Lou Anders is the Hugo Award winning editorial director of the SF&F imprint Pyr Books, a Chesley Award winning art director, and the editor of nine anthologies. He has also been nominated for six additional Hugo Awards, five additional Chesley Awards, as well as the PKD, Locus, Shirley Jackson, and three World Fantasy Awards. His first novel, Frostborn, book one in a three-book middle grade fantasy adventure series called Thrones and Bones, will be published in August 2014 by Random House’s Crown Books for Young Readers.
In my constant quest to find new sources of short audio fiction, I’ve listened to quite a few episodes of Decoder Ring Theater who describe themselves as the “home of all-new audio adventures in the tradition of the classic programs of Radio’s Golden Age. Here you will find full-length, full-cast tales of mystery and adventure to fire your imagination”. Their two main recurring features are The Red Panda and Black Jack Justice, but every summer they have different features that aren’t in those two main series.
Jeanne Cavelos is a writer, editor, scientist, and teacher. Her love of science fiction led her to earn her MFA in creative writing. She moved into a career in publishing, becoming a senior editor at Bantam Doubleday Dell, where she created and launched the Abyss imprint of innovative horror and the Cutting Edge imprint of noir literary fiction. She also ran the science fiction/fantasy publishing program. In addition, she edited a wide range of fiction and nonfiction. In her eight years in New York publishing, she edited numerous award-winning and best-selling authors and gained a reputation for discovering and nurturing new writers. Jeanne won the World Fantasy Award for her editing.
img class=”alignleft wp-image-3839″ alt=”Trevor Quachri photo” src=”http://www.diabolicalplots.com/wp-content/uploads/2013/10/Trevor-Quachri-photo-300×300.jpg” width=”180″ height=”180″ />Trevor Quachri recently took over from longstanding Analog editor Stanley Schmidt. Science fiction writers want to know what changes, if any, to expect. They also want to know how, exactly, to sell their stories and how to avoid getting their stories rejected.
This is a copy of the newsletter sent out to users of The (Submission) Grinder who have opted in for the newsletter as of Monday, November 10, 2013. We have included it here to let people who might be interested in hearing about the upcoming newsletter feature, but who are not users or who have not opted in.
very Day Fiction has been around and publishing steadily since 2007, an impressive longevity in this fleeting Internet environment, even without taking into account the frequency of publication–one story a day all year. The podcast is much newer, and certainly doesn’t cover all of EDF’s stories, so if you want to read more there’s much more to read for free in text as well.
Over the summer, CBS aired the first season of a TV series based on Stephen King’s novel Under the Dome (which I reviewed right here in 2010). To sum up, I thought the book overall was very good, as King’s strongest point is interactions between a large cast of characters, especially in the claustrophobic social environment of a small town.
Kevin Anderson is the author of numerous Star Wars novels. He is also the coauthor, with Brian Herbert, Frank Herbert’s son, of 12 Dune novels. He most popular original series is Saga of Seven Suns. His novel Assemblers of Infinity, which was serialized in Analog, was nominated for a Nebula award. 51 of his books have been international or national best sellers, 40 of them on the New York Times bestseller list. He has had 23 million books published in 30 languages. His most recent novels are Enemies and Aliens, about the first meeting of Superman and Batman, and The Last Days of Krypton, a Superman prequel. He is a Writers of the Future judge and participates in Mike Resnick’s anthology mentor series, Stellar Guild. He is working on Saga of Shadows, a prequel trilogy. He is married to author Rebecca Moesta, with whom he has coauthored a horror comedy series. Carl Slaughter interviews Anderson for Diabolical Plots.
For a good three years Daily Science Fiction has been laying a foundation as an attraction. With an original distribution plan, a rate to attract the best talent, and a selection of material that spans the breadth of speculative fiction, the publication has become a magnet for readers around the world. In short, you couldn’t find a better billboard if drove the length of the Washington Beltway (go ahead and try, I dare ya).
Welcome to my yearly review of the Writers of the Future anthology. This marks my sixth review of the contest. An explanation on my approach to reviewing this anthology I provided in my review of WotF 28. WotF 29 marks a change in tenure of Coordinating judge. Dave Wolverton (a.k.a Dave Farland) – gold award winner of contest #3 and bestselling author of the Runelords series, takes over for the departed Kathy Wentworth. With the exception of a portion of the first quarter, all the entries from last year went across Dave’s desk. Many writers had studied and pondered on what it took to impress the late Ms Wentworth. The abrupt change in first reader sent shockwaves through the forums populated by writers hoping to crack into the anthology. The big question was ‘would the standards change’ for winning the contest. If the winners are indication, my answer would be a soft yes, but by all means, judge for yourself…