The dancer spins, one limb upraised, precision-bevelled pointe toe poised against the place where a human knee would be. Cassia works leg-like appendages below its central chassis, tossing a frilly grey tutu out in a jellyfish whorl. It has a choice now: it could approximate anthropomorphic performance, occasionally wobbling, rotating its abdominal segment in concert … Continue reading DP FICTION #64B: “The Automatic Ballerina” by Michael Milne
Giant Robot stands alone on the battlefield. Its hulking titanium shoulders slouch. Its articulated polymer knees bow inward. Its blazing fiberoptic gaze falters, downturned. But Giant Robot experiences neither regret nor remorse while surveying the wreckage at its feet.
It knows only aloneness.
Giant Robot scours the battlefield. It scrutinizes the meat and metal carcasses that litter this desert torched to glass. Servos click a nervous rhythm beneath its knuckled joints. It relocates corpses with the utmost delicacy, but still they crumble in its hands. Underneath, there is only ash. Its gaze sags—
There. A patch of sand between two corpses, shielded by an overturned transport. A desert bloom sprouts, an improbable splay of color. Lavender? Periwinkle?
Ever wonder if your microwave has feelings? What if it felt imposed upon every time you nuked a burrito inside of it? What if the microwave started conspiring with the rest of your kitchen appliances? Would there be any hope left for any of us? Are you also craving a burrito now?
The point that I’m laboring towards here is that machines are becoming pretty sophisticated — so sophisticated that it’s slightly worrisome. There are a number of films slated for release this year that tackle this very issue issue: Chappie, Ex Machina, and the latest installment of the The Avengers franchise. And while there is much chatter about this year as a “good year for robots,” the truth is that robot movies have been around for about as long as robots themselves…or movies, for that matter. One could perhaps make the case that our aversions toward technology are, in essence, the very basis of science-fiction itself. And there are a lot of ways that the newer films will likely echo thematic elements of classic science-fiction films.