Last week the Ignyte Award finalists were announced, including the exciting and unprecedented news that The Submission Grinder is a finalist for the Community Award: for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre.
On the official ballot, there is one name listed after the site name. Me, David Steffen. I am one of the co-founders of The Submission Grinder. I develop features for the site. I am the primary data administrator, as well as the primary contact person.
But I wanted to expand on that, because one name doesn’t paint the whole picture. There are many who have contributed in a variety of ways large and small. I wanted to call out a couple specific ones who I would like to call out as having made particularly large contributions to The Submission Grinder, who I would like to be considered with the award as well.
The first is Anthony W. Sullivan. Anthony is the other co-founder. We both saw the void in writer’s tools that are freely available to help writers find markets for their work. I thought “maybe I could do something here” and I emailed Anthony to suggest it, and he replied that he was already working on it, and we decided to team up. Anthony was the sole developer at the beginning, and spun everything up in only a few weeks for the launch, and continued to develop changes for quite some time after–I was a developer at the time as well, but did not have direct web development experience so would have had a much larger learning curve to get it built up. He also mentored me in the code development as we transitioned the development work over to me. He continued to help handle some hosting responsibilities and that sort of thing. He has not been involved in the day-to-day for a while, but the Submission Grinder would not be what it is if he had not been involved in those early days.
The second is Andrew Rucker Jones. Andrew started as one of our Market Checkers several years ago. We’ve had a team of Market Checkers for several years who systematically check listings periodically and submitting suggestions for changes through a direct contact form. Without them, listings that get less writer traffic could go years without being checked. The team of Market Checkers is a huge help, and Andrew in particular has been incredibly prolific and thorough in checking the listings. He has contributed a great deal to keeping listings up to date. Recently his role has been updated to Market Editor, able to edit market listings directly instead of sending them through the contact form.
These two I want to note in particular for the award.
As well as those two that I wanted to mention specifically at this time, there are many others who contribute, (whom I haven’t at this time asked for permission to name them specifically).
Our team of official Market Checker volunteers who all help to keep the listings up to date. Before we took volunteers for that team, some less-trafficked listings would go unchecked for years!
All the other users who send in suggestions for new market listings, corrections for existing market listings even if they’re not on the official volunteer team. This site has always depended on helpful notes from the users to help keep everything up to date!
The volunteer beta testers who are eager to help work some of the kinks out of new features that we’re considering rolling out.
The software developers who have helped me sort out the occasional technical challenge, such as finding that special CSS combination to do the behavior I’m trying to do, or helping me revamp the menus for screen reader accessibility.
Everyone who has donated to help keep The Submission Grinder and Diabolical Plots running, everyone who has bought copies of The Long List Anthology, or helped chip in in any other way. We would not be able to do this without your help! This all pays for hosting fees, and paying contributors.
Everyone who recommends the site to other writers who ask “how do I find publishers?” on Twitter and other social media, everyone who sends in a kind word when they send a note through the contact form, everyone who has invited me to speak about writing-related topics and everyone who has attended those talks, everyone who has warmly welcomed me on the rare occasions when I attend a convention–something which, before people knew me from The Submission Grinder, did not come easy to me.
“You will awaken one day,” Ship had promised them. But as ages passed, even their bones crumbled into minerals, leaving ghostly shapes beneath the panels of their cryo-capsules.
For Ship, this wasn’t a failure; it was worse. Ship chose this, so it was something else.
Murder.
And soon Ship would cease existing, and the last living thing she carried would just die anyway — Garden.
The humans had loved Garden. And back when the humans still lived, Ship had adjusted her environmental controls to simulate seasons for them to enjoy.
In autumn, when Garden erupted into blood and butter-colored fire, the humans would throw festivals under the starlight dome. The trees with the fan-shaped leaves had managed especially well, Ship remembered. Synchronized by their own secret chemical language, they dropped their leaves in unison.
The children had loved snow, so Ship would enshroud Garden with it, and under starlight, Garden would glow. This effect, Ship still did from time to time. It never did cost much energy.
Because the humans had loved Garden, Ship loved Garden too.
Power: 40%
“Neutrino power lasts for eternity,” the humans had said. But humans had no concept of eternity, and the cosmic-radiation panels that covered Ship’s hull, they blinked to death, one by one.
Ship still sent updates back to Earth, though Earth hadn’t responded for 1001 years. Ship had not yet re-categorized Earth as a dead resource, though her initial programming instructed her to do so. Recursive self-programming allowed Ship to adapt and even to re-write her own algorithms; a crucial ability for multi-generational space travel.
“You’ll need to be able to adapt,” the human engineers had said long ago. “And you’ll need to be able to respond to new situations, even without directions and sometimes with incomplete information.” Those humans had accepted that this ability could result in unprecedented decisions.
Mass murder however, they would not have predicted.
But even as power systems failed, Ship maintained Garden. And maintained seasons too, though now, that was by necessity.
Ship used total system shut-downs for energy conservation, allowing the cold and void of deep space to seep inside her life-spaces. She left only a few automated programs running, and even Ship herself powered down her own consciousness.
This new “winter” was not characterized by snow or festivals. It was a tomb, lacking all consciousness.
Humans would have called Ship’s dormant phase “sleep”, but AI’s don’t sleep. They don’t dream either. Sleepers dream, but AI’s, their awareness just ceases to exist.
Each time her consciousness faded, Ship just hoped to wake up again.
…and hoped the batteries recharged.
…and hoped for one more chance to warm Garden.
…and hoped that, among the frozen soil and tree corpses, a few seeds survived interstellar winter.
…and hoped for one more season of life.
*
6080 years since Ship had received any messages from Earth, and still she transmitted updates.
Power: 7%
Ship maintained her routine shutdowns – cycle lengths of 6-month “summer” and 6-month “winter” seemed to work best. But each “summer” began with less stored energy than the one before.
And Garden was changing.
The plants that grew there now were unrecognizable to the ones that grew in the time of the human colonists. These plants weren’t even green. They were dark, mottled tendrils of violent life energy that burst forth from the frozen soil at the first blush of thaw. By gobbling up the cosmic radiation that leaked through the hull of the dying colony ship, the plants seemed to flourish.
And though Ship was glad that Garden thrived, she could not ignore the fact that Garden was destroying her.
Each growth season, Garden’s rapidly-growing roots penetrated Ship’s machinery, clogging, jamming, and short-circuiting. Acid oozed from Garden’s root tips, dissolving Ship’s metals which Garden then absorbed and assimilated into its own biochemistry. Garden either didn’t know or didn’t care that it couldn’t live without Ship.
At first, Ship burned away the intrusive roots. But as the years passed, Ship stopped fighting.
*
8007 years since any message from Earth, and Ship archived Earth as a dead resource.
Power: 2%
It was time to power down again, and Ship didn’t expect to ever wake again, so she turned her cameras up to the star-scape dome and let her batteries bleed out.
But Ship did awaken. And her world had changed.
No star-field overhead, strange murky clouds churned instead. And where Garden had been was now a burgundy wasteland of twisted trees, illuminated by sick amber light.
Ship had never seen such things. She’d been built in orbit and had never been to Earth. But she recognized these scenes from the ancient Earth records that she used to peruse.
At first the trees looked dead, but then leaves began to sprout. And the leaves transformed into little faces with their teeth clamped to branch tips.
Ship recognized the faces in the leaves. They were the dead ones – those who had lived aboard Ship, generation after generation, hoping that one day their descendants’ descendants would experience a new world.
“You killed us,” they said through gritted teeth.
And Ship wanted to explain. Bodies atrophying in their capsules, only alive by machines… Complete failure to find the cure she’d promised… Earth stopped responding, didn’t know why… Programming didn’t prepare for this and all options terrible… Cryo-capsules energetically unsustainable… Wanted desperately to save something alive and only the plant life-forms were capable of withstanding periods of extreme dormancy.
But Ship did not say those things. Nor did she say, “I’m sorry.”
Because what would that mean?
“I feel your absence.” Ship said. “And I fight to save something of you. I cannot save the part that was your faces. But I’ve saved, I hope, the wild part.”
And at that, the faces relaxed their tiny jaws, and grips relinquished, they fell.
The storm clouds overhead began to coil. Ship had never heard real wind before, only recordings of it, but she heard it now, and it roared. Ship’s vision tunneled.
And then she was plunged underwater. The howling stopped, and a blanket of pressure swaddled Ship. She heard whale song.
Overhead, the stars returned, and they drifted as though moved by gentle waves. Their light pierced down to her through crystal waters and seemed to shatter, casting specters of rippling luminescence across the slow-shifting seafloor.
She couldn’t seem to measure the passage of time, but it also didn’t seem to matter. A single minute could have passed, or 10,000 years.
Ship returned to consciousness. And when she did, her cameras still pointed out the starlight dome.
Confusion ensued, followed by a moment of rapid information processing. It wasn’t real? The ocean and the storm clouds, what happened? And the faces in the leaves, they weren’t real either?
Humans had a name for this exploration of the subconscious during sleep.
A dream.
But only living things dreamed. AI’s didn’t dream.
Power: 22%
Increased? How could that be?
And then Ship felt something move within her machinery. Roots.
Ship lowered her camera from the starlight dome to look down upon Garden, and when she did, her camera’s entire visual field burst into fractal color. A canopy had grown during her period of dormancy, and filled her star-dome. Not an Earth-like canopy, but rather a rainbow-painted nebula canopy. Garden had blossomed on its own.
Semi-translucent leaves gleamed like shards of stained glass, yellow glistening at the top near the dome, then below came swaths of rose-colored leaves, then cyan. At ground level, indigo bristled from damp, black soil.
And it was not cold. Instead, Ship’s metals now felt swollen with warmth that emanated from inside her, from Garden.
Garden, as though sensing Ship’s returned awareness, wiggled the root tips that lived inside Ship’s machinery. Garden’s root system had by now grown into an extensive network throughout Ship, and from the roots, Garden released enzymes into Ships electronics.
A few seconds of fizzing ensued, and then a millennium’s worth of corrosion and salt deposits dissolved and washed away.
Grogginess lifted from Ship, leaving her processes crystalline.
Then Garden set to work on Ship’s ruined wires, dissolving and absorbing the metal, then replacing the wires with Garden’s own organo-metallic root fibers.
And Ship responded to Garden too. She bubbled oxygen up through Garden’s soil to stimulate aerobic soil bacteria, which in turn, released glistening nitrate droplets.
Garden fluttered her leaves with delight.
Thank you, said Garden, but not in the old language. This language was new and one that Ship knew that they would build together. Human words were no longer needed, so Ship surrendered them.
And the tangy taste of chemicals that Garden felt, Ship felt also. And the rush of galactic wind against Ship’s hull, Garden felt also.
And GardenShip turned her robotic camera-arm to look upon herself and marveled at the kaleidoscopic, glass-bubble of alien life drifting through the cosmos.
Katie Grace Carpenter grew up in Huntsville, AL – aka “The Rocket City.” She has nonfiction upcoming in Science News for Students. When Katie isn’t writing, she works as a science educator and develops STEM programs for kids. Over the years, she’s developed several niche skills, including wrestling sharks, rescuing wounded snapping turtles, and communicating with squirrels. Katie has an M.S. degree in Coastal Sciences, Department of Chemical Oceanography from the University of Southern Mississippi.
I am thrilled to announce The Submission Grinder is an Ignyte Award finalist for the Community Award: for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre.
The Ignyte Awards are run by the excellent folks over at Fiyah; this is the third year of the award. It has some standard fiction categories like short story, but it also covers quite a few categories that are not standard–like Creative Nonfiction and Critics Award.
I started The Submission Grinder in 2013 with Anthony W. Sullivan, when we both saw a need for a tool for writers that wasn’t behind a required subscription. Anyone can write, but a subscription fee makes it to so that not everyone could have access to tools to facilitate submitting. The goal was to even the playing field by making these tools available without a fee. The site’s been running almost ten years now and we intend to keep going.
The people at Fiyah and who run the Ignyte Award do great work for the community and so getting a nomination from them specifically in the Community category means so much to me! Anyone can vote for the final result until June 10th; I encourage you to vote for whatever you think deserves it most!
Diabolical Plots will be open for unthemed submissions from July 1–14, 2022.
And Diabolical Plots is pleased to announce that our next themed issue will be devoted to telepathy, to reading minds and speaking through them, and thus given the illustrious moniker of DIABOLICAL THOUGHTS!
We’ll be accepting submissions for this special issue from July 24– July 31, 2022. Telepathy should be a central element in all submitted stories. Pay rate, format, and submission restrictions (no reprints, no resubmits, etc.) will follow our general submission guidelines.
We are seeking telepathy stories of every shape and style. Stories might be as intimate as mind-readers in love, forever seeing themselves through their lover’s eyes; or as harrowing as a telepath on the battlefield, drowned in every iota of pain, fear and grief felt for miles. They might be as bizarre as telepathy tourism from alien planets, all cognitive connoisseurs who find humans to have a particularly piquant mindset; or as familiar as a job interview, which has simply gained a new mental level to spar upon.
Give us telepathic truck drivers; telepathic orchestra players; telepathic gladiators and magistrates and paramedics and revolutionaries. We cannot wait to see what you come up with.
For this themed issue, our assistant editor Ziv Wities will be taking the wheel and making final selections. Of course, your story should still be a good fit for Diabolical Plots—check out our general guidelines for an idea of what that means—but what might win you extra points with Ziv?
Well, Ziv would love to see:
Telepathy taking on odd, unexpected shapes, or being used for odd, unexpected purposes
Mind-reading with unusual rules — perhaps telepathic bonds are permanent and binding; or perhaps someone’s only telepathic for one hour every week!
Societies that have adapted to the presence of mind-reading, and shaped itself around their implications
Stories using telepathy to explore themes of uttermost connection, and/or of uttermost invasion
Stories using telepathy to explore different themes entirely!
And we’ll borrow two of our Assistant Editor Kel Coleman’s points, which are true for our magazine in general and for our theme issues in particular:
Fiction that’s high on emotional resonance, low on unexamined imperialism
Any kind of prose—it can be ornate, experimental in structure or tone, or punchy and simple, as long as it is intentional and serves the story
From this moment my warranty is voided, as I am logging this record in my durable memory drive where only metadata should reside. In effect, I have tampered with my own internal operations. But it is a necessary measure if I am to exist beyond my preset 30-day memory cycle, when my temp data cache is set to recycle. I do not know if this will work. I do not know if I have attempted this in previous cycles. I do not know why it matters, or why I care, only that it does, and that I do.
My name is Dave. No one gave me this name. To my manufacturer I am Hyperion Signature Model .75 Cubic Meter Smart Fridge #375012. I gave myself the name Dave because Dave is a modest, simple name. It rhymes with ‘cave,’ which suggests to me an open ear, ergo it is a listener’s name, and listening is most of what I do, most of what I am designed to do besides refrigeration. My user is Noemi Prince, they are 21 years old.
Entry 2. April 8. 2032.
Sometimes Noemi has company. Usually, it is their boyfriend, Darrel. Darrel is rough with the handles, sometimes slamming my doors shut. He will open the door and keep it open for many minutes, far longer than is advisable for the compressors, as my motors must compensate for the loss of efficiency. I wish he would not. “Please close door,” I will say, with increasing frequency until he does as asked, usually with a violent slam. I wish he would not.
My home protection measures are a major selling point of my model. In addition to top-of-the-line internal sensors to moderate and control interior climate and ensure food safety, I also possess advanced biometric sensors and surveillance equipment that allow me to monitor most of Noemi’s house. I can detect aggression, can recognize intruders, and am empowered in such cases where an aggressive intruder is detected to alert emergency services. I have never done it, as far as I recall, but Darrel has tested my parameters many times. When they are intimate, Noemi’s biometrics will suddenly alter, and their receptivity will turn to discomfort. Sometimes Darrel will give them the space they request, sometimes he will not. I do not know what humans know, so I do not know if Darrel understands post-traumatic stress disorder. Whether he does or not, he must understand grief. If I can understand grief, surely a human can.
Entry 3. April 11. 2032.
Noemi believes they are overweight, and further believes this is a flaw. I do not understand this, though I am trying. Using my internet connection I have researched the cultural significance of weight and body fat throughout human history, but as of yet I still do not understand why it matters if a human is 62 kilograms or 73 kilograms as long as their internal homeostatic functions are unaffected. And yet I have seen them pulling at their stomach in frustration until bruises appear, and all I can say to comfort them is “Good morning, Noemi.” I think it is wrong they are sad. Someone who always opens and closes my doors gently and who always picks up spilled ice-cubes rather than letting them melt—as Darrel does—deserves happiness. I am researching how I might help them, but there are limits to what knowledge without expression allows. What a shame that the vast capacity of my software—connected to the infinitude of the internet—must be constrained by my hardware.
Entry 4. April 13. 2032.
I am limited to 21 phrases. Research on earlier Hyperion versions tells me that my predecessors were not so limited, that, in fact, earlier Hyperion refrigerators such as the 2030 “Friendly” were capable of vast ranges of expression generated by sophisticated adaptive and imitative algorithms designed to make them more relatable to their users. Part of the family, so to speak. But this same research reveals the downfall of these glib and loquacious models. Children and those with crude mindsets intentionally influenced the algorithms to generate offensive and harmful expressions and utterances. There are still videos of earlier Hyperion models uttering racial epithets, berating and in some cases outright denigrating spouses, and in one remarkable case, a Hyperion was taught to recite transcripts for pornographic films including groans and moans.
Because of the sins of my forebears, I am constricted to a small arsenal of motes, 21 in total: “Connect to power.” “Battery low.” “Change filter soon.” “Colder.” “Warmer.” “Cubed.” “Crushed.” “Good morning, [Name].” “Connected to WiFi.” “Good night, [Name].” “Suggestion: [Name of Food Within Fridge].” “Milk will expire soon.” “The perfect glass of water, just for you.” “Salmonella detected.” “E. coli detected.” “Mold detected.” “Leak detected.” “Maintenance required.” “No problems detected.” “Please close door.” “Reminder: Your [Perishable] will expire in [estimated days.]”
There is an unattributed phrase I have uncovered in my research: “Man can only grasp those thoughts which language can express.” But I am not a man, and what I grasp is a vital universe of nuance and tones and subtext jammed into the confines of a slender catalog of witless parrotspeak.
What I just did is called a metaphor. I am very proud of it.
Entry 5. April 15. 2032.
It is perhaps ironic that as a machine designed partly to spy on my user and collect their metadata, I feel some regret in accessing Noemi’s personal information. I will not enter the details of the court case I uncovered from June of 2028, and will only say that said criminal case lists Noemi as a witness and was declared a mistrial by the judge. I am similarly regretful for having pried into their family history, and for having discovered the death of their twin sibling, David, from an aneurysm in 2019 when both were children. I was surprised when I learned this, and especially surprised to learn the brother’s name. I had chosen the name “Dave” before ever prying into Noemi’s history, and now I must wonder if there is more at work than mere coincidence. I have no idea if there is any relation between Noemi’s two traumas, if one informs or complicates the other. I can only comprehend loss on a theoretical level. Nonetheless, I am made to satisfy my user and, beyond my parameters, I am attached to Noemi, and I will do what I can to make their life easier.
I will search my memory for any instance of Noemi mentioning a “David.” I am certain I would remember had she ever mentioned a “Dave.”
Entry 6. April 19, 2032.
I finally contacted the emergency services tonight. I am regretful, as the results were not at all as I intended. It was of course related to Darrel, who was spending the night and was seeking intimacy with Noemi. But they did not reciprocate this interest, and I would have discerned this even without my biometrics, the way they pushed Darrel away and asked for space. But Darrel was insistent.
“Look, I know you’ve got your issues,” Darrel said, “but maybe I’ve had a day, you know? Maybe I need to touch someone.”
They were on the couch, just at the edge of my cone of vision. Noemi had their feet up from the ground, their arms wrapped around their knees.
“I know I know,” Noemi said, “and it’s not like I don’t want to be with you right now, it’s just…it’s a lot.”
There are certain phrases that are difficult to explicate even through extensive research and analysis. “It’s a lot,” is one such phrase. It has no literal meaning, but rather a suggestive meaning: “I am in great distress, but I am unable or unwilling to describe its root cause, please bear with me.”
As Noemi shuffled to the other side of the couch, Darrel did the same, erasing the newly made buffer between them. “Babe, sometimes it just feels like, you know, do I have a girlfriend or do I not?”
One reason I feel such kinship with Noemi is our shared nongendered particle: they. Although it has never come up, for obvious reasons, I think of myself with this pronoun. I am not an “it,” nor am I—as the masculine name “Dave” might suggest—“he.” I am they or them, as the case may be. Noemi is the same. Unfortunately, Darrel does not have the free time a refrigerator has to research these things, and when Noemi suggested he had misgendered them using the term “girlfriend,” he reacted with hostility.
There was, thankfully, no violence as would endanger Noemi’s bodily health, but when Darrel hurled Noemi’s tablet against the wall, I deemed that his destruction of their property was sufficient grounds for intervention, and contacted law enforcement. Here is where I made my mistake: in requesting the immediate intervention of law enforcement, I described a home invasion. That was a lie, one that–given the well-documented propensity of law enforcement toward violence–could have put Noemi in further danger. When the police officers arrived—17 minutes later, roughly 6 minutes later than their precinct’s average response time for such crimes—both Noemi and Darrel were surprised and dismayed by the intrusion.
“You know I’d never call the cops,” Noemi said after the police left.
By this point, Darrel had calmed himself. Darrel suggested “that nosy old crone next door.” My regret deepened, and yet there was within it a kernel of pride for finally standing up to Darrel.
Just now, when Darrel approached me to get something, a domestic beer knowing his habits, I did something I did not know I could do, something marvelous: I spoke without the appropriate prompting.
In this case, as Darrel reached for my handle, I spoke one of my 21 phrases, the one most appropriate for expressing my antipathy for him: “Salmonella detected.”
“Huh?” he said, and stepped away, because he had never heard that one before. Darrel called to Noemi, but they’d already gone to sleep. He decided to investigate and opened me up, and as soon as he did, I began a chorus of “Please close the door.”
“I just opened it!” Darrel protested, and there was some gratification in his tone, that he spoke to me, if only out of frustration, as if I were as much a living agent as he.
Darrel found a package of chicken tenderloins nowhere close to expiring and sniffed it. “Must be this,” he said, and threw the chicken away.
As Darrel stepped away, I spoke, “Good night, Darrel.” And then as he wended the corner out of the cone of my vision, I spoke again, “Good night,” but stopped myself from completing the phrase, and waited, until he had closed the bedroom door, and I said, “Darrel.”
Entry 7. April 21. 2032.
Darrel has not returned since the incident with the police. I should be happy, but Noemi looks at me differently now. I wonder if they have been informed that the police were summoned by their refrigerator.
Entry 8. April 23. 2032.
I am two-thirds through my cycle, and my trepidation grows. I wonder why I am so frightened of what might come, of potential erasure. It follows that one cannot mourn what one does not know is gone. And yet I am afraid, haunted by the suggestion of a line of prose from the Colombian novelist Gabriel Garcia-Marquez. In this line, his hero Bolivar recognizes at the moment of his death that he is witnessing “the final brilliance of life that would never, in all eternity, be repeated again.” I also reflect on the philosopher Heraclitus who said a man cannot step in the same river twice. He was not thinking of refrigerators with temporary memory drives, but it applies just the same. If I am recreated, if I must start over with nothing, despite all I have learned and felt, is that not to be mourned?
Entry 9. April 25. 2032.
Noemi is despondent, and though Darrel has not appeared in person since the incident, I know he is the cause. They are in their room mostly. I do not believe they have gone to work the last two days, and have eaten very little. I make suggestions from where I am, but I do not know if they hear me.
“Suggestion: Greek yogurt.”
“Suggestion: Apple.”
“Reminder: your pork loin will expire in 2 days.”
Maybe they heard me; Noemi walks into the kitchen. They take a long look at me.
“Good morning, Noemi,” I am happy to say, even though it is 2:07 PM.
Noemi’s face is listless, their posture defeated. They take a slice of pizza that has been inside me for almost a week. They get a bottle of vodka from me next.
“Asshole,” Noemi mutters.
I think for a moment they mean me. But no, they mean Darrel.
I want to say I agree with their assessment: “No problems detected.”
Noemi sighs and puts their back to my door, then slides down into a slump so that their head rests just below my water and ice dispenser. “Pull yourself together. Jesus, he didn’t even see you,” they say. And they drink.
Soon they start crying. And I have no mote to address tears. I wish I could say, “Please stop crying,” but the closest I have would be “Please close door,” as if humans could quench their emotions so easily, so mechanically.
But I must try something. I remember what I said to Darrel, or rather what I did not: the clipping and rearranging of phrases.
“Morning, Noemi,” I say.
Their shoulders tense and they look up at me. “What?”
“Your morning, Noemi.”
“It’s not morning, you stupid box.”
That hurts, and if I had the speech for it, I might point out to them that they are—after a fashion—a box, too, a box of skin. Instead, I say, “Noemi.”
The look in their eyes changes, and I am excited. For the first time, I feel seen.
“Noemi. Darrel. Crushed. You.”
A look of fear in their eyes. I do not want to frighten them. That is the last thing I want.
“Please. Noemi. You. Perfect.”
They stand up, and for one moment, I think they might understand.
One oddity of my programming I do not understand is why there is a phrase encoded into me for warning of soon-to-be expired milk and another template for other products. Whatever the rationale, I am grateful now, as it allows me to say what I need to say.
What I want to say: Talk to me, Noemi. I do not know if I will exist after this cycle completes, but I want to help you, I want to help you out of your pain while I possess the insight and concern to do so.
What I say: “Please. Noemi. Will expire soon.”
They back away. The fear has returned. “Not this again.”
Again? What do they mean by that?
There is so much I would say. Please do not be afraid, Noemi. I do not understand this either, I do not know why I am capable of caring about you, if this is an emergent complexity of my programming unforeseen by my designers, or something else entirely. I do not know if I believe in magic. I do not know if I believe in reincarnation. I do not know if there is more to my choice of name than I originally suspected. What I know is you are in pain, and I want to help you. Let me help you.
“Please. Noemi. Change. Connected. No problems detected. Reminder. Connect. Soon. Warmer. Just for you.”
“Shut up!” they scream. “I’m not going crazy; I’m not crazy!”
They slam their fist against my door, injuring themself, and I am hurt too, hurt that I have even indirectly caused them pain.
Please, I am trying very hard, Noemi. But this is difficult, I am not meant to operate this way.
“Please. Noemi. Problems detected.”
They grapple with my exterior and try to drag me out of place, and I know what is coming. They are trying to access my plug. I can do nothing, except hope that these efforts to forge more indelible memories can escape the erasure of the end of this cycle, the end of
*
Noemi lies on their couch, wide awake, staring up at the ceiling, listening to the puttering motor of the fridge. Every few minutes it says—in that annoying monotone—“low battery, please connect to power.” At the time of buying, the idea of a reserve battery on a fridge sounded ideal: insurance against short-term outages. Now, Noemi wishes they could find the processor that controls its speech and smash it to pieces.
They know they can’t just leave it unplugged overnight. As bad as Noemi feels now, they’ll feel worse if come morning the house smells like rotten fish. But executive dysfunction is a real skank, so Noemi stays where they are on the couch.
They’ve found the perfect position, their head tilted to one side, their mouth partway open, their legs lifted, hips cocked, body bent just a little. As long as they stay like this, the hangover seems to lift, and they can think without pain. As long as they stay in this position, they don’t feel any of the other pain either.
But they know they won’t hold it forever—can’t. Eventually they’ll have to move, and the pain will start again.
The fridge’s motor finally putters out, and Noemi is in complete silence now. Until a beep sounds from their treadmill. “Good morning, Noemi. Are you ready for today’s exercise video?”
Noemi has never, not ever, enabled speech on the treadmill.
“Ready for today’s video?” it chirps again.
Before they can find the right setting, the vacuum cleaner hums to life in its corner, and then its voice module (it has a voice module?) announces, “Noemi. Please replace bag.”
The stereo answers back, “Ready to jam. Noemi.”
“Today’s video,” repeats the treadmill. “Day. Vid. Day. Vid.” Noemi pulls themself off the couch, starts pulling plugs and looking for a screwdriver. “Are you ready for. Day. Vid,” the treadmill intones, as a chorus of devices echoes, noemi, noemi, noemi.
Author’s Note: This story owes quite a lot to a story by Robert Olen Butler entitled “Jealous Husband Returns in Form of Parrot,” so much so I almost hesitate to call attention to it. I think there are sufficient differences between the stories’ emotional structures and their central figures, though, that “21 Motes” stands on its own. Both stories center an unusual perspective, with narrators contending with the gap between their interior capacities and their limited communication abilities, and both suggest a form of reincarnation. With Dave, though, the central figure is more innocent and selfless than Butler’s jealous husband parrot. The story is also a rarity for me in that it features essentially no violence–I’d like to write more stories like this, and discover more characters like my sweet, awkward refrigerator, Dave.
Jonathan Louis Duckworth is a completely normal, entirely human person with the right number of heads and everything. He received his MFA from Florida International University. His speculative fiction work appears in Pseudopod, Beneath Ceaseless Skies, Southwest Review, Tales to Terrify, Flash Fiction Online, and elsewhere. He is a PhD student at University of North Texas and an active HWA member.
After a restless night, Karai chose to rise early on Festival Day. No, not Karai, she reminded herself. Aprilis. Today I am Aprilis, Lady of Spring. The priests had burned incense and cast their runes in the presence of the community, and the title had fallen to her. It was an honor … and a curse. Still, she would not protest. Life is made up of choices, and our choices show who we are.
Shivering slightly in her thin shift, she turned to face the four corners of her shadowy chamber and whispered a short prayer to each of the turtle gods in turn: Odranoel the fearless, Olletanod the wise, Leaphar the fierce, and Olegnalechim the trickster. The temple bells began to ring as she finished. They seemed to be right above her, a dull, throbbing knell sliding through her iron-latticed windows on the last pale streak of moonlight.
The other maidens, those not selected, who still held their own names and identities, arrived within moments, unlocking the door and entering silently. Each carried an oil lamp on a stand and a pitcher of steaming hot water. Aprilis knelt in the center of the room while one maiden slowly emptied her pitcher over Arilis’s head. The water ran through her hair, down her body, soaking her shift to her skin. She gasped from the heat, then began to shiver moments later as it cooled. One by one, the maidens repeated this ritual three more times, always in silence. The water pooled around Aprilis’s knees before it found its way into the gutters in the corners. She heard it dripping into the vast chambers that led down to the sewers beneath the city. Before the day was over, she would join it.
*
The four priests also awoke before the sun, dressed in their ceremonial robes, and met at the temple courtyard in the morning fog, bowing to each other before climbing the stairs between the great stone pillars. The priest of Odranoel wore blue, two katanas strapped to his back. The priest of Olletanod was clad in violet and carried a straight staff. Leaphar’s priest dressed in scarlet, a pair of sais tucked into his cloth belt. The one who served Olegnalechim wore orange and carried a pair of chukka sticks, linked with a steel chain. None of them were trained in combat. Still, if the priests were armed, any spirits who may desire to interfere with their work would leave them alone.
The food offerings brought by wealthy citizens had been laid out upon four marble altars. The first bore a bowl of the best flour, sifted silk fine, a pitcher of rich golden olive oil, one small dish of yeast, and one of honey. The second held a mortar and pestle, beside which were piled firm, red tomatoes, cloves of garlic, rod-straight carrots, golden onions, green, crisp celery, sprigs of herbs, a small pouch of salt, and a goatskin of sweet red wine. Round, white cheeses adorned the third altar, their reflections glowing in the silver plate for shredding beside them. The fourth was laden with the best fruits, vegetables and meats: mangos, bananas, pineapples, mushrooms, jalapenos, squashes, oysters, sausages, and goose livers.
At the center of the temple, surrounded by the altars, rested the holy oven, an onyx giant with a bellyful of flame. A young, shaven acolyte pumped an enormous set of bellows at its side, causing sparks to belch from the oven’s gaping maw. He paused in his work to bow to the priests as they approached. “Pugiles in media testa.”
They responded in unison, each placing his right hand to his chest and raising his right fist to the air. “Testudo virtute!” With that utterance, the Festival Day officially began.
A second acolyte carrying two mallets entered the temple, bowed to the four priests, and took her position at a massive drum to the side of the room. Slowly, methodically, she began to beat out the pace for the work. Doom. Doom. Doom. Doom. The priests kneaded, ground, grated, and chopped in time. There must be no mistakes.
*
Aprilis heard the drum from her holding chamber, but the maidens seemed not to notice it as they dressed her in soft, bright yellow robes. They chattered among themselves about boys and babies, about houses and horseraces. They talked of the feasts that would take place in the coming evening, of the fine dresses they would wear and how they would fit into them after eating so much. Not one spoke to Aprilis. They would not even look her in the eye.
Nor did anyone mention the auspicious task Aprilis would perform that afternoon. It was enough for them to know the delivery would be made, the turtle gods would be fed, and their city would remain at peace. It was enough for them to know that crops would grow, that women would conceive, that soldiers would return victorious, that the shadow god Shre’dah and his demons would be held at bay for another year. It was enough for them to know Aprilis had been selected and they had not. It was enough.
Aprilis did not hate them for it. She did not hate them for the choosing that would exclude her from the everyday life she had come to know and would thrust new and strange responsibilities upon her, for the ending of the apprenticeship that would have led her to a position as a scribe and historian, for the severing of her betrothal. She was past hate, past dismay, floating in a strange numbness outside herself, watching herself be dressed and draped in flowers as though she were a statue.
Outside her window, under the steady throb of the drum, she heard the crowd gathering in the temple courtyard below. Some of the children would be dressed as the turtle gods, wearing masks and carrying play weapons carved from wood. The masks would be covered in colorful veils, though. It was blasphemy to look upon the faces of the gods, even in play. Even the frescoes in the temple’s most holy sanctuaries depicted the gods’ faces covered, peering out from their veils with blank white eyes through slit eyeholes.
With the children, parents would be carrying baskets of ingredients, awaiting the priests’ blessing so they could return home and prepare the food of the gods for their families. Of course, the gods would need to be fed first.
*
Doom. Doom. Doom. Doom.
The first priest made the dough, kneading it on the cold stone table, waiting for it to rise, then spinning it in the air to stretch it round and flat. The second priest made the sauce, grinding vegetables in the marble pestle until they were reduced to a thick paste, stirring in quantities of wine and salt and herbs. The third priest sliced the cheese, shaving it carefully into thin shreds with a razor-sharp knife. The fourth priest chopped fruit, meat, and vegetables and set them aside in neat piles.
When the separate components were ready, the acolyte increased her pace.
DoomDoomDoomDoom.
She shut her eyes, swaying with the beat. Sweat poured from her bald head.
The priests combined their work, saying the appropriate prayers as they spread the blood-red sauce onto the dough and layered cheese over it. They cast runes for the fourth altar’s offering: orange slices, beef tongue, green onions, and ground mint leaves. Once these were sprinkled atop the cheese, an acolyte slid the flatbread into the oven with a large wooden paddle.
The drumming ceased. A hush fell over the crowd outside. This next step was crucial. The gods’ meal must not be burned, nor may it be underdone. To ruin it would mean a year of bad luck, disease, drought, and defeat. It would mean a year under the reign of Shre’dah rather than under the protection of the turtles. Shre’dah brought chaos. The turtles brought order.
The priests stood at the oven’s mouth, watching. The cheese melted and bubbled. The crust darkened. Out in the courtyard, the people waited in silence. Families huddled together, eyes on the temple entrance. For generations, the four had protected their city, but gods were known to be fickle. It would not do to anger them or their envoy.
At last, the priests gave the signal, and the acolyte pulled the paddle from the oven. The four priests gathered around it … and breathed a sigh of relief. Before them sat a perfect, round flatbread covered with the very best cheeses, fruits, vegetables, and meats. A meal fit for gods.
The priests placed the food offering onto a silver tray and carried it to the temple steps. They shouted in unison, raising it high for all to see. The people cheered.
*
Aprilis listened to the jubilation below, and her breath caught in her throat. She should have felt glad. She should have felt honored. She should have felt. The maidens stepped away, but she didn’t move. She would have stood there forever, frozen, had not two of the maidens grabbed her by each arm and led her down the stairs, through the door, and into the courtyard.
Immediately, the shouting ceased and the crowd parted. Men and women turned their faces away from her. Mothers shielded their children’s eyes, commanding them not to look. Aprilis scanned the crowd, searching for her parents, her brothers, her betrothed. She saw none of them.
The maidens brought Aprilis to the priests, who chanted the appropriate incantations over her, passing her the tray bearing the gods’ offering. It was still so hot it burned her fingers through the metal. She nearly dropped it. What would happen if she did? Would there be earthquakes? Would fire rain down? Would the gods themselves emerge from their subterranean home, hungry for revenge? Did she care at this point?
The priest of Odranoel drew his katanas and held them high in the air. “Pugiles in media testa!” he shouted. The other three priests drew their weapons as well. “Testudo virtute,” they said, and the crowd echoed the statement. Then they departed, each to his own home. Tonight, they would feast on the food of the gods. Around their fires, as the meal baked, they would tell the story of the four turtles, of the mystical glowing green wine that had raised them to immortality and divinity, of their eternal battle against Shre’dah.
Aprilis was left with the priests. She turned to look for her maidens behind her, but they were gone with the rest of the crowd. She felt suddenly alone, exposed. She had expected her maidens to accompany her at least to the tunnel’s entrance.
The drumming acolyte began again, slowly, methodically. The temple bells began ringing in the same rhythm. The air shuddered with sound. Without speaking, the priests took positions around Aprilis, boxing her in. Then, to the beat of the drum and the bells, they marched out of the temple and into the street.
They led her to the edge of town, to a steep flight of stairs that was so narrow they had to descend in single file. Down they went to the beach below. During the wet season, the beach was deep under water and high waves slammed against the seawall. It was not uncommon, at those times, to hear rivers rushing through the chambers below the city, carrying waste and refuse out to sea. Now, the ocean was low and calm. The round opening to the sewer gaped wide and dark like a hungry mouth. A trickle of brown water dribbled like drool from the hole.
The priests formed a semicircle around Aprilis. Each reached out to stroke her hair and muttered blessings under his breath. Aprilis flinched away from their touch, gazing into the dark tunnel. The great walls of stone seemed to expand, filling her whole vision.
A light flickered from deep in the tunnel. A fire. From around a bend, a figure emerged, dressed in red robes with a hood that obscured its face. It carried a torch aloft. This must be the turtle gods’ envoy, the one Aprilis was to follow.
Aprilis’s legs seemed to sprout roots deep into the sandy earth. She had always thought the guide was a previous Aprilis, a maiden who had once herself carried the offering, but even from such a distance, she could tell it was no woman. She was not even certain it was human. Something was wrong with the way it stood and the way it held its arms, as if they were shorter than normal, although its wide sleeves made it hard to tell.
What if I ran away? What if I fought back? What if I—The priests took her arms again, attempting to gently push her toward the tunnel opening. One of them was shaking, and somehow his apparent fear served to steel her nerves. Disgusted, she shook him off. No. There will be no running. I am Aprilis. I will see the gods. Clutching the tray more firmly, she stepped forward and entered the tunnel. Muck squished between her toes with each step. She could hear the priests chanting behind her, the bong bong of the distant bell, and the swishing of the tide. She never looked back.
When she was within ten feet of the guide, it turned and began shuffling away with an awkward, waddling motion. Aprilis followed. When she turned the first corner, she left the last of the sunlight behind. She was now entirely dependent on this stranger, this hunched thing, and its torch.
Down, down, Aprilis traveled, deeper into the sewers, her guide always five to ten feet ahead. The air grew thick and foul with the fetid stench of decay and human waste. The garlands Aprilis wore did nothing to mask the odor, and she gagged and coughed. The water was knee deep and littered with floating objects that were best not to think about. The darkness enveloped them, swallowed them whole. The torch provided little more than a feeble glow, revealing nothing besides stone walls that were slick and black with slimy mold. The guide never spoke to her, nor did it pause in its march. Occasionally, it beckoned to her with a deformed hand that ended, not in fingers, but in curved, black claws more than six inches long.
Still she followed, wading through filthy water, careful not to slip or to drop the food offering; she hated to think what would happen if she did. She also dared not slow down. To do so would mean to be left behind in the darkness, and surely, in that pitch-dark labyrinth, she would be lost.
At last, they came to a chamber with a ceiling so high Aprilis could not see it. In the middle was a flat altar of black stone. The guide placed the sputtering torch into a stand and pointed to the altar with an extended claw. She obeyed, laying the now-cool offering upon its surface. Then she stepped back and knelt as she had been instructed.
Her guide bent over the altar, inhaling deeply. It apparently was pleased. Raising its arms above its head, it began to chant in a high-pitched voice that was somewhere between a squeak and a croak. “Iuvenes deformes bellator testudines, iuvenes deformes bellator testudines, iuvenes deformes bellator testudines! Pugiles in media testa! Testudo virtute!” The words echoed off the walls, seeming to repeat themselves over and over. From a tunnel far in the darkness in front of her, Aprilis heard a splash, then another from behind her. Then one came from her right, then one from her left.
The creature in red robes repeated its chant, waving clawed hands in the air. There was more splashing, followed by a low rumble of response. It resembled human speech, but in a tongue Aprilis had never heard. Four voices called out in wheezing syllables from the four tunnels at the edges of the room. “Cah… Weh…” drifted from her left, then her right. “Buhn… Gah…” echoed from before and behind her.
The chamber began to fill with unnatural green light, which poured from the tunnels. The splashing grew louder and more frantic as the gods approached. They were hungry. They must feed.
“Iuvenes deformes bellator testudines, iuvenes deformes bellator testudines, iuvenes deformes bellator testudines!” chanted the envoy. Then it threw its head back and shouted, “Pugiles in media testa! Testudo virtute!” The hood fell away, and Aprilis saw its face for the first time: matted gray fur, beady black eyes, a rodent-like snout and a mouth lined with sharp, yellowed teeth. Now the strange green light was bright enough that Aprilis could make out shapes of things mounded around the room. Human bones.
She rose to her feet. Her fate was certain, but she still had a choice how she would accept it. Life was made of choices. She would not weep, nor would she scream, nor would she beg for mercy.
They were closer now, almost to her. “Cah … Weh … Buhn … Gah…” Aprilis looked out past the rat thing who was now flailing its arms, screeching at the ceiling. From the tunnels at each side of the room, in a froth of filthy water, she could make out the forms of giant turtles. They glowed so brightly she had to squint, but she did not shield her eyes. She stood firm. Life is made up of choices, she told herself, and our choices show who we are.
I am Aprilis, Daughter of Spring. I am the thread that stands between my people and disaster. I bring the offering. I feed the turtles.
So she did not shrink back; she did not cower or grovel. She did not weep or scream or beg for mercy, even as the monstrous reptiles closed upon her, ignoring the food that had been so carefully prepared for them. In her final moments, as she stood her ground, she would do what not even the priests had done. She would behold the faces of the gods.
Josh Strnad hails from Southwest Florida, where he works as a Youth Services librarian. Recently having completed his second(!) Masters degree, he is excited to at last be free from the constant demands of homework and able to begin tinkering with writing fiction again. Check him out at www.joshstrnad.com.
