2023 Retrospective and Award Eligibility

written by David Steffen

In 2023 Diabolical Plots published our second guest-edited themed issue, this time for the “Diabolical Thoughts” telepathy theme, guest-edited by assistant editor Ziv Wities.

We have been publishing the annual Long List Anthology since 2015. In 2021 there was a hiccup in the schedule due to WorldCon timing that pushed that year’s Long List Anthology into 2022, meaning there were two volumes of the anthology series in 2022. The entire basis of the anthology is the Hugo Award nomination statistics, so the work to compile the anthology cannot start until those statistics are published, and in 2021 WorldCon (when the statistics are usually published) didn’t happen until December. In 2023, although WorldCon was held in October, they have not published the nomination statistics yet–according to the WSFS constitution they are allowed three months to do so, which means they have until mid-January. This should mean we can get going on the Long List Anthology in January or February, and it will likely be another two-anthology calendar year.

In 2023, we published 23 original stories in Diabolical Plots.

This year we welcomed two new assistant editors to our ranks: Chelle Parker and Hal Y. Zhang (read our staff page for more info on them)

Diabolical Plots opened for general submissions in July. We read more than 1400 submissions and accepted 25 stories from the window. We were running a little behind schedule for publishing stories, so the last few months of 2023 we published one story per month instead of two to stretch the inventory a bit further.

It was a busy year in my personal life as well, including the passing of our dog Mikko who had been a member of the household for fifteen years. This is the second consecutive year that we had to say goodbye to a dog, so I’m hoping we will have a reprieve for a while.

The rest of this post is award eligibility, suggesting categories for major awards, as well as a full link of stories with snippets.

Magazine/Anthology/Editor/Publisher

Diabolical Plots is eligible in the Hugo Best Semiprozine category or the Locus Magazine category with our team of first readers as well as assistant editors Ziv Wities, Kel Coleman, Chelle Parker, and Hal Y. Zhang.

David Steffen is eligible as editor of Diabolical Plots.

I don’t know exactly how editor catogories are interpreted. But at least for Hugo Award for Editor, Short Form it specifies that they must have been “editor of at least four (…) magazine issues (or their equivalent in other media)”. Ziv Wities edited our special “Diabolical Thoughts” telepathy-themed issue, but has also edited many of our other stories. Even assuming we should interpret “issues” as ALL of the stories for a particular month of Diabolical Plots, Ziv Wities qualifies with the four most recent months being: August 2023, March 2023 (Diabolical Thoughts), January 2023, and March 2022.

I think that Kel Coleman might also qualify based on DP work depending on how an issue is interpreted. They have edited more than 8 stories for us, which is more than 4 issues of the usual size, but those were sometimes not entire months. (I think it’d be fair to count that though).

Diabolical Plots, LLC is eligible for Locus award for Publisher.

Related Work

We published just one nonfiction piece this year: “MOVIE ANALYSIS: Elemental (Pixar), a Movie About the Dangers of Government Incompetence” by David Steffen

The Hugo for Best Related Work has included websites before, The Submission Grinder is theoretically eligible for that.

Short Stories

“Dog Song” by Avi Naftali

So you want to determine whether dogs still exist.

First, our association of dogs with obedience. Is obedience dog-like? Or is it to do with horses now, or children, or hamsters. “Hamster-like obedience.” Dogs have retreated into the bodies of hamsters, maybe. They have a real knack for learning, we’re told, and for evolving themselves. There’s no reason they couldn’t take this extra step. Or maybe they don’t exist, dogs have never existed.

“Tell Me the Meaning of Bees” by Amal Singh

On a sunless morning, in the city of Astor, the word ‘caulk’ vanished.

The word didn’t announce its vanishing with trumpets or a booming clarion call. It faded away slowly in the middle of the night, like the last lyrics of a difficult song. The ones who didn’t use the word ‘caulk’ could not even tell what had gone wrong—the non-engineers, the artists and intellectuals—because for all intents and purposes, they would have spent their entire lifetimes not caulking anything.

“The Monologue of a Moon Goddess in the Palace of Pervasive Cold” by Anja Hendrikse Liu

Two centuries ago, I would’ve built thrones made of mooncakes in every room of my silent palace, would’ve filled hot tubs with the fruit sent up on festival night. Nowadays, storing and preserving and pickling feels like a losing race, like if I let even one persimmon spoil in the cold moon air, there won’t be enough to sustain me and Jade Rabbit for the year. 

“Devil’s Lace” by Julie Le Blanc

The demon and I had been crocheting for hours, in what appeared to be a sliver of space it’d created between Here and There. Around a plush couch floated pale, winter fog that obscured anything more than a few feet past the limits of the cushions.

“Rattenkönig” by Jenova Edenson

Kim was always having bright ideas. In sophomore year, he’d bought an honest to God stink bomb from the Internet and set it off in the math class hallway. A girl had an asthma attack, and Mr. Allen had to call an ambulance. You brought this up when Kim suggested driving up to Canada from San Diego and back in the span of a week. Kim laughed, and kissed your cheek. He told you that you didn’t need to worry so much about stuff that had happened so long ago. Besides, Evelyn had come back from the hospital with a brand new rescue inhaler.

“The Hivemind’s Royal Jelly” by Josh Pearce

The figure seated on the other side of the plain metal table has a blank look on its face, like its creator gave up halfway through forming its features. It is dressed in an orange jumpsuit, white socks, black slippers. The handcuff that secures it to the table cuts deeply into the waxy pale skin of its wrist.

“The Desert’s Voice is Sweet to Hear” by Carolina Valentine

Zazy tugged her hood forward to get a sliver more shade. Not today, my friend, she replied. She spotted the bonecrawler nest the desert wanted to convince her was a bubbling spring. Heat fatigue washed through her. For a moment, her eyes unfocused and the trickle of insects did resemble running water. Zazy closed her eyes. No, thank you.

“A Girl With a Planet In Her Eye” by Ruth Joffre

For the first thirteen years of her life, the planet was silent. No birdsong. No construction. Only the gentle sway of an ocean pushing and pulling against the aqueous humors of her left eye. Late at night, while her parents slept, she often lay awake and listened to the dense water solidify itself, the salts forming crystals, the crystals becoming pillars in a great, cavernous hall populated at first by no one, and then: music. A pure, high note so sudden it woke her from her slumber and conjured the image of a miniature flautist performing deep in the canal of her ear.

“Re: Your Stone” by Guan Un

Hi HR,
Just letting you know: I moved the artwork “Higher, Faster, Boulder” from the ground floor lobby up to the Second Floor Cafeteria as per Asset Movement Request #5340 from Asset Management, could you please let me know why it’s been moved back to the ground floor?
Thanks,
Sisyphus

“Bottled Words” by Carol Scheina

Unbottle a voice and it would vibrate through air, giving you one—just one—chance for your brain to turn those waves into recognizable words. But for me, it’s not like I could stop a bottled voice and ask, “Can you say that again?” There was no listening over and over, trying to see if I could recognize a new word here or there. There was no telling a disembodied voice that yes, I could hear it with hearing aids, but no, the sound wasn’t clear enough, or my brain wasn’t able to piece the sounds into words, or that I’d much prefer to read its voice on paper.

“Six Reasons Why Bots Make the Worst Asteroid Miners” by Matt Bliss

1. They think they know everything. Like your twenty years of mining experience is useless compared to a high-acting neural processing drive. Like you’re nothing but a softer, weaker liability, and the only thing you’re good for is greasing their joints and blowing out their compressors. Just one bot and one human to babysit them.

“Diamondback V. Tunnelrat” by Nick Thomas

All parties agree to the following facts. A skirmish broke out between the Diamondbacks and the dwarves during the Brass-Tree autumnal equinox fete. The fete is a centuries-old tradition, occurring every year and held in the foothills alongside the Cenen river. Brawls are as much a part of the festivities as the paper lanterns, the stewing of chicken heads, and the traditional weasel-peasel dance. Neither party makes complaint about the violence done to them or by them at the skirmish.

“They Were Wonderful, Once” by Lily Watson

Even by the third hot, sticky day into our road trip, the humans in the back of the transportation trucks remain fascinating. Theoretically, we know where our blood comes from. But this is different, seeing the little bits of them, poking through the slots on the sides of their container, pressed against the grates for lack of room.

“Interstate Mohinis” by M.L. Krishnan

Sometimes, I dreamed about flowing water. About where I would be—not here, anywhere but here—if my body had survived the accident. Mushed, but still recognizable. With its vestigial humanness that demanded respect, especially in death. My ashes would have been tossed into an ocean or a river in a coursing procession of night-blooming jasmine garlands, women who keened and thumped their chests, and drunken louts who gyrated around my urn until they foamed at the mouth. Until they collapsed in exhaustion or pleasure.

“Glass Moon Water” by Linda Niehoff

The afternoons are sprinklers in the backyard and ice-pops while our sisters and mothers watch flickering soap operas in cold, tomb-like rooms, cold from the AC cranked so low. The nights are sleeping out in the backyard in a tent or a sleeping bag unrolled on porches and decks or even in the grass and looking up at the stars. Listening to the AC click on and hum its silver song through the night.

“The Dryad and the Carpenter” by Samara Auman

Mortals slice us dryads open to count the layers of our lives; it is easier than listening to our stories. They slide their fingers over our rings, thinking that our texture, our shifts in coloration would bring them understanding of their own lives. In their minds, we exist to bring poetry to their sighs and serve as metaphors for longevity.

“On a Smoke-Blackened Wing” by Joanne Rixon

The transformation. The wind under the airplane’s wings buckles as the wings buckle, shake, separate into a beating of hundreds of wings. Out of the fog we come. This time, this first time, we are geese: black-brown wings and furious hearts. We fly awkwardly, at odds with the turbulence; we are newborn, but already the flock is forming as our instincts awaken in the air and we orient ourselves not against the ground or the stars but against each other.

“Shalom Aleichem” by Y.M. Resnik

Every Friday night the angels came, and every Friday night they freaked me the fuck out. Which is probably why I didn’t get a million-eyed, one-footed guardian of my own like the rest of my family. This was totally fine with me. I was in no way jealous that my siblings had angels to accompany them to college while I was stuck sitting alone in an empty dorm room. Who needed a creep-tastic companion whose face consisted of a bizarro series of interlocking cogs and wheels forever whirring?

“Every Me Is Someone Else” by Andy Dibble

I’m a medical assistant coming down the hall in polka dot scrubs. I’m walking on the other side, glancing at me. 

No, she. But a different she than my mother. It’s hard to keep track. Each is like an organ, involuntary functions only. My therapist says thinking like that is egotistical, but how am I supposed to care about others, when others is just something I tell myself?

“Requiem” by P.H. Low

This is dawn: fields shading from black to grey, flicker-fading starlight, our voices raised against the wind and the red scarves whipping our faces. Our song levitates us ten feet in the air, above dirt roads packed down by wagon wheels and chariots: Carl Lang’s Canter, an ode to unseen horses and sunrise and longing. When we sing—as long as we sing—our feet do not touch the ground.

“Like Ladybugs, Bright Spots In Your Mailbox” by Marie Croke

Someone began sending hand-written spellcrafted postcards out of DC in July of 2024. Those postcards made the rounds for a good nine months, under the radar, scarcely observed. That was, until the rash of good health, the proliferation of wealth, and the sudden uptick in good living coupled with a grand downtick in big socioeconomic issues the mayor was quick to claim as her own—such as suicides and unemployment—brought the situation to the attention of the East US Coven.

“In the Shelter of Ghosts” by Risa Wolf

They approach the house frame I’ve erected, set up where Dad’s old house once stood. They place the machine on a slate slab I’ve set up by what I hope will be the front door. I uncap my electrical source as one of the mediums puts on ceramic-weave gloves to connect to the leads. I tamp down a flare of worry, reminding myself that I’d just recharged the lead-acid battery at the solar station and redid its plant latex cover a few days ago.

“It Clings” by Hammond Diehl

Of course a dybbuk is flat. Flat as a blini. All the easier for that damn ghost to slip under your collar.

Of course a dybbuk is colorless. That’s why, when you say you’ve got a dybbuk, most people say, no you don’t. Go see Dr. Weiner. Spend a few days in Florida.

DP FICTION #95B: “Tell Me the Meaning of Bees” by Amal Singh

edited by Ziv Wities

On a sunless morning, in the city of Astor, the word ‘caulk’ vanished.

The word didn’t announce its vanishing with trumpets or a booming clarion call. It faded away slowly in the middle of the night, like the last lyrics of a difficult song. The ones who didn’t use the word ‘caulk’ could not even tell what had gone wrong—the non-engineers, the artists and intellectuals—because for all intents and purposes, they would have spent their entire lifetimes not caulking anything.

Yes, the city of Astor simply woke up to unsealed joints in their stone buildings and leaking drainage pipes. The city woke up to a quiet mayhem.

Because with the word, the idea of caulking vanished too. And hence, near the harbours, the ships that had docked in the middle of the night, spewing sailors on the streets for a day of boastful extravagance, found themselves sinking, their wood coming apart at the edges. The groaning of the wood like a monster waking from slumber, the silent creaking like the hips of a man with an ill-timed squat, all these sounds fell silent as ‘caulk’ disappeared in a watery grave.

It took most of the day for the men and the women to unearth the caulk-shaped absence in their mind. Because just near the absence lay meaning, and meaning led to understanding. Understanding led to realisation that thankfully, only the word was gone, but not what it meant, not entirely.

With ‘caulk’ gone, ‘seal’ was used temporarily. But ‘seal’ was also used for other things, and lest the four letter word be burdened by too much meaning, a new word was thought of by the aging Keepers who sat in a dimly-lit alehouse drinking cheap rum, and thanking the heavens the idea of rum and the word still existed.

The word they came up with, a moustached man and an aunty who knitted sweaters, was ‘merk’.

“Merk?” asked a sailor, slamming a mug of beer on the table, froth spilling over and finding a new home amid niches carved in the wood.

“Merk,” said the aunty, admiring the pattern she’d made, as the ball of wool unspooled from her lap and hit the floor. “You can use it from now on. Tomorrow, someone from the Tapestry Collective will come and make the necessary additions.”

“Merk, instead of the word we lost. Now, I don’t remember what exactly that word sounded like, but it sure wasn’t ‘merk’. Merk doesn’t sound like it could fix all the joints in Astor.”

“It’s the best we could do,” said the man, swallowing his third shot of rum. “It was a well-used word, whatever it was, and disappeared with no warning. It takes a long time for us to come up with acceptable words.”

The old man’s answer was deemed acceptable. And so it came to pass, that merk took the place of the word everyone had forgotten.

But merk could hardly bear the weight of all the meaning the old word carried. There was no heft to ‘merk’. ‘Merk’ was a hasty concoction, a parody of a word, ironically meant to ‘caulk’ the joints between remembrance and essence, memory and context. The ships and the walls and the leaky sewage pipes learned soon, but it was never the same as before.

***

The man who’d come up with the new word was named Ullarian. And every morning, as he undid the blinds of his cottage-home snuggled at the edge of the forest, he would wonder if someone had forgotten the ‘sun’. Because Astor had never seen the sun, and while Ullarian knew that a sun existed in the sky, nobody in the entire city had ever mentioned the sun, or why a dull, perpetual brightness existed in the sky without the presence of a source.

When all the noise about merk had subsided, and the word found itself settling in the vocabulary of Astor, albeit uncomfortably, the old aunty from the bar visited Ullarian and gave him a sweater she had knitted, a bright crimson ‘U’ on the chest against a lime yellow backdrop. Ullarian accepted the gift with a warm smile and made spiced tea for the woman, whom he called Sultana, though in fact her name was something else, something even she had forgotten, but she accepted her new name, which dripped from Ullarian’s mouth like a waterfall, a name she liked.

Ullarian’s cottage was all wood, which made uncouth sounds all day long. But when Sultana sat with him near the window that overlooked the meadows, even the house consented to maintain an odd silence, respecting her presence.

“I am troubled,” said Sultana, stirring her tea, looking out the window. Ullarian was looking at the wrinkles on Sultana’s face, and how despite them, she looked ageless.

“What about?”

“There’s going to be another forgetting, and it will be bigger than what merk replaced. It could cause real havoc.”

“How can you be sure?”

“I don’t know, but these forgettings have been random and nonsensical. It will get worse. Small forgettings are always a precursor to big vanishings.”

“Then we’ll replace that,” said Ullarian. “Don’t you worry. That’s what we’ve always done. That’s what we did for brocken and semidifier and levertanum.”

“The ideas behind those words you just spoke, they were easy ideas. Easy ideas are harder to remove, because they contain multitudes of meaning. But what if we forgot tea? Would you wake up the next morning without the precise idea of brewing leaves in water?”

“Nobody wants that,” said Ullarian, taking a sip, and savouring it for a moment too long. “What do you suggest we do?”

“I want to visit the Tapestry,” said Sultana, her voice heavy.

“The Tapestry, on a hunch? Trust me, you don’t want to do that,” said Ullarian, sipping his tea. “Why don’t we wait for the Forgetting and see what we can do then, as we have always done?”

“You’ve grown complacent, Ullarian.”

“Not complacent,” said the man. “I just want to live the rest of my life in peace.”

Sultana sighed. And then said words which stung Ullarian.

“How are your bees?”

He knew what she was implying. Behind his cottage, he had constructed a small apiary. It was a small hobby he had acquired after Astor had lost the word for honey, and subsequently the substance itself. It was the only time in the history of Forgetting that Ullarian and Sultana hadn’t come up with a word. Instead, Ullarian had taken up beekeeping. Stacks upon stacks of brood frames lay in his backyard, where bees and their queen hatched from larvae and grew and grew and flew towards orchards to pollinate plants. When those bees created honey, slowly the meaning of the word found its way back in the folds of Astor’s brains, and when meaning came back, so did the word.

Even now, Ullarian could hear their silent hatchings. He shuddered to think of a world without bees. He winced. A shadow fell over Sultana’s face. She seemed to understand that she had taken it too far to prove a point.

Sultana finished her tea and left.

For five days, Ullarian did not visit the town. For five days, he lived cooped inside his cottage, thinking of what Sultana had told him, thinking of the meaning he had given to so many words before. Brocken, the word for a cuboidal piece of hardware that was used to store food-items, had come to him in a post-rum haze, when suddenly the town was plagued with food and liquid spilling all over the place with nothing to contain them. When that word was lost, suddenly its entire meaning was gone too. When the word was lost, a popular fight-sport vanished without a trace, with athletes suddenly finding themselves with bruised fists and muscular arms, and having no memory of how they got them.

Something had told Ullarian that the word started with the letter ‘B’, and the replacement would have to be something very close too, and not too far off.

For five days, Ullarian thought what word he might give to the bees, should they be forgotten. When he couldn’t come up with any, he packed his belongings, and made his way towards Sultana’s home.

Sultana lived on a cramped street where the road ascended towards a busier market area. The buildings were made of cement and stone and iron, and some of them were threatening to crumble because of merk not doing its job properly. When he reached the street, he felt disoriented. He looked up at the road as it disappeared in a flock of pedestrians eager to grab their morning coffee from cafes, their newspapers, and their chicken salami rolls. Ullarian felt an absence, but he couldn’t place it.

Sultana stepped out of her own blocky apartment, her keys jangling by a cord on her waist. She looked ready for a long trip, with one suitcase which threatened to rip at the seams, and one handbag, which was painted with all colours except one. When she looked at him, she smiled.

“I knew you’d come,” she said. “Always the light traveller.”

Ullarian looked at his own measly packings and wondered if he should have included his two sweaters and his three pairs of socks. The Tapestry sat at the top of a hill, and it could get cold that far up. But he shrugged off the thought as soon as he’d entertained it.

“Let’s go,” said Ullarian. “Before we forget the meaning of travel.”

***

Ullarian and Sultana began their journey on foot. First they crossed bright green meadows, rolls upon rolls of them, with silent footfalls and hushed conversation. They wanted to preserve their energy for the trip and the task ahead, and so as much as Ullarian wanted to talk and joke with Sultana, he kept his words locked inside him.

When the border of Astor became a memory on grass, they took a road paved on both sides with rocks and forgotten dung pellets. The road was smeared with muddy tyre tracks, which they followed until the asphalt became smooth again, and the surrounding meadows gave way to a rocky expanse, ending at the base of crooked peaks.

Ahead, the road ended where the edge of another city began, a city bigger than Astor, a city which housed the Ladder to the Tapestry. Instead of a gate, the city boasted a giant golden crescent, the higher tip of which rose fifty feet from the ground. When the crescent stood tall, its tip high above, the city was closed off to visitors. When it rotated, like a scythe pendulum, slashing the air with its brightness, it revealed the tall spires and interconnected buildings and most importantly, the Ladder it stood sentinel to.

Much to their chagrin, the city of Messan was closed. Despite it, however, they could see the gleam of the Ladder’s tip, thousands of feet in the air, where it met the pyramid which housed the Tapestry of Words.

“Is it happening?” asked Ullarian.

“Not yet,” said Sultana. “When it happens, you’ll know it.”

“Sultana, I’m scared. What if I forget my own name? What if the word ‘name’ itself vanishes?”

Sultana took Ullarian’s hand in hers. “I have the same fear. But at least we’ll be together in that forgetting.”

“I won’t recognize you,” he said. “I won’t even recognize myself. How are you certain it will be all right?”

“I am not,” said Sultana, calmly. Ullarian believed her. For the first time in her life, Sultana was unsure, and yet it didn’t seem to bother her. Had she, somewhere deep inside, accepted that the upcoming forgetting signalled the end of things?

He looked at the slate sky. No sign of the sun, and no clouds too. Both those elements, gone from the memory of Astor. Yet somehow, the city persisted. Maybe forgetting wasn’t everything.

Ullarian exhaled, and fog came out of his mouth. Messan was a cold city. They were a long way from Astor.

“Let’s go,” he said.

When they reached the Crescent Door, they met two tall guards, one dressed in silver, the other in gold.

“We are the Keepers from Astor,” declared Sultana. “We require passage to the Tapestry.”

“Why are you here?” The silver guard’s voice was mild mannered, but annoyed. “The Collective hasn’t yet made a decision whether they want to visit your city or not.”

“We are not here about the merk-seal,” said Sultana. “My Keeper partner has forgotten his name. This looked like an unscheduled event. That shouldn’t happen with Keepers. And I want to check.”

Sultana was lying through her teeth, and Ullarian felt proud of her at that moment.

“I think it started with a T,” he said, sounding aptly befuddled. “Or a U. But what kind of an idiot has a name that starts with a U, am I right?”

“My grandfather was named Umar,” said the guard in gold.

“He didn’t mean any disrespect,” said Sultana. “Forgetting one’s own name comes with forgetting morals and a misplaced sense of rights and wrongs. It’s very severe, which is why—”

“All right, all right,” said the guard in silver. “But before entering you have to answer his question.” The guard pointed towards his partner.

“What succeeds war but precedes peace?”

“That’s an unusual question to ask, because peace is neither the opposite of war, nor an absence, but a calm persevering of it,” said Ullarian. The guard in gold stood in silence for a full minute, before nodding at his partner. The crescent door shifted with a groaning noise first, and then a sharp slashing of the air.

Ullarian and Sultana walked inside the city of Messan.

***

Later, as they stood at the base of the Ladder, looking up at the pyramid which housed the Tapestry, Ullarian asked Sultana if she would consider living with him for the rest of their lives. He would make tea for her, in the morning and at night. She would knit him sweaters, and they would take care of the bees.

Sultana didn’t say anything, but took the first step on the Ladder. Ullarian followed her. Sixty steps later they arrived on a landing, which overlooked the great expanse of the Messan city and, in the distance, the small needle-like spire of the Astor lighthouse, and the blue beyond of the sea.

Two thousand steps remained, and only then would they reach the point where the Golden Elevator started. Reaching the Tapestry was a test of patience and endurance, and meant for the young. Ullarian and Sultana were the only Keepers in the world in the sixth decade of their lives.

Sultana lay down on the platform, her breath coming in shallow gasps. Ullarian’s heart was fluttering like a bee. He sat down beside Sultana, looking at the city.

“Is it worth it?” asked Ullarian. “Two thousand more steps, Sultana. Is it really worth losing our bodies in the process? The last time we came to the Tapestry together was two decades ago.”

“When all this is over, we will live together. But we need to do this.”

“I know better than to argue with you,” said Ullarian, with a smile on his face. “Rest for a while, we have a long way to go.”

“I feel—”

Sultana stopped, her next words dangling at the cusp of her tongue. Her lips were patchy, cobwebbed, and her skin was dry. She was moving her mouth and yet her eyes flitted around madly.

“Sultana.”

“I feel I need—”

She massaged her throat, and yet couldn’t tell what she felt, what she needed.

“My throat feels like it’s clotted with sand. Something…”

Ullarian felt what she felt, but he couldn’t mouth what he needed to make the feeling of dryness subside. The idea of cooling down his throat felt like a dark vapour, vanishing.

Ullarian looked up. Beyond the Astor lighthouse, the blueness was evaporating slowly.

“You stay here,” he said, in panic. “I’ll go up.”

“No… if it has started, we have to stop it together.”

Then, they both began their long ascent, without knowing why their throats felt parched, or the method for making the feeling go away.

***

The Tapestry was not one tapestry, but many tapestries, hanging low, their borders ornate, studded with jewels, sapphire, ruby, onyx, emerald, their dull beige fabric littered with jet black ant-like scrawls. To an untrained eye, those would look like haphazard letterings of a child. 

But a Keeper could tell each stroke, each scrawl, each cursive letter, thin or bold, that mingled into other letters to form words on the Tapestry. The Tapestry nearest to Ullarian was filled with semaphore, trolley, underpants, ill, will, yowl, havoc, wanton, pulverise, caution, quixotic, ubiquitous, poison, gamble, elation. He looked up and saw ration, toil, kaftan, pashmina, evening, haphazard, drama, camphor, and to his utter relief, sky. Higher and higher up the tapestry went, until it touched nothingness. The top of the pyramid was gleaming like a jewel from the inside.

To Ullarian’s side stood Sultana, dazed out of her mind, breathing heavily. For many long minutes, they had been standing like this, looking at the sprawl of the Tapestries, their eyes eager to find the absence they knew not the meaning of.

Ullarian finally took a step, then three, then five, until he reached the center of the giant room. He felt the sharp fabric of two tapestries against his skin, as the words written on them danced in front of his eyes.

Then he saw it.

A child crawled on a tapestry, clutching its fabric with a practised grip, like he had done this a thousand times before. No more than eleven, he was doing the impossible — crawling across the fluttering surface of the Tapestry, a brush in his hand, unwriting and rewriting words. On the ground, a massive glass container was overflowing with blue ink, dripping on the shining marble floor.

After removing a word right in front of Ullarian, the child began a silent crawl down to the ink bottle. He saw what the child had just unmade. ‘W’ and ‘A’ were left, and the rest of the remaining letters of a once-five-letter-word looked like ink-ghosts.

“Wa.. te… —” Ullarian tried to mouth it, complete it, but it did not make any sense. This was different from merk-seal. The idea of the word was simple, just as Sultana had predicted, yet it was all-encompassing; life itself hinged upon it. There was no room for ambiguity here, and they couldn’t replace the word with hasty substitutes.

Yet, water was proving hard to erase.

“Who are you?” Ullarian asked the child. The child did not answer. Instead, he dipped his brush in the ink, and climbed back upwards, up and up and up, to write over what he had erased, doing some form of Keeper’s work, intent on replacing the vanished tapestry word with his own.

“Stop!” Ullarian screamed. The child paid him no heed. Ullarian dashed towards the tapestry, grabbed the fabric, his right palm over ‘ululate’, his left eclipsing the t of ‘turmoil’, and yanked it. The tapestry was heavier than the world, the weight of so much meaning upon its surface, but it relented, because Ullarian was a Keeper, and had provided meaning to more words than one Tapestry could handle.

“Ullarian, no!”

Sultana’s cry echoed across the pyramid and got lost in the folds of the tapestry as it came crashing down, its overstretched cloth smeared by the blue ink, which spread inexorably across its surface, drowning out hovel, yearning, tears, lark, ergo, quest, charm, pedal, sort, karma, mist, end, black.

***

On a —less — in Astor, — woke up to the sound of buzzing.

— walked around in his —, straining his —,, but he couldn’t place where the sound was coming from. —, who wore a sweater with the letter ‘U’ on it, tried to remember the —, the previous —, and all the —s that had preceded, the events as they had happened, but his mind drew a blank.

He walked towards the sound, his steps unhurried, because his mind didn’t know the meaning of hurry, or anxiousness, or eagerness. He walked towards the back — of his —, which was ever so slightly ajar. Dust motes hung in the air, streaming through the gap. He flicked them, and they shivered and then danced.

A smile came on his face, even though he didn’t know what it meant. He opened the — and went outside. A woman stood ten feet away, holding a —. Hundreds of dots swirled around her head, attracted towards the — the woman was holding.

The woman’s name existed at the far edges of his memory, ever threatening to slip into chasms where even memory couldn’t reach. He held on to the first letter of her name. It started with S. The rest of the pulling he can do. He knew.

She looked at him. He looked at her.

“Good morning,” she said. “This is an apiary. These are bees.” 

He asked her about the —, and how the — had scribbled across the fluttering —, and what the absence of — meant, and about other absences, in as many words he could —. 

“Words will come to you, slowly,” she said. “The folds of the Tapestry are being ironed, as we speak. Every stitch, every seam, back to the way it was.”

A smile flickered on his face. He knew ‘smile’ and what it meant. But he didn’t know himself, and she must have read the blank page that his face was, because she took his hands in hers, and said, “You are Ullarian. And I am —”

He completed her sentence, saying her name, the word tumbling out of his mouth like a —fall.


© 2023 by Amal Singh

3612 words

Author’s Note: I’ve always been fascinated by the nature of memory. One of the first short stories I remember reading which tackled memory was Neil Gaiman’s “The Man Who Forgot Ray Bradbury”, and ever since then I’ve wanted to do something like that in my own fiction. The first line of my story is something I wrote very casually on a google doc, one day, and realised that I had it, finally. The rest of the details, the strange world of Astor, revealed itself gradually.

Amal Singh is an author and an editor from Mumbai, India. His short fiction has appeared in venues such as F&SF, Clarkesworld, Apex, Fantasy among others, and has been long-listed for the BSFA award. He also co-edits Tasavvur, a short fiction magazine dedicated to South Asian Speculative Fiction.


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