This is the first of a short series of articles about applying Game Theory to writing. Game Theory is the study of strategic decision making, a field of study made most famous by mathematician John Nash (which the movie A Beautiful Mind was based on). I won’t be getting into the math of Game Theory, but I thought it might be interesting to discuss some applications of strategic decision making in the writing/submitting/publishing process because I’m both a writing geek and a programming geek, so a discussion mixing the two lights up all kinds of synapses in the geek centers of my brain.
Sandy Williams is the author of the Shadow Reader YA trilogy by Ace. Her next book is a space urban fantasy/science fiction romance due in January 2015. She is currently reading The Wise Man’s Fear, book #2 in Patrick Rothfuss’ Kingkiller Chronicles. She has taken the ice bucket challenge.
written by David Steffen Well-Told Tales was a pulp fiction podcast which also produced some short films, run by Kevin Colligan and which was active from about 2007 to 2009. They ran stories in the mystery, horror, and science fiction genres. That’s… pretty much all I know because the site itself is no longer maintained […]
Ann Leckie’s Ancillary Justice swept the awards. (See the list below.) The sequel, Ancillary Sword, is due in October 2014. The third novel in the trilogy will be titled Ancillary Mercy. Lecke is a Clarion graduate, former VP of SFWA, founder of GigaNotoSaurus, and former slush editor for Podcastle. Her short fiction has appeared in Realms of Fantasy, Strange Horizons, Beneath Ceaseless Skies, and Subterranean Magazine.
“Almost-Hugo Review”? What’s that? If you’re not familiar with the minutiae of the Hugo rules, there’s an odd rule that makes no sense to me. When tallying up the nominations, ordinarily the top five counts for a particular category end up on the final ballot. Except if a story has less than 5% of the total vote. What’s the purpose of that? I don’t know. The percentages for individual stories are going to tend to be lower if there are more voters and if there are more stories that people felt moved by. More voters is good–this year there were almost twice the previous record of voters for a variety of reasons. More stories moving people is good. So… why does that mean we get less Hugo nominees? No sense whatsoever.
Mur Lafferty is one of the pioneers of podcasting – founder, producer, host, voice, editor, author. She has won the Parsec Award several times. Her Shambling Guide comedy-horror series is available from Orbit.
This is a continuation of the partial review of Neptune’s Brood I posted in July. As I said in that review, the book took a while to hook me on the plot, but got me early with the interesting worldbuilding involving posthuman android bodies with transmittable, transferrable minds. The protagonist, Krina-Alizond-114 is a historian of accountacy practices, specializing in the history of FTL scams. FTL travel has never been invented in this universe, but neither has anyone proven that it’s impossible, so every once in a while someone claims to have found the secret and seeks to collect tons of money from fraud. As the book starts, Krina is en route to the water planet Shin-Tethys to find out what happened to her missing sister.
Laura Resnick has authored 6 fantasy-detective-comedy novels (the Esther Diamond series from Daw), 3 fantasy novels (the Silerian trilogy from Tor), 15 romance novels (from Silhouette), many short stories (mostly in DAW anthologies), several essays on print and screen fiction, and “Rejection, Romance, and Royalties: The Wacky World of a Working Writer.”
She won the Campbell award for best writer and was a finalist for the Rita award. She won the Romantic Times Magazine award 3 times. She writes “The Mad Scribbler,” a monthly opinion column for Nink. For the Science Fiction & Fantasy Writers of America’s bulletin, she wrote a quarterly opinion column, “The Filthy Pro.” She wrote a monthly column, “The Comely Curmedgeon,” for Nink. She has served as member of the board of directors, president elect, and president of Novelists, Inc.
I don’t approve, though, of the 10,000 word limit. Presumably there was a specific reason–but what is that reason? It seems to me that this is a strategy specifically designed to keep flash fiction from counting toward membership. I don’t know if this is another one of those conversations where some older members of the organization think that SFWA membership should be kept only to those who have writing as their only job. Could you do that? Sure. But the organization would be small and much more irrelevant, and would explicitly exclude a whole ton of award winning authors like Ken Liu who have day jobs. Who does that benefit exactly?
I was working on a story loosely inspired by Pinocchio, and so to understand my source material as completely as possible, I wanted to read the original for a basis of comparison. I was quite surprised by what I found there. In particular, the character that Disney based their Blue Fairy character on.