And now the gratuitous award eligibility post–feel free to skip over it if you’re not interested, but figured there might be someone out there who might want to see it. This post covers works by Diabolical Plots and by me personally.
From time to time people ask me if they can nominate the Submission Grinder. In the past, I thought the answer was “no” because most of the awards seemed to be very publisher focused–so the best way I thought to try to recognize the Submission Grinder would be to nominate Diabolical Plots. But there ARE a couple categories the Submission Grinder qualifies for in some awards, so I’ve listed those two first.
And just to be clear, no I don’t really think we have a shot at anything, but I see no reason why I can’t mention what we’re eligible for.
interviewed by Carl Slaughter Critters,Preditors & Editors, ReAnimus, Advent, Nyx, SFWA, snap books. Andrew Burt is a busy guy. How is Critters different than/better than Scribophile, SF Novelist, Hatrack River Writer’s Workshop, and other critique workshops? Critters is the first workshop on the web. How did that come about? Critters pre-dates the others you … Continue reading Interview: Andrew Burt
Sandy Williams is the author of the Shadow Reader YA trilogy by Ace. Her next book is a space urban fantasy/science fiction romance due in January 2015. She is currently reading The Wise ManÃ¢â‚¬â„¢s Fear, book #2 in Patrick RothfussÃ¢â‚¬â„¢ Kingkiller Chronicles. She has taken the ice bucket challenge.
Mur Lafferty is one of the pioneers of podcasting – founder, producer, host, voice, editor, author. She has won the Parsec Award several times. Her Shambling Guide comedy-horror series is available from Orbit.
Laura Resnick has authored 6 fantasy-detective-comedy novels (the Esther Diamond series from Daw), 3 fantasy novels (the Silerian trilogy from Tor), 15 romance novels (from Silhouette), many short stories (mostly in DAW anthologies), several essays on print and screen fiction, and Ã¢â‚¬Å“Rejection, Romance, and Royalties: The Wacky World of a Working Writer.Ã¢â‚¬Â
She won the Campbell award for best writer and was a finalist for the Rita award. She won the Romantic Times Magazine award 3 times. She writes Ã¢â‚¬Å“The Mad Scribbler,Ã¢â‚¬Â a monthly opinion column for Nink. For the Science Fiction & Fantasy Writers of AmericaÃ¢â‚¬â„¢s bulletin, she wrote a quarterly opinion column, Ã¢â‚¬Å“The Filthy Pro.Ã¢â‚¬Â She wrote a monthly column, Ã¢â‚¬Å“The Comely Curmedgeon,Ã¢â‚¬Â for Nink. She has served as member of the board of directors, president elect, and president of Novelists, Inc.
Gordy Dickson told me close to half a century ago that if you were good, and prolific, and an aggressive marketer, there would come a point 25 years into your career where you received a pleasant surprise (which is to say, a reprint or foreign sale) in your mail box every week, all for writing just those two words, Ã¢â‚¬ËœMikeÃ¢â‚¬â„¢ and Ã¢â‚¬ËœResnickÃ¢â‚¬â„¢ on a contract.
Rhiannon Held is a frequent panelist at writer’s conferences. She is a archaeologist by profession. She is the author of the Silver series, an urban fantasy published by Tor. In this interview, she answers questions about character development and world building, then wraps up by sharing her take on critique groups.
Some stories are so crossed genred and so distinctive, they defy category. Try David Edison’s richly imaginative debut novel: “Welcome to the City Unspoken, where Gods and Mortals come to die. Contrary to popular wisdom, death is not the end, nor is it a passage to some transcendent afterlife. Those who die merely awake as themselves on one of a million worlds, where they are fated to live until they die again, and wake up somewhere new. All are born only once, but die many times . . . until they come at last to the City Unspoken, where the gateway to True Death can be found. Wayfarers and pilgrims are drawn to the City, which is home to murderous aristocrats, disguised gods and goddesses, a sadistic faerie princess, immortal prostitutes and queens, a captive angel, gangs of feral Death Boys and Charnel Girls . . . and one very confused New Yorker. Late of Manhattan, Cooper finds himself in a City that is not what it once was. The gateway to True Death is failing, so that the City is becoming overrun by the Dying, who clot its byzantine streets and alleys . . . and a spreading madness threatens to engulf the entire metaverse.” The City Unspoken, the first in a series of 4, published by Tor, is not only richly imaginative, it is richly descriptive and richly detail. Edison shares his vision for the story.
interviewed by Carl Slaughter
Anatoly Belilovsky is a rising star in the steampunk subgenre. He was born in a city that went through six or seven owners in the last century, all of whom used it to do a lot more than drive to church on Sundays; he is old enough to remember tanks rolling through it on their way to Czechoslovakia in 1968. After being traded to the US for a shipload of grain and a defector to be named later (see wikipedia, Jackson-Vanik amendment), he learned English from Star Trek reruns and went on to become a pediatrician in an area of New York where English is only the 4th most commonly used language. He has neither cats nor dogs, but was admitted into SFWA in spite of this deficiency, having published stories in NATURE, Ideomancer, Immersion Book of Steampunk, Daily SF, Kasma, UFO, Stupefying Stories, Cast of Wonders, and other markets.
The idea that thereÃ¢â‚¬â„¢s some kind of secret handshake involved in getting published. The idea that you have to trick an editor into buying your story. The idea that if you write in imitation of some successful writerÃ¢â‚¬â„¢s work, his or her fans will flock to you. The idea that thereÃ¢â‚¬â„¢s a new movement or school you can hop aboard like a train that will take you straight to the top.