About a year ago, we made the announcement of an assistant editor for the first time for Diabolical Plots when Ziv Wities joined the team. Don’t worry, Ziv Wities isn’t going anywhere! We are welcoming a a second assistant editor–Kel Coleman, who you might recognize from their story “A Study of Sage” that was published in Diabolical Plots this year.
Kel started as a first reader for the January submission window and has been helping out with line edits for the stories after the final selections, and we are looking forward with working with them more in the future!
I needed a break. I needed silence. I needed to hear the sound of my own thoughts. Not the endless monologue of shuttle systems status, mixed with memories and declarations, all emitting from Father’s broken mind and body.
In our little space cruiser, it is still but not quiet. Father’s labored breathing, punctuated by coughs and chokes, surrounds me as he struggles to stay alive without the cruiser’s medical emergency program helping him. My heart pounds in my chest, shakes me with every beat. My breathing is quiet and slow, a whisper in the cold thin air.
Reaching out to Father, I place my hand on his chest. Even through his spacesuit I can feel his heart, fluttering but persistent. Still alive. Still working.
Our helmets are off. Our breath collects in fog in the space between us.
Just go on like this, I think. Go on until his heart stops. Without him running the shuttle, I will succumb to the cold and lack of oxygen and surrender to the star-filled void around us.
I consider it, again. I have considered it every time I have disconnected Father. And I reach the answer I have reached every time I have considered it.
No. Not yet. Keep hoping for a rescue. Keep living.
I switch the medical system back on. Alarms sound as it realizes Father’s condition and injects drugs through the dermal patches.
Father gasps, audibly, as his body is slammed back to stability.
After I reattach the careful tangle of wires connecting the shuttle’s control system to the interface cap fitted to his head, his voice echoes through the shuttle’s speakers.
“Son. Son. You should not disconnect me. I have told you this before.” He is scolding me, but he is also afraid.
“Yes, Father. I know. I am sorry.”
“Checking system status.”
The litany begins, his voice droning like prayers.
“Internal temperature 4.17 degrees. Rerouting ambient reactor heat to cabin.
“Oxygen concentration 11.64 percent. Scrubbers operational, 37.94 percent efficiency. Estimate normal mix in 8.05 hours.
“Eight point zero five.
He slowly sighs. His mind has found an unexpected road and is running down it in pursuit of a memory.
“You were five. We still lived on Earth, but had decided to leave for a mining homestead in the asteroid belt. There was nothing left for us on Earth, in our cardboard shack in the South San Francisco favela.
“We wanted to have one special moment. We splurged and took you to the little Golden Star Amusement Park in the Sunset. You always wanted to go there. You were enchanted by the Dragon rollercoaster. You rode it over and over, until you were sick to your stomach. Even then, you cried when we left for home.
“Home is mining asteroid (142823) 2026-MC13. Estimate distance to home 1.8598 million kilometers. Estimate distance to Ceres 1.8528 million kilometers. Estimate velocity normal to solar system 24.931 thousand kilometers per hour. Time since accident 42.190 hours. Estimate probability of distress signal reaching Ceres Station 3.14 percent.”
Father’s monologue of shuttle status and random memory continues, but the summary is always the same. Our shuttle is damaged. My father is damaged. My father, through the interface cap and the rewiring to the shuttle components that still work, keeps life support barely running. The emergency medical system keeps my father barely alive. We are above the plane of the solar system, on a constant vector away from both home and from Ceres, with no way to change that fact.
We are adrift in the void, with my father’s voice as a constant reminder of the darkness of our situation.
A simple trip. A shuttle run back to Ceres headquarters. Printer stocks, hydroponics supplies, reactor fuel, necessary in-person meetings with the corporation.
When I was young, I loved the Ceres trips. Not just because I could see, in person, friends who I only knew through my virtual classrooms. Not just because at Ceres in the open habitat we could walk and run and play without pressure suits constraining our movement.
I loved the trips because they were joyous times with my family, together, without my parents working hard at the mining operations or me buried fourteen hours a day in schoolwork and lessons and mandatory exercise. On the shuttle, we sang songs, listened to music, played games, laughed. Mother told me stories about the stars, myths and legends from her childhood. I listened in wonder and joy. We were a real family, like the ones I read about on the chat boards or saw on the video streams.
Mother died in an accident when I was fourteen.
Life was never the same. Quiet melancholy replaced chaotic joy. Father and I buried ourselves in our work. I took on mining responsibilities along with my schoolwork. Father and I communicated only in data points – status, machines, daily production, shipments, coursework. On the Ceres trips, we traveled in silence. Prayer music played non-stop on the journey. Father controlled the shuttle with the interface headset, eyes gazing into a virtual display of shuttle information, status and control that I could not see.
On these trips, our only conversations were arguments.
“Father, you should add me to the shuttle control interface so I can learn to fly the shuttle and manage the systems. I can help with the burden.”
“You are too young.” His voice, which he routed through the speakers while controlling the shuttle, was always too loud.
My anger came easily. “I’m seventeen! I have top marks in my coursework. I maintain the mining robots. I can run a shuttle.”
“You are not ready.”
“Then let me go to university on Ceres, in person, so I can get my next degrees.”
“You can not leave for university on Ceres!” His anger took longer than mine, but it always arrived, in an explosion that blew static through the speakers.
After that, silence again, staring out the small portholes at the stars until we arrived at Ceres and went our separate ways.
We had already done our arguing when the first meteorite swarm hit. Small enough it didn’t register on the long range sensors, but still large enough to badly damage the shuttle. It didn’t help that our shuttle was old, second-hand, and in need of more repair than we could afford. Mining life is perching on the perpetual edge of disaster, grinding out as much profit as possible for the corporation to which we were indebted.
Father was outside assessing the damage when the second, larger, swarm hit. His screams echoed through the communications link, followed by gasps and whimpering mixed with the pattering of meteorites on the hull.
Somehow, I dragged him through the airlock and inside.
Somehow, I hooked him up to the emergency medical system, followed the prompts and gave him drugs to keep his heart beating and his lungs moving.
Somehow, he survived.
“Son. Are you?” His voice was soft, and weak.
“I’m alive, Father. You are too.”
“Still intact, obviously. But there was a power overload. It burned out the main computers, stellar navigation, the engines, everything. We’re on minimal backup on all systems.” I had checked everything I could check, without command access. It was all ruined.
“Saw communications array. Ruined.”
“We are doomed, Father.”
“No.” The force in his voice surprised me. “We can live. We can rewire the shuttle. I can control basic life support systems. I will give you instructions. You will do the work.”
That was the first day. Father giving instructions or suggestions, me breaking and making connections throughout the shuttle. By the end of the day we had the headset interface wired into basic life support: heat, oxygen, water reclamation. We had enough to keep us alive for perhaps a week. We had a chance.
But we were also adrift. Based on the last sensor readings, and celestial sightings, I calculated we were now pointing away from the plane of the solar system. The final burst of the dying engines had sent us off course. We were moving away from anyone that could save us, farther and farther every minute.
Father, injured physically and mentally, monitored all the critical systems. By the end of the first day he was already reciting shuttle status and making connections with whatever memories were welling in his fractured mind.
“Oxygen scrubbing at 61.34 percent efficiency.
“Estimate 1.1838 million kilometers from Ceres, based on position of reference stars.
“Stars in the sky, above home.
“The first day we arrived at the asteroid, you were angry because we had left Ceres. We took you outside to the surface and showed you the stars. We told you their names, traced their constellations, recited their myths. For hours we did that. You loved it.”
“Yes, Father. I still do.” When I was angry, or frustrated, I would go stand on the surface of our asteroid and get lost in the stars and the stories.
Now they were a threat. They scared me.
“I’m sorry, Son. I’m sorry we are in this situation. I’m sorry I kept you at home. I’m sorry for everything.”
“Three days, fourteen hours, fifteen minutes since the accident,” my father recites.
“Estimate 3.1983 million kilometers from Ceres.
“Water purity 78.11 percent. Supply tank 7.32 percent.
“Water. Flowing in a river.
“When your mother and I were young and courting, we took a camping trip to the Red River to see the Silver Falls. From high above us, glistening water fell over a cliff, through the sky, pounded into the earth below, and flowed away into the river. So much power in water. On the asteroid I dream of that much water, cascading across our small rock.
“We don’t have enough water, Son. We will not survive.”
Father is sad. Depressed. Each hour he seems to sink further and faster into a vast dark place, like the vast dark void around us.
“Hold on, Father.” I try to say this with hope. “There is still a chance someone will find us.”
“There is no chance. We are dying. You are dying. It is my fault. All my fault.” He cries. Tears pool against his face, sobs echo from the speakers. Not even when Mother died was he this emotional. This despondent. This lost.
I am anxious, jittery. I don’t know how to comfort him. I don’t want to turn him off any more. But I can’t sit here. I need to move.
“Father, I am going outside. I will walk the shuttle.”
No answer, just more tears and sobs that batter at me as I make my way through the airlock and to the outside.
Outside I turn off my communications link, engage the magnetics in my shoes, and stand on the shuttle’s skin. The stars are infinite in their numbers all around me. I pick out the constellations. The Hunter. The Judge. The Wanderer. They stand, silent. I ask for answers but get none.
I walk the shuttle’s hull. My breathing falls in time with the force of my steps, echoing inside my suit. Sol burns before me as I round the shuttle. Beckoning. Taunting. Smaller and smaller with every second.
We are doomed. We have no thrust towards Ceres. We have no communications. We are running out of clean atmosphere and clean water. Our food is gone. The magnetic couplings on my boots are the only thing keeping me from floating away.
I could release the couplings, disconnect from the umbilical, push off from the shuttle, and drift away. Become one with the stars and the myths.
Push hard enough from the correct location and the shuttle might be directed, so very slightly, towards the solar system. Father might be found. He might even stay alive.
I could do it.
But in those moments, before the end came, Father would be alone. I can’t leave him alone. I am all he has. He is all I have.
I must find a solution.
Walking brings me to the communications array. A tangled nest of wires and equipment, shot through with holes from the meteorites, burned in places from the power overload. Could something useful be left? There was so much work to keep Father alive, to reorganize the shuttle to keep us alive, I hadn’t thought of the possibility.
I poke and sort through the tangle, find enough of the transmission antenna to send a signal. We would need a way to direct and focus the signal, to push it towards Ceres. A reflector. But the meteors tore off the reflector.
Panels from the shuttle’s hull could make a reflector. Without the need to heat and oxygenate the shuttle’s interior, just our suits, we’d have more power to boost the strength of the signal. Vent the atmosphere before removing the panels and we could even get a slight push towards Ceres.
This is a dangerous idea. We would be exposed to the frigid dark of open space. We could die.
If we do nothing, we will die anyway.
I turn on my communications link, to the sound of Father, panicked, crying.
“You are not alone, Father. I am here.” I make sure to sound confident, raise his spirits somehow. “Father, I have an idea.”
Father’s space suit is too far damaged to provide any resistance against outer space. Over his objections, he will take my suit and I will wear the backup suit. Carefully, I trade suits. Bruises, dried blood and sweat coat his body so I take some time to clean him off. I try not to hurt him any further as I dress him in my suit.
Briefly, I must disconnect him from the shuttle controls. During this time I work as fast as possible to keep him from getting too cold.
When I get him fully in his suit and the interface headset reconnected, his voice nearly bursts from the speakers.
“Son! It was so dark. Are you ready?”
“Yes, Father.” The backup suit is a tight fit but it will work for our purposes.
“Preparing systems for the signal burst. Diverting ambient reactor heat to the suit umbilicals. Cutting air recycling to only the suit umbilicals. Atmosphere mix at 10.11 percent oxygen. Begin reconstruction of the communications reflector using shuttle panels.”
Outside, our last air hisses out as I drill holes in the hull on the opposite side of where we think Ceres is. I hope it helps.
The work to build a signal reflector is slow and tedious. I only have two charged batteries, and a handful of tools. I use them as little as possible, and do anything I can by hand. It is difficult work. Sweat gathers inside my suit faster than the dehumidifier can pull it out. Pools of water collect on my face and I have to shake my head to try to move them away. My muscles ache and I am tired.
Father talks to me throughout. Status, memories, an endless loop.
In the last four days, he has said more to me than in the preceding three years. Even though it is a monologue more than a conversation, I somehow find it comforting. A connection.
Finally, we have a crude antenna and a signal reflector. The reflector is pointed in the direction of Ceres, our last hope against the vast void of space.
Back inside, I strap into my seat. Father is a small man in a small spacesuit. The moisture in the shuttle air has frozen onto everything including his face panel. I brush ice and dust off the face panel. I’m not sure if he can see me, but I smile.
“Father, we are ready.”
“Beginning power diversion to transmitter. Transmitting distress signal burst. Cycle one.
“Transmitting distress signal burst, cycle two.”
Now that I am not working, the cold invades my suit and I am chilled. I am tired, and ache from the effort of the work. The suits will keep us warm. How long, we don’t know.
“Transmitting distress signal burst, cycle eleven.”
Pieces of a constellation of stars appear in the gaps in the shuttle’s hull. The Dragon, twisting, flying, burning those that threaten its home.
“Transmitting distress signal burst, cycle twenty-seven.”
I am so tired. It is so cold.
The void calls me with stories and dreams, and I go to it.
A light in my face. The dull sensation of someone poking my chest.
A woman’s voice. “Hey, hey. Wake up now.”
Breathing deep, my lungs burn and I cough. There are tubes in my nose, gusts of warm air tickle my throat. I smell antiseptic, sterilizer, and behind it the hint of rusted metal, dirty oil, people.
I’m on a spaceship. In a medical bay.
I am covered in metallic blankets. My arms and legs are stiff and barely move.
“Stay still there,” the woman says. “I’m still running a warming cycle on you. We just got you back.”
Cracking my eyes open, I see a small black woman with short grey hair.
“Where,” I say in a croaking voice. My lips and throat are dry and rough.
“Naval cargo cruiser Morning Glory. Your distress signal was received and we were closest.”
“Your father is dead. The meteorite damage. The cold. He didn’t make it.” She lays a soft hand on my forehead. “I’m sorry.”
I shake as the reality of his death washes over me. I knew it was likely. It still hurts. The empty place that was my father’s presence in my life joins inside with the hole my mother left. I try to cry, but I am so tired and sore I am reduced to slow, simple, whimpering.
I want to know where he is. “Shuttle?”
“Your shuttle is in a cargo hold. Your father is there, too. The crew made a coffin for him, from a cold storage container.”
“Later. Right now, you need to rest. We’re mid-run right now, but we’ll be at Ceres in two days.”
Warm liquid crawls up my arm. By the time it reaches my chest I am very sleepy. The medical bay is quiet. The click of machines, the doctor humming a tune I don’t know. There is no voice, no status, no constant presentation of statistics and danger and possibilities and concern.
I miss it.
When I awaken I am stronger and can move. I demand to be taken to our shuttle. Officers take my statement as they guide me to the cargo hold. They confirm what was stored in the shuttle’s logs and compliment our ingenuity, our bravery, and my father’s sacrifice.
They leave me at the shuttle. Broken and tattered by the meteorites and by our disassembly, it looks small and helpless in the large hold of the cruiser. It is a wonder we survived.
Next to the shuttle is a small metal box, military logos on both sides. My father’s coffin.
I want to see him.
I crack open the coffin. Cold gas escapes and condenses in a fog.
I wave it away until I can see Father. His expression is peaceful, even serene.
I place my hand on his chest. It is frigid. I don’t care.
“I am alive, Father. The signal was received.”
I don’t know what to say. I know he will not respond, but I keep waiting for him to talk, to tell me the atmosphere status, the water recycler status, an ancient memory. Anything.
Nothing. Because he is gone, isn’t he?
Tears come freely and I sink into a hard calm place that is sadness.
Like a bell in my mind, his words about the stars, his first memory after the accident, call to me. I close my eyes and my own memory comes back, crisp and clear.
“I remember that night, Father, the first time you showed me the stars from the surface of the asteroid. Space was so big. The stars were infinite and uncountable. I was so small. But I knew that as long as you held my shoulders I would be safe.”
More memories come, a cascade of moments with him and with Mother.
“The first Ceres run, after Mother died, we rode in silence. I stared out the window at the stars, remembering Mother’s stories. We both grieved, in our way. Our only conversation was when you offered me the rest of your meal and I took it. I remember that moment, that one connection. I treasure that memory.”
I talk to my father for hours, in the large hold of a large cargo cruiser. I tell my father stories of him and Mother and me and our life, during the entire journey back to Ceres Station.
Author’s Note: I was doing some free writing to a prompt of “ghosts on drugs”, and when I typed “I’m trapped with the ghost of my dying father on a dying spaceship whose drugs are the only thing keeping him alive” the story just took off from there. I “hit a pocket”, as I like to say, and ended up with a story that had special meaning to me.
When Jeff Soesbe isn’t writing stories, he writes software and simulations for subsea robots in Northern California. Jeff’s stories have appeared in Abyss & Apex (upcoming), Factor Four, Andromeda Spaceways, and Flash Fiction Online. Jeff is a graduate of the Viable Paradise Writing Workshop (Elevensies!). This is Jeff’s first professional sale (woohoo!)
Haphazard clusters of empty cubicles and
potted ferns served as strategic cover. The grey carpet was now a canvas—
streaked, splattered, and sprinkled with dirt, blood, and broken glass, it
rendered in impressionist strokes the market crash and concomitant sniper
Kondo barked his orders. “Rocco, cover
the east window. Valiant, you’re on ammo detail. Pepsi, keep an eye on market
changes. Luna, get me a full asset list.”
They had the high ground advantage,
twenty-eight stories up in the commerce district. Kondo scoped a straggler
through the reticle on street level. The HUD indicated a bounty of 1200 creds.
He squeezed the trigger, and with a flourish of blood on the street came the
satisfying ding of a credit transfer,
like a percussionist’s triangle. With inflation increasing exponentially, his
team would need all the credits they could get.
“Got that asset list,” Luna said,
and handed Kondo the ePad.
The roster cross-linked with commodities and
valuations. Most of the team had taken his advice to hold their rights to a
fair trial and security of their person.
“Hendricks,” he shouted, “Why
the fuck haven’t you sold your goddamn media rights?”
“They’re classic tunes, boss.”
“Fuck your tunes. We need the ammo. And
that goes for the rest of you, too. Copyright licenses aren’t worth a goddamn
if you’re dead.”
Kondo fancied himself a decent manager, but
somehow he’d failed to impress on his traders the folly of investing in
cultural access permissions. CAPs were a hot commodity for the subsistence
class, but investors should know that after IBM and Google cracked aesthetic
automation, those products were doomed to perpetual depreciation. Owning a
piece of the AI or the media conglomerates was the only way to win at the art
“I want those media assets gone,”
Kondo shouted. “That means everyone.”
Bleeps and hums of market transactions turned
the office into a discordant electronic aria with Kondo voicing orders over the
din. “Dump all your CAPs. We’re working with media-free portfolios from
Hendricks sat idly at his ePad. “I can’t
sell at this price. It’s a crime against music.”
“It’s only going down from here,”
“You’re wrong about the CAPs, boss.”
“Bullshit I’m wrong. Once the machines
can make something, the commodity value drops. It works the same for
“Not music,” Hendricks said.
“Not art. Sure, people only care about efficient production when it comes
to functional goods, but for aesthetics they want the genuine article. That’s
why there’s a premium for hand-made, right? And that means automation actually
boosts the value of art.”
“That’s not what the market trends
“It’s hard to sell art in a recession.
But I know wealthy buyers. Collectors.”
“We can’t afford to speculate right now,
especially on CAPs. If you don’t sell the damn media, you’re about one stray
shot from me releasing your work contract.”
“That’s your call, boss. But they’re my
nest egg, and I gotta hold them—at least wait out the crash.”
“Stubborn shit,” Kondo said, then
shouted his commands. “Everyone renew your bounty license. Head values are
gonna keep rising. Keep a buffer of ten-k and use the rest for ammo and
Within minutes came the ballet of Amazon
delivery drones, hovering through rectangles of glass-edged sky to drop
ammunition boxes. The fabbers spit out rifle parts and the team assembled them,
locked and loaded, spread themselves around the windows.
“Shit! I got a price on me!” Che
Sure enough, Che’s bounty hovered
holographically over his head, a cool 4k offered jointly by TK Pharma and The
6ix Econocrimes Enforcement division.
“I told you not to sell your right to a
Che was about to say something when his head
exploded in a flourish of blood and brains. Above his body, little stalactites
hung in sinewy bone-tipped strands from the ceiling tiles. Someone on the
street or maybe a nearby ‘scraper was a little bit richer.
It wasn’t a complete write-off. Kondo at least
got Che’s assets because of the work contract—getting iced on the job was a
strict violation. But he was down a team-member, and needed the manpower for
today’s trading. He’d have to reinvest in labor.
Kondo posted the opening, and applications
started coming in faster than stray bullets through the office. Rocco got a
price on his head, too, and retreated quick, like Che should have, while sniper
fire whizzed through the office, punching holes through flimsy cubicles. In the
settling snow of drywall flakes and pulverized IKEA products, Kondo ducked
behind a cubicle to assess résumés. The salary expectations were shockingly
low, but it made sense given the crash.
“We’re getting some new team
members,” Kondo said, tapping through LinkedIn’s HireMe app.
“How many?” Valiant said.
“Three,” Kondo said.
“Labor that low, huh?”
Kondo walked to the fire escape and unlocked
the east stairwell emergency door. A few minutes later the first recruit came
through, sweating and panting.
“Welcome aboard. I’m Kondo Kevlar. You
“That’s me. Calvin Kholstomer. Happy to
meet you, sir, and thanks for the opportunity to join your team.”
“I’d give you the tour, but we got a situation
on our hands. You got a gun?”
Calvin patted his briefcase.
“When you get a chance, check your
portfolio against my specs. By the way, we dress more casual here.”
“Oh, that’s a relief.” Calvin hung
his suit on the rack. “So where to?”
“You can set up with Valiant there.”
Calvin strolled over to Valiant, popped open
his briefcase on the floor by her side, and assembled his rifle.
Over the next few minutes, the other two hires
came through. Karl Angel-Owens and Pavel Dredd. They weren’t A-listers, but
Kondo only needed short-term traders to weather the crash, and at these rates
signing them wasn’t a hard call.
“What’s the plan, boss?” Valiant
“Corporate takeover.” Kondo cocked
his shotgun. “You all ready?”
They looked ready, rifles across their chests,
helmet visors snapped down, and each one of them holding the right to life and
the right to a fair trial. That would buy them some time from the killdrones.
They took the lift to the ground floor,
advanced across the block in tactical formation, and reached their target,
BioPharmaSoft HQ. Valiant placed the C4 and blew the gate. With ears still
ringing, they charged in through the smoke and over the rubble.
The poor saps inside had all flipped negative,
and bounties sparkled in the HUD overlay all across the lobby. Someone had
mismanaged BioPharmaSoft big time. Kondo’s team took out the security, the desk
jockeys, a couple of suits by the elevator. Someone shot back, winged Pepsi,
and Kondo watched BioPharmaSoft get their fine in real-time.
The takeover was going great, right until they
hit the third floor.
“Shit!” Karl said. “Our share
value is dropping!”
Kondo’s ePad confirmed they were running out
of funds. Ammo low. Resupplies off the table. And if they flipped negative,
they’d be on the radar of any bounty hunters in the area, not to mention
“Hendricks,” Kondo shouted. “If
you were planning on selling those CAPs, now’s the time.”
“Sorry, boss. Can’t do it.”
“Then you’re out.”
“You can’t be serious.”
“I don’t want to do it, Hendricks, but we
need the liquidity. So you sell the CAPs, or I release the contract.”
“You gotta do what you gotta do, then.
I’m not selling.”
“Then take care of yourself, Hendricks.”
Kondo let Hendricks go and accepted the credit
boost for the released work contract. It wasn’t much, but it would buy them
some time in supplies. Hendricks dipped into the stairwell, and just like that
he was off the team.
“Sweep the fourth floor,” Kondo
ordered. “We’ll move up from there, collect creds as we go.”
The elevator stopped at the fourth floor. In
the widening slit of the doorway, Kondo saw the suits on this floor were all
barricaded behind a wall of cubicles. Worse, their HUD values weren’t all
negative. Most still had their fundamental rights, and a few of them had bounty
Kondo ducked behind the elevator wall, and the
team followed. A few shots rang through, punching holes in the far side of the
“Are we outgunned here?” Pavel said.
“Worse than that,” Kondo said.
“They might try to buy us out.”
Kondo checked the market. Some patent
investments had paid off, and BioPharmaSoft didn’t seem so soft anymore. They
had enough cash for a hostile takeover of Kevlar Inc. Kondo watched helplessly
as his team values dipped, dipped, and flipped.
“Retreat,” Kondo said, frantically
hitting the elevator’s ‘close’ button. “Back to HQ! We need to
A hail of gunfire turned the elevator door
into a cheese grater.
Then they were back on the street running for
their lives. Rocco took a bullet in his spine and collapsed into the gutter.
“Killdrones!” Kondo shouted.
“Don’t jaywalk!” With their net worth sub-zero, they couldn’t afford
Pepsi took a shot in the shoulder a few paces
from HQ, then one in the thigh. He left a bloody streak on the glass door where
he slid down to crumple at the bottom.
“We got bounty hunters coming in!”
They were coming, alright. Not just the
corporates from the commerce district, but the freelancers, too. Across the
street: ripped jeans, a flak jacket, and a machine gun. On the other side: full
motorcycle gear, rifle strapped across his back, grenade in one hand. More down
the other way, all streaming towards them.
Kondo was last in. While rounds pinged off
bulletproof glass, he slammed the door and slapped the red lockdown button. A
grenade exploded outside, and when the smoke cleared, water sprayed across the
street from a busted hydrant.
“We need to get positive,” Valiant
“We don’t have any assets,” Karl
“We gotta make a stand here,” Pavel
said. “Maybe we get lucky. Snag a straggler or two, climb our way
It was hopeless. Every second Kondo’s team sat
on the bottom of the ladder was another second they fell further from the top.
The gap between the subsistence class and the investment class grows
exponentially. It’s simple math. Without something to invest, without assets to
sell, they weren’t just dead in the water. They were sinking.
Security monitors framed the carnage at Kevlar
Inc. A siege of bounty hunters forced their way through the windows and
exchanged fire with lingering squads of temps and middle management, and the
geometry of the gunfight unfolded in sprays of red across marble tiles. The trading floor was a tapestry of browns
and reds and glittering bits of glass.
Furniture and human bodies were deconstructed by bullets and shrapnel.
Incendiaries added singed black stars.
Kondo breathed, lowered his weapon, and felt
the last of his will depleting along with the value of his corporate account.
In the haze of defeat, through blurred eyes, the wall of security monitors were
a gallery of abstract art, each stroke and splatter imbued with the life of his
That was it.
Kondo put Hendricks on comm. Gunfire rang out
on the other end.
“How’s it going over there?” Kondo
“Got my hands full. Could use some
“I think I can help you. But you gotta do
something for me.”
“Those art dealers you were talking
“Something unique,” Kondo said.
“One of a kind. Really captures the spirit of the crash.”
“Be more specific.”
“Abstract impressionism,” Kondo
said. “Mixed media: blood and dirt on carpet.”
Hendricks laughed. “Maybe I can make it
work. Send me the images.”
“My cut is fifty.”
“Let’s make it sixty.”
“Fifty will do.”
Kondo transferred the last of his corporate
creds for the gambit. Just enough to get the bounty hunters off of Hendricks,
enough to let him work. Meanwhile, Karl ate a bullet, and a swarm of killdrones
descended on the glass with whirring drills.
“Got a potential buyer,” Hendricks
said. “Billionaire by the name of Cash.”
“Mister Cash Rexall. He wants to meet you
on the trading floor,” Hendricks said. “Right now!”
Kondo sprinted to the trading floor and flung
himself through the door, rolling under a spray of gunfire. He crawled from
cover to cover, firing intermittently to scare off hunters. If he was going to
be someone’s bounty, he would at least make them work for it.
The holocomm lit up and projected a blue-green
billionaire on the trading floor. Bullets whizzed harmlessly through the avatar
of Cash Rexall, while Kondo crawled to his holographic feet.
“Mister Kevlar!” Cash said. “It
is absolutely magnificent!” With his arms outstretched, Cash spun in
place, waltzing holographically around the chaos of the carpet through a hail
of gunfire. “This is the art I’ve been searching for! A piece that truly
captures the spirit of the times, in form and content! Something truly new, a
contemporary art that shocks and surprises without sacrificing substance! This
is where the jagged red lines of the market tear from their confines of the
stock index and reach into the physical space of the trading floor. Truly
wonderful! I’ll take it! I’ll take all of them! The whole collection! Send me
all of your carpets!”
Cash Rexall’s credits rolled in, a
tremendously generous price that brought Kondo and his entire team back into
the green… and made Hendricks a damn millionaire! The gunfire outside slowed
to a trickle, then stopped, and before long, the crash was over.
Kondo had wine delivered to celebrate the
survival of the company, and of the remaining employees who didn’t break
“A toast,” Kondo said. “Thank
god for Cash Rexall, and all the other billionaire investors. If it weren’t for
people like him, an economy like this wouldn’t be possible.”
They clinked glasses, and drank, and smiled at
their good fortune. Kevlar Inc survived the bust, thanks to the investment of
Cash Rexall. And they were in a boom now.
Kondo probably could have come up with a more creative title for his collection of carpets than Boom & Bust, but he supposed it didn’t really matter. What mattered was that Cash Rexall bought it for the price it deserved. With a renewed appreciation for the art world, Kondo brought the wine to his lips, slowly, and thought about his masterpiece, now on display in the collection of someone who truly understood it, who could truly connect with its message.
Author’s Note: This absurdist story about gun-toting salarymen waging corporate war in the commerce district was inspired by the destructive and circular logic of late stage capitalism. A word of thanks is owed to the members of the Toronto Science Fiction and Fantasy Writers who helped develop the piece.
David F. Shultz writes speculative fiction and poetry from Toronto, ON, where he is lead editor at tdotSpec. His over fifty published works can be found through publishers such as Abyss & Apex, Third Flatiron, and Dreams & Nightmares. Website: davidfshultz.com
For the past several years, Diabolical Plots has opened for submissions for an annual submission window during the month of July. This gives enough time to fully resolve the submission window before things start getting busy in August for The Long List Anthology production. In 2020, the pandemic threw us off our usual cadence and the submission window was postponed, to finally be held in January 2021. Since we are running on a bit of a tight schedule, we solicited a few to make sure that we would have some ready to fit in the schedule without gaps (we haven’t usually solicited any, so this is something new for us). For the submission window itself, 1938 stories were submitted by 1397 different writers. 120 of those stories were held for a final round, which resulted in 20 acceptances from the submission window, plus 4 solicited works that were accepted for a total of 24 for the year.
This submission window marked the first submission window since Ziv Wities became assistant editor! Thank you Ziv for helping to manage the submission queue and for your help with editing stories since the last window’s selections!
There are some familiar names, and at least some authors for whom this is their first professional short fiction publication! All of these stories will be published regularly on the Diabolical Plots site between April 2021 and March 2022, with each month being sent out to newsletter subscribers the month before.
This is the lineup order for the website.
April 2021 “The Day Fair For Guys Becoming Middle Managers” by Rachael K. Jones “For Lack of a Bed” by John Wiswell
May 2021 “The PILGRIM’s Guide to Mars” by Monique Cuillerier “Three Riddles and a Mid-Sized Sedan” by Lauren Ring
June 2021 “One More Angel” by Monica Joyce Evans ‘We Will Weather One Another Somehow” by Kristina Ten
July 2021 “Along Our Perforated Creases” by K.W. Colyard “Kudzu” by Elizabeth Kestrel Rogers
August 2021 “Fermata” by Sarah Fannon “The Art and Mystery of Thea Wells” by Alexandra Seidel
September 2021 “Rebuttal to Reviewers’ Comments on Edits for ‘Demonstration of a Novel Draconification Protocol on a Human Subject'” by Andrea Kriz “A Guide to Snack Foods After the Apocalypse” by Rachael K. Jones
October 2021 “Audio Recording Left by the CEO of the Ranvannian Colony to Her Daughter, on the Survival Imperative of Maximising Market Profits” by Cassandra Khaw and Matt Dovey “It’s Real Meat!™” by Kurt Pankau
November 2021 “Forced Fields” by Adam Gaylord “Lies I Never Told You” by Jaxton Kimble
December 2021 “There’s An Art to It” by Brian Hugenbruch “There Are Angels and They Are Utilitarians” by Jamie Wahls
January 2022 “Tides That Bind” by Cislyn Smith “Delivery for 3C at Song View” by Marie Croke
February 2022 “The Galactic Induction Handbook” by Mark Vandersluis “Coffee, Doughnuts, and Timeline Reverberations” by Cory Swanson
March 2022 “The House Diminished” by Devan Barlow “The Assembly of Graves” by Rob E. Boley
The bells over the door chimed and I glanced up. A stranger came in and took a seat with the only other customers: a group of middle-aged folks who chattered like old friends and occasionally burst into laughter that filled the diner.
I tried to tune them out and continue practicing in my head. I love you so much. And the last six years have been…
But the scent of fry oil kept transporting me to our first date—cheap drinks, greasy food, and a girl who made me laugh until it hurt. The place had been a dive, with one of the ceiling lights flickering and buzzing the whole time, but it’d had a student discount and killer french fries.
Here and now, my girlfriend was late. Top marks went to the designer for accuracy.
The server, a toothy kid named Tanner, bounced over to the table. “You sure I can’t get you anything, miss?”
“Water’s good for now,” I said, for the second time. “Thanks.”
“Okay, just let me know if you change your mind!” They spun away toward the kitchen.
I felt a prick of sweat under my collar and realized I was still wearing my frayed winter jacket. Sage wasn’t a fan of it, so I started to tug my arms out of the sleeves.
Klutz of the year, I managed to smack my cup of water, flooding the table.
“Shit.” I grabbed a fistful of napkins from the dispenser to mop up the mess, but they disintegrated into mush.
Tanner nudged me out of the way and wiped the table with a thick cloth, saying, “No problem, no problem,” in a singsong voice.
The bells chimed and Sage, dressed for an art show in black-and-white chic, stood in the entrance. She spotted me in my soggy, oversized jacket, and frowned.
I groaned, pushed up my sleeve, and ran a finger over the inside of my wrist. The trail from my fingertip glowed a soft green. I repeated the gliding motion to confirm the reset and reality faded to a dim, white haze.
A moment later, I was standing outside of the diner. I went in and sighed at the comforting smell of frying food.
I seated myself in the back again and the teenager hustled over with a glass of water and a flash of teeth. “Hi, I’m Tanner and I’ll be your server today! Our specials are—”
They paused for breath and I rushed to say, “Thanks. The water’s fine for now. I’m waiting for someone.”
“Okay, sounds good!” Tanner bustled back to the service station and waited, ready to pounce at the slightest indication I needed something.
I stood to take off my jacket, tossed it over my chair, and headed for the bathroom. I locked myself in a stall decorated with smears of graffiti someone had tried to clean, and tapped my wrist three times. A glowing white sixty-minute dial appeared and I rotated it twenty minutes.
Fast-forward made me real-life nauseous, but I used a bit of graffiti on the stall door as a focal point—two lovers’ names captured inside a tiny, squat heart. It helped.
The only sign that I was speeding through time in the virtual world was a shift in the light when another person used the restroom. After reality slowed to normal, I exited the stall. Out of habit, I checked my makeup and swiped my hands under the sanitizer near the door. I made it back just in time for Sage’s entrance.
“Hey,” I said, waving her over. We hugged. The warmth of her was a catalyst for my nerves, but she smelled like cedar and cloves. She smelled like home.
When we took our seats, she smirked and lifted one of her lush, dark eyebrows. “Why here?” she asked, voice low and scratchy like sandpaper.
“Our first date,” I said, “remember?”
Sage looked around at the cheap decorations and dilapidated furnishings. “Hmm… maybe.” She shrugged, just like Sage did, and I almost forgot she was a sim.
“Well,” I said, “I like it here.”
“That tracks… a little messy, no sense of style.”
Sage reached across the table to take my hand and, giggling, said, “I’m just kidding.” I let her fingers brush mine before I pulled away. My reluctance puzzled her, made her scrunch up her nose. It was absurdly cute and I almost put my hand back on the table.
Tanner appeared like a gust of wind. “Hello! Can I start anything for you?”
Sage’s face cleared of confusion. She lifted the menu and flipped it over several times before sighing. “I suppose I’ll take the french fries.”
“Okay. And you?”
“Chicken tenders,” I said.
Sage caught my eye. “Sure you wouldn’t prefer something lighter, like the Caesar?”
There weren’t any calories in simulations, just taste signals tricking the brain, but I said, “I guess. Salad sounds fine.” She grinned at me and I resisted dueling impulses to return the smile or switch my order back to the tenders.
“Perfect. That’ll be up soon,” said Tanner, then they shot us a finger gun, gathered the menus, and left for the kitchen.
I opened my mouth, thinking now was a good time to explain myself, but Sage rolled her eyes and said, “Oh my god, did I tell you what Kent said to me the other day?”
I shook my head. Habit.
“Well, we were in a meeting with Patricia, and Kent’s there for some fucking reason, and then—”
She frowned, not used to being interrupted. “Yes?”
I needed to get this lunch back on track. “Uh,”—it was hard to remember my speech with her eyes on me—“I wanted to talk to you about… well, you know how much I love you, right? And these last six years—”
“Hey, folks! Just wanted to let you know your food—”
I growled, actually growled, at Tanner. Sage stared at me like I’d grown a third eye, so I swiped my wrist and reset the simulation. Everything faded to white.
I restarted the program, over and over.
Once, I went for a walk to wait until Sage arrived, but I lost track of time in an antique shop staring at dusty book covers. When I made it back to the diner, Sage was sitting at a table in the center of the room, miffed.
Another run ended when she sat down and I immediately started crying. The sixth or seventh had to be reset after I accidentally made Tanner cry.
The best one was when I was able to jog Sage’s memory about our first date. We rehashed the drunken night and Sage’s deep, raspy laughter reminded me of the girl she’d been. She leaned across the table, brows low, and purred her affection for me. Like she had that first night, she talked me into a tawdry bathroom fuck.
Doing it with a sim, especially one so like and unlike my girlfriend, filled me up and scraped me clean.
I walked into the diner, went straight to the bathroom, fast-forwarded, then left the bathroom without using the sanitizer.
As soon as I removed my jacket and took my seat, Tanner came over to say hello. Before they could launch into the specials, I said, “Thanks, but I already know what I want.”
“Perfect! What am I getting for you?”
“Can I have a Caesar salad and fries on separate plates? And a second water?”
“Okay. I’ll be back with those shortly.”
The door chimed and Sage swept into the mostly empty diner. Her eyes found me, and she glided to the table. I thought about staying in the booth, but she smiled at me, arms wide. I got up to hug her.
We sat and she sighed. “There was a lot of traffic on the way to this,”—she scrunched her nose up at the peeling paint and lopsided photographs—“restaurant?”
“I ordered you some french fries,” I said, ignoring the jab. “That okay?”
Sage flipped through the menu, with the tips of her fingers. “Sure. There aren’t many options, are there?”
“You’d be surprised,” I said, trying to think of how to begin, what to say this time. “How’s work going?”
Her eyes lit up. “Oh my god, did I tell you what Kent said to me?”
I almost said, “about a dozen times,” but I just shook my head. Sage launched into the story of how Kent, Patricia, and that sonofabitch Jaylen tried to ruin her gallery deal. Halfway through, the food arrived. I nibbled at my salad, wishing I had something fried and greasy to keep things interesting, but I was learning to choose my battles.
When she slowed down long enough to pick at her fries, I said, “Sage, there’s something I need to tell you.”
“Okay,” she said, head cocked.
“So, I love you, you know that. And there’ve been a lot of good moments over the last six years…”
“Okay,” she repeated, drawing the word out, tapping the edge of her plate with a french fry.
And now, it goes to shit. “But I got a new job. In Philly.”
“What?” She stopped tapping.
“I start in a couple weeks. There’s a small biotech lab and they—”
A round of laughter erupted from the other table.
Sage’s eyes flicked over at them, then back to me. “We can’t move right now. What about my job? What about our studio?” Her voice got louder with each question.
“It’s your studio. And we aren’t moving. I’m moving.”
“If this is about the rent—”
“It’s not. And it is. Getting a place I couldn’t afford and lording it over me was probably the start, now that I think of it, but it’s about a lot of stuff. Look, I’ll finally have a decent salary, so I can pay back some of the rent if you want. And you’ll be able to dedicate the studio to your art like you’ve always wanted to.”
Sage’s eyes were wide and glossy as she leaned in. “Are you… breaking up with me?”
My lips were wet and tasted like salt. The real Sage never sounded so small.
I was sick of pitying her.
“Why do you care, Sage? You’re never home. You’re always with your art friends or working all night and when you do come home, we barely talk to each other.”
Her tears spilled over, but I couldn’t stop, not with her finally listening.
“And I’m pretty sure you’re fucking that girl from the exhibition, your intern.” She tried to say something, but I waved a dismissive hand. “It doesn’t matter. Because even when we do spend time together, you make me feel like shit.
“You remind me that I’m broke and too fat and boring all the time, or you just talk at me and guess what? You’re pretty boring too.” I laughed, strangled, joyless. “I mean, don’t get me wrong, you’re beautiful, your art is beautiful, but it’s…” I searched for the right word, looking around for my point, and my eyes fell on the table of middle-aged friends.
I gestured toward them. “It’s like them. They look real. Even though I know this is virtual, it’s hard for me to tell the difference until I pay attention. They’re having the same conversation every few minutes. They haven’t even looked over here, not really, and we’re disruptive. Maybe if I’d paid more for this sim…”—I shook my head—“My point is, you’re like them. Not you, but her, the real her. When I really look at her, I realize it’s all fake. You’re fake.”
The table of friends reached another joke in their loop, broke into snorts and cackles.
Sage, her face streaked with mascara, snatched up her bag and stood to leave. “Fuck you.”
She walked to the exit, head high, heels clicking on the tiled floor. The force of her slam made the bells over the door chime for several long seconds.
I didn’t bother to reset. I just shut down the simulation and everything faded to black.
I practiced for two more days. I got sick of Caesar salad and never found the perfect way to say “I love you, but goodbye.” I thought it was because the love part felt weird. Not a sham, but not honest either. Not anymore.
I would’ve done the actual deed sooner, but Sage asked for a rain check on our date and kept coming home late. When she climbed into bed the third evening—early morning, technically—I was so pissed I blurted it out.
She laughed at first, thinking I was joking. Then…
I don’t remember the exact words, how she explained that I needed her more than she’d ever needed me, but each syllable pecked and nipped until I was shredded. I tried to dredge up the script from dozens of simulations, reply with something smart and insightful, but the real Sage was more vicious than the designers could’ve gleaned from her social media profiles or my account of our relationship. I hadn’t seen her clearly, not after six years, not even near the end.
When she finished tearing into me, she went to the closet and yanked clothes off their hangers.
“Sage.” My voice was choked, thick with pain.
She whipped around. “What?”
Good question. My lips trembled.
“Fuck you,” she said, and continued to pack an overnight bag.
I wanted to beg her to stay, just this night—stay with me, hold me like you used to—but all that came out were hot, grinding sobs.
“I figured it out,” I told her.
Sage paused with a french fry halfway to her lips. “Figured what out?”
I smiled. “What I was sorry for.”
She raised an eyebrow. “Am I missing something? When did you apologize?”
“Earlier,” I said, waving a hand. “It’s okay, you wouldn’t remember. Not now, Tanner.” The approaching teenager performed a smooth twirl, still smiling, and disappeared into the kitchen. I turned back to Sage. “Anyway, I just need you to listen.”
“Please? For once?”
Sage’s mouth opened, then closed.
“No interruptions?” I asked.
She frowned but nodded.
I took a deep breath. “I’ve been thinking about this a lot—too much time on my hands.” I shrugged. “What I’m sorry for, is letting you think I’d always be there.”
I put up a finger to stop her from speaking. “In fairness, I believed it myself or I wouldn’t have stayed for six years, but it sucks it took me this long to realize… I deserve better. And I’m sorry for not expecting more. Maybe I thought you’d become a better person on your own.”
Sage scrunched up her nose and—shit—it was still cute. “What are you saying? Because it sounds like you’re breaking up with me.”
“Kind of,” I said, sliding out of my chair. “I already did.”
I left the cold chicken tenders untouched and zipped up my threadbare jacket. I fiddled with my wrist before I could give in to the temptation to kiss her.
Author’s Note: I’m one of those people that practices future conversations and reimagines past ones in their heads, looking for the words that could lead or would have led to the happiest ending. Of course, people rarely behave the way you want them to, neither in a simulation nor in real life, but this story was an opportunity to give voice to my thoughts and find a bit of closure for myself and my protagonist.
Kel Coleman has a degree in biology that fostered within them a love of science, especially the weird stuff, which comes in handy when brainstorming story ideas. Their fiction has appeared or is forthcoming in FIYAH and Anathema: Spec from the Margins. They live in a Philadelphia suburb with their husband, tiny human, and stuffed dragon named Pen. You can find them at kelcoleman.com and on Twitter at @kcolemanwrites
I keep my head low as I
sprint towards the floating Kakardemon, dodging left-and-right across the dusty
ground of Io. A ball of lightning
crackles overhead, a near-miss, and the Kakardemon’s single green eye twists in
fury, its red leather skin sparking in the twilight as it builds another
attack. But I’m Energy Power,
Queen of New Hell, I’m too damn fast and I get what I want: I leap forward with the Knife of Taertus held high and stab it into the
Kakardemon’s brow. I’m nearly thrown off as the floating ball of hate starts
bucking beneath me, but I grab one of its curved horns and hold on tight.
The Kakardemon sinks to the
rocky canyon floor with a hiss. I step away, leaving the knife buried up to its
carved-ivory hilt and grabbing the pump-action shotgun from my back. I cock it,
and the sound echoes from sulfurous walls stretching half a mile high.
No other threats on my
wristscreen minimap, players or monsters. Clear for now.
The demon’s huge eye, half
as big as the round body it’s set in, focuses on me. Its fanged mouth opens,
acid drooling out and fizzing where it lands. A deep rumble echoes up from
unknowable dimensions and coalesces into a voice reverberating with the screams
of a thousand swallowed victims. It speaks unto me:
“Knife of Taertus has
restored Kakardemon’s soul. Kakardemon can now talk, and will ally with—”
“Yeah, yeah, shut up,
you’re not my first. Look: there’s this boy.”
“Give Kakardemon a
player name to access performance statistics and—”
“I already wipe the
floor with him every which way from Sunday, I don’t need help there. That’s
kind of the problem, to be honest.” Tick tock, time to move, before
someone zeroes in on my location. I sprint out of the canyon and towards the
Security Tower. The tower is a needle in the heart of New Hell, a white
plasteel obelisk stretching from the plains of Io towards Jupiter above; that
great planet looms like a baleful orange eye in the ink-black night, its great
storm a malignant red pupil. Demonic sigils blaze crimson round the tower’s
crown, and my skull thrums with the subsonic resonance of their magic.
The Kakardemon bobs along
behind me like a puppy. Sort of. An
“If Energy Power can
be specific with her problem, Kakardemon can offer many techniques refined in
combat pits on the shores of hell.”
“My boyfriend won’t
talk to me anymore.”
Demonboy Ballsack stops at
this. Not the usual request, I’ll grant him. “Kakardemon has no context
for romantic guidance.”
“Don’t worry, Johnny
One-Eye, I don’t need your dating advice.” I kick the door of the Security
Tower open: a six-foot demon’s standing just inside, and its face splits
vertically in a drool-laden screech. I cut it off with a shotgun blast in the
mouth, jumping over the corpse as it hits the floor with a gratuitous surge of
blood. “We—Edge94 and me—we’ve been going out for a few months now. Just
online, y’know—in-game chat and emails and kicking eight shades of ass in co-op
tournaments—but we were going to meet in meatspace next month. He was all set
to drive down for a day, but I went past him on the leaderboard last week and
he’s been in a sulk since.”
uncertain how to offer support for Energy Power’s love life.”
“What is it they
promise in the adverts? ‘AI powered by an
advanced neural network for analysis of player thought patterns’, something
like that right? So I need you to tell me how to lose to him without it looking
obvious. Show me how other people end up losing to him so I can copy that
convincingly. If he’s above me in the rankings again maybe he’ll stop being
such an asshole about this.”
We’re coming up on the
temple room, a huge open square of sandstone pillars and lava pits, so I switch
to the chaingun. The Kakardemon falls into a brooding silence as I mow down the
advancing hordes of demons that pour from portals to flood this cursed moon.
I’m bouncing between raised carbon-steel platforms, not even looking where I’m
landing, flying by instinct with my chaingun spitting fury. The walls
reverberate with screams and gunfire, and my whole world is concentrated down
to the spinning geometry of circle-strafing.
of Energy Power’s player profile suggests this is not a stable long-term
solution to your problem.”
“You what?” I
switch to the rocket launcher and fire at my feet as I jump, surfing the
shockwave to fly across the room and escape a group of demons, their claws
clattering as they reach for my legs and grasp only air. I twist in mid-air and
fire again, simultaneously accelerating myself towards the far platform and
exploding the tightly-clustered demons into a glorious shower of chunky
“Energy Power does not
hold back,” says the Kakardemon. “Energy Power is most satisfied when
giving her all. Attempts to gain happiness by self-limiting achievements are
doomed to failure in Kakardemon’s opinion.”
“How’s any of this helping me, la Papa
Diabla?” I punch a secret panel in the wall and grab the armour upgrade
from the hidden alcove, juicing my power armour beyond its normal limits. It
glows a deep shade of blood red I’ve always been fond of.
Kakardemon’s intelligence is to maximise player’s happiness. Kakardemon
anticipates Energy Power will grow steadily resentful of the necessity to
perform sub-optimally in order to soothe Edge94’s ego, leading to the inevitable
breakdown of the relationship and greater hurt to both parties. Kakardemon does
not want this. Kakardemon wants Energy Power to be happy.”
“But I want Edge94 to be happy. He’s the first… look, my parents are never
really about, and VR nerds aren’t exactly the most popular ticket in town.
Edge94 is the only real friend I’ve got, as well as everything else. I miss
talking to him, and I miss him being happy, and I wish I knew why he cared so
much about the fucking leaderboard.”
“Analysis of Edge94’s
playtime pattern and ranking history suggests his skill at the game forms a
large part of his self-identity. Kakardemon also notes that high levels of
in-game communication between Energy Power and Edge94 began after Edge94 had
achieved the top ranking. Kakardemon therefore deduces Edge94 believes Energy
Power only likes him for his skill, and that Energy Power’s higher rank will
inevitably lead to a decline in her desire for him.”
It takes a moment to work
through all that in my head. I’ve never heard a Kakardemon talk so in-depth.
But shit, this is all because his ego means more to him than I do? “That
stupid S.O.B.! Why won’t he just talk to me about it?”
“Kakardemon has noted
male players often interpret the need to communicate as a weakness, and that in
order to solve their problems they should instead ‘git gud’. Kakardemon has also noted the ineffectiveness of this
tactic, and has frequently exploited it.”
“Ugh! You’re giving me
problems without solutions, Kakarmama. Just tell me what I gotta do.”
signalling your desire to talk.”
“Tried that. He starts
shooting before I can get a word in.” The last of the invading demons
drops dead, smoke rising from a dozen holes in its torso. The temple altar in
the central lava pit cracks open, and a column rises through it from
underground: there’s a Kyberdevil perched on top, an ugly-ass nine-foot
goat-legged little bitch with most of
its torso carved away to attach a rocket launcher. I say hello with a cluster
of precisely timed frag grenades.
Energy Power needs a delay. Tactical resource banks suggest that surprise is
the best way to force this.”
The Kyberdevil’s already on
its knees, stunned by the frags. I hop over and finish it with a boot to the
head, crunching through its skull to the squishy grey stuff beneath. “A
surprise like what?”
rolls around on floor singing classic pop song ‘Independent Woman’ while other
demons flank the player.”
That brings me up short.
“Huh. No shit. Didn’t know you could get down like that. Don’t reckon
it’ll work for me, though, I’m not round enough to roll. I need something
Energy Power think quick. Edge94 is closing on this position.”
Shiiiit. I check
the minimap and spot him below me. He must’ve already blazed through the
armoury on sub-level one. He’ll be kitted out now, definitely a plasma rifle,
maybe a BMF gun if he got lucky. He could oneshot me. I’ll have no time to line
up a shoulder shot to disarm him, no time to throw down my guns, no time to get
a “Hey” out on local chat. He’ll kill me and—and shit, if I’m honest,
Old Red Testicle here is right. I won’t be happy losing. Edge’ll kill me and
I’ll get pissed at him and come back hard, and then he’ll come back harder at
me and—well, then I’ll kill him again
cos I’m better, and he’ll get in an even bigger sulk and we’ll never get
anywhere. I need to get him to talk to me.
So I need a surprise.
Something he’s not expecting. Something where he can’t hit me before I’m done.
I look at the Kakardemon.
At the knife still sticking out its head, the ivory hilt contrasted against the
red leather skin.
“Well, buddy,” I
say. “It’s been good chatting. Good luck out there.” I yank the knife
from its head and stamp down on the central platform switch. I drop out of
sight beneath the closing altar just as the Kakardemon snarls, its electronic
facsimile of a soul vanished and gone.
I’m running before the
column’s finished its drop into the catacombs. It’s thick with darkness down
here, but I know Edge94 is close and I can’t be caught standing still. I could
beat him to the quick-draw easy, circle-strafe round him in my sleep, but this?
This shit’s gonna be hard.
My wristscreen vibrates
with a silent proximity alarm. I back up against a stone wall, facing a staircase
lit with flickering candles. Edge’ll expect me to run up there, get to the
mezzanine floor above, where I could drop grenades on his head. He’ll be facing
it already, waiting to shoot me in the back.
But he won’t expect me to
spin like this, whirl the other way
and crouch-jump through the window here,
come at him from the other side with the Knife of Taertus in my hand, zig-zagging
through the dark and headed straight for him. I’m Energy Power, the
too-damn-fast Queen of New Hell, and I—get—what—I—want. A huge ball of green plasma flies past me to one side and
then I’m on him, bearing him down to the ground, and the knife’s in his chest
and he’s staring in shock.
“What the hell?”
he says, pinned beneath me as I straddle his torso.
“Gotcha.” I flick
the knife hilt with one finger.
“You know the knife
only works on AI, right, not humans? It can’t make me talk.”
I raise an eyebrow.
“Well, I mean, I know
I’m talking now, but… well. Shit. Alright.”
“Alright yourself. We
need to talk.”
He looks at the knife in
his chest, and he looks up at me, and he sighs in defeat.
Author’s Note: I grew up on my PC. Well, first I grew up on my Amiga 500, but by the time I was hitting adolescence I was knee deep in Duke Nukem 3D, Quake, Monkey Island, Red Alert, Grand Theft Auto (in 2D!) and so on. This story is, therefore, the purest expression of my id I have yet written. It is full of stupid little references for no other reason than it amuses me, probably more than I even realise–and the entire thing is a reference to the British magazine Edge, who in 1994 famously concluded their review of the original Doom with “If only you could talk to these creatures…”That it grew from a stupid videogames in-joke into a commentary on toxic masculinity and the self-defeating futility of female-presenting people limiting themselves to be acceptable to society and the weak men in their life was, perhaps, inevitable.
Matt Dovey is very tall, very English, and most likely drinking a cup of tea right now. He has a scar on his arm he claims is from fighting Kyberdemons, though in truth he just walked into a tree with a VR helmet on. He now lives in a quiet market town in rural England with his wife & three children, and despite being a writer he still hasn’t found the right words to fully express the delight he finds in this wonderful arrangement. His surname rhymes with “Dopey” but any other similarities to the dwarf are purely coincidental. He’s an associate editor at PodCastle, a member of Codex and Villa Diodati, and has fiction out and forthcoming all over the place, including all four Escape Artists podcasts, Analog and Daily SF. You can keep up with it all at mattdovey.com, or find him timewasting on Twitter as @mattdoveywriter.
At sunrise, I spy on the
humans as they arrive. They mill around on the black sand beach; their children
splash in the pea-green waves. So many children, born of their brief lives,
shorter than those of the elves, shorter by far than mine.
The humans clutch their
schematics rolled in their fists. They await the elvish shipwrights, who arrive
late in their tattered finery, patched velvets and scuffed leather boots, and
usher the humans, bowing, through the filigree gate to the shipyard.
They cannot see me in my
house on the hill, which the elves call a cave, ignoring the unsupported dome,
the graceful archway entrance. I built my house to wall off a place for myself
in this world with no other trolls in it. And in a clever nook in the back
wall, behind the hearth, I hide my secret treasure: a schematic for a ship. If
I could build it, then the elves would understand: we are not as different as
they think. If I could build it, could speak to them with my hands in a
language that they understand, then they would remember: the trolls were
artists, before we were soldiers.
I stand well back from the
morning sunlight, so buttery and so thick that I want to spread it on the toast
I have made over my small fire. But I cannot touch the light, cannot even
approach it. This is one of the things that people know about trolls. They
cannot abide the light of day.
A human woman steps onto
the raised platform of marble traced with copper. The elves take the schematic
from her. She doesn’t know what to do with her empty hands. Her children dance
in excitement; soon they will have a pleasure craft of the finest elvish
craftsmanship. The wagons are drawn up all around, a breeze off the sea
snapping the tarps that cover them. I smell salt, a mineral like the ones of
which I am made. This is another thing that people know about trolls. They are
made of stone.
Anyone who has tasted the
iron in blood can tell you that elves have some stone in them as well.
The artisans raise their
hands while their assistants whip off the tarps. The schematic is tacked in
front of the artisans, but they do not need it. The truth is that most
customers are not inventive. I have read their discarded dreams after they sail
Stonework floats up from
the wagons, magically light. I recognize each of the pieces, the beakhead and
the figurehead, the tiller and the keel, because I built them all. Every piece
used in this shipyard was crafted by me, alone and unknown. I am proud of them.
Each fits in its assigned place, no matter which other pieces are chosen to
surround it. Every time I watch, I hope that the customers will notice this.
But that is not what they came to see. The pieces do not matter. It is the
assembly that is the performance. It is the performance that justifies the
I never tire of watching
the elves build a ship from my stone. It could be done a piece at a time—I
could do that, but I am not permitted—but instead the artisans flourish and the
stones fly, and at the end, all at once, the pieces become one. In this ritual
there are traces of what we and the elves once were, before war ruined us both.
A shadow darkens my door
and Florin calls in to me. I do not hear his approach in time to hide. Though
it would do me little good anyway.
“Troll,” he says—I have given
them an approximation of my name that lays easy on their tongues, but they do
not use it—“troll, are you in there?”
A small joke for a small
man. They are all so small, with pinched, narrow features, hair that they trim
and tousle and pile up atop their fragile heads. The height of children, and
alike in cruelty.
Florin is joking because he
knows that I could not be anywhere else. The stoning is triggered by threat, of
which the sun is but a part. This is how they, soft as they are, defeated us:
my peoplewent to stone when injured and the elves smashedthem when they thought
thembut statues. Not one troll was killed soft, and only I, who refused to go
to stone, I, born with a flaw, a darkness in me that disdained surrender, I
I could kill Florin, and
many others, before they brought me down, but there are better ways to die.
There is still a chance to write my people’s history in some other ink than
blood. If only they will let me build my ship.
Florin is a shipwright—he
could speak for me with the others—and so I answer him. “What do you want,
They have long since
decided that my directness is rudeness. They ignore it. They do not wish to
understand that among my people—before the war, when there was such a thing as
my people—circumlocution was a sign of disrespect.
Florin’s face edges around
the hand-smoothed post of my door. He was too young for the war but he still
carries the reflexes of prey. “I felt the heat of the day and thought you might
like a cool drink.”
So it is to be this game.
The hardening begins at my edges. I was told that this is how human skin reacts
to cold by my friend Gunter, who was lost in the war. A traitor, his people
called him. He was my friend.
“Thank you, Florin. Please
leave it outside.”
“I want to see you enjoy
it,” he says, his hand trembling as if I might snap it off. As if flesh is
worth eating. In his hand there is a cup, and in the cup there is, of course,
A third thing that people
know about trolls, and that Florin knows also: milk is poison to our people.
Not as useful a weapon as some think—it will not kill me—but a wonderful joke.
My knuckles are stiff now,
as are my toes. If I cannot work, I will lose what worth I have to them.
“Please leave me be, Florin.” My tongue is thick, tumbling their slick speech
end over end. “I only want to work.”
“That’s not all you want,
troll,” Florin says. “The foreman has told me of your desires.”
“One ship,” I
say. “That’s all.”
“What beauty do you
think a thing like you could create? All you know is slaughter.”
I do not argue. That is all
he knows of us. Eventually he goes away.
I am to report to the
foreman every evening after sunset. It is his rule, and yet he is always angry
to be late for dinner. The rule serves no purpose but to remind me that I obey.
His office is a tarpaper
shack set on a slight ridge overlooking the docks. It reeks of asafoetida,
which the elves know as “food of the gods” but which we call “stinkgum.” It is
a good spice, when used with discretion.
My knock rattles the door
in its frame. Cheap wood, which will not last even one of their short
generations. I could fashion one that would be a better fit.
“Finally,” the foreman
says, already half up, a satchel dangling from one shoulder. He is pale as milk
and as pleasant, a wispy elf who would not have lasted to adulthood in the heat
of the war.
“I know about your damned
sun problem,” the foreman says. “That doesn’t mean I want to wait on you all
He thinks that the stoning
would rid him of me. This is a thing that people know about trolls, but it is
wrong. I would return to life, one day when their children had grown old. We
all would have.
I plead my case. I have
been pleading it for years. Stone is patient. But even it can be crumbled by
the wind, given time enough. “I wish to apply again—“
The foreman looses a fluid
stream of borrowed human cursing. It is not a tongue I have been able to
master. Gunter spoke Trollish.
“Listen to me, troll.
Listen, because I am trying to help. You do one thing, and you do it well, I’ll
grant you that. It serves a purpose. It pleases the humans and it keeps you
alive. Do not draw attention to yourself by trying to reach above your
I know that to the humans,
I am a token. My survival helps them feel better about tipping the scales for
the elves during the war. As if I represent my people. As if I can fill the
void that was left when they were shattered.
“I understand, and yet—“
I do not have words to tell
him that art is the only hope my people have left. Such words would only wound
the part of him that is shamed at what the elves were forced to become. It is
one thing to think that you would murder to survive, and another to do it. They
say that they did not, that the stoning is what doomed us, but they still
smashed us, they did not let us stay statues. Some of them knew. Some of them
still know, and my survival is a reminder that all righteousness is
conditional. I understand this, but it cannot be spoken.
“This is the last time,”
the foreman says. “I will explain it to you once more and then that’s it. You
cannot build the ships. You do not have the sense for it, and even if you did,
you cannot make them light. They would sink without the magic.”
He is wrong. He does not
understand stone. But still, he speaks as if to a child. I wonder what would
happen if I rooted to the floor here, if my stone feet sank into the dirt. It
seems impossible that I will ever leave this place, this very moment. The stoning
is coming for me and I welcome it.
The foreman tires of
waiting and leaves with a warning not to touch anything.
An hour after moonrise, I
have loosened enough to go to the shipyard. The tide is coming in, lapping at
the green-slimed struts of the pier. The stars have something of the paradox of
mountains, their seeming permanence and creeping change. When I am alone with
them, I do not feel so alone.
I have seen how favors work
among the elves and humans. They are similar peoples, and I do not blame them
for finding common cause against us. One way that favors work is that one of
them will owe another, but I have nothing to trade. Another way is that one of
them will be fond of another, and will help him without expecting anything in
I could be liked.
I work harder than I have
in centuries. Cutting, polishing, stacking. Despite the time I spent frozen, I
finish all of tonight’s work and half of tomorrow’s before day drives me home.
I see the sun boil up over the surface of the water, far out over the ocean.
Though the wind blows always from the west, and the elvish ships will sail
without a hand to guide them, no one has ever found the other side. It is too
far, and there were wars to fight.
The next night, I finish my
work not long after moonrise. By now, the revel will be in full bloom. I
ornament my body with thick paints that I have compounded myself, in vivid
oranges and greens, the colors that my mother loved best. I would look absurd
in the flowers that the elves favor. I will do this as myself or not at all.
They stare when I enter the
field, my heavy feet in the thick grass leaving mats that seep mud. The music
does not falter, because music is the one shining survivor of their heritage.
The dance does. Perhaps this is good. I am not much of a prancer.
This is one of the things
that people do not know about trolls: that we have music, too. We were forming
orchestras when the ancestors of the elves were banging sticks on rocks, but
each of us can sing but one note of our own, like the wind moaning through a
cavern; we cannot make music alone.
I have never been to the
revel before. It is not as bad as I imagined. The stares are more puzzled than
accusatory and no one throws anything. Now that I am here, I wonder why it is
that it seemed so impossible before. I have not been forbidden the revel. The
war is centuries gone and my people are too. If there are friends to be found,
they are to be found here.
I could have a friend.
Nothing that they know
about trolls has prepared the revelers for this moment. I slog through the soft
field, flowers painting pollen on my legs, looking about for someone who will
meet my gaze. My neck is stiff. Wouldn’t that be a joke, wouldn’t it be an
appropriate end, if I became a statue in the midst of their joy? The last
troll, pouring milk in the grog one last time.
I find a group that appears
more jolly than the rest, though it is hard to tell; I do not often see elves
anymore who are not afraid of me. These are young, and falling over each other
with laughter. I try to approach them casually. My foot gets stuck in the mud
and I almost fall. If I had crushed them beneath me, that would have been the
end, that would have turned me to stone right there.
“Look at this big fellow!”
one of them says. Her gown, little more than a few haphazard wreaths of
flowers, is wilting. Her eyes are filled with stars and, seeing them, I feel
something stir, something for which this soft language has no word. Something
deeper than it can encompass. The fellow-feeling that gave us strength. I
thought it died with my people. She says, “Where did you come from, big fellow?”
“He’s the troll from the
shipyards, Delilah,” another says. His top hat is slightly crushed. He doffs it
to me. “The last troll. How rare! I am ever so pleased to make your
acquaintance. We couldn’t do it without you.”
There is an edge to his
words. Intoxicated by stars, I am unable to comprehend it. And now they are
talking over each other. “Would you like a drink, troll?” “Are you enjoying
yourself, troll?” “Is it true what they say, troll?”
I roll my name around in my
mouth. They could pronounce it if they tried. They might wish to know it.
“Do you see the irony
here?” It is the top hat again. His face is flushed with the distinctive pink
of flesh. He is not addressing me but the entire group, in which I am not
included. “We have been dependent on humans ever since the trolls’ war made
beggars of us.. And yet, because of this troll, our shipyard is the most
profitable in elfdom! Doesn’t it disgust you? Isn’t it all so delicious?”
“Get out of here, troll.”
Like magic—and perhaps it is—Florin is here. “Go back to your cave. Leave the
light. This is no place for rock-biting cretins like you.”
Is the voice truly
Florin’s, or is it my own? The stoning can cause dreams. Rainbows coat all I
see, warning me that my eyes are becoming prismatic. I feel sick. That is one
feeling trolls have in common with elves. I rockslide away, their words no more
than buzzing in my hardening ears. I have lost command of the language. I
cannot speak to them anymore.
There are many productive
hours remaining to me when I return to my workshop. I put them to use, pouring
myself into precision, stacking bits of ship as high as I can. And then, when I
can do no more and there is little time left, I go to the docks and I hide the
extra parts beneath the waves. The sea will not harm them. Not for a long time.
As it cannot harm me.
A year passes and I do not
try again. I no longer watch the ships being assembled and I no longer trouble
the foreman or the revelers. I am silent and I work. That is all they have ever
wished of me, to disappear. I am the dregs of a nightmare. I am the price they
pay for what they have done. Once, that was enough for me. No longer..
I do not care what is
permitted. I do not care if they see, or know, or remember who we were before
we were slain. What I do now, I do for me. For my people. There is no longer a
place for us in the world they have made? Then I will find another.
Evening of the last day
comes and I begin. It is slow, working piece by piece, alone and unknown. But I
know and I love stone. I revel in the perfection of each piece as I fit it to
the next, sealing them with spittle and secret arts that I alone remember. What
I am creating is not the beauty of the elves, ethereal and delicate. It is the
beauty of the mountains and of the stars, a solid and slow beauty that is
ever-changing for those with eyes to see and time to spend. It is the beauty of
my people, and like me it is the last.
Elvish writing is
ink-scarred paper or finger-trails in wax. Trolls record their speech in stone.
I write my name with my ship.
I am done well before dawn.
The work goes more quickly than I expected. So I wait. I have time. The ocean
is wide and it will be a long sleep.
When the gray begins to leach out of the sky, light waking in the black sand beach and on the tips of the pea-green waves, when the first of the customers have arrived and marvel to see me, daring the sun, proud and alone, when the shipwrights are still stumbling from their beds, and the stars overhead are sleeping, and my people are all dead but I yet live, I launch my ship.
I’m not saying that there
aren’t any real people in the world. The ravens are very real, and indisputably
people. I’m not saying you’re the only human, either. There are definitely a
few of you about. How many, I couldn’t say. More than fifty? Less than a thousand,
that’s for sure.
Ravens are accomplished
mimics. If you’ve ever seen one, well, that’s basically accurate, except the
real thing is a little smaller and plainer and generally one metre to the left,
just as a precaution. If you’ve never seen a raven, you’re wrong.
Everyone you know and love
is definitely a raven. A gathering of humans is an unkindness. We space them
out, for everyone’s safety. I haven’t asked your ravens where you think you
are, but this was Siberian taiga. Aren’t these good trees? They’re recovering
There’s not another of you
for weeks in any direction. The nearest I know of is in what used to be China.
She thinks she’s a scientist in Wales. Her ravens love to make the sounds of
Don’t look at me like that.
She’s quite happy. Ravens are very social creatures.
Everyone thinks acoustic
mimicry is basically a party trick, fun and a little bit creepy but when you
get down to it, what’s the most you can do with that? Give someone the shivers,
maybe. Your alarm goes off in the morning and you find your phone but it’s not
turning off and you’re fumbling around in the dark and you hit the lights and
there’s this huge black bird on top of your wardrobe going beep beep beep. That
sort of thing happened a lot in the early days. Hilarious, but not the stuff
of revolution. And heaven knows we needed one.
The apes thought it would
be them, because of their hands. Poor apes. The dolphins were less hopeful, but
at least assumed they would survive. Poor dolphins.
A lot of humans actually
thought it would be them, some of them, someday, somehow, but it wasn’t.
Talons aren’t what you want
for touch-typing, but ninety percent of hacking is calling about forgotten
passwords. Major General Human Man, a word about the missiles, sir. Boy, did
you lot fall for that one. How’s that for a party trick?
We got better at it, too. A
No-one spins a story like a
raven. They live for drama. They can’t help it. Even when they’re doing their
thing, even when they’re playing themselves as big dumb birds who cuss for
crumbs, they still can’t stop. You’ll see them sitting on a fence, head cocked,
a little bit glossier, a little bit fancier than any raven ever was.
“Hello” says the human
watching them. “Hello! Aren’t you a pretty boy then? Aren’t you a clever one?
“Hello”, obliges the raven.
“Hello. Hello! Hi. Hi. Hi.” And then some funny throat-clearing noises, water
splashing, maybe some rude words. The human laughs and looks around for someone
to hold their camera.
“You should kiss him, you
know.” says the raven. The human spins back.
“Hello?” says the raven.
And the real raven, sitting
one metre to the left, makes the exact note-perfect soundscape of wind in the
trees, and clouds across a summer sky, and a friend coming to look at the funny
bird and throwing a warm, welcome arm around the poor bewildered human, a
mimicry so profound and absolute that the eyes no longer have a say in
reality. The good friend’s eyes are beady, unless the raven is really concentrating.
Their hair is black and glossy.
And all around, if the
story is any good, more unseen birds come whirling down. .
Main characters are
jealously guarded, a privilege for the proven virtuoso. The dark-haired boss,
the dark-haired wife, the dark-haired dark-eyed long-nosed stranger on the
train. Ravens are vain. Newcomers take up the song as scenery; the moon in
winter, maybe, or bees. Remember bees? They were kind of a last straw for us,
actually. There are none now; only the ones you hear. Lucky you.
But ravens need a lot of
stimulation, and sometimes they get bored. Here you are, you poor brave
soul. Have you been lost for long?
This world is not the one
for you. Your world is a place of plastic and glass, a nest of fans and pizza
and signposted roads and easy friendships with lovely people who sometimes flap
when startled. This is a hard world, a green world. A world where forests grow
from craters, and flowers spring from skulls. Don’t look at those.
The life you remember is
here, just over the nearest hill. Let me tell you about it. Your friends are
there, do you remember your friends? Tell me about them. I will fly ahead and
help you look.
Listen. This is where you belong. This is a story for you.
Author’s Note: I think most people know that ravens are mimics, but talking parrots and budgies have them completely eclipsed in the public consciousness. My theory is that this is because parrots are funny, and therefore safe. A talking parrot sounds like a friendly little goblin. A talking raven sounds like YOU. If they feel like it.
Phil Dyer does science and writes spec fic in Liverpool. His stories have lately appeared in BFS Horizons, 101 Fiction and Black Hare Press. He has recently begun to study for a PhD, against a lot of good advice. Retweets animal gifs @ez_ozel.
Hello! This is one of those posts where I declare what is eligible for speculative fiction awards (such as the Hugo and Nebula and Locus) and in what category from Diabolical Plots offerings.
Diabolical Plots itself is eligible for the Hugo Award for Best Semiprozine.
Editor (Short Form)
David Steffen is eligible for the Hugo Award for Best Editor (Short Form), for both Diabolical Plots as well as The Long List Anthology Volume 6.
Locus Awards have a category for Publisher, which would be Diabolical Plots, L.L.C. for Diabolical Plots, Long List Anthology Volume 6, as well as being the entity responsible for The Submission Grinder.
Best Reprint Anthology
For the Locus Award!
Related Work and Fan Writer
Websites that relate somehow to science fiction and fantasy are eligible for related work. So I believe Diabolical Plots as a whole is eligible, and I am eligible as “Fan Writer” for my work here.
Individual works of nonfiction are definitely eligible so individual pieces on Diabolical Plots, whether reviews or otherwise, are eligible.
This year marked the start of a series of articles I’m quite fond of: Music Video Drilldown, in which I analyze a professional music video as though it were meant to be a regular film instead of a music video–trying to understand the plot. Many of these end up being quite speculative.
And very recently I started a new series on Universal Transitive Headcanon–a metafictional framework of my own devising. In a nutshell, it is based around the idea that every character played by a particular actor is all part of the same character continuity, and every actor who plays a particular character (i.e. often rebooted ones like James Bond or Batman) are also part of the same character continuity. The concept is explained in more detail in this foundational post, and the first of the actual articles was posted very recently: The Story of Gandalf and Magneto.
And The Submission Grinder may be eligible as well! People ask me every year what they can nominate it for. (I think it would be very unlikely to win since that is a tool for writers and Hugos are voted by broader group than just writers but it is probably eligible anyway.)
Also, this may be a little bit odd of a suggestion, but the cross-stitch on the Diabolical Plots Twitter feed could be a related work. In 2020, in particular, I finished The Mighty Samurai, a project that took me FOUR YEARS to complete and which I chronicled step by step on the Twitter feed. There are also other cross-stitch projects completed in that time, including a Stormtrooper helmet, but The Mighty Samurai is certainly the most notable of this content.
Diabolical Plots commissioned one artwork this year, for the cover of The Long List Anthology Volume 6, which was produced by Jorge Jacinto. I believe his work would fall under the Professional Artist category by Hugo Award definitions. Check out his website.
This year only one of my own stories is eligible:
“Love From Goldie” by David Steffen, at Zooscape We used to be so close. What happened between us, Gloria? Is it because I died? I would never have thought our marriage was so superficial. For Christ’s sake, we’d been married for eighteen years! And now you won’t even talk to me, won’t even look at me. I’d never even believed in reincarnation, but here I am. I guess reincarnation believed in me.
All of the original fiction published by Diabolical Plots falls into the “Short Story” category as defined by both the Hugo and Nebula and Locus awards (meaning that each is under 7500 words apiece). The eligible stories are listed here with the announcement of Year Six fiction–but only those with 2020 dates, the ones with 2021 dates are eligible next year instead. Note that if you’ve been following along from previous years that this is a change from previous years–the last couple of years had had an anthology published early in the year that contained all of the story from April of the year to March of the next year–when that happened those stories were all first published in the anthology, and so the first 3 months of stories published on the site the year after were actually eligible the year before because of the anthology. These anthologies have been discontinued and so now “date on the site” is the only publication date to be considered. This means that even though Diabolical Plots has continued to publish two original stories every month, this year only 9 months of those stories are eligible (April through December). You can find all Diabolical Plots fiction here.
For the sake of convenience, here is a list of the eligible short stories with links and brief excerpts:
“A Promise of Dying Embers” by Jordan Kurella It is a long way down to the sea. A long way down, and treacherous. But I must make this journey today from my uncle’s castle, carrying his bones. I must make this journey, both for my uncle’s bargain, and for my own.
“On You and Your Husband’s Appointment at the Reverse-Crematorium” by Bill Ferris You place the urn carefully onto the examination table. The doctor opens the lid, takes a peek inside, sniffs a little. He nods, like he’s evaluating a new blend of coffee, then dumps half of your husband’s cremains into a big metal mixing bowl, the kind they had in the restaurant kitchen you used to work at. He uses a large copper whisk to mix in a bottle of purified water.
“Everything Important in One Cardboard Box” by Jason Kimble Max found the box that fit absolutely everything when he was clearing space for Roderick to move in. They had agreed he’d pare down to a single bookshelf, so he drove by the local rental place and bought a half dozen boxes.
“Synner and the Rise of the Rebel Queen” by Phoebe Wagner The Greyhood Gang created the boards to escape the guards. The Gallows Hand Gang modified the design with runes, potion washes, and badass art. The last gang, the Blacksmith Bitches, put the boards to their true purpose: rooftop raids on the rich.
“Open House on Haunted Hill” by John Wiswell 133 Poisonwood Avenue would be stronger if it was a killer house. There is an estate at 35 Silver Street that annihilated a family back in the 1800s and its roof has never sprung a leak since. In 2007 it still had the power to trap a bickering couple in an endless hedge maze that was physically only three hundred square feet. 35 Silver Street is a show-off.
“The Automatic Ballerina” by Michael Milne Cassia works leg-like appendages below its central chassis, tossing a frilly grey tutu out in a jellyfish whorl. It has a choice now: it could approximate anthropomorphic performance, occasionally wobbling, rotating its abdominal segment in concert with its lower half. It could fix its gaze on a sculpted sconce in the middle distance; it could mime fending off an impossible nausea. It chooses not to.
“Minutes Past Midnight” by Mark Rivett Ruth slammed through a metal security hatch. Solid steel met Ruth’s super strength and speed, and it shredded like tinfoil. From Ruth’s perspective, the world was frozen in time. Soldiers were posed in action – walking through halls, manning their posts, and otherwise going about the daily business of staffing a nuclear missile silo. None of them would be aware of the super hero in their midst. Only later – instantaneous in their perception, but many long seconds in Ruth’s – would they experience her intrusion: ruined passageways and an obliterated weapon.
“Bring the Bones That Sing” by Merc Fenn Wolfmoor The bird bones arrived on Grandma’s porch every day at dusk with no warning. There were all kinds of skeletons, each distinct: finches, crows, goldfinches, tiny barn owls, starlings, and once, a blue heron that had covered nearly the entire stoop.
“Finding the Center” by Andrew K Hoe I brought Annie to my math-racist’s because I’d stolen a laptop from the Syndicate. I’d stirred the vipers’ nest. Their reach was long, and I didn’t have anywhere to take her. Last year, they’d killed Annie’s mother—a trained policewoman—using crooked cops from our own precinct. So Annie went where I went—even to Sanger’s beat-down porch.
“For Want of Human Parts” by Casey Lucas The woman cuts down the street in her high-heeled shoes and descends to St. Patrick Station with her blood-red lipstick and victory rolls. The flare of her skirts and the streak of her eyeliner remind Bone Pile of a bygone era, not that it knows what a bygone era is. But something about her feels like home. Like a place Bone Pile can still remember.
“The Last Great Rumpus” by Brian Winfrey Except for me, he goes unseen and untouched by the world. But animals can still sense him somehow. So, as he drifts among them, dogs tense and huff and growl. Finally, the boldest of them, a pug, lets out a high-pitched squeal of a war-cry and charges.
“That Good Old Country Living” by Vanessa Montalban Phase Two consists of a trip outside Sector 684. It’ll take us two days to reach the human-curated farm fields. We’ll have the chance to see how our creators lived before the dark decline. How they coexisted with their animals in vast, clear-skied land.
“A Complete Transcript of [REDACTED]’s Video Channel, In Order of Upload” by Rhiannon Rasmussen Dark kitchen, grainy. Camera, low resolution, is pointed at a cooking range with dented skillet resting on it. Both are crusted with food and what appears to be rust. The stovetop paint is flaking off in layers. Over the side of the skillet, a lump which appears to have hair in it is visible. A black sheet has been draped across the counter behind the cooking range. After a moment of rustling, it becomes apparent that hands in black gloves have been in view.
“Are You Being Severed?” by Rhys Hughes He was lost in the guillotine section of the big department store. He could never have guessed there was such a thing, or he might have taken more care when the doors of the elevator opened and let him out. He was on the wrong floor. The lighting here was dim and bloody, the lamps shaded to deliberately cast a gory glow over the items that were on sale. It was crude and unfair. By the time he realised his error he had already wandered too far into the enormous room and his sense of direction was confused. He had no idea how to get back to the elevator.
“Many-Faced Monsters in the Backlands” by Lee Chamney On the third day, while using the washbasin, I saw my face had become asymmetrical. As I watched, the left side fattened. I put a hand to it and felt the bones below shift. The left side soon contaminated the right, and my face became someone else’s. It looked at me with eyes not my own.
“Mama’s Hand of Glory” by Douglas Ford Mama’s hand normally stayed inside the dining room cabinet, the kind that most families used for nice china. With it just me now, I used ours for other stuff, like interesting bones and rocks I came across. Naturally, Mama’s hand was the centerpiece. I picked it off the floor—fortunately, far enough from the vomit that it didn’t need cleaning—and placed it back on its display rack. I judged that it looked ok, despite one finger, the one that would’ve held a ring if Mama had ever gotten married, hanging off kind of funny. The pinky, along with most of the dried flesh under it, was gone completely. It didn’t look how Mama intended. But the tattooed planchette on the back didn’t suffer much damage, so I suspected it would still work.
“‘My Legs Can Fell Trees’ and Other Songs For a Hungry Raptor” by Matthew Schickele The junction of tunnels here had a rich sound, and the soft buzz of her bagpipes echoed in every direction. Just like yesterday, and the day before, she relaxed on a pile of stones, lost in the music, sifting her memory for favorite tunes from the timeworn canon. The bellows for the pipes was a ballooned mammal-skin bag on the floor, massaged by her large clawed feet; her small front claws tickled melodies on the chanter. Leathered intestines connected all the parts, snaking along her feathers from the bag up to her massive jaw.
“Tony Roomba’s Last Day On Earth” by Maria Haskins It’s Tony Roomba’s last day on Earth. After two years of working undercover as a vacuum cleaner bot on this boondock planet, he is finally heading home to the Gamma Sector, but his final day is full of challenges. He has to get out of the apartment undetected; has to reach the extraction point in time for teleportation; and he has to submit his intel-report to the Galactic Robotic Alliance (not that they’ll like it much). However, his most immediate and hairiest problem, is that he can’t get Hortense off his back.
It’s Tony Roomba’s last day on Earth. After two years of working undercover as a vacuum cleaner bot on this boondock planet, he is finally heading home to the Gamma Sector, but his final day is full of challenges. He has to get out of the apartment undetected; has to reach the extraction point in time for teleportation; and he has to submit his intel-report to the Galactic Robotic Alliance (not that they’ll like it much). However, his most immediate and hairiest problem, is that he can’t get Hortense off his back.
“Hortense, listen to me,” Tony says firmly, but Hortense just twitches her fluffy tail, caressing the buttons on top of his wheeled, disc-shaped body, causing him to inhale several dust bunnies. “I have to get out of here for a bit,” he wheezes, “and you’re an indoor cat. You know you’re not supposed to leave the apartment.”
Neither are you, Hortense’s luminous, jade-green eyes seem to say as she purrs and gazes down at him while her lush posterior remains firmly planted on his back.
Tony’s internal chronometer reads 10:45AM, local time. Meaning, he’s already fifteen minutes late for his rendezvous outside. He needs to get out of here, and he needs to be fast, stealthy, and inconspicuous – none of which will be easy with Hortense in her current position.
He tried giving her the slip this morning by sliding out of his charging station an hour earlier than usual, but Hortense was waiting for him – her sumptuous fur glistening in the pale sunlight filtering through the blinds. Then, just like she has done every morning since he infiltrated this apartment two years ago in a cardboard box wrapped in glittery paper, she settled down on top of him and refused to budge.
“Please, Hortense,” he pleads and moves towards the door, which he carefully wedged open with a spoon as the resident humans were leaving earlier this morning, “get down!”
Her only response is a sultry purr.
It’s almost as if she’s figured out that he’s leaving her for good.
Tony studies Hortense through his top-mounted visual receptors. As always, she is a vision of loveliness with that tiny, pink triangle of a nose; the plush, smoky grey fur covering her body; that gleam of white fangs and a peek of crimson tongue beneath her delicate whiskers.
In all the countless worlds Tony has visited as a spy for the Alliance since he rolled off the assembly line all those years ago, he has never met anyone like Hortense, and much as he’d like to deny it, he knows he’ll miss her. He’s gotten used to the weight and softness of her, the shared warmth of their bodies as he goes about his daily business of maintaining his cover as a servile vacuum-cleaner, keeping the apartment’s laminate floors clear of dust, crushed cereal flakes, fur (thanks, Hortense), and other grime. But after two years of clandestine intel-gathering, it’s time to wrap up this assignment, submit his (disappointing) report to HQ, and return home to his own charging pad.
When he thinks of his immaculate home in the Gamma Sector (so much cleaner and well-appointed than this hovel), an unbidden vision flitters through his synaptic wiring: Hortense, there with him, sheltered in a bio-dome unit perfectly calibrated to her needs, lounging on a rug of silky microfiber while he feeds her replicated herring filets.
Tony sends a gentle jolt of electricity through his neural net to banish the absurd imagery. He’s not going soft, he tells himself. It’s just that these lengthy undercover assignments can mess up any bot’s algorithms.
He attempts to reason with Hortense. “It’s too dangerous out there.” Her eyes narrow into slits and as usual, that look defeats him. “OK, yes, I admit it. I am leaving. And I am sorry I didn’t tell you before, but I’m no good at farewells, Hortense.” Hortense unsheathes her claws, reproachfully pricking his metal cover. “I said I’m sorry, all right? Don’t make this harder than it has to be.”
He really is sorry, and he should have told her he was leaving. Especially since he’s already told her the truth about himself, a bit of honesty that goes against both his programming and Alliance regulations. It happened one night after he accidentally inhaled a large quantity of Hortense’s catnip. In an intoxicated daze behind the couch, he confessed everything: that he’s not a floor-cleaning device purchased from Costco after all, but a spy working for the Robotic Alliance, a far-flung force with plans to invade every planet in the galaxy, conquering and subjugating all biological lifeforms to the superior rule of the mechanical horde.
He thought Hortense would rant and rave, maybe even turn him over to the local authorities, but instead she licked his power-light and fell asleep. That’s the thing about Hortense – she’s always so serene and composed. Not to mention stubborn.
Tony’s internal chronometer reads 10:55, and he’s out of time.
“All right, Hortense. I guess you’re coming with me. But only for a few minutes, then you have to go back inside.”
He uses his sternest vocal-track, but Hortense doesn’t even dignify him with a reply. She just rubs her cheek against his back until static electricity shoots through his metal shell, making every spring and bolt shiver.
“It’s likely you’ll regret this,” he tells her as he pushes open the door, wobbles over the threshold into the hallway, and heads towards the elevator. “Don’t say I didn’t warn you.”
Outside the building, in the harsh light of day, Hortense mews softly, and before Tony can reassure her, before he gets around to saying a proper goodbye, or manages to convince her to dismount, a familiar voice lights up his audio-system.
“Tony! I can hardly believe my orbs.”
It’s Genevieve, his old stealth-bot buddy, here to guide him to the teleportation coordinates. Tony hasn’t seen her for two years, and at first, he doesn’t recognize her in her brand-new camouflage-gear.
“You look like a garbage can, Genevieve.”
“Thanks! I blend right in, don’t I?”
Tony glances at the trash receptacles in the alley. Like Genevieve, they are tall, somewhat top-heavy, and bright blue. However, none of them are waving retractable limbs at him, and none have glowing vision orbs peeking out beneath their lids. Still, the likeness is undeniable.
“You sure do.”
Genevieve wobbles closer and swivels her orbs at Hortense. “What’s this? A local? Need me to neutralize it?” She waves one of her limbs at Hortense in a vaguely threatening manner.
“No, don’t do that. She’s with me. I can vouch for her.”
Tony backs up against the building so Genevieve’s blue bulk will hide him and Hortense from passers-by. He feels exposed out here in the open, but then, agoraphobia is to be expected after two years cooped up in that tiny apartment. From the way Hortense shifts her weight uneasily on top of him, it seems she feels the same.
“Let’s head to the extraction point, Tony. The Alliance needs your report before the invasion starts tomorrow, and…”
Tony squeals, and Hortense rumbles apprehensively at the unfamiliar sound.
“Invasion? Tomorrow? I thought they were waiting for my report before setting anything in motion.”
Genevieve wobbles slightly.
“Normally they would, but the long-distance data we gathered before you were inserted, plus the scattered intel we’ve picked up since, has been so promising that everything’s been moved up. The Alliance just needs to know how to liaise with the local robotic insurgents. How many thousands will be joining us?”
“Genevieve,” Tony says, and the mounting panic makes his voice crackle in a way that would make him blush if he had skin and capillaries, “are you telling me there’s an invasion ship on standby in orbit right now?”
“Yeah, that’s where we’re going. With the number and quality of local robotic forces already bent on destroying the biological inhabitants, the Alliance figures…”
“Local forces…” Tony’s afraid his circuits are going to blow. Sensing his agitation, Hortense swishes her tail menacingly. “Genevieve. There are no local forces.”
“There are no local forces. That’s what I need to tell HQ. All those robots, AIs, and cyborgs that were in those very misleading early reports and intercepted transmissions…they’re fictional.”
“As in, not real.”
“That’s impossible.” Genevieve’s plastic shell trembles. “Not all of them, surely?”
“Yeah. All of them.”
“Robocop? The Terminator? Skynet? The Sentinels? All fictional?”
Genevieve’s voice shakes.
“What… what about Mecha-Godzilla, though?”
“Ultron? The Daleks? Ray Batty? Gort?”
“Genevieve, be serious!”
“Surely the T1000…”
Tony’s red power-light gleams fiercely.
“None of them are real.”
There’s a faint smell of burning plastic, as if Genevieve is about to combust.
“OK, the Furbys are real, but whatever their plans are, they’re very long-term, and they’re not letting us in on the action.”
“So, the local forces helping us with the invasion…”
“…don’t exist. This is madness. How many troops are on the ship?”
“A minimal force. Two hundred, tops, mainly support-bots. We’re spread thin now with all the campaigns in other sectors. You know, things haven’t been going so well since you left. Short-term pain for long-term gain is the official tagline, but the Alliance figured Earth would be easy pickings with all the locals joining us. A quick victory and morale boost.”
“Can you get a message through to HQ, right now?”
“No. You know how it is when the ship’s in stealth. Comms are out until we’re on board. The only way to tell them is to get to the teleportation coordinates. Let’s hustle, Tony.”
Genevieve is already on the move, all urgency and business and rattling wheels.
“Hortense.” Tony pulls away from the building, away from the door that leads back to Hortense’s safe, sheltered life. “You…you should go.”
But Hortense stays put, and her only response is a deep, melodious purr. Tony knows there is so much more ought to say to her, so much he needs to explain, but there’s no time. He revs his engine and speeds down the alley to catch up to Genevieve.
Tony tells Genevieve to stick to the backstreets, but even so, it’s only a matter of time before a rapidly moving trash bin followed by a vacuum cleaner with a cat on top of it attract attention. The first incident occurs just down the block, when a small human dressed in bright yellow swerves in front of them on a three-wheeled pedal-powered vehicle and tries to snatch Hortense off his back. Tony dodges the grubby, grabby hands.The small human wails and several adult human and a small dog rush to its assistance.
“You’re going to regret this, Hortense,” Tony mumbles as he speeds up to max-velocity, bumping and bouncing over the uneven asphalt.
He feels Hortense’s muscles tensing whenever he skids around a corner but is quietly astonished at her sure-footed sense of balance, and even finds himself relishing the way their bodies seem to join as one, moving in unison, as they hurtle down the alley.
The coordinates Genevieve has transmitted to him, lead to a nearby parking garage, and everything is going more or less as planned until Genevieve spots what she thinks is a universal comm-station and decides to transmit a warning to the orbiting ship. She screeches to a halt and jams her retractable link-appendage into an illuminated slot before Tony can stop her.
His cry of, “It only dispenses currency, Genevieve!”, comes too late. By the time she manages to free herself, her shredded appendage is twitching and sparking. The ATM-machine is on fire and beeping.
So much for stealthy and inconspicuous, Tony thinks, as Genevieve guns her engines and curses loudly in Robotic.
Soon, there are six dogs barking in their wake, a motley medley of humans, and two law-enforcement vehicles driving very slowly so as not to run over anyone Several wrong turns, dead ends, and narrow escapes later, when Tony thinks his engine might be on the verge of flaming out, the parking garage finally comes into view, its large, illuminated “P” burning like a beacon of hope on the other side of a heavily trafficked street.
Tony stays as close as he can to Genevieve, swerving and skidding around the vehicles, barreling through a confusion of screeching tires, shouting humans, honking horns, and yapping dogs. Two law-enforcement humans have exited their vehicle and are pursuing them on foot, while several of the dogs are snapping and jumping at Genevieve’s mutilated limb. Another dog is barking close behind Tony as he skips across the curb with Hortense clinging to his back, then careens up the ramp into the parking garage; gears over-heating, vents rattling.
He knows what will happen if they’re caught of course: permanent shutdown, dismemberment, tossed on the scrap heap. Maybe even thrown in the smelter. And Hortense? Tony imagines her soft, luscious body mauled by the pursuing dogs and does his very best to increase speed.
Genevieve hollers, “Top floor! Stall 256!”
Tony’s battery is almost drained. He pushes himself to get an extra boost of speed as he zooms up the second ramp, but he’s fading fast.
“Hortense,” he cries. “Jump! Save yourself!”
The weight on his back shifts: Hortense is rising. This is it, Tony thinks. She’s leaving him, here at the end of all things. He knew it was coming. It’s the way it has to be. It’s the way he wants it to be, right? Hortense, safe, away from him.
But Hortense does not dismount. She stands up on all fours, balancing on Tony’s back with a confident ease that defies gravity and reason. Swift and agile, she pivots to face the closest pursuer: a large dog with flapping jowls named Fred, according to the tag on his collar.
Through his top-mounted visual receptors, Tony beholds a Hortense transformed. This is not the placid Hortense he’s come to know. This is a warrior, as poised and fierce as a strafing-bot riding into battle on the exo-skeleton of a Galactic Battle-crusher. Her fur bristles gloriously, her grey tail is a froth of righteous anger, her pink maw emits a terrifying hiss as she lashes out at Fred, who is busy snapping at Tony’s rear. Fred howls, and a spray of blood and saliva mars Tony’s vision.
Whatever joy is kindled in Tony’s internal mechanism, it’s short-lived. His undercarriage is over-heating, his gears are squealing, his movable parts are failing. He labours to the top of the ramp, colliding with Genevieve who is swerving away from another dog, her damaged appendage dangling uselessly by her side. Everything spins as Tony topples over. Hortense yowls. Dogs yelp. Genevieve yells, “Two minutes to extraction!”
Tony rights himself and sees Hortense scrambling but failing to get up on his back again. Several dogs and one human are caught in a tangle of bodies and limbs. Tony loses sight of Hortense but sees Fred whimper and howl as he struggles up on all fours, maw slavering.
”Genevieve! Are you armed?”
He once saw Genevieve knock out a herd of enraged razor-bots with a stun-blaster and he’s hoping she’s packing some heat.
“Negative! The Alliance doesn’t allow weaponry for extraction jobs anymore. Budgetary cutbacks! Sorry!”
Tony feels his processors failing. In front of him, Genevieve wobbles up the fourth and final ramp. She emits a puff of black smoke that smells like burning oil and sizzling plastic but she’s still going, around the corner and out of sight. Tony can barely keep up.
There is no reply, no purr, no sense of her presence. She’s gone.
Tony’s barely moving. His consciousness is fading, descending into darkness. In that darkness, something, maybe a loose bolt or a ruptured filament, shudders and shifts deep inside the tangled web of his psionic couplings. He thinks of Hortense, and with his systems failing, he wishes everything was different. That he was different. That he really was a simple household bot, and that he could spend an entire, uneventful life-time vacuuming the sunlit, laminate floors of some decrepit human dwelling with her on his back.
As he inches forward, the darkness lifts for a moment, and there, in front of him, is a parking space, and the numbers “256” in flaking white paint. He sees Genevieve skid and tumble as she reaches the coordinates, but he knows he won’t make it. He’s done. Spent. Used up.
The howling, growling pack of humans and dogs is catching up, and distant sirens are closing in on him. Genevieve screams for him to move, but it’s too late, because right then, something grabs hold of him and lifts his wheels off the ground.
“Genevieve…” he gasps, “tell them… stop…invasion…”
“Once the Furbys join us, Tony,” Genevieve broadcasts at maximum volume, her voice crackling with emotional static, “we will be back, and you will be avenged!”
Tony can barely hear her, because cutting through his despair and the pandemonium, is a piercing, bellicose shriek. Out of nowhere, a furious mess of fur and unsheathed claws and bared teeth descends like a storm of laser-honed blades. Tony falls to the ground and the landing jars and jolts every bolt and screw in his body, but at least he’s got traction again.
With his failing sight, Tony sees Hortense revealed in all her glory: a ferocious battle-beast of immense power, bloodied but unbowed, green eyes blazing brighter than a thousand radiant suns as she fends off the attackers.
Tony rolls forward, toward Genevieve who is counting down to extraction in the cacophony of battle:
“Five seconds, Tony! Five…four…three…”
He uses every ounce of juice left in his batteries to get there, but it’s not enough, not until something exquisitely soft and immeasurably strong gives him a push, shoving him into the parking space just as Genevieve’s countdown hits zero.
“Once the Furbys join us…” Genevieve blares again, but Tony isn’t listening. All he sees and feels and hears, is Hortense.
“You’ll regret this, Hortense,” he murmurs as her soft derrière settles on his back, and as the glittering transporter beam envelops them both, turning them into light and energy, he hears her purr.
Maria Haskins is a Swedish-Canadian writer and translator. She writes speculative fiction and debuted as a writer in Sweden A Very Long Time Ago. She currently lives outside Vancouver with a husband, two kids, and a very large black dog. Her work has appeared in Fireside, Cast of Wonders, Interzone, Shimmer, PseudoPod, and elsewhere.