relationships – Diabolical Plots

DP FICTION #107B: “They Are Dancing” by John Stadelman

edited by David Steffen

They hold each other in the shallow cool of an August night, two among many in a backyard arced in string-lights, wrapped up in the music and the celebratory ethereality of a wedding. They dance together like it’s theirs, in a moment that is just itself and what they are within it.

* * *

When they woke it was in what little pocket warmth they’d accumulated between their bodies in the night, clinging together in a sleeping bag as if without the other they would forget how to breathe, or why. When Nash cracked his eyes open to take in this reality it was to Vicky watching him, her face as beautiful as everything behind it, a moment of naked love in which they both wished that they could remain lying here like this, frozen in stasis. Neither needed to say it.

But time moved on. Inexorable, mechanical as a wave in the ocean, as the dissolve of light into dark. They knew it was time to go when Vicky mumbled that he needed to brush his teeth, and Nash said that she’d had too much to drink last night.

“Well, how else am I going to sleep through this?” she snapped, pulling away from him.

“You’re the one who wants to cram us into this one bag,” Nash said. “Not my fault that you can smell my breath—”

“Stop.”

They took a moment to recollect, looking first at the tent walls, then the travel bags at their feet.

“I guess it’s time to go,” Vicky said.

They emerged into a winter in stasis, here in this relic world. The ground cold and hard-packed, overhung by bare trees. Gray sky.

“I’ll get the tent down,” Nash said.

“I’ll pack up,” Vicky said. This was how they handled the moments when the future came too close, advancing behind the fiery orange and red tendrils of the wave that separated it from this world of the past. It brought preliminary effects: budding trees, shoots of green grass, mild warmth that whispered with the summer.

For living things, its effects were the beginning of the state that they would be in, once the time-wave passed over them and brought them days? years? into the future. Like foreshocks to a temporal earthquake, and what waited on the other side?

For Vicky and Nash, it meant that they started fighting. Building up walls and nurturing resentments. Making plans to leave. Once they outran those foreshocks, got beyond the effects, regret filled them and they made up.

Which meant that whatever era of their lives existed beyond the wave, in the future, didn’t involve them together.

And so they ran, the last of the living on this side of time, defying the mechanical, unceasing advance of loss—struggling to stay together, and in love.

* * *

Neither could remember how long they’d been here. Living in this world of the past meant that one’s perception simplified to a moment-by-moment basis, shedding the artificial measurements of hours and days. But here, in this unceasing end? Anything beyond the moment was hard to understand. A freedom in that, at first.

But now, when they woke from scant hours of sleep, suffering those preliminary effects, bitterness and resentment led each to privately wonder a terrible option… so they just went through the motions. Pack up. Get in the car. Eat breakfast on the road. Start talking when the shame from holding those resentments built, then gave way.

Yet there was only so much land left. The geography had gone flat, and though they didn’t know what the road signs for exits and dead towns meant, they knew that these were coastal plains; soon they would smell the ocean.

“We’ll find a boat,” Nash said.

Vicky took his hand. “I don’t know how to steer one. Do you?”

“No.”

She ran her thumb over the back of his hand. “We’ll figure it out, then.”

But they both knew that they couldn’t get a boat running, not before the wave reached them. Before the future did.

* * *

Vicky missed her family. Nash his friends, because they were more like family to him. She couldn’t help wishing that she was back home, speeding down the highway as the sun set over cornfields and a thunderstorm rolled in across the miles. He wanted to stand out on the porch after the rain left and birdsong returned, and the fresh sunlight glittered over puddles in the driveway.

They’d had to leave their dog behind. Neither one could remember him fully, but when they started talking about him it all came back. Who was with him now? If the wave passed over them, would he still be there, back home, waiting for whichever one took him?

Time had nearly overrun them once before, when they’d crossed the mountains with those crooked switchbacks inching them along. But the wave passed over everything in a line, unstoppable—it had come so close that the sky lit aflame with orange and red aurora streaks whipping the sky and land, while phantom leaves eased into being and cars like ghosts materialized. Their screaming match had left them in tears. Vicky had been driving, and finally shouted, “If I’m that bad, then why don’t I just hit the fucking brakes?” And Nash spat, “Because you’re scared.”

That night, lying in the sleeping bag, far enough away from the wave to apologize again and again and believe it, Nash whispered, “I’m scared, too.”

“Is that why we’re still doing this?”

He brushed her bangs from her eyes. “Because we love each other, too.”

“But are we running for love? Or to get away from what’s on the other side?” She paused, then answered her own question. “Both, I guess.”

“Is that…” Nash swallowed. “Is that any reason to stay here? In the past?”

Vicky blinked back more tears—why did she cry so much, being with him? “I don’t know. Isn’t that… most relationships? Sometimes it’s love, sometimes it’s because that’s what we know and we stay because it’s less scary than leaving?”

“I don’t want that to be why.”

“Me, neither.” She kissed him, held him. And they both kept silent the same fear they harbored: What happened when they reached the ocean?

* * *

When they passed the first road sign that announced the distance to the beach, Nash asked, “What’s your favorite memory of us?”

Vicky gave a strained, but real smile. She said, “When we ran off to Seattle.”

“Yeah?”

“Yeah. Just… running off with this wonderful guy. But the moment itself, it was when we were sitting on the patio at that restaurant that looked out over the water. Remember that place?”

“The one with the trout?”

Vicky laughed. “You ordered it but didn’t know they serve the entire fish. The look on your face when they brought it out was just so… real. And cute.”

“Never ordering trout again.”

“But we were just sitting there, couldn’t have been more than half an hour. The sun was out, and all the people were walking by and I looked over at you and you were doing the same thing I was. Just taking in the world. And that was it. That was all I needed, was being in a new city, with you. You were the only thing that was solid for me, in the middle of all this strange newness. Like an anchor.”

Nash squeezed her hand.

“What about you?” she asked.

“It’s dumb.”

“No it’s not. What is it?”

He smiled, keeping his eyes on the road. “Remember when we went to the Fair last year?”

Vicky rolled her eyes. “Not really. Not after the fourth margarita… that night is your favorite? I was blackout drunk.”

“Okay, not that part of it. But it was… I don’t know, when I got you to the car, pretty much carrying you and you were singing ‘Don’t Stop Believing.’”

Vicky groaned and he laughed, but not in a mean way.

“And I got you into the car and drove us back, and you were mumbling about the pigs in the petting zoo, how you wanted one as a pet—”

“I still do.”

“But then you fell asleep, pressed up against the window.” He paused, swallowed through the hitch in his throat. “You needed me right then and I was there. Helping you, I guess… being your man. Just carrying you home.”

She watched him watching the road. Then leaned over the console and into him as best she could, face buried into his neck while he held an arm around her with the other on the steering wheel, wanting more than anything to pull over and hold her back. Eventually, she started to wish he’d changed into a different shirt, but he was always doing that, just picking up whatever piece of clothing was in sight, even off the floor. And he wanted her to take over more of the driving, he was tired and sore and he always had to take the lead.

They separated, back to their sides of the car.

* * *

But there was another memory. Profound for both of them, and maybe if they had mentioned it to each other it would have displaced the patio in a new city, and the late-night drive carrying her home, because for it to be held so deeply by both of them would have made it more than their independent moments. But they hadn’t told each other, hadn’t had the time.

Two of their friends were married in a backyard on an evening in August—the two who had connected Vicky and Nash in the first place—so they were both in the wedding party, had even walked down the aisle together in a bridesmaid dress and groomsman tux like precedents to a different dress and tux. After the service it was dinner and cake and drinks under tents in the backyard, speeches, and as the sun sank the DJ started the music.

Neither of them remembered the night with much coherency, thanks to the open bar. But the clearest moment wasn’t the ceremony, the speeches, any of that.

It was when they’d been dancing, alongside all these friends and strangers, under string-lights with the grass cushioning their sore feet, the music meaning little more than what moved their bodies together and held their eyes in lockstep. A moment—just a light on a string of them, but it glowed brighter than the others. It ended and yet it never ended, swelling into a presence real and powerful and continuing on as separate memories to exist in shared pocket-time, the closest thing to eternity that there really is.

* * *

They sat in the car, staring out at the lifeless gray ocean. No wind, no surf, nothing out there toward where it banded into the featureless sky, because this relic world of the past had lost even its natural phenomenon.

Already Vicky wanted to be anywhere he wasn’t. And Nash just wanted to be alone.

When they walked out onto the beach, stumbling a bit in the loose sand, they kept a wary distance from each other. A marina stood far up the shoreline, but neither had brought up the possibility of taking one of the boats. They resented the other for the four years wasted. Part of them couldn’t believe that they’d been considering marriage—although that was held with the knife-stab agony of having been so close to it.

A beach without surf, without waves dragging fingers up and down the skin of the earth. Elements trapped together and refusing each other. They had stayed here for too long. You couldn’t outrun time no matter how hard you tried, or how much it hurt.

The sky began to lighten. Tufts of beachgrass sprouted, hair on a newborn’s head. Phantom gulls flickered along the sand, their squawking the voice of the sky. The air itself vibrated, and as Nash and Vicky faced each other tendrils of orange and red reached around and between them—thin at first, then thickening, the ligaments of time itself.

He saw her in the autumn night, leaning against the window as he drove her home. She saw the man sitting across the table in a new city. They danced in the August night.

In a moment of fear, they wrapped their arms around not the targets of loathing they were trapped with, but around the only human comfort in this place. A bitter part of them wondered if that was all they had ever been: gripping to the first readily available comfort in this void.

The wave rushed over them, the inexorable mechanical washing forward of time. Among the oranges and reds emerged a core of purple, a deep sunset kiss settling over and around and in them—removing them from the beach and each other’s arms into futures separate and holding for the other memories and regrets and the hope that the other was doing better than when they’d ended things and that they didn’t hate each other really but were too ashamed to cross the breach into some kind of I-miss-you friendship while remembering not the agony of how they’d ended or even the excitement of how they began and not even the anchor in a new city or driving her home but a night in August. And even after they’d long since lost most of those images, the emotion of that night still held the summation of what they’d been at their best, not erasing their worst but holding against it, a moment and memory resting as a light on a string of them in the dark.

* * *

2311 words

Author’s Note: This story was inspired by Ben Howard’s dark, haunting, beautiful song, “Time is Dancing.” Listening to it, I see lovers at their last dance, knowing that what they have between them is ending, but finding themselves, for the duration of a song, in love again—during which the aftermath doesn’t matter, but instead only what they are, together, in that moment. From there I set them running from that end, defying inevitability by stretching that last moment out beyond its natural limit—until finally giving it up.

John Stadelman (he/him) is a writer from North Carolina now based in Chicago. He holds an MFA in Creative Writing from Columbia College, and his recent fiction has appeared in Freedom Fiction, Schlock!, Dark Horses Magazine and elsewhere, and he is currently at work on a novel. Although he doesn’t believe in ghosts, he’s pretty sure he saw a Chupacabra one night on the North Side. Stalk him on Twitter at @edgy_ashtray.

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DP FICTION #85B: “The Assembly of Graves” by Rob E. Boley

edited by Ziv Wities

Content note (click for details)

Content note: brief images of suicide

Naomi’s wife uncorks the wine bottle, and Naomi can’t shake the feeling that an ominous ceremony has begun. The moment has gravity. Importance. Naomi suspects she’s underdressed with her jeans and concert t-shirt. Jeanne is wearing Naomi’s favorite date night outfit—the pink surplice dress with the floral pattern. It shows off her figure above the waist but turns flouncy below. While Jeanne fills two glasses with the red blend, Naomi lets her gaze trail around the hotel suite.

It’s a nice enough place, though a bit stuffy—less romantic getaway and more therapy session. Jeanne, master of ambiance, bringer of light, has done her best with it—she’s placed lit candles on almost every flat surface, even in the bathroom. The flames dance wearily, as if dead on their fiery little feet. The sitting area has a wooden bistro table at which Naomi sits in one of two ladderback chairs. Nearby, a vintage sofa that looks comfortable but probably isn’t crouches over a glass-top coffee table. An ornate writing table with perilously thin legs stands in a darkened corner. Jeanne’s satchel sits on the writing table next to a wide pencil cup. Floor-to-ceiling gold curtains stand guard over the window. Faded green ivy wallpaper adorns the walls.

In the next room, the bedroom, a candle flickers on the nightstand. Jeanne’s heeled sandals wait patiently on the floor partially beneath the bed. Her phone charges on the nightstand. Naomi will have to remember to plug in her own phone later.

Across the bistro table, Jeanne sits down and raises her glass. She looks so beautiful, this singularly caring soul who in a hundred small ways always makes Naomi’s days brighter. But she herself seems under a shadow. Naomi remembers when she was radiant.

They can fix this, Naomi knows they can. It’s not too late.

The candles’ flames flicker in Jeanne’s glistening eyes. As is often the case lately, she doesn’t even look directly at Naomi. She offers her usual toast—“Slàinte Mhath” —before taking a drink.

From the bathroom, a dripping noise. It doesn’t sound like a leaky faucet though. No, it’s heavier somehow. More ominous. Naomi stares a moment into the flickering, throbbing darkness.

She returns her attention to her wife. “Come on. This is supposed to be fun. We’re here to rekindle, right? To reconnect? So how about this . . . Here’s to us. May we never sweat the petty things, but always pet the sweaty things.”

Jeanne laughs at that, though it almost sounds like a sob. How long has it been since Naomi made Jeanne laugh–or even smile?

“Oh god,” Jeanne says. “I just remembered that toast your dad made at our wedding.”

“We were lucky that was the worst thing he said. At my grandmother’s funeral—”

“I want you to know,” Jeanne cuts in, “that our wedding was one of the best nights of my life.”

Naomi despises being talked over, but she lets it slide. How can she be mad over such a lovely sentiment? Jeanne appears lost in thought. Her mouth’s open as if she wants to smile but can’t. That one crooked tooth peeks out from her upper lip. She runs a hand through her red hair. The curls are twisted into a messy bun the way Naomi likes.

Jeanne continues, “You did everything in your power to make our wedding perfect for me. The strings of lights. The rose petals. That whole debacle about the keepsake flower pots.” She chuckles and finishes her first glass. “Decorating the portajohn.”

“I wanted everything to be perfect.” Naomi sits back and looks away long enough to glance at the writing table. Now she sees that the pencil cup is actually a pseudo-rustic flower pot decorated with a mauve satin ribbon. It’s one of their wedding favors.

She scoots back her chair and Jeanne jumps, gasps with surprise.

“Calm down. It’s okay.”

When she tries to touch Jeanne’s hand, she jerks it away. Naomi nods and walks over to the writing table, stares down into the pot. It’s empty. Why would Jeanne bring one of them here? She presses her finger inside the cavity. The hole. “We stayed up all night painting these things and tying on all those ribbons.”

From the hallway, a childish voice says, “Would you like to come out to play?”

Jeanne rolls her eyes. “Come on, parents. It’s late. Wrangle your kids.”

Naomi crosses to the door and stares through the peephole. The hallway’s empty. When she looks back at Jeanne, she has refilled her glass. She must’ve refilled Naomi’s too, though she can’t even remember what the wine tastes like.

Jeanne stares down into her drink. “At the end of the day, though, you know what made our wedding perfect? It wasn’t the stupid flower pots. It wasn’t the butternut squash risotto. It wasn’t even the vows that I wrote and rewrote a dozen times and finally just stole a bunch of sappy greeting card nonsense from the internet.”

Naomi chuckles. This wasn’t what she’d expected to hear. “For reals? You plagiarized our wedding vows?”

“No, what made our wedding perfect was you. It was you holding my hand. It was you staring at me with so much love in your eyes. It was your smile. Your support. Even when you weren’t actually beside me, I could always feel your love. The way a flower must feel sunshine.” She raises her glass. “Here’s to you.”

Naomi wants to pick up her own glass but she can’t. She’s frozen. The raw sincerity of her wife’s words has struck her to the core. She’s trapped in time, gazing at Jeanne. How can one person be so beautiful inside and out?

From the bathroom, a whimper.

Naomi jumps. “Did you hear that?”

Another whimper. It sounds primal, like a wounded animal.

Jeanne shakes her head. “You know, for the past few months I’ve spent so much time yearning, no, aching to feel that love from you again. But I’ve only been wilting.”

Familiar sadness sets in, coupled with resentment. How can Jeanne not see how much Naomi gives her? “You do still have my love. You always will.”

“The thing is, in those rare moments when I actually do feel it, it only scares me.”

Naomi walks over and stares down at her. “That isn’t fair.”

Jeanne shivers. She hugs herself, clutching her own shoulders.

Even by the candlelight, she can see Jeanne is wearing her wedding ring. At least there’s that. Naomi holds out her hand, so Jeanne can see that she’s still wearing hers, as well. A braid of yellow gold fitted inside a sterling silver base. Jeanne’s is the reverse, silver inside of gold.

Naomi shakes her head. She’s here for a fresh start but she can’t shake the feeling that Jeanne is here to say goodbye. “What are we even doing here?”

The whimpering from the bathroom continues—a strained noise like a rusty nail scraped across a window.

“I’ll be right back,” Naomi says.

She follows the sound through the bedroom to the bathroom doorway, grateful at first for the break from the tension by candlelight. The candles on the toilet tank and sink flicker violently. The shadows bob up and down. The whimpering dissolves into something ragged. Desperate. She has to force herself to step inside the room. As soon as her foot crosses the threshold, the whimpering ceases.

The bathroom’s empty. Jeanne’s toiletry bag sits on the sink. Also her toothbrush and toothpaste. Naomi hasn’t unpacked hers yet.

She’s about to leave when she notices the tub is full.

“This is some hotel,” she calls out. “They didn’t even empty the tub.” As she watches, the water darkens. Shadowy clouds infuse the water. “Or clean it.”

In the tub, something stirs. Bubbles break the surface, followed by tangled tendrils of hair. A chill runs through her. She backs out of the room, shaking her head.

On the way back through the bedroom, she can’t help but notice only one overnight bag.

Back in the living room, Jeanne stands at the writing table staring down into the pot. “I think these damn keepsake wedding pots were our first real fight,” she says, as if Naomi never left the room. Hell, maybe she never stopped talking. “They arrived late, and they weren’t what I ordered at all.”

“You wanted rustic but these were all—”

“We had a big fight over it but in the end you stayed up with me all night painting them to make them look aged and tying on the ribbons, even though I know you thought it was all so stupid. It probably was. All that effort. All that animosity.”

“I think there’s something wrong with the tub.”

Jeanne shakes her head. “Most people didn’t even bother to take one after the reception. I was ready to throw them out, but you wouldn’t let me. We took every damn one of them home. You put them all over the house, a few in each room. The thing was, we didn’t have enough direct sunlight. Half the plants started to wilt.”

She takes her drink to the sofa, where she sits and curls up her feet. Naomi joins her on the sofa, but Jeanne looks away.

“You wouldn’t let me get rid of them,” Jeanne says. “No, you . . . you color-coded them and worked out a schedule to shift them around three times a week, so that each one got some light. You . . . you juggled sunshine. That was so you. You always had so much to give to everyone else. To the world. If I had a nickel for every time I heard you say, ‘How can I make your day shine?’. I only wish you’d given more . . .” She takes a breath.

Anger churns in Naomi’s stomach. “So help me, if you say you wish I’d give more to you…”

“I wish you’d given more to yourself. You deserved some shiny days, too.” She sniffles and raises her glass. “Here’s to juggling sunshine.”

A weight lifts from Naomi’s chest. She watches her wife finish the glass and put it on the table. Jeanne rests her head on the arm of the sofa and wipes her eyes.

From the hallway, a child’s voice says, “I can’t seem to find my dolly.”

Jeanne’s breath hitches. She’s crying. Naomi scoots over. Jeanne trembles.

“It’s okay,” Naomi says. “Can’t you feel my love? Your sunshine’s right here.”

Her wife sobs in her arms, and Naomi clutches her tight.

In the bathroom, something drips. In the hallway, footsteps patter past. Naomi ignores all of it, satisfied to be holding her wife.

They stay that way for the longest time.

Jeanne sobs. Naomi comforts.

Later, Jeanne slides off the couch. Naomi watches her blow out the candles in the living room one by one. She follows her to the bedroom, where she blows out the candles. The ones in the bathroom continue to burn while Jeanne yanks back the comforter and falls into bed. She doesn’t even bother taking off her dress.

Naomi stands over her slumbering wife. She’s about to climb into bed when a man’s voice chuckles outside. Shaking her head, she hurries to the door and looks again through the peephole.

At first, nothing.

A shape glides past.

She jumps back and gasps. Placing her ear to the door, she listens. Footsteps thump down the hall. That’s when she notices Jeanne’s satchel on the writing desk. She looks at the bedroom then back at the satchel.

Next thing she knows, she’s pulling a folder out of the bag. In it, she finds listings for homes. Ranch houses. Townhomes. Cottages. All of them clearly suitable for one person. She shakes her head, sobs.

As she collapses on the couch, she barely registers what’s on the bistro table. An empty wine bottle. Jeanne’s glass, empty. Her own glass, full.

She cries until all the tears are gone.

The dripping noise stabs into the silence.

Naomi wipes her eyes and sits up. She makes her way to the bathroom, ignoring the murmurs from the hallway. Like a moth to flame, she follows the candle’s glowing light. In the bathroom, she’s not at all surprised to find that the tub is now empty.

She stands over it, lost.

Behind her, footsteps. The candle winks out.

“Jeanne, it’s not too late for us,” she says.

Hands settle on her shoulders. She closes her eyes. It’s been so long. She swallows hard, tilts her head. The hands slide down her sides. She turns in the dark, hands tangled in long hair. Dim blue light adds shape to darkness. Her lips find her lover’s mouth, and they kiss. Urgently as if to consume each other. Now slowly as if to savor every nuance. She pulls away and kisses her wife’s neck.

“I’ve missed this,” she murmurs into Jeanne’s ear.

Their hands explore each other, familiar yet foreign. Her lover edges her toward the sink, but she grasps Jeanne’s wrist and pulls her toward the bedroom. “No, let’s do this right,” she says, but she freezes at the bathroom’s threshold.

In the bed, Jeanne still slumbers.

Naomi’s breath hitches.

The wrist twists out of her grasp, and hands tug her back into the darkness. The bathroom door closes. She spins around and shoves the intruder backward toward the tub.

A splash follows.

Pale watery blue light illuminates the bathroom, casting murky ripples upon the ceiling and walls. Somehow the light seems to come from the tub, which once again is full of water. Dark swirls permeate the bath. Naomi pivots and clutches the doorknob. It won’t turn. She pounds on the door.

“Jeanne! Help! Get me out of here! There’s someone in here with me!”

No response.

When she looks back at the tub, the water is completely dark. Tangled lengths of hair float on the surface, where a ripple forms. In its center, something round rises. At first, she mistakes the shape for some kind of ball, but it soon reveals itself to be a face shrouded in blond, soaked hair, and beneath it shoulders draped with a stained nightshirt. Two arms hang from their sleeves, baring torn wrists.

Drip. Drop. Drip.

Naomi pounds on the door. Again and again.

“Please, Jeanne. Let me out!” She grasps the doorknob. It won’t budge. She twists it with all her might. Behind her, feet squelch upon the tile floor. “Help me!”

At last, the doorknob gives. She flings open the door and spills onto the bedroom floor. Driven by terror, she bellycrawls under the bed. Her flailing hands knock aside one of Jeanne’s sandals.

“Jeanne!” she whispers as loud as she dares.

Naomi lies there in the dark. Her eyes grope at the shadows. She moans and whimpers. Surely at any moment a pair of pale feet will tread out of the bathroom. Instead, the bed shifts above her. Pale light shines from above. The bedsprings groan.

A light shines in her face. Hair drops down. She gasps.

Only it’s red hair. Jeanne’s red hair. The light comes from the flashlight on her cellphone. Naomi sighs with relief at the sight of her face. Her wife’s eyes are wide with fright, but also raw with desperation.

“There’s something in the bathroom,” Naomi whispers.

Jeanne ignores her warning. “I can’t do this anymore. The whispers. The furniture, moving. My things going missing. And now, monsters under the bed. Please. No more. Let me be at peace.”

Her lover’s face ascends, followed by her hair and then the light.

Naomi is left there, huddled beneath the bed. She stares into the shadows, through the darkness. When she closes her eyes, the view is much the same. She listens for her own heartbeat. Of course, she can’t feel it. She holds her breath and counts to a hundred. Two hundred. Three hundred. She has no breath to hold.

And then she cries. At least she can still do that.

The room remains dark when Jeanne gets up the next morning. Naomi watches Jeanne’s foot slide into one of her sandals. She sighs and drops on hands and knees. Her hand gropes under the bed until it grasps the sandal that Naomi knocked aside. Jeanne rises, slips her foot into the other sandal, and walks toward the bathroom. Naomi calls out a warning but Jeanne enters and shuts the door. Her wife, rather her widow, doesn’t bother showering. From behind the door, the toilet flushes. After a long pause, foam is spat into the sink, followed by a gurgle of water.

Naomi has crawled out from under the bed by the time Jeanne exits the bathroom. The cellphone light swings with the motion of her hand. Naomi’s looking upward from the floor. Jeanne stands at the dresser where she places her phone with the flashlight shining upward. It casts on the ceiling a distorted silhouette of Jeanne’s head, then her hands held almost together. The fingers stretch long and spidery across the ceiling.

“What’s happening?” Naomi asks.

Jeanne clears her throat. “I tried to keep all those plants alive. I really did. I shuffled them around, but without you there, they started dying one by one. I wasn’t much of a sunshine juggler. Not like you. I couldn’t bring myself to throw the pots out. As each plant died, I tossed out the dirt. Each empty pot became a hole, a tiny dollhouse replica of the one your body went into. But I couldn’t throw the pots away. I was amassing this grotesque assembly of graves . . . this horrid monument to your memory.

“But then something occurred to me. I’d spent these last months certain that you were haunting me. The shivers. The objects moving. Your distant voice. Now I wondered, perhaps I was haunting you instead. Isn’t that a notion?

“I filled the empty pots with new soil and new plants, and I donated the entire assembly of graves to a hospice facility. It seemed . . . it seemed so you. I couldn’t juggle sunshine the way you did, but I could maybe spread it around. I gave away all of our wedding pots except one.”

Naomi stares upward at the distorted head and hands upon the ceiling. “What is this?”

Those long dark hands remove Jeanne’s wedding band from her finger. Jeanne picks up the cellphone and her overnight bag. Naomi crawls after her into the living room in time to hear the plink of the ring dropping into the flower pot.

Jeanne walks to the door, rests her palm on the knob. “This hotel, I read about it online. It’s supposed to be the most haunted in the state. I even requested this room specifically because it’s supposed to have a lady ghost. She’s supposedly been haunting this room for decades. I didn’t see anything, but . . . there are other ghosts that walk the halls, too. I thought . . . I don’t know what I thought.”

“Please, Jeanne,” Naomi begs. “What is this?”

This time her wife looks directly at her. “This is goodbye.” She opens the door and steps outside. “I’ll always love you. Don’t ever stop juggling sunshine.”

Jeanne closes the door behind her, leaving Naomi alone. She sits there, sprawled on the floor, listening to Jeanne walk down the hall. In the bathroom something drips. From the hallway, more footsteps. Laughter. Murmurs.

Later that morning, the door opens again.

In walks a housekeeper carrying a set of sheets. He murmurs something under his breath before striding to the living room window. He flings open the curtains, flooding the room with daylight.

So much light. Perhaps more than Naomi could ever juggle.

While the housekeeper makes the bed, she pulls herself up using the sofa back for support. She walks over to the writing table and stares down into the flower pot. Her wife’s wedding band lies inside, but it’s not alone. Naomi’s ring is with it. Startled, she raises her own hands. Of course her ring finger is bare. She nods to herself.

The housekeeper hums a pleasant melody as he smooths out the sheets. Naomi walks past, unseen and unheard. She stands in the bathroom and offers her hand.

“Come on. You’ve been in here long enough, haven’t you?”

A pale hand grasps her own. Naomi shivers but smiles.

The slumped, dripping figure strides behind her, letting herself be pulled through the bedroom and past the housekeeper. He shivers, pausing in his duties to stare through them.

“This damn place creeps me out,” he whispers.

Naomi escorts the stranger to the open door. The housekeeper’s cart is parked outside. Footsteps thump past. The dripping woman hesitates.

“It’s okay.” Naomi pulls the dripping woman into the hall. “Let’s go for a walk and maybe you can tell me how I can make your day shine.”

3300 words

Author’s Note: I think all of our past relationships haunt us to some degree. They leave us scarred or damaged, enlightened or more self-aware, likely both. Then there’s the physical debris of the relationship, in this story – flower pots. Those artifacts can haunt us too. This story explores the haunting from the perspective of a quite literal ghost. What’s it like to be on the other end of the formula–the one doing the haunting? For the setting, I’ve always been fascinated by the idea of haunted places, particularly hotels.

Rob E. Boley likes to make blank pages darker. He lives with his wife and his daughter in Dayton, Ohio. By day, he manages and analyzes big data. Yet each morning before sunrise, he rises to strike terror into the hearts of the unfortunate characters dwelling in his novels, stories, and poems. His fiction has been seen lurking in places such as A cappella Zoo, Pseudopod, Clackamas Literary Review, and Best New Werewolf Tales. He co-founded Howling Unicorn Press with his wife, author Megan Hart, to conjure tales that thrill, chill, and fulfill. You can learn more about this weird figure of the dark by visiting his website at www.robboley.com.

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DP FICTION #63A: “Everything Important in One Cardboard Box” by Jason Kimble

Content note(click for details)

Content note: domestic violence

Max found the box that fit absolutely everything when he was clearing space for Roderick to move in. They had agreed he’d pare down to a single bookshelf, so he drove by the local rental place and bought a half dozen boxes.

By the end of the first round, he’d cleared half of one bookshelf. There were still three and a half more he’d committed to losing. He had enough to start filling boxes, though, and he could use a mental break from the triage.

Max knelt on the super shag and sorted. Hardcovers he only ever bought from the remainder bin by the register. That’s where he met Roderick.

“Remaindered just means something big and fancy got overhyped and under-delivered.” Somehow Roderick made derision feel exotic. Enticing.

“Or the people who love it couldn’t cover the cost?” Max said. He felt pinned under the amber of Roderick’s gaze. He didn’t know yet that Roderick’s eyebrows didn’t have a high natural arch, that he was just always judging you.

Roderick shrugged wide shoulders sheathed in stretch cotton.

“I say if you value it, you find a way to pay what it’s worth.” As Roderick’s knuckles brushed the back of Max’s hand, he felt worth more than he had in a long time.

Max stacked the hardcovers — biggest on the bottom — in the box. He could have sworn that alone should fill it, but there was at least half a box empty, so he must have been wrong. Wouldn’t be the first time.

It took one coffee, two drinks, and one dinner date for Max to give up on the remainder bin. If he couldn’t afford the price, he didn’t want it enough, now did he? Roderick wasn’t fond of the oversized trade paperbacks that took their place.

“They’re all over the place.” His corded forearms wrapped around Max from behind. “I mean, they’re a mess, all different heights and widths and what’s the point of a book shelf if it looks like a junk drawer? It should be precise. Crisp and clean.”

Crisp and clean. Like Roderick. Even when he was trying the scruffy look, he trimmed his stubble every morning to the perfect length for defining his jawline. Max didn’t mind the rug burn he got when they kissed, because kissing, and the rash on his shoulder, reminded him where Roderick rested his chin, the way the bruises on his upper arms reminded him of Roderick’s strong hands.

“Artistic integrity?” Max offered. “This was the way they wanted to present them, so—”

Roderick shook his head.

“Everybody’s got a vision,” he said. “A visionary shapes the world instead of letting everyone else do it for him.”

The trades were a more challenging puzzle to pack, but Max eventually found himself satisfied that he’d not wasted any space in the matrix he shaped atop the hardcovers.

Still half a box to fill. And he’d been so certain this time.

The low-end paperbacks had been in milk crates to begin with.

“If you’re going to keep them, you gotta show off what you have.” Roderick was naked, idly sorting through the crate. His sweat smelled like warm cinnamon and chamomile. Max never smelled like that when he tried Roderick’s cologne. Then again, he always washed it off right after because Roderick hated people touching his stuff.

Roderick’s brows arched past their usual curve, which meant he was judging extra hard.

“These don’t even have front covers,” he said.

“That means they’re well-loved,” Max said, wrapping his arms around Roderick’s bicep and snuggling in.

“It means they’re out of shape and ugly,” Roderick said. Max pulled the sheet up over his belly. “Or stolen,” Roderick continued, leaning onto Max. He was solid and heavy, but Max found the weight of him comforting. “You know that scam, don’t you? Bookseller tears off the cover for a return and gets a full refund. They’re supposed to get rid of what’s left, but they keep it, the greedy little shits, and sell it ‘used’ to some guy thinks he’s getting a bargain. But I guess if you have them on a shelf, no one can tell since the spine’s intact.”

Max bought the shelves the next day.

The paperbacks slid off the oak (Roderick never would have let him live down pressboard) as well as they had slid on. Max set them in the box, spines up, in an effort to save space. But when all that was done, the paperbacks still didn’t fill anything. Well-creased titles stared up from the bottom of the box. Just as more books did when he cleared another row. And, emboldened, two more. Max picked up the box, which had heft but nothing close to an entire bookshelf’s worth.

He smiled and started tossing books in at random. He kept out his treasured LeGuin and Butler, since after Max’s fangasming, Roderick would notice if they disappeared. Otherwise, he stopped worrying about what went in the box, because it all fit. When he was done, he scrawled his name on the side.

He went to shove the box into the back of his closet, but the floor was already covered with unpaired shoes and old t-shirts and a bin of ratty notebooks, all thrown in the dark when Roderick turned up his beautiful Roman nose at them. Max opened the box and dumped everything in, then slid the cardboard home. That night, Roderick practically swooned.

“I thought we’d be fighting about this for weeks,” Roderick said. Roderick was a big proponent of moving forward. Evolving. Never live in the past, he liked to say.

Max shrugged and smiled and took advantage of Roderick’s alacrity to get him to wear his chaps when they had sex.

The other boxes he’d bought from the rental company didn’t seem to work the same way, so Max exercised their no-questions return policy and got his money back.

Max never told Roderick about the box. Not when Max agreed to clear his old Robot Army toys from the wall shelves so Roderick could use the space for his orchids. Or when they got a plasma screen after Max … lost his balance … during a discussion and cracked the screen on his old tube television. Definitely he didn’t mention it when Roderick insisted a few tiny blood drops from Max’s split lip meant they should replace the quilt his grandmother made.

Expired medication. Cosplay that didn’t fit anymore. The 10,000 piece jigsaw puzzle of Ani-Han Hero Team. Boxed.

The apartment was clean and bright and organized and unblemished the way that kept Roderick content, and Max didn’t stress losing anything because it was all in the box in the back of the closet if he ever needed it.

Max blamed himself for not realizing that, when everything Max had that Roderick didn’t like was finally in the box, the only thing left for Roderick to consider was Max. Cut as Roderick was, Max was never cut enough. He couldn’t box himself, though, and much as he tried, he couldn’t change himself enough to make Roderick happy living with him.

There was more room in the bathroom after that, without the extra gauze and butterfly bandages and the concealer Roderick helped him find that smoothed everything out so you almost didn’t notice bruises, even up close. Max packed away Roderick’s detritus so he wouldn’t have to remember. He couldn’t bring himself to throw any of that away, but he didn’t want to see it anymore. Never live in the past might be a good philosophy, after all.

In the end, it seemed better to move than to stay where he was; he couldn’t seem to pack enough away to really, finally forget Roderick.

Part of Max wished he could pack the whole apartment in the box, so he could pull it back out and live in it again when he was ready. Every roleplay system told you, though, that you couldn’t pack a space inside a space. That was just madness.

There was still plenty to take, and the box held it all. Max had to be a touch more strategic this time. He didn’t want to unpack everything all at once, so he made sure that the main cookware and a few dishes and his toiletries and work clothes were on the top, over everything else. He worried for a moment what might happen if his cologne leaked in transit, but the cardboard seemed to hold scents as well as it did everything else. Had a decent vapor barrier, to boot, so he could take his time washing whatever might need washing on the other side.

Unfortunately, Max wasn’t quite as good at strategic packing as he thought. Once his clothes were out at the new place, he realized he needed the steamer. When everything had been on hangers, and without Roderick to cock his head and ask if it was really good enough, Max hadn’t used the steamer much. Between the folding and the odds and ends piled on top of his clothes, though, even Max noticed how unsightly things were.

Max knew he’d packed it. He’d packed everything. It’s just that he was also certain it was one of the first things he’d thrown in. So much for not everything at once.

Out came the clothes that might fit when Max finally went back to the gym and the bullet blender he was planning to start using and the never-opened sliders he’d intended to attach to the couch feet at the old place for the hardwood. Max hefted the stack of not-all-expired coupons and lobbed a half-empty sunscreen onto the stack of ratty beach towels.

His keys fell into the box as Max’s hand wrapped around the steamer’s handle, because of course they did. They clattered through the layer of baby gates bought for a dog he never brought home. Max swore.

He’d been planning to make copies tomorrow. Max didn’t want to dig any further, but he figured it was a better option than going to the landlord. She’d already given him the side-eye when he showed up with just the one box and some stray furniture. It didn’t sting nearly as badly as Roderick’s disapproval. Still, Max decided to pull out the gates, grab the keys, then slide the gates back into the box and be done for the night.

Except moving the gates shifted the decorative boxes the keys had landed on. Another jangle. Another thing to pull out. And again, when his old cookware that lost its Teflon slid and scooped and dumped the keys down yet further. He tossed aside the curtains with the broken cords. Started yanking things out faster so he could be done with it, but then he was knee deep in winter scarves, sifting after the muffled clink of metal.

They were Roderick’s scarves. Roderick loved scarves. He wrapped his neck in stripes and chevrons and houndstooth and even one with polka dots. Winter opened up a long, woolen set of new decorative options for the world, so Roderick always welcomed the snow. Max rolled each one neatly again and laid them outside the box. The last — a black one with a single, thin pink stripe — he used to borrow from Roderick when he wanted to cover his own neck. It had wriggled one end deeper into the morass. Max had to pull much harder to free it. He worried that the wool wouldn’t come back from the stretching, but as it slipped loose, a flash of metal caught his eye. He looped the scarf around his neck and forgot about worrying.

Max pushed aside the boxer briefs, steadfastly trying not to think about how well they fit Roderick. He tossed aside the chaps. Roderick had only worn them three times since he bought them for him, anyway.

The keys kept eluding him. Max pulled out his phone and tapped the flashlight on as he sifted past every patterned sock in as many color combinations as Roderick had been able to find. Grabbed handfuls of dried Valentine’s Day and anniversary bouquets. Flipped over the frames with pictures of them together. The first time Max went skiing, when he learned how to fall instead of crash. The beach, where Roderick always took on an enviable bronze and smelled like coconut and Max prayed he wouldn’t himself turn into a lobster because every hit hurt worse on a burn.

Max couldn’t tell now if the metal sound was frame or keys as he clattered past pictures of Roderick’s nephew and sisters and the time his mom visited. Accidentally crushed one of the bulbs on the wreath Roderick’s aunt sent him last Christmas. So much stuff, all of it sliding and tilting the wrong way every time Max got close. Until he found the watch.

The third anniversary is supposed to be leather, but given how uninspiring Roderick found the chaps, Max bought a watch. It was a classic windup, the not-kid-stuff kind of retro Roderick could enjoy. The band was the leather bit: custom cut and tanned, hand-stitched. Max had paid extra to get M + R burned into the strap.

The spring wound down long ago. Now, the band was loose. The box did well to keep out moisture, so Roderick was relatively preserved, but time ravaged a body even inside a dry box, it seemed. Roderick’s skin had taken on a sallow tone that made it hard to see the bruises on his neck, but Max could still make out where he’d wrapped the curtain cords. When Roderick’s strong hands throttled him. When the price lurking in the dark sluicing in from the edges of Max’s vision had been a price he wouldn’t pay.

The key ring was hooked on Roderick’s bony thumb. Max picked it up gingerly, afraid to break off a digit. He wasn’t sure he knew how to mask a break on someone else.

Something about the atrophy made Roderick look colder, even wearing that soft sweater Max wanted to lay down and snuggle against. Max took off the scarf he’d draped on himself earlier. Gently wrapped the slightly-stretched black wool with the thin pink stripe around the saggy skin at Roderick’s neck. It covered Roderick’s bruises as well as it had Max’s.

Max cupped Roderick’s cheek in one hand, kissed him on the forehead, and climbed back out of the box. Holiday decorations and picture frames and socks and scarves and underwear and the broken curtains all fit back in the box where they belonged. Where they would always be at hand if Max needed them.

He closed the lid and carried the box upstairs. Slid it in the back of his new closet like he’d had it in the old one. Out of sight was almost like out of mind. One step away. Eventually Max would be ready to move on completely, he was sure.

Not quite yet, though. For now, he thought it best if he steamed the wrinkles from his outfit for work in the morning and called it good. Roderick never could stand to see Max wrinkled.

Jason Kimble left the tornadoes of Michigan for the hurricanes of Florida, because spinning air is better when it’s warm. He lives there with his finally-legal husband. His work has appeared or is forthcoming in Cast of Wonders, Escape Pod, and Speculative Masculinities. You can find more of his nattering at processwonk.wordpress.com or by following @jkasonetc on Twitter.

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DP Fiction #23: “Curl Up and Dye” by Tina Gower

Amelia fingered an unruly hair into place, willing her locks to stay safely tucked under her scarf. She prayed the stylists cleansed the utensils between appointments. Last thing she wanted was to pick up another tangle. Although, Dye for a Change was the highest rated Psychosomatic Hair Syndrome recovery shop on Karma-Yelp.

The bell clinked against the metal door like wind chimes. Burnt hair mixed with the distinct chemical scents of nail polish, astringent, and hair spray assaulted her as she entered.

“Be right with you!” Someone poked out from behind the screens, where silhouettes of women getting shampooed and styled played out like a silent movie, complete with music. Sweeney Todd. Cute. “Make sure to sign in!”

Amelia inched toward the sign in sheet, patting her scarf again to assure it hadn’t slipped, even though nobody sat in the waiting area. Her Milano knockoffs squeaked and groaned on the polished marble, as if the tile didn’t approve of her cheap shoes.

You think you’ll fool people? Amelia pushed the doubt aside. It was hard to tell what thoughts were her own.

As soon as she dotted her ‘i’, a short girl with spiked black hair, stud in her lip, a sleeve tattoo of a rose with a thorny stem, and nose ring sprang from the back room. “I can take you.” She motioned Amelia around the screens. Amelia avoided eye contact with the other patrons, dodging into a private corner where the girl flung a smock around Amelia’s neck. The stylist skimmed her fingers under the hem of the scarf, “May I take a look?”

Amelia swallowed a breath. “Can we discuss options, pricing?”

“Let’s take a look first.”

The stylist slid the scarf off in one quick motion. Amelia gasped.

“Oh my. Awful tangle.” The stylist inspected the mess. “A big one.” She picked at the base of the knot. “Looks like it started years ago and it’s been festering since.” She shook her head, her lips thinned to a line. She attempted an exploratory stroke of her comb. It snapped, the plastic needles ping-a-linged on the floor. “Wow, not good. We can untangle it in three, maybe four sessions. Or. . .”

“I’m willing to try anything. I’m desperate.”

A voice whispered—don’t waste our money—but it wasn’t Amelia, it was him.

The stylist fumbled in her apron for a brochure. “This package here.” She opened it, pointing to a cut and style.

Mid-priced. Two-hour session. It would be over, the whole affair, in two hours. Seemed fair to have two years of her life removed in two pampering hours.

“It sounds wonderful.” Amelia wanted it done. No, needed it done. Over. Fin. The end.

The stylist bit the stud on her lip. “We don’t usually take walk-ins for such extensive work, but I had a cancelation.”

Amelia sunk into her chair. “Wonderful. Get it out. I just want him out for good.”

“Bad breakup?”

“We were best friends. . .” Amelia squeezed her eyes shut. “I don’t want to talk about him.”

The stylist hummed along to the music, working through the tangle, cutting the sections that didn’t cooperate. “This could have been prevented. We’ll get you on a schedule. This section here–” She dangled the offending knot from her clippers. “-only manifested a month ago, right at the scalp. That’s how we know. Whoever caused this mess, it’s a good thing he’s gone.”

Amelia clutched the armrest. “I’m not paying you to critique my life. I just want you to fix it.”

Always blaming others for your problems.

“I shouldn’t have…that wasn’t me.”

The stylist tsked, making little cooing sounds as she massaged the scalp. “Don’t worry, these tangles grab a hold and it affects you. Deep. You’ll be yourself again. I promise.”

Amelia squeezed her eyes shut. She should apologize, say something more, rather than let all the blame fall on the tangle, but her throat tightened like she’d swallowed a wad of rubber bands. When he whispered into her thoughts it seized her confidence, her spirit, her identity. Amelia tucked the toxic bile in, as if it were another tangle.

The stylist moved silently, measuring strands against each other. She fluffed, buzzed, clipped. Amelia’s butt numbed while waiting in the chair. Her back ached and she’d memorized every pock in the ceiling tiles. Then the stylist whirled the chair around and flashed a hand-held mirror. “What do you think?”

Amelia’s hair curved around her face, teasing the top of her shoulders. The ends flipped out. Layers hid the worst of the damage, but Amelia could still see evidence of its hold, of his hold. She could still hear his voice in her head. No college. You’ll waste our money on a useless degree. I’ll take care of you. I’ve always taken care of you. Or: You can’t wear that. It will look like you slept your way into management.

She turned her head from side to side, noting the lack of weight from the knots and tangles. But the weight in her mind lingered.

The stylist lowered the mirror, her expression grim. “You don’t like it.”

“I’ll get used to it,” Amelia stared into the mirror mustering up some emotion, but nothing came.

The stylist pressed her lips together and arched an eyebrow. “Or you can curl up and dye.”

Amelia blinked. “Excuse me?”

The stylist wielded her curling iron as if it were a sword and shook the box of dye. “I recommend red. Extreme change. It’s the best way to strip your hair’s reaction to the trauma.”

The stylist went to work curling, painting, and origami folding small sections of hair into tin strips. Another hour and this time Amelia plastered on her best faux smile, gushing over the change. She paid, politely refused future appointments, and marched out her car on stilt-like legs.

At home she stared at the mirror for hours. The tangles were gone, but the voices remained.

You don’t need friends.

It should be just us.

Nobody else will love you.

He grew up next door. She’d known him her whole life, though they’d dated for only two years. There was only one option left.

Amelia needed to start over.

She plugged in the electric razor. Buzzed a clean swipe straight down the center. It wasn’t until the lock of hair dropped to the floor that her heart lurched in her chest. Oh fuck. What had she done? Her hands shook. The razor almost slipped from her fingers.

You’re an idiot. How will they know you’re a woman? Nobody will love–

Amelia cut the next section before the toxic thought could finish. Then the next and next. Quickly now, not thinking about what she was doing. How long it would take to regrow from this point. Even when she finished her fingers searched for an errant hair. She had it all. The knots and tangles lay flat on her bathroom floor. She kicked at them and they limply flopped from her toe.

She closed her eyes.

Waited.

A flood of relief at the silence.

The scarves were itchy anyway.

Author’s Note: The story came from a comment while talking with a friend. She had recently gotten her hair cut and while we all gathered around and admired the new style we got into a short discussion about how long it takes hair to grow. I made a comment about where in her hair I got to know her. She thought that was funny and we tried to figure what part of her life she’d “cut” from her hair. Later I was thinking about how that might be an interesting concept and the rest of the story untangled from there.

Tina Gower grew up in a small community in Northern California that proudly boasts of having more cows than people. She raised guide dogs for the blind, is dyslexic, and can shoot a gun and miraculously never hit the target (which at some point becomes a statistical improbability). Tina also won the Writers of the Future, and the Daphne du Maurier Award for Mystery/Suspense (paranormal category), and was a finalist for the Romance Writers of America Golden Heart ® (writing as Alice Faris). She has professionally published several short stories in a variety of magazines. Tina is represented by Rebecca Strauss at DeFiore and Company. Connect with her at www.smashedpicketfences.com

If you enjoyed the story you might also want to visit our Support Page, or read the other story offerings.