Most people who comment on the changing publishing landscape concentrate on the problems. Bestselling author and blue chip workshop instructor Dean Wesley Smith has a can-do make it happen attitude and concentrates on solutions. And unlike self proclaimed experts, he’s a proven success. The business model he blogs about on his website and teaches in his workshops isn’t theory. He sells books with that business model. Lots of books. At a profit. In this interview with Carl Slaughter, he plays myth buster for writers who have reservations about making the transition from print publishing to electronic publishing and from traditional publishing to self publishing. At http://www.deanwesleysmith.com/, he dispels conventional wisdoms on a regular basis.
Archive | On Writing
For those of you who don’t know, Canny Valley is my (Anthony) web comic project. Today marks the six month anniversary since launch and I thought I’d share some of my lessons learned. Not surprisingly, creating comics is much like any other creative endeavor. I’ll be posting an article soon detailing the basic work flow [...]
A thick skin doesn’t come naturally. You have to cultivate it. One of the biggest ways that I did this when I started writing fiction is critique forums. My particular favorite is Baen’s Bar. Post some stuff there in the Baen’s Bar Slush, get some feedback, post feedback on other people’s stories. Yeah, the negative comments can be hard to take at first, but you learn to extract the useful parts of them.
One of the aspects of the craft writing that never seems to get much discussion is the choice of title. Now, certainly there are lots of other things you need to work on, endings, the beginning hook, characterization, so on. And those other things are more likely to affect your chances at making a sale. But titles do matter. At the very least they can be the icing on the cake. At the most they can make the story itself more memorable and thus easier to recommend and discuss (always an important thing). Their value is less obvious and harder to measure.
Emulating film in writing is an easy trap to fall into. Overly long descriptions of complex settings and impartial narration as though attempting to show what a camera would see. But to write fiction in this manner is to sell yourself short. No one can portray a story in a film-like manner as well as film itself can. I’m not saying you can’t tell about the same story, the same characters, the same events. But you need to tell it differently to reach its full potential.
As an aspiring writer I find the internet to be an extremely valuable tool as well as a colossal drain on my writing time. There are fantastic resources available to new writers that quite frankly I would not have survived without. On the other hand, even these great resources can be an excuse not to write. I’ve listed the links to each website or tool that I have used in my short journey as a writer. I hope you find them useful but I caution you to only use what you need at the moment.
When I first started this writing thing I often read that it was a lonely craft. So many people wrote about how they felt like no one really wanted them to succeed and that if they did succeed, no one would notice. I thought this was interesting but dispatched it as not my problem. Well it has become my problem. Maybe it’s just me but I feel that more and more, no one around me really cares about my writing. It is frustrating.
To me, beats serve three main purposes:
1. attribution: lets you know who is saying what.
2. characterization: actions speak louder than words, this can betray a lie, show nervous habits, convey more subtle communication between characters, any number of other things.
3. pacing. A longer beat conveys a longer moment of time between speech.
Trying to imitate cinema in prose rarely works very well, IMO. Prose can never imitate cinema well in this respect, and concentrating on this weakens the other aspects that prose can be better at. Cinema allows you to watch amazing events happen, but well-written prose allows you to experience it.
Interestingly, what Pat Bertram claims are the rules of the submitting to literary violate what is common knowledge for speculative fiction magazines. Listed below I listed the major differences I noticed. “Literary” refers to the comments entered by Vince Gotera (though he may not speak for the entire genre, he speaks as though he does).