DP FICTION #46B: “For the Last Time, It’s Not a Ray Gun” by Anaea Lay

Connor was shy, introverted and a thousand other things that made sitting there, at the tiny coffee shop table, torturous. He didn’t want to be tortured. He wanted to hear harp music and cherubs giggling and all the other noises that accompanied your first date with your soul mate. It had taken him weeks to screw up the courage to ask Kayla out for coffee. As far as he was concerned, glitter should ooze from the walls in a poltergeist-style reward for the brazen bravery he’d demonstrated.

Meanwhile, Kayla pretty clearly didn’t realize this was supposed to be a date.

She wasn’t being weird or anything. And Connor wasn’t sure what she ought to be doing instead. But she wasn’t nervous or awkward or in any way different from how she was when they hung out with Debra and Joe and the rest. This was basically the same as hanging out in Kayla’s workshop for their hack-a-thon sessions, except the coffee was better, nobody else was around, and Connor felt entitled to glitter ooze.

Kayla was in the middle of a lengthy monologue about the various activities going on in her workshop. “Joey was pretty adamant about getting the beta testing approved by the IRB but we managed to talk him out of it before he actually filed any paperwork. Can you imagine, just telling the government what you’re planning like that? Ruins all the fun of making them figure it out for themselves.”

Connor was so nervous and uncomfortable that he couldn’t process any of the things Kayla was saying. He cared about what she wanted to talk about a lot. He just couldn’t get past the absence of cherubs and harp music. So he was completely astonished when she stopped. She glared at the table next to them, then rifled through her bag. A moment later she retrieved a silver and black object covered in wires.

“Uhm, Kayla?” Connor said, finding his voice for the first time since he’d ordered his coffee.

“Mm,” she said, her eyes steadily fixed in a death glare on their neighbor.

“Why do you have a ray gun?”

The neighbor was a petite girl with curly hair trimmed in an asymmetrical bob and thick eyeliner. The eyeliner covered her face in wavery trails, distributed by the tears she was actively shedding.

“It’s not a ray gun,” Kayla said without breaking her gaze.

Connor might be nervous, and he might be overwhelmed, but he damn well knew a ray gun when he saw one and that was a ray gun. But this was their first date and, even if Kayla didn’t know it, and he wasn’t about to pick a fight in the middle of it. “Please don’t shoot that girl in public.”

“If she wanted to be shot in private, she should have kept her crying fest there.” Kayla pointed the ray gun at their tearful neighbor.

Connor wanted to check the return policy on this date. Did dates come with return policies? Maybe there was some sort of insurance you could buy for first dates, like you did with airline tickets.

She pulled the trigger. Connor was blinded by a sizzling white beam emitted by the metal tip of the not-a-ray-gun. The light hit their neighbor who gave a startled yelp.

The light faded, and the weeping girl was gone, replaced by a dapper man with a cravat and a monocle. The man folded his hands on the table and looked around the coffee shop. Then, his voice low, breathy, and thick with the Queen’s English, uttered two words that would come to haunt Connor. “I say.”

***

If there was a gold standard for good at people, Connor was the opposite of it. Talking to people was just about the most terrifying thing in the whole world, even scarier than those raptors from Jurassic Park. If he started a conversation with people, they might expect him to know something about popular music, or sports, or lutefisk. Worse, they might want him to talk about himself.

But Connor didn’t want to die friendless and alone. He didn’t even want to hit middle age that way. He was useless in a conversation, but he was good at listening, and he liked to tinker and to collect things. So he decided to start tinkering with social groups and to collect interesting people.

Kayla wasn’t the crown jewel of his collection. That would be Debra, who took up new hobbies and advanced to the cutting edge with the same ease other people deployed in changing their socks. But Kayla was funny and had quirky interests and never seemed bothered by Connor’s shyness. On the contrary, she tended to praise his reserve. Other people seemed to like Connor with an asterisk. “He’s great when you finally get to know him.” “Once he opens up he’s pretty cool.” Kayla liked him without wanting him to talk or expecting him to crack a joke. It put him at ease, which ironically made it easier to open up, but it was also a relief. He hadn’t realized how much he wanted other people to let him be shy and scared until he had it.

Which might be how he missed the early clues that Kayla was completely unhinged.

***

Sitting at a small table in a coffee shop, deprived of spontaneously manifesting symbols of compatibility and romance, Connor stared at the Englishman née crying girl. It was possible he was facing something more frightening than conversation about lutefisk.

“Kayla?” Connor asked. He didn’t take his eyes from the Englishman. Maybe, if he kept watching, the Englishman would disappear and the crying girl would be there, still crying, and Connor wouldn’t have to face this.

“Yes, Connor?”

“Did you just shoot somebody with your ray gun?”

“I already told you, it’s not a ray gun.”

“What is it?” Connor was blinking hard. He’d just now realized that the mug of coffee the girl had been drinking transformed, too. It was a delicate china cup, white and blue. The Englishman took a dainty sip.

“The Social Propriety Enforcer Mock 1. I call it SPEM.”

Connor silently repeated the name to himself. “Is the effect…permanent?”

Kayla patted the side of the gun. The gesture was distressingly similar to what you might perform on a terrier or toddler. “Yup. I’ve been waiting to test it for days. Isn’t this great?”

This was worse than Kayla not realizing they were on a date. Somehow, Connor tried to connect with his soul mate and instead he’d become an accessory to some sort of demented homicide.

Or was it homicide?

“Excuse me, sir,” Connor said, his fear of talking to strangers momentarily outmatched by sheer bewilderment.

The Englishman’s posture was perfect. He settled his cup on the table. “Yes?”

“How long have you been sitting at that table?”

He tilted his head thoughtfully, then reached a finely manicured hand into his morning coat and retrieved a pocket watch. “It must be the better part of an hour,” he said, tucking the watch back in place.

Just as long as the crying girl had been there. Not murder, then. Kidnapping? Assault? Was there even a name for the crime of turning random strangers into Englishmen?

“Does it always have the same effect?” Connor asked. Maybe that girl had been crying because deep down inside, she desperately wanted to be a dapper Englishman, and the Social Propriety Enforcer Mock 1 operated by granting wishes.

“Don’t be silly. Of course not,” Kayla said, to Connor’s great relief. If it was a wish granting gun, then this was great. His first date with Kayla was salvaged. Heck, she could shoot him and then they’d get those cherubs he was still waiting on.

His hopes were utterly dashed with her next comment. “English people aren’t a monolith.”

***

Connor knew when he needed advice. Having an awkward first date with a girl you really liked, when she didn’t even know it was a date, was definitely a situation for which he was not at all qualified. The right thing to do would be to go to the most competent person he knew and see what they said. But Debra was a little intimidating. Instead, Connor went to Joey.

Joey was a knitter/weaver/soapmaker/blacksmith extraordinaire. Connor met him three years before at a maker fair where Joey was giving a presentation that heavily implied that to be a real knitter, you needed your own herd of specially bred sheep that you sheared yourself. With shears you had, of course, forged on your own. It was unclear whether you should also mine and refine your own ore.

Connor didn’t have any interest in sheep, but he collected interesting people, and in addition to his maker talents, Joey could karaoke to Lady Gaga like nobody’s business. Connor acquired him.

So Connor screwed up his courage, lured Joey out for drinks, then explained his dilemma. He went into fairly extensive detail, for Connor. It took him three sentences.

Joey was knitting when he wasn’t actively pouring beer into his mouth. It was unclear what Joey was knitting. “You mean you have no chemistry?”

Connor cursed himself. He’d spent too much time lamenting the absence of glitter ooze. “No, that’s not it.” How to correct his mistake? “She didn’t realize it was a date.”

Joey nodded. “You said that. But I think maybe she did. It sounds like there was no chemistry, so she was letting you down easy.”

Connor tried again. “She turned a stranger into an Englishman.”

“Were they crying?”

“Yes.”

Joey shrugged. “That’s sorta Kayla’s thing, isn’t it?” He had a point.

To hear Kayla tell it, she was locked in an adversarial relationship with the universe. She, a natural born super villain, had endured a lifetime of petty torments at the hands of unseen cosmic forces. Prominent stoplights along her frequent routes would linger on red just to slow her down. Her favorite TV shows were always canceled after half a season. She moved to Seattle for its cool, rainy weather, and the entire Pacific Northwest immediately became warm and sunny. Also, wherever she went, people cried in public.

“In Seattle, instead of shaking hands, people share their sexual histories and sad childhoods,” she’d lamented during one of the hack-a-thon sessions. “Don’t people know that’s unhealthy?”

Pointing out details like, those red lights have always been slow, Fox cancels anything good, and global warming has been around since before you were born, did nothing to budge her conviction of persecution. She took a weird sort of pride in her war. It was charming.

“What do I do?” Connor asked.

Joey’s knitting needles clacked madly as he worked. Was it possible to knit a sheep? It looked like Joey was knitting a sheep. “Ask her out again?”

***

Their second date was just as lacking in tangible manifestations of romance as their first. This time, Connor expected that, so that was okay. Kayla still didn’t show any signs of knowing it was a date. That was less okay. Twice she pulled out SPEM and transformed a bawling bystander into an unobtrusive Englishman.

“Did you put ‘pew pew’ stickers on your ray gun?” Connor asked the second time.

“It’s not a ray gun,” Kayla said. “And yes. I did.”

Yup. This was definitely love.

***

There are ethical problems to consider when dating somebody who doesn’t know you’re dating them. The first time, it’s an honest mistake. The second time, it’s bad communication. After that?

After that, you decide that you don’t care whether it’s a date or not. You divorce yourself from the idea of dating. You’re just having one-on-one hangouts with the girl who happens to be your soul mate, and while yes, you should probably mention your discovery of your cosmic entanglement to her, particularly given her already fraught relationship with the universe, maybe the whole world should remember that you are terrified of conversation, especially about yourself, and cut you a little slack and oh holy hell there are Englishmen everywhere.

No really.

Everywhere.

When Connor catches the bus to work, the driver is an Englishman. So are half the passengers.

Mailman? Englishman. Amazon Prime bike delivery guy? Englishman. Barrista? Who are we kidding? The entire coffee shop is English. They’ve started serving crumpets. Connor doesn’t know what a crumpet is. The homeless people living in Cal Anderson park all wear tweed and play cricket.

“I think I would like it if Englishmen took over the world,” Kayla said on their sixth date.

“They did that once,” Connor pointed out. “We call it colonialism.”

“Sounds like fun. Let’s start with Portland.”

“You did get the memo that colonialism is bad, right?”

Kayla rolled her eyes. “Duh. I didn’t mean we should all fall under the Queen’s rule. I mean everybody should adopt the English reserve. Their ability to repress emotions and cope with everything by drinking tea. It’s so healthy.”

“Healthy?”

“Mm-hmm,” Kayla said, sipping from her coffee. “It’s important to keep your feelings inside. If you let them out, you become structurally unsound and run a high risk of deflating. That’s why everybody in Seattle is depressed.”

That didn’t sound right to Connor. “I thought it was the rain.”

Kayla leaned back in her chair, then raised her arms. “What rain? The weather hasn’t been right since I moved here.”

She was definitely wrong about the weather changing to thwart her. But she had a point. The last two years had set records for sunshine and warmth.

***

Is it still creepy to date somebody who doesn’t know you’re dating when you are sincerely concerned that, if you try to have a conversation about how you feel, you’ll horribly embarrass yourself and ruin everything? What about if there’s a real risk that she’ll turn you into an Englishman?

***

Connor and Joe were supposed to have a planning session for the hack-a-thon, but Joe was late. Being late is a classic practice for west coasters in general. Flaking out and canceling is a specialty of the Pacific Northwest. But Joe was usually pretty good about hack-a-thon related things. Connor gave him twenty minutes, then called.

“Joe?” he asked when the call connected.

“Speaking.”

“Are you coming to the meeting? It’s getting late.”

“Goodness gracious, what are you nattering on about?” Joe asked.

Connor dropped his phone. Then he looked around the coffee shop. There were no mugs. Instead, everybody was drinking from porcelain tea cups with saucers. The tables were covered in doilies. Every single other patron in the coffee shop was wearing either wool or tweed and there were an alarming number of ascots on display. Connor, in his blue jeans and T-shirt, was the only non-Englishman in sight.

He scooped up his phone and fled into the street. Without thinking, he ran to Kayla’s, weaving through Englishmen out and about in the course of their day. As far as he could tell, everybody in Seattle had been transformed into an Englishman. He ran faster. He had to reach Kayla before she packed up her ray gun and went to Portland.

“I say!” somebody protested when Connor pushed them aside to cross an intersection.

“Pish tosh!” another exclaimed when he accidentally bumped into them.

“I’m pretty sure English people don’t actually say that,” Connor shouted over his shoulder has he ran on.

Finally, he reached Kayla’s door. Sweaty, chest heaving, gasping for breath, he rang her doorbell. She opened the door almost immediately.

The ray gun was in her hand.

She had to be stopped. Somehow, Connor was going to have to talk some sense into her. It just wasn’t okay to go around transforming people because you didn’t like the way they behaved in public. He took a deep breath, preparing the words he was going to say. What came out was, “I think we’ve been dating for three months.”

Kayla frowned at him, the gun held close to her body. “Three and a half.”

“What?”

“Our first date was that time we caught the bus together to go to Debra’s. When that weird guy started ranting at you about lutefisk. I figured that was the end of it, but you were so discombobulated, you asked me out for coffee.”

The whole world spun away from Connor. He’d completely blocked out the memory of that bus ride. Had there been glitter or cherubs then? He’d never know. “You didn’t turn a crying girl into an Englishman on our first date?”

“God, no,” Kayla said. “You can’t do things like that on a first date.”

She was right. Waiting until the second date to assault strangers with a ray gun changed everything. And, Connor realized, he wasn’t a giant creep after all! They’d both known they were dating the whole time. He just hadn’t known they’d known. “I think I’m in love with you.” The words poured out of him in a rush, relief masquerading as courage.

Kayla’s whole frame slumped. “Aw, Connor. What’d you have to go and do that for?” She raised the ray gun. An intense white light enveloped him.

He had a desperate hankering for a good pot of tea.

 


© 2018 by Anaea Lay

 

Author’s Note: This is the real life, completely true story of how I moved to Seattle, discovered some charming cultural quirks, and helped fix them.  Everyone in Seattle is now very stoic, if not happy, and nobody drinks coffee anymore.  You’re welcome.

 

Anaea Lay lives in Chicago, IL, where she engages in a torrid love affair with the city.  She’s the fiction podcast editor for Strange Horizons, where you can hear her read a new short story nearly every week, and the president of the Dream Foundry, where she gets up to no good.  Her fiction work has appeared in a variety of venues including LightspeedApexBeneath Ceaseless Skies, and Pod Castle.  Her interactive game about running a railroad and finding love, Gilded Rails, is forthcoming from Choice of Games.  She lives online at anaealay.comwhere you can find a complete biography and her blog.  Follow her on Twitter @anaealay.

 


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DP FICTION #46A: “The Hammer’s Prayer” by Benjamin C. Kinney

I showed up early for work, as always. The airport’s underbelly was the ugliest place in Boston, but I would’ve spent every hour there if I could get away with it. Among the hurried machines and distant reek-sweet jet fuel, I had everything I needed. A purpose, a paycheck, a place to hide; and most of all, a land of function without beauty, where nothing would tempt me to invest it with holiness and life.

The other officers grunted hellos as they arrived, and we split up into pairs for our little contributions to the safety of mankind. My supervisor Darrell beckoned me to him once again, and I took my place by the conveyor belt, pleased for the company of his press-perfect uniform blues. I had never let him know me, as I could let no human know me, but he had come to appreciate me despite the dull mask of my restraint.

I brushed clay dust from my uniform, tugged on my gloves, and watched humanity’s obsessions trundle toward the scanner. The belt hummed with the comfort of purposeful movement, content with suitcases and backpacks and baby strollers. A hard-shelled bicycle box wedged against a chute, and a light blinked amber as the conveyor belt clunked to a halt.

I leaned over the belt, and hauled the box into my arms. I’d hoped for something truly heavy, but it weighed no more than it looked. I pretended to exert myself as I carried the box to the scuffed steel examination table, and set it down beneath fluorescent lights and Darell’s sampling wand.

He chatted in his rhythm-quick voice as he jiggled the latch and drew out his ring of master keys. On the third try, the lid swung open. He whistled. “Wow. Ever see something like that, Jakob?”

A glossy bronze shape lay nestled in a bird’s nest of packing paper. The sculpture had the shape of a stylized motorcycle, sleek and long and stubby-piped, like the dream from a Hell’s Angels Science Fiction Club. Its metal engine gleamed in the harsh white light, as if it had just emerged from the workshop of some loving hobbyist, awaiting my word to roar down the open road.

A word I could never permit myself to give, despite the longing that beat through my chest like blood.

Darrell tapped his wand against my wrist. “Slow down, big guy.” I yanked back my hand, and he said “Can’t imagine a bomb hidden under this much work, but we still gotta check.”

I laced my fingers together as Darrell swept his wand over its surface. I had spent so long avoiding anything built and beautiful. I’d almost forgotten the sensation of their call, the gravity of their appeal.

This was no airplane, vomiting exhaust into the atmosphere; no luggage cart on the journey of a materialistic ant. Nor was it a golden calf, stealing hearts from the Creator. The sculpture existed, and made the world a better place for it, like a brother you never knew was alive.

Darrell levered the sculpture upright, one wheel toward the ceiling. “Yeah? What do you think? You like it, big guy?”

“Yeah,” I said.

He laughed. “That’s why I like you on my crew. You’re a great conversationalist. But yeah, it’s nice. Wouldn’t mind one of these hanging over the TV or something. Hold it for a minute?”

I balanced the sculpture in one hand, and let it tilt a few degrees until its surface rippled with white bars of reflected light. Darrell probed the box’s packing-paper corners with his wand, and then turned away and inserted it into the reader.

I had spent most of my life avoiding this temptation. Months upon months of dull repetition, back and forth between empty apartment and empty work, shaping myself into a useful cog of civilization. I’d survived undiscovered for so long, surely I deserved a few moments of fulfillment. One risk today, averaged over three years, left me comfortably safe.

I lay my hand on the sculpture’s headlight, let my fingers sketch the shape of letters, and laid the motorcycle back into its nest.

Some legends said the mark should read truth, others spirit, or a full Adonai Elohim emet, the Lord God is truth. But for me, anything will work. My fingernail left no impression on the bronze, but the clear cool presence of my gift flowed from hand to metal, like the release of a long-held breath.

I slammed down the lid.

“Jakob? What was that?” Darrell’s voice had lost its rhythm. He studied me not with wide-eyed surprise, but the narrow gaze of skepticism.

I froze. What had he seen? What had I done, in my moment of temptation? I shifted position, my body between him and the box. “You said all clear, right?”

He cradled his radio. “Yeah. All clear, Jakob.”

I hauled the box onto the outgoing conveyor belt, toward the rubber-strip curtain between our screening area and the automated paths beyond. Maybe nothing would happen. Maybe my power had faded in the years since I last gave life. I might’ve imagined that flow of power. Maybe I’d always imagined it, in hallucinations bubbling up from the lack of some medicine or construction in my mind.

The motorcycle would vanish into a cargo hold, a simple sculpture, able only to move by the gift of an airplane’s engine and fuel.

The box swiveled, jostled by  a sudden motion within. Black plastic clipped the curtain’s steel frame, and the box passed through the curtain and vanished from sight.

Darrell’s gaze bored into my back. No, my imagination, my fear. Warranted, though. I’d stayed far too long, in the lure of a steady job and my self-control. My mistake.

“Taking a break,” I said, and hustled toward the exit.

***

The late-October wind cut through my uniform jacket as I knelt by the ocean’s rocky shore, a false coast constructed by bulldozer and dredge. A stone’s throw from the runways, and the only place where the airport would allow me a sliver of comfort.

My cellphone buzzed in my pocket, but I couldn’t bear a glimpse of modern design. I wanted to hurl it into the waves, to awaken it to life, anything. I focused on the salt-sodden chill of water in my socks, the splash of waves over my boots. Water full of jellyfish, barnacles, and seaweed. Every plant and animal already true in form and function, alive by the Creator’s breath.

Beautiful but quiet. Nature laid no demands on me. My one chance to touch grace without it begging for my aid.

My pocket buzzed again. I had thought the airport would shelter me behind its utility and ugliness, but temptation had found me nonetheless. Darrell had seen me. I imagined hurling my phone into the water, fleeing from my job. I could disappear into some wilderness, far from any man-made creation that could tempt power from my fingertips.

Behind me, something zipped along the runways. Too low for an airplane, too swift for a maintenance truck. Maybe it was the sculpture, broken free of its box, enjoying the animate life I had given it. The sound faded, and I could not tell how far it’d gone.

I drew my phone with a wet-fingered tug. The cracked and blocky device settled in my hand, its shabby exterior muting the whispers from within. The buzz had been my weekly reminder to make a deposit into Saba Haskel’s fund. Once, the money had paid for his nursing home. Now, half of it went for his burial plot, and the rest to his chosen charities.

My thumb hesitated over the screen. Saba Haskel’s commands had faded in the seventeen months since his passing. If I unyoked myself from his debts and generosity, I could make my escape, and discover the shape of a life molded around my own needs.

I huffed a quiet half-laugh. As if I doubted what I might do, despite all the free will breathed into my soul. Saba Haskel had built himself a dutiful son.

I tapped my way to a banking app, and transferred over my last few hundred dollars.

No job meant no paycheck. I might keep them both, if I could talk Darrell down, if I could just walk back into the inspection line. I would have to try. I dipped my fingers through a receding wave, and then turned back toward the terminal’s lights.

***

My badge opened door after door, back from tarmac to fluorescent lights and then the cavernous rumbling space of the inspection room. I reached the conveyor belt, snapped nitrile gloves over my hand, and then halted. One of the other inspectors waved me over, and pointed her thumb at a video camera watching from the corner. “Boss wants to talk to you.”

So much for a return to the inspection line. I peeled off my gloves, and cradled them in my hands as I stepped away from the belt’s welcoming hum. I eyed the poor nitrile, wasted before it could do its work, and then tossed the crumpled gloves into the trash.

I passed through the garage where rectangular luggage carts slept in their peeling orange paint, waiting for a tug to drag them onward to a luggage-laden airplane. I swiped into the back corridor, and then again to access the control room.

A wall of monitors blinked at me, filling the room with their grainy light. Darrell paced behind the desk, and his phone rested on the surface with a satisfied glow.

I put on a dull expression. “What’s this about?”

Darrell shook his head. “Two years ago, couple months after you started here, I was told to keep an eye on you. I started to think it was nothing, you know that? But now, Jakob. That statue. What the hell did you do?”

I sat down in front of the desk, slid my hands along the frail plastic of the chair’s armrests, and tried to imagine who might’ve asked Darrell for such a favor. “Don’t know what you’re talking about.”

He halted, crossed his arms. “Thirty million passengers come through here every year, counting on us. Don’t you bullshit me.”

His uniform clung to his body, armpits dampened by sweat. Whether he feared for our passengers, or himself, I had no idea how to protect him. Every word faltered in my throat, inadequate and profane.

Darrell tightened his lips. “You know the real Jakob Haskel died before his first birthday? I just learned. But I bet you always knew.”

I forced my head to shake as slowly as ever. “Don’t know what you’re–”

He tugged open the desk drawer, and heaved a tangle of bronze onto the desk. It had once held the shape of a motorcycle’s front end. Its wheel had gone flat, the struts accordion-crushed like hollow aluminum after a crash.

The axle spun once, then shuddered to a stop. It turned in the opposite direction, skipped once, and stuck.

He said, “I don’t know what’s up with this, so we’re even.” His phone chirped, and he glanced at the screen. “Sit tight, Jakob. If you don’t wanna come clean to me, maybe I don’t know you so well after all. But the lady from the NSA will get answers out of you, one way or another.”

Plastic buckled beneath my fingers. Even if the National Security Agency fought for a worthy cause, they were who they were. No weaponsmith ever made the world more peaceful.

I leapt to my feet, but Darrell was already past me. He opened the door, and admitted a woman wearing a black suit so rumpled and careworn it wanted to slide off on its own in search of a sewing machine.

She ignored Darrell. She stared at me, and her bittersweet smile gripped me with the certainty of prayer.

She said, “I’ve always wondered whether Doctor Haskel made you in his own image.”

“You knew Saba?”

“I was his last graduate student.” She drew out a pair of business cards, one for Darrell and one for me. “And I know exactly what he was working on before he retired. Praxis derived from 16th century Praguer variants of the Sefer Yetzirah.”

Darrell squinted at the card. “Hold on. Doctor Menkin? You said you were from the NSA.”

“No, sir. Dr. Rebecah Menkin. I was at the NSF, at least when we spoke a couple years ago. The National Science Foundation.” She circled the desk, a hawk untroubled by the errant gust of Darrell’s question. She rested one hand on the motorcycle’s cowl and met my eyes. “I’ve spent the last six years trying to track down Saba’s final project. I chased every link I could find. Including the name.”

Six years. Since long before Saba awoke me from clay. “What do you want from me?”

“Come with me. We’ll recreate Dr. Haskel’s work, and finally get it published. The world deserves to know he was right.”

In the depths of my bereavement I might’ve leapt into her hands. But Saba had returned to dust, and his pride with him. If his work spread, the world could see more creations like me. Half souls, cursed by the temptation of life and beauty.

I said, “No.”

“Let’s not make this adversarial, Jakob.” She smiled, but her eyes resisted, as sharp as a dream’s leading edge. “Your boss told me about your talent. Let me help you understand it.”

A wise man hears one word and understands two, Saba used to say. If I left with this doctor, I’d spend the rest of my days in a lab, under microscope or scalpel or drill. I’d become one more metal to smelt from its ore, in the humans’ endless hunger for new methods of creation.

I said, “Darrell. I’ll talk to you, but not this woman. Get her out of here.”

Darrell pushed past Dr. Menkin, jammed a key into a desk drawer, and yanked out a taser. He swung the black-and-yellow barrel back and forth, between the woman and me.

He said, “Doc, you need to leave. I may not understand what Jakob can do, but whatever it is, it needs to serve our country. Not some scientist’s career.” He unclipped his radio. “You both stay right here while I find a number for the real NSA.”

Menkin raised her hands, palms out, her voice calm through gritted teeth. “I understand your concern. But let me put you through to the NSF’s director instead. Appointed by the President.”

Darrell said, “You said you don’t work for them anymore.”

“It doesn’t matter where I get my paycheck. The Director knows my work, and how important it is.”

Darrell hesitated. Menkin drew out a phone with a glass-and-aluminum case, sleek and alluring. The taser faltered in his hand.

I could let Darrell make his phone call, or I could crush the weapon in his hand and leave with the doctor. Either outcome would mean the same. I’d spent all these years suppressing the temptation of life. I had never created for my own gain, and neither reason nor logic would make me kneel before a worldly master.

As they argued, I smashed the door out of its frame, and fled into the echoing airport.

***

I ran into the garage, and wove through double-decked luggage carts as shouts mixed and rose behind me. Two voices, man and woman both. My pursuers fell further behind with every stride, unable to match me with mere muscle and bone. I aimed for the fire exit’s red-lit words. A one-way door, impossible to lock, to the tarmac and the respite beyond. Darrell and all his brethren could not catch me.

I glanced over my shoulder. He held his taser in one hand, radio in the other. Dr. Menkin unrolled a piece of parchment and shouted Hebrew syllables into the echoing air.

My joints stiffened. I lurched, almost tripped, my clay thickened and dried by the power of her words.

A roar of frustration escaped my throat. I grabbed a cart’s aluminum frame, and yanked myself around to face my pursuers. Menkin and Darrell converged on me, ready with taser and scroll, with lost faith and innocent greed.

Saba had taught me restraint, but if these two wanted so badly to know me, I’d show them my potential. I bent down by the luggage cart, dug my fingers into a tire’s stiff squeaking rubber, and exerted my full strength at last.

I lifted the luggage cart over my head. Dr. Menkin fumbled in her jacket, her face pale. Darrell stepped back, his taser leveled in shaking hands. “Jakob, calm down. You don’t want to do this.”

Those two poor creatures, merely trying to fulfill their purposes handed down by job and school and Creator.

My rage crumbled. I lowered the cart onto the ground, gripped one of its roof’s steel struts, and traced my finger against metal and dusty orange paint. My gift seeped into the metal like water into thirsty earth.

The engineless cart set its wheels against concrete, and whipped into a three-point-turn. It nosed back and forth, an animal uncaged and sniffing for something to carry. It aimed itself toward Darrell and Menkin, and its wheels spun with an acrid burnt-rubber spark.

Dr. Menkin fell, a yelp of pain as the cart bumped over her leg. Darrell leapt onto the cart’s onrushing edge, but it caught him on the upper corner. He clung, legs kicking, as it swiveled around its parked and waiting brethren. His taser clattered onto the cart.

My muscles loosened. Darrell tumbled to the floor and crawled away. The animated cart slowed, and then spun and braked, a skidding turn that slid the taser into a stable position at the center of its bed. Its first morsel of cargo, the first joy of its waking life.

I wiped the dust from my fingertip. What had I done? Brought something unbeautiful to life. Not for temptation, not for its own sake, but for the menial demands of my own utility.

And yet, the act of creation echoed through my body with the music of a psalm’s first notes.

The cart approached the garage door and nuzzled its metal slats, a newborn curious to learn the world. How much time had I wasted, levying judgment upon the ugly and functional? I had fled from temptation, as if my desires bent always toward evil. But I’d only ever wanted to continue the work of my father, and awaken the world to life.

I ran, not to the fire exit, but to the garage door. I struck my hand against the steel, fingers curled to add a new pattern of dents. The gate rolled upward, opening itself. The baggage cart zipped out beneath it, as if to share its bounty with all its still-sleeping kin.

Engine-roar struck me, a churning blast of air. Aircraft spread out all around me, sleek white hulks dotted with red and green running lights. The planes strained toward the wide-open heavens, but I had no need to flee. Soon I would feel the grasp of scroll or taser, or the sure and frightened hands of my coworkers. They could carry me to any prison they chose, and I would write life upon my chains.

I drew my phone from my pocket, traced a blessing against its weathered case, and nestled it against the airport wall. Its screen awoke, data and light, singing unto its makers a new song.

I strode out onto the tarmac, toward fuel pumps and skybridges and airplanes. Among the unbeautiful machineries of security and knowledge, of flight and creation. All of us yearning for, and deserving, our chance at holiness and life.

 


© 2018 by Benjamin C. Kinney

 

Author’s Note: The speculative fiction literature is full of golem stories, but they tend to touch on a limited range of themes. I wanted to use the golem to explore the relationship between work and life, purpose and self-determination, art and function. I had this story’s themes and final image rattling around in my head for many months before a writing group challenged me to write a story with two images: a baggage carousel, and jellyfish. The jellyfish mostly got cut in revision, but in Jakob’s quiet moment on the shore, he’s encountering the same bioluminescent jellyfish I once touched on a Martha’s Vineyard beach.

 

Benjamin C. Kinney is a SFF writer, neuroscientist, and Assistant Editor of the Hugo-nominated science fiction podcast magazine Escape Pod. His short stories have appeared in Strange Horizons, PodCastle, Beneath Ceaseless Skies, and many more fine magazines and anthologies. He lives in St. Louis with two cats and a spacefaring wife, but can be more easily found online at www.benjaminckinney.com or on Twitter as @BenCKinney.

 

 

 

 

 


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DP FICTION #45B: “The Coal Remembers What It Was” by Paul R. Hardy

Oh, I remember my mam. She’s been gone nigh on forty years, but I still think of the mornings when I were little and she’d show me the demons. She’d be up at the crack of dawn, kneeling down afore the stove to shove kindling in the firebox with one hand because she were cradling my baby brother in the other. And then I’d come along and pick a bit of coal out of the scuttle and ask: is there a demon in this one? And she’d say no, and I’d put it back and pick up another and ask: is there a demon in this one? And she’d say no again and I’d take another and like as not she’d clip me round the ear before I said owt else. “It’s not demons, Elsie,” she’d say. “The coal remembers what it was, that’s all. But it’s still only a lump of coal and I need to get the fire lit for your dad’s bath so get away with you and stop bothering me with your nonsense!”

Dad were on the night shift, you see. I hardly ever saw him with the hours he worked. He’d get home in the morning so covered in coal dust I thought he were a piece of coal himself. And then he’d have his bath and go straight to bed, and he were out again before I were back from school. People are always asking me about him. I get sick of all the questions. They’re only asking because he died in the disaster, but that were seventy years ago and it’s not like I were down there in the mine with him when it happened. I were back home, with Mam. Course I was. I were only little. I were up early to look at the demons.

Mam knew how much I liked to see them, so she’d call me back in once she’d got the kindling lit. She’d throw a few coals on top and have me stare into the firebox until they were glowing bright red. And then, if you were lucky, one of them would come to life. It’d crack, like there were a chick inside breaking out of an egg. Only it were never a chick–it were always something else, like a scorpion or a millipede, or a little newt sometimes. It were coal through and through, but it looked just like the real thing. I liked the beetles best. They’d be shining bright orange with blue flames across their backs, crawling through the fire to the edge of the grate where Mam had closed the door so they couldn’t get out and burn the house down. They’d flutter their wings, but they’d be too heavy to take off and go up the flue. Poor things.

Mam would throw the rest of the scuttle in, then she’d put the kettle on and braid my hair while she waited for the water to boil. And she’d say: “It’s not demons, Elsie. People used to think that, but the coal remembers, that’s all. Set it alight and the coal remembers what it used to be when the world was young.” She were right. I’ve heard all those clever folk try and explain it with their long words, but they don’t know any more than she did. ‘Pyrozoic’, that’s what they call them. Pyrozoic fossils from the Carboniferous Period, millions of years ago when it were only insects and salamanders and the like. Well, Mam knew that much but she didn’t care. Far as she were concerned, seeing beetles and all else come out of the coal just meant the fire were hot enough to put the rest of the scuttle in.

She taught me this one thing about them, though. If you looked close, if you looked right into their eyes, you could see what they remembered. All of a sudden you’d be chasing centipedes in leaf litter, or laying a hundred sticky eggs on a fern leaf, or standing stock still on a dead branch and hoping a horrible great salamander wouldn’t gobble you up. That’s what she’d show me, those mornings when she were getting the bath ready. I suppose it kept me quiet. Didn’t have telly then, you see. Nothing else to watch, like the little ones have nowadays. I showed my granddaughter a bit of burning coal once and she were bored of it after five minutes. No one’s interested in coal these days.

No one’s interested in my mam, neither. But I get questions about my dad all the bloody time. That silly woman from the mining museum were on the phone again last week, going “Ooh, Elsie, tell us about how your father died down the pit, all them years ago in the Heatherley disaster, let me come over and we’ll do an interview for the new memorial.” But it were a lifetime ago. I don’t remember my dad at all. She only wants to know because he were in the union and spoke up about the conditions down the mine, the long hours and shoddy gear—he said there’d be an accident one day, and he were right. But he didn’t talk to me about it. Why would he? I were only a little girl. I never saw him, except those mornings when he came home from the pit. He were never there to say good night, never there when I came home from school, and then on his days off he were at a meeting or down the pub most times. I don’t have any memories, not of him I don’t.

No, wait, there’s one thing. I asked Mam once if he were a piece of coal, because he always came home so filthy from the pit. And then if he’d crack open like the coal did if he were set on fire, and what he’d remember if he did. She gave me such a look! And then she laughed. She told me he’d never go like coal, I mean remembering what he was. He were too busy with the union to remember anything. Never remembered to wipe his feet, or to bring back milk from the dairy, or anything she ever told him. And that’s all I know about him, really. Why should I bother trying to remember him? That’s all they ask about. That and the disaster. But they never ask about Mam, and what she did.

She were the one got us out of Heatherley, me and my little brother Bill. Got us on the road to the next village. Pouring with rain, it was. We stopped at the church hall with all the others what made it. We’d lost everything except the clothes on our backs. Then we went on to Leeds and stayed with my aunt. Them was hard times. Mam never said owt about what happened back at Heatherley. She was like one of them soldiers come back from the war with all the stuffing knocked out of them. She carried on, though. Had to. Compensation didn’t come for years and it were a pittance when it did. She couldn’t wait for that. She had two little ones to look after, so she went to work in a mill, and then I did the same once I were old enough to get out of school.

And now they want to put up a memorial for the ones what died, that’s what the woman from the museum keeps saying. Some bloody great block of stone with their names on it. Supposed to last forever. They had one of them back in Heatherley for the Great War, what they call the First World War these days. Well, that’s one block of stone didn’t last forever. It were lost with the village. Don’t suppose the others will last, neither. Bill’s on the one in Leeds, the one with the angel on top. He were in the navy, got torpedoed out in the Atlantic, so they put him on the side of the stone with all the others what died in the second war. You know, the part they weren’t supposed to use because there weren’t supposed to be another war. Not that anyone cares. There were spray paint all over it, last I looked, and the council haven’t bothered cleaning it off, not for two years they haven’t.

And anyway, they’d never put my mam’s name on the bloody memorial, would they? She didn’t die in Heatherley. She lived. And after that she worked like a dog to keep me and my brother out of the orphanage, and when she did die, it were cancer what took her. They don’t carve your name in stone for that, do they? No, they bloody don’t. Nobody remembers my mother, except me. They don’t even ask her name. It was Maureen. Maureen Machin. Put that on your block of stone, go on. But you won’t, and you know why? Because she knew when to run. She got us out of Heatherley and then she told me to get out of Leeds before the blitz started in the war and I should have listened—I were almost killed when the house two doors down were hit. Then she told Bill not to join the navy, and he didn’t listen so now he’s at the bottom of the ocean. Told Dad he should get out of the pit as well and do you think he listened? Did he heck! We could have gone to Leeds, but he wanted to stay and fight. It were only a year after the big strike, the General Strike, and the bosses were punishing us for it. They were cutting everything back, wages and safety and everything. All the folk in Heatherley knew there was going to be an accident sooner or later, but Dad wouldn’t go. So Mam kept her eye out. Kept plates on the dresser right close to each other, so they’d go clink if the ground shook. Old trick, that were.

Clink, they went. Just a little noise. I was still yawning and I hardly noticed. And then they went clink again. And that time I did notice because Mam jumped back from the stove! I asked her if she’d burned her hand on a hot coal, but she told me to shush and listen. I couldn’t hear a thing. Except then the plates went clink again, and that were enough for Mam. She bundled up my brother in one arm, grabbed my hand with the other and pulled me out the front door and into the middle of the road. We were the only ones out there. I expect she were wondering if she’d gone mad.

And then the ground really shook.

It were like hearing a noise with your feet to begin with, and then the cobbles were shaking and slates were coming down off the roof. That got people out their front doors. All of them coming out in their nightshirts and dressing gowns. Some went down the hill toward the mine to see what were happening. Our neighbour did that. She were worried about her son what was down there and ran off to get him. Never saw her again. It were already too late.

The ground shook harder then, and a shower of slate came down off the tops of all the houses. I saw one poor man hit on the shoulder, right in front of me. Everyone ran for the middle of the road.

But it were worse down the pit. We was halfway up the hill with the colliery below us and we could see the pit-head winding gear and it were falling down, great big wheels crashing into the offices and flames coming up from the mine itself.

Then there were this bloody great groaning noise, like the earth were waking up and stretching, until this massive crack broke open across the village. I never saw the like, not even in the war when they were bombing Leeds. A dozen houses fell into the crack and billows of smoke and fire came back up. Then a leg—this huge great insect leg—came reaching up out of the hole, feeling around, smashing more houses as it went. It were thirty yards long or more, that leg. And it were on fire.

It were the coal seam, what ran under the village. Sparks from the machines had set fire to it and woke the damn thing up and made it remember what it were like to walk above ground. And the fire had spread so fast it hadn’t had time to break up into little coals, so it all came up as one great big creature, the one with the strongest memory. It dragged itself out of the ground until the head came clear and I could see it were a dragonfly, huge eyes burning bright yellow with blue flame all over. Oh, those eyes. You couldn’t look into those eyes and not see it. Hot swamps and fern-trees rising up in forests full of steam. Snapping jaws of ten foot salamanders coming up at you from under the water. Dancing in the air with your love and laying eggs in a pond, and then… then a shaking, and fire in the sky, and ash drifting down from above, weighing on your wings as you tried to get clear but the ashfall went on further than anything could fly and then you fell from the sky, tumbling through fern leaves as the cinders buried you alive along with all the world you ever knew…

The whole village saw it. They couldn’t see nothing else. They were all staring up at the thing, gaping like fools when they should have run. A few walked toward it, to see better. I was one of them.

But Mam were stronger than me. Or maybe she felt me pulling on her hand, and that woke her up to it. Either way, she wouldn’t let me go. She clamped her eyes shut and stepped back past all the others while I pulled against her and made her fight for every step. So she stopped, hauled me close and tried to scoop me up, and still I squirmed against her, turning so I could see the beast. It were flapping its wings and trying to jump in the air like it did when it were alive, as though it didn’t know its wings were coal and not the gossamer they once were. I felt a hot wind blow on my face as it flapped its wings and struck the church steeple. It smashed into pieces, ringing the bell and sending it clanging to the ground. The wing broke too, shattered and fell in a shower of burning coal. There were people down there, just stick figures in the distance but I saw them crushed where they stood and some of them burst into flames among the coals…

And then I didn’t want to look any more. I stopped fighting my mam and she hefted me onto her shoulder with my face buried in her hair. She headed up the hill past all the ones that couldn’t stop staring, the ones what were caught up in all those memories, no matter that they were memories of a world that were dead and gone.

Just like they are now. All of them back in Heatherley, dead where they stood or dead where they fell. The whole village, dead.

But not us. Mam got us on the road and over the hill and out of sight of the thing and we never went back. Mam would never talk of it. But some of the other survivors did. Years later, when they thought I were old enough. Or when they were drunk. They’d say the whole village were knocked down. The mine and the church and the school as well. All gone. And the dragonfly, that died too. The rain came and doused the fires above ground and froze it where it was, until it collapsed under its own weight.

But the fire was still burning underground. Things was still moving down there. You couldn’t go back. It were hot enough that the coal kept on waking up in little bits and pieces, and things crawled up out of the earth for years after. Still do, last I heard. They’ve tried to put it out but it never worked. I expect it’ll go on as long as there’s coal left to burn.

And somewhere down there is my dad. He never had his bath so he died all covered in coal dust, like he were a piece of coal himself. And maybe Mam was wrong about him turning to coal for real. All it’ll take is a few million years under the ground. And then perhaps he’ll be dug up and burnt for someone else’s bath, and he’ll wake and remember what he was, and someone’ll look in his eyes and see us, me and my mam and my brother.

But I doubt it. He hardly ever noticed us when he were alive. I never knew him. I don’t know why people keep asking me about him. It weren’t him that saved my life that day. It weren’t him that brought me and my brother up. Mam did that. People want to remember my dad because of how he died. But I remember my mam instead, and I leave the remembering of my dad to the coal. That’s all there is to it.

 


© 2018 by Paul R. Hardy

 

Author’s Note: This tale comes out of one of those legendary Codex story contests you keep hearing about. The prompt was the following three words: “Melancholy Anthracite Arthropod”.  I had to rewrite them a bit.

 

Paul R. Hardy lives in the UK with a coffee habit, a laptop and various health problems. He also fulfils a minor administrative function in an NHS hospital, which is handy for the health problems. In a former life, he was a penniless filmmaker who won a BBC drama award and wrote a book on how to make short films; in this current incarnation, he writes speculative fiction that has appeared (or will appear) in venues such as Unidentified Funny Objects, Escape Pod and Deep Magic.

 


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DP FICTION #45A: “The Memory Cookbook” by Aaron Fox-Lerner

The first thing to remember is that your memories are no longer your own. You’re worth something now that you’ve been implanted, but only so long as you can remember something worthwhile.

You need to think about your memories in terms of who will consume them. What kind of mood will it give them? What do they want to feel? What food or drinks will be paired with the memory? Will they be remembering it alone?

Remember that while your memories may be yours, they are being recalled in the service of paying customers. You should never remind them of this fact, but always be aware that they are the ones with money and you are not.

This guide will tell you how to make your memories consumable. This being the introduction, I’ll keep it brief and suggest some basic types and their pairings as a primer.

You need to understand that you create your memories by framing them. Without that frame, without the start and end point, all you have is the aimlessness of thought. You’ve doubtless already been given your code. Say it and the memory starts being recorded, say it again and it stops. Wait for at least 10 minutes, then you’ll need an assistant to take the chip out of your head. You won’t be responsible for inserting the chip into clients’ implants, but you will be responsible for pairing the harvested memory with a meal that matches its feelings and sentiments well.

A note about the food: don’t feel that it must match your memory in terms of place. Remember that feeling is the most important thing. More detailed recipes are available later in the guide, but you have authority (up to a point) in what you prepare.

The following are the basic types of memories you’ll be serving, along with accompaniments that tend to work particularly well. For more details on these, please check the corresponding sections later in the guide.

 

1. Light Starters (Invigorating)

A principle selling point of our memories is the idea of being able to see the world. If you have been hired for this service, then you’re probably from another country. The goal here is not to give the customer an in-depth understanding of your home culture. The goal is to give them something quick that they can appreciate without the awkwardness of being an outsider. Think of the most recognizable aspects of your culture. Festivals, holidays, and weddings are all perfect opportunities to showcase these.

While this memory should be true to your own culture, avoid any traces of nationalism, xenophobia, or racism. Holidays or celebrations involving your home country’s government are best left avoided. There are appropriate dishes involving senses of melancholy or even tragedy. This is probably not one of those.

Suitable accompaniments: Mixed drinks, olives, vegetables and dip.

 

2. Light Starters (Calming)

The other option for a starter is to make this something that’s relaxing rather than exuberant. Childhood memories work well, especially everyday moments that aren’t dull.

I often used a brief memory from my own childhood, when I was around nine, just a memory of playing in my father’s study. I built miniature cities from the books he had lining the walls, sitting in their streets, erecting towers and homes, making them so extensive I could wander among these towns of my own making.

That kind of thing is the only bit you need. Make sure to keep any associated bitterness these memories might arouse out of the frame. I would have to make sure not to think about the fate of those books in my father’s study, my miniature towns burning up like the real city around them. I needed to avoid thinking of my father’s uselessness as our home got drawn into civil war, all his respect and learning amounting to nothing in the face of guns, bombs, and fanaticism. Dwell on it as much as you need when you’re not recording the memories, but you must ensure this doesn’t seep into the harvested memory itself. Keep this recollection pure: a select moment frozen in time.

Suitable accompaniments: Warm drinks, garlic bread, any heated hors d’oeuvres.

 

3. Appetizers

Now it’s more appropriate to bring in complications, things that might lend your memories a slight touch of melancholy, which is a necessary ingredient of nostalgia, after all.

Romance works well, usually the younger the better. Unless the relationship ended truly acrimoniously, you don’t need to block out any awareness of its end.

I’ve personally had my best recollections from my late teenage years, my first entry into university. I recalled the giddy sensations of texting a girl and getting messages back, suddenly aware that she was reciprocating my interest. Or the first time I entered a new lover’s apartment, walking through her rooms, over her rugs, into her kitchen, stopping by the bookshelves and walls to see what was on each, marveling at how she had created a better space to live in than I ever had, a space where I now wanted to spend all my time.

The knowledge of how these affairs will end gives them a nice sort of piquancy, but might not be necessary. I can only create memories from my own experience, and I’ve never had a romance that lasted. If you have a relationship that still survives, feel free to use it.

Suitable accompaniments: Wine, soup, salad.

 

4. Mains

This will change depending on what the customers want. If you’re known for a certain kind of experience, you’re likely to be selected based on that.

I liked to draw from my early twenties, years of being young and pretentious, let loose upon the city and thinking of it much in the way that colonialists approached the New World, “discovering” and conquering every other bookstore, coffee shop, movie theater, and ad hoc art space, years spent in a tangle of limbs, light night conversations, mid-afternoon hangovers, pieces for zines and webpages and small unread journals, various minor jobs and internships never paying enough, long stretches spent alternating between tiny walk-ups and my family’s spacious, well-appointed home.

And with it comes the flood of memories from later, now bleeding into every one of these that I recall, the lovers married and moved, the friends drifted away, the art spaces long closed for lack of funds, the bookstores now shuttered or torched, the pretentious young men first denouncing political inequities in escalating shows of conspicuous intellectual bravery before later disappearing, one by one, just as they’d stood up. The journals no one even thinks to publish now. The family home charred and demolished, ruined by an errant shell and structural collapse, the handsome age of its structure finally proving a liability. The acquaintances and lovers and friends and bitter enemies scattered across the globe, finding succor and shelter wherever they could, just like I did, none of us having ever imagined that what we thought of as other place problems could happen to us.

The customers will actually want to remember this with you. It’s a chance to be there at the Jewish neighborhoods of Warsaw before Hitler, Aleppo’s old alleyways before Assad, Alexandria before the library was burned.

Just make sure to keep the bitterness out of it. Keep the feeling of loss, but watch out for that bitterness, and never implicate the customers. You’ll hate them for their position, for making you remember, for being privy to your personal memories, but don’t let that seep into the memories themselves.

They’ve paid a lot of money to relive the exact same things that you did, to live your memories over a nice meal and come out of the experience feeling enriched, educated, and aware. They will not forgive you if you spoil that feeling for them. If you have taken this job, you cannot afford to spoil that feeling for them.

Suitable accompaniment: Any food relating to your memories. Don’t worry about authenticity.

 

5. Desserts

This is your chance to ease them back down. People generally don’t pay to be depressed. Let them end with self-satisfaction. Give them another high, circle back to an earlier memory, something that should give the impression of added depth now that they’ve lived more of your personal experience.

I often remembered another childhood day, a soothing, wondrous early childhood memory back in my home, both my grandparents and parents there, the customer now knowing that eventually this home would be destroyed.

Alternately, go with another memory of lovers, girlfriends, husbands. A memory of the kind of day that only becomes The Perfect Day in retrospect, the one where your relationship was at a high point and the world seemed to align perfectly with it for one brief, single period of time. Keep it focused once more on that day, and context will do the rest.

Suitable accompaniment: Sweets, fruit, baked goods, tea, coffee. Avoid hard liquor.

 

6. Other Requests

Customers will have other types of memories they’ll request. You have the power to fulfill these or not. Often these will be related to their own problems, and it’s best to stay discreet about that. Fathers will want childhood memories in search of worse parenting than their own. Divorcees will seek out memories of love to contrast with their failed marriages. Spoiled heirs will request memories of hardship for a false sense of authenticity.

Sex, of course, is always a prominent factor. Don’t be afraid to turn this down. If you choose to remember sex, it’s likely to dominate your career in unsavory ways. It’s where I drew my line, as if keeping out memories of bedrooms and backseats somehow meant that I’d maintained private dignity with people who had paid to literally pry into my head, turning my whole life into their product.

Then there are the requests for misery. Customers will want to “understand.” It’s best to give them what they think they want. Let them have memories from your home country of war, disease, rape, starvation, poverty. They’ll pretend it’s made them into a better person. Never remember your hardships over here, that’s considered controversial.

Don’t give them what you really want to. Don’t open those gates and remember how bitter you are, how much you hate the customer no matter how well-meaning he or she is. Never let them know how they’ll never truly understand you despite reliving your memories, and how you’ll never be able to truly respect them.

Don’t let them know about coming here, about your basic struggles to make a living, about being a middle-aged man who’d always depended on his education and was suddenly worthless when thrust into a country whose language he couldn’t speak well. Of being prodded and scanned and analyzed just to get into the country, treated with constant mistrust, hating it more here than your devastated home. Of the literal walled cities, gated to separate people like the customer from people like you. Of how place of birth alone was enough to mean that they’ve been isolated from the rising seas and drying fields, the military coups and privatized drone strikes and food riots that shake the rest of the planet. Of how their world keeps turning after your own has fallen apart.

Don’t remember these things. Don’t remember your resentments. Don’t remember your discomfort. Don’t remember your self-hatred. Don’t remember your humiliation. Don’t remember being implanted so you can share more than you ever hoped to.

Don’t remember these things and you’ll be fine. Don’t remember these things and you should have a full career, just like I once did.

Those bitter memories were the most satisfying thing I ever remembered, but they killed my career. The expensive implants are gone. The only work I could find is writing this guide for new employees like you. The only small rebellion that remains for me is typing and then deleting the same few subversive sentences into my drafts of this guide, too afraid to even send them on to my editors for fear of losing the scant salary I’m left depending on. Still, deleting these sentences is the only thing I now regret. My memories may be worthless once more, but at least they belong to me alone.

Now, please turn to the next page for a guide to proper implant procedure. I hope you enjoy your time working here.

 


© 2018 by Aaron Fox-Lerner

 

Aaron Fox-Lerner was born in Los Angeles and currently lives in Beijing. His fiction has previously appeared in Pseudopod, Grimdark, Pinball, the Puritan, and other publications.

 

 

 

 

 

 

 

 

 

 

 

 


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DP FICTION #44B: “Still Life With Grave Juice” by Jim Moss

“This is the real thing? None of that synth-sludge?”

“Yes, sir. Direct from Earth.”

“And it’s the best you’ve got?” Quincy eyed the glass on the robowaiter’s tray. He should have ordered a bottle. He would need more to help unravel the stress of his turbulent negotiations with the Wattlars, who had rejected yet another contract. At least this outpost had an overpriced restaurant where he could run up his company’s expense account.

“Highest quality and price, I assure you. You may access my Integriport–”

“Yeah, yeah…” Quincy waved his hand, the gesture cue enough for the robowaiter to spit out a coaster which landed on the table with a soft plop. In a ballet of hydraulics, the robowaiter plucked the glass off the tray and set it before Quincy with the exaggerated grace of a suitor presenting a rose.

“Will that be all, sir?”

“You know, on Earth, they pop the cork in front of the patron, so it can be inspected for dryness, and they show the bottle so that–”

“You requested a glass, not an entire bottle,” the robowaiter spun its upper torso away from Quincy and sped off. Quincy held up the glass by the stem, examining its deep burgundy contents by the overhead light. He brought it down below his nose and inhaled.

“Cannibal.”

That word, that accent, the derisive tone — Quincy knew it referred to him. It made the scent of fresh blackberries he just inhaled turn rancid. He turned his head and expelled his breath away from the glass. There, seated the next table over were a pair of Arthruds. Common in this sector, especially at spaceports, they enjoyed a reputation as damn good mechanics despite being an insufferable race of know-it-alls. To Quincy they looked like a cross between an armadillo and a giant bipedal lobster, with outer bodies covered in segmented plates and a second set of arms beneath the first. The adult and child were eating what appeared to be shards of cardboard soaked in neon anti-freeze. The child could not be more than seven molts old. Both bobbed, jostling their plates, which made squeaky noises like balloons being rubbed together. They did this when laughing, or passing judgment, or both. Quincy rolled his eyes, turned away, swirled the glass and inhaled again. He tipped a sip and rolled it around his mouth with his tongue. Yes, yes, blackberries, currant, a touch of clover, anise, oak…

“What is he drinking?” asked the child.

“I believe it is called ‘wine.’ It is a death drink.”

“Will we get to see the Earther die?”

“No.” Squeaky balloon sounds sputtered out of the adult’s body plates. “I meant death as in dead. Wine is made from the dead. As I said, they are cannibals.”

“Should we leave?”

“No, don’t worry. They only eat their own.”

“If another Earther comes along, will they try to eat each other?” The child looked around the restaurant. Quincy moved his wine aside and turned to face the Arthruds. It was one thing for two adults to spout their ignorance, but quite another for an adult to imbue such bigotry on a child.

“Excuse me, I’m sorry, I couldn’t help overhearing…” Quincy stared into the adult’s face trying to lock onto the creature’s three eyes with his own two. “Perhaps you received some faulty information. Earth people are not cannibals.”

“It is well known throughout the galaxy that yours is a cannibalistic race.” The adult met Quincy’s stare, crossing his midarms across his midsection.

“You’re wrong. I don’t know where you heard this propaganda, but it’s false and insulting.”

“On your planet, do you not bury your dead?”

“We bury them, but we don’t eat them.”

The adult raised a plated brow above its top eye and turned to face the child.

“Earthers bury their dead in the ground in graveyards where the bodies decompose. They sow their strange plant life into these yards. The plants send their roots into the soil and suck in the fragments of the dead. Then the plant blooms and bears fruit. Fruit containing bits of the dead. Fruit they then eat.”

“Where are you getting this nonsense? We don’t plant fruit trees in graveyards.” Quincy could feel a vein in his forehead throb. The adult pointed at the glass of wine with the spindly third digit of his upper right claw.

“Is not your ‘wine’ made of grave juice?”

“Ahh! Here’s your confusion. Wine is made from grapes not graves. Grapes are fruit grown in vineyards, not graveyards.” Quincy reached for his glass. The adult raised two plated brows and leaned towards the child.

“The problem, Dewlis, is that Earthers have many words in their languages that mean the same thing. They use these to confuse others about what things really are. When you point out their error, they complain that it was a mis-understanding or a mis-interpretation. Beware when an Earther says ‘mis’.” The adult turned back, his eyes drawn to the vein now bulging on Quincy’s forehead.

“You are not the authority on Earth languages, Mis-ter. What is your name?”

“Spureb. And yours?”

“Quincy. And I’m going to prove you wrong.” Quincy threw his arm out blocking the robowaiter as it attempted to zip between tables. The waiter’s upper torso spun around twice before it stopped to face him.

“Yes, sir?”

“Tell us, waiter,” Quincy held up the wineglass. “What is wine made from?”

“Grapes.”

“And where does this wine come from?”

“Earth, France, the Bordeaux region.”

“St. Emillion? Pomerol?” Quincy took a sip.

“No sir, Graves.” The robowaiter spun back and zipped away.

“Bah Za!” Spureb pointed two digits and a folded claw at Quincy.

“No! Listen, that’s just the name of the region. The waiter mispronounced it. It’s pronounced ‘grahv’ with a short ‘a’. A different vowel sound. It’s French for gravel. It’s the name of a French wine growing region. It has nothing to do with graves. Don’t mistake a vineyard for graveyard.”

“The Earther said ‘mis’ twice!” Dewlis smiled at his father. They bopped in amusement, squeaky laughter reverberating like an orgy of balloon animals.

“Just stop and listen!” Quincy pounded the table. “A vineyard is a yard where grapes grow, a graveyard is a–”

“They are both ‘yards’ then, a measured plot of land, yes?” Spureb created a square using his four arms.

“Yes, but—”

“Yet you pronounce the ‘yard’ in vineyard as ‘yerd’. A different vowel sound. Is this a mispronunciation?”

“Uh… no, because, uh…”

“So yard is a word pronounced two ways, but means the same thing.” Dewlis said. “Like ‘grahv’ and ‘grave’.”

“No! They are two different things” Quincy threw his hands up, then grabbed his wineglass and poured a gulp into his mouth. “You know, even if a vineyard was planted on top of a dead body, we don’t eat dead flesh directly, so we’re not cannibals.”

“Suppose they are two different plots of land, as you say.” Spureb sat back in his chair and clacked the digits of his upper claws together. “You still contaminate your soil with your dead. If an insect eats a leaf from a plant in your ‘graveyard’ then flies into a ‘vineyard’ and dies in the soil and the vin plants eat the soil with the dead insect, then you eat the fruit of vin plants – you have eaten pieces of your dead.”

“No. Because what I’ve really eaten is molecular compounds. Someone dies, they’re buried, they decay. Maybe a bug eats some of it. When the bug dies it decays into simpler molecules, water, proteins, amino acids. So a plant uses these nutrients and produces fruit that someone may eat. So what? Everything gets recycled. Broken down and recycled. It’s the nature of the universe.”

“That may be the nature of your planet, but not the universe.”

“Oh yeah? What do you do with your dead?”

“Our dead become art. That is the proper way to honor them.”

“Art?”

“My great ahdmah won the Op Culbet for her work on great pahdah,” said Dewlis.

“He’s hanging in the Brachalach, our finest museum.” Spureb tapped his claw on his chest plate. “And what a stunning piece he is. Great ahdmah bent his spine into a semi-circle and beneath this, draped the flesh of his pale underbelly. Over this setting moon motif, she sprinkled the glittering shards of his shattered neck plate. His top abdomen is broken open and from the center, triangular strips of muscle are strung outwards in all directions like a blazer blossom. Here, his left claw, stained in ochre bile, is curled in a fetal ball. The fourth digit, bent impossibly backwards, protrudes like a stamen. And no matter where you move to look, that digit seems to follow you. His head top hangs upside down strung from a series of tendons like a rain basket that… Bah! I’m talking to a flabedah!” Spureb threw three of his arms up in the air.

“A flabedah?”

“That’s Arthruder for uh… you have no word in your language. It means someone who does not understand or appreciate what art does for a soul.”

“Uh huh.”

“Ah! I forget. You Earthers believe the soul leaves the body after the body is no longer self-animating.” Spureb flailed his four arms and swayed back and forth.

“That’s silly!” Dewlis squeaked a series of chuckles. “Soul is made of body. How can soul leave body? Silly!”

“Dewlis, this is what Earthers believe.” Spureb cooed in sing-song. “We should not ridicule their beliefs.”

“Ha!” Quincy plunked his glass on the coaster. “You cut up bodies to make rain buckets. So you chop up souls.”

“The soul may be divided, but it is not separated. It is recombined with the body into a more appealing form of art. Most souls find it agreeable.”

“And how do you know they find it agreeable?”

“In the silent hours if we stand before our ancestors and relax our minds we can hear their voices whisper to us.”

“Zul Ahdmah whispers to me,” said Dewlis.

“Yes, she tells you to stop slumping so much.”

“No, she tells me I am entitled to extra Kerzyhisses, for I will molt large.”

“She does not. You are only imagining that.”

“Yeah, you creatures molt,” said Quincy. “You drop off chunks of body parts. What happens to the soul of those parts? You couldn’t possibly save every single— “

“We re-ingest them. That’s what we’re eating right now.” Spureb speared a boiled body plate with his fork. “We eat only our own souls, not others’, thank you.”

“I don’t like the taste of my lower abdomen,” said Dewlis.

“Well, you better eat it, or you’ll be incomplete and never get displayed in a good museum.”

“What do you do when your art decays?” Quincy tossed a gulp of wine into his mouth.

“It does not decay. It is all how-you-say — varnished. We are not primitives that allow our dead to decay into pieces that end up in the food supply and get mixed in with other souls and eaten and—”

“Is that why his abdomen is so large?” Dewlis pointed his claw at Quincy’s belly. Quincy silently cursed the station’s greater-than-earth gravity, which made him heavier, compressed his breath and pulled his belly downwards, causing him look flabbier than he really was.

“Yes,” said Spureb. “That is where they collect. No soul, even a piece of soul, wants to be expelled as waste.”

“Alright, look, my… stoutness has nothing to do with souls in my body. Extra weight is caused by fat cells that accumulate because… Look, it’s not souls, OK?” Quincy’s grip tightened on the glass.

“You bury your dead in the ground, your plant life eats from this ground, breaking up souls and—”

“Your information is ancient. Burial is hardly done on our planet anymore. Real estate is too expensive. It’s more common that we cremate our dead.” Quincy twirled the wineglass by its stem. He felt tingly; the alcohol must be kicking in. He sat back and sighed, expecting another round of squeaks.

“Cremate?” Dewlis turned to his father.

“Cream is a white goo.” Spureb’s face plates shifted out of symmetry. “Earthers whip it up and serve it on their desserts.”

“No! That’s not what it is!” Quincy bolted upright.

“Cream-ate… ’Ate’ means that they’ve eaten it!”

“No, no, no! In cremation the body is burned into ashes.”

“What do you do with the ashes?” Spureb’s voice was low, his neck sunk into his upper torso.

“Scatter them in the wind.” Quincy turned away, took a gulp of wine, and clenched his fists expecting another round of squeaks. But the Arthruds were silent, the only sound, the grinding of Quincy’s teeth. Quincy turned back to find Spureb staring at him, eye plates askew, breathing hole frozen open. Dewlis turned to his father.

“Pahdah?”

“Millions of Earthers die every year on your planet.” Spureb’s eye plates pinched together and his ears recoiled into their sockets. He held his upper claws close to his chest. “Your atmosphere is full of corpse dust. Your populace breathes in burned up pieces of souls!”

“That’s enough!” Quincy pounded his arm on the table and rose from his seat. “There are no…” He paused to catch his breath. “Souls in… dust!”

“Pahdah, the Earther is breathing funny.”

“He appears to be experiencing withdrawal. Not enough soul dust in this atmosphere for his cannibal addiction. Perhaps the grave juice isn’t enough.”

“You… No… Uh…” Quincy sputtered, struggling for balance, the tingling in his arm growing painful.

“He just spit dead Earther juice at my head!”

“Move back, Dewlis. I don’t understand what is happening. He may have angered the souls he has consumed by denying their existence.”

“You puchh… you achh…” Quincy grabbed at the table with his right arm.

“Look how red he glows.” Dewlis stared at Quincy’s face.

“He is blushing. Earthers do this when they have embarrassed themselves.” Spureb leaned in to whisper to Dewlis. “It may not be proper for us to view his shame, let us look away.”

Spureb and Dewlis turned their backs on Quincy. They heard a thud and waited a couple of minutes to allow Quincy’s fit of shame to pass before turning back.

***

“And he died, right there.”

“How awful,” said Kerlew, a lovely female Arthrud that had stopped by Spureb’s garage to pick up a replacement part for a centrifuge. Spureb led her on a tour, casually watching her shuffle along the corridor and smiling as she eyed his collection of shiny metal plates and polished tubes.

“The staff tried to reset-animate him by pulling his merry-cardio muscle, but they were so incompetent, they pushed instead of pulled. Apparently, his heart was attacked by his massive coronary gland. ”

“Such strange physiology.”

“Terribly awkward situation. Nearest relative some twenty light-years away, employer in debt due to careless expense management, neither willing to pay for transport. And you know Earthers – they would have just expelled him into space.”

“Barbaric.”

“And despite his hubris and ignorance, he was amusing and we did feel sorry for him. We told the authorities we’d take him, and so, there he is.” Spureb waved his two left arms towards a corner in his garage gallery.

“Aja! Fantastic. Do their legs really twist like that?”

“No, that’s Spiasoc’s explication. He was able to make the tissue flexible through plastination. A preservation used on Earth during a brief enlightened period when–”

“You got Spiasoc?” Kerlew’s eyes widened with interest.

“Yes.” Spureb crossed his four arms over his torso and arched his back to raise his top segment just a little. “Spiasoc is quite eager to break convention with work on other xenophylum.” Spureb turned to look at Quincy and smiled.

Quincy’s body sat on a pedestal made of his leg bones. The flesh of his boneless legs, peeled in long ribbons and twined with muscle and tendon, spiraled in a double helix down to the floor. Thin slices of his brain, stained green, were attached along these vines; the flat sides of each angled upward, seeking light. The skin of his mid-section was shorn away. His intestines, flattened, dyed brown and cut into three by eight slats were arranged to form his torso into a barrel. Deflated lungs protruded from his back in a V spread, mottled fairy wings insufficient for his bulk. His arms burst out between slats, left switched for right with elbows bent backwards. One hand reached towards barrel bottom for a dangling spigot, while the other held up the aorta stem of a goblet carved from his heart. Quincy’s neck stretched out from barrel top, his crimson colored Adam’s apple rupturing through the middle. Above his furrowed brow, the top of his head was sliced off and thrown back like a jar lid. In the open skull, a helter-skelter tower built of brain matter cubes rose toward the ceiling, looking as if it might collapse at the faintest wayward breath. Quincy’s dead eyes stared at the goblet tipped towards his mouth. The pureed burgundy of his liver spilled over the goblet’s rim forming a long droplet that hung frozen in mid air. His tongue, stretched through parted blue lips, strained to reach the glistening drop, but only succeeded in tightening the knot at its center.

“Such an honor for the Earther,” said Kerlew.

“He finds it agreeable.”

 


© 2018 by Jim Moss

 

Jim Moss is a videographer and a playwright. His plays have been produced Off-Broadway in New York, and in theatres in Miami, Tampa, Orlando, Pittsburgh, Chicago, and London. His play, Tagged, was a winner of the 2018 British Theatre Challenge. Still Life With Grave Juice is his first published short story.

 

 

 

 

 

 

 


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BOOK REVIEW: Sleeping Beauties by Stephen King and Owen King

written by David Steffen

34466922Sleeping Beauties is a drama/fantasy/action novel written by Stephen King and Owen King published in September 2017 by Scribner.

A mysterious condition hits the whole planet in an instant–if a woman falls asleep, threads of what appear to be fungus quickly envelop her, forming a sort of cocoon.  She continues to live inside the cocoon if left undisturbed.  If the cocoon is broken, she will wake up and react violently like a rabid animal.  Meanwhile, in the Appalachian town of Dooling, a mysterious stranger who calls herself Eve who is arrested after violently killing a man with apparently superhuman strength.  There’s no end in sight for the condition that affects only women–the women who are still awake try desperately to stay that way, some of the men left behind are ready to take desperate measures of one kind or another, and all hell is going to break loose.  People find out that Eve can sleep without going into a cocoon, and they become violently desperate to find out why.  Clint Norcross, the prison psychologist, husband of the sheriff, has a violent past from his juvenile days that he keeps to himself, even from his wife, and he takes it upon himself to protect as many women as he can, including Evie.

I like the premise of the book.  It was enough for me to decide to read the book, and I was interested enough in it to want to stick through it to the end.  But it took effort to stick with it.  The biggest reason was that the book had, in my opinion, major pacing issues. And also a too-large cast without, in my opinion, any particular reason to root for anyone.  Ensemble casts are one of Stephen King’s major skills, many of his best books have ensemble casts: It, Needful Things, The Stand.  But those books were very good at getting me emotionally invested in most or all of the characters, understanding their strengths and weaknesses so that by the end I’m rooting for the outcome.  I did not get that from Sleeping Beauties.  Since the inciting incident isn’t introduced in that first 100 pages, the main purpose of that space must be to invest me in the characters, but I felt like it focused almost entirely on the negative in each person’s personality–this person treats this other person badly in various respects but never makes them feel well-rounded.

The Eve plotline and the cocoons plotline, while they are connected, felt like they were really two separate stories, the stories of a supernatural killer and the story of this condition the women have.  Part of the reason I kept reading is that I wanted to find out more about that connection but I felt like what I got was just vague handwaving.

The themes of the book, about the relationship between men and women and how they treat each other and how they behave, could’ve been great.  But I felt that they relied more on caricatures than on reality, and never managed to be as profound as they seemed to be meant to be.

I feel like this book could’ve been really really good with the existing story, if it were 150-200 pages, just cut out that first 100-page segment and got that characterization in alongside the inciting action and things happening, and it could’ve been an incredible book.  As it is, I was interested enough in the end to read the end, but afterward I didn’t think the payoff of reading was worth the time it took to read.

More on the pacing issues, that might be too spoilerish:
The “inciting” action of local women being overtaken by the cocoons didn’t happen until past page 100.  Usually for the purpose of reviews I try to only discuss what happens within the first 100 pages or so but, there wouldn’t be much of a review if I couldn’t even mention the cocoons. The next 100 pages are spent seeing the same thing happen over and over again as women succumb to the cocoons one after another, which has to be told anew for each point of view since each person is not familiar with it.  And then most of the book is a long slow climb to the final confrontation.

DP FICTION #44A: “Pumpkin and Glass” by Sean R. Robinson

I sit on the park bench and try to forget the cold. This was easier in springtime, when there was more day light and it wasn’t as cold. I forgot my jacket this morning and as the city lights turn on one by one, the temperature drops. I miss my coat, with its thick-padded elbows.

But I cannot go home.

I do not know where home is.

I am dancing a dance that begins each morning, and ends when the clock strikes midnight. By then, he will be asleep and whatever is broken will be broken and I will not watch my Prince Charming shatter anything else that I loved.

The park is quiet, at least. There are Christmas lights strung up, and there’s enough light to see by. I don’t have knitting to keep my hands busy. I do not have my paints or my canvas. I do not have my sweet Pumpkin to sit on the bench beside me and lay her drooly dog-head into my lap. She can’t keep me warm any more.

It’s all gone. Lost. Like a slipper at midnight and the years that follow after, chasing themselves until I’m an old woman with hands that hurt as the nights get longer, without a coat to keep me warm, afraid to go home until the clock strikes twelve.

The phone in my purse rings. It’s him, and there is nothing that I can say to him. I let it go, and pull myself up from the bench. My knees ache as much as my hands do, but there are still hours until I can sleep. There are floors to wash at home, but no furniture. Not for a long time. There are shelves to polish, but my pictures, my teacups, my little knickknacks are gone.

He’s sold them, or thrown them away, or sent them to wherever the precious things go when the clock strikes midnight and you’ve been too busy dancing out the starlight and don’t realize that your prince has been breaking all the glass slippers he can find.

I stopped answering the phone the night he called me to say that he had taken Pumpkin to the hospital. My sweet Pumpkin, who licked my face when she was a puppy and showed her tummy when she was being naughty. I could never be mad at her, not with her tongue lolling out. Not when she’d filled the emptiness that grew in the house.

“She’s dead,” he’d said.

“They’re gone,” he’d said of the pictures. Our wedding pictures. Old photographs of my mother, my father. Pictures of us at the beach and Polaroids from college.

“Sold,” he’d said. The rocking chair he bought me when we’d been married thirty years. The grandfather clock that his Opa had brought from Germany. The plates that had sat, unused, in my hope chest, bought with the money I’d saved babysitting for the neighbors as a little girl.

There are tears in my eyes.

I find a seat in the coffee shop. It’s open all night and the girl behind the counter doesn’t give me a second glance. She has thick red dreadlocks, a piercing through her nose, and her eyes on her cell phone. She does not look up as I settle in. It’s not quite ten o’clock and the little café is busy. There are couples, bundled with thick coats, smiling at each other.

There is not enough money in my purse for a biscotti. He cancelled the credit cards and I am not allowed to have more than what I am given, more than what he thinks I have earned.

I miss my Pumpkin.

“There are mice in the walls,” he’d said. I sat on my rocking chair and laughed.

“Don’t be silly,” I’d said, sipping my bedtime tea. “There’s nothing in the walls, Mike.”

“There are, Hazel,” he’d said.

“And I suppose they make me dresses while we’re sleeping.” I laughed again and reached forward to place my hand on top of his. We had done it a hundred, a thousand, times. But for the first time, since that awkward first moment when we were still he-and-I, he pulled away. He pulled away from me and stared at my face as though I were some nameless step-sister and not his wife.

It is warm inside. The seat is more comfortable than the park bench, and the music playing from the speakers is a gentle waltz. It reminds me of the first time I met my husband, when the radio played the waltz and Betty Ann Lamontagne’s party had been dancing for hours. The sound from the speakers lulls me, and my eyes close. When they open, the café is empty and the music is still soft.

A biscotti sits on a plastic plate, on the table in front of me. There is a napkin folded underneath it.

The girl with red dread-locks is sitting across from me, a leg tucked up under her. The phone is gone, but she is cradling a steaming mug in her hands.

“Try it,” she says, gesturing to the plate with her chin. “It’s pumpkin. And organic. Gluten free. You name it.”

“I can’t,” I say. There is just money in my pocket book for a train ride home. Not enough for cookies, unless I want to start scrubbing the café floors.

“On the house,” she says.

“I really can’t,” I say. No matter how much I want to. I would like something nice and sweet. I would like a cup of tea and my rocking chair and the man who was my husband. Who had been my home before my home went away.

The girl says nothing, but she takes a long sip from her cup.

She smiles when I pick the plate up off the table, lift the biscotti, and bite into it. I can’t let it go to waste.

When I’ve eaten every speck of the cookie and the taste of pumpkin—unlike any other taste in the world, and my favorite—is gone from my tongue, she is still smiling.

“Looks like you needed that.”

“Thank you,” I say. I’d made treats for my sweet Pumpkin, once. Baked them in the oven and fed them to her one at a time. Her muzzle had just started to gray.

And she is gone and the phone in my purse rings again. And again I do not answer it.

“I have one of those too,” she says.

“It was really kind of you.”

“I meant the crazy ex,” she says as she stands, clears away the plate, and sits back down across from me.

I touch my wedding ring, a thin band of gold, unthinking.

“Crazy husband then,” she says. “I don’t have one of those.”

I should tell her that he isn’t crazy. That work has been busy and he has lost a few important accounts. It’s not his fault that things have gotten bad. That he thinks my paints attract mice, and that my china hides rats. That it’s not his fault that there are tears in my eyes again.

I tell her the truth. The first truth I could say to anyone other than myself, or to Pumpkin.

“The last time I answered his phone call, he told me that he had taken Pumpkin to the hospital and that she was dead,” I say. “She was old, but she wasn’t sick. She would sit with me on the park bench when I couldn’t go home yet and would curl up beside me after he said we couldn’t keep the bed, and we couldn’t put the heat on, because it would encourage the mice.”

She sets her tea down and before I can say anything else, let any more secrets from my mouth, she is sitting beside me and has her arms wrapped around me. I can’t remember the last time someone has hugged me.

“She must have been so scared,” I sob, into the strange girl’s shoulder. But she holds me tighter and smells like cookies. “She must have been so scared without me there. If I’d been there he wouldn’t—he wouldn’t have…”

When I have finished crying and the girl has brought me a hand-full of rough paper napkins, I look at the time.

“Thank you,” I say. “I don’t usually do this sort of thing.”

“It’s alright,” she says.

“It wasn’t always like this. He wasn’t always like this. I left my dancing shoes at the party where we met. He found out where I lived and brought them back to me.”

But the girl with red dreadlocks isn’t paying attention. She is looking at the clock, as the arms move together at the top.

“It’s midnight,” she says to me. “Make a wish.”

“Thank you,” I say, not understanding the strange girl. I can’t tell her my wishes anyway. “I’ll pay you back as soon as I can.”

“No,” she says. “That’s not your wish, Hazel.”

I did not tell her my name.

“That pumpkin season lasted year round,” I say, pulling my purse close to me. There is enough strangeness at home without more at the coffee shop.

She’s still watching me. She smiles. “I’m kind of new at this. You’ve got until the clock is done striking twelve. Make your real wish.”

But my hands are on the door to the shop.

“I wish home was waiting for me,” I say, stopping long enough to brace myself for the cold. I do not have my jacket or my dog, and have only just enough money to get home. I wish so much that home is waiting for me, not the empty lack of it.

When the last train drops me off at the station, and I walk the last block to where my husband and I had made our home, I take a deep breath and prepare myself. He will be asleep, it is midnight. It will be enough that I do not have to speak to him until dawn, and then I can find a way to not come back.

The lights are on, which is strange.

Stranger still is that when I turn the knob, there is warm air on the other side. There is a frame on the wall, and inside the frame is a watercolor I did when I was sixteen. A watercolor that had not been there when I left this morning. A watercolor that had gone missing months ago, because it would hide the mice in the walls.

“Mike?” I say as I step forward and shut the door behind me. My china cabinet is full. But my husband’s grandfather clock is not beside it. The bookshelves are full again and when I step into the kitchen, I cannot speak above a whisper.

“Mike?” I rub my hands together, and for the first time since I was married, I can feel bare skin on my left hand. My wedding band is gone.

There is a plate of biscotti on the table, and as I touch the plate, I hear a noise I have not heard outside of my memory for months. I turn and my dog—my Pumpkin is sitting, smiling. Her stumpy tail wagging. Welcoming me home.


© 2018 by Sean R. Robinson

 

Author’s note: This story is part of a series I call “Laundramat Fairy Tales” mashing up real-life with Once Upon a Time. This was inspired by a quote from the site Humans of New York. That, coupled with the experience of growing up with my grandparents (though, thankfully, there were no mice in the walls).

 

Sean Robinson is an author of Science Fiction and Fantasy. He has been a professional spelunker, fire-breather, has taught horseback riding, and whip making. After almost a decade working with high-risk adolescents, he’s recently begun teaching high school English. It may be the scariest thing he’s ever done.

 

 

 

 

 


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DP FICTION #43B: “The Fisher in the Yellow Afternoon” by Michael Anthony Ashley

You feel an explosion and wake up face down on a rocky patch of dirt. A spurt of blood fills your mouth with iron and salt, and you push to your knees, gagging, but all that drools off of your lips is soil and leaves and a few bitter-tasting pine needles. You breathe and spit, but the blood taste is gone. It never was. You exhale relief as the panic fades with the dream.

You raise your face to a clear yellow sky and chilly air, the white sound of water rushing over you with a comfortable, misty breeze. It’s the smell of the park when the elk are bugling and camping means nights in flannel over canned spaghetti, and no problem with the cold because it makes the heat of the fire so incredibly perfect.

And you hear an enormous voice. “Is that a memory?”

You end your moment with the sky and lurch to your feet, backing away from the rocks and slick bracken along the river bank, which you realize is very close. And straddling the river with its hind-claws—its left fore-claw gripping the soil on the far bank and its right fore-claw stirring down in the white rush—is the bear.

“Hello,” he says through the wet of his muzzle.

He is huge. Impossibly. The river tumbles down a falls and through the bear’s legs and off into mist down the second falls, where the woods and the rocks and the world seem to end. The river is too wide for the rotted trunks to reach across where they’ve fallen, and yet the bear stands across. And you watch as his right fore-claw snaps up from the river, trailing silver droplets, and flicks the strong, twisting, desperate body of a fish into his jaws. He eats it whole.

“Don’t be a cliché,” he says, and you know he means the question you’d taken a breath to ask. You feel embarrassed, and then immature for the embarrassment, but you can’t help it. Bait or no, you take the challenge. And instead of “where am” or “how did,” you decide on “what the.”

“Are you really a bear?” you ask.

He takes another fish, this time lopping it in half with a bite and flinging it aside so that its back half flies into the woods streaming entrails and a rain of blood. “There are no bears here,” he says.

The river is crowded with fish. You can see them just below the surface where the rushing white foam occasionally separates to give clarity, all swimming against the current. Even as the bear says “here” a fish leaps out of the river, thrashing and aimless. The bear rakes it in mid-air and the fish lands near you in a skid of dirt, split by three gashes along its body.

You step close and see that it’s a big fish, and the mess of its organs is very still, and there is no gasping like you expect. Something is very wrong. You pinch the tail. It feels like suffocating in a hot adobe hospital from a throat closed by snake venom and being too young to go this way, mierda, too young. You let go of the fish and leap back. God damn. God damn, what is that? Who is that?

“That’s not a fish,” you say.

“There are no fish here,” he says with three fish squirming in his mouth. He grumbles pleasure around the tearing of their scales by his teeth.

You run. With the roar of the river at your back you dodge the rocks and fungus-ridden trunks that the erosion has brought down. You scramble over a big rock with its inch-thick moss and jump off to land in the shadow of the trees of the heavy green wood with your slippers thudding wet in a cluster of mushrooms. (You’re wearing pink slippers.) The low leaves are wet on your face as you push far away from the bear. (Slippers. Isn’t that strange?) Fish bones lie among the roots, their rot feeding the trees, which are old and soon to fall to add to the rot, the fungus and mushrooms the only brightness.

Eventually you overcome the panic and you start to think again. And you slow down. You stop. You think about the bear and the river and the fish and the falls while you pace tree to tree, while you watch that yellow sky and taste the air full of moldy years, and soon you turn around and follow the sound of the rushing water.

You find the bear straddling the river eating fish, snatching fish from deep in the stream, snatching fish from near the surface, swatting or biting the ones that leap. Two at a time. Four at a time. Some are small and bright and young. Some are old with milky eyes. The one from the bank is gone. In his belly, you know.

You’re afraid to ask. But you ask.

“Those,” you say of the fish being slaughtered, “are they people?”

“Sort of,” says the bear.

“Souls?” you ask.

“That’s closer.”

You try to remember the dream that woke you here. It was terrible, and more important than anything. And you can’t remember any real part of it. Just the feelings, and they’re fading.

“This is all you do?” you ask. “You eat them?”

“They’re delicious,” he says with a simple black madness in his eyes. “The fast ones are delicious. The slow are delicious. Big, small. I love the taste.”

“Are you Death?”

The enormous and magnificent bear, with his perfection of fur and hugeness of musk and multitude of teeth, who feeds from this river and all of its millions of fish as they thrash ceaseless against the current, the being and master of this place, he nods.

“But not God,” he adds.

“No,” you say. And he seems offended, though you’ve only agreed with him.

“Am I dead?”

“Absolutely.”

You sob. It’s what you expected to hear and still it hits you with horrible sharp stabs in your chest, and you bend with your hands on your knees and sob with a grief you don’t understand.

“There are no tears here,” says the bear.

But you’re crying. You kneel down by the water and look past the foam to the fish swimming with every bit of muscle in their bodies, some thumping against the river rocks, some dodging. Their wild silvery mass is in one place rhythmic, the long shapes in sinuous concert like a dance, and in another place chaotically brutal with each swimmer thrashing against the other. You want to jump in. You need to jump in. You need it more than you can stand.

You never see the bear’s claw. You only tip yourself forward to drop into the water and the claw swipes you, knocking every sense into blackness, and you land hard on the bank. And slowly, in the brown drooping ferns, you come back to yourself.

You force yourself to stand straight, hands atop your head to ease the ache in your chest, and you pace along the bank while the bear devours fish. The pacing helps you ignore the queasy sound of his meals and the need for the river and your rage at the bear. Pacing helps you think. And you know this is a habit you have, though there are no memories attached to it. No memories at all.

“How did I get here?”

The bear chuffs. “The cliché.”

“Whatever. Just answer.”

The bear yanks out a fish. “I yanked you out.” He crushes it so it bursts, and he licks the meat from his claw.

“But you didn’t eat me.”

Silence.

“Why didn’t you eat me?”

More silence. Even the river seems hushed.

“You don’t want to say,” you tell him. “Why not?”

The bear says nothing. He catches fish and eats them, but all the relish is gone, all the flair gone flat and mechanical, claw to mouth to water to mouth, until finally he nods and the moment passes. The river sound roars back to life. The bear knocks a huge fish high into the air and snaps it on the way down.

“I don’t want to tell you,” he admits. “But I will because you’re interesting. You jumped out.”

“Out of the water?”

“There’s no water h–”

“Just tell me!”

“No. I already said, I yanked you out of there.”

“If not there, then what–” And you realize it. “I jumped out of your mouth!”

The bear chuffs.

And you make a choice in that instant, all at once. You’re going back into that river. Fuck this bear. Fuck death. You’re going back. And you know he knows what you’re thinking and you don’t care because the need in you is big enough and mean enough to crush him alive.

“Not likely.”

“I jumped out of your mouth,” you declare to him. “I had my way. I’ll have it again.”

The bear swings his massive head toward the near bank and fixes you with eyes of emptiness, and he roars. The river roars. The rocks roar. The fever-bright mushrooms flare to mad color. The trees and the ferns, the soil under your feet, every molecule around you whips with the explosion of his voice, throws you down hard. You cover your ears and press your face to muck, the old leaves dancing to the vibration, but the roar grinds through you no matter how you brace. And all you can do is take it.

When he’s finished, you’re covered with bits of gnawed fish, you’ve learned you can feel pain in this place, and you have a plan.

You lie where you’ve fallen for a long time in the cold mud, watching him. You watch the bear massacre the fish like a two-year-old ravaging the boxes and wrapping paper on the floor of the living room, high on cake and ice cream and attention. The river mist is a sporadic touch on your cheeks. Your heart aches so sharply you wince.

When the bear knocks a leaping fish to the far bank and turns to devour it, you jump to your feet, dash to his rear, and leap from a rock headlong for the water. The hind leg this time, it kicks you so hard you come to your senses back in the trees, the river out of sight. You brush yourself off and limp back to the bank to sit, and wait, and try again.

You don’t count your tries. You can’t track the time. There’s no time here, he says needlessly. You only know that he swats you every time.

“What’s down there?” you ask of the edge where the river disappears.

The bear shrugs a shoulder.

“Do any of them go over?”

“A few,” he says.

“What about up there?” you ask of the cliff from which the river seems to originate, the fish fighting madly for that goal.

The bear shrugs both shoulders. “Fewer,” he says, spraying guts from his mouth.

“Do you know them, the ones you eat?”

“I know them all.”

“How many have there been?”

“There are no limits–“

“Fine, fine, just— You must like some more than others. Which are your favorites? And why?”

The river’s noise hushes. The bear says nothing as he catches fish and eats them, returning to the mechanical rhythm once more. Finally he nods and the moment passes. The river noise climbs back to its height.

“Jemet, no fear in her, none at all. Bad Foot for the very wild dreams. Wei Wei and Li Jing, brother and sister, nearly psychic. G!au, two lions killed with his bare hands, proudest one ever.” And on he goes. He likes to talk, to brag, even when you’re not listening.

You leap for the river and he smacks you back. You walk the woods and study. Most important, you ask him more whys.

What you learn:
A. You know you’re real. You remember your Descartes. Cogito ergo sum. So you want what you want. No room for doubt.
B. Everything comes here to die. The trees and other plants are wilted and brown, and you find an incredible number of bones. You dig. The bones go deep.
C. He’s a creature of habit.

The pain inside is a constant ache and you weep now at odd moments with a disturbing lack of control, but you know what you need. You’re ready. You position yourself at the best place on the bank where the leap to the river is brief and the water swirls in fast eddies. When you hit the water you’ll fight for the deep among the other fighters, so long as you can keep your mind. And that’s a thought that nags you: you don’t know what will happen when you re-enter. You don’t know how you’ll be.

“It’s odd that you think this will work,” says the bear.

“You have your nature, and I have mine. Don’t you want me to leave?”

“No,” says the bear.

And here’s the moment. Here it is, you know, and the stabs in your chest make you squeeze yourself to keep from screaming. “Why not?” you ask.

Silence. The river’s sound falls to a gurgle. The bear says nothing as he moves mechanically. Rhythmically. Predictably. You wait for his claw to shove a fish into his mouth, those eyes staring off, vacant, and you leap. You leap right under that massive arm, your face passing through the river water dripping from its fur, the stink of fish blood thick all around you. You know his speed from his countless smacks. You know the timing when he’s lost in thought. You’ve studied. And yet passing beneath jaws as long as cliffs and teeth as wide as crags and a head so large it blots the yellow sky, you feel those eyes come back to focus and that claw jerk to snap you up. Too soon. Too quick.

Too late. You hit the water in a shock of pain and cold as behind you the voice of Death admits, “Because you can’t be friends with food.”

You swim. You fight. You pull against the current with the other fish smacking against you. Death’s claws spear the water and you twist away. Down. Down. And down until the yellow light fades and the thumps of striving tails become distant. And you are simply you. Only you. Beating against the current.

You hear crying. You hear the babies calling for you. “Mommee! Mommeeee!”

You wake up with a start. A spurt of blood fills your mouth with iron and salt. You try to spit and something in your chest rips. You try to gasp and the pain rockets into your skull.

“Mommeeeee! Mommy help!”

Think. Oh, Jesus. Think. Focus. You force your eyes to make sense of the light and you realize right away that the car is tilted wrong and the windshield is shattered. Red darkness comes pushing at the edge of your vision, but you can count the lengths of iron rebar jutting from the back of the truck through your windshield and into your chest, three of them, low, center, and high, your ribs scraping when you lift your head to look. And you’re weeping, no breath to sob, and your hand is reaching for the glove compartment because you smell gasoline. And the babies are in the back.

“Mommy, I’m stuck. Mommy! Mommy please!”

You wrench open the glove compartment. Something rips where your heart should be, and you want so badly for the breath to scream. There isn’t any.

You die.

The claw grabs you, squeezing, as you fight against the current, and it snatches you upward and into a wash of old yellow light. The bear’s jaws come closing but you twist against the fucker and you’re free, falling. You hit the water, pulling hard.

“Again!” he calls as you go under.

This time you come back remembering–six days in a row on-call and now sweatpants and pink slippers on your day off, rear ended at the red light and the explosion of your car slammed against the work truck ahead–and your hand is already rummaging through the glove box when your eyes snap open. Your hand is wet and sticky with black ooze, and you know the colorblindness is a sign of head trauma, and the speed of the blood spurting from the wound above your breast means catastrophic damage to the subclavian artery, and your sticky hand closes on the multi-tool. You fling your arm and throw the multi-tool into the back where it lands in the middle, between Olive strapped in her car seat and Weaver struggling with the tangle of his seatbelt. Escape hammer and seatbelt cutter in one. You’ve taught him how to use it. Always teaching. Immune to the rolled eyes. Not a cool mom. But that’s fine now. That’s fine.

“CUT!” you scream with all the breath you have, and you die.

The bear claw pierces you this time, and it’s not the same as the hot animal pain of the rebar in your heart. It’s a slash of nothing. A tatter of you gone.

Instead of pulling away you twist into the claw, feeling it rip deeply. But you’re free.

“Three times!” calls the bear, delighted.

You’re turned in your seat, cold air seeping into your broken cavity, the horrific, greasy smell of fire signaling panic even as your thoughts twitch in jagged fits. The car is burning, and it’s over. You know it’s over. You have nothing left.

And all at once, it’s fine. Your boy. Beautiful boy. He’s free, and he has his sister free, and long arms are reaching through the shattered window and pulling them out, the multi-tool falling to the white litter of glass beside the cut, gray, frayed piece of seatbelt.

“I can’t get to her!” shouts a fish. “Leave her!” screams another. “Get out! It’s going up! Get out of there!” The claw ignores them and snatches you out.

It’s not hard to fight him anymore. You simply give everything you have. You twist and thrash, and this final time you land back on the bank. When you stand, you’re in your slippers.

“I nearly ate you,” he says, his tongue rolling fish meat behind his teeth.

“It’s what you do,” you say.

The bear chuffs. “Getting away is what you do. Four times. That’s impressive,” he says, and means it.

“Is that a record?”

“Not even close. But it’s still very impressive.” He splashes with both of his front claws and shoves a mass of writhing bodies into his mouth. The first bite makes a wet burst, loud even over the river. “What do you want to do now?” he asks.

You think about it, and point. “I may go up there,” you say of the cliff from which the river originates. “Or down there,” you say of the falls into which it disappears. “Or I may just ask you questions. Why do you care?” you ask him.

Silence. The river becomes hushed. The bear says nothing. He catches fish and eats them, but all the relish is gone, all the flair gone flat and mechanical, claw to mouth to water to mouth. You watch one writhe in his grip, fighting for life.

You leap from the bank and knock it loose.


© 2018 by Michael Anthony Ashley

 

Author’s note: “The Fisher in the Yellow Afternoon” was a round 2 contest submission for WYRM’s Gauntlet 2016.  The prompt was to write the story of a character who has recently died, telling what led to the disappearance and what may be coming next.  The catch was that it must be written in second person POV.  The Gauntleteers, as we were named, were given one week.  Aside from proofing edits and a change to the last line, the story you see here is unchanged from the competition.

 

Michael Anthony Ashley is a 2004 graduate of the Odyssey Writing Workshop and a longsuffering ghostwriter of nonfiction.  He has published short stories with Beneath Ceaseless Skies, flashquake, and the Czech publication Pevnost.  In his daylight hours he works in public health, helping to broker the peace between bacteria and humankind.

 

 

 

 

 

 

 

 

 

 

 


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DP FICTION #43A: “Glass in Frozen Time” by M.K. Hutchins

I freeze time. The frothing soap suds in the sink become glaciers. Dust motes hang in the air like stars. And I move.

I catch Sadie’s plate of mac n’ cheese before it splatters to the floor. While I’m there, I wipe down the table, fix Sadie’s pigtails, then — what the heck — I run downstairs and start a load of laundry.

Then I’m at the kitchen sink, water streaming, motes spinning, and Sadie’s three-year-old voice bubbling merrily on. “— I so happy to go to my Nana’s house!”

“Me too, sweet pea.”

She tells me about her grand plans for the day, including raiding the freezer for cookies. In the middle of it, a wild gesture knocks her juice cup. I freeze time and catch that, too, before any damage is done.

A warm thrill spreads over me as I finish the dishes. Tiny catastrophes make other parents late, but not me. We’ll arrive on time and spotless.

At least in my own home, I can control all the variables.

***

Eli comes home late. I can stop time, but I can’t stop his limp. My throat tightens, just hearing the uneven thud-thump of his real and his prosthetic foot. How can he be safe in the field now? He can still turn invisible, but he’s not exactly stealthy anymore.

Eli doesn’t glare at me. He folds me against his chest and kisses my cheek. Like always. “Did Sadie have a good time at your mom’s?”

“Of course.”

Eli glances around the house. My immaculate house. I alphabetized the spice rack today and organized the picture books by word count, starting with Moo, Baa, La La La! and ending with The 500 Hats of Bartholomew Cubbins.

But a frown creases Eli’s face. “I don’t think this is what the League had in mind when they gave you vacation time.”

“Mandatory leave time,” I correct, my breath twisting in my chest like an over-tightened screw. “Don’t lecture me again, Eli. I’m just…I’m just a little perfectionist. That’s all.”

Eli holds my gaze and speaks in his calm, rational voice — the one I’m used to hearing during mission planning meetings, not at home. “That isn’t all and it’s not a little. It’s not good for you or Sadie.”

Now he wants to bring our daughter into this? “Sadie’s safe. Of course that’s good for her.”

I slow time to watch his reaction: a tiny shift of his head, the tightening of the corners of his mouth. He disagrees, and he’s not ready to drop this yet. I wish he would. I let time flow.

“She’ll never learn to be careful or clean up after herself if you’re always making things perfect,” he says. “You can’t actually control everything.”

“I know.” But I can control my home. I have to be able to control something.

Eli lays a hand on my shoulder. “That card’s still on your nightstand, Allison.”

The card our League general gave me right before he kicked me out on mandatory leave. My throat constricts. “I don’t need it.”

“You ought to call,” Eli persists. “Go in.”

Eli should be the one having a hard time adjusting, not me. “You know,” I try to joke with him, “most people would be thrilled to have a spouse who never nags them to do the dishes. I can’t believe you’re complaining about a clean house.”

Eli doesn’t laugh. He holds me closer and strokes my hair.

***

I set down my water glass and get back to scrubbing the window track with a Q-tip. Soon, it will be as shiny as League Headquarters. No dead flies. No spots of grime.

“Thirsty,” Sadie declares, hopping down from the table and her crayons. Her feet patter across our spotless tile floor.

“Water, milk, or juice?” I ask, still bent over the window. It’s almost finished. Almost perfect.

The tinkle of broken glass and a sharp little “Ow!” cut through my ears and stab down at my heart.

Reflexively, I freeze time. I turn. My water glass is nothing but shards now between Sadie’s feet. A drop of scarlet blood wells up on her heel.

I am too late.

I freeze, too. My lungs refuse to work. Air becomes concrete in my lungs. My stomach tightens and tightens into a black hole. My tongue is a boulder, clogging my throat.

This isn’t a mission. There are no villains here. I should be able to control it.

But I can’t even hold onto time. It slips away. The glass skitters across the floor, Sadie turns her head, the motes spin.

But I am still frozen as panic crushes my throat.

Sadie turns her foot to look at the small gash. “Mommy!” she wails.

I can’t answer.

“Mommy!” she demands.

I couldn’t stop her from getting hurt.

Sadie plants two fists on her hips. “Mommy! You pick me up now!”

A thread of breath cracks through my throat, into my lungs. I can’t think straight, but I can obey her simple order. I pick up my child.

“To the sink!”

I step carefully around the glass.

“Wash it, Mommy.”

I wash.

“Now dry.”

I dry.

“Band-aid!”

I set her on the counter and pull the first-aid kit down from the cupboard. Sadie holds still while I smooth the bandage over the tiny, angry wound.

“Kiss it better.”

I give her a tiny kiss. She smells like soap and cotton.

Sadie pats my cheek, smiling. “Mommy, you are silly. Nana knows how to do all that without being tolded.”

“Tolded?”

“Yup. And she has kitty band-aids.” Sadie glances at the floor. “Do you need help cleaning up your messes? Nana helps me.”

“You make messes at Nana’s?”

She giggles. “When you go on your last mission with Daddy, I open all the paints! I paint me, I paint the walls, I paint the carpet!”

My mother didn’t tell me that. Maybe she knew I had other things to worry about, after that mission.

I grab a broom. I sweep up the mess. I make cookies with Sadie and then build towers of blocks for her to crash. I ignore the window track. As soon as I get her nestled down for quiet time with a few books, I pick up the card on my nightstand.

Emily Perez, LPC. The League’s recommended counselor for traumatic stress. My throat squeezes tight, but I imagine Sadie’s voice giving me instructions.

Pick up your phone.

Dial the number.

Wait.

Say hello.


© 2018 by M.K. Hutchins

 

Author’s Note: As a mom and as someone who daydreams about magic and super powers, this story came easily.

 

M.K. Hutchins regularly draws on her background in archaeology when writing fiction. Her YA fantasy novel Drift was both a Junior Library Guild Selection and a VOYA Top Shelf Honoree. Her short fiction appears in Podcastle, Strange Horizons, IGMS, and elsewhereA long-time Idahoan, she now lives in Utah with her husband and four children. Find her at www.mkhutchins.com.

 

 

 

 

 

 


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DP FICTION #42B: “The Vegan Apocalypse: 50 Years Later” by Benjamin A. Friedman

Dear valued McFleshy’s patrons,

On this, the solemn 50th anniversary of the Vegan Apocalypse, we’d like to thank you — our loyal Consumers-of-the-McFlesh™ — for relying on McFleshy’s (and only on McFleshy’s) for all your dietary needs. As you know, without your loyal patronage our tremendous planet would have surely long since fallen prey (yet again) to the Vegans. Instead, thanks to your fortitude — we’re still here. And thanks to us (and the delicious McFlesh™) — you are too!

For it is only together by consuming at least three juicy Fleshies™ a day, that we can be certain to avoid the fate of our Beloved Billion™ — keeping the Earth safe for all our children…and all our children’s children – etc.

We know this. And we know that you know it too:

“McFleshy’s means survival!”™

McFleshy’s also understands, however, that some of you — too young to have witnessed the Vegan Apocalypse firsthand — have begun to ask troubling questions like: “Why?”

• Why must we consume the McFlesh™ (and only the McFlesh™)?

• Why must we devote so many tens of millions of acres of precious above-sea-level topography to beef, pork, and horse production?

• Why do the Crazy Ones claim that we are the cause of the Great Flooding, the average life-span of forty-two, the balmy winters in Canada, and, of course, Brown River Stench?

As though these were not the Natural Order™ in our Post-Vegan world!

McFleshy’s knows such dangerous murmurings are nonsense…but this is not enough; you must know it too. Yet many malignant myths keep popping up – like fungi – in the minds of today’s youth. And just like that often-poisonous gateway protein, we must eradicate such mental spores before they lead us down the slippery slope to soybean – and annihilation.

It is in this spirit that we hereby set the record straight on this, the solemn 50th anniversary of the Vegan Apocalypse, upon this complimentary maple-glazed, pressed-pork parchment (the text and flesh of which you do hereby agree to consume immediately and in totality after reading under penalty of…etc.).

Thank you again for your McPatronage™!

 

1. A Clarification of Terms: on vegan vs. Vegan 

Today, even 50 long years after our Beloved Billion™ were torn away from us, there are still those among you who hold to the falsehood that there is a distinction to be drawn between a capital “V” and a lowercase “v” as applied to the suffix “-egan.” But the hard reality is:

THERE IS NOT.

At least not in terms of culpability.

FACT: Those humans who embraced the death-cult known as “veganism” are every bit as much to blame for the fate of our Beloved Billion™ as the Vegans.

LET US REPEAT: Both vegans and Vegans are equally to blame for the fate of our Beloved Billion™ — anyone who insists otherwise is a Crazy One.

 

2. Etymology and Origins

It is still important, however, to clarify the distinct yet interconnected roles these two groups played in the Vegan Apocalypse. And for this, we must revisit the origins of both little “v” and big “V” – to see how their phonetic overlap was anything but random.

 

a. The cult of veganism

It was in 1944AD, during the height of the Second World War, when an alleged Homo sapiens named Donald Watson coined the term “vegan” – as an abbreviation of “vegetarian.” Promoting an even more radical form of the perverse anti-flesh ideology championed by Adolph Hitler, “The Vegan (sic) Society” formed by Mr. Watson demanded the elimination of not only animal flesh from the human diet, but all animal-based proteins. Followers of “veganism” insisted this diet would prove highly beneficial to both body and spirit, as well as to the environment…

Oh how the Vegans must have been laughing at us, 25 light-years away!

 

b. Vega/Alpha Lyrae

As for those other Vegans…12,000 years before veganism took wicked root here on Earth, the brightest star in our Northern Hemisphere was the star Vega, in the constellation Lyra.

Appearing in the night sky of today as a blue-tinged white prick of light with a declination of 38-47 and an apparent magnitude of 0.03, the Vegan System is now also known to possess a single earth-like planet that we call Vega-1.

(Obviously we cannot print its more popular name here, as McFleshy’s is a family establishment).

Now you may ask, what else has Vega been called by us humans?

Well, in both ancient Egypt and ancient India, Vega was known simply as:

“The Vulture.”

Just as telling is the name that the ancient Assyrians assigned to it:

“The Judge of Heaven.”

Meanwhile, our own designation of Vega – as Vega – actually comes from the Arabic phrase an-nasr al-wāqi, meaning (again):

“The descending bird of prey.”

And so an undeniable pattern crystallizes into view:

Whether hunter or scavenger, judge or executioner, human stargazers have long intuited some dark truth about our celestial neighbor, winking at us from a mere 25 light years away…

Just ask the Quixotipl Tribe of 12th century Peru.

Oh wait, you can’t…

The Vegans ate them.

 

3. On “Synch,” or: “As above, so below.”

Now, to fully understand the connection between Vegan and vegan, one must first recall how human vegans behaved – specifically, what a demoralizing experience it was to eat of the tasty flesh in their vicinity.

For those of you not old enough to remember, let this quote from one of Pre-VA America’s greatest voices be your guide:

“With the narrowed eyes of a harridan and the high and mighty tones of a hypocrite…they let loose upon you a litany of falsities, until appetite herself has not one inch of space to breathe free. Yes, my brothers and sisters, to eat of the delicious flesh near a vegan…is to be circled overhead by a vulture readying to descend.”
-Martin Luther King Jr.
(Source: Facebook™)

Let us also consider for a moment what was lost when the supposed-Mr. Watson removed the letters “E-T-A-R-I,” from VEG[ETARI]AN. Some of you may assume this change was inconsequential, but it was anything but; rearrange the missing letters and we find an immediate clue to their meaning:

T-E-R-A-I.

AKA: the Latin word for: “Earth.”

Rearrange them again and we get:

“E-A-R-T-I”

Only one alphabetic unit away from “Earth” in English (again).

Now you see, don’t you??

By removing these five letters, vegans and Vegans were brazenly announcing their unholy alliance and ultimate goal – to take out Earth! At this point, to call the phonetic overlap mere coincidence is to deny the obvious: that vegans and Vegans were linked from the start, in the same interpsychic web of reality-manipulation they would later use in concert with one other – to ensnare our Beloved Billion™.

And what do our McFleshy Scientists call these manipulations of reality?

“Synch™”

For if the Vegan Apocalypse has taught us anything, it is that alien mind penetration can and will cause a toxic run-off of strangely interconnected coincidences (linguistic, logistical, and otherwise) in one’s vicinity.

This is why the last months of our Beloved Billion™ were spattered with such a perverse abundance of what vegans called “signs and miracles”…and our McFleshy Scientists now call “mind-bait and psycho-spam.”

AKA: Synch™

 

4. Historical Context 

These days, it is a challenge for young people to imagine what our planet was like prior to the Vegan Apocalypse. Many of our oldest citizens have contributed to this confusion by characterizing the years pre-VA as a simpler, more innocent time: lower sea-levels, cleaner waters, fewer colostomy bags…

But this nostalgia, sadly, is misguided.

In truth, it was in the deceptive calm of 2012AD-2022AD that the seeds of our Beloved Billion’s™ destruction were being planted. So we must now look back – with eyes tinted-not – to reconstruct how we missed the many signs of impending catastrophe. Only thus may we ensure that NOTHING ALIEN EVER CATCHES US OFF-GUARD AGAIN.

 

a. The Fate of the Quixotipl (2012AD)

We begin ten years prior to the Vegan Apocalypse, in 2012AD, as a great upsurge of interest in the ancient Mayan calendar reached its zenith.

This archaic time-keeping system was just then concluding an epochal cycle, and many in the New Age spirituality movement (a hot bed of vegan activity) were predicting that the world was about to end as a result – not violently, but in some nebulous sociological transformation often described as:

“Crunchy.”

That same year, archeologists in Peru discovered the remnants of the tiny civilization of Quixotipl, whose own astronomically-calibrated calendar was also set to conclude a cycle – ten years later, in 2022AD.

A series of Quixotipl wall glyphs depicting the last time a Quixotipl Age ended (in 1101AD) was discovered as well; in these, the star Vega is depicted as a gaping maw from which a spiraling vortex of sharp-beaked “bird men” are swooping down to Earth…to carry the Quixotipl people away…

Ironically, those excavating the Quixotipl site at first believed its inhabitant to have been a decent, flesh-eating folk– on account of the thousands of hastily discarded bones found at the top layer of the dig. As soon as the archeologists realized these unburied, unburnt skeletons (all carbon-dated to the 12th Century AD) belonged to men, women, and children, however…they changed their tune.

The Quixotipl, it turned out…held to an entirely flesh-free diet.

 

b. The Blowing Winds of Vega (2012AD-2016AD)

To understand what destroyed the Quixotipl people over one thousand years earlier, we must next look to the disturbing transformation of Stephan Mallik, aka: “Starfalcon” – once a mild-mannered PhD student in the archeology department of the University of Virginia…now a footnote in history – right alongside Benedict Arnold.

After conducting extensive field research on the Quixotipl site in 2012AD and again in 2013AD, Mr. Mallik’s scholarship helped popularize the theory that the Quixotipl had died in a mass ritual suicide – just as the last cycle of their calendar was concluding. Mr. Mallik explained the absence of sacrificial relics at the site (e.g. blades and chalices) by proposing a slow-acting poison ingested away from their final resting place as agent.

Many archeologists praised this hypothesis.

But then, in 2014AD, just as Mr. Mallik was completing his dissertation on the subject, he began to behave erratically. “What if there IS a deeper cosmic order embedded in The Calendar?? Now that I’ve eliminated ALL meat and dairy from my diet, there are so many ENERGIES I’ve grown attuned to…forces I never imagined possible before…”
(Source: Reddit.com/r/vegan [defunct])

Thus began one of the first internet posts attributed to Mr. Mallik under the pseudonym “Starfalcon,” and thus – like Saul of Tarsus – did Mr. Mallik discover his “calling” as both apostle and evangelist for Vega.

(Of course, unlike Christianity, the so-called “Gospel of Vega” had a dark side!)

According to Starfalcon – and his dozens of disciples – only those who cleansed themselves of the tasty flesh would ascend to the “next level” of human evolution. This Grand Shift was set to correspond with the next turn-over in the Quixotipl calendar– in 2022AD – in communion with the “enlightened” beings of Vega-1.

Apparently, the more ancient alien civilization had been guiding humanity towards veganism (and “salvation”) for millennia…

The acolytes of this radical, esoteric strain of veganism converted many poor bodies throughout the 2010’s by tapping into the irrational hodge-podge of mytho-mystical belief still plaguing humanity at the time: utopian fever-dreams, socialist messiahs, drug-fueled raptures, quantum physics, sweaty yoga, string theory, artificial intelligence, and the false-promise of singularity…they even identified the children’s novelist Arthur C. Clarke as a Vegan prophet, claiming he had encoded many of his adolescent fictions with “messages” for true believers.

Many thousands would perish as a result of such nonsense.

Of course, this death count was just a drop in the ocean – a trifle, really – when compared with the seeds of mass slaughter that the “respectable” vegan community was planting, concurrently, in the secular, “more rational” worlds of academia, business, and politics…

Here we discover the true depths of vegan treachery!

 

c. The Anti-Flesh Crusade (2017AD-2020AD)

Today, thanks to the tireless research of our Scientists here at McFleshy’s, we can affirm with 100.00% certainty that both Global Warming and Brown River Stench were ALWAYS inevitable — historically and geologically.

That’s right: no matter what we as a species did or did not do to prevent them, they WERE coming for us.

LET US REPEAT: the rising tides in Ohio and Nevada are NOT our fault.

It’s a McFact™.

So how then to explain the obsessive efforts of the Environmental Lobby of the late 20th and early 21st Centuries AD to prevent the unpreventable?

Two words: “vegan infiltration”

Using the Sword of Damocles of “Climate Change” to instill fear and panic, vegan infiltrators pointed their crooked fingers at the embryonic meat industry, trumping up ridiculous charges of causality between then meager modes of tasty flesh production and incipient global warming. For instance: they claimed that methane gas emissions from livestock were heating up the Earth’s atmosphere.

Just imagine that for a moment, would you…?

Farts!!

They also claimed that the removal of millions of acres of swelteringly hot jungle and rain forest– to make room for much breezier grazing pastures – was making Earth hotter too. Looking back, the vegan infiltrators’ accusations appear backward, irrational, and unscientific – of course. At the time though, many were desperate to believe there would be some way to avoid the onslaught of Brown River Stench. And who can blame them?

Sadly, the notion that Homo sapiens had a choice in this matter is hubris.

Or as we like to call it: McHubris™

The truth is, we humans have the tendency to believe whatever supports our preconceived worldviews…and many good-intentioned environmentalists were turned against the Great Meat Makers as a result of these untruths.

Everywhere one looked, vegan distortions were sweeping into the collective consciousness, not just through the Environmental Lobby, but through the worlds of business and healthcare, in the ideologically corrupt productions of Hollywood and academia – even through children’s television!

Yes, everywhere they could, the vegans waged their deadly war:

• At major universities, they wrote venomous screeds on the “human rights” of animals. (Just think about that for a moment!)

• Student unions promoting radical anti-flesh lifestyles soon became entrenched. (Mass protests and boycotting against the meat industry followed in abundance.)

• Meanwhile, in science and medicine, vegan propagandists paid off corrupt “experts” to assert that flesh-consumption levels in impoverished nations (like Mexico and Africa) were healthier than those in the one exemplary flesh-eating nation in the world: The United States of America. (Fortunately, most Western doctors ignored such findings.)

• Unfortunately, in food manufacturing, vegan “entrepreneurs” began churning out an endless supply of flesh-substitutes, from oft-carcinogenic sources like soybean, pea protein, and the aptly named seitan.

And so it was that the developing world remained nearly fleshless, while in first-world kitchens, kale and squash proliferated.

In other words: at the very moment when humanity NEEDED to be manufacturing as many gross tons of cow and horse protein as possible, we were instead flapping about with our pants around our ankles.

Until finally…the stage (and table) for the Vegan feast…was set.

 

d. The Rising Horror (2021AD)

Imagine if you will…a morning like any other…

You replace your Clara-Lung Breathing App™ with a fresh mask, report any dissonant dreams you may have had to our McFleshy-Care™ “We Care!” Reps, punch your request for AM-McSustenance™ into your breakfast console, and begin to serve your toddler its delicious McFleshy Baby Slur™ (so that it may grow up big and loyal). Only this time, for the first time ever, your precious babe turns its mouth from the McSpork™ – refusing to consume even one bite!

Of course, you know your child needs to be ingesting at least three iron-rich gelatinous cubes of Slur™ per meal to be truly safe from Vegan mind-rape. Yet for some reason, on this terrible morning…your precious one will NOT submit.

“No, mommy,” it cries. “No, daddy!”

“But this Slur™ is packed with the same McFleshy-Blend™ of 743 tastes and flavors that you adore so very, very much,” you assure your stubborn child. “You LOVE consuming your delicious McFleshy’s Baby Slur™! Whatever has gotten into you, toddler!? Why don’t you EAT IT already?! Are you turning into one of THEM?? ARE YOU?!”

But it’s to no avail; your baby will not eat its Slur™.

Now…if you can imagine such a nightmarish ordeal, you should likewise be equipped to envisage the UTTER HORROR facing so many billions back in 2021AD, as they watched mothers, fathers, siblings, and children…begin to slip away from them…by refusing the precious flesh.

Of course, the first signs of Vegan mind-infection were considered by some to be minor, even pleasant…

In addition to low-grade Synch™, many of The Affected™ reported strange dreams…of remarkable vividness and power, uniformly alike in content.

Here is how one notable victim described the experience:

“I found myself soaring bodiless…across multiple otherworldly landscapes at once…yet feeling no sense of fragmentation or even disorientation in the process. Only pure, transcendent bliss…”
-George W. Bush Jr.
(Source: The New York Times, 2/14/21)

Indeed, the Affected™ universally reported feeling embraced in their dreams by some vast intelligence, which they (somehow) felt both a part of, as well as separate from, throughout…

Soon—

• Affected™ politicians were retiring from public life in droves –with hauntingly authentic farewell speeches.

• Affected™ painters were painting images so sublime that art galleries had to start stocking tissue boxes.

• Affected™ poets were composing verse so sensitive to the depths of The Human Condition™, that several poetry books almost cracked a Best Seller List.

• Etc.

Yes, for one brief shining stretch of months in early 2021AD, even the most skeptical of flesh-eater could be excused for wondering…if maybe, just maybe there was something to this supposed Gospel of Vega after all…

 

e. The Saviors of the Flesh (2023AD – HAPPILY EVER AFTER)

Of course, we don’t want to re-traumatize you with the gory details of 2022AD:

• You know all about the terrifying intensifying of Synch™ and the psychological withdrawal of the Affected™ that followed already.

• You have heard – again and again – the audio recordings of their endless chanting…in that hideous alien tongue.

• You know too well what an eruption of Bright-Light-Madness looks like…as well as the ugliness of what follows…

• That is, Epilectic-Death-Syndrome (AKA: “the Vegan Slurp”).

• And of course, your brain is thoroughly seared with the millions of Instagram images of the Tragic Flesh Heaps™ – emptied of all that once made our Beloved Billion™ human. (For the record: our Beloved Billion ™ never included the deaths of self-identifying vegans – who numbered around 600,000,000, and were usually the first to go. All we can say of their flesh…is good riddance.)

Fortunately, you also know the happy ending to this story…

• How the corporate leadership of The Great Meat Makers™ banded together, forgoing profit, reward, and even vacation days – to rapidly ramp up production and distribution.

• How the brave Sizzle Queen, Fry Factor,  Chateau Du Burger, Taco Americano, Veal Deal, Nugget Town, and Roasties  corporations (to name but a few Heroes of the Flesh™) gave us the Force-Feed Initiative™, which spared so many millions on the brink.

• How these brave corporate entities mobilized the armies of Blackwater, Iron Eagle, et al to overthrow the political leadership of the day, installing us as Global Hegemonic Potentate For-All-Time™ (AKA: GHP-FAT).

• And how, finally, you helped rename us “McFleshy’s” after this bold public choice beat out write-in candidate: “SukDeezNutsVega!” in online polls, three years later.

After all, as we like to say here at McFleshy’s:

“Here at McFleshy’s, you get…HERD!”™

 

5. Winners and Losers

As we all know, it is a truism of human history that it is written by the winners…

Yet sadly, there are no winners in the intergalactic struggle we are currently waging on your behalf – at least not yet. And so this history of the Vegan Apocalypse must remain incomplete, even after 50 years of healing, rebuilding, and all-you-can eat March McRibble Madness!™

Yes, it is true that the vultures of Vega, along with their flock of human sheep, took us by surprise once. But now WE KNOW. And now that we DO KNOW, there is simply no excuse to ever deviate from the tasty flesh again.

Yet, even after all we’ve been through together, all the tasty flesh we’ve provided you and yours, there are still those among you who refuse to accept the Natural Order™. There are even those among you who are STILL trying to summon them back…

We speak, of course, of the Crazy Ones, those who forego the delicious McFlesh™ for whatever desperate scraps of fungus and algae they can summon into being – in hidden bathtubs and root cellars beyond the security-ensuring gaze of our benevolent McWatch™ lenses.

Yes, these maniacs would actually summon the Vegans BACK into our world!

• LAMENTING their absence from our mental airwaves!

• PRAYING for their immediate return!

• BLAMING McFleshy’s for clotting the arteries of consciousness so that the Vegan Mass-Mind simply cannot penetrate!!

As to that last accusation, all we can say is: HECK YEAH!

After all, history IS written by the winners!

And this war is one we can – AND MUST – win!

So please, if you do know of any Crazy Ones in your midst…sneaking a carrot here, whispering doubts about McFleshy’s there…report them to us IMMEDIATELY; we MUST quarantine ourselves against THEM.

So thank you once again for your ceaseless and unquestioning McPatronage™.

Now eat up! Chewing and swallowing every last bite of the complementary maple-glazed pressed-pork parchment upon which this unquestionable record of the Vegan Apocalypse has been printed – as prescribed by McFleshy International Law™.

We do so appreciate your cooperation and loyalty…

After all, this story won’t swallow itself 🙂

 


© 2018 by Benjamin Friedman

 

Author’s note: The germinal seed for “The Vegan Apocalypse: 50 Years Later” came to me back in 2011, during the height of fascination with the Mayan calendar and its impending terminus in 2012. At the time, I was working at a Yoga center in Massachusetts called Kripalu, where the thought of a collective shift in culture and consciousness was not just a laughable bit of New Age naivete, but a genuine and sincere hope for resurgent 60’s-style idealism. And with the Occupy Movement and Arab Spring then at their zeniths, it was true; anything seemed possible. Of course, as in George Lucas trilogies, so in historical dialectics…as the various “empires” of cynicism, despotism, corporatism, and the politics of propaganda and deception have all since “struck back” in myriad and disturbing ways. This story was my way of grappling with that great gulf between human possibility and reality. For just as the Mayan Calendar wasn’t the end of history for the good, the Vegan Apocalypse of my story isn’t meant to be seen as the end of all hope – just another chapter that depends on human agency for its sequel.

 

This is Ben Friedman’s first sale to an SFWA-accredited publication, an honor for which he is titillated to an almost obscene degree. Previous stories of his have landed at 365 Tomorrows, Every Day Fiction, The Story Shack, and Sonic Boom Literary Magazine, and his screenwriting has won the Golden Blaster Award at the Irish National Science Fiction Film Festival as well as the Grand Prize from the WeScreenplay Short Film Fund Competition. He currently is recovering from an inauspicious injury (that could be the punchline to a bawdy joke were it not oh-so-true) in his hometown of South Orange, New Jersey after a number of years of peripatetic soul-seeking throughout New England, Colorado, California, Israel, and Australia.

 


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