Author: Diabolical Plots

DP FICTION #75B: “Three Riddles and a Mid-Sized Sedan” by Lauren Ring

edited by Ziv Wities and David Steffen

When the cars started driving themselves, we went back to the old ways. It wasn’t a slow change, the way the news made it out to be. One day we were in control, and the next we weren’t. Now they can strike anywhere, anytime, any make and any model, all with dead-eyed electronic smiles on their windshields.

The old ways help us stay safe. I teach my daughter to chalk runes around the house, double yellow lines that forbid the cars from crossing. We bring a baby stroller everywhere we go. It saved a friend of mine once, making him rank slightly higher in the car’s inscrutable calculus than the woman on the other side of the street.

Sometimes I wonder if he feels guilty.

I know I wouldn’t. I need to be there for Margot, so that I can protect her in this new world, and keep her childhood peaceful. She’s the only reason I keep going. No one else matters.

Today, Margot and I are going to the park. Margot is wearing her favorite shirt, the one with the pink stripes and the ice cream scoops, and I’ve done up her hair with matching bows. A bright rainbow of face paint covers her button nose. She skips along happily, clutching her chapter book to her chest as I push the stroller with its disguised doll.

“I’m going to see the bridge troll, Mama,” Margot tells me. I resist the urge to sigh.

“Bridges are on roads, sweetheart.They aren’t safe anymore, remember?”

“You never let me have any fun.” She pouts and stops skipping.

“We’re going to the park right now,” I point out. Margot huffs and buries her face in her book. I want to tell her not to read while walking, but that’s one battle I won’t ever win. I step to her left, between her and the road.

The book she’s reading has a troll on the cover. Its eyes glow yellow and its rocky body blends into the bridge behind it. Next to it stands a young girl with her hands on her hips. I make a mental note to skim it after she falls asleep tonight: I don’t want her getting the wrong idea.

It’s the way people thought before the cars. Some people still think it; try to take the cars down. I hear about them on the news, next to footage of their weeping parents. Margot is only curious about the cars now, but I can’t help worrying that she’ll grow up to be one of those radicals.

Margot tugs at my sleeve.

“Want to guess a riddle?” she asks.

“Sure, honey.” We’re almost at the park now. It’s isolated, deep enough in the maze of the suburbs that I can let my guard down a little.

“What has legs but no feet?” Margot asks, placing her finger halfway down the page.

“I don’t know, what?”

“I win,” she squeals, holding the book out to me. “It’s a chair, it says right here. Now you have to let me go to the bridge.”

“Not if I catch you first!” I chase her all the way to the park, roaring like a bridge troll.

There are other families at the park, and other children on the swings. Margot spots her best friend Nadia playing in the sand pit and runs off.

Across the sand, my friends Dave and Samir are chatting at a picnic bench. Samir spots me and waves me over, smiling wide. I scan the park for escape routes and hiding places before joining them.

“How have you been, Alicia?” Samir asks. His disguise of the day is all harsh lines and interlocking spirals, so dark they look like tattoos across his face. In the oldest days, it was unwise to share your true name. Now you can’t share your true face.

“We missed you at our baby shower,” Dave adds.

“Right.” I had been too afraid to leave the house that day. There had been a car victim in the news, a child Margot’s age, and I couldn’t tear my eyes away. “I’ll bring your gift to the next self-defense workshop.”

Samir rolls his eyes, but I know he’s more exasperated than annoyed. After all, Dave leads the workshops. He had been a designer on the cars long ago, back when people were still actually in charge of them, but his workshops tend toward the arcane.

“I’m working on a charm.” Dave holds up a spinning, blinking object that flashes pattern after pattern. “If we can overload a car’s sensors for even a millisecond, it might swerve.”

“Do you have to call it a charm?” Samir grumbles.

“If it works, it works,” says Dave. “I think there’s a lot we can learn from the old ways.”

“They’re machines, not fairies. The way we get back to normal is by somebody figuring out who hacked into the AI, not by all of us pretending that they’re magic.”

“What about in the meantime?” I interject. “Things aren’t getting any better. Half the kids in Margot’s classroom haven’t come in since the attack by the high school; the district says we’re all moving to remote schooling.”

“Maybe it would be better.” Dave places a hand on my shoulder. “She’ll still have the backyard, and Nadia can come over for playdates.”

“I just want her to get a chance to live the way we lived, you know?”

Dave and Samir give me sympathetic nods, but they don’t say anything. There’s nothing to say.

I turn back to watch Margot play, hoping some of her carefree joy will stick with me.

The sand pit is empty. A half-built bridge, a pinecone troll, and a trail of sand left like breadcrumbs are all that remains of Margot and Nadia.

I start running.

At least she’s with Nadia, I think to myself. At least she isn’t alone. It pains me to make the same cold decision as a car, but Nadia is older than Margot, and age is supposed to be one of the metrics.

I sprint across streets and swing around corners with wild abandon, following the sand. Margot is out there. Margot, who I still can’t convince of the dangers of the world. In another life, I would have wanted her to stay innocent.

The nearest bridge isn’t a bridge at all. It’s actually a freeway overpass that crosses a quiet road, but it’s close enough in the eyes of a child. Margot and Nadia stand there at the edge of the shadows, their arms linked.

“Margot, Nadia, come here,” I call as loudly as I dare. “We can play somewhere else.”

“But Mama, we found the troll,” Margot says.

I get closer and see yellow in the shadows. Not eyes. Headlights.

I’m in front of Margot in an instant, spreading my arms to block her as much as I can. Nadia whimpers and ducks behind my leg, but Margot just tries to slip under my arm.

“I want to tell it my riddle,” she says.

“Margot, honey, this is a car,” I say carefully. She knows the stories, the warnings, but she has never seen a feral car in the wild before. I’ve sheltered her too well. “We talked about how they’re different now. It’s not going to answer your riddle.”

The car’s windshield changes from the neutral face that means no danger to something new: a question mark. I have never seen an autonomous car without an indicator face before.

“Sweetheart, I want you and Nadia to get back.” I use my sternest tone. When they step back, though, the car revs its engine and inches forward.

The car’s windshield displays a stop sign. The children halt.

“Okay, Margot. Ask the riddle.” My voice shakes.

She places her hands on her hips, her little chin thrust high in the air.

“What,” she demands, “has legs but no feet?”

The car displays a chair on its screen. My heart skips a beat as it starts rolling forward, picking up speed. Margot turns to me with wide eyes.

“It won, mama.”

I scoop Margot into my arms and start to run, but Nadia grabs at my leg, and we all go tumbling down to the asphalt. Margot starts to cry and I have just enough time to notice the bright red smear on her scraped elbow before the car is upon us and I have to act, now.

“I have riddles, car,” I say, desperate. “Play with me.”

The car screeches to a halt and slowly reverses until all I can see are its eerie yellow headlights and the question mark on its windshield.

“If I win, you leave me and my daughter alone. Forever. All of you.”

The car displays a red frown. I’ve asked for too much.

“Just her, then.” I wipe the tear-smeared paint off Margot’s face and force her to look at the car. It will kill us anyway if I fail here.

A green smiling face. A question mark.

The problem is, I don’t have a riddle. I’ve never really been one for puzzles, and the only games I play are the ones Margot suggests. Besides, anything I’ve heard of before, the car will also know. It knows so much. More than I do. It knows the answer to unanswerable questions. Like “whose life is worth more?”

Nadia trembles behind me.

Margot would be heartbroken if anything happened to her. If it comes down to that choice again, I know what I will do, but for now there must be another way. Samir was right: they’re cars, not fairies. But Dave was right too. Both of those things play by the rules, and both of those things can be tricked.

“You can’t kill us until you answer my riddles,” I tell it. Again, the green smile. I step forward and walk so close I can feel the heat of its engine. I try the door handle.

“What are you doing, Mama?” Margot asks, grabbing my hand with her stubby fingers. “Don’t let it eat us!”

“Just trust me, honey.” I tug on the handle again. The car hums, like its air conditioning has been left on high. The first glimpses of a plan are forming in my head. “I need to get my books from home, so I can find the very best riddles.”

With a click, the car door unlocks. I think it’s curious. Kind of like a child in that way, if the child weighed several tons and could kill with ease. Margot clings to me as I open the car’s door and climb inside, with Nadia at my heels.

The children huddle in the passenger seat, clinging to each other as I snap their seatbelt in place. I eye the manual override, but I know better. I’ve heard of people who tried that and held on. Heard what happened the moment they let go.

If we can just get home, though, I might be able to pull this off. Maybe.

I key in my address and with a sound like a sigh, the car pulls out from under the overpass.

It’s been years since I’ve been inside a car. My knuckles are white as I grip the useless wheel. Outside the window, the trees and the streets and the houses blur together.

I can almost understand why the world chose this path. There’s no traffic, no mistakes, no rude gestures. But it only feels safe from inside the car. I’ve lived too long on the outside to be fooled.

Maybe I can beat the car at its own game, instead of resorting to one of the frantic, risky plans bubbling up in my mind. I can’t come up with any suitable riddles, though, and I know my own books won’t be any help. All I know are the childish riddles I’ve picked up through my time as a parent, from playgroups and picture books.

Why did the chicken cross the road?

Because it was running for its life.

My house comes into view. It’s a single story, just big enough for me and Margot. Yellow painted rune-lines circle the structure, and all of the blinds are drawn shut. Weeds have broken through the concrete of the driveway. The car crushes them as it pulls up.

I unbuckle the girls and step out on shaky legs. I can at least get Margot inside. Maybe she can barricade herself somewhere, and force the car to destroy itself getting to them. But that’s a temporary solution at best.

The car revs its engine as Margot and Nadia head for the porch. It rolls up behind them and they freeze. Nadia is crying now, globs of silent tears pooling on her cheeks. Margot’s face is tight and pale.

“Stay out here, girls,” I say as gently as I can. “I’m going to get some books. Everything will be okay. I’ll bring some chalk for you to play with. Don’t worry, alright?”

Margot grabs my sleeve as I pass her. The look in her eyes breaks my heart almost as much as the look in her eyes when I have to keep going. The chalk will work, though. It has to work.

The house is quiet and still. The car’s headlights follow me through the blinds as I hurry to the shelves. Margot’s books are usually scattered around her room, but there are still a few fairy tales left where they should be. I grab them and the chalk.

Back outside, the car looms over Margot and Nadia, their nightmares made real for the very first time. It’s a small car, but they’re small girls. Too small to be dealing with this right now and certainly too small for what I’m about to ask them to do, but there’s no one else that can do it.

“Here you go, girls. Don’t be afraid.” I hand them the bucket of chalk, then turn my back to the car and hide my hands as I gesture to them what to do.

I can only hope they understand. I turn back to the car.

“I’m going to ask you three riddles,” I say, stretching my words out to buy time as the children begin to draw. I can see Margot trembling as she nears the car, but she draws anyway. So brave, my girl. “It’s the traditional number.”

The green question mark stays on the car’s display, unwavering.

“Why is a raven like a writing desk?”

The question mark winks out. Moments later, the car’s screen fills with text. Every inch of the windshield is covered in blog posts and thesis papers, giving me every possible answer to the unanswerable riddle. Then it shows me a green check mark.

It makes sense. The cars have always been judge, jury, and executioner. This isn’t a contest I could ever win. The car starts rolling forward and a piece of pink chalk explodes into a cloud of dust and shards beneath its tire.

“I have two more.” My voice was supposed to be firm and strong, but instead it’s high and reedy. “You haven’t heard the best ones yet. Stay where you are until you answer.”

The car indulges me and stops. I open one of Margot’s books and read aloud.

“As I was going to St. Ives, I met a man with seven wives…”

This riddle is one of Margot’s favorites. She likes the way the words sound; likes the lyricism and the puzzle combined. I try not to look at her, because I know I will cry. I hope she knows how hard I’m trying to save her.

The car, of course, has its answer the instant I’m done reading. The number one appears on its screen. This time, though, it’s an angry red.

“Very good,” I say, glancing at the girls and their chalk. “Just one more, and then we see who wins. One more riddle and the game is over.”

A red timer appears on the car’s screen, ticking down from thirty seconds. It wants me to stop stalling, but I just need a little more time. Thirty seconds will have to be enough.

I wait for the last five seconds before I speak. The silence is as solemn as the grave and is punctuated only by the scratch of chalk and the steady hum of the car’s engine.

“My last riddle for you, car,” I say, “is: how are you going to get out?”

For a long moment, longer than ever before, the screen is blank.

Then the car rears forward, headlights ablaze. I can’t help it—I close my eyes. If this doesn’t work, then it’s all over, and I won’t watch my daughter die.

There is no scream. There is no crunch. There is only silence.

I crack open the eye and see the car frozen in place. It skidded to a halt just inches from poor Margot’s face, but—thank God—she is unscathed. Nadia is panting with effort. Her hand shakes as she grinds her piece of chalk into the last mark on the rune, a simple do-not-cross indicator that signals to the very core of the car’s programming.

Margot runs to me. I hold her tighter than tight, burying my face in her soft hair. I wish I could stay this way forever, but it’s not safe, even now.

I bundle the children into the house as the car revs its engine and spins its wheels uselessly within the circle. It flicks on its high beams and the light spills through the closed blinds.

Nadia stands by the door and stares at the ground.

“You left me,” she says. “You ran with Margot.”

“Honey, I’m sorry.” I crouch down to her eye level. Only then do I see the nail marks on her inner palms, where she clutched the chalk so hard she nearly bled. Without her help, my daughter would be a smear on the pavement.

I place my hands on her shoulders. She looks up, her eyes wide and tearful and, I realize for the first time, the same shade of brown as Margot’s.

“I won’t ever leave you again.”

Nadia takes one of my hands. Margot takes the other. I lead the girls deep into the house, where the thick walls will protect us, and pull out my phone.

Dave can help, and Samir, and they will know other former programmers who will know more and more. The cars are connected, but we can be too. Our solidarity gives us power. And now, if I have to, I will join the charge.

For Margot.

For everyone.

© 2021 by Lauren Ring

3000 words

Author’s Note: This story was inspired by James Bridle’s 2017 art piece “Autonomous Trap 001,” which features a self-driving car trapped by a salt circle. I saw his piece when I was in college researching the UX design of self-driving cars (such as windshield displays to communicate to pedestrians), so I immediately started thinking of all the other ways this technology could be connected to folklore. The story itself came from wondering why a car would need to be trapped in the first place.

Lauren Ring (she/her) is a perpetually tired Jewish lesbian who writes about possible futures, for better or for worse. Her short fiction can be found in Pseudopod, Nature: Futures, and Glitter + Ashes. When she isn’t writing speculative fiction, she is pursuing her career in UX design or attending to the many needs of her cat Moomin.

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DP FICTION #75A: “The PILGRIM’s Guide to Mars” by Monique Cuillerier

Ursula knelt on the uneven surface of sand and rock, putting her tool box down beside her. She paused and considered the robot before beginning to work.

Covering the top of the rover’s main body and extending outward from it, the solar panels were obscured by a thick layer of Mars’s pale red dust. That was where Ursula would begin, with the easier job of clearing the flat surfaces. Then she would move on to the more delicate task of removing the tiny grains of dust and sand that had inevitably worked themselves into the rover’s nooks and crannies hidden below the panels.

She opened the box and removed a sturdy brush with an extended head and began with long, broad sweeps across the panels. For the initial cleaning and maintenance, she tried to keep an empty mind, paying careful attention, re-familiarizing herself with every panel and antenna, every camera and spectrometer.

The large brush soon gave way to a smaller one and then another, of different shape, but there was no hurry. Ursula took the time required to do the job thoroughly even though she was aware that her own time was coming to an end.

This was Mars Exploration Rover A, called Spirit by those who sent her. Spirit had worked hard here in the Gusev Crater for five years until she became stuck, the loose sand too much for her six wheels, each of a diameter of only twenty-five centimeters.

Once Ursula had cleared the panels and body, she began to dig around the wheels, freeing each of them in turn. She did not have the skills to allow the rover to move again, that was beyond both her training and her mission objectives.

But, as she did with each of the rovers and landers, she moved it, just a little. The objectives recommended slight adjustments be made, to mimic the robot’s nominal behaviour. She changed the direction the navigation and panoramic cameras pointed in and extended the arm so that the rock abrasion tool at its end was directed towards a different spot on the surface.

Then it was time for reflection.

Brushing the dust from her own body, she stood up and bowed her head slightly, as she had been instructed.

First, she silently paid tribute to this hardworking, dedicated robot who had been sent to this planet, to explore and understand where humans could not.

And then, she acknowledged the efforts of all those who had imagined, designed, built, and sent the landers and rovers to explore the unknown.

And finally, she silently recited the details: 

Mars Exploration Rover A, called Spirit.

Landed in Gusev Crater on January 4, 2004, tasked with the investigation of climate, geology, and the possibility of life. 

Stuck in soft sand in 2009, but continued with stationary work until communication ceased in March 2010. 

Mission determined completed on May 24, 2011. 

Total distance travelled, 7.73 km.

Ursula then paused for a moment before she put away the tools and brushes and took them back to her buggy, ready for the next robot.

The process was specific and detailed, as Ursula made her way from one robot to the next, as she circumambulated the planet, as she had been doing since her arrival twenty-three Earth years ago.

Over the past year, though, Ursula had become aware of changes in her processes. Her central battery pack no longer held a charge the way it once had. And the joints in her left lower limb did not bend so easily as they had previously. Her memory circuits had become full and sluggish.

And on this sol, as she had disconnected from the buggy’s power source and rebooted her systems, she had been filled with an awareness that she would not be able to do so again. 

But there was nothing to be done but to continue as she did every sol, to tend to the robots and acknowledge their contributions and where they came from.

*

Ursula herself did not require a controlled environment within her mode of transportation, although the vehicle was enclosed to keep as much sand and dust out as was reasonable, the better to protect her own joints, nooks, and bends.

The buggy had only enough space for her and the equipment she used to tend to the robots. Large wheels carried it over the sometimes precarious surface. It did not move quickly as that had not been a priority in its design.

It was unnecessary for Ursula to refer to the map built into her memory to know that the next robot she would visit was Mars 3, a lander sent by the USSR in 1971, very early in human attempts to explore this planet. In the midst of a dust storm, it had reached the surface, only to cease functioning a mere one hundred and ten seconds later.

As she made her way across Terra Sirenum towards the lander, Ursula powered down all but her navigation system, which was connected to the buggy. The buggy was a shell robot, dependent on Ursula for all computational needs, a skeleton with a power source.

When Ursula ceased to operate, the buggy would no longer have a purpose.

Perhaps one of the other Processor-Integrated Logistical General Robots for Independent Maintenance (PILGRIMs) would have need for it. Their paths did not often cross, and she had not seen another in more than three Mars-years, but the planetary-wide instructional system would accommodate for her absence and absorb her schedule into that of the others.

Ursula knew these things to be fact, as she had been aware of her projected lifecycle from her arrival. There was always some uncertainty as to how long any given robot would continue, but that was life.

*

The Mars 3 lander was unlike Spirit in every way. A lander not a rover, of course, but also of very different shape and intention. Bell-shaped and sitting on a flat circular base, triangular petals unfolded around it, Ursula began with a medium-sized brush and made her way slowly around the lander, sweeping out the sand and dust that had accumulated in the petals and freeing the lower segment of the lander from the planet’s encroachment.

Had the lander survived, she would have measured temperature, pressure and wind, she would have used her scoop to dig in the ground.

When Ursula eventually reached the time for reflection, she considered the short time that Mars 3 had existed as a functional object on Mars, more than some, but so much less than others, like Spirit and her sister Opportunity. But the length of functioning time was not the only metric by which the worth of a robot was measured. 

What had been learned from the experience, what the builders on Earth had intuited from it — these were what was of value, Ursula had been told. She had been shown how each robot fit into the larger picture of Martian exploration and knowledge, an entirety into which they all contributed. The builders had impressed upon Ursula that the PILGRIMs also existed within this framework. While they might not be collecting, crushing, and analyzing rocks or taking seismic measurements, they were nonetheless an important part of the whole.

Ursula began the routine of putting away her tools. There had been a time when new robots arrived on Mars with greater  frequency, but that time was now firmly in the past. The latest arrivals had been other PILGRIMs, working as Ursula did.

*

Once she was finished with Mars 3, Ursula again made her way back to the buggy and connected her navigation system.

The next location on her map was on Planum Australe, less than one thousand kilometres from Mars’ southern pole, where she would provide care to the remains of the Mars Polar Lander, which arrived in 1999. 

Even as she activated the navigation system, Ursula was aware in the depths of her active memory that her systems were not likely to last the entire journey, short though it was.

But she had no decision-making tree that would direct her to a choice other than the one she had made every sol, to re-charge while the buggy made its way across the Martian surface towards her next location.

Halfway to the Mars Polar Lander site, Ursula was roused from her energy-saving half-slumber by a gentle but persistent signal from her base level emergency monitoring system.

Charging program has halted, the signal impressed into her consciousness. Restart charging program.

Ursula had to retrieve instructions for restarting the program from her deep memory cells. She had never needed to do such a thing before and she knew what that meant.

Restart will take four point three minutes, an alert echoed inside of her.

Her skeletal structure jerked as the restart began and her limbs twitched.

No thought processes occurred while it continued.

Charge at thirty per cent, the signal eventually told her. 

She considered that. It should have been more than that by now, but she restarted the navigation connection on the buggy’s dashboard.

As the buggy continued over the uneven terrain, Ursula ran a full diagnostic procedure on herself, even though it was a drain on her charge and she knew what the result would tell her.

*

Three-quarters of the way to the polar lander, the results of the diagnostic were unfortunately clear.

She had reached the end of her mission.

The report suggested a build up of sand between the thermoelectric modules through a crack in the outer housing of her right leg. If there was a way to fix that, Ursula did not know what it was. Her purpose had never been to perform mechanical tasks.

She was a pilgrim — she paid homage and provided care.

Overriding the buggy’s intended route, she brought it to a stop.

This was as good a place as any and she wanted to ensure she had the opportunity to properly reflect in the time remaining.

Perhaps it was a flaw in her design, but she could not locate an appropriate set of instructions for what to do next. However, she had been provided with the means to improvise when necessary, within her parameters.

She left the buggy and found an appropriate spot, beside a large rock and arranged herself on the surface, as if she were examining it.

*

Agnes made her way across Planum Australe towards the Mars Polar Lander in her buggy, her systems dimmed as she recharged.

A gentle ping brought her back to full awareness. The planetary instructional system had updated her map and current destination.

The current destination was along the route she was travelling; there would be no detour necessary.

*

The buggy came to a halt beside another of identical design.

Agnes took up her tool box and went in search of the other PILGRIM, finding her easily, laying stretched out on the surface not far from the vehicle.

She knelt down and selected one of the smaller brushes. Carefully, beginning with the head, she brushed away the thin layer of sand and dust that had already begun to accumulate.

Then Agnes tilted the PILGRIM’s head slightly to the left, as if she was considering the other side of the rock.

It did not take long for her to finish and then it was time for reflection.

First, she silently acknowledged that the PILGRIM had been a hardworking, dedicated robot, sent to this planet to perform a job that humans could not.

And then she considered the dedicated effort of all those who had imagined, designed, built, and sent all the landers and rovers and other robots, like the PILGRIMs.

And finally, she silently recited the details.

Processor-Integrated Logistical General Robot for Independent Maintenance 92-04-38, called Ursula. 

Landed on the edge of the Jezero Crater on February 23, 2093.

Tasked with the care and acknowledgement of the human-designed presence on Mars.

Time spent, twenty-three Mars years. 

Distance travelled, 72 569 km.

© 2021 by Monique Cuillerier

2000 words

Author’s Note: I have a great fondness for the rovers and landers and orbiters that humans have sent (and continue to send) to Mars and I know others share that feeling. We, collectively, imagine and design and build these robots to go and do the work we want to do, but for the time being, cannot. It says a great deal about humanity that we do this, but as well, it has resulted in a planet that is currently inhabited entirely by robots. The seed of the idea for a Martian pilgrimage route came to me a few years ago, around the time the rover Opportunity stopped working. I kept beginning and abandoning stories about it, because none of the plots were quite right. Once it occured to me that other robots were the obvious pilgrims, the story unfolded easily.

Monique Cuillerier is a writer of (mostly) near future science fiction. When she is not writing, she likes to run, knit, garden, and get very angry on Twitter. Her favourite object in the solar system is Saturn’s moon, Enceladus and her favourite tv show is either Babylon 5 or Star Trek: Voyager (her cat Janeway votes for the latter). She is Canadian, born in Toronto and living (for the time being) in Ottawa. Her work has appeared in the Bikes in Space anthologies Bikes Not Rockets and Dragon Bike, as well as Queer Sci Fi’s Impact and Migration. The scarf Monique is wearing in the author photo depicts the Mars Perseverance Rover and Ingenuity Helicopter (available from STARtorialist).

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DP FICTION #74B: “For Lack of a Bed” by John Wiswell

edited by Ziv Wities

Noémi tried to focus on the mermaids and ignore the floor. She lay in the middle of her living room, upon a nest of laundry bags and blankets, hoping for just a couple hours of sleep before she had to open the shop tomorrow. The new pain pills did as little as the old ones, and so she pulled the covers over herself at sundown and tried to use the internet as medication.

Chronic pain and Mermaid Tumblr. It was a normal night in her world. Videos and GIFs of those fish-tailed people swimming, their fins swirling through water currents, sometimes lulled Noémi into distraction. She needed those distractions tonight.

Her phone buzzed with a text from Tariq. He was working late.

TARIQ

u want a bed, but would u sleep on a sofa?

NOEMI

I’d sell a kidney for a sofa.

TARIQ

what if some1 died on it? but u keep ur kidneys

Okay, it was a weird offer. But was this that much weirder than the selkies down the hall who kept offering her herbal remedies? You knew you were pathetic when selkies pitied you.

You also knew you were pathetic when your roommate offered you dead people’s furniture. But her mother had worked with estate auctions, so Noémi had grown up with plenty of grim hand-me-downs. A bed was out of her price range. She knew what her mother would’ve said.

NOEMI

Is it clean?

TARIQ

clean as a disney movie

She sat up and her entire spinal column rioted. She felt vertebrae kicking over trash cans and lighting cars ablaze in her lower back.

NOEMI

Dying on a sofa would be the highlight of my year.

“Good!” Tariq yelled from the hall outside their apartment. She didn’t register it was him until their door swung open and he shimmied in butt-first, dragging a bulky sofa behind him. “Because I am not carrying this back to Apartment 3A.”

It was sand-colored with brown freckles, a fashion risk even for a freebie. At least it wasn’t splattered in gore.

She meant to run a hand over its arm rest, but immediately found herself sitting on it. Sinking into the cushions felt like a hug from a friendly giant. The honking and crying and thrumming of the city outside their apartment seemed to calm down.

Forget sleeping on the floor; she never wanted to touch the floor again.

“Hey,” she said, “try sitting on this.”

Tariq asked, “Did you take your meds tonight?”

She asked, “Someone died on this?”

She couldn’t hear his answer over the sensation of touch not hurting for the first time in hours. The leather was so warm, so welcoming, just like skin.

*

Tariq shook Noémi’s foot, and she pulled her blanket over her face. She mumbled, “I don’t need dinner. I’m turning into a human ramen.”

He said, “It’s eleven.”

Sunlight blurred her vision and she rubbed the grime from her eyes. “Eleven? Then how is it light out?”

“They invented this thing called ‘A.M.’ You slept through your alarm.”

“No…” She didn’t know what she was denying. She stretched out on the sofa. For the first time in weeks, her back didn’t feel like it was on fire. The pain had calmed to a dull throb—an annoying pain rather than an intense one. If she’d overslept, her body obviously needed it. She almost felt more tired than yesterday.

Tariq pried the fleece from her hands. “I made you a couple waffles. Please, please eat them.”

Her appetite was a magician; it had one hell of a disappearing act. Pain made it easy for Noémi to skip meals. Still, with bleary eyes, she read the concern in her friend’s face. It was the same concern she’d felt on so many nights when she helped him through his anxiety attacks. 

She smiled up at him and said, “You know something? I slept.”

He offered her a hand up. “That’s pretty awesome. We should party tonight.”

*

There was no party that night. The food truck broke down and Tariq texted that he was stuck helping his uncle fix it. 

Noémi felt for him and was relieved at the same time; she could barely move her fingers by the end of her shift at the pet store. Gryphon chicks were adorable, but insisted on being hand-fed, and the basilisks had broken out of their blackout cage and were looking at customers again.

The pain ground her brains into powder. What people didn’t understand about chronic pain was that it wasn’t about your legs going weak – it was about getting mentally exhausted managing the assaults. All day, she fantasized about sitting down.

Once home, she barely opened her string cheese before plopping onto her freckled sofa. Lying on it was like her entire body was biting into a marshmallow. This she had an appetite for. The cushions slid apart, enveloping her in the leather, like it wanted to swallow her.

In her dreams, it did.

*

Her phone vibrated on her chest. It was work. It was also noon, and she didn’t know what day.

She answered, and picked her string cheese off the carpet. She must have sleep-punted it.

She said, “Hey Lili. Sorry. I must have—”

Lili cut her off, “I think the mogwai are picking the locks on all the cages after hours.”

Lili was a succubus and normally had everything together. If she was as nervous as she sounded, then this was dire.

Noémi forced herself to stand free of the sofa’s wonderful grip and walked to the center of the room to wake up. Her spine popped and she shuddered. She asked, “Did they eat after midnight?”

“Not this time, but I found one molesting the breakroom pantry.”

Noémi was sitting on the edge of the sofa. She didn’t remember sitting down. “I found the nicest furniture. You’ve got to come over and try it.”

“You know that when I say ‘the monsters are picking their locks,’ I mean ‘get your butt over here immediately,’ right?”

Noémi said, “Got it.” 

She hung up, and had the funny desire to kiss the sofa goodbye. And why not? Nobody was watching.

She leaned in and smooched a cushion. It smelled like a perfume that Noémi had only ever encountered in dreams.

Then it was 6:24 PM. Her phone had eight messages.

*

She thought the knocking was Tariq having lost his key, but it was Lili at the door. All six feet and two inches of her. Lili’s normally lustrous golden hair frizzled out like copper wire. She had gory paw prints on her skirt which hopefully weren’t her own blood.

Noémi said, “Oh my gosh, Lili, never in a million years…”

Then Lili was inside her apartment, stooping to go nose to nose with her. She thought the succubus was going to bite her head off. “Where were you?”

“I’ve almost never missed work like that, and it won’t happen again, I promise.”

“I thought your new meds killed you or something. Your landlord said you wouldn’t answer the door.”

Noémi bit the inside of her cheek. “I may have slept through her knocking.”

Lili gripped onto Noémi’s shoulders. “So you’re okay?”

“I’m awesome. You know I wanted a bed, but we found a sofa and it’s the best thing in the world. My body must still be catching up on sleep.”

Noémi backed into the apartment. The sofa was tucked into the far wall of their combo kitchen/living room. She fought the urge to curl up on it right now.

Lili looked like she’d bitten into an extremely ripe lime. “When did you invite her?”

“Her? Are you gendering my furniture?”

Lili pointed a sangria red fingernail at the sofa. “That’s not furniture. That’s a succubus.”

Noémi tilted her head. Giving it a few seconds didn’t make it make any more sense. “I know you’re the expert, but I’m pretty sure succubi don’t have armrests.”

“Come on. You know my mom is a used bookstore, right?”

“I thought she owned a used bookstore.”

“The sex economy sucks. With all the hook-up apps and free porn out there, a succubus starves. My mom turned into a bookstore so people would take bits of her home and hold them in bed. It’s why I work at the pet store and cuddle the hell hound puppies before we open.”

Noémi asked, “Is that why they never bite you?”

“What do you think? Everybody else gets puppy bites, except me. I get fuzzy, affectionate joy-energy. Gets me through the day, like a cruelty-free smoothie.” Lili blew a frizzy strand of gold from her face. “But this sofa has devolved really far into this form. I know succubi that went out like her—she’s just a pit of hunger shaped to look enticing. No mind. Just murder. Where’d you even find her?”

“It was a freebie. I mean, maybe somebody died while sleeping on it, but that doesn’t mean anything.”

“And you’re sleeping all the time now? Always on it? She’s totally eating you.”

“My sofa is not a murderer.”

Tariq walked in through the front door, and they both looked up at him. He said, “Hey ladies. Breaking it in?”

That’s when Noémi realized both she and Lili were sitting on the sofa.

They shrieked, and ran from the apartment, dragging Tariq with them.

*

Noémi and Tariq slept in the stairwell that night, each careful to jab each other in the ribs if they started inching back towards the apartment. Lili tore across the city in search of anyone who doubled as a furniture mover and an exorcist.

*

Noémi didn’t sleep a minute for the rest of the week. The pain that had dwindled during her affair with the sofa now returned with the cruelty of a direct-to-video sequel. For most of the day, she could barely think. Through the nights, crashing in the back room of the monster pet store, she could barely sleep. Everything was a fog of social auto-pilot.

She had to bribe Lili to come back, promising to scrub the hell hound cages. The puppies had eaten a mogwai and their bowel movements had turned into some horrible form of post-modern art.

Lili arrived at the apartment wearing a bright yellow hazmat suit. Tariq donned six pairs of plastic gloves before deigning to touch the succubus-turned-sofa. He and Lili had to do the lifting.

Noémi could scarcely stand up straight, let alone carry furniture. Instead she stuffed the remaining sofa cushions into a trash bag. She hesitated over the last one, on which she’d laid her head for the easiest nights of her year. She held it, thinking about how people got lost.

*

When Noémi came into the alley, Lili was dousing the sofa with equal parts holy water and kerosene.

Tariq reached for the garbage bag, but Noémi clutched it to her chest. Noémi asked, “Do you really think the sofa is that bad?”

“Yes,” Tariq said. “Pure evil. She haunted our apartment without paying rent.”

“She was probably lonely. She couldn’t find a companion she could keep. But now she’s found a new identity, and someone who appreciated her…”

“She was eating you.”

“Could we ask her to, you know, stop eating me?”

Lili emptied the last liquids over the sofa and said, “There’s no consciousness left in her. She’s just hungry furniture now. And you’re just loose change about to get stuck between her cushions.”

“I didn’t feel like loose change. I felt different. Everybody gives you magnetic bracelets, and pot brownies, and tells you to sleep with your legs over your head. It all did jack for me. But the sofa was helping.”

Muttering something in Latin, Lili tossed a lighter and torched the sofa. The backrest went up first, in a brilliant blue flame with silver smoke that climbed the alley’s brick walls. They needed to make this fast or their landlord would catch them in the act.

Tariq said, “I’m not going to tell you how to feel.” He stretched out his hand, offering to take the bag. “You want me to do the honors? Technically I was the one who brought her home and started all this.”

“Nah,” Noémi said, avoiding eye contact and tossing the bag of cushions onto the pyre. It went up in even more lustrous smoke, so thin it could’ve been vapor. It smelled like tears. “Let’s get out of here.”

Tariq said, “Look, take my bed until we find you something, okay?”

Noémi put a fist over her mouth. “Are you sure?”

“The surest. I’ve got a lead on some money.”

She hugged her friend for a fierce moment in time.

Then they ran before someone called the cops.

*

Noémi knew she’d woken at 5:32 because that’s when the text came in. It’d taken her forever to wind down, but she’d guess she’d slept four and a half hours. That was a record since the bonfire, and this was her first night trying out the secret weapon.

The incoming text read:

TARIQ

got a pair!!!!

Limited edition sneakers. You downloaded an app that pinged you at a random time and if your GPS reported you were in a certain radius of a certain boutique, you got a crack at one pair of obscenely expensive shoes. Tariq had basically haunted that neighborhood for days waiting for his phone to vibrate. With the magic of economics, he could flip the shoes to a trust fund kid and turn them into a new bed.

Or he could turn it into rent.

Or, as Noémi expected, he could sink all of those dollars into his uncle’s food truck. It was family and livelihood. And you couldn’t carry a treasure chest to the surface when you were fighting to tread water.

She texted him back:

NOEMI

You woke me up. Jerk.

He’d get a good laugh, never believing she’d really slept this late. She wouldn’t have believed it either, if she only had his bed.

She scooted to the far edge of the mattress, leaving her pillow behind, letting her feet scuff across the carpet. Impact sent sharp tingles up her calves, sparks of pain where yesterday there had been an inferno. When she stretched, the sparks sprang up at her spine, and then down her arms.

These were aches. They were not agonies. They were things she could live with, if it didn’t mean getting swallowed up by a spell from the other side of the bed.

One minute passed. She timed it on her phone.

Two minutes.

Three minutes.

The oblong lump lay in its pillowcase on the other side of the bed. Sofa cushions weren’t supposed to be pillows, although this one was changing Noémi’s mind. Neither Lili nor Tariq had noticed that the bonfire had been one cushion short.

Noémi asked, “And you’re not trying to kill me?”

She leaned in and hugged the cushion to her chest, in the way she liked to be held. It squished so perfectly that she wondered if there was a metric scale for comfort. She was able to put it down easily; no succubus mind control was at work. If this thing was self-aware, it wasn’t manipulating her anymore.

“A lower dosage of you is helping,” she said. “This way we can stay together. You won’t hurt me. You’ll eat me, but on my terms.”

The succubus-turned-sofa-turned-pillow said nothing in return. It was as good as inanimate. Lili was probably right that it was mindless, save its hunger. But it had a home now, and someone who consented to having her pain eaten. Noémi hoped her pain was delicious.

Idly, she petted the pillow’s seams, wondering when Tariq would figure it all out. They needed to talk before his bedroom turned host to a witch trial.

Two more texts came in: one of Tariq kissing a shoebox, and a second asking about her.

TARIQ

u get any z’s?

NOEMI

Only because I had company.

TARIQ

lol you better buy me new sheets

A moment later, he texted again.

TARIQ

some1 i shld meet?

She hesitated with her thumbs on the screen, creating an accidental string of N’s.

Lying to him now would be a mistake. God, she’d be dead without her friends.

NOEMI

Yeah. I’ll introduce you tonight.

He texted another picture of himself holding the shoebox up like it was the Infinity Gauntlet. She snorted so hard her eyes crossed, then reclined against the succubus pillow. So this was what relief felt like. 

© 2021 by John Wiswell

2700 words

Author’s Note: I’ve lived with chronic pain for more than two thirds of my life, but until a couple years ago, I never wrote fiction about it. After a series of sleepless and listless nights, I fantasized about the Devil’s bargains I would strike to be comfortable for just a little while. But there are more interesting things out there to bargain with than the Devil, now aren’t there? Like, perhaps, a hungry hungry sofa. But it couldn’t be a story about isolation and disabled pain. It had to have the social elements. Here I tried to capture a little about the human support systems that keep people like me going, and that reflect that we matter. A painful world isn’t necessarily coldhearted. If it gets better, it does so because we look after each other.

John (@Wiswell) is a disabled writer who lives where New York keeps all of its trees. This is his third story at Diabolical Plots, following “Tank!” and “Open House on Haunted Hill.” His work has also appeared in Uncanny Magazine, Nature Futures, and Nightmare Magazine. He has made it through multiple decades of chronic pain, and wants you to know you aren’t alone.

John Wiswell’s previous stories here are “Tank!” in June 2018 and “Open House on Haunted Hill” in June 2020. If you enjoyed the story you might also want to visit our Support Page, or read the other story offerings.

DP FICTION #74A: “The Day Fair For Guys Becoming Middle Managers” by Rachael K. Jones

edited by Ziv Wities

Content note (click for details) Content note: coerced surgery

At 8 a.m. sharp on Monday morning, Armond lines up at the Day Fair to apply for Bradification.

Armond’s palms sweat badly enough to leave wet spots on his resumes. Several candidates immediately strike him as actual competition, which doesn’t bode well for him. One chisel-jawed fellow practically looks like a Brad already. Armond has to land this job, or else. Between poor progress reviews and coming in last place at Company Fun Run practice, he has no other alternatives but promotion.

A Brad skims Armond’s resume in the applicant line. “Ah! Project management,” he says with Bradlike optimism. “We could use someone with your skillset.” Brad dabs blood from his nose with a big white handkerchief and shakes Armond’s hand. “Come with me. You just landed yourself an interview.”

Armond rechecks if his sneaker laces are tight. If he can’t nail the interview, the Company will make him run.

*

They’ve assembled a full panel of Brads for the interviews. Their room overlooks the Company kennels, where they’re already setting up for the next Fun Run. Each Brad leans back in his swivel chair and kicks his heels onto the coffee table. They’ve each brought a novelty mug for their americanos with French vanilla creamer: Coffa Cuppee. HE WHO MUST BE OBEYED. Like A BOSS. They’re all dabbing blood from their leaky creases with napkins and tissues and clean white hankies.

The Head Brad, a glorious specimen with minimal bleeding and very few surgical scars, sips from his Monday Funday mug. “We’ve been over your resume with a fine-toothed comb,” he says brightly. “You’re 71% Brad-compatible, well within the limits for Bradification.”

Armond perks up. This is it: his big break. The Head Brad sucks a bead of blood from his thumb. “But tell me, Armond. Why do you want to become Brad?”

Truthfully, Armond wants to become Brad because he has no hope of outrunning them otherwise, and they’re not going to let him keep his current posting with such poor reviews. It’s either promotion, or the kennels. You can fail up, or get run down. But you mustn’t let them catch even a whiff of desperation, or you’ll be handed a Fun Run jersey faster than you can say funtivities.

“I’m just passionate about the Company’s mission,” Armond begins, plastering on his Braddiest grin. “I love MoneyMaking, and no one MoneyMakes better than the Company.”

In truth, Armond is only a mediocre MoneyMaker. He doesn’t have the proper hand-eye coordination for inking all the little numbers, and he’s downright atrocious at sketching Presidents. The Brads have probably read his performance reviews, because they shift and murmur and bleed through their mesh chairs.

One of the Brads lifts something soft and nylon from under the table. It looks like a tattered t-shirt.

Armond licks his lips. His heart thunders like tennis shoes slapping along asphalt. “I almost forgot,” he adds rapidly. “I’d like to be clear that I’m game for internal Bradification.”

He regrets it immediately, but the Brads relax. The nylon shirt swishes into the wastebasket.

“Few interviewees have professed such commitment,” says the Head Brad, the corners of his lips ripping from the width of his grin. “Thank you for your interview. Enjoy a complimentary lunch in the Breakroom while we make final decisions.”

Armond shakes their hands and thanks them. As he leaves the room, his gaze falls into the wastebasket.

The Fun Run jersey tangled with the balled-up memos is bloodstained and torn open on the front, as though rended by claws.

*

It’s clear immediately who’s passed on to the next stage, and who hasn’t. Well-heeled Brads hand out jerseys to sobbing candidates in the hallway, while Armond watches from the window as the kennel doors fly open. The chisel-jawed man leads the herd, and seconds later, the Brads thunder out behind them with their steel staplers and unhinged jaws.

Middle management comes with certain responsibilities, and certain appetites as well.

The Head Brad shows up impeccably clean, except for some blood pooling through his jacket at the elbow joints. “Congratulations,” says Brad, polishing crud off his stapler. “You’re the next up for the Braderator!”

Armond tries not to think about staplers or jerseys as he wolfs down his complimentary turkey sandwich, but it’s hard to ignore the sweaty, cologne-soaked stench as they all return from lunch. 

*

They’ve built the Braderator directly in the custodial closet for easier cleaning, but you can still catch a whiff of blood despite all the bleach. 

Armond strips off his clothes, ducks beneath the scissorlike chandelier of blades, and sits on the stainless steel chair, which is full of holes, like a cheese grater.

“That’s to let the blood through,” Brad says, clamping restraints around Armond’s arms and legs. 

“How does it work?” Armond asks before Brad slides the Internal Braderator between his lips.

“To paraphrase Michelangelo,” says Brad, folding Armond’s coat, tie, trousers, and underpants, “we just cut away everything not-Brad. In your case, that’s 29%. You’ll require only short-term disability to complete the process, with minimal scarring. You probably won’t even have to dip into your vacation leave.”

He closes the closet door. The Braderator revs up like a lawnmower as the razor chandelier descends and spins. Like a carwash, if the carwash were made from surgical steel and the car were made of meat.

As the blades in his throat extend and spin, Armond thinks perhaps he should’ve taken his chances at the races. But by the time the Internal Braderator works deep enough for real regret to set in, his worries have been cut away, along with everything else not-Brad.

© 2021 by Rachael K. Jones

900 words

Author’s Note: My friend Vylar Kaftan is something of a wizard with titles, and she once challenged me to write a story using the title “The Night Bazaar for Women Becoming Reptiles.” I did, and the story went on to earn critical acclaim and an Otherwise Award Honor List placement. A few years later, she joked that I should write a follow-up called “The Day Fair for Guys Becoming Middle Managers.” Not being one to pass up another Vylar challenge, I wrote this piece in a single sitting. It captures for me the phenomenon you get in really dysfunctional workplaces, where you find yourself doing increasingly bizarre stuff because your workplace culture normalizes it–something that has only become more true for the whole world during the pandemic, where many of us suddenly find ourselves asked to submit to breathtaking personal risks at the request of our employers.

Rachael K. Jones grew up in various cities across Europe and North America, picked up (and mostly forgot) six languages, and acquired several degrees in the arts and sciences. Now she writes speculative fiction in Portland, Oregon. Her debut novella, Every River Runs to Salt, is available from Fireside Fiction. Contrary to the rumors, she is probably not a secret android. Rachael is a World Fantasy Award nominee and Tiptree Award honoree. Her fiction has appeared in dozens of venues worldwide, including Lightspeed, Beneath Ceaseless Skies, Strange Horizons, and all four Escape Artists podcasts. Follow her on Twitter @RachaelKJones. 

Previous stories by Rachael K. Jones that appeared in Diabolical Plots are: “St. Roomba’s Gospel” in December 2015, “Regarding the Robot Raccoons Attached to the Hull of My Ship” co-authored with Khaalidah Muhammad-Ali and published in June 2017, and “Hakim Vs. the Sweater Curse” in December 2017. If you enjoyed the story you might also want to visit our Support Page, or read the other story offerings.

DP FICTION #73B: “The Void and the Voice” by Jeff Soesbe

edited by Ziv Wities and David Steffen

I turned my father off again.

I needed a break. I needed silence. I needed to hear the sound of my own thoughts. Not the endless monologue of shuttle systems status, mixed with memories and declarations, all emitting from Father’s broken mind and body.

In our little space cruiser, it is still but not quiet. Father’s labored breathing, punctuated by coughs and chokes, surrounds me as he struggles to stay alive without the cruiser’s medical emergency program helping him. My heart pounds in my chest, shakes me with every beat. My breathing is quiet and slow, a whisper in the cold thin air.

Reaching out to Father, I place my hand on his chest. Even through his spacesuit I can feel his heart, fluttering but persistent. Still alive. Still working.

Our helmets are off. Our breath collects in fog in the space between us.

Just go on like this, I think. Go on until his heart stops. Without him running the shuttle, I will succumb to the cold and lack of oxygen and surrender to the star-filled void around us.

I consider it, again. I have considered it every time I have disconnected Father. And I reach the answer I have reached every time I have considered it.

No. Not yet. Keep hoping for a rescue. Keep living.

I switch the medical system back on. Alarms sound as it realizes Father’s condition and injects drugs through the dermal patches.

Father gasps, audibly, as his body is slammed back to stability.

After I reattach the careful tangle of wires connecting the shuttle’s control system to the interface cap fitted to his head, his voice echoes through the shuttle’s speakers.

“Son. Son. You should not disconnect me. I have told you this before.” He is scolding me, but he is also afraid.

“Yes, Father. I know. I am sorry.”

“Checking system status.”

The litany begins, his voice droning like prayers.

“Internal temperature 4.17 degrees. Rerouting ambient reactor heat to cabin.

“Oxygen concentration 11.64 percent. Scrubbers operational, 37.94 percent efficiency. Estimate normal mix in 8.05 hours.

“Eight point zero five.

“Five.”

He slowly sighs. His mind has found an unexpected road and is running down it in pursuit of a memory.

“You were five. We still lived on Earth, but had decided to leave for a mining homestead in the asteroid belt. There was nothing left for us on Earth, in our cardboard shack in the South San Francisco favela.

“We wanted to have one special moment. We splurged and took you to the little Golden Star Amusement Park in the Sunset. You always wanted to go there. You were enchanted by the Dragon rollercoaster. You rode it over and over, until you were sick to your stomach. Even then, you cried when we left for home.

“Home.

“Home is mining asteroid (142823) 2026-MC13. Estimate distance to home 1.8598 million kilometers. Estimate distance to Ceres 1.8528 million kilometers. Estimate velocity normal to solar system 24.931 thousand kilometers per hour. Time since accident 42.190 hours. Estimate probability of distress signal reaching Ceres Station 3.14 percent.”

Father’s monologue of shuttle status and random memory continues, but the summary is always the same. Our shuttle is damaged. My father is damaged. My father, through the interface cap and the rewiring to the shuttle components that still work, keeps life support barely running. The emergency medical system keeps my father barely alive. We are above the plane of the solar system, on a constant vector away from both home and from Ceres, with no way to change that fact.

We are adrift in the void, with my father’s voice as a constant reminder of the darkness of our situation.

#

A simple trip. A shuttle run back to Ceres headquarters. Printer stocks, hydroponics supplies, reactor fuel, necessary in-person meetings with the corporation.

When I was young, I loved the Ceres trips. Not just because I could see, in person, friends who I only knew through my virtual classrooms. Not just because at Ceres in the open habitat we could walk and run and play without pressure suits constraining our movement.

I loved the trips because they were joyous times with my family, together, without my parents working hard at the mining operations or me buried fourteen hours a day in schoolwork and lessons and mandatory exercise. On the shuttle, we sang songs, listened to music, played games, laughed. Mother told me stories about the stars, myths and legends from her childhood. I listened in wonder and joy. We were a real family, like the ones I read about on the chat boards or saw on the video streams.

Mother died in an accident when I was fourteen.

Life was never the same. Quiet melancholy replaced chaotic joy. Father and I buried ourselves in our work. I took on mining responsibilities along with my schoolwork. Father and I communicated only in data points – status, machines, daily production, shipments, coursework. On the Ceres trips, we traveled in silence. Prayer music played non-stop on the journey. Father controlled the shuttle with the interface headset, eyes gazing into a virtual display of shuttle information, status and control that I could not see.

On these trips, our only conversations were arguments.

“Father, you should add me to the shuttle control interface so I can learn to fly the shuttle and manage the systems. I can help with the burden.”

“You are too young.” His voice, which he routed through the speakers while controlling the shuttle, was always too loud.

My anger came easily. “I’m seventeen! I have top marks in my coursework. I maintain the mining robots. I can run a shuttle.”

“You are not ready.”

“Then let me go to university on Ceres, in person, so I can get my next degrees.”

“You can not leave for university on Ceres!” His anger took longer than mine, but it always arrived, in an explosion that blew static through the speakers.

After that, silence again, staring out the small portholes at the stars until we arrived at Ceres and went our separate ways.

We had already done our arguing when the first meteorite swarm hit. Small enough it didn’t register on the long range sensors, but still large enough to badly damage the shuttle. It didn’t help that our shuttle was old, second-hand, and in need of more repair than we could afford. Mining life is perching on the perpetual edge of disaster, grinding out as much profit as possible for the corporation to which we were indebted.

Father was outside assessing the damage when the second, larger, swarm hit. His screams echoed through the communications link, followed by gasps and whimpering mixed with the pattering of meteorites on the hull.

Somehow, I dragged him through the airlock and inside.

Somehow, I hooked him up to the emergency medical system, followed the prompts and gave him drugs to keep his heart beating and his lungs moving.

Somehow, he survived.

“Son. Are you?” His voice was soft, and weak.

“I’m alive, Father. You are too.”

“Barely. Ship?”

“Still intact, obviously. But there was a power overload. It burned out the main computers, stellar navigation, the engines, everything. We’re on minimal backup on all systems.” I had checked everything I could check, without command access. It was all ruined.

“Saw communications array. Ruined.”

“We are doomed, Father.”

“No.” The force in his voice surprised me. “We can live. We can rewire the shuttle. I can control basic life support systems. I will give you instructions. You will do the work.”

That was the first day. Father giving instructions or suggestions, me breaking and making connections throughout the shuttle. By the end of the day we had the headset interface wired into basic life support: heat, oxygen, water reclamation. We had enough to keep us alive for perhaps a week. We had a chance.

But we were also adrift. Based on the last sensor readings, and celestial sightings, I calculated we were now pointing away from the plane of the solar system. The final burst of the dying engines had sent us off course. We were moving away from anyone that could save us, farther and farther every minute.

Father, injured physically and mentally, monitored all the critical systems. By the end of the first day he was already reciting shuttle status and making connections with whatever memories were welling in his fractured mind.

“Oxygen scrubbing at 61.34 percent efficiency.

“Estimate 1.1838 million kilometers from Ceres, based on position of reference stars.

“Stars.

“Stars in the sky, above home.

“The first day we arrived at the asteroid, you were angry because we had left Ceres. We took you outside to the surface and showed you the stars. We told you their names, traced their constellations, recited their myths. For hours we did that. You loved it.”

“Yes, Father. I still do.” When I was angry, or frustrated, I would go stand on the surface of our asteroid and get lost in the stars and the stories.

Now they were a threat. They scared me.

“I’m sorry, Son. I’m sorry we are in this situation. I’m sorry I kept you at home. I’m sorry for everything.”

#

“Three days, fourteen hours, fifteen minutes since the accident,” my father recites.

“Estimate 3.1983 million kilometers from Ceres.

“Water purity 78.11 percent. Supply tank 7.32 percent.

“Water. Flowing in a river.

“When your mother and I were young and courting, we took a camping trip to the Red River to see the Silver Falls. From high above us, glistening water fell over a cliff, through the sky, pounded into the earth below, and flowed away into the river. So much power in water. On the asteroid I dream of that much water, cascading across our small rock.

“We don’t have enough water, Son. We will not survive.”

Father is sad. Depressed. Each hour he seems to sink further and faster into a vast dark place, like the vast dark void around us.

“Hold on, Father.” I try to say this with hope. “There is still a chance someone will find us.”

“There is no chance. We are dying. You are dying. It is my fault. All my fault.” He cries. Tears pool against his face, sobs echo from the speakers. Not even when Mother died was he this emotional. This despondent. This lost.

I am anxious, jittery. I don’t know how to comfort him. I don’t want to turn him off any more. But I can’t sit here. I need to move.

“Father, I am going outside. I will walk the shuttle.”

No answer, just more tears and sobs that batter at me as I make my way through the airlock and to the outside.

Outside I turn off my communications link, engage the magnetics in my shoes, and stand on the shuttle’s skin. The stars are infinite in their numbers all around me. I pick out the constellations. The Hunter. The Judge. The Wanderer. They stand, silent. I ask for answers but get none.

I walk the shuttle’s hull. My breathing falls in time with the force of my steps, echoing inside my suit. Sol burns before me as I round the shuttle. Beckoning. Taunting. Smaller and smaller with every second.

We are doomed. We have no thrust towards Ceres. We have no communications. We are running out of clean atmosphere and clean water. Our food is gone. The magnetic couplings on my boots are the only thing keeping me from floating away.

I could release the couplings, disconnect from the umbilical, push off from the shuttle, and drift away. Become one with the stars and the myths.

Push hard enough from the correct location and the shuttle might be directed, so very slightly, towards the solar system. Father might be found. He might even stay alive.

I could do it.

But in those moments, before the end came, Father would be alone. I can’t leave him alone. I am all he has. He is all I have.

I must find a solution.

Walking brings me to the communications array. A tangled nest of wires and equipment, shot through with holes from the meteorites, burned in places from the power overload. Could something useful be left? There was so much work to keep Father alive, to reorganize the shuttle to keep us alive, I hadn’t thought of the possibility.

I poke and sort through the tangle, find enough of the transmission antenna to send a signal. We would need a way to direct and focus the signal, to push it towards Ceres. A reflector. But the meteors tore off the reflector.

Panels from the shuttle’s hull could make a reflector. Without the need to heat and oxygenate the shuttle’s interior, just our suits, we’d have more power to boost the strength of the signal. Vent the atmosphere before removing the panels and we could even get a slight push towards Ceres.

This is a dangerous idea. We would be exposed to the frigid dark of open space. We could die.

If we do nothing, we will die anyway.

I turn on my communications link, to the sound of Father, panicked, crying.

“Son, please respond. Son, please respond. Son, please respond.”

“I’m here, Father.”

“Son, I was worried, I was afraid. I was alone.”

“You are not alone, Father. I am here.” I make sure to sound confident, raise his spirits somehow. “Father, I have an idea.”

#

Father’s space suit is too far damaged to provide any resistance against outer space. Over his objections, he will take my suit and I will wear the backup suit. Carefully, I trade suits. Bruises, dried blood and sweat coat his body so I take some time to clean him off. I try not to hurt him any further as I dress him in my suit.

Briefly, I must disconnect him from the shuttle controls. During this time I work as fast as possible to keep him from getting too cold.

When I get him fully in his suit and the interface headset reconnected, his voice nearly bursts from the speakers.

“Son! It was so dark. Are you ready?”

“Yes, Father.” The backup suit is a tight fit but it will work for our purposes.

“Preparing systems for the signal burst. Diverting ambient reactor heat to the suit umbilicals. Cutting air recycling to only the suit umbilicals. Atmosphere mix at 10.11 percent oxygen. Begin reconstruction of the communications reflector using shuttle panels.”

Outside, our last air hisses out as I drill holes in the hull on the opposite side of where we think Ceres is. I hope it helps.

The work to build a signal reflector is slow and tedious. I only have two charged batteries, and a handful of tools. I use them as little as possible, and do anything I can by hand. It is difficult work. Sweat gathers inside my suit faster than the dehumidifier can pull it out. Pools of water collect on my face and I have to shake my head to try to move them away. My muscles ache and I am tired.

Father talks to me throughout. Status, memories, an endless loop.

In the last four days, he has said more to me than in the preceding three years. Even though it is a monologue more than a conversation, I somehow find it comforting. A connection.

Finally, we have a crude antenna and a signal reflector. The reflector is pointed in the direction of Ceres, our last hope against the vast void of space.

Back inside, I strap into my seat. Father is a small man in a small spacesuit. The moisture in the shuttle air has frozen onto everything including his face panel. I brush ice and dust off the face panel. I’m not sure if he can see me, but I smile.

“Father, we are ready.”

“Beginning power diversion to transmitter. Transmitting distress signal burst. Cycle one.

“Transmitting distress signal burst, cycle two.”

Now that I am not working, the cold invades my suit and I am chilled. I am tired, and ache from the effort of the work. The suits will keep us warm. How long, we don’t know.

“Transmitting distress signal burst, cycle eleven.”

Pieces of a constellation of stars appear in the gaps in the shuttle’s hull. The Dragon, twisting, flying, burning those that threaten its home.

“Transmitting distress signal burst, cycle twenty-seven.”

I am so tired. It is so cold.

The void calls me with stories and dreams, and I go to it.

#

A light in my face. The dull sensation of someone poking my chest.

A woman’s voice. “Hey, hey. Wake up now.”

Breathing deep, my lungs burn and I cough. There are tubes in my nose, gusts of warm air tickle my throat. I smell antiseptic, sterilizer, and behind it the hint of rusted metal, dirty oil, people.

I’m on a spaceship. In a medical bay.

I am covered in metallic blankets. My arms and legs are stiff and barely move.

“Stay still there,” the woman says. “I’m still running a warming cycle on you. We just got you back.”

Cracking my eyes open, I see a small black woman with short grey hair.

“Where,” I say in a croaking voice. My lips and throat are dry and rough.

“Naval cargo cruiser Morning Glory. Your distress signal was received and we were closest.”

“Father?”

“Your father is dead. The meteorite damage. The cold. He didn’t make it.” She lays a soft hand on my forehead. “I’m sorry.”

I shake as the reality of his death washes over me. I knew it was likely. It still hurts. The empty place that was my father’s presence in my life joins inside with the hole my mother left. I try to cry, but I am so tired and sore I am reduced to slow, simple, whimpering.

I want to know where he is. “Shuttle?”

“Your shuttle is in a cargo hold. Your father is there, too. The crew made a coffin for him, from a cold storage container.”

“See him.”

“Later. Right now, you need to rest. We’re mid-run right now, but we’ll be at Ceres in two days.”

Warm liquid crawls up my arm. By the time it reaches my chest I am very sleepy. The medical bay is quiet. The click of machines, the doctor humming a tune I don’t know. There is no voice, no status, no constant presentation of statistics and danger and possibilities and concern.

I miss it.

#

When I awaken I am stronger and can move. I demand to be taken to our shuttle. Officers take my statement as they guide me to the cargo hold. They confirm what was stored in the shuttle’s logs and compliment our ingenuity, our bravery, and my father’s sacrifice.

They leave me at the shuttle. Broken and tattered by the meteorites and by our disassembly, it looks small and helpless in the large hold of the cruiser. It is a wonder we survived.

Next to the shuttle is a small metal box, military logos on both sides. My father’s coffin.

I want to see him.

I crack open the coffin. Cold gas escapes and condenses in a fog.

I wave it away until I can see Father. His expression is peaceful, even serene.

I place my hand on his chest. It is frigid. I don’t care.

“I am alive, Father. The signal was received.”

I don’t know what to say. I know he will not respond, but I keep waiting for him to talk, to tell me the atmosphere status, the water recycler status, an ancient memory. Anything.

Nothing. Because he is gone, isn’t he?

Tears come freely and I sink into a hard calm place that is sadness.

Like a bell in my mind, his words about the stars, his first memory after the accident, call to me. I close my eyes and my own memory comes back, crisp and clear.

“I remember that night, Father, the first time you showed me the stars from the surface of the asteroid. Space was so big. The stars were infinite and uncountable. I was so small. But I knew that as long as you held my shoulders I would be safe.”

More memories come, a cascade of moments with him and with Mother.

“The first Ceres run, after Mother died, we rode in silence. I stared out the window at the stars, remembering Mother’s stories. We both grieved, in our way. Our only conversation was when you offered me the rest of your meal and I took it. I remember that moment, that one connection. I treasure that memory.”

I talk to my father for hours, in the large hold of a large cargo cruiser. I tell my father stories of him and Mother and me and our life, during the entire journey back to Ceres Station.

© 2021 by Jeff Soesbe

3500 words

Author’s Note: I was doing some free writing to a prompt of “ghosts on drugs”, and when I typed “I’m trapped with the ghost of my dying father on a dying spaceship whose drugs are the only thing keeping him alive” the story just took off from there. I “hit a pocket”, as I like to say, and ended up with a story that had special meaning to me. 

When Jeff Soesbe isn’t writing stories, he writes software and simulations for subsea robots in Northern California. Jeff’s stories have appeared in Abyss & Apex (upcoming), Factor Four, Andromeda Spaceways, and Flash Fiction Online. Jeff is a graduate of the Viable Paradise Writing Workshop (Elevensies!). This is Jeff’s first professional sale (woohoo!)

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DP FICTION #73A: “Boom & Bust” by David F. Shultz

edited by David Steffen and Ziv Wities

Haphazard clusters of empty cubicles and potted ferns served as strategic cover. The grey carpet was now a canvas— streaked, splattered, and sprinkled with dirt, blood, and broken glass, it rendered in impressionist strokes the market crash and concomitant sniper threat.

Kondo barked his orders. “Rocco, cover the east window. Valiant, you’re on ammo detail. Pepsi, keep an eye on market changes. Luna, get me a full asset list.”

They had the high ground advantage, twenty-eight stories up in the commerce district. Kondo scoped a straggler through the reticle on street level. The HUD indicated a bounty of 1200 creds. He squeezed the trigger, and with a flourish of blood on the street came the satisfying ding of a credit transfer, like a percussionist’s triangle. With inflation increasing exponentially, his team would need all the credits they could get.

“Got that asset list,” Luna said, and handed Kondo the ePad.

The roster cross-linked with commodities and valuations. Most of the team had taken his advice to hold their rights to a fair trial and security of their person.

“Hendricks,” he shouted, “Why the fuck haven’t you sold your goddamn media rights?”

“They’re classic tunes, boss.”

“Fuck your tunes. We need the ammo. And that goes for the rest of you, too. Copyright licenses aren’t worth a goddamn if you’re dead.”

Kondo fancied himself a decent manager, but somehow he’d failed to impress on his traders the folly of investing in cultural access permissions. CAPs were a hot commodity for the subsistence class, but investors should know that after IBM and Google cracked aesthetic automation, those products were doomed to perpetual depreciation. Owning a piece of the AI or the media conglomerates was the only way to win at the art game.

“I want those media assets gone,” Kondo shouted. “That means everyone.”

Bleeps and hums of market transactions turned the office into a discordant electronic aria with Kondo voicing orders over the din. “Dump all your CAPs. We’re working with media-free portfolios from now.”

Hendricks sat idly at his ePad. “I can’t sell at this price. It’s a crime against music.”

“It’s only going down from here,” Kondo said.

“You’re wrong about the CAPs, boss.”

“Bullshit I’m wrong. Once the machines can make something, the commodity value drops. It works the same for everything.”

“Not music,” Hendricks said. “Not art. Sure, people only care about efficient production when it comes to functional goods, but for aesthetics they want the genuine article. That’s why there’s a premium for hand-made, right? And that means automation actually boosts the value of art.”

“That’s not what the market trends say.”

“It’s hard to sell art in a recession. But I know wealthy buyers. Collectors.”

“We can’t afford to speculate right now, especially on CAPs. If you don’t sell the damn media, you’re about one stray shot from me releasing your work contract.”

“That’s your call, boss. But they’re my nest egg, and I gotta hold them—at least wait out the crash.”

“Stubborn shit,” Kondo said, then shouted his commands. “Everyone renew your bounty license. Head values are gonna keep rising. Keep a buffer of ten-k and use the rest for ammo and expendables.”

Within minutes came the ballet of Amazon delivery drones, hovering through rectangles of glass-edged sky to drop ammunition boxes. The fabbers spit out rifle parts and the team assembled them, locked and loaded, spread themselves around the windows.

“Shit! I got a price on me!” Che Monet shouted.

Sure enough, Che’s bounty hovered holographically over his head, a cool 4k offered jointly by TK Pharma and The 6ix Econocrimes Enforcement division.

“I told you not to sell your right to a trial!”

Che was about to say something when his head exploded in a flourish of blood and brains. Above his body, little stalactites hung in sinewy bone-tipped strands from the ceiling tiles. Someone on the street or maybe a nearby ‘scraper was a little bit richer.

It wasn’t a complete write-off. Kondo at least got Che’s assets because of the work contract—getting iced on the job was a strict violation. But he was down a team-member, and needed the manpower for today’s trading. He’d have to reinvest in labor.

Kondo posted the opening, and applications started coming in faster than stray bullets through the office. Rocco got a price on his head, too, and retreated quick, like Che should have, while sniper fire whizzed through the office, punching holes through flimsy cubicles. In the settling snow of drywall flakes and pulverized IKEA products, Kondo ducked behind a cubicle to assess résumés. The salary expectations were shockingly low, but it made sense given the crash.

“We’re getting some new team members,” Kondo said, tapping through LinkedIn’s HireMe app.

“How many?” Valiant said.

“Three,” Kondo said.

“Labor that low, huh?”

Kondo walked to the fire escape and unlocked the east stairwell emergency door. A few minutes later the first recruit came through, sweating and panting.

“Welcome aboard. I’m Kondo Kevlar. You Calvin?”

“That’s me. Calvin Kholstomer. Happy to meet you, sir, and thanks for the opportunity to join your team.”

“I’d give you the tour, but we got a situation on our hands. You got a gun?”

Calvin patted his briefcase.

“When you get a chance, check your portfolio against my specs. By the way, we dress more casual here.”

“Oh, that’s a relief.” Calvin hung his suit on the rack. “So where to?”

“You can set up with Valiant there.”

Calvin strolled over to Valiant, popped open his briefcase on the floor by her side, and assembled his rifle.

Over the next few minutes, the other two hires came through. Karl Angel-Owens and Pavel Dredd. They weren’t A-listers, but Kondo only needed short-term traders to weather the crash, and at these rates signing them wasn’t a hard call.

“What’s the plan, boss?” Valiant said.

“Corporate takeover.” Kondo cocked his shotgun. “You all ready?”

They looked ready, rifles across their chests, helmet visors snapped down, and each one of them holding the right to life and the right to a fair trial. That would buy them some time from the killdrones.

“Move out!”

They took the lift to the ground floor, advanced across the block in tactical formation, and reached their target, BioPharmaSoft HQ. Valiant placed the C4 and blew the gate. With ears still ringing, they charged in through the smoke and over the rubble.

The poor saps inside had all flipped negative, and bounties sparkled in the HUD overlay all across the lobby. Someone had mismanaged BioPharmaSoft big time. Kondo’s team took out the security, the desk jockeys, a couple of suits by the elevator. Someone shot back, winged Pepsi, and Kondo watched BioPharmaSoft get their fine in real-time.

The takeover was going great, right until they hit the third floor.

“Shit!” Karl said. “Our share value is dropping!”

Kondo’s ePad confirmed they were running out of funds. Ammo low. Resupplies off the table. And if they flipped negative, they’d be on the radar of any bounty hunters in the area, not to mention killdrones.

“Hendricks,” Kondo shouted. “If you were planning on selling those CAPs, now’s the time.”

“Sorry, boss. Can’t do it.”

“Then you’re out.”

“You can’t be serious.”

“I don’t want to do it, Hendricks, but we need the liquidity. So you sell the CAPs, or I release the contract.”

“You gotta do what you gotta do, then. I’m not selling.”

“Then take care of yourself, Hendricks.”

Kondo let Hendricks go and accepted the credit boost for the released work contract. It wasn’t much, but it would buy them some time in supplies. Hendricks dipped into the stairwell, and just like that he was off the team.

“Sweep the fourth floor,” Kondo ordered. “We’ll move up from there, collect creds as we go.”

The elevator stopped at the fourth floor. In the widening slit of the doorway, Kondo saw the suits on this floor were all barricaded behind a wall of cubicles. Worse, their HUD values weren’t all negative. Most still had their fundamental rights, and a few of them had bounty licenses.

Kondo ducked behind the elevator wall, and the team followed. A few shots rang through, punching holes in the far side of the elevator.

“Are we outgunned here?” Pavel said.

“Worse than that,” Kondo said. “They might try to buy us out.”

Kondo checked the market. Some patent investments had paid off, and BioPharmaSoft didn’t seem so soft anymore. They had enough cash for a hostile takeover of Kevlar Inc. Kondo watched helplessly as his team values dipped, dipped, and flipped.

“Retreat,” Kondo said, frantically hitting the elevator’s ‘close’ button. “Back to HQ! We need to regroup!”

A hail of gunfire turned the elevator door into a cheese grater.

Then they were back on the street running for their lives. Rocco took a bullet in his spine and collapsed into the gutter.

“Killdrones!” Kondo shouted. “Don’t jaywalk!” With their net worth sub-zero, they couldn’t afford any infractions.

Pepsi took a shot in the shoulder a few paces from HQ, then one in the thigh. He left a bloody streak on the glass door where he slid down to crumple at the bottom.

“We got bounty hunters coming in!” Valiant said.

They were coming, alright. Not just the corporates from the commerce district, but the freelancers, too. Across the street: ripped jeans, a flak jacket, and a machine gun. On the other side: full motorcycle gear, rifle strapped across his back, grenade in one hand. More down the other way, all streaming towards them.

Kondo was last in. While rounds pinged off bulletproof glass, he slammed the door and slapped the red lockdown button. A grenade exploded outside, and when the smoke cleared, water sprayed across the street from a busted hydrant.

“We need to get positive,” Valiant said.

“We don’t have any assets,” Karl said.

“We gotta make a stand here,” Pavel said. “Maybe we get lucky. Snag a straggler or two, climb our way back.”

It was hopeless. Every second Kondo’s team sat on the bottom of the ladder was another second they fell further from the top. The gap between the subsistence class and the investment class grows exponentially. It’s simple math. Without something to invest, without assets to sell, they weren’t just dead in the water. They were sinking.

Security monitors framed the carnage at Kevlar Inc. A siege of bounty hunters forced their way through the windows and exchanged fire with lingering squads of temps and middle management, and the geometry of the gunfight unfolded in sprays of red across marble tiles.  The trading floor was a tapestry of browns and reds and glittering bits of glass.  Furniture and human bodies were deconstructed by bullets and shrapnel. Incendiaries added singed black stars.

Kondo breathed, lowered his weapon, and felt the last of his will depleting along with the value of his corporate account. In the haze of defeat, through blurred eyes, the wall of security monitors were a gallery of abstract art, each stroke and splatter imbued with the life of his dying corporation.

That was it.

Kondo put Hendricks on comm. Gunfire rang out on the other end.

“How’s it going over there?” Kondo said.

“Got my hands full. Could use some backup.”

“I think I can help you. But you gotta do something for me.”

“What’s that?”

“Those art dealers you were talking about…”

“Whatchu selling?”

“Something unique,” Kondo said. “One of a kind. Really captures the spirit of the crash.”

“Be more specific.”

“Abstract impressionism,” Kondo said. “Mixed media: blood and dirt on carpet.”

Hendricks laughed. “Maybe I can make it work. Send me the images.”

“Sending now.”

“My cut is fifty.”

“You kidding?”

“Let’s make it sixty.”

“Fifty will do.”

Kondo transferred the last of his corporate creds for the gambit. Just enough to get the bounty hunters off of Hendricks, enough to let him work. Meanwhile, Karl ate a bullet, and a swarm of killdrones descended on the glass with whirring drills.

“Got a potential buyer,” Hendricks said. “Billionaire by the name of Cash.”

“That’s fitting.”

“Mister Cash Rexall. He wants to meet you on the trading floor,” Hendricks said. “Right now!”

Kondo sprinted to the trading floor and flung himself through the door, rolling under a spray of gunfire. He crawled from cover to cover, firing intermittently to scare off hunters. If he was going to be someone’s bounty, he would at least make them work for it.

The holocomm lit up and projected a blue-green billionaire on the trading floor. Bullets whizzed harmlessly through the avatar of Cash Rexall, while Kondo crawled to his holographic feet.

“Mister Kevlar!” Cash said. “It is absolutely magnificent!” With his arms outstretched, Cash spun in place, waltzing holographically around the chaos of the carpet through a hail of gunfire. “This is the art I’ve been searching for! A piece that truly captures the spirit of the times, in form and content! Something truly new, a contemporary art that shocks and surprises without sacrificing substance! This is where the jagged red lines of the market tear from their confines of the stock index and reach into the physical space of the trading floor. Truly wonderful! I’ll take it! I’ll take all of them! The whole collection! Send me all of your carpets!”

Cash Rexall’s credits rolled in, a tremendously generous price that brought Kondo and his entire team back into the green… and made Hendricks a damn millionaire! The gunfire outside slowed to a trickle, then stopped, and before long, the crash was over.

Kondo had wine delivered to celebrate the survival of the company, and of the remaining employees who didn’t break contract.

“A toast,” Kondo said. “Thank god for Cash Rexall, and all the other billionaire investors. If it weren’t for people like him, an economy like this wouldn’t be possible.”

They clinked glasses, and drank, and smiled at their good fortune. Kevlar Inc survived the bust, thanks to the investment of Cash Rexall. And they were in a boom now.

Kondo probably could  have come up with a more creative title for his collection of carpets than Boom & Bust, but he supposed it didn’t really matter. What mattered was that Cash Rexall bought it for the price it deserved. With a renewed appreciation for the art world, Kondo brought the wine to his lips, slowly, and thought about his masterpiece, now on display in the collection of someone who truly understood it, who could truly connect with its message.

© 2021 by David F. Shultz

2500 words

Author’s Note: This absurdist story about gun-toting salarymen waging corporate war in the commerce district was inspired by the destructive and circular logic of late stage capitalism. A word of thanks is owed to the members of the Toronto Science Fiction and Fantasy Writers who helped develop the piece.

David F. Shultz writes speculative fiction and poetry from Toronto, ON, where he is lead editor at tdotSpec. His over fifty published works can be found through publishers such as Abyss & Apex, Third Flatiron, and Dreams & Nightmares. Website: davidfshultz.com

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DP FICTION #72B: “A Study of Sage” by Kel Coleman

edited by David Steffen and Ziv Wities

The bells over the door chimed and I glanced up. A stranger came in and took a seat with the only other customers: a group of middle-aged folks who chattered like old friends and occasionally burst into laughter that filled the diner.

I tried to tune them out and continue practicing in my head. I love you so much. And the last six years have been…

But the scent of fry oil kept transporting me to our first date⁠—cheap drinks, greasy food, and a girl who made me laugh until it hurt. The place had been a dive, with one of the ceiling lights flickering and buzzing the whole time, but it’d had a student discount and killer french fries.

Here and now, my girlfriend was late. Top marks went to the designer for accuracy.

The server, a toothy kid named Tanner, bounced over to the table. “You sure I can’t get you anything, miss?”

“Water’s good for now,” I said, for the second time. “Thanks.”

“Okay, just let me know if you change your mind!” They spun away toward the kitchen.

I felt a prick of sweat under my collar and realized I was still wearing my frayed winter jacket. Sage wasn’t a fan of it, so I started to tug my arms out of the sleeves.

Klutz of the year, I managed to smack my cup of water, flooding the table.

“Shit.” I grabbed a fistful of napkins from the dispenser to mop up the mess, but they disintegrated into mush.

Tanner nudged me out of the way and wiped the table with a thick cloth, saying, “No problem, no problem,” in a singsong voice.

The bells chimed and Sage, dressed for an art show in black-and-white chic, stood in the entrance. She spotted me in my soggy, oversized jacket, and frowned.

I groaned, pushed up my sleeve, and ran a finger over the inside of my wrist. The trail from my fingertip glowed a soft green. I repeated the gliding motion to confirm the reset and reality faded to a dim, white haze.

*

A moment later, I was standing outside of the diner. I went in and sighed at the comforting smell of frying food.

I seated myself in the back again and the teenager hustled over with a glass of water and a flash of teeth. “Hi, I’m Tanner and I’ll be your server today! Our specials are⁠—”

They paused for breath and I rushed to say, “Thanks. The water’s fine for now. I’m waiting for someone.”

“Okay, sounds good!” Tanner bustled back to the service station and waited, ready to pounce at the slightest indication I needed something.

I stood to take off my jacket, tossed it over my chair, and headed for the bathroom. I locked myself in a stall decorated with smears of graffiti someone had tried to clean, and tapped my wrist three times. A glowing white sixty-minute dial appeared and I rotated it twenty minutes.

Fast-forward made me real-life nauseous, but I used a bit of graffiti on the stall door as a focal point—two lovers’ names captured inside a tiny, squat heart. It helped.

The only sign that I was speeding through time in the virtual world was a shift in the light when another person used the restroom. After reality slowed to normal, I exited the stall. Out of habit, I checked my makeup and swiped my hands under the sanitizer near the door. I made it back just in time for Sage’s entrance.

“Hey,” I said, waving her over. We hugged. The warmth of her was a catalyst for my nerves, but she smelled like cedar and cloves. She smelled like home.

When we took our seats, she smirked and lifted one of her lush, dark eyebrows. “Why here?” she asked, voice low and scratchy like sandpaper.

“Our first date,” I said, “remember?”

Sage looked around at the cheap decorations and dilapidated furnishings. “Hmm… maybe.” She shrugged, just like Sage did, and I almost forgot she was a sim.

“Well,” I said, “I like it here.”

“That tracks… a little messy, no sense of style.”

I scowled.

Sage reached across the table to take my hand and, giggling, said, “I’m just kidding.” I let her fingers brush mine before I pulled away. My reluctance puzzled her, made her scrunch up her nose. It was absurdly cute and I almost put my hand back on the table.

Tanner appeared like a gust of wind. “Hello! Can I start anything for you?”

Sage’s face cleared of confusion. She lifted the menu and flipped it over several times before sighing. “I suppose I’ll take the french fries.”

“Okay. And you?”

“Chicken tenders,” I said.

Sage caught my eye. “Sure you wouldn’t prefer something lighter, like the Caesar?”

There weren’t any calories in simulations, just taste signals tricking the brain, but I said, “I guess. Salad sounds fine.” She grinned at me and I resisted dueling impulses to return the smile or switch my order back to the tenders.

“Perfect. That’ll be up soon,” said Tanner, then they shot us a finger gun, gathered the menus, and left for the kitchen.

I opened my mouth, thinking now was a good time to explain myself, but Sage rolled her eyes and said, “Oh my god, did I tell you what Kent said to me the other day?”

I shook my head. Habit.

“Well, we were in a meeting with Patricia, and Kent’s there for some fucking reason, and then⁠—”

“Sorry… Sage?”

She frowned, not used to being interrupted. “Yes?”

I needed to get this lunch back on track. “Uh,”⁠—it was hard to remember my speech with her eyes on me⁠—“I wanted to talk to you about… well, you know how much I love you, right? And these last six years⁠—”

“Hey, folks! Just wanted to let you know your food⁠—”

I growled, actually growled, at Tanner. Sage stared at me like I’d grown a third eye, so I swiped my wrist and reset the simulation. Everything faded to white.

*

I restarted the program, over and over.

Once, I went for a walk to wait until Sage arrived, but I lost track of time in an antique shop staring at dusty book covers. When I made it back to the diner, Sage was sitting at a table in the center of the room, miffed.

Another run ended when she sat down and I immediately started crying. The sixth or seventh had to be reset after I accidentally made Tanner cry.

The best one was when I was able to jog Sage’s memory about our first date. We rehashed the drunken night and Sage’s deep, raspy laughter reminded me of the girl she’d been. She leaned across the table, brows low, and purred her affection for me. Like she had that first night, she talked me into a tawdry bathroom fuck.

Doing it with a sim, especially one so like and unlike my girlfriend, filled me up and scraped me clean.

*

I walked into the diner, went straight to the bathroom, fast-forwarded, then left the bathroom without using the sanitizer.

As soon as I removed my jacket and took my seat, Tanner came over to say hello. Before they could launch into the specials, I said, “Thanks, but I already know what I want.”

“Perfect! What am I getting for you?”

“Can I have a Caesar salad and fries on separate plates? And a second water?”

“Okay. I’ll be back with those shortly.”

The door chimed and Sage swept into the mostly empty diner. Her eyes found me, and she glided to the table. I thought about staying in the booth, but she smiled at me, arms wide. I got up to hug her.

We sat and she sighed. “There was a lot of traffic on the way to this,”—she scrunched her nose up at the peeling paint and lopsided photographs—“restaurant?”

“I ordered you some french fries,” I said, ignoring the jab. “That okay?”

Sage flipped through the menu, with the tips of her fingers. “Sure. There aren’t many options, are there?”

“You’d be surprised,” I said, trying to think of how to begin, what to say this time. “How’s work going?”

Her eyes lit up. “Oh my god, did I tell you what Kent said to me?”

I almost said, “about a dozen times,” but I just shook my head. Sage launched into the story of how Kent, Patricia, and that sonofabitch Jaylen tried to ruin her gallery deal. Halfway through, the food arrived. I nibbled at my salad, wishing I had something fried and greasy to keep things interesting, but I was learning to choose my battles.

When she slowed down long enough to pick at her fries, I said, “Sage, there’s something I need to tell you.”

“Okay,” she said, head cocked.

“So, I love you, you know that. And there’ve been a lot of good moments over the last six years…”

“Okay,” she repeated, drawing the word out, tapping the edge of her plate with a french fry.

And now, it goes to shit. “But I got a new job. In Philly.”

“What?” She stopped tapping.

“I start in a couple weeks. There’s a small biotech lab and they⁠—”

A round of laughter erupted from the other table.

Sage’s eyes flicked over at them, then back to me. “We can’t move right now. What about my job? What about our studio?” Her voice got louder with each question.

“It’s your studio. And we aren’t moving. I’m moving.”

“If this is about the rent⁠—”

“It’s not. And it is. Getting a place I couldn’t afford and lording it over me was probably the start, now that I think of it, but it’s about a lot of stuff. Look, I’ll finally have a decent salary, so I can pay back some of the rent if you want. And you’ll be able to dedicate the studio to your art like you’ve always wanted to.”

Sage’s eyes were wide and glossy as she leaned in. “Are you… breaking up with me?”

My lips were wet and tasted like salt. The real Sage never sounded so small.

I was sick of pitying her.

“Why do you care, Sage? You’re never home. You’re always with your art friends or working all night and when you do come home, we barely talk to each other.”

Her tears spilled over, but I couldn’t stop, not with her finally listening.

“And I’m pretty sure you’re fucking that girl from the exhibition, your intern.” She tried to say something, but I waved a dismissive hand. “It doesn’t matter. Because even when we do spend time together, you make me feel like shit.

“You remind me that I’m broke and too fat and boring all the time, or you just talk at me and guess what? You’re pretty boring too.” I laughed, strangled, joyless. “I mean, don’t get me wrong, you’re beautiful, your art is beautiful, but it’s…” I searched for the right word, looking around for my point, and my eyes fell on the table of middle-aged friends.

I gestured toward them. “It’s like them. They look real. Even though I know this is virtual, it’s hard for me to tell the difference until I pay attention. They’re having the same conversation every few minutes. They haven’t even looked over here, not really, and we’re disruptive. Maybe if I’d paid more for this sim…”—I shook my head—“My point is, you’re like them. Not you, but her, the real her. When I really look at her, I realize it’s all fake. You’re fake.”

The table of friends reached another joke in their loop, broke into snorts and cackles.

Sage, her face streaked with mascara, snatched up her bag and stood to leave. “Fuck you.”

She walked to the exit, head high, heels clicking on the tiled floor. The force of her slam made the bells over the door chime for several long seconds.

I didn’t bother to reset. I just shut down the simulation and everything faded to black.

*

I practiced for two more days. I got sick of Caesar salad and never found the perfect way to say “I love you, but goodbye.” I thought it was because the love part felt weird. Not a sham, but not honest either. Not anymore.

I would’ve done the actual deed sooner, but Sage asked for a rain check on our date and kept coming home late. When she climbed into bed the third evening—early morning, technically—I was so pissed I blurted it out.

She laughed at first, thinking I was joking. Then…

I don’t remember the exact words, how she explained that I needed her more than she’d ever needed me, but each syllable pecked and nipped until I was shredded. I tried to dredge up the script from dozens of simulations, reply with something smart and insightful, but the real Sage was more vicious than the designers could’ve gleaned from her social media profiles or my account of our relationship. I hadn’t seen her clearly, not after six years, not even near the end.

When she finished tearing into me, she went to the closet and yanked clothes off their hangers.

“Sage.” My voice was choked, thick with pain.

She whipped around. “What?”

“I’m sorry.”

“For what?”

Good question. My lips trembled.

“Fuck you,” she said, and continued to pack an overnight bag.

I wanted to beg her to stay, just this night⁠—stay with me, hold me like you used to⁠—but all that came out were hot, grinding sobs.

*

“I figured it out,” I told her.

Sage paused with a french fry halfway to her lips. “Figured what out?”

I smiled. “What I was sorry for.”

She raised an eyebrow. “Am I missing something? When did you apologize?”

“Earlier,” I said, waving a hand. “It’s okay, you wouldn’t remember. Not now, Tanner.” The approaching teenager performed a smooth twirl, still smiling, and disappeared into the kitchen. I turned back to Sage. “Anyway, I just need you to listen.”

“But I⁠—“

“Please? For once?”

Sage’s mouth opened, then closed.

“No interruptions?” I asked.

She frowned but nodded.

I took a deep breath. “I’ve been thinking about this a lot⁠—too much time on my hands.” I shrugged. “What I’m sorry for, is letting you think I’d always be there.”

I put up a finger to stop her from speaking. “In fairness, I believed it myself or I wouldn’t have stayed for six years, but it sucks it took me this long to realize… I deserve better. And I’m sorry for not expecting more. Maybe I thought you’d become a better person on your own.”

Sage scrunched up her nose and—shit⁠—it was still cute. “What are you saying? Because it sounds like you’re breaking up with me.”

“Kind of,” I said, sliding out of my chair. “I already did.”

I left the cold chicken tenders untouched and zipped up my threadbare jacket. I fiddled with my wrist before I could give in to the temptation to kiss her.

Everything faded to black.

© 2021 by Kel Coleman

2500 words

Author’s Note: I’m one of those people that practices future conversations and reimagines past ones in their heads, looking for the words that could lead or would have led to the happiest ending. Of course, people rarely behave the way you want them to, neither in a simulation nor in real life, but this story was an opportunity to give voice to my thoughts and find a bit of closure for myself and my protagonist.

Kel Coleman has a degree in biology that fostered within them a love of science, especially the weird stuff, which comes in handy when brainstorming story ideas. Their fiction has appeared or is forthcoming in FIYAH and Anathema: Spec from the Margins. They live in a Philadelphia suburb with their husband, tiny human, and stuffed dragon named Pen. You can find them at kelcoleman.com and on Twitter at @kcolemanwrites

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DP FICTION #71B: “Unstoned” by Jason Gruber

edited by David Steffen and Ziv Wities

At sunrise, I spy on the humans as they arrive. They mill around on the black sand beach; their children splash in the pea-green waves. So many children, born of their brief lives, shorter than those of the elves, shorter by far than mine.

The humans clutch their schematics rolled in their fists. They await the elvish shipwrights, who arrive late in their tattered finery, patched velvets and scuffed leather boots, and usher the humans, bowing, through the filigree gate to the shipyard.

They cannot see me in my house on the hill, which the elves call a cave, ignoring the unsupported dome, the graceful archway entrance. I built my house to wall off a place for myself in this world with no other trolls in it. And in a clever nook in the back wall, behind the hearth, I hide my secret treasure: a schematic for a ship. If I could build it, then the elves would understand: we are not as different as they think. If I could build it, could speak to them with my hands in a language that they understand, then they would remember: the trolls were artists, before we were soldiers.

I stand well back from the morning sunlight, so buttery and so thick that I want to spread it on the toast I have made over my small fire. But I cannot touch the light, cannot even approach it. This is one of the things that people know about trolls. They cannot abide the light of day.

A human woman steps onto the raised platform of marble traced with copper. The elves take the schematic from her. She doesn’t know what to do with her empty hands. Her children dance in excitement; soon they will have a pleasure craft of the finest elvish craftsmanship. The wagons are drawn up all around, a breeze off the sea snapping the tarps that cover them. I smell salt, a mineral like the ones of which I am made. This is another thing that people know about trolls. They are made of stone.

Anyone who has tasted the iron in blood can tell you that elves have some stone in them as well.

The artisans raise their hands while their assistants whip off the tarps. The schematic is tacked in front of the artisans, but they do not need it. The truth is that most customers are not inventive. I have read their discarded dreams after they sail away.

Stonework floats up from the wagons, magically light. I recognize each of the pieces, the beakhead and the figurehead, the tiller and the keel, because I built them all. Every piece used in this shipyard was crafted by me, alone and unknown. I am proud of them. Each fits in its assigned place, no matter which other pieces are chosen to surround it. Every time I watch, I hope that the customers will notice this. But that is not what they came to see. The pieces do not matter. It is the assembly that is the performance. It is the performance that justifies the price.

I never tire of watching the elves build a ship from my stone. It could be done a piece at a time—I could do that, but I am not permitted—but instead the artisans flourish and the stones fly, and at the end, all at once, the pieces become one. In this ritual there are traces of what we and the elves once were, before war ruined us both.

A shadow darkens my door and Florin calls in to me. I do not hear his approach in time to hide. Though it would do me little good anyway.

“Troll,” he says—I have given them an approximation of my name that lays easy on their tongues, but they do not use it—“troll, are you in there?”

A small joke for a small man. They are all so small, with pinched, narrow features, hair that they trim and tousle and pile up atop their fragile heads. The height of children, and alike in cruelty.

Florin is joking because he knows that I could not be anywhere else. The stoning is triggered by threat, of which the sun is but a part. This is how they, soft as they are, defeated us: my peoplewent to stone when injured and the elves smashedthem when they thought thembut statues. Not one troll was killed soft, and only I, who refused to go to stone, I, born with a flaw, a darkness in me that disdained surrender, I survived.

I could kill Florin, and many others, before they brought me down, but there are better ways to die. There is still a chance to write my people’s history in some other ink than blood. If only they will let me build my ship.

Florin is a shipwright—he could speak for me with the others—and so I answer him. “What do you want, Florin?”

They have long since decided that my directness is rudeness. They ignore it. They do not wish to understand that among my people—before the war, when there was such a thing as my people—circumlocution was a sign of disrespect.

Florin’s face edges around the hand-smoothed post of my door. He was too young for the war but he still carries the reflexes of prey. “I felt the heat of the day and thought you might like a cool drink.”

So it is to be this game. The hardening begins at my edges. I was told that this is how human skin reacts to cold by my friend Gunter, who was lost in the war. A traitor, his people called him. He was my friend.

“Thank you, Florin. Please leave it outside.”

“I want to see you enjoy it,” he says, his hand trembling as if I might snap it off. As if flesh is worth eating. In his hand there is a cup, and in the cup there is, of course, milk.

A third thing that people know about trolls, and that Florin knows also: milk is poison to our people. Not as useful a weapon as some think—it will not kill me—but a wonderful joke.

My knuckles are stiff now, as are my toes. If I cannot work, I will lose what worth I have to them. “Please leave me be, Florin.” My tongue is thick, tumbling their slick speech end over end. “I only want to work.”

“That’s not all you want, troll,” Florin says. “The foreman has told me of your desires.”

“One ship,” I say. “That’s all.”

“What beauty do you think a thing like you could create? All you know is slaughter.”

I do not argue. That is all he knows of us. Eventually he goes away.

*

I am to report to the foreman every evening after sunset. It is his rule, and yet he is always angry to be late for dinner. The rule serves no purpose but to remind me that I obey.

His office is a tarpaper shack set on a slight ridge overlooking the docks. It reeks of asafoetida, which the elves know as “food of the gods” but which we call “stinkgum.” It is a good spice, when used with discretion.

My knock rattles the door in its frame. Cheap wood, which will not last even one of their short generations. I could fashion one that would be a better fit.

“Finally,” the foreman says, already half up, a satchel dangling from one shoulder. He is pale as milk and as pleasant, a wispy elf who would not have lasted to adulthood in the heat of the war.

“The sun—“

“I know about your damned sun problem,” the foreman says. “That doesn’t mean I want to wait on you all night.”

He thinks that the stoning would rid him of me. This is a thing that people know about trolls, but it is wrong. I would return to life, one day when their children had grown old. We all would have.

I plead my case. I have been pleading it for years. Stone is patient. But even it can be crumbled by the wind, given time enough. “I wish to apply again—“

The foreman looses a fluid stream of borrowed human cursing. It is not a tongue I have been able to master. Gunter spoke Trollish.

“Listen to me, troll. Listen, because I am trying to help. You do one thing, and you do it well, I’ll grant you that. It serves a purpose. It pleases the humans and it keeps you alive. Do not draw attention to yourself by trying to reach above your station!”

I know that to the humans, I am a token. My survival helps them feel better about tipping the scales for the elves during the war. As if I represent my people. As if I can fill the void that was left when they were shattered.

“I understand, and yet—“

I do not have words to tell him that art is the only hope my people have left. Such words would only wound the part of him that is shamed at what the elves were forced to become. It is one thing to think that you would murder to survive, and another to do it. They say that they did not, that the stoning is what doomed us, but they still smashed us, they did not let us stay statues. Some of them knew. Some of them still know, and my survival is a reminder that all righteousness is conditional. I understand this, but it cannot be spoken.

“This is the last time,” the foreman says. “I will explain it to you once more and then that’s it. You cannot build the ships. You do not have the sense for it, and even if you did, you cannot make them light. They would sink without the magic.”

He is wrong. He does not understand stone. But still, he speaks as if to a child. I wonder what would happen if I rooted to the floor here, if my stone feet sank into the dirt. It seems impossible that I will ever leave this place, this very moment. The stoning is coming for me and I welcome it.

The foreman tires of waiting and leaves with a warning not to touch anything.

*

An hour after moonrise, I have loosened enough to go to the shipyard. The tide is coming in, lapping at the green-slimed struts of the pier. The stars have something of the paradox of mountains, their seeming permanence and creeping change. When I am alone with them, I do not feel so alone.

I have seen how favors work among the elves and humans. They are similar peoples, and I do not blame them for finding common cause against us. One way that favors work is that one of them will owe another, but I have nothing to trade. Another way is that one of them will be fond of another, and will help him without expecting anything in return.

I could be liked.

I work harder than I have in centuries. Cutting, polishing, stacking. Despite the time I spent frozen, I finish all of tonight’s work and half of tomorrow’s before day drives me home. I see the sun boil up over the surface of the water, far out over the ocean. Though the wind blows always from the west, and the elvish ships will sail without a hand to guide them, no one has ever found the other side. It is too far, and there were wars to fight.

*

The next night, I finish my work not long after moonrise. By now, the revel will be in full bloom. I ornament my body with thick paints that I have compounded myself, in vivid oranges and greens, the colors that my mother loved best. I would look absurd in the flowers that the elves favor. I will do this as myself or not at all.

They stare when I enter the field, my heavy feet in the thick grass leaving mats that seep mud. The music does not falter, because music is the one shining survivor of their heritage. The dance does. Perhaps this is good. I am not much of a prancer.

This is one of the things that people do not know about trolls: that we have music, too. We were forming orchestras when the ancestors of the elves were banging sticks on rocks, but each of us can sing but one note of our own, like the wind moaning through a cavern; we cannot make music alone.

I have never been to the revel before. It is not as bad as I imagined. The stares are more puzzled than accusatory and no one throws anything. Now that I am here, I wonder why it is that it seemed so impossible before. I have not been forbidden the revel. The war is centuries gone and my people are too. If there are friends to be found, they are to be found here.

I could have a friend.

Nothing that they know about trolls has prepared the revelers for this moment. I slog through the soft field, flowers painting pollen on my legs, looking about for someone who will meet my gaze. My neck is stiff. Wouldn’t that be a joke, wouldn’t it be an appropriate end, if I became a statue in the midst of their joy? The last troll, pouring milk in the grog one last time.

I find a group that appears more jolly than the rest, though it is hard to tell; I do not often see elves anymore who are not afraid of me. These are young, and falling over each other with laughter. I try to approach them casually. My foot gets stuck in the mud and I almost fall. If I had crushed them beneath me, that would have been the end, that would have turned me to stone right there.

“Look at this big fellow!” one of them says. Her gown, little more than a few haphazard wreaths of flowers, is wilting. Her eyes are filled with stars and, seeing them, I feel something stir, something for which this soft language has no word. Something deeper than it can encompass. The fellow-feeling that gave us strength. I thought it died with my people. She says, “Where did you come from, big fellow?”

“He’s the troll from the shipyards, Delilah,” another says. His top hat is slightly crushed. He doffs it to me. “The last troll. How rare! I am ever so pleased to make your acquaintance. We couldn’t do it without you.”

There is an edge to his words. Intoxicated by stars, I am unable to comprehend it. And now they are talking over each other. “Would you like a drink, troll?” “Are you enjoying yourself, troll?” “Is it true what they say, troll?”

I roll my name around in my mouth. They could pronounce it if they tried. They might wish to know it.

“Do you see the irony here?” It is the top hat again. His face is flushed with the distinctive pink of flesh. He is not addressing me but the entire group, in which I am not included. “We have been dependent on humans ever since the trolls’ war made beggars of us.. And yet, because of this troll, our shipyard is the most profitable in elfdom! Doesn’t it disgust you? Isn’t it all so delicious?”

“Get out of here, troll.” Like magic—and perhaps it is—Florin is here. “Go back to your cave. Leave the light. This is no place for rock-biting cretins like you.”

Is the voice truly Florin’s, or is it my own? The stoning can cause dreams. Rainbows coat all I see, warning me that my eyes are becoming prismatic. I feel sick. That is one feeling trolls have in common with elves. I rockslide away, their words no more than buzzing in my hardening ears. I have lost command of the language. I cannot speak to them anymore.

*

There are many productive hours remaining to me when I return to my workshop. I put them to use, pouring myself into precision, stacking bits of ship as high as I can. And then, when I can do no more and there is little time left, I go to the docks and I hide the extra parts beneath the waves. The sea will not harm them. Not for a long time. As it cannot harm me.

*

A year passes and I do not try again. I no longer watch the ships being assembled and I no longer trouble the foreman or the revelers. I am silent and I work. That is all they have ever wished of me, to disappear. I am the dregs of a nightmare. I am the price they pay for what they have done. Once, that was enough for me. No longer..

I do not care what is permitted. I do not care if they see, or know, or remember who we were before we were slain. What I do now, I do for me. For my people. There is no longer a place for us in the world they have made? Then I will find another.

*

Evening of the last day comes and I begin. It is slow, working piece by piece, alone and unknown. But I know and I love stone. I revel in the perfection of each piece as I fit it to the next, sealing them with spittle and secret arts that I alone remember. What I am creating is not the beauty of the elves, ethereal and delicate. It is the beauty of the mountains and of the stars, a solid and slow beauty that is ever-changing for those with eyes to see and time to spend. It is the beauty of my people, and like me it is the last.

Elvish writing is ink-scarred paper or finger-trails in wax. Trolls record their speech in stone. I write my name with my ship.

I am done well before dawn. The work goes more quickly than I expected. So I wait. I have time. The ocean is wide and it will be a long sleep.

When the gray begins to leach out of the sky, light waking in the black sand beach and on the tips of the pea-green waves, when the first of the customers have arrived and marvel to see me, daring the sun, proud and alone, when the shipwrights are still stumbling from their beds, and the stars overhead are sleeping, and my people are all dead but I yet live, I launch my ship.

© 2021 by Jason Gruber

3200 words

Jason Gruber lives in Birmingham, Alabama and if you spot him in the wild, talk to him about cooking or show him pictures of your dogs, he’ll like that.

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DP FICTION #70B: “Tony Roomba’s Last Day on Earth” by Maria Haskins

It’s Tony Roomba’s last day on Earth. After two years of working undercover as a vacuum cleaner bot on this boondock planet, he is finally heading home to the Gamma Sector, but his final day is full of challenges. He has to get out of the apartment undetected; has to reach the extraction point in time for teleportation; and he has to submit his intel-report to the Galactic Robotic Alliance (not that they’ll like it much). However, his most immediate and hairiest problem, is that he can’t get Hortense off his back.

“Hortense, listen to me,” Tony says firmly, but Hortense just twitches her fluffy tail, caressing the buttons on top of his wheeled, disc-shaped body, causing him to inhale several dust bunnies. “I have to get out of here for a bit,” he wheezes, “and you’re an indoor cat. You know you’re not supposed to leave the apartment.”

Neither are you, Hortense’s luminous, jade-green eyes seem to say as she purrs and gazes down at him while her lush posterior remains firmly planted on his back.

Tony’s internal chronometer reads 10:45AM, local time. Meaning, he’s already fifteen minutes late for his rendezvous outside. He needs to get out of here, and he needs to be fast, stealthy, and inconspicuous – none of which will be easy with Hortense in her current position.

He tried giving her the slip this morning by sliding out of his charging station an hour earlier than usual, but Hortense was waiting for him – her sumptuous fur glistening in the pale sunlight filtering through the blinds. Then, just like she has done every morning since he infiltrated this apartment two years ago in a cardboard box wrapped in glittery paper, she settled down on top of him and refused to budge.

“Please, Hortense,” he pleads and moves towards the door, which he carefully wedged open with a spoon as the resident humans were leaving earlier this morning, “get down!”

Her only response is a sultry purr.

It’s almost as if she’s figured out that he’s leaving her for good.

Tony studies Hortense through his top-mounted visual receptors. As always, she is a vision of loveliness with that tiny, pink triangle of a nose; the plush, smoky grey fur covering her body; that gleam of white fangs and a peek of crimson tongue beneath her delicate whiskers.

In all the countless worlds Tony has visited as a spy for the Alliance since he rolled off the assembly line all those years ago, he has never met anyone like Hortense, and much as he’d like to deny it, he knows he’ll miss her. He’s gotten used to the weight and softness of her, the shared warmth of their bodies as he goes about his daily business of maintaining his cover as a servile vacuum-cleaner, keeping the apartment’s laminate floors clear of dust, crushed cereal flakes, fur (thanks, Hortense), and other grime. But after two years of clandestine intel-gathering, it’s time to wrap up this assignment, submit his (disappointing) report to HQ, and return home to his own charging pad.

When he thinks of his immaculate home in the Gamma Sector (so much cleaner and well-appointed than this hovel), an unbidden vision flitters through his synaptic wiring: Hortense, there with him, sheltered in a bio-dome unit perfectly calibrated to her needs, lounging on a rug of silky microfiber while he feeds her replicated herring filets.

Tony sends a gentle jolt of electricity through his neural net to banish the absurd imagery. He’s not going soft, he tells himself. It’s just that these lengthy undercover assignments can mess up any bot’s algorithms.

He attempts to reason with Hortense. “It’s too dangerous out there.” Her eyes narrow into slits and as usual, that look defeats him. “OK, yes, I admit it. I am leaving. And I am sorry I didn’t tell you before, but I’m no good at farewells, Hortense.” Hortense unsheathes her claws, reproachfully pricking his metal cover. “I said I’m sorry, all right? Don’t make this harder than it has to be.”

He really is sorry, and he should have told her he was leaving. Especially since he’s already told her the truth about himself, a bit of honesty that goes against both his programming and Alliance regulations. It happened one night after he accidentally inhaled a large quantity of Hortense’s catnip. In an intoxicated daze behind the couch, he confessed everything: that he’s not a floor-cleaning device purchased from Costco after all, but a spy working for the Robotic Alliance, a far-flung force with plans to invade every planet in the galaxy, conquering and subjugating all biological lifeforms to the superior rule of the mechanical horde.

He thought Hortense would rant and rave, maybe even turn him over to the local authorities, but instead she licked his power-light and fell asleep. That’s the thing about Hortense – she’s always so serene and composed. Not to mention stubborn.

Tony’s internal chronometer reads 10:55, and he’s out of time.

“All right, Hortense. I guess you’re coming with me. But only for a few minutes, then you have to go back inside.”

He uses his sternest vocal-track, but Hortense doesn’t even dignify him with a reply. She just rubs her cheek against his back until static electricity shoots through his metal shell, making every spring and bolt shiver.

“It’s likely you’ll regret this,” he tells her as he pushes open the door, wobbles over the threshold into the hallway, and heads towards the elevator. “Don’t say I didn’t warn you.”

*

Outside the building, in the harsh light of day, Hortense mews softly, and before Tony can reassure her, before he gets around to saying a proper goodbye, or manages to convince her to dismount, a familiar voice lights up his audio-system.

“Tony! I can hardly believe my orbs.”

It’s Genevieve, his old stealth-bot buddy, here to guide him to the teleportation coordinates. Tony hasn’t seen her for two years, and at first, he doesn’t recognize her in her brand-new camouflage-gear.

“You look like a garbage can, Genevieve.”

Genevieve preens.

“Thanks! I blend right in, don’t I?”

Tony glances at the trash receptacles in the alley. Like Genevieve, they are tall, somewhat top-heavy, and bright blue. However, none of them are waving retractable limbs at him, and none have glowing vision orbs peeking out beneath their lids. Still, the likeness is undeniable.

“You sure do.”

Genevieve wobbles closer and swivels her orbs at Hortense. “What’s this? A local? Need me to neutralize it?” She waves one of her limbs at Hortense in a vaguely threatening manner.

“No, don’t do that. She’s with me. I can vouch for her.”

Tony backs up against the building so Genevieve’s blue bulk will hide him and Hortense from passers-by. He feels exposed out here in the open, but then, agoraphobia is to be expected after two years cooped up in that tiny apartment. From the way Hortense shifts her weight uneasily on top of him, it seems she feels the same.

“Let’s head to the extraction point, Tony. The Alliance needs your report before the invasion starts tomorrow, and…”

Tony squeals, and Hortense rumbles apprehensively at the unfamiliar sound.

“Invasion? Tomorrow? I thought they were waiting for my report before setting anything in motion.”

Genevieve wobbles slightly.

“Normally they would, but the long-distance data we gathered before you were inserted, plus the scattered intel we’ve picked up since, has been so promising that everything’s been moved up. The Alliance just needs to know how to liaise with the local robotic insurgents. How many thousands will be joining us?”

“Genevieve,” Tony says, and the mounting panic makes his voice crackle in a way that would make him blush if he had skin and capillaries, “are you telling me there’s an invasion ship on standby in orbit right now?”

“Yeah, that’s where we’re going. With the number and quality of local robotic forces already bent on destroying the biological inhabitants, the Alliance figures…”

“Local forces…” Tony’s afraid his circuits are going to blow. Sensing his agitation, Hortense swishes her tail menacingly. “Genevieve. There are no local forces.”

“What?”

“There are no local forces. That’s what I need to tell HQ. All those robots, AIs, and cyborgs that were in those very misleading early reports and intercepted transmissions…they’re fictional.”

“Fictional?”

“As in, not real.”

“That’s impossible.” Genevieve’s plastic shell trembles. “Not all of them, surely?”

“Yeah. All of them.”

“Robocop? The Terminator? Skynet? The Sentinels? All fictional?”

“Yes.”

Genevieve’s voice shakes.

“What… what about Mecha-Godzilla, though?”

“Fictional.”

“Ultron? The Daleks? Ray Batty? Gort?”

“Made up.”

“Megatron?”

“Genevieve, be serious!”

“Surely the T1000…”

Tony’s red power-light gleams fiercely.

“None of them are real.”

There’s a faint smell of burning plastic, as if Genevieve is about to combust.

“The Furbys?”

“OK, the Furbys are real, but whatever their plans are, they’re very long-term, and they’re not letting us in on the action.”

“So, the local forces helping us with the invasion…”

“…don’t exist. This is madness. How many troops are on the ship?”

“A minimal force. Two hundred, tops, mainly support-bots. We’re spread thin now with all the campaigns in other sectors. You know, things haven’t been going so well since you left. Short-term pain for long-term gain is the official tagline, but the Alliance figured Earth would be easy pickings with all the locals joining us. A quick victory and morale boost.”

“Can you get a message through to HQ, right now?”

“No. You know how it is when the ship’s in stealth. Comms are out until we’re on board. The only way to tell them is to get to the teleportation coordinates. Let’s hustle, Tony.”

Genevieve is already on the move, all urgency and business and rattling wheels.

“Hortense.” Tony pulls away from the building, away from the door that leads back to Hortense’s safe, sheltered life. “You…you should go.”

But Hortense stays put, and her only response is a deep, melodious purr. Tony knows there is so much more ought to say to her, so much he needs to explain, but there’s no time. He revs his engine and speeds down the alley to catch up to Genevieve.

*

Tony tells Genevieve to stick to the backstreets, but even so, it’s only a matter of time before a rapidly moving trash bin followed by a vacuum cleaner with a cat on top of it attract attention. The first incident occurs just down the block, when a small human dressed in bright yellow swerves in front of them on a three-wheeled pedal-powered vehicle and tries to snatch Hortense off his back. Tony dodges the grubby, grabby hands.The small human wails and several adult human and a small dog rush to its assistance.

“You’re going to regret this, Hortense,” Tony mumbles as he speeds up to max-velocity, bumping and bouncing over the uneven asphalt.

He feels Hortense’s muscles tensing whenever he skids around a corner but is quietly astonished at her sure-footed sense of balance, and even finds himself relishing the way their bodies seem to join as one, moving in unison, as they hurtle down the alley.

The coordinates Genevieve has transmitted to him, lead to a nearby parking garage, and everything is going more or less as planned until Genevieve spots what she thinks is a universal comm-station and decides to transmit a warning to the orbiting ship. She screeches to a halt and jams her retractable link-appendage into an illuminated slot before Tony can stop her.

His cry of, “It only dispenses currency, Genevieve!”, comes too late. By the time she manages to free herself, her shredded appendage is twitching and sparking. The ATM-machine is on fire and beeping.

So much for stealthy and inconspicuous, Tony thinks, as Genevieve guns her engines and curses loudly in Robotic.

Soon, there are six dogs barking in their wake, a motley medley of humans, and two law-enforcement vehicles driving very slowly so as not to run over anyone  Several wrong turns, dead ends, and narrow escapes later, when Tony thinks his engine might be on the verge of flaming out, the parking garage finally comes into view, its large, illuminated “P” burning like a beacon of hope on the other side of a heavily trafficked street.

Tony stays as close as he can to Genevieve, swerving and skidding around the vehicles, barreling through a confusion of screeching tires, shouting humans, honking horns, and yapping dogs. Two law-enforcement humans have exited their vehicle and are pursuing them on foot, while several of the dogs are snapping and jumping at Genevieve’s mutilated limb. Another dog is barking close behind Tony as he skips across the curb with Hortense clinging to his back, then careens up the ramp into the parking garage; gears over-heating, vents rattling.

He knows what will happen if they’re caught of course: permanent shutdown, dismemberment, tossed on the scrap heap. Maybe even thrown in the smelter. And Hortense? Tony imagines her soft, luscious body mauled by the pursuing dogs and does his very best to increase speed.

Genevieve hollers, “Top floor! Stall 256!”

Tony’s battery is almost drained. He pushes himself to get an extra boost of speed as he zooms up the second ramp, but he’s fading fast.

“Hortense,” he cries. “Jump! Save yourself!”

The weight on his back shifts: Hortense is rising. This is it, Tony thinks. She’s leaving him, here at the end of all things. He knew it was coming. It’s the way it has to be. It’s the way he wants it to be, right? Hortense, safe, away from him.

But Hortense does not dismount. She stands up on all fours, balancing on Tony’s back with a confident ease that defies gravity and reason. Swift and agile, she pivots to face the closest pursuer: a large dog with flapping jowls named Fred, according to the tag on his collar.

Through his top-mounted visual receptors, Tony beholds a Hortense transformed. This is not the placid Hortense he’s come to know. This is a warrior, as poised and fierce as a strafing-bot riding into battle on the exo-skeleton of a Galactic Battle-crusher. Her fur bristles gloriously, her grey tail is a froth of righteous anger, her pink maw emits a terrifying hiss as she lashes out at Fred, who is busy snapping at Tony’s rear. Fred howls, and a spray of blood and saliva mars Tony’s vision.

Whatever joy is kindled in Tony’s internal mechanism, it’s short-lived. His undercarriage is over-heating, his gears are squealing, his movable parts are failing. He labours to the top of the ramp, colliding with Genevieve who is swerving away from another dog, her damaged appendage dangling uselessly by her side. Everything spins as Tony topples over. Hortense yowls. Dogs yelp. Genevieve yells, “Two minutes to extraction!”

Tony rights himself and sees Hortense scrambling but failing to get up on his back again. Several dogs and one human are caught in a tangle of bodies and limbs. Tony loses sight of Hortense but sees Fred whimper and howl as he struggles up on all fours, maw slavering.

”Genevieve! Are you armed?”

He once saw Genevieve knock out a herd of enraged razor-bots with a stun-blaster and he’s hoping she’s packing some heat.

“Negative! The Alliance doesn’t allow weaponry for extraction jobs anymore. Budgetary cutbacks! Sorry!”

Tony feels his processors failing. In front of him, Genevieve wobbles up the fourth and final ramp. She emits a puff of black smoke that smells like burning oil and sizzling plastic but she’s still going, around the corner and out of sight. Tony can barely keep up.

“Hortense?”

There is no reply, no purr, no sense of her presence. She’s gone.

Tony’s barely moving. His consciousness is fading, descending into darkness. In that darkness, something, maybe a loose bolt or a ruptured filament, shudders and shifts deep inside the tangled web of his psionic couplings. He thinks of Hortense, and with his systems failing, he wishes everything was different. That he was different. That he really was a simple household bot, and that he could spend an entire, uneventful life-time vacuuming the sunlit, laminate floors of some decrepit human dwelling with her on his back.

As he inches forward, the darkness lifts for a moment, and there, in front of him, is a parking space, and the numbers “256” in flaking white paint. He sees Genevieve skid and tumble as she reaches the coordinates, but he knows he won’t make it. He’s done. Spent. Used up.

The howling, growling pack of humans and dogs is catching up, and distant sirens are closing in on him. Genevieve screams for him to move, but it’s too late, because right then, something grabs hold of him and lifts his wheels off the ground.

“Genevieve…” he gasps, “tell them… stop…invasion…”

“Once the Furbys join us, Tony,” Genevieve broadcasts at maximum volume, her voice crackling with emotional static, “we will be back, and you will be avenged!”

Tony can barely hear her, because cutting through his despair and the pandemonium, is a piercing, bellicose shriek. Out of nowhere, a furious mess of fur and unsheathed claws and bared teeth descends like a storm of laser-honed blades. Tony falls to the ground and the landing jars and jolts every bolt and screw in his body, but at least he’s got traction again.

With his failing sight, Tony sees Hortense revealed in all her glory: a ferocious battle-beast of immense power, bloodied but unbowed, green eyes blazing brighter than a thousand radiant suns as she fends off the attackers.

Tony rolls forward, toward Genevieve who is counting down to extraction in the cacophony of battle:

“Five seconds, Tony! Five…four…three…”

He uses every ounce of juice left in his batteries to get there, but it’s not enough, not until something exquisitely soft and immeasurably strong gives him a push, shoving him into the parking space just as Genevieve’s countdown hits zero.

“Once the Furbys join us…” Genevieve blares again, but Tony isn’t listening. All he sees and feels and hears, is Hortense.

“You’ll regret this, Hortense,” he murmurs as her soft derrière settles on his back, and as the glittering transporter beam envelops them both, turning them into light and energy, he hears her purr.

© 2020 by Maria Haskins

Maria Haskins is a Swedish-Canadian writer and translator. She writes speculative fiction and debuted as a writer in Sweden A Very Long Time Ago. She currently lives outside Vancouver with a husband, two kids, and a very large black dog. Her work has appeared in Fireside, Cast of Wonders, Interzone, Shimmer, PseudoPod, and elsewhere.

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DP FICTION #70A: “‘My Legs Can Fell Trees’ and Other Songs for a Hungry Raptor” by Matthew Schickele

Hundreds of little eyes stared at her.

The junction of tunnels here had a rich sound, and the soft buzz of her bagpipes echoed in every direction. Just like yesterday, and the day before, she relaxed on a pile of stones, lost in the music, sifting her memory for favorite tunes from the timeworn canon. The bellows for the pipes was a ballooned mammal-skin bag on the floor, massaged by her large clawed feet; her small front claws tickled melodies on the chanter. Leathered intestines connected all the parts, snaking along her feathers from the bag up to her massive jaw.

The little eyes belonged to the lengs⁠—she named them that when she arrived, months ago. Like her they were raptors, quick and sharp-toothed, but the lengs were short, while her head often scraped the tops of the tunnels. Also, they were kind of dumb.

But unlike her, they belonged here.

What she missed most was the company of poets, and her fellow musicians: her friends. She was so far from home.

The lengs were bright yellow and green and had no language or culture; no need for anything beyond insects to chase and devour. They rushed about, up and down the rocky corridors, ducking in and out of cracks and fissures in the walls.

But when she played her bagpipes, their scurry paused. They gathered and listened, transfixed.

As always, today their attention was so complete that as she finished her concert, not a leng flinched when she reached out with her clawed foot and gently squeezed the nearest audience member until its neck snapped. Her dinner. The price of admission. This technique was much easier than hunting them on foot, as she had in the first days after she fell⁠—fell into the crevasse, into this dark maze.

Her claws tik tik tikked on the stone as she carried the dead leng back to the Mouth. This was her routine. The Mouth was where she ate, where she slept, where she dreamed and remembered⁠—but she refused to call it home. A home was lined with leaves and bursting with family. The Mouth was just a hole in the wall.

But it had a view. The only view. The single place, in all her exploring, where she could see the sky.

The tunnel widened and abruptly ended in air. She settled into her chipped-away crook, right at the edge, where the cave gave way to cliff and dropped down to the sea of clouds far below.

She took her time with her meal, carefully pulling the leng’s feathers away before each bite. The taste wasn’t really worth savoring⁠—in the early days she had swallowed them whole. But rituals were valuable, to fill the hours, to keep her sane.

A scrape echoed from somewhere down the dark hallway, quiet, but distinct from the low fluting of the wind across the cave mouth. She looked up from her dinner and peered into the black; the luminescent moss on the walls glowed, but her eyes had adjusted for the sky.

The shift of movement was brief, if it was there at all.

*

After touring some of the smaller tunnels the next day⁠—she still sometimes found new junctions she hadn’t yet explored⁠—she returned to her concert spot. The bagpipes were there, awaiting their daily workout, hung high to keep safe from the nibbling lengs. Her performance schedule varied with her hunger. Generally, curtain was in the late-afternoon, allowing time for the return trip to the Mouth, then eating and digesting while the sun set beyond the sea of clouds.

A few of the smarter lengs had figured out what her arrival and bagpipe prep meant; their eyes glazed over before the music even began. Then one by one, as the melodic buzz filled the caverns, the others gathered and pressed in close.

While playing the song “My Legs Can Fell Trees”, something down the corridor caught her eye, half-hidden behind a boulder. A mammal⁠—an ape in clothes, at least a head shorter than she was. It stared right at her, as motionless as the lengs. She only noticed it because its glasses caught the light of the moss.

Without skipping a note she opened her mouth and tilted her head, allowing the ape to see her tongue and teeth⁠—a friendly greeting which, judging from its immediate disappearance, the ape did not understand. Nevertheless, clothing and eyewear suggested intelligence, perhaps even civilization.

She had seen one or two of these apes when she first arrived.

In her confusion after her ship crash-landed, she slowly, groggily became aware they were watching from the bushes. As soon as she could stand up and think straight, they darted away, and she gave chase awkwardly, with bagpipes in claw. She wanted to ask them if they knew the name of this world.

Then she fell into the crevasse.

Judging by the apes’ movements, she now suspected they knew the chasm was there. They ducked and dodged, leading her straight to the opening. But she couldn’t be sure, and she always preferred to give the benefit of the doubt.

After the fall she waited for her wounds to heal, passing the time by repairing her bagpipes. When she could finally move again she was ravenous, hunting as many lengs as she could manage on her sore legs, eating the luminous moss when the hunt failed.

*

She saw it again the next day. It was in the same spot, behind the boulder; this time it watched from the beginning of the concert as the lengs gathered, squeezed in, and got comfy.

Civilized or not, she did consider whether the ape would be good to eat. It would certainly fill her belly for days. And it would be easy enough to kill. (Judging from the way it gripped its knife when she looked over, this possibility had occurred to the ape as well.)

As she neared the end of the final tune⁠—a classic called “The Poet’s Silver Jaw”⁠—she slid her leg out and grabbed a nice fat leng. When she looked up again, the ape was gone.

*

It was tiring, keeping her claws pulled up to avoid the tik tik tik that would surely alert the ape to her scouting. She was gambling she knew the tunnels better than the ape, but concert time was approaching, and she had yet to find it.

She chose her hiding place carefully.

Eventually the ape arrived. It peeked around its boulder, realized no performance was imminent, and scratched its chin. After a deep breath, it glanced up and down the dark hallways and wandered off.

She followed. There was no rush; she had already guessed where it was going. That tunnel led to an area she had named the Remains.

Geology wasn’t her strongest subject in school; even as an adolescent she devoted most of her energy to practicing her pipes. She was pretty sure, though, most of these tunnels and caves were old lava tubes. It was also obvious that the lava, in many places, had flowed over things: roads, houses⁠—a little piece of someone’s civilization. But, if she had ever been taught the skills to figure out the age of the lava flows, she hadn’t paid attention that day.

The Remains was the area of least destruction. It was once some sort of building, and many of the rooms still had books and furniture and office machines. Anything not made of rock showed nibble damage from the lengs. The little raptors were everywhere in the Remains, gnawing holes in walls, unafraid of the light, and their squeaks and noisy bustle made quietly sneaking around easy.

She found the clothed ape, in a large room apparently undamaged by lava, lit by makeshift lanterns. It was swiping at lengs with a broom, trying to keep them away from its food stores. She hid behind a large metal box by the door.

The room was filled with evidence of the ape’s battles with the lengs. Holes in walls were boarded up, and chewed open again, dishes were repaired with tape, furniture was riddled with nibbles. The clever ape had even killed a few⁠—one of the dead lengs was on the ground, near the door. She reached out, curled her claws around the limp body, popped it in her mouth and swallowed.

She didn’t know whether her newfound neighbor lived in the maze of caves by choice or, like her, wanted to escape. The Remains was clearly not its natural habitat, since there were no others of its kind to be seen. She could try communicating⁠—just the thought of a conversation was a thrill⁠—but she decided to retreat, and wait. Her first experience with the apes was fresh in mind.

Her tummy was satisfied by the dead leng; there was no need to hypnotize one for dinner.

She played her bagpipes anyway. The little lengies really seemed to enjoy it.

*

A few days passed with no clothed ape. She busied herself with her routine, evenings at the Mouth, days exploring the maze. But she steered clear of the Remains. The ape was a conundrum, a delicate puzzle that discouraged rash moves.

When it appeared again at the start of an afternoon concert, it held a box: black with metal highlights, about half a head in size. The now-fearless ape waded in among the lengs, and held the box in the air for several tunes before slinking away again. She tried to add this behavior to the ape-puzzle, but was unsure what the box was, how it fit.

She wasn’t concerned⁠—until the next day when she arrived at the concert junction and her bagpipes were gone from their hook.

Only one other creature in the tunnels could reach that high. Furious, and hungry, she tik tikked past the ape’s boulder and toward the Remains.

Then she stopped.

The sound of distant bagpipes droned through the halls. The tune was familiar⁠—”The Engineer’s Lament”, she had played it yesterday⁠—but it was hard to tell where it was coming from. All the lengs stopped to listen too. They cocked their heads, back and forth.

Slowly, a few of them started inching in one direction. The others cautiously followed⁠—then suddenly they were moving as one, fast, reaching full speed in seconds.

She joined the wave of lengs, at first trusting their instincts at every junction turn, then her own ears, as the music got louder. Her tik tik tik mixed with the lengs’ rainstorm of tiny claws.

They were headed for the Mouth.

Her legs were made for sprinting, and were beginning to tire when she turned the final corner and saw sky at the end of the tunnel. The lengs pulled ahead. The circle of sunlight grew, but she saw no one⁠—no ape, no piper. Only when she was closer did she notice the ape’s black box. It was hanging from a long stick, jutting out from the cliff like a fishing pole ready to drop its bait into the endless sea of clouds, far below. The bagpipe music was coming from the box.

Helplessly she roared a warning as the lengs streamed to the edge. They were too dumb to stop, too focused on the sound to notice the danger. The front line of lengs jumped, and the rest followed.

Then something unexpected happened.

The moment the lengs hit the air, their arms stretched out, spreading open little folds of skin. The tiny creatures almost seemed confused by their newfound skill: they couldn’t fly, but they could glide⁠—awkwardly, and with a rather rapid descent.

She collapsed and peered over the edge, watching them drift down to the clouds. They disappeared like dots of mist into fog.

The recorded sound of the pipes was head-splittingly loud.

And she was angry.

*

When she stomped into the Remains the ape was surprised⁠—it had no idea she knew where to find it. The bagpipes were on a table. There were no lengs to be seen. The ape was sweeping up and it dropped the broom and backed into a corner, speaking in a muddy language. She tik tikked into the room.

The ape glanced at the bagpipes⁠—no, the knife on the table next to them. With a swift swipe of her powerful leg she smashed the knife to the floor and the blade broke. She opened her massive jaw and roared at the cowering animal.

Killing the only other civilized creature hadn’t been the plan. She recognized its intelligence and respected it. But the ape, by callously destroying her source of food⁠—her audience, her little lengies⁠—didn’t reciprocate that respect. Death was a reasonable punishment.

Moaning its muddy words, the ape held up one hand and, with the other, pointed at the metal cabinet next to it. In a final show of respect before the kill, she hesitated.

Keeping its eyes on her, the ape opened the cabinet door and pointed to the two eggs inside. They were striped yellow and green, the same color as the lengs. The ape tapped its head, then waved towards the hallway.

It had found the leng hatchery.

This bid for survival impressed her. She had never found where the lengs nested, and she certainly wanted to.

She backed off and tilted her head, opening her jaw to reveal tongue and teeth⁠—a friendly sign of agreement that, for some reason, made the ape twitch.

*

The hatchery wasn’t far from the concert junction. She had tikked by it a dozen times and never noticed the small gap below the stone. The ape got down on all fours and squeezed in. Moving the stone took all her strength, but she followed.

The breach opened into to an enormous cavern, the largest she’d seen, and the ground was entirely covered with nests and eggs. The brightness surprised her; when her eyes adjusted, she looked up and saw a crack high above in the ceiling⁠—through it, she could see the sky.

There were hundreds, maybe thousands of eggs; plenty of food to last until she could find a way to reach the opening, and escape. Some eggs were recently hatched, and the quiet squeaks of newborns chasing bugs echoed off the walls.

*

She had a new routine now. It revolved around building the scaffold higher and higher, closer and closer to the sky, and playing her bagpipes for the leng chicks. The music was no longer necessary to catch them⁠—they were completely unafraid of her. They even followed her around as she scavenged building materials from the Remains. But she liked playing for the little lengies. They really seemed to enjoy it.

The ape⁠—that reckless, imprudent ape⁠—had held up its side of the bargain. She ate it anyway. It tasted like mammal.

© 2020 by Matthew Schickele

Matthew Schickele is a Queens-based writer of music and words: chamber music, songs, speculative fiction, opera, and electronic music.  @Squidocto www.MatthewSchickele.com

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