DP FICTION #55A: “Empathy Bee” by Forrest Brazeal

I’m at the microphone for the first round of the 32nd Annual National Empathy Bee, and I can’t feel a thing.

*

ROUND ONE

Good morning, Alex. A man is sitting in a banker’s office. The banker says: “You have great collateral — I’ll give you credit for that.” Is this a joke? If so, why is it funny?

*

Press photographers in the front row dazzle my eyes with flashbulbs. The hotel ballroom stretches behind them, vast and dim, a fog bank of blurry faces. Mom sits somewhere in the audience, but I’ll never spot her with the naked eye from up here on the stage.

Fortunately, my brain implant has an image processing feature. I scroll through options in my mind, zooming, enhancing, upscaling. There she is, slumped on a straight-backed gilt chair with her “guardian of contestant” credentials drooping around her neck. The seat beside her, Dad’s seat, is empty.

*

ROUND TWO

Here is your next question, Alex. A middle-aged man posts pictures of his neighbor’s new sports car on social media, but he says the pictures are of his own car. Give two different reasons why he might be doing this.

*

The National Spelling Bee is deader than ancient Greek. So are mathletes and chess club. Now that every middle-school kid is running around the playground with a microchip in their head that syncs directly to the internet, traditional tests of academic knowledge are pointless. But those of us who aren’t good at sports still need something to do in the afternoons, so we get Empathy Bee.

The goal of the famous Turing Test is to stump a computer with questions that would be easy for a human. Empathy Bee is sort of like that. But the questions here are tricky for people, too. We’re supposed to be showing off our human potential by solving problems our brain implants can’t. It’s great practice for college essays, I’ve heard.

Some contestants spend a lot of time developing software to hack Empathy Bee and its hundred-thousand dollar grand prize, building databases of questions and using deep learning to predict responses. Veterans like me call them “chip kiddies.” The Bee stays a step ahead of technology, you only get sixty seconds at the mic, and it’s almost always better to go with your gut.

The problem right now is, my gut is missing in action. I’m used to nerves — they give me an edge — but not this dull incoherence.

*

ROUND THREE

Alex, you are late for class. You see two older kids bullying Ben. You know that if you stand up for Ben, he will think you are his friend. You don’t want to be friends with Ben, and you are scared of the older kids. What should you do?

*

I stumble on the third round question, speaking in half sentences, and I see the head judge’s hand hover scarily close to the dreaded buzzer before she decides to accept my answer.

Empathy Bee uses five judges at the national level. They score our responses on a ten point scale and determine if we’ve done well enough to advance. Because Bee questions are highly subjective, the judges take a lot of crap every year from angry parents, but I guess they’re used to it. Some of them used to judge beauty pageants.

Last year, when I got buzzed out in the fourth round on an answer I still think was pretty good, Mom spent two hours outside the judges’ greenroom demanding an explanation. She didn’t get one, and I don’t think I’ll get that kind of support from her this year. She’s spent the last few days wan and distant, refusing to talk about anything except nothing. She won’t discuss what happened the night Dad left.

*

ROUND FOUR

Alex, you are four years old. You have lost sight of your family in a crowded theme park. How do you feel, and why?

*

We get a restroom break before the fourth round. Standing in a line of seventy kids with nervous bladders, I flip my implant out of “do not disturb” mode and check my messages. The Bee jams network communications in the ballroom to block hints from parents or coaches, but here on the upper level of the hotel I’ve got a little bit of service.

When I feel the message coming in from Dad, the little jolt of electricity seems to travel right down my spine into my stomach. I haven’t heard from him in eight days.

Hey son. Good luck up there. His words jab into my mind like pins.

I message him back, keeping my eyes fixed on the tiled floor as neurons flow in and out of the implant. Where are you? Don’t you know the bee is on right now?

Yeah, I’m watching it on TV. You look great.

Is she with you?

Come on, Alex.

No, I want to know, are you with your mistress?

Long pause. Her name’s Cynthia, okay?

I don’t want to know anything about her.

*

ROUND FIVE

Alex, here is an excerpt from a child’s picture book. Please read it to the judges. Watch our body language carefully. Slow down, point to the pictures, or explain the story if it appears that we are losing interest or getting confused.

*

I don’t know how I’m still in the competition. Answers spring out of me without a second thought, like I’m one of the robots the Bee is designed to outwit. Three years of experience and hundreds of hours of preparation are keeping me alive, somehow. For now.

I started preparing seriously for the Bee in fifth grade, sitting at the kitchen table doing practice tests with Mom. When I got frustrated and wanted to give up the whole idea, she would simply put the books away and bring them out again the next day. Around the time I won my first regional playoff, her enthusiasm became mine, and I didn’t need any more encouragement to study.

Dad helped out, too, in the early days. I remember lying with my face in the living room carpet, feeling rather than hearing his deep voice reading me the prompts. I’m not sure when that stopped. This past year, he mostly lay on the couch in the evenings, eyes rolled up in his head, communing with his implant. Keeping up with work stuff, he claimed.

*

ROUND SIX

Hi again, Alex. Let’s pretend you have a young brother, Matt, who has ADHD. Day after day, he invades your personal space and messes up your belongings. How can you help him learn a sense of boundaries?

*

I tried to look up “adultery” in my implant yesterday. I didn’t get very far at first. The chip has parental controls enabled. My parents’ implants, however, do not.

My parents aren’t especially chip-savvy. They leave their implants unsecured on our shared network at home. That means I can pair my implant wirelessly with theirs and use their access credentials to get online, especially if they’re sleeping and unlikely to notice. That’s usually how I download the Q-rated headgames that my friends are playing. I used to be able to get those on my own implant, before Mom read some article about the supposed negative effects of virtual reality inside developing brains.

If Dad could do what he did — which is to say adultery, noun, voluntary sexual intercourse between a married person and someone else who is not his or her spouse — I don’t see what’s the big deal about a stupid game.

*

ROUND SEVEN

Tell me a story about a time when you experienced a feeling of schadenfreüde.

*

The contestants are dropping out fast now. The questions get a lot harder in this round, separating the championship contenders from the chip kiddies. Aliya Dhumal, last year’s champ, fails to explain why a controlling parent would trust alternative medicine over science. She leaves the stage after the buzzer with her head down. It looks like I’m going to make the top twenty, maybe more.

I go to the restroom again during the commercial break halfway through the round. I don’t need to pee — I just want to see if Dad has messaged me again. He hasn’t.

I really wish you were here.

He responds after a minute. Me too, Alex. I’m sorry things worked out like this.

You could still make it. We have your entry badge and everything. I can see your seat from the stage.

Look, you know things with me and your mom are rough right now.

Yeah. I know.

Alex.

What?

I love you, okay? You have every right to be upset about all this. I hope you’ll understand some day that I had to do what was right for me.

Alex?

I reach behind my ear and flip the little switch that comes out of the implant, cutting off all access to the chip. My arms and legs are shaking.

*

ROUND EIGHT

You are a politician at a state dinner. The Italian ambassador starts telling a joke that you know will offend the Japanese prime minister. How do you intervene so that nobody’s feelings are hurt?

*

Mom insists I can’t blame myself for what happened that evening, but how can I not? I was the one who paired Dad’s implant with mine while he was sleeping on the couch after dinner. I only wanted his headgame password. I didn’t mean to look at his messages, and when I saw the pictures of the naked woman I didn’t know what to do. I probably shouldn’t have told Mom.

No, I had to tell somebody. I couldn’t carry that secret.

Maybe I should have kept it to myself until after the finals. I would have felt the embarrassment and the guilt, Dad’s guilt, wrenching my stomach, but at least I would have felt something besides this emptiness.

The kid sitting onstage beside me, Ginnie Worley from Cedar Rapids, mutters to herself each time she thinks the judges are about to buzz somebody. “He’s gone.”

*

ROUND NINE

Alex, Oscar Wilde once wrote that “each man kills the thing he loves.” If you truly love something, why would you let it go?

*

The flashbulbs blast in my face, leaving floaters all around my field of vision. It’s like looking into a Petri dish. My implant is still disabled, and I have no idea how to answer this question. I don’t know why someone kills their love. I don’t even know what love is supposed to be. I’m too young to be here.

The head judge leans into her microphone. She’s an elderly woman with a constantly sympathetic expression. “Thirty seconds, Alex.”

I could turn on the implant and search the database for Oscar Wilde. That’s what a chip kiddie would do, but there’s no time now.

Did I kill Dad’s love for me when I accessed his implant? If I hadn’t done that, if I hadn’t learned who he was, wouldn’t we still be together? Or was he bound to leave anyway, like Mom says, in which case nothing matters and this whole question is stupid?

“Alex. Time’s up. If you love something, why let it go?”

I close my eyes and speak so softly into the microphone that I can barely hear myself. “Because I have to do what’s right for me.”

“Please repeat that toward the judges?”

I turn toward the judges’ table. “I have to do what’s right for me.”

The judges put their heads together, murmuring. Somewhere behind me Ginnie Worley hisses jubilantly. “He’s gone.”

The sound of the buzzer strikes me right in the chest, vibrating all through my body. The head judge sighs, looking as always like she just put down a beloved family pet. “I’m sorry, Alex, that’s not an acceptable answer.”

I look out beyond the microphone, over the judges’ table, past Mom and the sea of people, right into the TV camera on the platform at the back of the ballroom. I look through the lens of the camera into the hotel room where I imagine Dad sits in bed with his arm around his mistress. I speak slowly and with emphasis, the way they teach you. “You’re darn right it isn’t.”

Then I walk off the stage and into that strange holding pen for just-eliminated contestants called the cry room. Mom is there, and I put my head on her shoulder, and all of a sudden I have more feelings than I know what to do with.


© 2019 by Forrest Brazeal

Author’s Note: I competed twice in the National Spelling Bee and still follow it from afar. In my opinion, the Bee is fundamentally broken in the digital age — kids keep getting smarter and prep tools get better, but the dictionary stays the same. I started thinking about the evolution of academic competitions, and came up with what I think would be a much more interesting event. (I’d watch it, anyway!)

Forrest Brazeal is a software engineer, writer, and cartoonist based in rural Virginia. His short stories have appeared or are forthcoming in Daily Science Fiction, Abyss & Apex, StarShipSofa, and elsewhere. Find him at forrestbrazeal.com or on twitter @forrestbrazeal.


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DP FICTION #54A: “The Inspiration Machine” by K.S. Dearsley

“I’ve got it!” Barnes leapt out of his chair and knocked hot synth-coffee over his work interface and paunch. Perhaps that was why the idea vanished. By the time he had swabbed away the mess, the brilliant flash of creativity was no more than the memory of something that had almost been within his grasp. He needed a few breaths of bottled fresh sea air–his last multi-million global craze–to boost his brainpower.

He had exactly twenty-three minutes to find the next big thing, the product that everyone–young, old, straight, gay, white, black and everything in-between–had to have. Innovations Manager Oona Hardy had smiled at him at the last project development meeting–that smile. Barnes was sure it was produced by twitch implants that pulled back her lips to reveal entirely too much gum and teeth. No one who had been on the receiving end of that smile survived the next meeting unless they came up with something so good no one could understand why it had not been thought of before. The trouble was, the harder he tried to snatch at ideas, the faster they fled. What was that idea he had been about to have?

*

“I don’t need to tell you we’re under pressure. Yes the ‘Shake It’ instant drying fabrics are still selling well, particularly the towels, but with OmniCom launching its ‘Perfect Image Flexi You’ technology we have to come up with something to compete.” Oona Hardy had a way of pausing behind the so-called creatives at the conference table as she paced around it that made each one flinch. When it was Barnes’ turn, he had to fight himself not to draw in his head like a tortoise. She moved on, and Barnes exhaled.

Someone stammered out an idea. Hardy’s lips began to pull back. Any moment now, Barnes would be called upon to speak. If only there was a way to make inspiration come to order. If only there was a way to backtrack to the flash of light and stop it escaping.

“What we need is an inspiration machine.” He had not meant to say it aloud, but Oona Hardy pounced on it.

“An inspiration machine. That has possibilities… expound!”

Barnes filled in the panic with words. “Think of all the priceless inventions that have been lost because an alert beeped or someone spoke. An inspiration machine would take you back to the instant when the idea began to form and allow you to follow it through… ” He was babbling, but Hardy was already filling in the gaps.

“How long before it’s market-ready?”

“Umm… ” He should not have hesitated.

“Four months. Bravo Barnes! Who’s next?”

Barnes tried to breathe naturally, as Hardy’s smile lasered the colleague next to him. Four months, and he had no idea what he had just proposed, let alone how to make it. The trouble was, he needed an inspiration machine to show him.

*

Four months of experimenting with electronically induced hypno-regression, combinations of auditory stimuli and implants in the primitive brain, and Barnes was no further forward. All he had to show for his work was a mess of interlinked nano-chips and nerve switches.

“Is this it?” Hardy’s demand caught Barnes off-guard.

“Yes.” That was it so far.

“Good. Give me a demonstration. Is this how it goes?” Hardy picked up the contraption.

“It isn’t ready yet.” Barnes hastily positioned the kit on her.

“Absolutely. It needs to look more sexy… ”

“I meant… ”

“Switch on… ”

Barnes held his breath as Hardy closed her eyes and waited for something to happen.

“It doesn’t work,” he said.

“Mm… tingling… not unpleasant… ”

“It doesn’t work.”

“Of course it works! I’ve just had a brilliant idea how to market it.” Hardy turned on her smile.

Barnes knew better than to disagree.

*

The more time that passed and the steeper the sales graph rose, the harder it was for Barnes to unglue his tongue. The inspiration machine was a sensation, acclaimed by avant-garde artists and company directors alike. Barnes enjoyed the bonus Hardy gave him, but not the smile she seemed now to reserve for him. He pretended to be working on a way of tapping into parallel universes, but continued his research into trapping the creative moment. Sooner or later, the bubble was bound to burst, and if he could come up with a machine that worked he might not get caught in the blast. He attached himself to the machine’s latest incarnation and closed his eyes. He sighed. It didn’t work, he was on completely the wrong track. The reason he knew was because there was the light of an idea glimmering in the distance.

“This doesn’t look much like a parallel universe interface to me.” Hardy’s smile cut off the protest Barnes was about to make. “It’s amazing what people can do when they believe things are possible. All those testimonials we have from satisfied customers who’ve found our machine increases their innovation. Anyone who hasn’t can’t have any imagination.”

“But I know how to make it work.” Barnes tried not to listen to her: the light was still there.

“Of course you do, you invented it.”

Not the smile, not the smile, not the smile, Barnes repeated in his head. “All we have to do is… ” But there it was–the pulled back lips, the expanse of gums.

“Well?”

“Um… er… ” It was no good, it had gone.

Hardy twitched her smile back until Barnes thought her face would split in two. More alarming still, she patted his hand. “I thought so. Best stick to the parallel universe interface. I’ve got just the market for it.”

 


© 2019 by K.S. Dearsley

 

Author’s Note: Two things were mainly responsible for The Inspiration Machine: the panic when you have to come up with an idea, and that pesky inspiration is hiding again (It’s never there when you want it.), and the memory of team briefings to discuss corporate strategy. I still have nightmares.

 

Karla Dearsley’s stories, flash fiction and poetry have been published on both sides of the Atlantic. She lives in Northampton, England, and when she is not writing she lets her dogs take her for walks. Her fantasy novels are available on Amazon and Smashwords. Find out more at http://www.ksdearsley.com.

 

 

 

 

 

 


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DP FICTION #53B: “Lies of the Desert Fathers” by Stewart Moore

The Abbot’s eyes stared up at the ceiling. The reflections of blue-robed angels flew across his gray irises. Not much blood had spattered on his face. His chest was another story. The stains had finally stopped spreading from the rents in his brown wool robe. I noticed a smear near the hem of my long skirt where I stood too close.

Revulsion erupted in my throat and I clamped my hands over my mouth. I could feel the dampness of the blood on my leg. I fought the urge to tear the bottom of the skirt off.  I needed to stay calm. If I panicked, all was lost.

On the Abbot’s shaven scalp, the lights of his implanted sanctifications still blinked, attempting to change the thought patterns of a dead brain. One finger slowly twitched. The motor cortex must be getting extra juice. I focused on that. A simple, physical issue in the neurological wiring. I could fix that. I slowed my thinking around that problem.

For some reason, the Abbot’s other hand held a saw. That problem I couldn’t solve right now.

Light from the overturned lamp shone on the wall behind the Abbot’s desk. There Saint Dymphna’s painted neck stretched out to meet her father’s sword in frozen, ecstatic martyrdom.  I locked eyes with her, my hot breath seething through my fingers. She could be calm.  I could be calm.

A shadow moved across Dymphna’s face. I almost turned and fled, but it was only a tarantula crawling inside the fallen lampshade. It hurried out across the wooden floor, so new the room still smelled of varnish in the dull evening heat.

The spider investigated the bloody chisel. Finally, it decided against crawling over the blade. It ran toward the monk in the shadows by the door. He stood so still, all I could see of him was his multicolored winking sanctifications, forming a halo around his head.

I smiled shakily, my gorge still in my throat. “Come here, please, Beta.”

Uriel Beta stepped forward shyly. He was a young man with a scar down his right cheek. His scalp and face were clean-shaven. What a change he made from when I first met him in prison, with lank dark hair and vomit-encrusted stubble.

Now, his hands were sticky with drying blood. I had found him desperately performing CPR on the Abbot.

“Who are you?” I asked.

Beta’s eyes went blank for a second as a blue light between his eyes flickered quickly. That implant stimulated his anterior cingulate cortex. His pupils contracted again. “…I’m Uriel Beta, a brother in the Order of Saint Dymphna.”

“Who am I?”

Again the momentary blankness. I couldn’t reduce the processing time for his sanctifications any further. That was why he had to be here, in the Order’s tightly sealed compound. He wouldn’t last a minute back on the streets, where his old friends, his victims and the police would all be waiting for him.

“…You’re Doctor Abigail Wainwright.”

“Good. Now lie to me, Beta.”

“…I can’t.”

“Try.”

Beta’s mouth worked, forming the beginnings of words, only for his sanctifications to start blinking more rapidly. Intracranial magnetic stimulation pulsed through his anterior cingulate cortex. Sociopaths have low activity in that region. Finally he let out a shuddering breath.

“…I can’t, Doctor Abigail. …The words won’t stay in my head. …It’s like they’re written in sand, and the wind… it blows the sand away, and what’s left is written in stone, and it’s the truth.”

“Excellent. Now: did you do this?”

Beta stared down at the Abbot, and at his scarlet hands. He knelt down, heedless of the blood on his robe. He looked up at me, tears in his eyes. A yellow light on his forehead faded on and off, stimulating his orbitofrontal cortex, giving him sympathy for the dead man he couldn’t feel on his own.

“…No,” he said at last. “You do believe me, don’t you?”

“Of course I do. But we have to find out who did this. I’m going to have to call the police pretty soon, and if we can’t give them the murderer, they’ll have to investigate. That means asking questions, and you know how the police already feel about this place. They might even try to force you to leave.”

Beta’s lights flickered. “…Yes. I understand. …We’re all very grateful to you, Doctor Abigail.”

I remembered how Beta had been when I met him: a monster seeking only his own immediate gratification. I set my jaw.

I looked over the monitors in the corner of the Abbot’s office. The lone guard was still in the booth at the entrance to the compound, oblivious. There were no guards inside the Order. We didn’t need any: no one wanted to get out. Besides, guards would have brought their own agendas, their own ideas of regulation and punishment, inside this place, and that would ruin the delicate work I performed here.

The rest of the monitors showed empty rooms and halls, but I knew where everyone was. It was nine o’clock: time for compline, the last service of the day. I held out my hand. “Come with me, Beta.” He took my hand and stood. I didn’t mind the blood. What kind of neurosurgeon would I be if I did? I took him over to the sink where the Abbot got water for blessing, and washed our hands.

Beta scrubbed at his fingernails as his tears ran down the drain. “…He was a great man. …You and he together made me whole. …You were like my mother and father.”

I squeezed Beta’s shoulder. “I know.”

We left the Abbot’s office, and I locked the door behind us. In the hallway, the ceiling lights reflected in the dark lacquered floors, as if we were hopping on stepping-stones in a frozen river. The adobe walls slowly released the day’s heat. The air was close, and sweat beaded on my forehead.

From up ahead came the chanting of the gathered monks. I recognized the canticle at once: the “Dies Irae,” “The Day of Wrath.” I mostly knew it from funeral services. An ill-omened thing to have come up in the lectionary for today. I saw Beta’s pupils dilate, and I knew it wasn’t just the dim light. I’d given all the brothers an implant in their anterior insula cortex. It gave them an experience of being one with each other when they worshipped together: a reward for their commitment to communal life. Now the music was taking hold of Beta. I gripped his arm.

“Uriel Beta, I need you to stay with me now. You’re the only one here who can’t lie to me.”

Beta looked at me with a slowly fading smile. He shook his head hard. “…I’ll try.” We continued down the hall. The chanting grew louder. Beta, struggling with the music, fighting its insistent communion with his brothers, started a whispered conversation to try to stay present with me.

“…Why didn’t you make it so we all can’t lie to you?”

I laughed quietly. “I’m good, but I’m not that good. All psychopaths need stimulation of the orbitofrontal and anterior cingulate cortices. That just reverses the particular manifestation of their disability. There are many ways to be a psychopath. You were a compulsive liar; now you compulsively tell the truth.”

“…But do I deserve any credit for that, theologically speaking?”

“That’s not for us to decide. You’re not hurting anyone anymore, and that’s the important thing.”

I remembered the photos of his victims, and shuddered. I was acutely aware of being alone with him, but I knew I was safe. Turning off the brothers’ sex drives had been the easiest operation. A simple matter of cutting off that pathway between the amygdala and the hypothalamus. I had to, or we’d never get anything done.

Beta and I emerged into the back of the candlelit chapel. Darkness filled the circular stained-glass window, giving just hints of deep reds and blues. On the woven altar covering, flowers with lush green leaves bloomed in the desert.

Without the Abbot, the brothers still knew the rites. The slow chant of the song went on and on. The harmonies were rough: I could work no magic with musical talent. But the joy they felt as they sang, or droned, or howled, hummed through the floor. Beta trembled. I put my hand on his shoulder. He smiled beatifically.

Counting Beta and omitting the Abbot, there should have been twenty-two monks in the chapel. It only took a moment to know that one was missing. All I could see was the back of their shaved heads, each blinking with its own constellation. That was enough: I knew each of their implants better than I knew their faces. I had spent hours placing each one. There were Uriel Alpha and Gamma; there were the Raphaels, all six Gabriels, the Michaels…

My breath died inside me. Cold rose up my back despite the heat. I squeezed Beta’s shoulder hard, and he looked at me hazily. “Sariel,” I whispered. “It’s Sariel.”

Beta’s eyes widened. I pulled him back into the shadows. “He must be somewhere where he can’t hear the service, and can hide from the cameras,” I said. “Where?”

Beta thought a moment. “…The library. The special collection. There’s one corner the camera can’t see.  We all know about it.”

“Let’s go.” We retreated from the chapel, back into the dark hallways.

Sariel. Our celebrity: Samuel Hutchens, the one serial killer I’d attempted to sanctify so far. Once I controlled his temporal lobe epilepsy, the rest had seemed fairly straightforward. I’d named him for the angel who taught humans about the moon. It matched the cyclical course of his murders.

Beta slowly opened the big oak door that led to the library. It creaked the tiniest bit. I prayed that only we heard it. Inside, green glass lampshades cast a watery light with pools of white on the ceiling. Books encased the walls. The shadows of shelves collected darkness. They gave off the odor of heat and paper.

I took off my shoes. We tiptoed along the shelves to the end of the row where the books about the Old Testament joined those of the New. The door to the special collection stood closed. On the floor lay a copy of the Lives of the Desert Fathers. Very slowly, I slid it out of our way with my foot.

Beta took hold of the door handle and looked back at me. I nodded. He gritted his teeth and threw it open.

Sariel stood in the corner, his nose in a book. He was a short, stocky, middle-aged man. His head was encrusted with sanctifications, like a phosphorescent reef. He looked up at us. His eyes gleamed in the dim light.

“Doctor,” he said softly. “You’re here late.” His accent was aristocratic Southern: Savannah, I knew, from his records. He sat down at the reading table.

“Why aren’t you at compline, Sariel?” I asked.

“I’m finding greater enlightenment here.” He closed the volume and turned it so I could see the cover. Neurocybernetic Behavior Modification. My first book.

“What’s that doing here?” I asked.

“The Abbot thought it was important that we know what we are.” Sariel ran his finger along the crevices of the brain on my book’s cover.

I sat down carefully across from him. “And what are you?”

“Spiritual beings, freed from the thorns of the flesh. Human as human was meant to be, human as in the Garden of Eden, free to praise God eternally until senescence. At which point we will resume the practice in heaven.”

I smiled. “That’s what you’re meant to be. You’re supposed to be better than the rest of us.”

“That’s what the Abbot thought, at least.” He looked at me from under heavy lids.

“Sariel… Have you seen the Abbot today?”

“No,” he whispered, his finger still moving over the convoluted lines. “Not personally, I mean. I saw him at worship this afternoon. And at noon. And this morning.”

“Then why aren’t you there now?”

“Because I’m tired!” he shouted. He picked up the book and slammed it back down. “I’m tired of feeling one with the universe whenever we sing a minor fifth. We’re slaves to your damned brain-machines, and I have had enough.” He reached down into his lap and brought up a tool. My whole body tensed. It was a vise grip. He set it gently on the table. “Eating and f-f-f… mating.” He spat out the word with the force of the interdicted vulgarity. “That’s what it is to be human. So how human do you think I feel, Doctor?”

“Where did you get that?” I asked, stalling for time.

“The workshop. You wanted us to be productive, after all. Idle hands, and so on. You were so sure of your work, that we wouldn’t use the tools to hurt each other. And you were right, of course. I couldn’t hurt another person now, even if I could want to.”

“Then what are you going to do with it?” My voice felt strangled in my throat.

Sariel’s fingers walked over his sanctifications like the legs of a pale spider. “I believe I know now what each one of these things does. This one, for instance—” He tapped a tiny box with a blue light on the left side of his head. “—This one regulates the communication between my amygdala and hypothalamus, so I can’t feel sexual excitation. This has been a particularly painful loss for me.”

He picked up the vise grip and closed it on that box. I stood up. “Jesus, don’t do that, Hutchens!”

He stood too. “Don’t come closer, either of you. I know what will happen. It’s like a fishhook: it does more damage coming out than going in. But it doesn’t matter, since I’m already dead to everything important in life. I’ll give you this, Doctor: you made the death penalty look good.”

He ripped the sanctification out of his head. Most of the implant tore off inside his skull, but the wire came out crusted with pinkish-gray neocortical flesh. Blood pulsed down his scalp. His right arm instantly flopped down at his side. He had torn straight through his motor cortex. He looked down at the useless limb.

Sariel grinned. “If your hand offend thee, cut it off.” His voice was thick.

“Beta, stop him!” I shouted. But when I looked back at him, Beta was shaking. His eyes rolled back into his head. He collapsed against the table and flopped onto the floor. His sanctifications scraped against the hardwood. I turned him on his side. His breathing was ragged but clear.

“And if your eye offend thee, pluck it out,” Sariel said. He gripped another sanctification and ripped it out, destroying Broca’s area, the center of grammar. “Interesting. Is. Feeling. You. Good. To me. Look. Feel… normal, almost.” He giggled, and ripped out another and another. Twitches writhed under his skin, contorting his face. His good hand trembled, so he had trouble getting at a sanctification at the back of his head. When he pulled it out, his right eye blinked furiously.

He was now blind on that side. I slipped around the table that way.

“Where… Go?” Sariel choked. He searched to his left, but like many people with damage to their left occipital lobe, he ignored his right completely. He brought his shaking hand to the center of his forehead, trying to get a grip on the winking red light there.

I grabbed the vise. It came easily from his loose fingers. I threw it away. He howled. Blood streamed down his face. His arms flailed out blindly. I grabbed my book off the table, a heavy tome full of illustrations. I swung it at the back of Sariel’s skull. I had to hit him three times, ruining more sanctifications as well as the book’s cover, before he fell down and lay shivering.

Beta moaned and tried to sit up. I knelt down and supported him. He looked around blearily under the table and saw Sariel’s bleeding head. Beta smiled weakly, then threw up. I moved to block his view of Sariel, and slowly he recovered. “…Not much good, was I?”

“It’s not your fault,” I said. “I turned up the activity in your mirror neurons to give you more empathy. Empathizing with that was just too much.”

“…I think I’m okay now.” I helped him stand up.

“Can you stay here and watch him?” I asked. “Make sure he doesn’t hurt himself any more?”

“…Yes. Are you going to call the police?”

“No.” I patted Beta’s arm. “It’ll be all right. I want to see if I can can save Sariel.” I sighed. There probably wasn’t much left of Sariel to save. I had worked so hard on him. “I’ll be right back.”

I left the library, retrieving my shoes as I did so, and headed for the Abbot’s office. I had to make sure it was undisturbed for the police. Soft chanting still drifted down the halls. The unity of the sound made it all worthwhile.

I passed by a small shrine for Saint Dymphna in the hallway. A single votive candle flickered under her portrait: a young, pretty, red-haired girl. The patron saint of the mentally ill. I wondered who had lit the candle. I thought of the men in the chapel, brains malformed at birth, who had never had a chance to choose the good at all. I freed them from that. I made it possible for God to save them. I opened the doors of Heaven.

Saint Dymphna’s ghost of a smile was not really reassuring. Neither was the crimson line across her throat.

I stalked down the hall. The brain is a physical system, I told myself, running over the old arguments in preparation for dealing with the police. A human brain is run by chemicals and electricity. You can measure it, alter it, even hold it in your hand. For God to change the flow of electricity in these men’s brains would have required a miracle, a bona-fide miracle, no less than splitting the Red Sea. And God doesn’t work that way anymore. Just read the news.

I reached the Abbot’s door and unlocked it. All I knew was, I saw sickness. I’m a doctor. So I healed it. What else was I supposed to do?

I walked around the desk. Two pools of sticky blood marked where the Abbot’s body and the knife had been.

I looked up. Uriel Beta stood in the doorway. Behind him, the other monks filled the hall. They sang quietly. I had mistaken volume for distance.

Beta’s left hand held something the size of a large rock. When he stepped forward I could see what it was.

“Uriel Beta, what are you doing with that drill?”

Beta looked down at his empty right hand. “…I’m not holding any drill, Doctor.”

“You can’t lie to me, Beta. I know you can’t.”

“…I’m not lying, Doctor. You did your work very well. See?” He waved his right hand languidly at me. “Nothing.”

“What about your other hand?”

“This?” He looked down at his left hand. It stayed very still. The knuckles were white, except the one on the trigger. “…This isn’t my hand. This is God’s hand. I don’t have any control over it.”

“Jesus. Beta, you have alien-hand syndrome. I should have known it was a possibility, it’s associated with disorders of the anterior cingulate. I stimulated that region to help your empathy, but I must have overloaded something somehow. I can fix it, Beta, I swear I can, but you have to give me the drill.”

The tarantula scurried in front of him. He knelt down.

“God doesn’t want you to take this,” he said softly. He triggered the drill and stabbed it through the spider’s body and into the floor. He never took his eyes off me as he did it. “But don’t worry. He doesn’t want to kill you either. Not like the Abbot. The Abbot wanted to saw off God’s arm.” He pulled the drill out of the floor and stood. “God only wants you to know the happiness we feel.” I realized he wasn’t pausing before he spoke. He believed what he said absolutely.

I saw blinking lights in another monk’s hand. It took me a moment to realize they were Sariel’s bloody sanctifications.

Beta’s left hand tested the drill. It whirred loudly. He stepped forward. There was nowhere for me to go. For the first time I really saw the window bars from this side.

“He’s going to sanctify you, Doctor,” Uriel Beta said as the other monks surrounded me. They grabbed me and pulled me to the floor, singing the whole time.

“You’re going to see what we see. What you gave us.” Beta knelt down over me. “Thank you, Doctor. We all thank you so much.”

I heard a sound. I couldn’t tell whether it was me screaming, or the drill. I looked up at the shaved heads all around. A cloud of blinking lights surrounded me, pulsing in complex rhythms. I knew each blink and flicker.

They were all working perfectly.


© 2019 by Stewart Moore

 

Author’s Note: “Lies of the Desert Fathers” was born out of research in the hard doctrine of original sin, that no human can achieve godliness unaided.  But who knows what helps towards saintliness might be available after 50 more years of technology?

Stewart Moore began his peripatetic career by graduating college with a degree in theater, following which he directed a production of his play Henry and Beckyin New York City.  Later, he earned a Ph.D. in Hebrew Bible at Yale.  His researches there led to the publication of his first book, Jewish Ethnic Identity and Relations in Hellenistic Egypt (Brill, 2014).  Turning from nonfiction to short fiction, he has been published in anthologies edited by Ellen Datlow (The Beastly Bride, 2010) and Paula Guran (Halloween, 2011).  He has also been published in the magazine Mysterion (2018).  He lives in New Jersey with his wife, daughter and an odd number of cats.

 

 

 

 


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DP FICTION #53A: “Little Empire of Lakelore” by D.A. Xiaolin Spires

All the world followed pretty much the same guidelines for international trade and travel. That’s a very big gloss, but let’s say it was true. And it was, for the most part.

There was however, one exception. It was Little Empire of Lakelore. Little Empire of Lakelore had to be qualified by the word little, because simply calling it the Empire of Lakelore would be a misnomer. You see, there was nothing imperial about Lakelore itself, except for its air of superiority, which was manufactured much like the actual air itself. The air had to be manufactured and pumped out, and it wasn’t too costly to do so, given the marginal cost of opening a few more factories for that purpose.

Lakelore once was a small nation that sprung from a lake. It did not literally jump out of the lake. Rather, the resources that the lake provided helped stir a willing population into convening and interacting. Water, isn’t it a great facilitator of sociality? Like all liquids, especially alcohol? Now, if the lake was made of alcohol… wait I’m getting ahead of myself here.

Lakelore was once a beautiful paradise, as is every long lost lore of an industrial hellhole. Its pristine waters grew dark with sludge. Its birds and trees became coated with dust and fell into the abyss that once was the lake. And yet, with the industrial advances, industry also cleared some of this sludge and smog, so in the end, it was rather so-so dirty.

All the world around Lakelore was more enraptured by the possibilities that the digital upheaval had brought with it. Suddenly, media was everywhere. Everyone was posting pictures, commenting on this or other, taking videos of anything their eyes happen to fall on in the course of the day. Just as Lakelore itself had been saturated with pollution, so were the digital networks deluged with the clutter of everyday nonsensical detritus.

Lyon of Lakelore was against this. He was not Prince Lakelore for nothing, after all.

One morning, when reading a print version describing a select few of the digital hogwash that washed itself onto his breakfast plate, he folded that derivative of a newspaper (which though derived from content online, itself had a derivative digital version) and said to his father, “Father,” — (for he always addressed his Father as Father and not Dad, as royals do not make such a petty mistake) —”Father, I disapprove.”

“Of what son?” Lord Titanius of Lakelore bellowed. He was small of stature but his voice bellowed as if he was constructed mainly of bass organ pipes.

“Of all this,” he said, fanning his hand over the paper.

“What about it?” said Lord Titanius.

“It’s drivel. Insulting to be considered news,” said Lyon.

“Then what shall we have done? Shall we ban it?” said Lord Titanius.

“Yes, perhaps we shall,” said Lyon.

“That would be my decision not yours. Let me ponder over such a course of action,” said the lord.

He continued chewing his sausage, the juicy bits flying everywhere, and even hitting the wet nurse who was across the palace way.

Once he swallowed the sausage he said, “Okay, I thought about it, son. You made some good points. We will ban it.”

“Decreer,” Lord Titanius hollered out. “Decreer, decree this drivel banned.”

Decreer lowered his head, blew a horn to get everyone in the empire’s attention. Since the empire stretched for a good a few feet outside the palace grounds, one of the furthest farmers living in that empire who could only see into the royal courtyard and not into the rest of the palace, stretched his ears to hear.

“I decree this drivel banned,” said the Decreer.

That one farmer with his outstretched ears did not know what this meant, so he continued to move his hoe against a pretty pathetically barren lot.

“And look, Father,” continued Lyon, immediately after the decree.

“What is it?” said Lord Titanius now, a bit peeved. He had already accomplished so much in a day and was wondering why his son persisted on pestering him past his first sausage consumption.

“Why, Father, look at these photos,” said Lyon. He picked up the paper.

“Didn’t I just ban that?” said the lord.

“Yes, but bear with me here. Give me a one-minute pardon, as we will strike this off the record that I had mentioned this at all. But, look at these faces. These are random printings of people’s faces from around the world.”

“And what about them?” said the lord, careful not to look to carefully, as he did not want to be subject to the punishment of his own ban.

“Well, they’re looking straight at us,” said Lyon.

Lord Titanius managed a glance. “Yes, well, they are profile photos.”

And Lyon sneered. “But can you believe the insolence? They look straight at us as if they have no shame.”

Lord Titanius found himself nodding in agreement. “Yes, that is rather impudent, I must say.”

“Let’s have these banned, too,” said Lyon.

Two bannings, in one day? Isn’t that a bit too much work? thought Lord Titanius. He believed in work-life balance.

“Fine, fine,” the lord grumbled. He was not yet 3/4 into his second sausage, when the decree was made.

The not-so-faraway furtherest-away farmer put again his hoe yet again to strain to hear the message. When it was over, he continued his meaningless labor that would prove to provide little if any fruit. (But, he was producing vegetables, so it was okay.)

How will people then apply for visas? thought Lord Titanius. He said the same sentence aloud without further consideration. That’s how his brain worked, as an appendage attached directly to his mouth.

“Let’s have the photographer executed?” said Lyon.

“For what?” asked Lord Titanius.

“Why? He takes pictures of these folks facing us directly, like we’re some objects of their gaze,” said Lyon. “Obviously.”

“That’s insolence, son. Take back your ‘obviously’ statement,” said Lord Titanius.

“Let it be known that I take back the word ‘obviously,'” Lyon mumbled, quite used to this retraction.

“What will you have him do?” asked the lord.

“Why, be executed. Then we’ll have someone as photographer who will take photographs so the person in the photograph must look up at us,” said Lyon.

“Look up…?” said the lord.

“Yes, tilt their head up in reverence to us,” said Lyon.

“But such photographs won’t be accepted in any other region in the world,” said the lord. “How will our men travel?”

“They don’t travel anyway, Father,” said Lyon.

“Oh. Quite right,” said Lord Titanius.

“Yes, because if we even lose one man, our economy will collapse, just like our lungs ten years ago,” said Lyon.

“Well, good thing we built those factories, all in the palace,” said the lord.

“Yes, they were very compact. Just like those compact trash cans,” said Lyon. He pointed at one now, that was smoking. “Oh wait, that’s a factory, not a trash can,” Lyon said, correcting himself.

The lord used this distraction as an opportunity to not decree an execution of the photographer, because just as Lyon said, one man gone would spell disaster for their empire’s precarious economy. But, he did later send a messenger to tell the photographer to only take photos where the subject is looking up at the camera.

“But how about if they show their friends their photos? Then they are simply revering the person looking at their photo, which is only but a friend, and not royalty,” said the photographer.

“Insolence! Just do as I say!” said the messenger who had been running back and forth between the lord and photographer, passing the message to the photographer in short bursts of bellow, just as he was ordered.

It had not occurred to the lord, nor Lyon, that a different perspective and social standing could be achieved, simply having someone who is not them look at the photo. It never occurred that they were not the doer-of-the-looking-at-the-photos action.

The photographer sent the messenger to tell the lord that he needed a ladder for this purpose of taking photos from above since he was approximately the same height as the lord himself.

It was ironic, the photographer thought, because if the lord saw these people, most men would tower over him and so it would make more sense to have visitors, should there be any, take photos down-up, as in up their nostrils rather than from top-down of their foreheads. But, then again, logic itself had been decreed banned ten days ago, only to be reinstated two days ago for logical reasons, then banned again yesterday. The photographer cleared his head of these thoughts. He wasn’t sure if they were logical or not, since he now lacked reason to make such a judgment.

Then he realized all his photos were blurry anyway, because of the smog, though not nearly as opaque as a decade back. Those were the years of the black curtain, which was really indicating the air level, rather than political situation. The photographer used to literally lift the air, like a curtain, just a peek so he could point his camera and shoot at his subject.

The next appointment he had for photographing on his list was Lord Titanius himself, who did not like his previous photo. He was not a self-serving lord; it was only that the picture did not flatter him. Of course this kind of narcissism was banned, but who is to call it narcissistic?

When the photographer climbed up the ladder to be taller than the lord, that was mistake number one. Mistake number two was taking a photo of the lord reverently looking upward, so that he would always remain the subject to someone else who was above him who was looking at the photo. The third was that the photographer had been decreed executed, or so he thought he had overheard from halfway across the empire, so what was he doing taking pictures?

The photographer brought up these points to the lord, who was standing next to him, but they needed the intermediary of the messenger to repeat it back and forth between them because it would be unseemly if they talked directly. But then the photographer struck these comments off the record since he technically had no logic. “Let’s just drop this photo in the black abyss of the lake and call it even, okay, Lord Titanius?” said the photographer.

Secretly, they agreed on this. “This will be our little secret,” said the lord, staring at his photo. He was rather fond of this photo with his shiny forehead and long nose which though predominant was made altogether even more prominent — and it was mostly all he saw in his photo, since it was taken from above.

Instead he pocketed the photo, and let the photographer drop the negative into the black abyss, where it came out the other side positive. (And who keeps negatives anyway? Like people ever make prints from them! Or even know what it means nowadays!)

The Lord decided he would avoid Lyon for the rest of the day.

I should decree no more decrees, he thought, but then he was too tired for any further decrees.

Please just let me have some rest, he thought.

Too bad rest was banned three days ago, he remembered bitterly. He bit into his next sausage and washed it down with bitters.

Oh that’s why I’m so bitter, he thought, looking at his whiskey glass, remembering it was there. He twirled the glass until the ice clinked and took another drink.


© 2019 by D.A. Xiaolin Spires

D.A. Xiaolin Spires steps into portals and reappears in sites such as Hawai’i, NY, various parts of Asia and elsewhere, with her keyboard appendage attached. Besides Diabolical Plotsher work appears or is forthcoming in publications such as Clarkesworld, Analog, Uncanny,  Strange Horizons, Nature, Terraform, Grievous Angel, Fireside, Galaxy’s Edge, StarShipSofa, Andromeda Spaceways (Year’s Best Issue), Factor Four, Pantheon, Outlook Springs, ROBOT DINOSAURS, Mithila Review, LONTAR, Reckoning, Issues in Earth Science, Liminality, Star*Line, Polu Texni, Argot, Eye to the Telescope, Liquid Imagination, Little Blue Marble, Story Seed Vault, and anthologies of the strange and beautiful: Ride the Star Wind, Sharp and Sugar Tooth, Future Visions, Deep Signal, Battling in All Her Finery, and Broad Knowledge. She can be found on her website daxiaolinspires.wordpress.com and on Twitter @spireswriter.


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DP FICTION #52B: “Bootleg Jesus” by Tonya Liburd

Out where rock outcroppings yearn to become mountains, there was a town cursed with no magic.

In this town, there was a family.

In this family, there was a girl.

She was nine, almost ten, Mara. Childhood hadn’t completely lifted its veil. She had an older brother, Ivan, who was fourteen, and whose voice was changing. Elsewhere, puberty would have signaled all sorts of preparations – acceptance into a special group home as much for his safety as for the general public – while his Unique Gift manifested. Watchfulness. Guidance. Training.

But not here.

Here the rocks, the soil, of the mountains had a special property that had been artificially duplicated thousands of years ago, and before that, the rock itself was transported. Here the rocks and soil prevented the manifestation of magic. There was no ‘curse’, really, of the dampening of magic – just something some said.

Everyone here in this town got along here by their wits, their brains, their strength – things were done from scratch if possible.

For what else had they to do here, this far away from civilization.

So, like everyone here around the age of puberty, Mara’s brother was special, yet not special, because of the rocks.

Mara would be special, yet not special like her older brother someday, like her mummy and daddy, like the rest of the adults. Like the people, families, who showed up sometimes on the outskirts, wanting to find a place for themselves here.

*

One day, Mara was playing in the house, and her father sent her to the yard. Some houses had garages, like hers, and some didn’t – like the oldest of the houses of the people who never had to arrive, who’d been here all along.

The garage wasn’t off-limits, and she was bored, so she went digging around inside.

One after another, she found an item, an item of before, before her family arrived, before she was born, and she discarded them.

In the back of all the clutter in the garage, there stood a bust of a Jesus. Unlike most busts and portraits of Jesus in the Western Hemisphere, this Jesus had brown skin and black features. It was supposed to give advice when priests and counsellors weren’t to be had. “They make them all blonde and blue eyed,” she remembered her mother saying disparagingly. “Like that’s how he was in that part of the world. As if he’d blend into the Egypt that was, if he was there. Hah!” And that would be the end of any religious discussion in the house. This Jesus was manufactured several decades ago as an answer to all the lilly-whiteness in the world, calling them Bootleg Jesuses, and one was bought by an ancestor so the family would remember they had a black ancestor as they headed into whiteness, white-acting, white-passing.

This Jesus had a heart on his chest that he presented to the world with rays of light—or in this case, neon rays—like in numerous postcards. His hair was dreadlocked. All of this was inside a metal box, made to be placed on a table, with no plug where it could be plugged in. So; what made it run?

Oh, she knew. It would run in any other place in the world, where magic ran free…

Where there existed people with Unique Gifts so powerful that they were considered gods…

She picked it up, and put in on a small round picnic table she had to unfold.

She smiled at it.

“Red and yellow, black and white,” she began to sing in her young voice, “we are precious in his sight. Jesus loves the little children of the world…”

It was the only religious thing that she knew, because her mother insisted that if anyone told her that her Jesus was wrong, she was to answer by reminding them of that song.

“Jesus, do you love me?” Mara giggled.

She heard it sputter to life; it lit up. The dreadlocked head of the Jesus bowed up and down, up and down. Then stopped, the light illuminating its white robed chest going out.

Mara gasped, her mouth hanging open. Then she put her hands to her mouth and squealed.

“Mummy, Daddy, Ivan, Jesus bowed to me!”

“That’s nice, dear,” her mother said, and that was the end of that. But little Mara would never forget. The Bootleg Jesus became her favourite thing in the house, in all the world.

*

If one looked around, or even past the hills, there was one constant: goats. They climbed where man feared; they frolicked where man could tame them. So man ate them.

They made a soup out of them called “goat water”.

Mara liked to be outside, and so did her older brother Ivan and their friend Sydney, who visited them often, and one day they all had goat water outside, and they enjoyed it, and it became a thing for them. Goat water, outside. At the borders of the town. Where the wild goats were.

And Mara always brought the Bootleg Jesus with her. Everyone humoured her at first. Then, as the years passed, it became more of a sentimental habit. “Mummy and Daddy don’t have to come with us, Bootleg Jesus will watch over us as we eat and play… haha…”

Everyone knew it wouldn’t work, right?

*

Years.

They remove the veil childhood had over knowing how the world really runs.

Mara knew pain, now. She felt her brother’s.

Mara knew fear and hopelessness. She felt Sydney’s.

Mara knew dreams of being one with the earth, of feeling its ponderous power in her veins, of letting the power out through her to be free.

She and her brother ate goat water near the outskirts of the town. Sydney was absent.

Again.

Ivan’s knuckles were white as he sipped spoonful by spoonful, his eyes dark and fathomless, partially hidden by his dark hair.

Mara looked at him while she ate and winced. She was twelve now. She opened her mouth to speak.

“Ivan…”

“Don’t.”

She sighed, wincing.

They both knew why Sydney wasn’t here with them; she was apprenticed with Mr. Stewart, who demanded long and hard hours. Meeting together was a “childish thing”, a thing of the past. She had better things to do.

But that wasn’t true, was it? They both knew what was really going on behind closed doors, in Mr. Stewart’s house, to Sydney. She’d told Ivan, and then Mara; and Mr. Stewart was a friend of Sydney’s family, and they went back a long way. No one would believe her if she said anything, Sydney knew, what with her mother and her father and their fights.

The next time they managed to meet to have goat water Mara stared at the Bootleg Jesus, a childhood comfort, accusingly.

“Weren’t you supposed to protect us?” she squeaked, not wanting even the wind to hear, so embarrassed was she to still hold onto this faint hope.

She slapped it.

Light and gears sputtered to life, and the Bootleg Jesus’s head went down and up.

Mara sprang onto her bare feet. A strong breeze blew up, and she held her long black hair down with one hand, her brown skirt back with another.

Ivan and Sydney looked her way, expressions curious.

She kicked it.

Again light and gears sputtered to life, and the Bootleg Jesus’s head went down and up.

“WHAT?” Ivan said, springing to his feet as well.

Mara fell to her knees before it, taking it in her arms, then setting it down carefully.

“J… Jesus, do you love me?” she asked it, her voice tremulous, her mind back in the cluttered, unused garage, when she still had her naïveté and her heart was untarnished by life’s darker corners. Where she’d thought about godhood.

The bootleg Jesus lit to life again, bowing its head. A tinny voice. “Yes, Mara.”

Ivan approached. “So what’s inside it? What’s the key thing that makes it run?”

“…You wanna open it up down to its nuts n’ bolts and destroy it to find out? Because I don’t see anyone here who knows how to take it apart and put it back together,” Sydney said.

And all the way home, Mara smiled a gentle, private smile, like she and the Bootleg Jesus that she held in her arms, all the way home, shared something special.

*

“Mara!” her brother called loudly.

She was in the yard, picking out some garlic for this evening’s meal of goat water.

“It’s not working,” he yelled. The Bootleg Jesus.

She got off her knees. “Let me try.”

In the garage, sitting at a table, she said gently, smiling, “Jesus, are you there?”

It came to life, white robe going bright, neon rays from the heart glowing, the head bobbing down and back up. “Yes,” it said in that tinny voice. Then the lights went out, and it stopped moving.

Ivan slapped the table in frustration. “See, it only likes you.”

Mara’s smile went wider. “Maybe because I’ve always had faith.” She turned to leave.

“Wait!”

Mara turned back.

“Ask it for me, then.”

“Ask it what?”

“Will Sydney and I ever get married? Will we get Mr. Stewart to stop?”

“Jesus…”

It lit up, head bowing. “Yes… and no.” It went dark.

Ivan bolted out of his seat and marched out of the garage, punching the door to the house as he passed.

The house rumbled slightly.

“What was that? Earthquake?” She heard her mother wonder out aloud.

“In this area?” she heard her father say.

Mara was the only person who went to the outskirts of the town with the Bootleg Jesus that day.

And the next.

*

Ivan came outside with Mara this time.

Ivan paced back and forth through the lush grass around the bust of the Bootleg Jesus. “So you work, huh? Huh! Well, then tell me this!” he pounced before the bust, snakelike, hissing.

His bottomless brown eyes shone like brown diamonds with the tears in them. “Then tell me what to do about Sydney. She hurts. I hurt. But she hurts more. People hurt her. I want her there when I tell my parents about us, I want her to be able to come out here with me whenever she and I want – what to DO ABOUT THAT?”

The bust of Jesus sputtered with light from within, the head bowed back and forth and a mechanical, tinny voice spoke. “Lose the battle. Win the war.” The light from within sputtered out; it went still.

Mara smiled. Ivan stayed, where he crouched, thunderstruck, fingers gripping green blades of grass, before the Bootleg Jesus.

*

The next day Mara was out, alone again.

Her bowl of goat water lay in the grass, the sun starting to descend. She’d been out here for hours, crying.

“Jesus…”

The Bootleg Jesus lit up.

“What… can I do about Ivan and Sydney? I mean, can I make Mr.Stewart stop?”

“Yes.”

“…How?”

“Force.”

“What do you mean?

The Bootleg Jesus’s dreadlocked head bobbed up and down, the whites of its eyes electric-white. “Do what your heart desires.”

Mara gasped. Hastily, she wiped tears from her eyes. “Will he die?”

“Yes.”

“Will I die?”

“No.”

“Is it worth it?”

“…yes.”

Do what your heart desires… crumble and destruction… death and victory…

Grabbing onto her dark hair from both sides, Mara raised her head and screamed to the sky. The bowl flew away. The ground beneath her rumbled, a nearby tree shuddering its green leaves.

*

Mara walked up the steps to Mr. Stewart’s porch—were those cracking sounds coming from underfoot?—and banged open the flydoor and inside door to Mr. Stewart’s house, the flydoor rattling on its hinges.

She saw Mr. Stewart inside. In a pair of pants and undershirt. He watched her approach.

He wasn’t one to mince words. “What do you want.”

She walked right up to his face. “Leave. Her. Alone.”

Silence.

He scowled.

Then Mr. Stewart roughly took her arm. And that was it.

Then it seemed like Mr. Stewart wasn’t trying to grab her, he was trying to let go. He started to shake. Then he began to convulse. His eyes rolled back ’til you could see the whites; he fell onto a couch seat.

Mr. Stewart had set something in motion inside Mara, and it wasn’t going to stop now.

She had been staring at Mr. Stewart all this time, and she had been hyperventilating. She couldn’t… stop.

Behind the house, she heard a teeth-rending crack. Mr. Stewart’s house seemed to have picked up on his shaking; she looked about wildly.

Mara ran to the door. As her foot stepped in the doorway, a crack split the floor under her feet in half. She jumped down the stairs, onto the ground. The split went into the house, and other cracks branched away from it, taking over the whole house. Windows splintered. The upper floor groaned like it needed to eat, and started caving in alarmingly, warping the roof. Neighbours were coming out of their houses, pointing, shouting and a couple were screaming.

She looked up, past the whole house, to the mountain face that was behind it. And saw the crack in the rock above. Rocks of various sizes were breaking free and pounding down on the house’s roof. She held her breath. The crumbling seemed to stop. Then she realized what it was that was making this all happen.

Her.

She let her breath out in a scream, a scream to release all holding back, all fear, to let the wild things out – or the wild things in. The cracking of the mountain behind the house thunderclapped the air, and huge rocks began to fall. The house rumbled down to its foundation, crushed from above.

People scattered, really screaming for their lives now. But nothing hit them. Nothing hit Mara, either.

Mara simply stared. All the pressures of growing older—and never being old enough for your autonomy—and the ways adults around her had abused that notion… all of it inside her. Calm.

*

She could smell the goat water being made by her mother from the front gate. She eyed a green onion in the garden as she passed and it unrooted itself, trailing her. Her mother froze as she ascended the back steps into the kitchen.

She’d heard, then. Seen. She knew.

The spoon her mother was stirring the pot with lifted from her hand and went into Mara’s. “Let me.”

Lips trembling, her mother stepped back.

Mara put the spoon down and took hold of the green onions still hanging in the air, turning the tap on to wash them. When that was done, she took up a knife—which caused her mother some consternation—and started chopping them, then put them in the pot to cook.

“You always cooked it for me… so many times… I know it by heart now.”

“…Mara…” her mother said, voice trembling.

“Yes?” Mara turned, fingering the knife.

Her mother swallowed.

Mara noticed her mother eyeing the knife and put it down gently. She smiled slowly.

Her father walked carefully up behind her mother, placing his hands upon her shoulders. “You’re… such a big girl now…” he attempted.

“Not so big,” Mara said. “Ivan and Sydney are older.”

“Yes, yes, that’s right,” her mother said, swallowing nervously again.

Her mother stood tall and lifted her chin, lips trembling. “We’ve never hurt you,” she said, trying to be strident.

“No… no you never did. Not you. Not Daddy.”

“You know you can always talk to us,” he said, a strained smile on his features.

“Not about everything, though,” Mara said.

Ivan and Sydney burst upon the scene.

“Mara!”

Mara’s head snapped to see her brother and Sydney behind her, coming up the stairs. The knife lifted from the counter to point at her parents in the blink of an eye. The house rumbled slightly. The air thrummed.

“C’mon, now, Mara,” Ivan said, a cautious laugh, “put the knife down.”

Mara sighed. The knife went back to its place on the counter. The air went still.

“You ain’t gonna hurt anybody now,” Ivan said.

Mara nudged her face towards her parents. “They think I might.”

“No they don’t,” Ivan said, his voice getting louder. “They don’t think you’ll hurt them. Right?”

They nodded.

“Ivan,” Mara said, “Why don’t you tell mom and dad what you wanted to say for so long now?”

Ivan’s lip trembled.

“Well?”

His gaze went to the white floor. “Not like this,” he mumbled.

“Now’s a good time as any.”

Ivan stepped forward, holding Sydney’s hand. He took in a deep breath. “Mom, Dad, Sydney and I love each other. I’d love to marry her someday and I hope that we can have your blessing… now that Mr. Stewart can’t hurt her no more.”

“You have our blessing,” Mara’s father said.

They stood in silence. Mara sighed, turning to look out the kitchen window.

“Well, now what, Mara?” Ivan said. “You have all the cards.”

“No I don’t,” she said softly. She turned back to the kitchen. “I can’t stay here anymore.”

“Why not?” Ivan retorted.

“Here’s a place where no magic can be, yet here I am, manifesting. There’s people out there who know what I can do. They’ll know about me soon enough. There’s places for people like me. You don’t see people like me in public for long.”

“Mara…” her brother started.

“You know it, and I know it,” Mara said. “I have to go.”

“What… what can we do for you?” her father said. Her mother looked near tears.

“You can give me a bowl of that goat water, to go,” she said. “It was always what kept the three of us together.”

“Anything else?”

“The Bootleg Jesus,” she said, a warm smile finally coming to her face.

“I can give you the backpack with the sleeping bag in it,” her father said. “Not like we needed to camp out here with the stars, the open sky…” he caught himself, and coughed.

“I’ll get it,” Ivan said, ducking out of the room.

Mara’s mother began weeping silently, then stepped forward to prepare the soup for her.

“I don’t want you to go,” Sydney said, stepping forward to embrace Mara. She shed tears on Mara’s shoulder for some minutes, before breaking away, wiping at her nose.

“Here, take my poncho,” Ivan said, coming back, dropping the items on the floor.

She didn’t hug her parents as she took the soup and outfitted herself, although her mother looked like she was finally unafraid enough and wanted to do it for all the world. She did hug her brother though.

“Where’s the… oh.” Sydney said as the Bootleg Jesus floated into view.

Mara walked out the door, and down the steps. The sun was maybe a couple of hours from setting, but still hung low enough to set an orange glow across the sky.

The front gate opened of its own accord, and Mara stepped out.

This was all she knew for her entire life. And, just like that, she was unfit to stay here. She’d always been a keen reader, and what technology they had—like television—she knew that it took a massive Gift to do what she’d done today.

The Gift of those considered gods. Townships developed around them. People worshipped them. But they were hard to find, and they might show up in the public consciousness for a while, but just like that, their presence winked out and disappeared.

But she was all of twelve. And yet unafraid.

She looked back to her home. All that stood between her and it was the Bootleg Jesus, bobbing in the air. And it was fitting, in more ways than one.

It started with you, she thought, looking at it, lit up and ready for questions.

Would she ever get the time to control her Gift? Would she be allowed to? How far did her Gift go? Would she ever find out?

She looked forward, to the sky, then to the ground. They were all that stood between her now.

A god.

Mara took one step away from home, and then another.


© 2019 by Tonya Liburd

Author’s Note: If I recall correctly, it was the simplest of things – and this has happened before, for example, with the Ace Of Knives: a name of a player while I was gaming. They had the name Bootleg Jesus and it was a title and an idea generator. What is a Bootleg Jesus? etc.

Tonya Liburd shares a birthday with Simeon Daniel and Ray Bradbury, which may tell you a little something about her. She is a 2017 and 2018 Rhysling nominee, and has been longlisted in the 2015 Carter V. Cooper(Vanderbilt)/Exile Short Fiction Competition. Her fiction is used in Nisi Shawl’s workshops as an example of ‘code switching’, and in Tananarive Due’s course at UCLA, which has featured Jordan Peele as a guest lecturer. She is also the Senior Editor of Abyss & Apex magazine. You can find her blogging at http://Spiderlilly.com, on Twitter at @somesillywowzer, or on Patreon at www.Patreon.com/TonyaLiburd


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DP FICTION #52A: “The Ceiling of the World” by Nicole Crucial

This is important. When Margaret moved to the city, you see, the office she worked in was on the top floor, five stories up. The train took twenty-five minutes to travel between Bleek Street—where her office was—and Swallow Avenue—where she lived. She took a room in a basement, and that basement room was ten feet below the ground, and through the eighteen-inch windows at the top of the room, daylight filtered in. The reassuring whisper-hum of the underground trains tickled the soles of her feet every few minutes. 

She’d kept hearing the city was growing. She figured, that’s where the jobs are—so she’d moved there. And yes, it was true, there were all kinds of jobs. You could be a copywriter, or a production assistant, or a construction worker, or pharmaceutical saleswoman, or a waitress at a fancy restaurant, or a waitress at a cheap diner, or a mail woman, or a graphic designer, or a barista, or a zookeeper, or a city planner, or an executive assistant, or a plumber, or an engineer, or a nail technician, or a food truck driver. That was part of the excitement: the possibility. The city was big enough for anything, bold enough to swallow anyone and spit back out a well-adapted spider monkey to climb the skyscrapers. Folks moved with an animal grace through the streets, stepping lithe around the potholes and trash, extracting quarters from their pockets without fumbling when the homeless people jangled their coffee cups. 

She’d liked the office with the view—the bumpy horizon of skyscrapers, historic and glassy-obsidian-new; the obstructed but beautiful sky; the surrealist haze that lingered and that was equal parts factory, cigarette, and vape shop. She’d taken the job at the office with the view without really knowing what the job was about. It had something to do with spreadsheets and calendars. It didn’t much matter what she did. 

“Every morning I walk out of the train platform, and I look straight up and can hardly take my eyes off the ceiling of the world till I walk inside the building,” Margaret told her mother. 

The five-story building was a walkup, and Margaret didn’t mind. She hummed in the stairwell, failing to count her steps. 

This is important. She was distracted and dying to be enchanted. So it took her a while to notice. 

*

One evening Margaret came home and descended the stairs to her basement alcove. Her legs were powerful now, after a few weeks of climbing those five stories, the stairs to the subways, this path to her bed. 

At the bottom, she put her foot down, expecting the tile floor. Instead her pump found the slick edge of another worn stair. She stumbled, barely caught herself on the railing in time to avoid a face plant.

Strange, she thought. 

“These godforsaken shoes,” she said to her mother on the phone. 

The light falling from the high, squat windows seemed a little dimmer. 

*

She noticed, eventually, that where once she’d only been able to hum her favorite Johnny Cash song’s chorus three times while claiming the stairs at work, she now could almost finish a fourth repetition. 

Outside the gilt-edged windows in the historic office building, the construction workers and cheap diner waitresses and engineers looked a little smaller. 

“Nothing is ever finished, is it?” said her boss, dropping a stack of papers on Margaret’s desk. 

The factory-cigarette-vape shop haze shimmered outside the windows.

This is important—or rather, it’s not. In the evenings, when she got home and eased her heels carefully over the unexpected last step into the basement, Margaret could not have told you what she’d done all day. 

*

She noticed the clock more now. How the quiet, stuffy minutes in the train seemed to stretch out between the stops, unfurling, leisurely, absent-minded. When she looked up from the sidewalk, the edges of buildings hemmed the once-unbounded ceiling of the world, the perspective making them narrow dramatically toward the sun. 

Mail began coming in bins, directed to the “6th floor.” 

“Should we change our address on the website?” asked Margaret, who, she remembered in this moment, was in charge of such things. “Facebook?” 

“What do you mean?” asked her boss. He pointed to the website open on her computer—6713 Bleek Street, 6th floor. “It’s always been the sixth floor.”

Margaret read every address on every piece of mail backward, from the bottom line up, to be extra sure that her brain wasn’t automatically filling in a number. Still, the number 6 made her bones feel brittle, fragile. She was glad she took the 8 train home.

*

In her basement room, which she swore now sat two steps lower into the ground, she heard the train passing the wall directly next to her bed. Strange. It didn’t seem like sinking two steps should bring her bedroom latitudinal with the train. 

But, you see, she liked how the rumble had moved from under her feet to level with her chest as she faced the wall at night. It began to feel like the gentle but deep vibrations of a snoring lover, perched next to her under the sheets. 

*

On a Thursday night, she went out. The bar she ended up at was three blocks from her heightening office, a puzzling intentional mix of hole-in-the-wall-dive and classily dim-lit, marble surfaces.

She sat alone at the bar stirring a gin and tonic until some man decided she looked lonely enough. It was an accurate observation. He settled into the stool on her immediate left.

“Where are you from?” 

It was a question no one had ever asked in her hometown. 

She gave its name; added, sheepishly, as one was supposed to do if they hadn’t been raised in the city: “It’s just this little town. I moved to the city a few months ago.”

“Oh? What for?” he said, rolling the tiny straw from his drink between his thumb and forefinger. It was not a frenetic motion—it was something unhurried. 

This was where she was supposed to say what her job was, or admit she had attended an expensive university here. Even though she knew this, Margaret found that the question clotted in her ears, plugged her throat. 

“I work on Bleek Street,” she said. She was changing the subject; the man did not know this. 

“Oh—I work two blocks over.” He held her eyes. Margaret noticed, startled, that he’d looked her straight in the eye for their whole conversation. 

He smiled, a toothy, guileless, out-of-place smile. As if the proximity of office spaces were a serendipitous coincidence, not the rational result of two people wanting to drink after work and not wanting to take a train across the ever-widening midtown expanse just for that. Margaret stared at him, the pads of her fingers dripping condensation on her glass. She felt as if she were on the train again. Trapped in the split second of darkness and encroaching bodies in which she feared, irrationally, that she would never get off, that this was eternity. That the moment would never end, or if it did, that it would never leave her. 

“Have you noticed the buildings?”

“The buildings,” he repeated. 

“They’re… growing.” 

“Growing?” He leaned closer, placing his palm on the stool that separated them to steady himself. 

Strange: a stool, separating them.

“And sinking,” Margaret continued, unable to stop herself. “And moving further apart. The train takes longer. The underground sank deeper.”

He tilted his head. 

“Buildings,” he said again. “Growing.”

*

In the coming months, her office changed its address from the 6th floor to the 7th, then the 8th, 9th, 10th. It remained a walk-up. 

Four more stops appeared on the train between Bleek Street and Swallow Avenue. The stairs leading down to Margaret’s basement room added a platform and doubled back in a second flight, and she had to crouch while descending in darkness. No more light reached her from the small windows. 

She didn’t see the man from the bar again. He’d entered his number into her phone and texted himself from it—a process that made her wrinkle her nose, but remain silent. But when she looked in her messages later, the conversation had disappeared. All her conversations had disappeared. 

Above her, the trains whispered and hummed. The vibrations fell on her as gossamer-light and chilling as spiderwebs. 

*

When she called her mother, the line rang indefinitely. She didn’t pick up; no robotic voicemail came to save her from the anxiety-adrenaline of waiting for the next ring, the silent begging for a dial tone.

Margaret waited for almost an hour, letting each ring saw on her nerves as if a nail file on a piece of string. 

“I miss you,” she said between tones. 

Ring. 

“I met a guy,” she tried. It felt hollow and she was glad, for a moment, that there was nobody on the line. She shook her head, hung up, and redialed: a clean slate. 

Ring. 

“I read a poem once—”

Ring.

“—something about, you know, city as lover.”

Ring. 

“Like how people are home.”

Ring.

“Um, okay, that’s not important.”

Ring.

“This is important.”

Ring.

“Do you remember when I was little?”

Ring.

“And I counted the cracks in the ceiling—”

Ring.

“Every night before I slept.”

Ring. 

“There were seventy-seven.”

Ring.

“I can’t find cracks to count anymore.”

After that, the phone stopped ringing. Only the laden, breathing silence of a receiver, depositing soundbytes into some irretrievable void. Maybe at least the phone company was recording. It comforted her to think that somewhere her voice was frozen, trembling over the syllables in “seventy-seven.” Finally a number that couldn’t change. 

*

A growing city requires all kinds, devours all kinds. Margaret passed the storefronts, caught the job classifieds in her periphery as she handed the morning paper to her boss. You could be an instigator, or a message, or a cookie tin containing only buttons, or a nosejob critic, or a law, or a grocery store mapmaker, or an Internet hoax, or a governess, or a pushpin collector, or a pocket square, or a bottle, or a ringbearer, or a liar, or a mathematician, or a lying mathematician, or a butterfly effect. 

That was part of the excitement: the possibility. The city was big enough for anything, bold enough to swallow anyone. Something about a primate with a prehensile tail. And you see, these days, you really needed to climb, and you really needed that extra limb to hold on with. There was nothing to do but climb. There was nothing to do but be swallowed.

Margaret did something with spreadsheets and calendars. It didn’t much matter what she did. 

*

On a Monday morning, six months after Margaret moved to the city, she stepped onto the sidewalk after a three-hour train ride.

She looked up at the ceiling of the world. She hadn’t been able to sigh about it to her mother for six weeks. Above her, a tiny misshapen circle of sky and an edge of blinding sun peeked from the encroaching gargantuan skyscrapers. The sky was more brick than blue now.

Margaret opened the door in her office building. She took a deep breath. 

She began the climb. She did not hum, because she knew if she did, her voice would give out on the way up. She failed to count her steps. 

She was distracted and enchanted to be dying. 

This is important.


© 2019 by Nicole Crucial

Author’s Note: I was living in New York City for a summer internship. Unsurprisingly, I felt like a very small and young and alone person in a very big city. Unlike other places I’d lived, New York only seemed to get bigger with time—not smaller—and I thought, what if that was literal? This piece was a way for me to work out my loneliness and frustration, the disappointment with myself and with the environment I was in. I’ve since gone happily back to living in and writing zany, semi-magical fiction about the South.

Nikki Kroushl (writing as Nicole Crucial) is finishing up her senior year as a student of various dark arts (one of them creative writing) at the University of North Carolina Wilmington. She writes fabulist fiction and self-indulgent personal essays. She is far too enthusiastic about planners, punctuation, pasta, caffeine, and Instagramming her cat. Read more of Nikki’s work at nicolecrucial.com.


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BOOK REVIEW: Tailchaser’s Song by Tad Williams

written by David Steffen

Tailchaser’s Song is a fantasy novel by Tad Williams, published by DAW books in 1985.  The story is set in a world of anthropomorphized cats, a quest fantasy with the young cat Fritti Tailchaser as the hero.  It is set in something like the real world, but from the perspective of cats, where humans are known as the race of M’an, descendents of cats who have been deformed by an ancient curse.

Tailchaser is a young feral cat, living near one of the towns of M’an, but not in a house.  He has always been an ambitious cat, wanting to make a name for himself, though he is happy with his life, and with his female companion Hushpad.  Local cats have started disappearing mysteriously, and the local leadership of the cats organizes a delegation to the royal feline court of Harar to report the disappearances and solve the mystery.  Soon after the start of the story Hushpad and the family of M’an who fed her mysteriously disappear.  Something insidious is afoot, and Tailchaser sets out to find out what it is, he is not included as part of the delegation so he sets out alone.  Soon he befriends a troublemaking kitten Pouncequick in the wilderness, who joins him in his journey.

The feel of the story as a whole is very epic fantasy, though it takes place in something like our world, it will be very familiar in tone to some of Williams’s later books, like the Memory, Sorrow, and Thorn series.  It’s interesting that “praise for the author” quotes on the cover refer to Watership Down by Richard Adams, about a group of anthropomorphized rabbits trying to find a new home after being driven from their own by impending disaster.  They are similar in a lot of ways, but this goes more into the fantasy realm–Watership Down was only fantastical in the sense that one of the rabbits had premonitions and the rabbits had some social structures that seemed unlikely in the wild.  Tailchaser’s Song, on the other hand, has entirely fantastical elements.

I love Williams’s work (the Otherland series being my favorite thus far) and so I’ve been meaning to go back and read his first published book.  I can definitely see similarity in the style and how that grew from there.  This one has some pacing issues, in my opinion, it takes a while to get going, and it takes a while after that to really get into what I’d call the main conflict of the story, and it frustrated me how little the stated quest really had to do with the story, in large part because Tailchaser really has no clue what’s happened to Hushpad so he’s really just setting out in a random direction hoping someone will know, without really any clear idea why they would.  Overall, it’s an enjoyable book and a reasonably quick read, and will especially appeal to you if you like anthropomorphic animals and quest fantasies.

DP FICTION #51B: “Dogwood Stories” by Nicole Givens Kurtz

Content note(click for details)

Content note: harm to children

“Late bloomers have the prettiest blooms,” Sadie’s momma said, after she tapped her on the head with the comb. “So, stop squirmin’.”

“It’s too tight.” Sadie winced, sucking in air to offset the pain. Her scalp burned like someone had set fire to it. She put her hands in her lap and tried to weather the storm, her hands rubbing each other to soothe the pain.

“Tenderheaded. That’s all.” Her momma pinched off a section of hair, and began another braid.

Sadie stifled a groan and squeezed her eyes tight. Once her momma finished the braid, she rubbed a finger full of grease along the parts, oiling her scalp and providing a balm to her irritated skin. The braids still hurt; the hair pulled taut and confined in the creative style.

With her hands sweating, Sadie gritted her teeth and stopped complaining. Not cause her momma’s braiding had stopped hurting. It did, but she wanted to look nice for the Dogwood Arts Festival. It happened once a year in Knoxville and she loved the early spring weather. Fresh grass, the flowers’ sweet smells and the pollen, giving everything a yellow hue.

Other places had festivals honoring dogwoods, cotton, and barbeque. Heck even bacon. Here in East Tennessee, beneath the Great Smoky Mountains’ rolling hills and purple mountains, the dogwood reigned.

Knoxville laid at the foot of the Smokies, in the valley. Protected to the east by mountains and blessed by the Tennessee River on the west, the city of Knoxville bloomed after the 1982 World’s Fair. Sadie only heard stories. The impact on the small county — the town, according to her momma, caused the town to morph into a metropolis.

“Momma?”

“Yeah baby?” Her momma popped her gum. The rush of spearmint tickled Sadie’s nose. Her hands rested heavy against Sadie’s head.

“Tell me about the dogwoods.” Sadie opened her eyes and waited. She loved when her momma read or told her stories about their people. The truth and all its messy bits her teachers didn’t tell her about in school. That’s what her momma called it—messy bits.

Momma’s stories went back as far as the Dogwood Arts Festival itself. Some of the stories Momma got from Grandmomma, Sadie’s Nana. Knoxville didn’t have a lot of folks who looked like her. Most of Sadie’s schooling had been by middle class white women, some well-meaning, but confined by stereotypical beliefs and hatred, both festering inside and foaming outside in whitewashed facts. So, when her momma talked about history, their history, in her rich, southern drawl, Sadie would disappear into those words melting into the past. Those logs fueled her inner fire to burn through the present’s challenges.

“Well, back in the days, a long time ago, the dogwood was strong, as strong as the oak tree. The people who kilt Jesus used the dogwood to make the crosses people was crucified on. The dogwood was a killin’ tree. So when they kilt Jesus on the cross, God twisted the dogwood, punished it by making its limbs thin and skinny…”

“So no one could be crucified on them any more,” Sadie finished, her heart hammering in glee.

“Right. But just so folk don’t forget, God made the white petals of the dogwood look like a cross, four points, with blood bracketed on the tips where they put the nails in Jesus.” Her momma breathed deep and sad as she started braiding again. “Dunno why you like that story so much. It’s sad, Sadie.”

“It isn’t sad, Momma. It’s beautiful.” Sadie sat up straighter against the couch.

“You a strange child.” Her momma tapped her shoulder. “You done.”

Sadie stood. Her legs ached from sitting, but the searing of her scalp blotted that out. Still, she took the stairs two at a time to get changed. Soon, her cousin, Tina, would be by and together they’d make their way downtown to the festival.

As she changed clothes from her pajama bottoms and tee-shirt and into jeans and a long-sleeved, white University of Tennessee tee-shirt. The words “Go Big Orange” spelled out in vibrant U.T. orange. Sadie thought about the dogwoods. She loved the story, not because of God’s punishment of the dogwood. The trees had been changed. Their strength had been used for evil, to hurt people, to inflict suffering. Unable to stop the people from using them for this purpose, the dogwood had been relieved of the burden. She didn’t see it as a punishment, so much as the dogwood being freed.

No, the dogwoods did not belong to white Jesus or his believers. The dogwood belonged to black folks—southern black folks. Like the dogwood, they’d suffered, blooms of potential sliced off by hatred vile and black as the skin of those they despised. Such “nice folks” capable of such monstrous acts as decorating beautiful grand oak and magnolia trees with bodies as ornaments. Smiling families lined up to take pictures in front of those macabre Christmas trees. Those dark, empty husks, dusty and lifeless, had been her family, her people, her kin.

Sadie sat down on the edge of her bed. Not the dogwood. Its petals already bore the blood stain of death. Mostly, the thick oaks and redwoods found themselves defined by evil.

The faint knocks announced Tina’s arrival.

Sadie slapped on her gold bangle bracelets and her big gold hoop earrings.

“You comin’, Sadie?” Her momma shouted up the stairs to her. “Tina’s down here waitin’.”

Sadie checked her braids in the mirror. Her hoops glistened along with the glossy and thick braids. Her head ached a little, but the rising excitement flooded her with a glow that numbed the pain.

“Yeah. Ready.” She scooped up her pocketbook and headed downstairs.

Once Sadie reached the bottom of the stairs, she found Tina and her momma in the living room. The front door stood ajar, but the screen door remained open. Outside, the lemon-yellow sun beamed in the early afternoon sky. Sadie rounded the short corner and walked into the living room—and a debate.

“That’s so 80s. We done did that.” Her momma stood with her arms akimbo on her wide hips, watching Tina. Her satin, multi-colored headwrap hid most of her hair, except her tight spiral curls around her face. She wore a loose blue dress with pockets and house shoes she wore outside.

Her cousin’s box braids swung about her flared hips as she rotated in a circle, shaking her hip-hugging and strategically ripped jeans. Sadie’s momma laughed, throwing back her head, mouth wide, and humor crinkling the corners of her momma’s eyes.

Sadie shrugged. “Everything dies. But then it comes back.”

The chuckles stopped. Tina turned to peer at Sadie, her forehead wrinkled in confusion.

“You such a weird child.” Sadie’s mom shook her head and with scrunched eyebrows turned back to straightening the living room. The smile left and shadows formed on her momma’s face.

Remnants of the shed hair, combs, and decorative beads littered the couch and rug where Sadie had sat.

Sadie let the words glide off of her. Those labels, strange, and, weird, had become worn and faded to her ears. Blunted like a knife that had been used too much.

“It’s a cycle, like spring. Renewal…”Sadie explained to the back of her momma’s head.

Tina rolled her eyes. “Get your pocketbook.” Her voice dipped so low only Sadie could hear. “Sassy Sadie, let’s go.”

“Bye Momma.” Sadie waved goodbye. The screen door slammed with a whap.

Once they got to Tina’s little Honda Civic, she gave Sadie the once over. “Your braids are poppin’! Dang. They tight!”

“Yeah. Momma just finished them.” Sadie shoved her hands into her jean pockets. Eager to go, she fought to keep her hands busy while Tina fished her car keys out of her pocketbook. The silence filled her with dread. Energy buzzed across her skin like lightning, like Saturday morning on Volunteer Football games.

Her cousin, Tina, lived up the street in a house that lined the edge of the projects’ apartment buildings. Older by four years, Tina had her driver’s license and an interest in art. The Dogwood Arts Festival local art show hosted a high school arts competition. Once the works were judged, students won ribbons and prizes. Tina had a few pieces showing and she wanted to show them off to Sadie. That fact alone took sheer courage. Strength. Tina had blossomed from the poor, clay dirt into a creative flower.

“Ready?” Tina unlocked the car, climbed in, and started the ignition.

“Yeah!” Sadie said with relief. At last!

It seemed to take forever, but in no time, they’d made their way from Cherry Street to downtown Market Street. As Tina parked the car, Sadie rushed out of the passenger side before Tina could remove the key from the ignition. The air felt different. It spoke to her.

“Hold ‘em horses, Sadie!” Tina called.

Sadie paused on the sidewalk. “Hurry up!”

Once she cleared the car, Tina tossed her braids. “I’m coming.”

They melded with the crowds of people streaming toward Market Square, a sea of pale faces with occasional spots of color. The Dogwood Arts Festival’s banners of white, mint green, and pink announced the celebration, but the trees showed off. Reaching high to the sky in all their splendor, they decorated Gay Street, the primary artery into Knoxville’s heart—downtown.

Sadie took in the rows of glorious trees. The tension level swelled. People bumped and jostled as people took in the new blooms, the artists, and vendors selling all manner of items. Southern fried foods’ strong aromas wafted through the air. Pink, green, and white balloons decorated vendor and artisans’ tables and booths along Market Square. The free event swelled with individuals beneath the cornflower blue sky and the occasional white cottonball clouds. Postcard perfect.

Sadie’s Nana used to say firm footing could turn to quicksand in a blink.

Whispers circulated, like snakes slithering between people, hissing in warning, when a sharp burning sensation exploded in Sadie’s chest. Her breath caught and a flash of bright light made her wince. She watched, transfixed, as a scarlet dot on her shirt blossomed across her heart, growing as if time-elapsed had been fast forwarded.

Sadie’s joy gushed out of with her blood. She couldn’t feel anything except the soft, downy dogwood petals brushing her cheeks.

For a crowd of branches, they weren’t shy about revealing themselves. Her face—hot and tight—as the whispers intensified couldn’t move. The trees leaned down close to her, their branches cracking like dry spines, shifting to mutter their wisdom into her ears. Blood roared in her ears as adrenaline flooded her system. She gave a wheezing cough. As she removed her hand from her mouth. An awareness settled on her shoulders.

I’ve been shot.

Life grinded to a halt.

Dogwoods didn’t chase ghosts away. They were ghosts. Of her ancestors, of all ancestors of the strong and betrayed.

This. Was. It!

The moment the dogwoods welcomed her into their fold. All of Sadie’s muscles strained as she lifted up her arms. They cradled her. The ivory petals stained with rust, by blood. Hers? Alarmed, she struggled, but their thin, rough bark tightened.

They whispered, “No matter. No matter. Only blood. We know it.”

With this they bobbed in the breeze, and continued to convey their knowledge, such as the wonders of weather that affected their delicate branches and blooms, their wonderful stories of steam and coal, of feasts and famines, and of freedom.

“You been strong for so long,” one dogwood said. It sounded like Nana.

“It hurts.” Sadie croaked, mouth thick and lazy.

“Come on, chile. Rest awhile. Here…” said another dogwood tree.

“But…” Sadie said, “my momma…”

“…is gonna be alright, after a while,” still another tree explained.

Their branches swayed as if cheering on this viewpoint.

“Hush. Hush,” they soothed.

“Come. Come,” they pleaded.

She savored every promise, every whispered word.

“I dunno…” Sadie started to turn away, to see the others in the marketplace. A coldness crept in, chilling her. She shuddered. A grisly, gruesome scene unfolded around her. “Tina.”

“Come on, now. Do not be afraid.” Nana’s voice again. It sounded warm and syrupy with its Southern drawl, thick and sweet.

Sadie’s eyelids grew heavy. Her throat burned, but she managed to say. “My momma, she needs me. I can’t come with y’all, now.”

So hard to talk. Her tongue didn’t want to work right. So tired.

Sadie closed her eyes among the dogwoods’ sweet scent.

*

“This is Robin Sneed with WBIR Channel 10 at the scene of what can only be described as a mass shooting. This time at the Dogwood Arts Festival downtown in Market Square. Police are asking viewers to avoid the downtown area. The festival, usually a time for joy, spring, and renewal, now is a place of violence and death.”

A few feet away, Tina shuddered beneath the blanket the EMS tossed over her shoulders. Yellow caution tape roped off the area as if it were some exclusive club that no one wanted to belong to—a survivor of a mass shooting. No one wanted the alternative either. Fate dealt her and Sadie a cruel blow. The reporter gave vague descriptions of the shooter. Tina scoffed. That cowardly bastard’s soul was deformed. The cops muttered about his deep-seeded grudges, but Tina knew that evil took root in places folks don’t always expect—and places they do.

The crime scene was a hive of activity. KPD and others dressed in POLICE jackets, buzzed around the area, like flies among the corpses. A flurry of activity sped up and slowed down simultaneously. Was this shock?

“Blood everywhere.” So bright against the white.

Tina’s tears flowed so much her eyes swelled and burned. Noise. Wailing. Screams of sirens switched to soft humming and back again. Everything had become jumbled. Nothing made sense.

“Sadie?” she called out.

A short distance from where she stood, her little cousin, Sadie Griffin lay crumbled on the bricked plaza. She’d fell where she stood. A duo of EMS folks hovered around her, blocking her view. Tina tried to distance herself from them, as if she could melt into the blanket, a makeshift invisibility cloak.

Tina closed her eyes, stomach lurching. The scents of copper and gunpowder hung in the air, staining it with death. She couldn’t even smell the dogwoods any more.

Dogwoods.

Tina pictured Sadie’s meddling with such freedom, but it had cost her. She could still see her, Sadie, practically bouncing in her excitement to be out at the festival. Now motionless. Struck down in her moment of joy.

Tina tasted the salt on her lips. She tasted pain. Grief. Of course, they were salty. Anger burned hot at the injustice of it. The police had caught the gunman—unharmed. That murderer would live.

Would her sweet cousin?

Tina remembered Sadie’s face when the bullet plowed through her. Dogwood petals rained down on her. The wind blew them loose, but it looked like they wept at the ugliness of the day. Her dark, round eyes sparked as she watched the dogwoods sway in the breeze. Tina sighed and wiped her tears. She needed to be strong for her aunt and her family.

For Sadie.

*

“She’s awake!” Sadie’s momma’s shout seemed to be piped in from far away. Despite this, the wavering thread of relief came through clear and defined. The thick scent of night blooming jasmine hung along with the harsher hints of something else. Confused, Sadie’s eyebrows knitted together. Too much light for it to be night. Sadie’s everything hurt as she tried to move or sit up. She tried to open her eyes, but the lights hurt, too. But in that brief eyeful, she could tell she wasn’t in her bedroom.

“Where am I?” She managed through cottonmouth. Her lips crackled and she winced again. Each motion brought agony. So she tried to stay still.

“Here. Drink.” Her momma handed her a cup of water.

She leaned up on one elbow. Sadie drank, but the I.V. pulled her dry skin on her hand. It bled.

“You at U.T. Hospital.” Her momma rubbed her hair and took the cup.

Hospital? Once her eyes adjusted to the glare and the fluorescent’s harshness, she looked around the room, as much as she could without moving too much. Then, it all rushed back to the forefront of her mind. She’d been shot!

“Momma, the dogwoods!” Sadie said and struggled to sit up fully. The atmosphere shifted as if certain emotion had been vanquished by her newfound secret knowledge. “The dogwoods are alive! More than that, they spoke.”

Maybe Tina heard it too, Sadie thought.

“Shush, baby girl. They gonna be here. Just like e’ry year.” Her momma kissed her forehead.

Suddenly exhausted, Sadie shut her eyes. Those dogwoods wagging their blooms all over town, running the thread about the foolishness of men. Tossing away life like ruined and withered petals.

Sadie knew it because she could almost hear them, chattering at the end of her consciousness. She’d join the dogwoods, just like her Nana. Later. She smiled as warmth spread through her. They’d embrace her in their creaky limbs and petal soft blooms.

She’d be ready.

So would the dogwoods.


© 2019 by Nicole Givens Kurtz

Author’s Note: As a born and raised Tennessean, the Dogwood Arts Festival in Knoxville was an integral aspect of growing up southern. Over time, the festival marked many rites of passage as I grew up and this story combines the legend of the Dogwood, my  east southern roots, and my love for horror.

Nicole Givens Kurtz’s short stories have appeared in over 30 anthologies of science fiction, fantasy, and horror. Her work has appeared in Stoker Finalist, Sycorax’s Daughters,  Stoker Recommended Read, Black Magic Women, and in such professional anthologies as Baen’s Straight Outta Tombstone and Onyx Path’s The Endless Ages Anthology. Visit Nicole’s other worlds online at Other Worlds Pulp, www.nicolegivenskurtz.com.


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DP FICTION #51A: “What the Sea Reaps, We Must Provide” by Eleanor R. Wood

The ball bounces off the tide-packed sand and Bailey leaps to catch it with lithe grace and accuracy. He returns to deposit it at my feet for another go. It’s nearly dusk; the beach is ours on this January evening. It stretches ahead, the rising tide low enough to give us ample time to reach the sea wall.

Bailey’s devotion to his ball is second only to his pack. He is never careless with it, relinquishing it only at my command or to give Bernie the occasional chase. Bernie brings up the rear, my shaggy bear, staying close but lacking Bailey’s fierce duty to his ball.

The town belongs to us now, half a year from holidaymakers, the beach winter-rough and devoid of summer’s candy-brightness. It will return soon enough, buckets and spades hanging from shop awnings, a time for ice cream and fish and chips eaten from the paper as gulls watch for their opportunity. A time when locals lend our beach to the tourists and day-trippers, avoiding the bustle and crowds, longing for autumn’s return. It is a town of two seasons, of excitement and peace, of light and dark. 

The dark is buried deep.

We don’t discuss it. That yearly sacrifice to keep the summer safe, to protect our town’s lifeblood. But winter’s rawness reveals the primal undertow, much as we pretend otherwise.

It awes me.

It terrifies me. The town’s need. The sea’s power.

We reach the end of the beach and head up the ramped walkway to the sea wall. The tide is too high to return along the beach, but the wall’s safe height gives us passage. A moment of doubt nags me as we ascend. Darkness is falling, a light rain with it. The sea wall’s sheer drop one side and railway line on the other has always unnerved me. The waist-high wall to separate pedestrian from train has never seemed enough. A woman was hit and killed one year trying to retrieve her dog who’d gone over. I clip leads onto Bailey and Bernie. That year’s sacrifice was a harsh one.

Gazing toward the distant harbour mouth, I’m reminded of the ill-prepared yachtsman who bargained his livelihood on a madcap voyage but ultimately gave himself to the sea to save his family’s shame and destitution. He never sailed home to the town whose balance he reset.

Not every balance tips so heavily, though. The far end of the sea wall now has a gate, erected a few years ago when some fool drove their car along the wall, crashing over the edge onto the beach. They sacrificed only pride and a vehicle, although the council takes no further chances.

We walk, the rain increasing, the sea rising, the occasional train thundering between us and the cliffs that loom above all. Halfway to the promenade, I glance left and freeze. The tide is far higher than it should be, all trace of beach gone, water lapping the wall’s base. I increase my pace. So does the sea. A sudden wave crashes over the wall ahead of us, stopping me dead. Bernie tries to drag me back the other way.

But this is the only way.

The tide shouldn’t be this high. The lights of the promenade seem miles away through the wet gloom. Another train rushes past and I flinch, caught between dangers.

Another wave booms up feet away, soaking us in spray. And I know. Sacrifice is due, and I am subject to its demand.

I clutch the leads tightly. No. Not my boys. Never.

We’re almost doused by the next wave, and I know it’ll take us all if I don’t give freely. I have nothing else to give, nothing else here that matters to me.

“NO!” I shout into the rising wind and know I’m out of time.

Bailey looks at me, unspoken communication between us as ever. Bernie lives in his own world, but Bailey knows. He has always understood my moods. He has always known what’s required of him. His gaze meets mine and my throat closes in fear.

“Bailey, no.” The words are a strangled noise he doesn’t comprehend. He steps towards the wall’s edge even as I tug his lead back.

He leans over the edge. The sea roils. I scream.

He opens his mouth and lets go of his ball.

The rain patters on my hood as the waves draw back. Bailey stares into the calming surf for a long moment. The lead stretches taut between us. A small whine of longing leaves his throat before he looks at me, his sacrifice made. Perhaps only I will ever understand what it cost him. Relief drives me to my knees on the wet stone and I open my arms to him. He leans into me.

“Good boy. Such a good boy.”

The town will prosper for another year, but as I start back for home, I know I’ll never walk this wall again.


© 2019 by Eleanor R. Wood

Author’s Note: Seaside towns are places of extremes: bustling with fun and holidaymakers in the summer, quiet and hibernating in the winter. The location of this story is based on my home town, inspired after a winter walk at dusk. There are contrasting energies to a town that is so defined by the seasons, and most summer visitors never see the stark winter aspect of such a place. And a town like this does not belong solely to its humans; its large population of dogs are as much a part of the community and have their own contributions to make. Too many stories use dogs purely as foils for human emotion, but I wanted to show a dog with his own agency, whose personal sacrifice means as much to the town as that of a human.

Eleanor R. Wood’s stories have appeared in Pseudopod, Flash Fiction OnlineDeep MagicDaily Science Fiction, Galaxy’s Edge, and various anthologies, among other places. She is an associate editor at PodCastle, where she gets to feed dragons and read a lot. She writes and eats liquorice from the south coast of England, where she lives with her husband, two marvellous dogs, and enough tropical fish tanks to charge an entry fee.
She blogs at http://creativepanoply.wordpress.com.


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BOOK REVIEW: Watership Down by Richard Adams

written by David Steffen

Watership Down is a survival adventure book written by Richard Adams published in 1972 that might arguably be classified as fantasy as well, which was adapted into a well-known children’s movie in 1978.  It follows a group of young bachelor rabbits who run away from their warren when one of them has a premonition of coming disaster.  The book follows them as they try to find a suitable location for a new warren and try to settle back down.

Multiple rabbits are point of view characters throughout the book, but the most important rabbit to the story is Fiver, the one who has the premonition of disaster (an upcoming construction site where the warren is located), which might be psychic or might just be intuition based on the sudden incursion of signs announcing the construction project.  Hazel is the one who first believed Fiver’s warning and helped convinced the others to make their escape.  Most of the group are pretty scrawny, secondary members of the warren, except for Bigwig, who is a member of the Owsla, the warren’s internal enforcers.  And then there’s Blueberry who seems to not think like a rabbit at all, coming up with new strategies that no other rabbit would even consider.

As they travel across the English countryside they come across other dangers, and meet rabbits from other warrens, and try to avoid humans as much as possible.  Before their flight, they have never left the area immediately surrounding their warren, so they come across many things that seem fantastical from their points of view.  All they really want is a stable and happy place to live, trying to find food and eventually mates (can’t establish much of a warren with only male rabbits!).

The book is marginally speculative, if you like to have something of the fantastical in the stories.  Fiver’s premonitions and Blueberry’s unrabbitlike thinking are the sort of things that might be considered speculative.  And the ease with with different species of animals communicate with each other and rabbits strategize their actions together.  Besides that the rabbits have a rich tradition of storytelling wherein they tell trickster myths about El-ahrairah, the greatest of rabbits, Prince of a Thousand Enemies.  The story as a whole is given a sense of realism despite this speculation, because the author apparently did a lot of research into rabbit behavior and rabbit social structures and the like in preparation to write this story, that it all feels very real.

I’ve heard the book/movie referenced often enough that I wanted to give it a try. I had so few preconceptions about the story that I assumed that it was a nautical tale from the title.  The myths were my favorite part of the book, to the point that I was always disappointed when one of the myths ended–the real-world stuff was interesting enough, but paled next to the myths for me. Overall I’d recommend it, especially if you like to get references to classic literature, since this one does seem to come up pretty regularly.  It’s a compelling tale of survival.