The Best of Escape Pod 2019

written by David Steffen

Escape Pod is the weekly science fiction podcast, one of the Escape Artists family of podcasts, edited by S.B. Divya and Mur Lafferty.

Escape Pod published a total of 41 stories in 2018, which is lower than it has been in some years because of a combination of longer stories that were split across multiple episodes, as well as mixing in “Flashback Friday” episodes this year, which are republications of stories published earlier in Escape Pod’s history–since Flashback Friday stories have already been considered for previous Best of Escape Pod lists here, they were not considered this time.

And let me say that Escape Pod has been in incredible form this year–it was very hard to winnow the list down to this length, and I had to cut stories that I would recommend to get it down to the length. If you like what you read in this list, there are many many more where that came from!

Every short story that is eligible for Hugo nominations this year which were first published by Escape Pod are marked with an asterisk (*). 

The List

1. “Failsafe” by Tim Chawaga, narrated by Tina Connolly*
Failsafes are legally required human components to automated systems that serve as impediments to machine uprisings by being able to refuse to participate if something starts happening. There aren’t many left and they are left and they are chosen specifically for their empathy.

2. “When Robot and Crow Saved East St. Louis” by Annalee Newitz, read by Louis Evans
I love stories of artificial intelligences that do great things because they find new ways to apply their specialized programming, and this is one of those! In this case a drone designed to help the CDC stop disease outbreaks early.

3. “Optimizing the Verified Good” by Effie Seiberg, narrated by Trendane Sparks
Battlebots! This story is about a cleaning bot that operates in a battlebot arena cleaning up the damaged parts after battles to clear the way for the next battle. It decides that a more optimal way to keep the arena clean would be to reduce the amount of damaged robots–another in the subgenre of robots following their programming and doing unexpected things as a result.

4. “The Great Scientist Rivalry on Planet Sourdough” by Beth Goder, narrated by Divya Breed, Mur Lafferty, Adam Pracht, Alasdair Stuart, and Tina Connolly
Hilarious full-cast recording with multiple point of view characters all with their own clashing motivations.

5. “Flash Crash” by Louis Evans, narrated by Ibba Armancas*
Another in the robots following their programming and doing unexpected things, in this case an investment AI expanding as it goes.

Honorable Mentions

“Spectrum of Acceptance” by Nyla Bright, narrated by Maxine Moore*

The Best of Escape Pod 2018

written by David Steffen

Escape Pod is the weekly science fiction podcast, one of the Escape Artists family of podcasts.  At the beginning of 2017 it was edited by Norm Sherman, but when he stepped down from the role two co-editors have filled the positions: S.B. Divya and Mur Lafferty.

In February Escape Pod once again participated in the Artemis Rising event across the Escape Artists podcasts, publishing fantasy stories written by women and nonbinary authors.

Escape Pod published a total of 42 stories in 2018, which is lower than usual because of a combination of longer stories that were split across multiple episodes, as well as mixing in “Flashback Friday” episodes this year, which are republications of stories published earlier in Escape Pod’s history–since Flashback Friday stories have already been considered for previous Best of Escape Pod lists here, they were not considered this time.

Every short story that is eligible for Hugo nominations this year which were first published by Escape Pod are marked with an asterisk (*). 

The List

1.”And Then There Were (N-One)” (Parts 1, 2, 3, 4) by Sarah Pinsker
The author Sarah Pinsker attends a convention of Sarah Pinskers from other dimensions. And then Sarah Pinsker is murdered! Dun dun DUUUUN.

2.”The Revolution, Brought to You By Nike” (Parts 1, 2) by Andrea Phillips
Nike’s new viral marketing campaign is aimed at changing the world.

3.”Caesura” by Hayley Stone
Finding ways to make an AI write poetry as a form of grieving.

4.”Beatrix Released” by Shaenon K. Garrity*
Beatrix Potter, controlling a team of clever animals.

5.”Anna and Marisol in Time and Space” by Tim Pratt
Time travel romance!

Honorable Mentions

“After Midnight at the Zap Stop” by Matthew Claxton*







BOOK REVIEW: From a Certain Point of View

written by David Steffen

From a Certain Point of View is a short story anthology media tie-in to the Star Wars universe, released in October 2017 by Del Rey.  To celebrate 40 years of Star Wars, the anthology contains 40 stories that take place in or around the events of the original Star Wars film released in 1977, but from the point of view from a supporting character.  All of the author’s proceeds for the book go to the charity First Book that provides books, teaching materials, and other essentials to educators and organizations serving children in need.

Most anthologies I’ve read contain stories that are either loosely connected by themes (an anthology of vampire stories, or alien love stories, or mad scientist stories, or stories of marginalized groups in history, etc…), or might be based in some kind of shared speculative world but which aren’t really part of same arc, or which are not really connected at all. This anthology felt very different to me in that the shape of the anthology as a whole has an arc, and it’s an arc most geeks are familiar with, the arc of the original Star Wars film.  But it’s a story arc as told through negative space.  Instead of following the story of Luke Skywalker meeting Obi-Wan Kenobi and hiring help from Han Solo and Chewbacca and rescuing Leia Organa and destroying the Death Star, this anthology read from start to finish tells that story, but through those affected by the actions of the heroes and villains we are most familiar with.  This is a great use of the Star Wars mythology because an anthology like this can only reach its full effect if the audience is familiar with the original arc, so that they can understand the significance of how these secondary characters affect and are affected by the events shown in the movie itself.  It’s a great idea, well executed, by some of the best contemporary short story authors.

Some of the stories are what you would expect from Star Wars stories: full of action and intrigue and that sort of thing, with rebels as heroes  But the ones that really stood out to me were the oddball stories, the ones with an arc that didn’t follow the usual Star Wars arc, the ones that did something funny or unexpected.  I’ll mention a few of my favorites of these with a brief teaser for each.

“The Sith of Datawork” by Ken Liu
From the point of view of an Imperial bureaucrat aboard the Star Destroyer Devestator.  He is approached by a friend who was the gunner who chose not to shoot down the escape pod carrying R2-D2 and C3PO from the Tantive IV, afraid he will be punished for his choice he uses the power of bureaucracy to justify his friend’s choice.

“The Red One” by Rae Carson
From the point of view of the red astromech unit that Uncle Lars initially purchases from the Jawas, we find out more about went on in the sandcrawler, and between this droid and R2D2, and what preceded its fateful malfunction.

“Not For Nothing” by Mur Lafferty
Written in the form of a “Behind the Music” sort of feature that you might read in Rolling Stone or see on VH1, from the point of view of a member of the Modal Nodes band that is playing a the Mos Eisley cantina during the movie.

“Born in the Storm” by Daniel José Older
Written from the point of view of one of the storm troopers sent to Tatooine to look for the droids, and written in the form of an incident report.  The irreverent attitude of the storm trooper made this story a lot of fun, and though I was skeptical that he would take such an attitude, it all made sense in the end.

“An Incident Report” by Mallory Ortberg
I think this might be my favorite in the book.  After Darth Vader Force-chokes Admiral Motti for insolent comments that the Death Star is all the Empire needs, this story is the incident report Admiral Motti writes up for the Imperial human resources department, a very peevishly toned note complaining about the incident, while trying to make it clear he’s not discriminating on the basis of religion.

 

The only thing that didn’t quite hit right in the book is that with the density of stories in the Mos Eisley cantina involving the same characters, several of them conflicted with each other, especially around the activities of Greedo and how good of a bounty hunter he actually was.  I’m guessing the stories were largely written independently with general guidelines, so the authors didn’t have direct contact, but the only thing off about the book was the clear continuity conflicts revealed there.

This book was a lot of fun, and a unique take on short story collections that took a different angle than any other I’d read before (which is probably only possible with a well known franchise like this).  I highly recommend it.

 

BOOK REVIEW: Six Wakes by Mur Lafferty

written by David Steffen

Six Wakes by Mur Lafferty is a science fiction mystery, one of the finalists for the Hugo Award for the Best Novel category of 2017.

In the future, cloning is commonplace, but its use is strictly limited by law to ensure that it’s only used for longevity of a person rather than multiplication.  Every clone makes regular mindmaps of their memories and after they die, a new youthful body is cloned from their DNA and the mindmap copied into it.  Many clones have hundreds of years worth of memories they carry with them as though they have lived a single long life.  The practice of cloning is not accepted by everyone, especially religious groups, many of which consider clones to be soulless abominations, and there have been violent conflicts about cloning practices.

And what better use for clones than to crew a starship?  Equip the ship with a cloning bay and mindmapper, and a crew of six can staff a starship that would require a generation ship with much heavier infrastructure with an uncloned human crew.  Not many clones would be interested in such a long dull trip, but criminal clones granted a pardon for their crimes as payment can be convinced, watched over by an AI to make sure things don’t get out of control, and a cargo of humans and clone mindmaps to colonize the planet at the end of the trip.

But, something has gone terribly wrong.  Maria Arena and the other six crew members wake up simultaneously in newly cloned bodies, to their own murder scene.  They have been in transit for twenty-five years but have lost all of the memories of their journey, the gravity is off, the food replicator is only manufacturing poison, the AI is offline, the cloning bay has been sabotaged, and presumably one or more of them was the murderer but even they don’t remember that they did it.  Their previous crimes are strictly off the record as part of the pardon deal, so no one knows if any of the others had a history of murder.

This was an enjoyable SF mystery, an amped-up locked room type of mystery, where this crew of six is set to investigate their own murders, and it could’ve been any of them since they lost the memories of the journey.  As they go they have numerous other obstacles they have to deal with just to keep going, as well as searching for clues to who committed the murders.  Scenes from the present are interspersed with scenes from each person’s pasts so the interplay between the characters makes more and more sense as we understand their histories.  I don’t read a lot in the mystery genre, but I liked how this novel took familiar tropes like the locked room mystery and by changing the setting and technology level gave them interesting new angles to explore.  The book flowed easily from beginning to end and I was satisfied with the resolution.  I don’t know how well it will stand up to avid mystery readers, but I enjoyed it and would recommend it.

The Best of Escape Pod 2017

written by David Steffen

Escape Pod is the weekly science fiction podcast.  At the beginning of 2017 it was edited by Norm Sherman, but when he stepped down from the role two co-editors have filled the positions: S.B. Divya and Mur Lafferty.

Escape Pod was already a qualifying market for writers to become members of the Science Fiction and Fantasy Writers of America, but in 2017, its three sister podcasts joined the list as well, making all of Escape Artists’ ongoing publications qualifying markets!

In February Escape Pod once again participated in the Artemis Rising event across the Escape Artists podcasts, publishing fantasy stories written by women and nonbinary authors.

Escape Pod published a total of 52 stories in 2017.

Every short story that is eligible for Hugo nominations this year which were first published by Escape Pod are marked with an asterisk (*).  If the original publisher was someone besides Escape Pod, the original publisher is noted in parentheses for award-eligible fiction.

 

The List

1. “Unit Two Does Her Makeup” by Laura Duerr*
I love a well-thought-out AI story, and this one is great, exploring the interaction between two AIs who have different roles in a company and how that affects nuances of their behavior and many minor choices affected by these values.

2.  “Planetbound” by Nancy Fulda* (from the anthology Chasing Shadows)
Those living off-Earth have joined into a state of ongoing connectedness with their fellow human beings, and have become largely separate from those on the planet.  One of those people come back to Earth so that everyone off-Earth can experience what it’s like.

3.  “Red in Tooth and Cog” by Cat Rambo
A woman discovers an ecology of feral smart devices in the city park.

4.  “Texts From the Ghost War” by Alex Yuschik*
Story told as wartime text messages with a mechwarrior.

5.  “Trash Talk” by Holly Schofield
A story exploring how the economic disparity of the uses of advanced technology.

Honorable Mentions

“That Game We Played During the War” by Carrie Vaughn

“Vegetablemen in Peanut Town” by August Marion*

“A House of Her Own” by Bo Balder

 

 

The Best of Escape Pod 2015

written by David Steffen

Escape Pod, the original science fiction podcast, is still running more than ten years later.  It continues to be edited by Norm Sherman.  Mur Lafferty began the year as editor-at-large (whatever that means) but moved on to the sister publication Mothership Zeta.

Escape Pod published 41 stories in 2015.

 

The List

1. “Beyond the Trenches We Lie” by A.T. Greenblatt
Fighting a war against blobs whose only vulnerability is lying, the more novel the more effective.  The story is told in the space between the lies.

2. “Everyone Will Want One” by Kelly Sandoval
What would it be like if you had a bot to aid you in your social situations to help you get through high school?

3. “Flowers For Algernon” by Daniel Keyes
Classic science fiction, you may have read it in school, a journal story written by a mentally handicapped man who undergoes a procedure to enhance his intelligence.

4. “The Semaphore Society” by Kate Heartfield
Future user interface technology allows the paralyzed to begin a new online group, inventing a new language as they go.

5. “Adaptation and Predation” by Auston Habershaw
A shapeshifting scavenger as assassin, taking on a member of a dangerous predator species.  Really fun, interesting, action packed story.

 

Honorable Mention

“The Lone and Level Sands” by Marco Panessa

 

Daily Science Fiction March Review

written by Frank Dutkiewicz

It has been a very long time since we last appeared. A busy schedule and active life is our excuse. My apologies to Rahul Kanakia for pestering him for an interview, then dropping off the face of the Earth. I recommend that you all visit his blog (very interesting, entertaining, and insightful) and consider reading his latest book.

With much regrets, next month’s review (April) will be our last. I won’t be getting all gushy with you about it now. I’m saving that for my next review (need to fill up some space). But please take a gander of our thoughts of March’s tales, then visit go Daily SF and read them for your own amusement.

 

“Wedding Day” by Brian Trent (debut 3/3 and reviewed by Dustin Adams)

Because this story relies on its secret, a review is impossible without :spoilers:

Men from the future have come back to marry some of the most brilliant women of our time before an asteroid strike. This is a cool idea, but I had trouble with some inconsistencies, like why are they so hungry? And certainly the asteroid didn’t destroy the planet or there would be no future men to travel back.

I did like the story because of the details and the teasing that something unusual was going on, leading us on just enough to get hit with the hammer of the last line.

 

“Love is a Component of This Story” by Liz Argall (debut 3/4 and reviewed by Dustin Adams)

Indeed, the title sums up this story about the customs of a foreign people, and two volunteers being tested/examined with various sexually stimulating scenarios and machines.

Although I couldn’t exactly find a connection between the two concepts, nor a reason for the female character being named Bruce, (a constant distraction) I found the story fun and easy to read. And of course, being a romance, with a most unique path to the characters’ meeting, I felt the aww factor.

 

“Luna City, At Night” by Karl El-Koura (debut 3/5 and reviewed by Dustin Adams)

Hard-edged descriptors give this story its grim feel of a future gone mechanical (automatic, not robotic). A man, a future player if you will, finds and beds women who he assumes are interested in his wealth, (his silver watches, and bulging wallet). He seems to be a working man, yet has money to allow the women to steal, in the night, when he pretends to be asleep.

Interesting concept that he accepts the women’s thievery as payment for getting what he wants, but is he happy in his mundane world of repetition? Only after a woman doesn’t follow through with the expected, does the man begin to see the unexpected.

 

The price for survival is a long outstanding debt. “The Alien Tithe” by Eric Brown (debut 3/6 and reviewed by Frank D) is the tale of colonists who crash landed on their new home. The native aliens saved and healed the survivors of the disaster but have demanded a tithe for their good deed. The story follows along the trek of one the colonists as he leads his children to the aliens to pay for the debt.

“Alien Tithe” is a chilling tale. The gratitude the colonists had to their alien hosts has evolved into a yoke of guilt. I found this short tale to be intriguing and told well.

Recommended

 

Life goes on after the world is dead. “Through Dry Places, Seeking Rest” by Megan Arkenberg (debut 3/7 and reviewed by Frank D). Is the tale of a mute. Civilization has collapsed shortly after angels have appeared. The protagonist’s brother was murdered and now he wanders alone, seeking a running train while he walks the rotting planks and rusting rails that mark their mythical tracks.

The protagonist of this tale is a drifter with no place to go. He has lost the last person who ever meant a thing to him in a world without hope, a metaphor that proves fitting for “Through Dry Places” theme. The story, like the protagonist, simply drifts without much of a purpose.

 

Holes are filled in a popular fairy tale. “All Upon A Time” by Dani Atkinson (debut 3/10 and reviewed by Frank D) is a series of backstory narratives around the Cinderella tale.

Cute.

 

A stop at a coffee house will put you in just the right mood. “Surprise Me” by Andrew Knighton (debut 3/11 and reviewed by Frank D) is the tale of Yan, a counter worker at a coffee house with gift of pouring the emotion you need into your cup. A special girl, a customer who always orders ‘surprise me’ has been the object of his affection. He has brewed himself up some courage for her arrival but needy customers, and the fading effects of coffee, may sap the drink’s powers before he can ask her for a date.

“Surprise Me” is a tale of a boy trying to gather the nerve to express his feelings. It serves as a neat metaphor on the awkwardness of dating.

 

Yeast from the stars stumble upon a horrible world. “We Don’t Believe That They Are Friendly” by Sylvia Spruck Wrigley (debut 3/12 and reviewed by Frank D) is a report from a surveying crew of a yeast-based life form on their findings of an isolated world.

Fun piece.

 

“This Doesn’t Appear to Be the Alien I Paid For” by Andrea G. Stewart(debut 3/13 and reviewed by James Hanzelka)

Sir;
When my seven year old daughter asked for a pet I sensed an opportunity to teach her about the universe. After all I’d seen your ads everywhere, at work, watching holo, even while using the urinal. So we ordered the Plum eared Noggin offered in your catalogue. It arrived not in the seven days promised, but in 12; however I chalked this up to the fact that it had to travel half way across the universe. We immediately opened the package to ensure it arrived in good shape and were relieved to see the little heart monitor ticking along in time with the creatures beating heard. When the little fellow didn’t pupate within the two weeks as promised we made the first of our calls to your customer service department. They assured us that the pupation time can vary and we were relieved when a few weeks later the pupa was occupying the terrarium. However when the creature that emerged did not have cute pear shape ears as shown in your catalogue and had a red strip down its back a second call was made to your customer service. Unfortunately it would not be our last.

If you think dealing with earth-bound customer service desks can be trying, imagine dealing with one half ways across the known universe. That is exactly what this author imagined. He did an excellent job at it. This story is infused with a dry humor that really had me chuckling all the way through. Well Done, sir.

 

“The Sentence is Always Death” by Ken Gerber and Brian Hirt (debut 3/14 and reviewed by James Hanzelka)

I’m forty-three, well beyond needing a nanny, but nanny is in the audience like she always is. It’s fitting she should be there since I’m taking the rap for her. There are a few cases ahead of mine. “Case 1201, Miz Gravona,” the Judge says. The alien shuffles up front. “Miz Gravona, given your crime the sentence is death.” Of course it is, the sentence is always death.

This is an involved tale of happenstance, planning and criminality. The author envisions a future where an individual can be “erased”, removed from their own existence; then imagines the possibilities that future presents. It is fairly well written, but could have used some trimming in places. This overwriting tended to detract from the story a bit, but it’s still a piece worth reading.

 

A bulimic girl returns home with a tool to help. “Measures and Countermeasures” by Beth Cato (debut 3/17 and reviewed by Frank D) is the story of Colleen, a young woman whose eating disorder landed her in the hospital. Tonight is her first dinner, but she has smuggled in a piece of technology so she can keep her calorie intake low. If only her mother knew.

“Measures” is a story of trust. Colleen is like many girls with her disease, sure that the people that are trying to help her are against her. Ms Cato demonstrates trust runs deep. The ones truly in need have a small bit still in them that trusts we will do what is best for them.

 

A new god finds his first follower. “Produce 1:1-10″ by Mur Lafferty (debut 3/18 and reviewed by Frank D) is the tale of a lesser god and His flock of one. New gods have been springing up everywhere, spreading their word on things like the merits of exercise at the gym and such. The protagonist is an atheist who stumbles upon the god weeping at her local Piggly Wiggly. The prices of healthy food are too high and the labels are misleading. The new god of supermarkets needs an advocate to bring the truth to the masses.

A light hearted tale.

 

The dead cannot move into the next world while Death morns his loss. “Death and His Lover” by Getty Hesse (debut 3/19 and reviewed by Frank D) is a tale of the dark angel embracing the spirit of his lover. Death alone can open the Gates for the dead to travel beyond, but can’t bear to let his Jerome to leave. The din of the departed grows as they cry out to be released.

“Death” is a tale of closure. The angel knows too well the length of eternity and is unwilling to let his lover go. Touching.

 

The nanobots have come. “Goodnight, Raptor” by A. Merc Rustad (debut 3/20 and reviewed by Frank D) is the story of the end of the world. Little Benny alone survives the destruction tiny nanobots have done to house, town, and family. He managed to rescue his favorite possession, a picture book on dinosaurs. The final few bots have assembled to recreate the image on the books cover, giving Benny the thing he always wanted , his very own raptor friend.

“Goodnight, Raptor” is the tale of a child’s dreams. The enormity of the disaster has not registered in his innocent mind. The last of the destructive bots coalesced to form a talking dinosaur for Benny. The tale would be cute if it wasn’t so sad.

 

What we will do for love. “Because My Heart Is Pure” by Rahul Kanakia (debut 3/21 and reviewed by Frank D) is the story of a man who is perpetuating a lie for the man he loves. Lyle is a gay man who has been pretending to be pure of heart , a genetic mutation that has made them emotionally stagnant individuals. His boyfriend, James – a reckless, passionate, self-absorbed man , is the opposite of an even keeled pure heart. James attends orgies, disappears for stretches of time, but will only shack up with a pure heart. The emotional rift Lyle feels for James he must conceal or he will lose his eccentric lover forever. But can he continue to be something he is not?

“Because My Heart” is a story of sacrifice. The pure-hearted are people who feel neither highs nor lows. Passion is all but gone from their being. They are able to absorb insults and are impassive to feelings of envy and pettiness. The obtuse nature of a pure-heart is just what a selfish free-spirit like James needs. But Lyle isn’t a pure-heart. He forces his feelings down because he knows he will lose the man he loves if they come out.

A warning to readers who haven’t read this piece: heed the warning on adult content. A short segment of this tale could have been cut out of a Penthouse like forum of a gay magazine, very graphic. This story, although well-written, rolls out as a tale of man who is putting himself through needless torment. James is not just a bad-boy of the story, he’s worse. People are just playthings to him, and for a group of people who are as close to automatons as you can get, it is no wonder why he would seek out pure-hearts; all the fun of a superficial relationship with none of the consequences. The tale is a lesson on the hazards of succumbing to your desires. Some things just aren’t worth it.

 

A man recalls why he married his wife in the last moments of their lives. “Till Death” by L.L. Phelps (debut 3/24 and reviewed by Frank D) picks up during an impending disaster. The space station the married couple has lived on has been hit by a missile and is breaking apart as it falls back to Earth. The images of their wedding day fill his head as the reality of the disaster makes it clear that it is all about to end.

“Till Death” is the sweet niche in a sad tragedy. The story takes place during the horrible moments of a terrorist attack. The tale brought back memories of 9/11 for me and thoughts of what must have been going through the minds of the victims when it became clear that their end was near.

A chilling tale.

 

“The Signal” by Spencer Sandoval (debut 3/25 and reviewed by Frank D) is a journal entry written by a worker at a SETI observatory. The protagonist of this tale has simultaneous extraordinary events. News of another civilization very much like their own has been discovered and his first child that is on the way.

“The Signal” is a story I found compelling but not original. The ending has a twist that I have seen before.

 

A bid to overthrow the machine’s human masters can be accomplished for the low price of $99.99. “Robot’s Revenge” by Sylvia Spruck Wrigley (debut 3/26 and reviewed by Frank D) is another installment in Ms Wrigley’s Postmark Andromeda series. This one is a tongue-in-cheek look at the evolution of spam into an untapped market base.

Funny. My favorite of the series.

 

A dying boy is given the gift of a full life. “Gnostilgia” by Ronald D Ferguson (debut 3/27 and reviewed by Frank D) is the tale of 14 year old hero, Karl , the boy who helped prevent a massacre in his high school. His heroics have left him a death’s doorstep. His doctors have an experimental dream making machine. With it, they can give him memories of life he deserved.

“Gnostilgia” is a tale where Karl’s handlers struggle with what is ethical, and what is right. They know what they are doing would not be tolerated by Karl’s parents or with the public , implanting false memories into this boy’s head , but they know there is no hope for young Karl. The full they give him is their gratitude for sacrificing his own life.

A thought provoking and sweet work of flash.

 

Reincarnated lovers meet again in the segregated south. “Starcrossed” by M. Bennardo (debut 3/30 and reviewed by Frank D) is the tale of a young black waitress in a wartime navy town. In the back, a lone white man sits by himself. She recognizes him as someone she has met before, a forbidden lover of from a hundred previous lifetimes.

“Starcrossed” is a romance. The two characters are appropriately named Romeo and Juliet. For generations dating back thousands of years, the pair are destined to meet as people on different sides of the tracks. Their romances are always forbidden, customs of the times deeming them unfit to be together, and like Shakespeare’s play, always end in tragic finale.

Growing up, the past lives always seemed like a dream to Juliet, but when her Romeo appears, she can feel the pull of their destiny drawing them together. Unlike before, this time the pair is older, and Juliet has already started a life, with a family if her own. Her tale becomes a struggle; will an ordained desire drag her onto a familiar path? Or does she have an alternative choice.

“Starcrossed” is recreated and reworked look at a familiar trope. I found the story inventive, engaging, and well worth the read.

 

The world outside is falling apart in Light and Ash by Alan Bao (debut 3/31 and reviewed by Frank D), but for two romantic lovers, it might as well be another world. War rages in Asia but for a couple in New York, it is of little consequence. It is Christmas, and it is snowing, or is that ash?

A haunting tale.

 

 

Rahul KanakiaRahul Kanakia

Our short-lived author spotlight of Daily Science Fiction‘s most prolific authors features an artist known for creating flawed protagonists. His much anticipated YA novel ENTER TITLE HERE is a story described as Gossip Girls meets House of Cards. We wanted to know a little more of what made him tick, so we asked him 3 questions that we drew out of a hat.

 

Do you have a favorite author of short fiction? A writer whose work we should sample at least once in our life?

Well, if we’re talking prescriptively, then no. Plenty of famous authors haven’t read Ulysses, and it’s no big deal. You gotta read what resonates with you. However, if we’re just talking about short story writers who’re really good and who I recommend highly, then I’d say that Borges is pretty worthwhile. He writes stories that are completely unlike anyone else’s. No one else could spin a long entirely-plotless story about a library that that contains all human knowledge. However, since most people have probably already heard of Borges then I’ll also note that Maureen McHugh’s After The Apocalypse is one of the best collections I’ve read in the past five years. I get chills even thinking about it. Her stories changed the way that I approach science fiction. Some of them are so beautifully subtle. I’m reminded, for instance, of the story “Useless Things,” which is about a woman living on an isolated ranch who has to deal with the unwanted reputation for kindness that she’s acquired amongst the migrants who’re traveling north in a future United States where life is just ever-so-slightly worse than it is now.

 

What do you consider to be your greatest accomplishment as an author?

Hmm. In a specific way, I think the best story I’ve ever written is forthcoming in a literary magazine called Birkensnake. It’s called “Sexual Cannibalism,” and it’s told in a series of vignettes as a young boy grows into a man and comes to terms with his sexuality while he researches the mating habits of praying mantises in a world that is wracked by and then overcomes the effects of climate change.

In a more general way, I’m not sure I could sum up my writing career that way. I guess the thing I’m most proud of as a writer is just being persistent. I just sold my first novel after writing and submitting for ten years. I’ve had years-long periods where I didn’t sell anything, or where I felt like I’d regressed, career-wise, but I just kept going. At times it didn’t really make sense, but I did anyway, and I owe a lot of gratitude to the version of me who could have quit, but didn’t.

 

Is there a Daily SF story you would like to recommend for us to read? Anything especially memorable?

Out of all the Daily SF stories that I’ve read, I’d say that I like Sarah Pinsker’s “Twenty Ways The Desert Could Kill You.” It’s playful and inventive and chilling work about a mother and a child who suddenly move to the desert in order to escape…something.

 


Rahul Kanakia’s debut novel,
Enter Title Here, will be published by Disney-Hyperion in the fall of 2015. He has sold stories to Clarkesworld, the Intergalactic Medicine Show, Apex, Nature, and Lady Churchill’s Rosebud Wristlet. He holds an MFA in creative writing from the Johns Hopkins University Writing Seminars and a B.A. in Economics from Stanford, and he currently live in Oakland, CA. If you want to know more about him then please visit his blog at or follow him on Twitter

Interview: Mur Lafferty

Mur_lafferty_headshotMur Lafferty is one of the pioneers of podcasting – founder, producer, host, voice, editor, author. She has won the Parsec Award several times. Her Shambling Guide comedy-horror series is available from Orbit.

MUR’S RAP SHEET:
Member of the Podcast Pickle Hall of Fame
One of the Top Ten Savvy Women in Podcasting, 2006
Tricks of the Podcasting Masters was named one of the top reference books for 2006 by Amazon.com.
2007 Parsec Nomination for Best Speculative Fiction Story (Short Form): I Look Forward To Remembering You
2007 Parsec Award for Best Writing Related Podcast: I Should Be Writing
2008 Parsec Award for Best Speculative Fiction Story (Novella Form): Heaven – Season Four: Wasteland
2008 Parsec Award for Best Speculative Fiction Story (Long Form): Playing for Keeps
2010 Parsec Nomination for Best Speculative Fiction Story (Novella Form): Heaven – Season Five: War
2011 Parsec Nomination for Best Speculative Fiction Story (Novella Form): Marco and the Red Granny
2012 Nomination for John W. Campbell Award for Best New Writer
2013 John W. Campbell Award for Best New Writer

 

Lafferty_ShamblingGuide2F8-1-200x300CARL SLAUGHTER: You’re one of the pioneers of podcasting. Geek Fu Action Grip, Wingin’ It, I Should Be Writing, Mad Science with the Princess Scientist, Angry Robot Books, Pseudopod, Escape Pod. Did I miss any?

MUR LAFFERTY: Almost! I did the Lulu Podcast and This Day in Alternate History back in 2007.

 

CARL SLAUGHTER: How did you get involved in each of these projects and what significant happened while you were there?

MUR LAFFERTY: I’m not sure what significant things happened- I was simply interested in podcasting and I became part of the podcasting community where I met Michael and Evo of Dragon Page, and Steve Eley of Escape Pod. My communications with them had me working on Wingin’ It and the Pseudopod and Escape Pod, and editor Lee Harris was a listener of mine for I Should Be Writing and he asked me to do the Angry Robot show.

 

CARL SLAUGHTER: You recently returned to Escape Pod. In what capacity?

MUR LAFFERTY: I’m Editor at Large for Escape Artists, which means I am co-editing Escape Pod with Norm Sherman, but I have some other duties that will be apparent in future months.

 

CARL SLAUGHTER: I Should Be Writing is your longest running podcast. How many episodes have there been? What topics have you discussed? Who have you interviewed?

MUR LAFFERTY: Probably around 400 to 500 total. I have video, special eps, and some premium content for people who have supported me for years. I talk mainly about the anxieties that can stop new writers, and how to work past them. I’ve interviewed Connie Willis, Neil Gaiman, NK Jemisin, and, coming up, Seanan McGuire and Charlaine Harris.

 

Mur_lafferty-300x198CARL SLAUGHTER: Who is the Princess Scientist, what are the science topics, and how mad is the science?

MUR LAFFERTY: She’s my 11 year old daughter, we do science experiments around a theme via video. We’ve done sun science and baking soda science.

 

CARL SLAUGHTER: Whose idea was it to launch the Parsec Award? Who was involved?

MUR LAFFERTY: I thought SF podcasting needed an award, since podcasting awards started coming on the scene in 2005, but no one was recognizing the geeky section of shows. I got together with Michael R. Menenga and Tracy Hickman and we launched the award.

 

CARL SLAUGHTER: You carved out a fiction career for yourself in podcasting before you broke into print. How does an author get podcasted without getting published first? Is it easier to get a story published after it’s been podcasted? Is it easier to break into print after you’ve been podcasted?

MUR LAFFERTY: Publishing fiction via podcast is a DIY endeavor – an author doesn’t “get” podcasted, she does it herself. As for easier, I don’t think so. Like all self publishing, if something is a huge hit, publishers may take notice, but if it’s not, then publishers will consider it already published and not worth their time. One thing podcasting will give you is an audience which can make you more attractive to publishers, but ultimately you have to have a good book.

 

Lafferty_GhostTraintoNOLA-TP-200x300CARL SLAUGHTER: Suppose someone wanted to launch a podcast. How much money would they need to raise? What would they need in the way of recording equipment and web resources? What would they need in terms of personnel?

MUR LAFFERTY: I think you’re thinking bigger than I’ve ever been! You can launch a podcast with a $20 mic and some web space, which can be $120 a year. You don’t need a group to do it, the biggest thing is make sure you have a host with plenty of bandwidth so, if you get popular, you don’t get hit with a huge server bill.

 

CARL SLAUGHTER: Anything else an aspiring podcaster needs to know?

MUR LAFFERTY: You will hate your voice and your first few shows will likely suck. It happens to everyone. Don’t let it stop you.

 

Carl_eagleCarl Slaughter is a man of the world. For the last decade, he has traveled the globe as an ESL teacher in 17 countries on 3 continents, collecting souvenir paintings from China, Korea, Thailand, Vietnam, and Egypt, as well as dresses from Egypt, and masks from Kenya, along the way. He spends a ridiculous amount of time and an alarming amount of money in bookstores. He has a large ESL book review website, an exhaustive FAQ about teaching English in China, and a collection of 75 English language newspapers from 15 countries.

The Best of Escape Pod 2012

written by David Steffen

Some big changes at Escape Pod in 2012:
–They were officially added to the SFWA list of professional markets, the first audio market to do so.
–Mur Lafferty announced her resignation of the editor position, official at the end of the year, citing too many projects that she’s signed on for.

Some momentous moments for me personally with Escape Pod in 2012:
–I sold them a story for the first time, “Marley and Cratchit”, which was published in December as their Christmas episode. It’s the secret history of A Christmas Carol, with alchemy. I, of course, did not consider my story for my list.
–That sale was my third and final sale needed to qualify for SFWA.

After the new year, Alasdair Stuart took over as interim editor until Norm Sherman (of The Drabblecast) could take on the role long-term.

Escape Pod, the original speculative fiction podcast, continues on, stronger than ever! Long live Escape Pod! On to the list.

Doing these lists is always interesting to me, because I often never realize how much I like a particular author until I see him/her twice on one of these lists.

 

1. The Paper Menagerie by Ken Liu
This story won the Hugo for Best Short Story in 2012, and the award was well deserved–I voted for it to win myself. It’s the story of the American son of a mail-order bride and his relationship with his mother.

2. Devour by Ferrett Steinmetz
This is one of my Hugo nominations for Best Short Story in 2013, the story of a man whose lover has been taken over by a biological weapon, a contagious personality seeded in times of war to take us over.

3. The Ghost of a Girl Who Never Lived by Keffy R.M. Kehrli :
In the future, technology for cloning and memory transfer is commercially available, and is often used to replace lost loved ones who’ve died suddenly, giving them a new body with their old memories. But when the memory transfer process terminates prematurely, is the person who wakes up a faulty version of the old person or are they a new person entirely?

4. “Run,” Bakri Says by Ferrett Steinmetz
A terrorist organization creates a technology that allows a single person to repeatedly start their lives from a certain point in space and time, much like a video game save point. This technology is used in this story for a woman to try to rescue her brother from a heavily armed military compound. She can repeat the attempt as many times as it takes. I’m sure this story appeals to me in large part because it’s like a real-life version of a video game.

5. Contamination by Jay Werkheiser
The story of a multi-generation expedition to study life on a planet without touching it for fear of contaminating the results, and a second expedition that arrives, in conflict with this one. I first read this in Analog, and I’d thought it a little dry at the time which is fairly often my response to Analog stories. But as time went on my mind kept wandering back to it again and again. I really like the characters in it, trying to find ways to live with themselves while operating within the limits of their societies. I listened to it again here after I’d been contemplating it off and on for months, and I like it more and more.

6. Like a Hawk in Its Gyre by Phillip Brewer
An ex government researcher with heavy mind modifications is just trying to live a normal life after he’s done serving his time, but he still has to live with the modifications they’ve made to him to ensure secrecy. Somebody is after his secrets.

Oubliette by J Kelley Anderson

Talking to the Enemy by Don Webb

Springtime for Deathtraps by Marjorie James
The third in a series of stories about an ancient trap engineer building ancient temples.

 

My Hugo/Nebula Picks 2012

written by David Steffen

In the previous post I suggested my own Hugo/Nebula nominated work. This post has the purpose of sharing my picks for these categories other than our own work. I welcome any and all to post in the comments with their own suggestions.

I’m a bit of an odd duck in my reading habits, in that I ready only a small niche of the types of stuff out there, but I read that very deeply. Almost all of my fiction intake comes from fiction podcasts, which are all Short Story categories, but are often reprints from previous years which are not eligible. I do read novels, but have not read any written in 2012 yet, because I am a slow read and because I re-read the entire Wheel of Time series that pretty much took all year, in preparation for the 2013 release of the final book.

Which is to say, most of the categories that I’ve voted for I am very well read in, but I just left off those categories in which I have not read at all, or haven’t read enough to have some solid picks.

Best Short Story Hugo and Nebula

This is the category I’m most interested in, covering SF/Fantasy/Horror fiction of 7500 words or less.

1. The Three Feats of Agani by Christie Yant (Beneath Ceaseless Skies)

2. Five Ways to Fall in Love on Planet Porcelain by Cat Rambo (Near + Far)

3. All the Painted Stars by Gwendolyn Clare (Clarkesworld)

4. Devour by Ferrett Steinmetz (Escape Pod)

5. Worth of Crows by Seth Dickinson (Beneath Ceaseless Skies)

 

Best Dramatic Presentation (Long Form) Hugo

Best dramatic presentation of 90 minutes or longer

1. The Hunger Games

2. Game of Thrones Season 2

3. True Blood Season 5

4. The Avengers

5. Wreck-It Ralph

Best Dramatic Presentation (Short Form) Hugo

Best dramatic presentation of less than 90 minutes.

1. “Digital Estate Planning” –episode of Community

2. Devour–Escape Pod

3. The Dead of Tetra Manna–Dunesteef

4. The Wreck of the Charles Dexter Ward–Drabblecast

5. The Music of Erich Zann–Drabblecast

 

Ray Bradbury Award for Outstanding Dramatic Presentation (Not a Nebula)

Related to the Nebulas, but not a Nebula itself, this seems to combine the long and short dramatic forms used in the Hugo.

1. The Hunger Games

2. Game of Thrones Season 2

3. True Blood Season 5

4. Wreck-It Ralph

5. “Digital Estate Planning” — Community

 

Best Editor (Short Form) Hugo

Editor of short fiction.

1. Norm Sherman (Drabblecast)

2. Scott H. Andrews (Beneath Ceaseless Skies)

3. Neil Clarke (Clarkesworld)

4. John Joseph Adams (Lightspeed, various anthologies)

5. Bruce Bethke (Stupefying Stories)

 

Best Profession Artist Hugo

1. Michael Whelan (especially this Analog cover)

 

Best Semiprozine Hugo

This is the most complicated category to define. It is not a professional market, which means that neither of the following are true: (1) provided at least a quarter the income of any one person or, (2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner. In addition, it generally has to pay contributors in something other than copies of the magazine, or only be available for paid purchase.

I’m not totally sure that all of the ones that I’ve picked here are eligible. There might be others that I’m ruling out as not being eligible that are. This category confuses me. but these are my best shot at nominations for it.

1. Drabblecast

2. Escape Pod

3. Beneath Ceaseless Skies

4. Pseudopod

5. Stupefying Stories

 

Best Fancast Hugo

This is a new experimental Hugo that might get voted in as a permanent one. It is split off from the Best Fanzine Hugo, but must be an audio or video presentation. I’m not totally sure that Toasted Cake qualifies, since they do pay a few dollars per story, but I thought it was low enough that it might be considered as more of an honorarium and let me nominate it.

1. Journey Into…
see my Best Of Journey Into… list for examples.

2. Toasted Cake

3. Beam Me Up
A science fiction radio show and podcast–how cool is that?

 

John W. Campbell Award for Best New Writer (Not a Hugo)

1. Jake Kerr
I very much enjoyed his Old Equations on Lightspeed, for one.

2. Mur Lafferty