written by Frank Dutkiewicz A Letter from Your Mother by Sylvia Spruck Wrigley (debut 1/1 and reviewed by Dustin Adams) As a child of a mother (I believe we all qualify) I ask: can any of us truly outgrow or outlast the fretting of our mom? Probably not. And neither can the time-dilated, universe … Continue reading Daily Science Fiction January 2014 Review
written by Shane Halbach
Despite trying to be a serious writer for more than 5 years now, it has never occurred to me to attend a con. Writing has always been a very solitary activity for me, and sometimes I have this thing where going to do something just sounds like so much work (I think it’s called laziness). On the other hand, I’m a raging extrovert who is energized by being around people. Enter WisCon.
written by Frank Dutkiewicz
A young girl values her security. In a Highest Possible Setting by Em Dupre (debut 12/24 and reviewed by Frank D) the protagonist is a single woman who works on the dangerous streets of an unidentified city. She has the latest in protection software uploaded in her brain. Sentinel will help her, calculating the safest routes, cataloguing suspicious faces, and preparing her for the worst. Sentinel will guarantee that she will be safe, and who needs a social life when you can have complete security.
written by David Steffen
Drabblecast is as good as ever, still one of my favorite fiction sources. Still edited by Norm Sherman. Still has a stellar Lovecraft month in August when they publish one Lovecraft stories and three unpublished stories by contemporary authors in the cosmic horror subgenre. They published 48 stories in 2013.
written by Frank Dutkiewicz
Welcome to the only ezine publication that takes the time to review all of the stories of one of the most read speculative publications, and most submitted to professional publishers, Daily Science Fiction. We are proud to be able to show DSF, and its celebrated authors, that their work is read – and studied. For three years we have held true to our commitment that Daily SF should not be ignored. They shouldn’t. The material is too good to be overlooked. But don’t take our word for it. See for yourself.
I’ve spent the last several months reviewing award nominees. I decided to take it one step further and post the final decisions that I plan to post to my Hugo ballot with explanations (where I deem them necessary) about why I voted the way I did. I encourage anyone reading this to post discussion in the comments about how they voted, why I am wrong in my choices, etc.
What makes this more interesting is that the Hugo Awards use an instant runoff voting system. You rank your changes from 1-x, and can also set a number to the “No Award” category. You can find all the nitty gritty details at the Hugo Page explaining votes. I like the system a lot, much more than just a simple single-cast vote, because if your primary vote is for the least popular story, your other preferences still count for something.
On to the next category for Best Novella. I find this one another awkward one, covering word counts from 17,500 to 40,000. I like novels because they have room to spread out and really make you care about a broad range of characters in an intricately woven plot. I like short stories because they can really hit you with a story, worldbuilding, or other elements, get in and get out while you’re still excited. Novella I find is kind of awkward length, like a story that wants to be a novel but somehow just doesn’t have the stamina to make it all the way up there.
The After Death anthology with my story “I Will Remain” is now available for sale. It’s anthology of stories that take place after death, one of my favorite topics to contemplate and write about.
Nebula nominee, frequent Analog byliner, Writers of the Future first place award winner, 2 time Phobos Fiction Contest winner, 6 time Analog Readers Choice Award winner, Odyssey graduate, and longtime Critters member Carl Frederick is camera shy. As you can see from the photo, even his pet cat is shy. He likes cats and dogs and they are prominent characters in many of his stories. Frederick is known for his hard science stories. He’s had 40 plus short stories published in Analog. Lately, without letting up on the hard science stories, he has delved deep into character driven stories and even literary science fiction. Or rather, stories with strong character development well blended into the hard science element – and vice versa.
