DP FICTION #48A: “Local Senior Celebrates Milestone” by Matthew Claxton

The reporter is young, smells young even through the miasma of bleach and boiled vegetables. Three Willows Retirement Village is not an olfactory feast, so Millie is grateful for the scents of mango shampoo and coconut hand cream the girl brings with her.

“First of all, congratulations on the milestone!”

Millie wraps her knuckles around the gnarled head of her driftwood cane, leans forward.

“Congratulations?” She releases a calculated chuckle, gently chiding. “On not dying?”

“I just mean… I mean, not everyone gets to celebrate their one-hundred and tenth birthday!”

“Well, that’s very true. I’ve been blessed.”

“I was hoping you could tell me a little about your life. You must have seen so much!”

“Oh, yes.”

The girl has a notebook out now, pen poised.

“I was hoping you could tell me, what’s your earliest memory?”

The pods. The heat of the sun soaked into the sand by day, warming the cluster of egg-sacs. Warm, dark, protected. Her lungs and gills growing, the bones of her limbs hardening. Keratinous spurs on her wrists grew sharp, and the urge to surface gripped her hard. The skin of the egg parted like paper, and salty sand mingled with the cooling jelly. She had squirmed onto the beach. Her parents watched nearby, their horses shying.

Her siblings had crawled free, but she had been the first, the first to see the stars.

“I remember the beach. We always lived near the water, and I loved to run across the sand at low tide, when it was cool. When I was older we’d ride the old mare down. Tried to get her to gallop along the shore once, and she threw me right into a tidepool!” Millie forces a chuckle and a wry smile.

“You grew up on a farm?”

“Oh yes. Lots of chores to do. And schooling, of course. Mama educated us herself, us being so far out in the country.”

They stalked one another through the trees and fields, games of hunt and evasion. Millie had the sharpest nose. She could find her siblings hidden even when their skin changed to match the mottled pattern of leaf and twig. They pounced and bit one another, drawing blood and laughing, violently tender.

Later, Mother drilled them. Human languages first, English and Mandarin, German and Spanish. “You must be able to blend among them. You can’t rely on your hybrid DNA. Never let them suspect. The slightest slip could be fatal to our kind and our mission.”

After lunch it was their Home language, the keening and clicks, the consonants aspirated through flared gills. They studied the old poets and the old songs, in glyphs as twisted as the coils of barbed wire that marked the edges of their homestead.

The reporter leans forward, elbows on the table. “I suppose you didn’t have a telephone, or a car? Do you remember when the first time you saw a car was? Or a radio?”

Father held the communicator in his palm. Smooth as beach glass, liquid fractals pulsed from its center as he clicked and cooed.

“When will I be able to speak to Home?” Millie asked. 

“When the time is right,” said Father. “When you are old enough to begin work on the mission.”

He gently stroked her hair, palm still warm from the communicator. “Soon,” he promised.

“Radio seemed like magic. I heard it first at another family’s home. Voices through the air, you know. The first car I ever saw was considerably less pleasant — it was an old Model-T. The rattle and roar of the thing! I clapped my hands over my ears.”

The reporter nods, scribbling.

“You’ve lived through such turbulent times. What was it like to live during the World Wars?”

The government man’s heels beat hard against the cheap rooming house carpet. Millie held tight to the wooden handles of the garrote, ignoring the blood that seeped around the wire and dripped onto her good shoes. 

Too close. He’d come too close, had seen her emerge from the lake near the munitions factory.

When his heart stilled, she eased him to the floor, then collected every trace of her presence from the small room. She’d have to abandon her identity, find another source for the chemicals they needed for the third phase. The damned war had made the humans watchful, almost clever.

Not so clever that they wouldn’t be easily thrown off the trail. She left a torn page from a German-American Bund pamphlet in the back of the cheap plywood dresser. 

She left, not worrying about fingerprints on the doorknob. She didn’t leave any.

“Nothing as exciting as you may imagine. It was all victory gardens and scrap drives for me. The war on the home front. I was just fortunate that I didn’t have any children in harm’s way.”

“But you did have children?”

“Oh my, yes. Everyone had a big family, back then. A family meant a future.”

She and Henry didn’t bother to put their clothes back on, just walked out of the beach house and onto the moon-silvered sand. She dug the hole with a garden trowel.

“I’m worried,” he said. “We’ve lost contact with the Chicago brood.”

She dropped to her haunches. “Protocol. Scatter and hide. They’ve done it before, after a mission’s gone bad.”

“It’s been too long. I think they’ve been captured, or killed. One of those G-men pursuit teams maybe.”

She shuddered, half at his words and half at the birth-ecstasy. The egg mass slid out of her and filled the hole. Blue-veined embryos blinked at the black sky for a moment before she covered them with sand. She pressed one hand to the spot for a moment, felt their warmth.

“It will be okay,” she said.

“Tell me about your husband.”

“Henry? We met at work, after I first moved to the city. I knew he was a good man, and, well, our families were friendly. We were a good fit.

“It turned out to be a real love match, though. That was rarer than the movies would have you believe.”

She pauses, contains herself. Let the reporter see the sorrow, not the anger.

“He died young.”

The first bullet caught him in the lower back. Purplish blood oozed from the wound as they ran through the alleys, seeking cover in the steam rising from the sewer grates. Men in long coats ran behind them, yelling into crude radios.

The second bullet struck higher, in Henry’s spine. His legs spasmed wildly as he fell. She grabbed his coat, pulled him with fierce strength, but the alley ended in a filthy courtyard.

“Go,” he hissed. She hesitated, and he sang the word in the speech of Home, his golden tones strained with pain. She scaled a fire escape, bullets shattering against the metal railings.

She looked back once. He wasn’t moving.

That winter, she found the leader of the FBI pursuit group. She watched his house burn on a cold night. No one got out, not the government man, not his wife, not their children.

“I still miss him. He was a good man. Left me with a little nest egg, fortunately. In my later years, I travelled, all the trips we’d meant to take together after we retired. But the loneliness… it can get to you, sometimes.”

Goa was comfortably warm, the monsoon kind to her skin. The mathematician at the university had proved amenable to sharing his notes. He was bright, too bright. She cupped the communicator in her hand and reached out to the brood in Bombay. They would need to arrange an accident.

After, she reset to commune with Home, but the device remained silent and dark.

Nothing. Three years, and no word.

What was going on?

The stars were cloaked by clouds, and the sky held no answers.

The reporter taps pen to notebook. She is already running low on questions. Millie sighs. She’s been through the gauntlet at one-hundred, and again at one-hundred and five. There are only a few questions left to go, then it will be time for the tooth-achingly sweet cake, and a walk back to her room.

“Did you ever expect you would live so long?” The question bursts forth, the pleading look says the girl would take it back if she could.

“No,” Millie says. “But when you’re young, you always think you’ll live forever.”

Millie’s knee ached, the arthritis a gift of her human genes. A hurricane was coming, rolling in across the Gulf and making for Florida. She could feel it even inside the sterile grey-carpeted halls of Cape Canaveral.

She pushed the mail trolley, dropping packages in cubicles and offices. When no one was looking, she palmed the scanner the Moscow brood had sent her over racked floppy disks. The scanner hummed in her hand like a wasp as it soaked up data.

They were stealing technology from the humans now, desperately trying to build an alternate means of communicating with Home. Pathetic, but what else could they do?

They could forget. Susan and Abel and Henry Junior spoke to her in English now, called her on Sundays and worried about mortgages as much as missions.

How many of the old poems did they still remember? How much could they be expected to remember, three generations removed from Home?

Thirty years, and no word.

“I suppose everyone learns the secret, if you go on long enough,” Millie says. “You just keep on living. You hope you find someone you can love to spend your life with, you try to do right by your children. You do your work, and hope things turn out well. They don’t, always. You have to make your peace with that. That’s about all I’ve learned, in my time on this planet.”

She sighs, and something in her face makes the reporter draw back a little. A little too much revealed there, the twinge of guilt at any crack in the facade. But she’s an old woman. Who will think her moods are anything worse than the product of a decaying mind?

The singing comes from the kitchen, singing and fire’s feral glow. The fools have somehow lit a full hundred and ten candles atop the white-and-blue frosted slab. It reminds her pleasantly of a burning house.

The chorus of “Happy Birthday” dies away.

“Blow out the candles, Millie!” shouts the home’s manager through lipstick-smeared teeth.

The reporter has her camera pressed to one eye. Fine, if they want a photo, she’ll give them one. She draws breath into lungs deeper than any human’s, and purses her lips.

The flames flicker and die, a hundred smoke trails coiling about like seaweed at slack tide.

The applause is genuine, the kitchen staff and nursing aids shouting in wonder. “Go Millie!” “Lookit that!”

The reporter leans in again, face bright. Good photo for her sad little page twelve human interest story, that’s all she cares about.

“What did you…” She breaks off. “Your brooch…”

Millie puts a hand to her sweater. The communicator hums with life. Fractals bloom across its surface in wondrous, glowing profusion. She clutches her hand around it hard, closes her eyes. It has been so long. One of the lost broods?

No.

Home, the signal strong and clear, the message simple: We are coming.

Millie smiles.

“Just a piece of costume jewelry, dear. What were you saying?”

“I, um, what did you wish for? When you blew out the candles?”

“If I tell you, it won’t come true now, will it? But I think you’ll find out soon enough.”

She lets them cut her an extra slice, and with relish she licks the frosting from her fingers.

On her way back to her room, she hums one of the hymns of home, in subsonics and whispered gill-speech too low for any human to hear.

Millie smiles. She is eager to clip out a copy of the young reporter’s story. Assuming there is another issue of the paper.

It would be nice to have a keepsake. It’s been a day for milestones.

 


© 2018 by Matthew Claxton

 

Matthew Claxton is a reporter living near Vancouver, British Columbia. His stories have appeared in Asimov’s Science Fiction, Mothership Zeta, and The Year’s Best Science Fiction 34. Rumours that he is three small dinosaurs standing on each other’s shoulders in a trenchcoat have never been proven. You can follow him on Twitter @ouranosaurus.

 

 

 

 

 

 

 


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DP FICTION #47C: “The Dictionary For Dreamers” by Cislyn Smith

Apology

(n) A sincere, though ultimately futile, effort to make right a wrong. Always involves books.

Example:
This. She didn’t mean to. It was a mistake.

 

Arise

1. (v) To get up from a position of repose.
2. (v) To become evident or apparent.

Example:
Time to get up. You arise from the bed, drifting, almost floating, toes straining down to reach the ground, arms flailing a bit for balance, before you thump-settle back into place.

Shake your head. Yes, that was odd. Still, you’ve forgotten about it by the time you’re dressed. Just one of those things.

 

Belong

(v) To be in the right and proper place, to fit in.

Example:
This is your home. Obviously. You feel it in your feet, the way they settle on the floor when you get out of bed. Just so. You feel it in the air. You crack your neck and stretch and just know. That’s how it is.

 

Camouflage

(n) A disguise to help someone or something blend in, a way to pretend that you belong.

Example:
The landscape shifts constantly, adjusting. For you. It’s subtle — a tree moves here, a car is further down the street and a different color there, and the sky is the exact shade you like just when you need it to be. You don’t notice it, consciously. You’re not meant to, after all. The back of your mind sees it, though, notices the effort, and relaxes. Yes. This is right. This is home. This is where you are meant to be.

Mostly.

There is a tiny part of you that thinks maybe the curtains should stay the same color, even if you do regret them two weeks after putting them up. That sometimes wonders, if just for a second, why the spice jars never run out of your favorite things and marvels at just how nice the neighbors are.

It’s easy to ignore.

 

Close

1. (adv) Near
2. (adj) Dear
3. (v) To end

Example:
“I’m sorry, only close relatives are allowed after visiting hours.”

 

Content

1. (n) The material included or addressed in a book, a movie, or a dream.
2. (adj) In a state of simple peace.

Example:
You.

 

Current

1. (adj) In the present. Right now.
2. (n) That which pulls you along in a given direction.

Example:
On a quiet city street, a man walks just in front of a woman, feet crunching in tandem on sidewalk snow. Suddenly, she speaks, her voice very clear in the cold morning air.

“Last night I dreamed I got pulled out to sea, and then there was a storm. I was trying to stay above water, but the storm was doing strange things to the waves. They started turning to glass and ice all around me — planed crystalline pieces splashing and curling up and crashing near me. It was beautiful, honestly. I felt so guilty, though. I couldn’t tell the difference between the glass and the ice, and so many things I touched were broken or melted as I scrambled to keep my head above water. I felt like I was breaking everything beautiful around me.”

He can’t help himself. He turns to the stranger in the blue peacoat behind him, who’s just shared this private little moment, and says, “You were only trying to stay alive.”

But now she’s moving past him, headphones on, looking down at the phone in her hand. The conversation wasn’t with him. “No, I woke up first. Sure. Sure. See you later.”

This is happening now.

 

Dictionary

(n) a tool for discovering meaning.

Example:
The truth points to itself.

 

Dreamer

1. (n) One who experiences a dreaming state, usually while asleep, moving through a world of ideas.
2. (n) One who yearns or wishes for something not in evidence.

Example:
“So, what do you think happens to the people in a dream?”

“You mean in general, or… what?”

“Like, when the dreamer wakes up, right?”

“God, you’re in a philosophy class aren’t you? Friends don’t let friends sign up for philosophy courses.”

“I’m not, actually. And there’s nothing wrong with philosophy! I just… never mind. It’s stupid anyway.”

“Oh, don’t be like that! Hey, where are you going?”

 

Example

(n) An illustrative item.

Example:
White sheets, shadows stretched across them, and a prone form in the bed. There are monitors, beeping. Clear plastic tubing runs down from an IV stand, is taped to a bruised hand. Her closed eyes are not moving. She is lonely. She will be gone, soon. And then?

 

For

1. (preposition) Belonging to
2. (preposition) Because of
3. (preposition) Concerning, about
4. (preposition) In support of

Example:
Dictionary For Dreamers.

 

Forget

(v) To lose memory of something.

Example:
Evidently there was an accident. It was nothing to do with you. Should I send another book? I am inclined towards apologies.

 

Gentle

1. (adj) Kind, tender
2. (v) To pacify

Example:
You are holding a leaf, turning it gently by the stem in the autumnal sunlight, watching the way the colors shift across its surface. Red. Orange. Green. Brown. There’s a whole year in your hand. You run a fingertip along each of the veins, being careful of the brittle edges, and then you place it — just so — back on the leaf pile where you found it.

The ground ripples as you walk away.

 

Home

1. (n) Where the heart is.
2. (v) To return by instinct, back to the heart.

Example:
“Do you hear that?”

“Like someone crying, right? That is so weird.”

“Yeah. I thought I heard someone say ‘I just want to go home’ and then it started.”

“Did you leave the television on upstairs?”

“No, I’m sure I didn’t. I’ll go check, though. See if you can figure out where that’s coming from.”

“I can barely hear it now. What am I supposed to do, look under the couch and inside the fridge? There’d better not be anyone crying in there. Well now I can’t hear it at all. Hello? Are you coming back downstairs? Where’d you go?!”

 

Inspire

1. (v) To fill someone with an urge to create
2. (v) To breathe in

Example:
You are all my muse. Exhale.

 

Join

1. (v) To connect or link things together
2. (n) The seam or place where things come together

Example:
The handle of his favorite mug broke this morning when he grabbed it out of the kitchen cabinet. A handful of handle made him laugh a little, and now he sits at the kitchen table, superglue at hand, preparing to patch things up.

But first, he can’t help but touch the broken bit, exploring the gentle topography with his index finger. It reminds him of losing a tooth as a kid — it feels raw and exposed and he winces in sympathy, but still he probes the place which used to be whole, and now there’s a hole instead.

He’s surprised by the remnants of glue on the mug — how many times has this happened before? How could he not have noticed, or did he just forget? Surely it will be as good as new soon, though. Surely.

 

Kill

1. (v) To end life. To cause death.
2. (v) To put an end to a process.

Example: How soon is soon?

 

Lie

1. (v) To be in a horizontal state, resting.
2. (n) Untruth.

Example:
“Are you all right? You need to lie down or something?”

“No, I’m fine.”

 

Miss

1. (n) A polite form of address for a young woman.
2. (v) To fail to touch, to not make contact.
3. (v) To notice the absence of someone or something.

Example:
“Miss? Excuse me, miss? You can’t sleep here.”

And

“I can’t miss this connection.”

And

“Did you miss me?” (Yes. Yes. Yes.)

 

Nous

(n) The mind, moving, moving, moving

Example:
When you can’t sleep, and you’re staring at the ceiling in the dark, listening to all the little noises that seem so loud. You’re tired. You need to sleep. You know this. But you resist the temptation to check the time and roll over and try counting backwards, or maybe flexing your toes one at a time under the sheets, and feeling the thud of your heartbeat just so, interrupting your thoughts. Not that you’re thinking of anything. No. Just the sleep you need. Well, and maybe that thing you want to write, and now there’s a list of things half growing there in the space behind your eyes, disjoint and fragmented. If you manage to drift down into restlessness, the list will precipitate through your dreams, to-dos and phrases and fragments of numbered items settling in to the nonsense you think of as dreams, held together loosely by the tenuous threads of story your mind insists on imposing.

It’s OK. Let it go.

 

Open

1. (adj) Having the interior accessible
2. (v) To cause to be receptive

Example:
“I can’t get this damned jar open.”

“What’s in it, anyway?”

“I don’t know. Could be anything. Beets. Confetti. Time. The stuff you keep in jars, right?”

“The stuff you keep in jars maybe. Here, give it to me.”

“I really think we might have to break it. It’s so stuck.”

 

Precipitate

1. (n) A substance deposited from a solution.
2. (v) To cause something to happen.

Example:

She stands in a snowy field, trees stark inked lines on the horizon. She’s young, in a warm blue peacoat, too-big hat sliding down over her eyes. Her mittened hands turn upward to the sky, gathering snowflakes, and then she presses them together. A sheet of white paper shifts from between her fuzzy palms to the ground, compressed from the crystals falling from the sky, and she opens her hands to the heavens again. And again. And again. The pages accumulate around her legs, piling up, faint and shadowy words smearing the white as the light fades.

She finally turns to look at you, but you’re gone.

 

Quicken

1. (v) To give something life.
2. (v) To make something move faster.

Example:
Something is behind you, something dark and dangerous. You dare not look back. The hallway stretches ahead and behind, shadowy, the walls turning in ways that don’t quite make sense, as you run. Your steps quicken, and you can hear, far away, something rhythmic and mechanical. You move toward the sound.

 

Reality

(n) No. I’ve been defining reality for too long. Look up ‘gentle’ instead. That’s a nice one.

 

Start

1. (v) To begin, as one does, at the beginning.
2. (v) To jump a little, in surprise.
3. (n) The beginning, where one begins.

Example:
I’m sorry. I don’t remember now. It’s been so long, and I’m tired.

 

Turn

1. (n) Opportunity
2. (v) Change direction
3. (v) Change state

Example:
“Go on, sweetie, it’s your turn now.”

The woman pushes the child toward the swimming pool. She takes two stumbling steps forward, bare feet on hot concrete, and then stops. The water shimmers, like glass, like ice. The orange waterwings are too tight on her arms, and there are too many people, and her tummy hurts, and it smells like chemicals and other people’s ambition. She turns and runs away through the crowd, past the too-long legs of her mother, back into the cool echoing darkness of the locker room. She just wants to get away. She isn’t watching her footing, on the water-slick tiles by the hard wooden benches and sharp metal lockers.

The world holds its breath.

 

Underlie

(v) To be foundational, the cause of something.

Example:
It’s not a lie if it’s everywhere, if it’s underneath everything. Right? So why do I feel so guilty?

 

Visionary

(n) One who sees more, though they may understand less.

Example:
The ladybug crawls along the back of your hand, having been liberated from the windowscreen. You’re looking closely at its spots, and the closer you look, the more there seems to be to see. Finally, you look away, half laughing. It almost felt as if something were looking back at you, from that infinite fractal regression of spots on spots on spots. You put the little insect outside, on a leaf.

 

Wake

1. (v) to arise from sleep, to stop a dream.
2. (n) A funerary vigil

Example:
“I’m sorry, but she’s never going to wake up. There’s nothing we can do.”

 

Xenolith

(n) A rock fragment differing in composition and origin from the rock or crystal enclosing it.

Example:
How did things get so strange? There aren’t enough books to make this right.

 

You

(pronoun) The person being addressed.

Example:
You never saw her. You were nearby — physically or conceptually — and were drawn in. You think this is about you, but that doesn’t make you vain. It has been. Mostly. About all of you. Go on now. Turn the page.


© 2018 by Cislyn Smith

 

Author’s Note: I’ve always been a semi-lucid dreamer, exploring weird dream worlds half aware and with an overwhelming sense of responsibility for the things happening in the dream environments. I had a dream one night wherein I earnestly tried to apologize to everyone I met, but nobody ever quite understood what I was saying or why. I woke up thinking I needed a dictionary to apologize properly, sat on that idea for a few days, and wrote this story shortly after.

 

Cislyn Smith likes playing pretend, playing games, and playing with words.  She calls Madison, Wisconsin home where she enjoys the company of three cats, some humans, and an assortment of cool bacteria. She has been known to crochet tentacles, write stories and poems at odd hours, and gallivant. She is occasionally dismayed by the lack of secret passages in her house. Her poetry and fiction have appeared in The Best of Electric Velocipede, Strange horizons, Star*Line, Remixt Magazine, and Flash Fiction Online.

 

 

 

 

 

 

 


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DP FICTION #47B: “The Man Whose Left Arm Was a Cat” by Jennifer Lee Rossman

Thomas Fitzpatrick McAllister’s life was the very essence of boring and uneventful, to the extent that even his goldfish, who up until recently had always been a veritable fountain of excitement, had taken up the hobby of listening to dial tones while staring listlessly at the wall. It wasn’t even a particularly interesting wall, though it must be noted that it was painted a rather vibrant shade of ecru, and was quite possibly the most vibrant shade of anything in the entire apartment. Though Tom never entertained guests, whenever a plumber or handyman happened to complement the ecru wall, Tom was quick to point out that it had been that color when he moved in, and that the previous residents had probably been wild, uninhibited hippies who had bought the paint in the middle of a psychedelic trip.

Though his life had consisted of undressed salads, unscented deodorant, and a vast variety of other un-things for as long as he could remember (which was nearly everything since his traumatic fourth birthday, when some well-meaning but ill-informed aunt had attempted to give him a box of crayons), his comfortably dull, quiet life would soon be violently thrust into a world of excitement. And not a moment too soon, or this might have been an incredibly uninteresting story.

The morning began with a sunrise, as mornings tend to do, though Tom remained sound asleep in his matching gray pajamas and his soft (but not too soft) beige comforter, unaware of the beautiful swaths of colors that existed just beyond his window. He awoke at precisely seven o’clock to the unmelodic beeping of his alarm clock. He showered, dressed in a gray suit and grayer tie, and ate a balanced breakfast of plain yogurt and off-brand oat rings, milk on the side.

After thoroughly washing his dishes with unscented dish detergent and taking a plethora of unexciting vitamins, Tom left his apartment at seven forty-five and arrived in the lobby of his building at just the right time to casually bump into a woman who perplexed and intrigued him in equal amounts.

Her name, if her mailbox was to be trusted, was “Wendiie,” spelled with two I’s and an E in place of the traditional, far less ridiculous Y. A peculiar name with a nonstandard spelling that made Tom wonder about the mental state of her parents. And yet the name fit her so impeccably well that he didn’t particularly mind.

The woman must have been a rainbow in a former life, for that was the only explanation for the vivid, haphazard colors she wore with such abandon. Her flowing clothes were so loud that they competed for attention with her jangling bracelets and off-key humming. She never wore the same outfit twice, and often completed the ensemble with a hat embellished with the face of a cartoon character. A different hat with a different character every day. He wondered where she stored them all.

Tom found her enchanting, and he choreographed his day around her schedule in the hopes of catching a fleeting glimpse of the variegated specter. He wasn’t attracted to her so much as flummoxed by her very existence. It wasn’t very often that one met a person so completely one’s opposite, and he sought to know everything about her. What did she eat for breakfast, and was it as intriguing as her knitted shawl with the multicolored pom-poms?

She said nothing as she hurried out the lobby door, carrying a large sequined bag filled with endless mystery. Where was she going? Why was she going there? Did she sort her books by title or by author’s name? She probably didn’t sort them at all, the wild rebel, and left them scattered about in piles on the floor while her bookshelves were filled with… with what? Tom tried to think of the most outrageous, non-book item that one could put on a bookshelf, and decided upon whimsical sculptures of dolphins wearing hats.

Why they wore hats and how they kept the hats secured on their heads while swimming through the ocean, he did not know. For a moment he entertained the possibility that they might use chin straps, until he came to his senses and remembered that dolphins did not have chins.

His mind full of unsolvable mysteries that would fuel him for the day, Tom left for his uneventful job as a lawn growth analyst, where he would sit for eight hours in a small room lit by ultraviolet lights, not only to watch grass grow but to take exhaustive notes in minute detail about the speed at which it did so. It was a menial job which he thoroughly enjoyed, and on any other day he would have boarded bus number four at precisely seven fifty, sat in his regular aisle seat three rows back on the left, and arrived at the large, brown building exactly sixteen minutes before nine o’clock.

This day was different, and Tom knew this the instant he saw a man with a very large tortoise. Surely tortoises were not allowed on public transportation, and it did not wear an orange vest signifying it as an emotional support tortoise. Tom almost walked right back off the bus again at this cavalier lack of rule following, but then he saw the seat beside his. Instead of the quiet, older gentleman with the large glasses, beside whom Tom had ridden wordlessly for five years and seven months, the window seat three rows back on the left was occupied by a refreshing ray of prismatic light.

Tom sat down and secured his seatbelt as the bus lurched into motion. Wendiie glanced at him with a sort of impersonal pleasantness, and he realized that someone as gray and precise as he would be of little interest to someone as colorful and whimsical as she. He wanted to talk to her, to speak of philosophy and poetry and ask her why she had that purple streak in her hair, but his mouth went dry and his mind went blank, and he could only manage a weak “Hello.”

Wendiie smiled, a spark of recognition lighting up her eyes that were the color of something very, incredibly blue that Tom had seen before but could not name at the moment. Possibly a poisonous frog or the sky over a tropical island. “You live in my building, don’t you?”

Tom nodded, and anything he was about to say left his mind as Wendiie’s oversized bag began to stir. After a moment, a furry little face peeked out and gave an irritated meow. He stared at it for a moment, the looked back to Wendiie. “You have a cat in your bag,” he informed her, in case she wasn’t aware.

“I do.” She put a finger to her painted lips as a laugh escaped them. “She isn’t allowed on the bus, but I won’t tell it you won’t.”

In general, Tom felt about cats the way he felt about most animals. That is to say, it was nice that they existed but he wasn’t wildly enthusiastic about having them in his home (he made an exception for the goldfish, as it had been his mother’s and the dog pound had refused to take it). That being said, for an animal that did its business in a sandbox and probably had a penchant for leaving disemboweled rodents around the house, he supposed this cat looked like a respectable enough cat. It was gray, and Tom liked that.

On a whim, Tom reached out to pet the cat, thus marking both the first time he had pet a cat and the first time he had done anything on a whim. He found it was not an unpleasant experience, and considered the possibility of doing it again at some point in the future.

The irony of planning to do something on a whim was lost on Tom, but it would soon become irrelevant. Neither Tom nor any of the other passengers on the bus—not the mother and child, the peculiar man carrying the rather large tortoise, nor Wendiie herself—had even the slightest hint of a clue that, at that very moment, bus number four was carrying both a bomb and an amoral scientist in need of test subjects.

It all happened incredibly quickly. One moment, Tom was complimenting Wendiie on the uniformity of her cat’s toenails, and the very next thing he knew, he was laying in bed and staring up at a fluorescent lighting fixture that he did not recall owning.

He had been dreaming, he decided, though this didn’t explain why he had tubes in his nose and arm. What an efficient way to live, he marveled. Why hadn’t he thought of this earlier?

A woman appeared in Tom’s field of vision, her sour face as unreadable as his mother’s handwriting. She seemed to be pleased that he was alive and awake—a sentiment with which Tom wholeheartedly agreed—yet apprehension played in her big, brown eyes. She began to speak several times, but seemed to have forgotten how. Finally, after quite a bit of hemming and hawing and tugging at her left earring, she said in a quiet voice, “I’ll get Dr. Polk.”

She walked away, leaving Tom alone with his thoughts, the fluorescent light, and a rather irritating itch on his left temple. He raised his hand to scratch it, and discovered that his arm was immobile. Removing the sheet with his other hand, he subsequently discovered a cat lying on his left forearm.

He supposed it was Wendiie’s cat, though all cats looked the same to him and he based this supposition purely on its color and the uniform length of its toenails. It wore a rainbow collar bearing a tag that read “Linda”, which confirmed his suspicion. Wendiie was most definitely the type of person who would name a cat Linda.

The cat, which had been sleeping soundly draped across Tom’s arm and chest, now yawned and opened her eyes, looking at Tom with very much the same confused expression of unrecognition that he had given the fluorescent light a moment earlier. She tried to stand but fell, as if her rear legs had given out. Wondering if her legs had been injured in the accident, Tom further pulled the sheet back and made a most curious discovery.

The cat, he found, had not been laying on his arm at all. In fact, this would have been an impossible feat, as his arm existed to only just below the elbow, having been, he could only assume, dismembered in the accident.

Ordinarily, Tom would have reacted to such a discovery with shock and disgust and an outpouring of words which his mother had instructed him to never say in polite company. Instead, owed no doubt to the calming liquid pumping into his arm, he merely examined the remains of his arm with a curiosity he normally reserved for such intriguing articles as the nutrition facts on his off-brand cereal.

It had been a good arm, and he would miss it dearly, especially when trying to open jars and wash beneath his remaining arm, but in the grand scheme of things it was no great loss and the surgeon had done a remarkable job of attaching the cat.

Tom paused a moment. That certainly didn’t sound right. He looked again to be sure, and found that there was, indeed, a cat attached to his forearm. Specifically, the front two-thirds of a cat, sewn onto his arm in such a natural way that made him wonder, if only for a second, if perhaps he had been born with a cat on his arm, though surely he would have noticed such an abnormality before now.

He raised his arm, straining to lift Linda with what remained of his arm muscles, and tried to use her toenails of uniform length to finally scratch the itch on his left temple. The cat declined to cooperate, and he was forced to use his right hand. He then positioned the cat, feeling rather like a fantastic puppeteer, so he could look her in the eyes. They were a bright shade of blue, big and round and innocent like those of her owner, and Tom wondered if Linda felt as confused as he did.

A white-haired man wearing a pristine lab coat and mismatched shoes entered the room, laughing jovially to someone in the hall. His demeanor changed abruptly upon setting his eyes on Tom and Linda. “Ah,” he said. “I see you have discovered my handiwork.”

Tom knew he should have felt angry. If waking up to find a cat surgically attached to his body didn’t make a man want to flip over tables and throw lamps, then what would? After a moment of thought, Tom decided that he was angry. Incredibly, furiously angry. However, much like discovering that one wall in his otherwise ideal apartment had been painted a scandalous shade of ecru, there was nothing he could do about it now. (He had considered painting the wall, of course, but shuddered at the thought of visiting a paint store and all its colors.)

Doctor Polk, as the man in the lab coat introduced himself, launched into a grand speech about how Tom had been in an accident, how his arm had been beyond repair, and how the poor little cat had been so near death. He told of his own research into forbidden medical experiments, of his hobbies of making taxidermy jackalopes and, and of the angels who told him to try the unspeakable.

In all honesty, the part about the angels may have been a hallucination on Tom’s part. For all the good it did, the calming liquid pumping through his body did make sounds rather garbled and unintelligible, as well as briefly giving him the ability to taste numbers, but he understood the general idea of what the doctor was saying, and was allowed to go home after several days. The logic of sending home the subjects of an unsanctioned medical experiment confounded Tom, but Dr. Polk was clearly not in his right mind. No one in their right mind would wear mismatched shoes.

Tom discovered rather quickly that living with a left arm which had a mind of its own—and the mind of a cat, no less—was not nearly as enjoyable as he thought it would be, a fact worth mentioning as he had never been under the impression that it would be enjoyable at all.

His left arm would bat pens out of reach and scratch his sofa. She would lick herself and Tom, and later make the most nauseating hacking sounds while regurgitating the hair she had ingested. Showering—any activity in which water was involved—required quite a bit of effort, and his left arm was absolutely terrified of the toilet. He had never had a cat before, but assumed it would be infinitely less unpleasant if he had the ability to be more than eighteen inches from the cat at any point in the day.

As weeks turned to months, however, Tom grew oddly accustomed to his situation. He worked from home, monitoring lawn growth via webcam, and left his apartment once a week to check his mail, wearing an oversized coat and pulling down the sleeve to conceal the cat.

His days were no longer orchestrated around brief Wendiie sightings, though he did see her on rare occasions. She did not hum or dance but walked slowly and with a slight limp. She wore heavy black dresses that skimmed the ground, and could often be found gazing forlornly at the “Missing Cat” posters with which she had wallpapered the lobby.

Tom often wondered whether it would be beneficial for her to know that Linda had survived the accident, or if the knowledge that someone had surgically attached the cat to the forearm of her uninteresting neighbor would only upset her. This debate soon dominated his thoughts, and he could think of nothing but.

He could never come to a conclusion either way, but decided that it wouldn’t matter. Someone like Wendiie, intriguing and perplexing and simply lovely, would never give someone as bland and dull as Tom the time it would take to explain how he had come to have her cat affixed to his arm.

Tom languished in these thoughts until the evening came that he happened to serendipitously enter the elevator at precisely the same time as Wendiie. “Sixth floor,” he mumbled, pulling the sleeve over Linda and desperately hoping she wouldn’t meow. And that was when something, a very wonderful something, occurred to him.

His left arm was a cat. He couldn’t be uninteresting if he tried, with a cat for an arm. Even if she thought him being absurd, Wendiie couldn’t possibly deny the fact that “My left arm is a Siamese cat named Linda” was quite possibly the most interesting phrase a person could ever hope to assemble in English or any other language.

As the elevator slowly inched upwards, Tom gathered every shred of courage and finally spoke a phrase which, though admittedly not the one he had intended, was assuredly the most interesting sentence he had ever said in his entire life. “One of my walls is painted ecru.”

Wendiie looked out in confusion from behind a curtain of black hair which lacked a purple streak. “What?”

“My walls are mostly eggshell, but I have one that’s a horribly gaudy shade of ecru, and I wanted to know what color your walls are. Because you fascinate me.”

She stared at him curiously and, when the elevator reached her floor, she took him by the hand—the right one, thankfully—and led him to her apartment. She opened the door into a living room flooded with color and wind chimes and, as Tom had suspected, bookshelves that did not contain books but rather statues of dolphins (though they were not wearing hats, and he could never have predicted the little platypi riding the dolphins). The walls were painted with surreal murals of unicorns, the tables ornamented with antique clocks and scented candles, the window treatments opened wide to welcome the sunset.

Perhaps recognizing the familiar surroundings, Linda poked her head out of the sleeve and meowed. Wendiie looked at the cat, and then at Tom, in a mysteriously understanding way, as if she had suspected this all along. She reached out to pet the cat, and her hands trailed upwards and found the seam where cat became arm. After a brief pause, Wendiie rolled up his sleeve and wordlessly examined the sight before her.

She laughed and lifted the hem of her heavy black skirt off the floor. Tom was pleasantly surprised to discover that, from the ankle down, Wendiie’s right leg was a tortoise. He knew then that his life would never be unexciting or uneventful again, and that night, in a decision he made on the whimsiest of whims, he and Wendiie and the cat and the tortoise painted every single one of his walls a most scandalous shade of ecru.

 


© 2018 by Jennifer Lee Rossman

 

Author’s Note: Years ago, I saw a commercial for the animated movie “Barbie and the Three Musketeers.” At one point I think the characters were putting their swords together and saying “all for one and one for all,” and one of the musketeers had a cat sitting on her arm. To me, it looked like she’d had her arm replaced by a live cat, and that seemed like a much more interesting story.

 

Jennifer Lee Rossman is a disabled writer, editor, and nerd whose work has been featured in several anthologies. Her time travel novella Anachronism is available from Grimbold Books, and she would like to apologize in advance for the twist ending. Her debut novel, Jack Jetstark’s Intergalactic Freakshow, was published by World Weaver Press in December. She blogs at jenniferleerossman.blogspot.com and tweets @JenLRossman

 

 

 

 

 


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DP FICTION #47A: “The Divided Island” by Rhys Hughes

On that island there are two kingdoms, equal in area, and both are distinct in character. The northern is a state of order and precision; the southern is a realm of chaos and indecision. Two borders with a narrow neutral strip between them mark the frontier. The northern is a wall of constant height that traverses the island in a perfectly straight line; the southern undulates randomly over the mountains and marshes.

There is no commerce between the nations, no diplomatic, cultural or academic exchange. The frontier is impassable; both regions are isolated and self-reliant. They receive foreign visitors rarely and discourage them with different methods; in the northern zone, by ignoring them until they leave; in the southern, by failing to protect them from violence. They are worlds unto themselves, reticent, exclusive.

Yet even divergent evolutionary paths can circumnavigate the sphere of possibilities and end up leading in the same direction. So finely tuned was the northern territory that no aspect of modern civilisation was absent from it and every facility enjoyed by the citizens of the most sophisticated outer countries was available to its denizens too. For example, it featured a zoo that was a public political experiment.

In this zoo was an enclosed area in which volunteers lived a life under the same conditions as the occupants of the southern zone. Law and order did not exist there; rules and regulations were made only to be violated as rapidly as possible. It was a capsule of chaos, a self-generated embassy of turmoil from the other extreme of the social spectrum, a stain on utopia, a logically necessary ugliness inside exactitude.

The rate of loss of volunteers was high, murder being the main reason, but there was no shortage of replacements. In such an ordered society, the zoo was the only opportunity for excitement and adventure. And it was in tune with the ideals of the kingdom, which was to manage everything in a competent and scientific manner, including brutality. A spot of anarchy in the lacquer of accuracy is part of that accuracy.

Unbeknown to the rulers of the northern state, the southern also had a zoo, but this had come about purely by accident. One day a man erected a fence haphazardly and the unplanned fence went in a ragged loop, joined up with itself and formed a compound. Inside this compound the random laws of chaos produced order, as they sometimes do. The order stabilised and persisted, another product of randomness.

Inside this compound people lived as citizens of the northern land did. They enjoyed security, reliability, equality. And so the two separate lands meshed at these points only, but not by design, only thematically. It was a wonderful illusion of mutual influence, and for years nothing occurred in either zoo to disrupt the situation on a grander scale. Both countries had a different system; and both had exemplary zoos.

Then logic played a trick, but whether that trick was mischievous and generous, or malignant and flamboyant, is still a matter for debate among those who ponder such topics. The zoos began a process without obvious end. The occupants of both demonstrated that the compounds really were authentic microcosms. An inevitable development, yet surprising to those who noted it, one that occurred simultaneously.

Thanks to the whims of chance, the volunteers in the chaotic northern zoo erected a fence that enclosed a smaller zoo in which order ruled. And those who lived in the disciplined southern zoo constructed a smaller zoo that contained a miniature state of chaos and flux. The next stage was for the residents of these smaller zoos to assemble even smaller zoos that had the opposite characteristics, and so on forever.

I suspect that you now believe the northern and southern kingdoms to be called Ying and Yang, but that would be too neat and allegorical. They have their own indigenous names that are hardly worthwhile giving here. I am one of the few foreigners to have visited both lands. My aircraft was in trouble; I bailed out. My parachute opened like the bloom of a pale sky flower with an aroma of fear, sweat and grime.

It was a cloudy day. I had lost my bearings. I was unclear whether my accident took place above the northern or southern half of the island. My landing was gentle and those on the ground completely ignored me. I was a stranger to be disdained. Unable to cope with this soul-eroding attitude, I tried to escape overland to the other kingdom; I did so and the physical integrity of my body was subsequently menaced.

It remains a mystery to me whether I landed in the northern kingdom and crossed to the southern, or whether I landed in the southern zoo and simply vacated the compound, or whether I landed in the northern realm and then entered the zoo there. Or perhaps my escape was from a smaller zoo to one even smaller. I lost count of the walls I scrambled over. At last I abandoned the attempt to establish my bearings.

Always the switch between law and chaos, stagnation and screams. It seems I am a necessary part of the equation. I have never left the island. I wander through geometries of harmony and confusion until I reach a wall over which I climb into a negative reality. I feel I am probing deeper into a labyrinth with the ultimate secret of human psychology at its centre, and not that I am merely lost in an extravagant conceit.

 


© 2018 by Rhys Hughes

 

Author’s Note: My story ‘The Divided Island‘ was inspired by my love for the work of Italo Calvino. His fiction often consists of fantastical thought experiments in which a concept or situation is rigorously subjected to both linear and lateral logic. The results are usually original and amusing. This is a type of fiction I love to read and also try to write.

 

Rhys Hughes has lived in many countries. He works as a tutor of mathematics. His first book, Worming the Harpy, was published in 1995, and since that time he has published more than forty other books. His fiction is generally fantastical and whimsical. A lover of paradoxes, he incorporates them into his fiction as entertainingly as he can. His most recent book is a series of stories set in Africa called Mombasa Madrigal.

 

 

 

 

 


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MOVIE REVIEW: Smallfoot

written by David Steffen

Smallfoot is a 2018 computer-animated musical adventure children’s film about a town of yetis living in high mountains above the clouds, oblivious of the human world until plane crashes and a young yeti, Migo (Channing Tatum) sees a smallfoot (their name for humans).  Everything about the yetis’ lives is defined by the laws written on ancient stones worn by their leader the Stonekeeper (Common).  Migo  is the son of Dorgle the gong-ringer (Danny DeVito) who rings the gong every morning to make the sun rise.  Every day is spent with daily labors that don’t have a clear purpose but are prescribed by the stones.   Migo and his young friends, including Meechee the Stonekeeper’s daughter (Zendaya), Gwangi (LeBron James), Kolka (Gina Rodriguez), and Fleem (Ely Henry) question the wisdom of the stones.

The pilot who survived the plane crash escapes and tells the humans down below about what he saw and unethical documentary filmmaker Percy Patterson (James Corden) decides to stage a hoax video with his assistant dressed in a yeti costume when he accidentally runs into Migo.  Migo and his friends interact with Percy, trying to exchange information about their worlds, when they realize that they need to return Percy to the human world or he will freeze to death in the mountains.

This was a fun kid’s movie, with some catchy musical number, especially “Let It Lie” by Common in a very memorable reveal.  Great cast, though the plot overall is a little predictable for an adult, there’s a lot of fun stuff in it for kids.

DP FICTION #46B: “For the Last Time, It’s Not a Ray Gun” by Anaea Lay

Connor was shy, introverted and a thousand other things that made sitting there, at the tiny coffee shop table, torturous. He didn’t want to be tortured. He wanted to hear harp music and cherubs giggling and all the other noises that accompanied your first date with your soul mate. It had taken him weeks to screw up the courage to ask Kayla out for coffee. As far as he was concerned, glitter should ooze from the walls in a poltergeist-style reward for the brazen bravery he’d demonstrated.

Meanwhile, Kayla pretty clearly didn’t realize this was supposed to be a date.

She wasn’t being weird or anything. And Connor wasn’t sure what she ought to be doing instead. But she wasn’t nervous or awkward or in any way different from how she was when they hung out with Debra and Joe and the rest. This was basically the same as hanging out in Kayla’s workshop for their hack-a-thon sessions, except the coffee was better, nobody else was around, and Connor felt entitled to glitter ooze.

Kayla was in the middle of a lengthy monologue about the various activities going on in her workshop. “Joey was pretty adamant about getting the beta testing approved by the IRB but we managed to talk him out of it before he actually filed any paperwork. Can you imagine, just telling the government what you’re planning like that? Ruins all the fun of making them figure it out for themselves.”

Connor was so nervous and uncomfortable that he couldn’t process any of the things Kayla was saying. He cared about what she wanted to talk about a lot. He just couldn’t get past the absence of cherubs and harp music. So he was completely astonished when she stopped. She glared at the table next to them, then rifled through her bag. A moment later she retrieved a silver and black object covered in wires.

“Uhm, Kayla?” Connor said, finding his voice for the first time since he’d ordered his coffee.

“Mm,” she said, her eyes steadily fixed in a death glare on their neighbor.

“Why do you have a ray gun?”

The neighbor was a petite girl with curly hair trimmed in an asymmetrical bob and thick eyeliner. The eyeliner covered her face in wavery trails, distributed by the tears she was actively shedding.

“It’s not a ray gun,” Kayla said without breaking her gaze.

Connor might be nervous, and he might be overwhelmed, but he damn well knew a ray gun when he saw one and that was a ray gun. But this was their first date and, even if Kayla didn’t know it, and he wasn’t about to pick a fight in the middle of it. “Please don’t shoot that girl in public.”

“If she wanted to be shot in private, she should have kept her crying fest there.” Kayla pointed the ray gun at their tearful neighbor.

Connor wanted to check the return policy on this date. Did dates come with return policies? Maybe there was some sort of insurance you could buy for first dates, like you did with airline tickets.

She pulled the trigger. Connor was blinded by a sizzling white beam emitted by the metal tip of the not-a-ray-gun. The light hit their neighbor who gave a startled yelp.

The light faded, and the weeping girl was gone, replaced by a dapper man with a cravat and a monocle. The man folded his hands on the table and looked around the coffee shop. Then, his voice low, breathy, and thick with the Queen’s English, uttered two words that would come to haunt Connor. “I say.”

***

If there was a gold standard for good at people, Connor was the opposite of it. Talking to people was just about the most terrifying thing in the whole world, even scarier than those raptors from Jurassic Park. If he started a conversation with people, they might expect him to know something about popular music, or sports, or lutefisk. Worse, they might want him to talk about himself.

But Connor didn’t want to die friendless and alone. He didn’t even want to hit middle age that way. He was useless in a conversation, but he was good at listening, and he liked to tinker and to collect things. So he decided to start tinkering with social groups and to collect interesting people.

Kayla wasn’t the crown jewel of his collection. That would be Debra, who took up new hobbies and advanced to the cutting edge with the same ease other people deployed in changing their socks. But Kayla was funny and had quirky interests and never seemed bothered by Connor’s shyness. On the contrary, she tended to praise his reserve. Other people seemed to like Connor with an asterisk. “He’s great when you finally get to know him.” “Once he opens up he’s pretty cool.” Kayla liked him without wanting him to talk or expecting him to crack a joke. It put him at ease, which ironically made it easier to open up, but it was also a relief. He hadn’t realized how much he wanted other people to let him be shy and scared until he had it.

Which might be how he missed the early clues that Kayla was completely unhinged.

***

Sitting at a small table in a coffee shop, deprived of spontaneously manifesting symbols of compatibility and romance, Connor stared at the Englishman née crying girl. It was possible he was facing something more frightening than conversation about lutefisk.

“Kayla?” Connor asked. He didn’t take his eyes from the Englishman. Maybe, if he kept watching, the Englishman would disappear and the crying girl would be there, still crying, and Connor wouldn’t have to face this.

“Yes, Connor?”

“Did you just shoot somebody with your ray gun?”

“I already told you, it’s not a ray gun.”

“What is it?” Connor was blinking hard. He’d just now realized that the mug of coffee the girl had been drinking transformed, too. It was a delicate china cup, white and blue. The Englishman took a dainty sip.

“The Social Propriety Enforcer Mock 1. I call it SPEM.”

Connor silently repeated the name to himself. “Is the effect…permanent?”

Kayla patted the side of the gun. The gesture was distressingly similar to what you might perform on a terrier or toddler. “Yup. I’ve been waiting to test it for days. Isn’t this great?”

This was worse than Kayla not realizing they were on a date. Somehow, Connor tried to connect with his soul mate and instead he’d become an accessory to some sort of demented homicide.

Or was it homicide?

“Excuse me, sir,” Connor said, his fear of talking to strangers momentarily outmatched by sheer bewilderment.

The Englishman’s posture was perfect. He settled his cup on the table. “Yes?”

“How long have you been sitting at that table?”

He tilted his head thoughtfully, then reached a finely manicured hand into his morning coat and retrieved a pocket watch. “It must be the better part of an hour,” he said, tucking the watch back in place.

Just as long as the crying girl had been there. Not murder, then. Kidnapping? Assault? Was there even a name for the crime of turning random strangers into Englishmen?

“Does it always have the same effect?” Connor asked. Maybe that girl had been crying because deep down inside, she desperately wanted to be a dapper Englishman, and the Social Propriety Enforcer Mock 1 operated by granting wishes.

“Don’t be silly. Of course not,” Kayla said, to Connor’s great relief. If it was a wish granting gun, then this was great. His first date with Kayla was salvaged. Heck, she could shoot him and then they’d get those cherubs he was still waiting on.

His hopes were utterly dashed with her next comment. “English people aren’t a monolith.”

***

Connor knew when he needed advice. Having an awkward first date with a girl you really liked, when she didn’t even know it was a date, was definitely a situation for which he was not at all qualified. The right thing to do would be to go to the most competent person he knew and see what they said. But Debra was a little intimidating. Instead, Connor went to Joey.

Joey was a knitter/weaver/soapmaker/blacksmith extraordinaire. Connor met him three years before at a maker fair where Joey was giving a presentation that heavily implied that to be a real knitter, you needed your own herd of specially bred sheep that you sheared yourself. With shears you had, of course, forged on your own. It was unclear whether you should also mine and refine your own ore.

Connor didn’t have any interest in sheep, but he collected interesting people, and in addition to his maker talents, Joey could karaoke to Lady Gaga like nobody’s business. Connor acquired him.

So Connor screwed up his courage, lured Joey out for drinks, then explained his dilemma. He went into fairly extensive detail, for Connor. It took him three sentences.

Joey was knitting when he wasn’t actively pouring beer into his mouth. It was unclear what Joey was knitting. “You mean you have no chemistry?”

Connor cursed himself. He’d spent too much time lamenting the absence of glitter ooze. “No, that’s not it.” How to correct his mistake? “She didn’t realize it was a date.”

Joey nodded. “You said that. But I think maybe she did. It sounds like there was no chemistry, so she was letting you down easy.”

Connor tried again. “She turned a stranger into an Englishman.”

“Were they crying?”

“Yes.”

Joey shrugged. “That’s sorta Kayla’s thing, isn’t it?” He had a point.

To hear Kayla tell it, she was locked in an adversarial relationship with the universe. She, a natural born super villain, had endured a lifetime of petty torments at the hands of unseen cosmic forces. Prominent stoplights along her frequent routes would linger on red just to slow her down. Her favorite TV shows were always canceled after half a season. She moved to Seattle for its cool, rainy weather, and the entire Pacific Northwest immediately became warm and sunny. Also, wherever she went, people cried in public.

“In Seattle, instead of shaking hands, people share their sexual histories and sad childhoods,” she’d lamented during one of the hack-a-thon sessions. “Don’t people know that’s unhealthy?”

Pointing out details like, those red lights have always been slow, Fox cancels anything good, and global warming has been around since before you were born, did nothing to budge her conviction of persecution. She took a weird sort of pride in her war. It was charming.

“What do I do?” Connor asked.

Joey’s knitting needles clacked madly as he worked. Was it possible to knit a sheep? It looked like Joey was knitting a sheep. “Ask her out again?”

***

Their second date was just as lacking in tangible manifestations of romance as their first. This time, Connor expected that, so that was okay. Kayla still didn’t show any signs of knowing it was a date. That was less okay. Twice she pulled out SPEM and transformed a bawling bystander into an unobtrusive Englishman.

“Did you put ‘pew pew’ stickers on your ray gun?” Connor asked the second time.

“It’s not a ray gun,” Kayla said. “And yes. I did.”

Yup. This was definitely love.

***

There are ethical problems to consider when dating somebody who doesn’t know you’re dating them. The first time, it’s an honest mistake. The second time, it’s bad communication. After that?

After that, you decide that you don’t care whether it’s a date or not. You divorce yourself from the idea of dating. You’re just having one-on-one hangouts with the girl who happens to be your soul mate, and while yes, you should probably mention your discovery of your cosmic entanglement to her, particularly given her already fraught relationship with the universe, maybe the whole world should remember that you are terrified of conversation, especially about yourself, and cut you a little slack and oh holy hell there are Englishmen everywhere.

No really.

Everywhere.

When Connor catches the bus to work, the driver is an Englishman. So are half the passengers.

Mailman? Englishman. Amazon Prime bike delivery guy? Englishman. Barrista? Who are we kidding? The entire coffee shop is English. They’ve started serving crumpets. Connor doesn’t know what a crumpet is. The homeless people living in Cal Anderson park all wear tweed and play cricket.

“I think I would like it if Englishmen took over the world,” Kayla said on their sixth date.

“They did that once,” Connor pointed out. “We call it colonialism.”

“Sounds like fun. Let’s start with Portland.”

“You did get the memo that colonialism is bad, right?”

Kayla rolled her eyes. “Duh. I didn’t mean we should all fall under the Queen’s rule. I mean everybody should adopt the English reserve. Their ability to repress emotions and cope with everything by drinking tea. It’s so healthy.”

“Healthy?”

“Mm-hmm,” Kayla said, sipping from her coffee. “It’s important to keep your feelings inside. If you let them out, you become structurally unsound and run a high risk of deflating. That’s why everybody in Seattle is depressed.”

That didn’t sound right to Connor. “I thought it was the rain.”

Kayla leaned back in her chair, then raised her arms. “What rain? The weather hasn’t been right since I moved here.”

She was definitely wrong about the weather changing to thwart her. But she had a point. The last two years had set records for sunshine and warmth.

***

Is it still creepy to date somebody who doesn’t know you’re dating when you are sincerely concerned that, if you try to have a conversation about how you feel, you’ll horribly embarrass yourself and ruin everything? What about if there’s a real risk that she’ll turn you into an Englishman?

***

Connor and Joe were supposed to have a planning session for the hack-a-thon, but Joe was late. Being late is a classic practice for west coasters in general. Flaking out and canceling is a specialty of the Pacific Northwest. But Joe was usually pretty good about hack-a-thon related things. Connor gave him twenty minutes, then called.

“Joe?” he asked when the call connected.

“Speaking.”

“Are you coming to the meeting? It’s getting late.”

“Goodness gracious, what are you nattering on about?” Joe asked.

Connor dropped his phone. Then he looked around the coffee shop. There were no mugs. Instead, everybody was drinking from porcelain tea cups with saucers. The tables were covered in doilies. Every single other patron in the coffee shop was wearing either wool or tweed and there were an alarming number of ascots on display. Connor, in his blue jeans and T-shirt, was the only non-Englishman in sight.

He scooped up his phone and fled into the street. Without thinking, he ran to Kayla’s, weaving through Englishmen out and about in the course of their day. As far as he could tell, everybody in Seattle had been transformed into an Englishman. He ran faster. He had to reach Kayla before she packed up her ray gun and went to Portland.

“I say!” somebody protested when Connor pushed them aside to cross an intersection.

“Pish tosh!” another exclaimed when he accidentally bumped into them.

“I’m pretty sure English people don’t actually say that,” Connor shouted over his shoulder has he ran on.

Finally, he reached Kayla’s door. Sweaty, chest heaving, gasping for breath, he rang her doorbell. She opened the door almost immediately.

The ray gun was in her hand.

She had to be stopped. Somehow, Connor was going to have to talk some sense into her. It just wasn’t okay to go around transforming people because you didn’t like the way they behaved in public. He took a deep breath, preparing the words he was going to say. What came out was, “I think we’ve been dating for three months.”

Kayla frowned at him, the gun held close to her body. “Three and a half.”

“What?”

“Our first date was that time we caught the bus together to go to Debra’s. When that weird guy started ranting at you about lutefisk. I figured that was the end of it, but you were so discombobulated, you asked me out for coffee.”

The whole world spun away from Connor. He’d completely blocked out the memory of that bus ride. Had there been glitter or cherubs then? He’d never know. “You didn’t turn a crying girl into an Englishman on our first date?”

“God, no,” Kayla said. “You can’t do things like that on a first date.”

She was right. Waiting until the second date to assault strangers with a ray gun changed everything. And, Connor realized, he wasn’t a giant creep after all! They’d both known they were dating the whole time. He just hadn’t known they’d known. “I think I’m in love with you.” The words poured out of him in a rush, relief masquerading as courage.

Kayla’s whole frame slumped. “Aw, Connor. What’d you have to go and do that for?” She raised the ray gun. An intense white light enveloped him.

He had a desperate hankering for a good pot of tea.

 


© 2018 by Anaea Lay

 

Author’s Note: This is the real life, completely true story of how I moved to Seattle, discovered some charming cultural quirks, and helped fix them.  Everyone in Seattle is now very stoic, if not happy, and nobody drinks coffee anymore.  You’re welcome.

 

Anaea Lay lives in Chicago, IL, where she engages in a torrid love affair with the city.  She’s the fiction podcast editor for Strange Horizons, where you can hear her read a new short story nearly every week, and the president of the Dream Foundry, where she gets up to no good.  Her fiction work has appeared in a variety of venues including LightspeedApexBeneath Ceaseless Skies, and Pod Castle.  Her interactive game about running a railroad and finding love, Gilded Rails, is forthcoming from Choice of Games.  She lives online at anaealay.comwhere you can find a complete biography and her blog.  Follow her on Twitter @anaealay.

 


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DP FICTION #46A: “The Hammer’s Prayer” by Benjamin C. Kinney

I showed up early for work, as always. The airport’s underbelly was the ugliest place in Boston, but I would’ve spent every hour there if I could get away with it. Among the hurried machines and distant reek-sweet jet fuel, I had everything I needed. A purpose, a paycheck, a place to hide; and most of all, a land of function without beauty, where nothing would tempt me to invest it with holiness and life.

The other officers grunted hellos as they arrived, and we split up into pairs for our little contributions to the safety of mankind. My supervisor Darrell beckoned me to him once again, and I took my place by the conveyor belt, pleased for the company of his press-perfect uniform blues. I had never let him know me, as I could let no human know me, but he had come to appreciate me despite the dull mask of my restraint.

I brushed clay dust from my uniform, tugged on my gloves, and watched humanity’s obsessions trundle toward the scanner. The belt hummed with the comfort of purposeful movement, content with suitcases and backpacks and baby strollers. A hard-shelled bicycle box wedged against a chute, and a light blinked amber as the conveyor belt clunked to a halt.

I leaned over the belt, and hauled the box into my arms. I’d hoped for something truly heavy, but it weighed no more than it looked. I pretended to exert myself as I carried the box to the scuffed steel examination table, and set it down beneath fluorescent lights and Darell’s sampling wand.

He chatted in his rhythm-quick voice as he jiggled the latch and drew out his ring of master keys. On the third try, the lid swung open. He whistled. “Wow. Ever see something like that, Jakob?”

A glossy bronze shape lay nestled in a bird’s nest of packing paper. The sculpture had the shape of a stylized motorcycle, sleek and long and stubby-piped, like the dream from a Hell’s Angels Science Fiction Club. Its metal engine gleamed in the harsh white light, as if it had just emerged from the workshop of some loving hobbyist, awaiting my word to roar down the open road.

A word I could never permit myself to give, despite the longing that beat through my chest like blood.

Darrell tapped his wand against my wrist. “Slow down, big guy.” I yanked back my hand, and he said “Can’t imagine a bomb hidden under this much work, but we still gotta check.”

I laced my fingers together as Darrell swept his wand over its surface. I had spent so long avoiding anything built and beautiful. I’d almost forgotten the sensation of their call, the gravity of their appeal.

This was no airplane, vomiting exhaust into the atmosphere; no luggage cart on the journey of a materialistic ant. Nor was it a golden calf, stealing hearts from the Creator. The sculpture existed, and made the world a better place for it, like a brother you never knew was alive.

Darrell levered the sculpture upright, one wheel toward the ceiling. “Yeah? What do you think? You like it, big guy?”

“Yeah,” I said.

He laughed. “That’s why I like you on my crew. You’re a great conversationalist. But yeah, it’s nice. Wouldn’t mind one of these hanging over the TV or something. Hold it for a minute?”

I balanced the sculpture in one hand, and let it tilt a few degrees until its surface rippled with white bars of reflected light. Darrell probed the box’s packing-paper corners with his wand, and then turned away and inserted it into the reader.

I had spent most of my life avoiding this temptation. Months upon months of dull repetition, back and forth between empty apartment and empty work, shaping myself into a useful cog of civilization. I’d survived undiscovered for so long, surely I deserved a few moments of fulfillment. One risk today, averaged over three years, left me comfortably safe.

I lay my hand on the sculpture’s headlight, let my fingers sketch the shape of letters, and laid the motorcycle back into its nest.

Some legends said the mark should read truth, others spirit, or a full Adonai Elohim emet, the Lord God is truth. But for me, anything will work. My fingernail left no impression on the bronze, but the clear cool presence of my gift flowed from hand to metal, like the release of a long-held breath.

I slammed down the lid.

“Jakob? What was that?” Darrell’s voice had lost its rhythm. He studied me not with wide-eyed surprise, but the narrow gaze of skepticism.

I froze. What had he seen? What had I done, in my moment of temptation? I shifted position, my body between him and the box. “You said all clear, right?”

He cradled his radio. “Yeah. All clear, Jakob.”

I hauled the box onto the outgoing conveyor belt, toward the rubber-strip curtain between our screening area and the automated paths beyond. Maybe nothing would happen. Maybe my power had faded in the years since I last gave life. I might’ve imagined that flow of power. Maybe I’d always imagined it, in hallucinations bubbling up from the lack of some medicine or construction in my mind.

The motorcycle would vanish into a cargo hold, a simple sculpture, able only to move by the gift of an airplane’s engine and fuel.

The box swiveled, jostled by  a sudden motion within. Black plastic clipped the curtain’s steel frame, and the box passed through the curtain and vanished from sight.

Darrell’s gaze bored into my back. No, my imagination, my fear. Warranted, though. I’d stayed far too long, in the lure of a steady job and my self-control. My mistake.

“Taking a break,” I said, and hustled toward the exit.

***

The late-October wind cut through my uniform jacket as I knelt by the ocean’s rocky shore, a false coast constructed by bulldozer and dredge. A stone’s throw from the runways, and the only place where the airport would allow me a sliver of comfort.

My cellphone buzzed in my pocket, but I couldn’t bear a glimpse of modern design. I wanted to hurl it into the waves, to awaken it to life, anything. I focused on the salt-sodden chill of water in my socks, the splash of waves over my boots. Water full of jellyfish, barnacles, and seaweed. Every plant and animal already true in form and function, alive by the Creator’s breath.

Beautiful but quiet. Nature laid no demands on me. My one chance to touch grace without it begging for my aid.

My pocket buzzed again. I had thought the airport would shelter me behind its utility and ugliness, but temptation had found me nonetheless. Darrell had seen me. I imagined hurling my phone into the water, fleeing from my job. I could disappear into some wilderness, far from any man-made creation that could tempt power from my fingertips.

Behind me, something zipped along the runways. Too low for an airplane, too swift for a maintenance truck. Maybe it was the sculpture, broken free of its box, enjoying the animate life I had given it. The sound faded, and I could not tell how far it’d gone.

I drew my phone with a wet-fingered tug. The cracked and blocky device settled in my hand, its shabby exterior muting the whispers from within. The buzz had been my weekly reminder to make a deposit into Saba Haskel’s fund. Once, the money had paid for his nursing home. Now, half of it went for his burial plot, and the rest to his chosen charities.

My thumb hesitated over the screen. Saba Haskel’s commands had faded in the seventeen months since his passing. If I unyoked myself from his debts and generosity, I could make my escape, and discover the shape of a life molded around my own needs.

I huffed a quiet half-laugh. As if I doubted what I might do, despite all the free will breathed into my soul. Saba Haskel had built himself a dutiful son.

I tapped my way to a banking app, and transferred over my last few hundred dollars.

No job meant no paycheck. I might keep them both, if I could talk Darrell down, if I could just walk back into the inspection line. I would have to try. I dipped my fingers through a receding wave, and then turned back toward the terminal’s lights.

***

My badge opened door after door, back from tarmac to fluorescent lights and then the cavernous rumbling space of the inspection room. I reached the conveyor belt, snapped nitrile gloves over my hand, and then halted. One of the other inspectors waved me over, and pointed her thumb at a video camera watching from the corner. “Boss wants to talk to you.”

So much for a return to the inspection line. I peeled off my gloves, and cradled them in my hands as I stepped away from the belt’s welcoming hum. I eyed the poor nitrile, wasted before it could do its work, and then tossed the crumpled gloves into the trash.

I passed through the garage where rectangular luggage carts slept in their peeling orange paint, waiting for a tug to drag them onward to a luggage-laden airplane. I swiped into the back corridor, and then again to access the control room.

A wall of monitors blinked at me, filling the room with their grainy light. Darrell paced behind the desk, and his phone rested on the surface with a satisfied glow.

I put on a dull expression. “What’s this about?”

Darrell shook his head. “Two years ago, couple months after you started here, I was told to keep an eye on you. I started to think it was nothing, you know that? But now, Jakob. That statue. What the hell did you do?”

I sat down in front of the desk, slid my hands along the frail plastic of the chair’s armrests, and tried to imagine who might’ve asked Darrell for such a favor. “Don’t know what you’re talking about.”

He halted, crossed his arms. “Thirty million passengers come through here every year, counting on us. Don’t you bullshit me.”

His uniform clung to his body, armpits dampened by sweat. Whether he feared for our passengers, or himself, I had no idea how to protect him. Every word faltered in my throat, inadequate and profane.

Darrell tightened his lips. “You know the real Jakob Haskel died before his first birthday? I just learned. But I bet you always knew.”

I forced my head to shake as slowly as ever. “Don’t know what you’re–”

He tugged open the desk drawer, and heaved a tangle of bronze onto the desk. It had once held the shape of a motorcycle’s front end. Its wheel had gone flat, the struts accordion-crushed like hollow aluminum after a crash.

The axle spun once, then shuddered to a stop. It turned in the opposite direction, skipped once, and stuck.

He said, “I don’t know what’s up with this, so we’re even.” His phone chirped, and he glanced at the screen. “Sit tight, Jakob. If you don’t wanna come clean to me, maybe I don’t know you so well after all. But the lady from the NSA will get answers out of you, one way or another.”

Plastic buckled beneath my fingers. Even if the National Security Agency fought for a worthy cause, they were who they were. No weaponsmith ever made the world more peaceful.

I leapt to my feet, but Darrell was already past me. He opened the door, and admitted a woman wearing a black suit so rumpled and careworn it wanted to slide off on its own in search of a sewing machine.

She ignored Darrell. She stared at me, and her bittersweet smile gripped me with the certainty of prayer.

She said, “I’ve always wondered whether Doctor Haskel made you in his own image.”

“You knew Saba?”

“I was his last graduate student.” She drew out a pair of business cards, one for Darrell and one for me. “And I know exactly what he was working on before he retired. Praxis derived from 16th century Praguer variants of the Sefer Yetzirah.”

Darrell squinted at the card. “Hold on. Doctor Menkin? You said you were from the NSA.”

“No, sir. Dr. Rebecah Menkin. I was at the NSF, at least when we spoke a couple years ago. The National Science Foundation.” She circled the desk, a hawk untroubled by the errant gust of Darrell’s question. She rested one hand on the motorcycle’s cowl and met my eyes. “I’ve spent the last six years trying to track down Saba’s final project. I chased every link I could find. Including the name.”

Six years. Since long before Saba awoke me from clay. “What do you want from me?”

“Come with me. We’ll recreate Dr. Haskel’s work, and finally get it published. The world deserves to know he was right.”

In the depths of my bereavement I might’ve leapt into her hands. But Saba had returned to dust, and his pride with him. If his work spread, the world could see more creations like me. Half souls, cursed by the temptation of life and beauty.

I said, “No.”

“Let’s not make this adversarial, Jakob.” She smiled, but her eyes resisted, as sharp as a dream’s leading edge. “Your boss told me about your talent. Let me help you understand it.”

A wise man hears one word and understands two, Saba used to say. If I left with this doctor, I’d spend the rest of my days in a lab, under microscope or scalpel or drill. I’d become one more metal to smelt from its ore, in the humans’ endless hunger for new methods of creation.

I said, “Darrell. I’ll talk to you, but not this woman. Get her out of here.”

Darrell pushed past Dr. Menkin, jammed a key into a desk drawer, and yanked out a taser. He swung the black-and-yellow barrel back and forth, between the woman and me.

He said, “Doc, you need to leave. I may not understand what Jakob can do, but whatever it is, it needs to serve our country. Not some scientist’s career.” He unclipped his radio. “You both stay right here while I find a number for the real NSA.”

Menkin raised her hands, palms out, her voice calm through gritted teeth. “I understand your concern. But let me put you through to the NSF’s director instead. Appointed by the President.”

Darrell said, “You said you don’t work for them anymore.”

“It doesn’t matter where I get my paycheck. The Director knows my work, and how important it is.”

Darrell hesitated. Menkin drew out a phone with a glass-and-aluminum case, sleek and alluring. The taser faltered in his hand.

I could let Darrell make his phone call, or I could crush the weapon in his hand and leave with the doctor. Either outcome would mean the same. I’d spent all these years suppressing the temptation of life. I had never created for my own gain, and neither reason nor logic would make me kneel before a worldly master.

As they argued, I smashed the door out of its frame, and fled into the echoing airport.

***

I ran into the garage, and wove through double-decked luggage carts as shouts mixed and rose behind me. Two voices, man and woman both. My pursuers fell further behind with every stride, unable to match me with mere muscle and bone. I aimed for the fire exit’s red-lit words. A one-way door, impossible to lock, to the tarmac and the respite beyond. Darrell and all his brethren could not catch me.

I glanced over my shoulder. He held his taser in one hand, radio in the other. Dr. Menkin unrolled a piece of parchment and shouted Hebrew syllables into the echoing air.

My joints stiffened. I lurched, almost tripped, my clay thickened and dried by the power of her words.

A roar of frustration escaped my throat. I grabbed a cart’s aluminum frame, and yanked myself around to face my pursuers. Menkin and Darrell converged on me, ready with taser and scroll, with lost faith and innocent greed.

Saba had taught me restraint, but if these two wanted so badly to know me, I’d show them my potential. I bent down by the luggage cart, dug my fingers into a tire’s stiff squeaking rubber, and exerted my full strength at last.

I lifted the luggage cart over my head. Dr. Menkin fumbled in her jacket, her face pale. Darrell stepped back, his taser leveled in shaking hands. “Jakob, calm down. You don’t want to do this.”

Those two poor creatures, merely trying to fulfill their purposes handed down by job and school and Creator.

My rage crumbled. I lowered the cart onto the ground, gripped one of its roof’s steel struts, and traced my finger against metal and dusty orange paint. My gift seeped into the metal like water into thirsty earth.

The engineless cart set its wheels against concrete, and whipped into a three-point-turn. It nosed back and forth, an animal uncaged and sniffing for something to carry. It aimed itself toward Darrell and Menkin, and its wheels spun with an acrid burnt-rubber spark.

Dr. Menkin fell, a yelp of pain as the cart bumped over her leg. Darrell leapt onto the cart’s onrushing edge, but it caught him on the upper corner. He clung, legs kicking, as it swiveled around its parked and waiting brethren. His taser clattered onto the cart.

My muscles loosened. Darrell tumbled to the floor and crawled away. The animated cart slowed, and then spun and braked, a skidding turn that slid the taser into a stable position at the center of its bed. Its first morsel of cargo, the first joy of its waking life.

I wiped the dust from my fingertip. What had I done? Brought something unbeautiful to life. Not for temptation, not for its own sake, but for the menial demands of my own utility.

And yet, the act of creation echoed through my body with the music of a psalm’s first notes.

The cart approached the garage door and nuzzled its metal slats, a newborn curious to learn the world. How much time had I wasted, levying judgment upon the ugly and functional? I had fled from temptation, as if my desires bent always toward evil. But I’d only ever wanted to continue the work of my father, and awaken the world to life.

I ran, not to the fire exit, but to the garage door. I struck my hand against the steel, fingers curled to add a new pattern of dents. The gate rolled upward, opening itself. The baggage cart zipped out beneath it, as if to share its bounty with all its still-sleeping kin.

Engine-roar struck me, a churning blast of air. Aircraft spread out all around me, sleek white hulks dotted with red and green running lights. The planes strained toward the wide-open heavens, but I had no need to flee. Soon I would feel the grasp of scroll or taser, or the sure and frightened hands of my coworkers. They could carry me to any prison they chose, and I would write life upon my chains.

I drew my phone from my pocket, traced a blessing against its weathered case, and nestled it against the airport wall. Its screen awoke, data and light, singing unto its makers a new song.

I strode out onto the tarmac, toward fuel pumps and skybridges and airplanes. Among the unbeautiful machineries of security and knowledge, of flight and creation. All of us yearning for, and deserving, our chance at holiness and life.

 


© 2018 by Benjamin C. Kinney

 

Author’s Note: The speculative fiction literature is full of golem stories, but they tend to touch on a limited range of themes. I wanted to use the golem to explore the relationship between work and life, purpose and self-determination, art and function. I had this story’s themes and final image rattling around in my head for many months before a writing group challenged me to write a story with two images: a baggage carousel, and jellyfish. The jellyfish mostly got cut in revision, but in Jakob’s quiet moment on the shore, he’s encountering the same bioluminescent jellyfish I once touched on a Martha’s Vineyard beach.

 

Benjamin C. Kinney is a SFF writer, neuroscientist, and Assistant Editor of the Hugo-nominated science fiction podcast magazine Escape Pod. His short stories have appeared in Strange Horizons, PodCastle, Beneath Ceaseless Skies, and many more fine magazines and anthologies. He lives in St. Louis with two cats and a spacefaring wife, but can be more easily found online at www.benjaminckinney.com or on Twitter as @BenCKinney.

 

 

 

 

 


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DP FICTION #45B: “The Coal Remembers What It Was” by Paul R. Hardy

Oh, I remember my mam. She’s been gone nigh on forty years, but I still think of the mornings when I were little and she’d show me the demons. She’d be up at the crack of dawn, kneeling down afore the stove to shove kindling in the firebox with one hand because she were cradling my baby brother in the other. And then I’d come along and pick a bit of coal out of the scuttle and ask: is there a demon in this one? And she’d say no, and I’d put it back and pick up another and ask: is there a demon in this one? And she’d say no again and I’d take another and like as not she’d clip me round the ear before I said owt else. “It’s not demons, Elsie,” she’d say. “The coal remembers what it was, that’s all. But it’s still only a lump of coal and I need to get the fire lit for your dad’s bath so get away with you and stop bothering me with your nonsense!”

Dad were on the night shift, you see. I hardly ever saw him with the hours he worked. He’d get home in the morning so covered in coal dust I thought he were a piece of coal himself. And then he’d have his bath and go straight to bed, and he were out again before I were back from school. People are always asking me about him. I get sick of all the questions. They’re only asking because he died in the disaster, but that were seventy years ago and it’s not like I were down there in the mine with him when it happened. I were back home, with Mam. Course I was. I were only little. I were up early to look at the demons.

Mam knew how much I liked to see them, so she’d call me back in once she’d got the kindling lit. She’d throw a few coals on top and have me stare into the firebox until they were glowing bright red. And then, if you were lucky, one of them would come to life. It’d crack, like there were a chick inside breaking out of an egg. Only it were never a chick–it were always something else, like a scorpion or a millipede, or a little newt sometimes. It were coal through and through, but it looked just like the real thing. I liked the beetles best. They’d be shining bright orange with blue flames across their backs, crawling through the fire to the edge of the grate where Mam had closed the door so they couldn’t get out and burn the house down. They’d flutter their wings, but they’d be too heavy to take off and go up the flue. Poor things.

Mam would throw the rest of the scuttle in, then she’d put the kettle on and braid my hair while she waited for the water to boil. And she’d say: “It’s not demons, Elsie. People used to think that, but the coal remembers, that’s all. Set it alight and the coal remembers what it used to be when the world was young.” She were right. I’ve heard all those clever folk try and explain it with their long words, but they don’t know any more than she did. ‘Pyrozoic’, that’s what they call them. Pyrozoic fossils from the Carboniferous Period, millions of years ago when it were only insects and salamanders and the like. Well, Mam knew that much but she didn’t care. Far as she were concerned, seeing beetles and all else come out of the coal just meant the fire were hot enough to put the rest of the scuttle in.

She taught me this one thing about them, though. If you looked close, if you looked right into their eyes, you could see what they remembered. All of a sudden you’d be chasing centipedes in leaf litter, or laying a hundred sticky eggs on a fern leaf, or standing stock still on a dead branch and hoping a horrible great salamander wouldn’t gobble you up. That’s what she’d show me, those mornings when she were getting the bath ready. I suppose it kept me quiet. Didn’t have telly then, you see. Nothing else to watch, like the little ones have nowadays. I showed my granddaughter a bit of burning coal once and she were bored of it after five minutes. No one’s interested in coal these days.

No one’s interested in my mam, neither. But I get questions about my dad all the bloody time. That silly woman from the mining museum were on the phone again last week, going “Ooh, Elsie, tell us about how your father died down the pit, all them years ago in the Heatherley disaster, let me come over and we’ll do an interview for the new memorial.” But it were a lifetime ago. I don’t remember my dad at all. She only wants to know because he were in the union and spoke up about the conditions down the mine, the long hours and shoddy gear—he said there’d be an accident one day, and he were right. But he didn’t talk to me about it. Why would he? I were only a little girl. I never saw him, except those mornings when he came home from the pit. He were never there to say good night, never there when I came home from school, and then on his days off he were at a meeting or down the pub most times. I don’t have any memories, not of him I don’t.

No, wait, there’s one thing. I asked Mam once if he were a piece of coal, because he always came home so filthy from the pit. And then if he’d crack open like the coal did if he were set on fire, and what he’d remember if he did. She gave me such a look! And then she laughed. She told me he’d never go like coal, I mean remembering what he was. He were too busy with the union to remember anything. Never remembered to wipe his feet, or to bring back milk from the dairy, or anything she ever told him. And that’s all I know about him, really. Why should I bother trying to remember him? That’s all they ask about. That and the disaster. But they never ask about Mam, and what she did.

She were the one got us out of Heatherley, me and my little brother Bill. Got us on the road to the next village. Pouring with rain, it was. We stopped at the church hall with all the others what made it. We’d lost everything except the clothes on our backs. Then we went on to Leeds and stayed with my aunt. Them was hard times. Mam never said owt about what happened back at Heatherley. She was like one of them soldiers come back from the war with all the stuffing knocked out of them. She carried on, though. Had to. Compensation didn’t come for years and it were a pittance when it did. She couldn’t wait for that. She had two little ones to look after, so she went to work in a mill, and then I did the same once I were old enough to get out of school.

And now they want to put up a memorial for the ones what died, that’s what the woman from the museum keeps saying. Some bloody great block of stone with their names on it. Supposed to last forever. They had one of them back in Heatherley for the Great War, what they call the First World War these days. Well, that’s one block of stone didn’t last forever. It were lost with the village. Don’t suppose the others will last, neither. Bill’s on the one in Leeds, the one with the angel on top. He were in the navy, got torpedoed out in the Atlantic, so they put him on the side of the stone with all the others what died in the second war. You know, the part they weren’t supposed to use because there weren’t supposed to be another war. Not that anyone cares. There were spray paint all over it, last I looked, and the council haven’t bothered cleaning it off, not for two years they haven’t.

And anyway, they’d never put my mam’s name on the bloody memorial, would they? She didn’t die in Heatherley. She lived. And after that she worked like a dog to keep me and my brother out of the orphanage, and when she did die, it were cancer what took her. They don’t carve your name in stone for that, do they? No, they bloody don’t. Nobody remembers my mother, except me. They don’t even ask her name. It was Maureen. Maureen Machin. Put that on your block of stone, go on. But you won’t, and you know why? Because she knew when to run. She got us out of Heatherley and then she told me to get out of Leeds before the blitz started in the war and I should have listened—I were almost killed when the house two doors down were hit. Then she told Bill not to join the navy, and he didn’t listen so now he’s at the bottom of the ocean. Told Dad he should get out of the pit as well and do you think he listened? Did he heck! We could have gone to Leeds, but he wanted to stay and fight. It were only a year after the big strike, the General Strike, and the bosses were punishing us for it. They were cutting everything back, wages and safety and everything. All the folk in Heatherley knew there was going to be an accident sooner or later, but Dad wouldn’t go. So Mam kept her eye out. Kept plates on the dresser right close to each other, so they’d go clink if the ground shook. Old trick, that were.

Clink, they went. Just a little noise. I was still yawning and I hardly noticed. And then they went clink again. And that time I did notice because Mam jumped back from the stove! I asked her if she’d burned her hand on a hot coal, but she told me to shush and listen. I couldn’t hear a thing. Except then the plates went clink again, and that were enough for Mam. She bundled up my brother in one arm, grabbed my hand with the other and pulled me out the front door and into the middle of the road. We were the only ones out there. I expect she were wondering if she’d gone mad.

And then the ground really shook.

It were like hearing a noise with your feet to begin with, and then the cobbles were shaking and slates were coming down off the roof. That got people out their front doors. All of them coming out in their nightshirts and dressing gowns. Some went down the hill toward the mine to see what were happening. Our neighbour did that. She were worried about her son what was down there and ran off to get him. Never saw her again. It were already too late.

The ground shook harder then, and a shower of slate came down off the tops of all the houses. I saw one poor man hit on the shoulder, right in front of me. Everyone ran for the middle of the road.

But it were worse down the pit. We was halfway up the hill with the colliery below us and we could see the pit-head winding gear and it were falling down, great big wheels crashing into the offices and flames coming up from the mine itself.

Then there were this bloody great groaning noise, like the earth were waking up and stretching, until this massive crack broke open across the village. I never saw the like, not even in the war when they were bombing Leeds. A dozen houses fell into the crack and billows of smoke and fire came back up. Then a leg—this huge great insect leg—came reaching up out of the hole, feeling around, smashing more houses as it went. It were thirty yards long or more, that leg. And it were on fire.

It were the coal seam, what ran under the village. Sparks from the machines had set fire to it and woke the damn thing up and made it remember what it were like to walk above ground. And the fire had spread so fast it hadn’t had time to break up into little coals, so it all came up as one great big creature, the one with the strongest memory. It dragged itself out of the ground until the head came clear and I could see it were a dragonfly, huge eyes burning bright yellow with blue flame all over. Oh, those eyes. You couldn’t look into those eyes and not see it. Hot swamps and fern-trees rising up in forests full of steam. Snapping jaws of ten foot salamanders coming up at you from under the water. Dancing in the air with your love and laying eggs in a pond, and then… then a shaking, and fire in the sky, and ash drifting down from above, weighing on your wings as you tried to get clear but the ashfall went on further than anything could fly and then you fell from the sky, tumbling through fern leaves as the cinders buried you alive along with all the world you ever knew…

The whole village saw it. They couldn’t see nothing else. They were all staring up at the thing, gaping like fools when they should have run. A few walked toward it, to see better. I was one of them.

But Mam were stronger than me. Or maybe she felt me pulling on her hand, and that woke her up to it. Either way, she wouldn’t let me go. She clamped her eyes shut and stepped back past all the others while I pulled against her and made her fight for every step. So she stopped, hauled me close and tried to scoop me up, and still I squirmed against her, turning so I could see the beast. It were flapping its wings and trying to jump in the air like it did when it were alive, as though it didn’t know its wings were coal and not the gossamer they once were. I felt a hot wind blow on my face as it flapped its wings and struck the church steeple. It smashed into pieces, ringing the bell and sending it clanging to the ground. The wing broke too, shattered and fell in a shower of burning coal. There were people down there, just stick figures in the distance but I saw them crushed where they stood and some of them burst into flames among the coals…

And then I didn’t want to look any more. I stopped fighting my mam and she hefted me onto her shoulder with my face buried in her hair. She headed up the hill past all the ones that couldn’t stop staring, the ones what were caught up in all those memories, no matter that they were memories of a world that were dead and gone.

Just like they are now. All of them back in Heatherley, dead where they stood or dead where they fell. The whole village, dead.

But not us. Mam got us on the road and over the hill and out of sight of the thing and we never went back. Mam would never talk of it. But some of the other survivors did. Years later, when they thought I were old enough. Or when they were drunk. They’d say the whole village were knocked down. The mine and the church and the school as well. All gone. And the dragonfly, that died too. The rain came and doused the fires above ground and froze it where it was, until it collapsed under its own weight.

But the fire was still burning underground. Things was still moving down there. You couldn’t go back. It were hot enough that the coal kept on waking up in little bits and pieces, and things crawled up out of the earth for years after. Still do, last I heard. They’ve tried to put it out but it never worked. I expect it’ll go on as long as there’s coal left to burn.

And somewhere down there is my dad. He never had his bath so he died all covered in coal dust, like he were a piece of coal himself. And maybe Mam was wrong about him turning to coal for real. All it’ll take is a few million years under the ground. And then perhaps he’ll be dug up and burnt for someone else’s bath, and he’ll wake and remember what he was, and someone’ll look in his eyes and see us, me and my mam and my brother.

But I doubt it. He hardly ever noticed us when he were alive. I never knew him. I don’t know why people keep asking me about him. It weren’t him that saved my life that day. It weren’t him that brought me and my brother up. Mam did that. People want to remember my dad because of how he died. But I remember my mam instead, and I leave the remembering of my dad to the coal. That’s all there is to it.

 


© 2018 by Paul R. Hardy

 

Author’s Note: This tale comes out of one of those legendary Codex story contests you keep hearing about. The prompt was the following three words: “Melancholy Anthracite Arthropod”.  I had to rewrite them a bit.

 

Paul R. Hardy lives in the UK with a coffee habit, a laptop and various health problems. He also fulfils a minor administrative function in an NHS hospital, which is handy for the health problems. In a former life, he was a penniless filmmaker who won a BBC drama award and wrote a book on how to make short films; in this current incarnation, he writes speculative fiction that has appeared (or will appear) in venues such as Unidentified Funny Objects, Escape Pod and Deep Magic.

 


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DP FICTION #45A: “The Memory Cookbook” by Aaron Fox-Lerner

The first thing to remember is that your memories are no longer your own. You’re worth something now that you’ve been implanted, but only so long as you can remember something worthwhile.

You need to think about your memories in terms of who will consume them. What kind of mood will it give them? What do they want to feel? What food or drinks will be paired with the memory? Will they be remembering it alone?

Remember that while your memories may be yours, they are being recalled in the service of paying customers. You should never remind them of this fact, but always be aware that they are the ones with money and you are not.

This guide will tell you how to make your memories consumable. This being the introduction, I’ll keep it brief and suggest some basic types and their pairings as a primer.

You need to understand that you create your memories by framing them. Without that frame, without the start and end point, all you have is the aimlessness of thought. You’ve doubtless already been given your code. Say it and the memory starts being recorded, say it again and it stops. Wait for at least 10 minutes, then you’ll need an assistant to take the chip out of your head. You won’t be responsible for inserting the chip into clients’ implants, but you will be responsible for pairing the harvested memory with a meal that matches its feelings and sentiments well.

A note about the food: don’t feel that it must match your memory in terms of place. Remember that feeling is the most important thing. More detailed recipes are available later in the guide, but you have authority (up to a point) in what you prepare.

The following are the basic types of memories you’ll be serving, along with accompaniments that tend to work particularly well. For more details on these, please check the corresponding sections later in the guide.

 

1. Light Starters (Invigorating)

A principle selling point of our memories is the idea of being able to see the world. If you have been hired for this service, then you’re probably from another country. The goal here is not to give the customer an in-depth understanding of your home culture. The goal is to give them something quick that they can appreciate without the awkwardness of being an outsider. Think of the most recognizable aspects of your culture. Festivals, holidays, and weddings are all perfect opportunities to showcase these.

While this memory should be true to your own culture, avoid any traces of nationalism, xenophobia, or racism. Holidays or celebrations involving your home country’s government are best left avoided. There are appropriate dishes involving senses of melancholy or even tragedy. This is probably not one of those.

Suitable accompaniments: Mixed drinks, olives, vegetables and dip.

 

2. Light Starters (Calming)

The other option for a starter is to make this something that’s relaxing rather than exuberant. Childhood memories work well, especially everyday moments that aren’t dull.

I often used a brief memory from my own childhood, when I was around nine, just a memory of playing in my father’s study. I built miniature cities from the books he had lining the walls, sitting in their streets, erecting towers and homes, making them so extensive I could wander among these towns of my own making.

That kind of thing is the only bit you need. Make sure to keep any associated bitterness these memories might arouse out of the frame. I would have to make sure not to think about the fate of those books in my father’s study, my miniature towns burning up like the real city around them. I needed to avoid thinking of my father’s uselessness as our home got drawn into civil war, all his respect and learning amounting to nothing in the face of guns, bombs, and fanaticism. Dwell on it as much as you need when you’re not recording the memories, but you must ensure this doesn’t seep into the harvested memory itself. Keep this recollection pure: a select moment frozen in time.

Suitable accompaniments: Warm drinks, garlic bread, any heated hors d’oeuvres.

 

3. Appetizers

Now it’s more appropriate to bring in complications, things that might lend your memories a slight touch of melancholy, which is a necessary ingredient of nostalgia, after all.

Romance works well, usually the younger the better. Unless the relationship ended truly acrimoniously, you don’t need to block out any awareness of its end.

I’ve personally had my best recollections from my late teenage years, my first entry into university. I recalled the giddy sensations of texting a girl and getting messages back, suddenly aware that she was reciprocating my interest. Or the first time I entered a new lover’s apartment, walking through her rooms, over her rugs, into her kitchen, stopping by the bookshelves and walls to see what was on each, marveling at how she had created a better space to live in than I ever had, a space where I now wanted to spend all my time.

The knowledge of how these affairs will end gives them a nice sort of piquancy, but might not be necessary. I can only create memories from my own experience, and I’ve never had a romance that lasted. If you have a relationship that still survives, feel free to use it.

Suitable accompaniments: Wine, soup, salad.

 

4. Mains

This will change depending on what the customers want. If you’re known for a certain kind of experience, you’re likely to be selected based on that.

I liked to draw from my early twenties, years of being young and pretentious, let loose upon the city and thinking of it much in the way that colonialists approached the New World, “discovering” and conquering every other bookstore, coffee shop, movie theater, and ad hoc art space, years spent in a tangle of limbs, light night conversations, mid-afternoon hangovers, pieces for zines and webpages and small unread journals, various minor jobs and internships never paying enough, long stretches spent alternating between tiny walk-ups and my family’s spacious, well-appointed home.

And with it comes the flood of memories from later, now bleeding into every one of these that I recall, the lovers married and moved, the friends drifted away, the art spaces long closed for lack of funds, the bookstores now shuttered or torched, the pretentious young men first denouncing political inequities in escalating shows of conspicuous intellectual bravery before later disappearing, one by one, just as they’d stood up. The journals no one even thinks to publish now. The family home charred and demolished, ruined by an errant shell and structural collapse, the handsome age of its structure finally proving a liability. The acquaintances and lovers and friends and bitter enemies scattered across the globe, finding succor and shelter wherever they could, just like I did, none of us having ever imagined that what we thought of as other place problems could happen to us.

The customers will actually want to remember this with you. It’s a chance to be there at the Jewish neighborhoods of Warsaw before Hitler, Aleppo’s old alleyways before Assad, Alexandria before the library was burned.

Just make sure to keep the bitterness out of it. Keep the feeling of loss, but watch out for that bitterness, and never implicate the customers. You’ll hate them for their position, for making you remember, for being privy to your personal memories, but don’t let that seep into the memories themselves.

They’ve paid a lot of money to relive the exact same things that you did, to live your memories over a nice meal and come out of the experience feeling enriched, educated, and aware. They will not forgive you if you spoil that feeling for them. If you have taken this job, you cannot afford to spoil that feeling for them.

Suitable accompaniment: Any food relating to your memories. Don’t worry about authenticity.

 

5. Desserts

This is your chance to ease them back down. People generally don’t pay to be depressed. Let them end with self-satisfaction. Give them another high, circle back to an earlier memory, something that should give the impression of added depth now that they’ve lived more of your personal experience.

I often remembered another childhood day, a soothing, wondrous early childhood memory back in my home, both my grandparents and parents there, the customer now knowing that eventually this home would be destroyed.

Alternately, go with another memory of lovers, girlfriends, husbands. A memory of the kind of day that only becomes The Perfect Day in retrospect, the one where your relationship was at a high point and the world seemed to align perfectly with it for one brief, single period of time. Keep it focused once more on that day, and context will do the rest.

Suitable accompaniment: Sweets, fruit, baked goods, tea, coffee. Avoid hard liquor.

 

6. Other Requests

Customers will have other types of memories they’ll request. You have the power to fulfill these or not. Often these will be related to their own problems, and it’s best to stay discreet about that. Fathers will want childhood memories in search of worse parenting than their own. Divorcees will seek out memories of love to contrast with their failed marriages. Spoiled heirs will request memories of hardship for a false sense of authenticity.

Sex, of course, is always a prominent factor. Don’t be afraid to turn this down. If you choose to remember sex, it’s likely to dominate your career in unsavory ways. It’s where I drew my line, as if keeping out memories of bedrooms and backseats somehow meant that I’d maintained private dignity with people who had paid to literally pry into my head, turning my whole life into their product.

Then there are the requests for misery. Customers will want to “understand.” It’s best to give them what they think they want. Let them have memories from your home country of war, disease, rape, starvation, poverty. They’ll pretend it’s made them into a better person. Never remember your hardships over here, that’s considered controversial.

Don’t give them what you really want to. Don’t open those gates and remember how bitter you are, how much you hate the customer no matter how well-meaning he or she is. Never let them know how they’ll never truly understand you despite reliving your memories, and how you’ll never be able to truly respect them.

Don’t let them know about coming here, about your basic struggles to make a living, about being a middle-aged man who’d always depended on his education and was suddenly worthless when thrust into a country whose language he couldn’t speak well. Of being prodded and scanned and analyzed just to get into the country, treated with constant mistrust, hating it more here than your devastated home. Of the literal walled cities, gated to separate people like the customer from people like you. Of how place of birth alone was enough to mean that they’ve been isolated from the rising seas and drying fields, the military coups and privatized drone strikes and food riots that shake the rest of the planet. Of how their world keeps turning after your own has fallen apart.

Don’t remember these things. Don’t remember your resentments. Don’t remember your discomfort. Don’t remember your self-hatred. Don’t remember your humiliation. Don’t remember being implanted so you can share more than you ever hoped to.

Don’t remember these things and you’ll be fine. Don’t remember these things and you should have a full career, just like I once did.

Those bitter memories were the most satisfying thing I ever remembered, but they killed my career. The expensive implants are gone. The only work I could find is writing this guide for new employees like you. The only small rebellion that remains for me is typing and then deleting the same few subversive sentences into my drafts of this guide, too afraid to even send them on to my editors for fear of losing the scant salary I’m left depending on. Still, deleting these sentences is the only thing I now regret. My memories may be worthless once more, but at least they belong to me alone.

Now, please turn to the next page for a guide to proper implant procedure. I hope you enjoy your time working here.

 


© 2018 by Aaron Fox-Lerner

 

Aaron Fox-Lerner was born in Los Angeles and currently lives in Beijing. His fiction has previously appeared in Pseudopod, Grimdark, Pinball, the Puritan, and other publications.

 

 

 

 

 

 

 

 

 

 

 

 


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DP FICTION #44B: “Still Life With Grave Juice” by Jim Moss

“This is the real thing? None of that synth-sludge?”

“Yes, sir. Direct from Earth.”

“And it’s the best you’ve got?” Quincy eyed the glass on the robowaiter’s tray. He should have ordered a bottle. He would need more to help unravel the stress of his turbulent negotiations with the Wattlars, who had rejected yet another contract. At least this outpost had an overpriced restaurant where he could run up his company’s expense account.

“Highest quality and price, I assure you. You may access my Integriport–”

“Yeah, yeah…” Quincy waved his hand, the gesture cue enough for the robowaiter to spit out a coaster which landed on the table with a soft plop. In a ballet of hydraulics, the robowaiter plucked the glass off the tray and set it before Quincy with the exaggerated grace of a suitor presenting a rose.

“Will that be all, sir?”

“You know, on Earth, they pop the cork in front of the patron, so it can be inspected for dryness, and they show the bottle so that–”

“You requested a glass, not an entire bottle,” the robowaiter spun its upper torso away from Quincy and sped off. Quincy held up the glass by the stem, examining its deep burgundy contents by the overhead light. He brought it down below his nose and inhaled.

“Cannibal.”

That word, that accent, the derisive tone — Quincy knew it referred to him. It made the scent of fresh blackberries he just inhaled turn rancid. He turned his head and expelled his breath away from the glass. There, seated the next table over were a pair of Arthruds. Common in this sector, especially at spaceports, they enjoyed a reputation as damn good mechanics despite being an insufferable race of know-it-alls. To Quincy they looked like a cross between an armadillo and a giant bipedal lobster, with outer bodies covered in segmented plates and a second set of arms beneath the first. The adult and child were eating what appeared to be shards of cardboard soaked in neon anti-freeze. The child could not be more than seven molts old. Both bobbed, jostling their plates, which made squeaky noises like balloons being rubbed together. They did this when laughing, or passing judgment, or both. Quincy rolled his eyes, turned away, swirled the glass and inhaled again. He tipped a sip and rolled it around his mouth with his tongue. Yes, yes, blackberries, currant, a touch of clover, anise, oak…

“What is he drinking?” asked the child.

“I believe it is called ‘wine.’ It is a death drink.”

“Will we get to see the Earther die?”

“No.” Squeaky balloon sounds sputtered out of the adult’s body plates. “I meant death as in dead. Wine is made from the dead. As I said, they are cannibals.”

“Should we leave?”

“No, don’t worry. They only eat their own.”

“If another Earther comes along, will they try to eat each other?” The child looked around the restaurant. Quincy moved his wine aside and turned to face the Arthruds. It was one thing for two adults to spout their ignorance, but quite another for an adult to imbue such bigotry on a child.

“Excuse me, I’m sorry, I couldn’t help overhearing…” Quincy stared into the adult’s face trying to lock onto the creature’s three eyes with his own two. “Perhaps you received some faulty information. Earth people are not cannibals.”

“It is well known throughout the galaxy that yours is a cannibalistic race.” The adult met Quincy’s stare, crossing his midarms across his midsection.

“You’re wrong. I don’t know where you heard this propaganda, but it’s false and insulting.”

“On your planet, do you not bury your dead?”

“We bury them, but we don’t eat them.”

The adult raised a plated brow above its top eye and turned to face the child.

“Earthers bury their dead in the ground in graveyards where the bodies decompose. They sow their strange plant life into these yards. The plants send their roots into the soil and suck in the fragments of the dead. Then the plant blooms and bears fruit. Fruit containing bits of the dead. Fruit they then eat.”

“Where are you getting this nonsense? We don’t plant fruit trees in graveyards.” Quincy could feel a vein in his forehead throb. The adult pointed at the glass of wine with the spindly third digit of his upper right claw.

“Is not your ‘wine’ made of grave juice?”

“Ahh! Here’s your confusion. Wine is made from grapes not graves. Grapes are fruit grown in vineyards, not graveyards.” Quincy reached for his glass. The adult raised two plated brows and leaned towards the child.

“The problem, Dewlis, is that Earthers have many words in their languages that mean the same thing. They use these to confuse others about what things really are. When you point out their error, they complain that it was a mis-understanding or a mis-interpretation. Beware when an Earther says ‘mis’.” The adult turned back, his eyes drawn to the vein now bulging on Quincy’s forehead.

“You are not the authority on Earth languages, Mis-ter. What is your name?”

“Spureb. And yours?”

“Quincy. And I’m going to prove you wrong.” Quincy threw his arm out blocking the robowaiter as it attempted to zip between tables. The waiter’s upper torso spun around twice before it stopped to face him.

“Yes, sir?”

“Tell us, waiter,” Quincy held up the wineglass. “What is wine made from?”

“Grapes.”

“And where does this wine come from?”

“Earth, France, the Bordeaux region.”

“St. Emillion? Pomerol?” Quincy took a sip.

“No sir, Graves.” The robowaiter spun back and zipped away.

“Bah Za!” Spureb pointed two digits and a folded claw at Quincy.

“No! Listen, that’s just the name of the region. The waiter mispronounced it. It’s pronounced ‘grahv’ with a short ‘a’. A different vowel sound. It’s French for gravel. It’s the name of a French wine growing region. It has nothing to do with graves. Don’t mistake a vineyard for graveyard.”

“The Earther said ‘mis’ twice!” Dewlis smiled at his father. They bopped in amusement, squeaky laughter reverberating like an orgy of balloon animals.

“Just stop and listen!” Quincy pounded the table. “A vineyard is a yard where grapes grow, a graveyard is a–”

“They are both ‘yards’ then, a measured plot of land, yes?” Spureb created a square using his four arms.

“Yes, but—”

“Yet you pronounce the ‘yard’ in vineyard as ‘yerd’. A different vowel sound. Is this a mispronunciation?”

“Uh… no, because, uh…”

“So yard is a word pronounced two ways, but means the same thing.” Dewlis said. “Like ‘grahv’ and ‘grave’.”

“No! They are two different things” Quincy threw his hands up, then grabbed his wineglass and poured a gulp into his mouth. “You know, even if a vineyard was planted on top of a dead body, we don’t eat dead flesh directly, so we’re not cannibals.”

“Suppose they are two different plots of land, as you say.” Spureb sat back in his chair and clacked the digits of his upper claws together. “You still contaminate your soil with your dead. If an insect eats a leaf from a plant in your ‘graveyard’ then flies into a ‘vineyard’ and dies in the soil and the vin plants eat the soil with the dead insect, then you eat the fruit of vin plants – you have eaten pieces of your dead.”

“No. Because what I’ve really eaten is molecular compounds. Someone dies, they’re buried, they decay. Maybe a bug eats some of it. When the bug dies it decays into simpler molecules, water, proteins, amino acids. So a plant uses these nutrients and produces fruit that someone may eat. So what? Everything gets recycled. Broken down and recycled. It’s the nature of the universe.”

“That may be the nature of your planet, but not the universe.”

“Oh yeah? What do you do with your dead?”

“Our dead become art. That is the proper way to honor them.”

“Art?”

“My great ahdmah won the Op Culbet for her work on great pahdah,” said Dewlis.

“He’s hanging in the Brachalach, our finest museum.” Spureb tapped his claw on his chest plate. “And what a stunning piece he is. Great ahdmah bent his spine into a semi-circle and beneath this, draped the flesh of his pale underbelly. Over this setting moon motif, she sprinkled the glittering shards of his shattered neck plate. His top abdomen is broken open and from the center, triangular strips of muscle are strung outwards in all directions like a blazer blossom. Here, his left claw, stained in ochre bile, is curled in a fetal ball. The fourth digit, bent impossibly backwards, protrudes like a stamen. And no matter where you move to look, that digit seems to follow you. His head top hangs upside down strung from a series of tendons like a rain basket that… Bah! I’m talking to a flabedah!” Spureb threw three of his arms up in the air.

“A flabedah?”

“That’s Arthruder for uh… you have no word in your language. It means someone who does not understand or appreciate what art does for a soul.”

“Uh huh.”

“Ah! I forget. You Earthers believe the soul leaves the body after the body is no longer self-animating.” Spureb flailed his four arms and swayed back and forth.

“That’s silly!” Dewlis squeaked a series of chuckles. “Soul is made of body. How can soul leave body? Silly!”

“Dewlis, this is what Earthers believe.” Spureb cooed in sing-song. “We should not ridicule their beliefs.”

“Ha!” Quincy plunked his glass on the coaster. “You cut up bodies to make rain buckets. So you chop up souls.”

“The soul may be divided, but it is not separated. It is recombined with the body into a more appealing form of art. Most souls find it agreeable.”

“And how do you know they find it agreeable?”

“In the silent hours if we stand before our ancestors and relax our minds we can hear their voices whisper to us.”

“Zul Ahdmah whispers to me,” said Dewlis.

“Yes, she tells you to stop slumping so much.”

“No, she tells me I am entitled to extra Kerzyhisses, for I will molt large.”

“She does not. You are only imagining that.”

“Yeah, you creatures molt,” said Quincy. “You drop off chunks of body parts. What happens to the soul of those parts? You couldn’t possibly save every single— “

“We re-ingest them. That’s what we’re eating right now.” Spureb speared a boiled body plate with his fork. “We eat only our own souls, not others’, thank you.”

“I don’t like the taste of my lower abdomen,” said Dewlis.

“Well, you better eat it, or you’ll be incomplete and never get displayed in a good museum.”

“What do you do when your art decays?” Quincy tossed a gulp of wine into his mouth.

“It does not decay. It is all how-you-say — varnished. We are not primitives that allow our dead to decay into pieces that end up in the food supply and get mixed in with other souls and eaten and—”

“Is that why his abdomen is so large?” Dewlis pointed his claw at Quincy’s belly. Quincy silently cursed the station’s greater-than-earth gravity, which made him heavier, compressed his breath and pulled his belly downwards, causing him look flabbier than he really was.

“Yes,” said Spureb. “That is where they collect. No soul, even a piece of soul, wants to be expelled as waste.”

“Alright, look, my… stoutness has nothing to do with souls in my body. Extra weight is caused by fat cells that accumulate because… Look, it’s not souls, OK?” Quincy’s grip tightened on the glass.

“You bury your dead in the ground, your plant life eats from this ground, breaking up souls and—”

“Your information is ancient. Burial is hardly done on our planet anymore. Real estate is too expensive. It’s more common that we cremate our dead.” Quincy twirled the wineglass by its stem. He felt tingly; the alcohol must be kicking in. He sat back and sighed, expecting another round of squeaks.

“Cremate?” Dewlis turned to his father.

“Cream is a white goo.” Spureb’s face plates shifted out of symmetry. “Earthers whip it up and serve it on their desserts.”

“No! That’s not what it is!” Quincy bolted upright.

“Cream-ate… ’Ate’ means that they’ve eaten it!”

“No, no, no! In cremation the body is burned into ashes.”

“What do you do with the ashes?” Spureb’s voice was low, his neck sunk into his upper torso.

“Scatter them in the wind.” Quincy turned away, took a gulp of wine, and clenched his fists expecting another round of squeaks. But the Arthruds were silent, the only sound, the grinding of Quincy’s teeth. Quincy turned back to find Spureb staring at him, eye plates askew, breathing hole frozen open. Dewlis turned to his father.

“Pahdah?”

“Millions of Earthers die every year on your planet.” Spureb’s eye plates pinched together and his ears recoiled into their sockets. He held his upper claws close to his chest. “Your atmosphere is full of corpse dust. Your populace breathes in burned up pieces of souls!”

“That’s enough!” Quincy pounded his arm on the table and rose from his seat. “There are no…” He paused to catch his breath. “Souls in… dust!”

“Pahdah, the Earther is breathing funny.”

“He appears to be experiencing withdrawal. Not enough soul dust in this atmosphere for his cannibal addiction. Perhaps the grave juice isn’t enough.”

“You… No… Uh…” Quincy sputtered, struggling for balance, the tingling in his arm growing painful.

“He just spit dead Earther juice at my head!”

“Move back, Dewlis. I don’t understand what is happening. He may have angered the souls he has consumed by denying their existence.”

“You puchh… you achh…” Quincy grabbed at the table with his right arm.

“Look how red he glows.” Dewlis stared at Quincy’s face.

“He is blushing. Earthers do this when they have embarrassed themselves.” Spureb leaned in to whisper to Dewlis. “It may not be proper for us to view his shame, let us look away.”

Spureb and Dewlis turned their backs on Quincy. They heard a thud and waited a couple of minutes to allow Quincy’s fit of shame to pass before turning back.

***

“And he died, right there.”

“How awful,” said Kerlew, a lovely female Arthrud that had stopped by Spureb’s garage to pick up a replacement part for a centrifuge. Spureb led her on a tour, casually watching her shuffle along the corridor and smiling as she eyed his collection of shiny metal plates and polished tubes.

“The staff tried to reset-animate him by pulling his merry-cardio muscle, but they were so incompetent, they pushed instead of pulled. Apparently, his heart was attacked by his massive coronary gland. ”

“Such strange physiology.”

“Terribly awkward situation. Nearest relative some twenty light-years away, employer in debt due to careless expense management, neither willing to pay for transport. And you know Earthers – they would have just expelled him into space.”

“Barbaric.”

“And despite his hubris and ignorance, he was amusing and we did feel sorry for him. We told the authorities we’d take him, and so, there he is.” Spureb waved his two left arms towards a corner in his garage gallery.

“Aja! Fantastic. Do their legs really twist like that?”

“No, that’s Spiasoc’s explication. He was able to make the tissue flexible through plastination. A preservation used on Earth during a brief enlightened period when–”

“You got Spiasoc?” Kerlew’s eyes widened with interest.

“Yes.” Spureb crossed his four arms over his torso and arched his back to raise his top segment just a little. “Spiasoc is quite eager to break convention with work on other xenophylum.” Spureb turned to look at Quincy and smiled.

Quincy’s body sat on a pedestal made of his leg bones. The flesh of his boneless legs, peeled in long ribbons and twined with muscle and tendon, spiraled in a double helix down to the floor. Thin slices of his brain, stained green, were attached along these vines; the flat sides of each angled upward, seeking light. The skin of his mid-section was shorn away. His intestines, flattened, dyed brown and cut into three by eight slats were arranged to form his torso into a barrel. Deflated lungs protruded from his back in a V spread, mottled fairy wings insufficient for his bulk. His arms burst out between slats, left switched for right with elbows bent backwards. One hand reached towards barrel bottom for a dangling spigot, while the other held up the aorta stem of a goblet carved from his heart. Quincy’s neck stretched out from barrel top, his crimson colored Adam’s apple rupturing through the middle. Above his furrowed brow, the top of his head was sliced off and thrown back like a jar lid. In the open skull, a helter-skelter tower built of brain matter cubes rose toward the ceiling, looking as if it might collapse at the faintest wayward breath. Quincy’s dead eyes stared at the goblet tipped towards his mouth. The pureed burgundy of his liver spilled over the goblet’s rim forming a long droplet that hung frozen in mid air. His tongue, stretched through parted blue lips, strained to reach the glistening drop, but only succeeded in tightening the knot at its center.

“Such an honor for the Earther,” said Kerlew.

“He finds it agreeable.”

 


© 2018 by Jim Moss

 

Jim Moss is a videographer and a playwright. His plays have been produced Off-Broadway in New York, and in theatres in Miami, Tampa, Orlando, Pittsburgh, Chicago, and London. His play, Tagged, was a winner of the 2018 British Theatre Challenge. Still Life With Grave Juice is his first published short story.

 

 

 

 

 

 

 


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