best Enemy by Janice Hardy

The people of Atlanta, all 98 of them, are expecting this year to be one of the best in a long time, then one of their own falls to a juvie. News that the dogs are near is tragic. Hunters are needed to take it down. Shawna volunteers, but no one wants the doctor’s apprentice to go. Armed with only javelins, bringing down a juvie isn’t always easy. Juvies have a way of becoming adults, and if you aren’t careful, you may find yourself on the wrong end the food chain.

Man’s Best Enemy is set inside an Atlanta a generation removed from a devastating plague. Man’s best friend has become its vicious enemy. Searching for remnants of dwindling supplies is dangerous, but finding an undisturbed store may be worth the risk.

The dogs of Atlanta have grown and are now the top predator. The few people left are holding the downtown area, protecting their dwindling livestock in the abandoned stadiums, and doing their best to rebound in hopes of rebuilding a civilization. Shawna wants to become a hunter like her mother was and brother is. A fallen hunter, and her brother’s infection from a dog bite, has granted her a rare opportunity.

Man’s Best Enemy is hair-raising excitement. The young teens have become the front line defenders against a lion-sized enemy. The people of Atlanta are under siege and are holding the last bit of ground that isn’t overrun by packs of vicious maneaters. Ms Hardy has done a splendid job with this dystopia tale. I found the MC likeable and the Atlanta’s blight believable. I could see why they would be wary of using the last of their guns’ ammunition but found it odd they only brought javelins with them. Spears are easy to make and would do well against even a large dog. The tactics the young defenders used seemed foolish as well. Trying to outrun a predator is just plain suicide.

Although I could poke all kinds of holes in it, I still found Man’s Best Enemy a good story. I liked it.

Love, Blood and Octli by T. L. Morganfield

Ayomichi has found favor with a feathered serpent. Ehecatl is the wind god and gives Ayomichi a gift for her people, creating happiness for all. Ayomichi becomes priestess for her Ehecatl. She discovers that gods do have more than one side to them. Ayomichi and her people learn that gods are like strangers, and that you should be wary when they come bearing gifts.

Love, Blood, and Octli is a fable, a retelling of an Aztec myth. The story is told as Ayomichi grows from a small child to a leader of her tribe. Mankind is changed by Ehecatl’s gifts. Ehecatl himself changes as the story progresses. In the form of a snake, the god molts, and takes on a new personality when he does.

If you are one that can’t get enough of Aesop, than you’ll probably love Love, Blood, and Octli. The story does run a lot longer than a Greek fable and the moral isn’t as clear as the ones reflected in Aesop’s wisdom. In fact, I’m not all sure there is a moral in this tale. Never lose faith, perhaps?

I must say that I think it was a mistake sticking to the fable format. Yes, this was based on a myth, but it could have still been written in a style that was less like a religious lesson than a work of fictional entertainment. I think I would have enjoyed it more if it were.

Dancing by Numbers by Dario Ciriello

Lyra is a dedicated ballerina. She has been working on her focus, concentrating her whole being to find her center of balance, when she slips into another world and different Lyra. She has discovered a new reality, and realizes that she can repeat the process. Lyra becomes an explorer, an explorer of other Lyras. Her friends and workmates worry that she is losing it. When every decision that was ever made can spawn a new reality, losing it becomes just another possibility.

Dancing by Numbers is a new look at alternate universes. Dario Ciriello came up with a concept that makes it seem almost possible. Lyra One (as she comes to call herself) starts a trend. Once combined with her other selves, memories and thoughts become one. The brief visits spur her counterparts to make their own leaps. Lyra One becomes the pebble that starts a ripple in a sea of multi-able universes.

Mr Ciriello’s knowledge of history is a big plus. The universe of a Carthage victory I would have liked to know more about. Too bad he didn’t delve deeper into the different universes for us to learn more.

Alternate universe stories are like time travel ones. Questions that defy the premise arise for readers. For me, the story is too tight. I would have liked more of Lyra(s). The tale is crisp, but brief. I liked the idea and Mr Ciriello’s style, but the tale needed more story for me to fall into it.

Final Thoughts

I envy the Written in Blood writers group for their perseverance. I was once part of a group that attempted the same thing they did. We were about the same size with the same goal; get a group of emerging writers together and work for the benefit of all. Instead of equals that were eager to help each other, we devolved into something like a dysfunctional family sitting together for a disastrous Thanksgiving dinner. The group lasted less than a month. Three years later, Written in Blood is still going strong. Standing ovation for that feat.

Eight Against Reality is a risky endeavor. The separate styles in writing and shifting genres may turn some away. I love reading such anthologies but more than a few gravitate to collections that share a theme that interests them. The only theme to this collection is a shared history between the authors. However, if the only criteria that concerns you is the quality of the writing, then you have nothing to worry about.

I have yet to read an anthology with so many different authors where I liked all the stories. Eight Against Reality does not break that streak. However, rarely will you find the quality of writing this consistently high.

I found almost all the stories professionally done. Two were exceptional, in my opinion.

If you are looking for an example of a character driven story, study Aliette de Bodard’s The Lonely Heart. Ms Bodard took a character who lived a life that I could never envision, and brought her to life for me. Masterfully done.

Juliette Wade’s The Eminence’s Match was that and so much more. Yes, I was disappointed with the end, but only because I was not ready for it to end. Her characters, seeing what they saw and feeling what they felt, made for a powerful reading experience. If I were granted the honor of nominating one story for a major award (Nebula, Hugo, Campbell), I would be placing The Eminence’s Match on my short list of ones to consider at the end of the year.

Eight Against Reality was a pleasure to read. I give this anthology of virtual unknowns a solid recommendation.

This is the gold award that Frank proudly displays in his home. Emery Huang threw it through his living room window after readingÂFrank’s review of Writers of the Future Vol 25. Frank now plans on reviewing Eugie Foster’s works so he can add a Nebula to his collection.

Found in Translation: Juliette Wade

JulietteHeadshotJuliette Wade is a writer of speculative fiction whose story Let the Word Take Me was published in the July/August 2008 issue of Analog Science Fiction and Fact. Her second published story, Cold Words, will also appear in Analog, in the October issue, on newsstands at the time of this interview.

Her stories are unique in that they draw heavily on her background in anthropology and linguistics. So many science fiction stories avoid the topic of linguistics entirely, either by ignoring it, or by hand-waving with gadgets like universal translators. Juliette’s two Analog stories are centered around establishing communications with alien cultures.

Besides her successful fiction career, she also maintains a blog focused on discussions of linguistics and anthropology of both the real world and fictional locations. Her blog is particularly interesting because she makes it so interactive. You can raise questions there and she also periodically runs worldbuilding workshops, about which I’ve heard very good things. Check out her blog at www.talktoyouniverse.blogspot.com

Juliette, thanks for agreeing to this interview.

David Steffen: In your own words, could you tell us a little bit about Cold Words to pique our interest?

Juliette Wade: The thing I love most about Cold Words is that it takes what seems like a pretty simple spaceport deal and turns it into something really exciting by putting it in the point of view of a 6’4” drug-addicted wolflike alien with ulterior motives. ÂBoy, did that add stakes and complications!

David: Cold Words is told from the point of view of a character who is not human. What particular challenges did this provide? Any advice for writers who would like to write from a non-human point of view?

Juliette: Creating Rulii and his voice was the biggest single investment of time and effort that went into the creation of the story. ÂI actually started with the characteristics of his language, picked a species that would match well with status language issues, then designed the sounds and structure of his language. ÂAfter that I figured out how I was going to reflect the structure of his language in English, and developed the prose. ÂThe step that followed was figuring out what kinds of metaphors he would use to describe his life, and the details of how he would live in the environment of his planet. ÂI kept finding new places, like architecture, where the Aurrel species and their environment would require unique details. ÂMy advice to writers who want to write from a non-human point of view is to be systematic, and make sure you’re grounded in what the character knows based on his or her environment and experience, so you can use only those things to express the character’s judgment of people and events. ÂOtherwise the human viewpoint will start to intrude.

David: You managed to get your very first fiction publication in Analog–which is on the top of many speculative writers’ “wish list”. Can you tell us a little bit about how this transpired? How long had you been writing before this sale?

Juliette: The Analog connection was very fortuitous, really the result of networking. ÂI’d met Deborah J. Ross when we shared a panel at BayCon in Spring 2007, and having heard about my interest in Linguistics, she introduced me to Sheila Finch, author of The Guild of Xenolinguists, at Westercon a month later. ÂSheila was the one who told me that Analog’s editor, Dr. Stanley Schmidt, enjoyed stories about linguistics. ÂBecause of Analog’s known interest in hard science fiction, I’d never before considered sending anything to them, but after her recommendation I gave it a try. ÂAnd it worked!

David: What was your first reaction when you first heard of the story’s acceptance? How did you celebrate?

Juliette: I got the letter as I was running out the door to take my kids to gym, and could barely drive. ÂWhen I opened it I found the first words were “I like ‘Let the Word Take Me’.” ÂMy heart was pounding. ÂIt was actually a conditional acceptance, because Dr. Schmidt wanted me to change some of the harder science aspects of the story, like whether the gecko aliens could stick to walls (they were too large to do so, according to the laws of physics). ÂI knew this was my chance, so I changed those aspects of the story and sent it back. ÂI agonized until I got confirmation that the story would be published. ÂThen I did a happy dance!

David: How did your reaction to the second sale differ from the first?

Juliette: I was thrilled, actually, because this time it wasn’t a conditional acceptance, and Dr. Schmidt said very nice things about the story. ÂAlso, on some level, I was really relieved because I could now be sure the first acceptance hadn’t been a fluke. Â ÂThe first one was an idea I’d had for a long time and it happened to land, but Cold Words I designed expressly for Analog.

David: Has being published in Analog helped her with other pro markets? Sales? Personal rejections?

Juliette: I couldn’t say. ÂI don’t think so; I’d been getting personal rejections for some time before the Analog sale. ÂAlso, since I designed Cold Words for them, I never sent it anywhere else. ÂMy other current stories are fantasy, so I don’t really think there’s much cross-influence.

David: Can you explain a little bit about how your world-building workshops work? Who is eligible to join? How do people join?

Juliette: Sure! ÂThe workshops are pretty informal and unscheduled. ÂWhen I think I’ll have time to hold one, I post a poll on the blog asking for expressions of interest, and if I get enough, I schedule one. ÂI get people to submit 500-word excerpts from the start of a story, and I pick five participants based on how helpful I think I can be to them. ÂAnyone can submit – there’s no requirement that the story be *about* linguistics or anthropology issues – but because of my interests I particularly enjoy working with people who care about the worlds they’re building and take interest in strengthening those aspects of their stories. ÂIn the last few months I’ve been too busy to propose a workshop, but I hope to have time for a third one later this year.

David: If we found intelligent extraterrestrial life, how difficult do you think it would be to establish communication? Would it even be possible?

Juliette: In fact, I think it would be extremely difficult and maybe impossible, particularly if we were trying to accomplish it at a distance with no context of alien physiology or environment. ÂThere are Earthly scripts we still can’t decipher, and we certainly have difficulty with the more complex communications systems of animals on Earth, like dolphins and whales, for example. ÂLanguages are fitted to the transmission and reception systems possessed by their speakers, and we could find some things out there that would be beyond our ability to perceive, much less decipher.

David: With your background in linguistics, do you have trouble enjoying SF stories that avoid the issue of language barriers?

Juliette: Actually, no, though I always enjoy the ones that try to take language on. ÂThe classic solutions, universal translators or language-deciphering AI’s, are so prevalent that I generally consider them to be an element of premise, i.e. I just have to accept that the method works, somehow. ÂThat’s not too difficult to ignore, and then I can get onto enjoying what the story is really about.

David: Do you write novels, as well as short stories? If yes, do you prefer to write one or the other? Which comes easier to you?

Juliette: Yes, I write novels. ÂI started writing them first, in fact, but I enjoy writing both. ÂI found that starting to write short stories really helped me grasp some of the larger structural aspects of directing a story, so they’ve helped my novels a lot, indirectly.

David: What’s your favorite way to spend your time, besides reading and writing?

Juliette: Being with my family. ÂGoing out to the children’s museum, or ice skating with them, or just reading books, maybe helping my kids learn to use the computer. ÂAlso, talking with my husband is one of my favorite things to do. ÂSometimes we discuss my writing, and other times his work or events in the world.

David: If you could give only one piece of advice to aspiring writers trying to secure their first fiction sale, what would it be?

Juliette: Be dogged, both in improving your writing and in finding ways to connect to the community of writers. ÂIf you believe in it, just keep going.

David: More specifically, since you’ve had repeated sales to Analog, what is your advice to writers who wish to break into that particular market?

Juliette: It’s hard to say. ÂI was lucky, in some sense, that linguistics is what I do and Dr. Schmidt happens to like it. ÂBut I do have two pieces of advice: Âdon’t *not* submit just because you think Analog is a hard market to break into. ÂLet the editor decide if your story is appropriate for them. ÂThe other is, keep in mind that Analog stories are very principled. ÂFollow the guidelines as far as making science (linguistic or otherwise) integral to your plot, and be maniacal about keeping scientific grounding and consistency. ÂThis is not to say that you need to explain all the relevant science, just that it needs to serve as a rock-solid foundation for the story to succeed.

David: What was the last book you read?

Juliette: Ship of Dreams, a pirate historical romance written by my friend, Elaine LeClaire. ÂActually the first romance novel I’ve ever read, so it was fun and a change of pace. ÂVery well written, too, with terrific historical detail – I heartily recommend her work.

David: Your favorite book?

Juliette: Hands down, my favorite book is The Left Hand of Darkness by Ursula K. LeGuin. ÂIt was the inspiration for my writing philosophy.

David: Who is your favorite author?

Juliette: In science fiction, Ursula K. LeGuin, for the depth and realism of her worlds and their people. ÂIn fantasy, I’d say Patricia McKillip, for her sense of story and her poetic use of language.

David: What was the last movie you saw?

Juliette: In the theater, it would have to be WALL-E. ÂA bleak vision of the future, but a wonderful story – and a testament to how effective body language can be in communication.

David: What is your favorite movie?

Juliette: I’m not sure. ÂThe Lord of the Rings series is certainly high on my list.

David: Are you currently working on any writing that you’d like to give a sneak peek at?

Juliette: I’m designing a new story for Analog, tentatively titled “At Cross Purposes,” where some human terraformers run into trouble with spacefaring aliens who have an unusual view of technology. ÂAlmost finished with a novel of linguistic fantasy, “Through This Gate,” involving a magic book that contains a world literally made from the delusional writings of a Japanese madwoman who has lived inside it since the 11th century.

David: Thank you for taking the time to answer some questions, Juliette. I look forward to picking up a copy of Analog to see your new story in print.

Also, thank you to Brad R. Torgerson for his contributions to this interview.