BOOK REVIEW: Dead and Gone by Charlaine Harris

written by David Steffen

Dead and Gone is a romance/mystery/horror novel from 2009, the ninth in the Sookie Stackhouse series of novels by Charlaine Harris (which is the basis of the HBO show True Blood).  The previous books are all reviewed here earlier on the Diabolical Plots feed.

Before the series of books, the vampires of the world had publicly revealed their existence, but since then Sookie has learned of many other supernatural beings living among us as humans.  Among them are the shapeshifters, including werewolves and wereanimals of other types.  Now that they’ve had time to observe how the vampire revelation has gone, the shapeshifters have finally decided to make their big public reveal, outing themselves to the public both in a general sense and with individual members of communities revealing themselves at once.  The reveal in Bon Temps seems to go pretty well, until Sookie’s werepanther sister-in-law is found crucified outside Merlotte’s where she works.

The King of Nevada has now conquered all of Louisiana, killing all of the vampire hierarchy there except for Eric who he has kept on as sheriff, so that brings its own set of conflicts.

And Sookie learns that her fairy great-grandfather Niall is engaged in a major power struggle.

Never a dull day in the life of Sookie!

I thought it was really interesting to see this book tackle another great life-changing event with the reveals of the shifters to the world.  It makes sense, real worlds are always changing even if we’re used to them being somewhat static in book worlds.  There are enough conflicts all going on in parallel that there’s never a chance to get bored, and you have the mystery of who crucified Crystal to keep the reader engaged as well.

(Only minor quibble, as with the last book, is the tendency to call any conflict a “war”, even if there are only a handful of participants and the conflict lasts only a short period of time)

Spring 2018 Anime First Impressions

written by Laurie Tom

A lot has changed since last year. Amazon’s Anime Strike service has been shut down and everything previously streaming on it has been rolled into its baseline Amazon Prime service. While this does not help fans without Amazon Prime, American fans are no longer being charged a few extra dollars for the same content their Canadian counterparts have been getting as part of their baseline service.

Additionally, HIDIVE is coming into its own as an alternate streaming service with its own exclusive licenses. It doesn’t have a free streaming alternative, but the monthly subscription is affordable and their library is deep with several exclusives.

This spring is packed with high profile series, and a lot of smaller ones, that in an ordinary season I would want to watch. As a result, I viewed more first episodes than usual, and I’ll be going through what I checked out in alphabetical order with the goal of identifying two or three to follow for the season.

Caligula

caligula

Why I Watched It: I wanted to play Caligula when it came out as an RPG because of its premise. Students live in a virtual reality school where they’re expected to live their day to day idyllic lives indefinitely. Most of them don’t even realize the world isn’t real, but the protagonist discovers the truth and he and his friends band together to escape. The name come from the psychological term the “Caligula Effect.”

What I Thought: I enjoyed this first episode, as Ritsu gradually realizes that there is something wrong with reality (though his friend Mifue gets the worst of it with her rewritten mom). It begins with a distorted cry for help during a virtual idol’s music track that only he hears, and escalates with bizarre, out-of-character behavior from his friends, until he realizes that the representatives of both of the graduating class and incoming class of students are the exact same person. At that point all hell breaks loose, complete with what I assume are artificial students transforming into monsters. It’s an intriguing start and and I really want to know why this illusionary world has started crumbling.

Verdict: I’ll probably be watching. I think this is an excellent contender for my viewing time. The only thing I’m concerned about is that this is a video game adaptation and I’m not sure how well the rest of the story will weather the transition.

Where to find stream: Crunchyroll (subtitled)

Dances with the Dragons

danceswiththedragons

Why I Watched It: Dances with the Dragons has appealing character designs and looks to have nicely animated action scenes. There’s potentially decent worldbuilding with the idea of fighting dragons with “spell equations.”

What I Thought: I like the magi-tech style of combat, in that this is a modern world where magic is just another technology. There is a boundary between human and dragon lands, and juushiki users (awkwardly rendered as “juushikiists” in the subtitles) are sort of bounty hunters who take out the dragons in exchange for pay. However the worldbuilding is uneven, spending a good minute rambling about the discovery of juushiki when there are more pressing issues, like where did the dragons come from (we see ruins of skyscrapers so they can’t be native) and what is an Altar since everyone seems to be impressed by the killing of a semi-Altar dragon?

Verdict: I might come back to this one, but in a crowded season it’s a pass. While it has potential, the first episode is too uneven and there’s too much dead space that doesn’t feel like plot or character development.

Where to find stream: Crunchyroll (subtitled) and Funimation (dubbed, subscription required)

Devil’s Line

devilsline

Why I Watched It: I try to stay away from vampire stuff, but this one looks interesting, pairing a college student (rather than a high school girl) with a half-vampire who is part of a police task force. The original manga is seinen, meaning the story is aimed to appeal to the adult male demographic, so it will likely avoid the usual paranormal romance tropes.

What I Thought: This is definitely a gritty, more mature offering. Vampires are much like humans except that they find blood irresistible, and get a high off of drinking it, which tends to result in the victim’s demise. Offending vampires are hunted down and arrested, though not without some level of sympathy, with the understanding that a vampire that has killed can never go back to a peaceful life without blood. I like this level of real world integration with the fantastic, however, the combat animation is extremely off-putting. It appears to be CG, but not rendered in the standard frame rate for anime so it looks too fluid. Aside from that, a lot of the night time scenes feature thin white outlines around characters and I don’t know if that’s a stylistic choice or a rendering error. Finally, I don’t think the two leads have much chemistry with each other and I found it off-putting how Anzai forces a kiss on Tsukasa at the end of the episode, even if he is half-vampire and happens to see blood near her mouth.

Verdict: I’m going to pass. It has some interesting ideas, but I don’t like Anzai or that sort of behavior from my male leads.

Where to find stream: HIDIVE (subtitled and dubbed, subscription required)

Doreiku the Animation

doreiku

Why I Watched It: A number of questionable people are trapped in a survival game-ish power struggle to achieve dominance over each other, which is potentially right up my alley, so long as the requisite head games are there. Based on a novel series.

What I Thought: It was more trashy than I expected. It’ll probably appeal to people who like fiction with exploitative scenarios. I thought there would be more of a game structure to what’s going on, but basically two people engage in a “duel” while wearing these high tech retainers in their mouths and the loser is then compelled by the device to be a slave to the winner. So far as I can tell, there is no tournament arc and I suspect most of the cast is going to consist of a bunch of unlikable sadists. We meet our protagonists, who’ve yet to engage in dueling anybody, but we do see the result of one duel. Though the winner is taking some understandable revenge, she becomes cruel in ways that she didn’t appear to be before.

Verdict: I’m going to pass. If it was more game-y I could possibly hold my nose through it, but it looks like the show is going to put our protagonists through the wringer, and they won’t be the better for it by the end.

Where to find stream: HIDIVE (subtitled and dubbed, subscription required)

The Legend of the Galactic Heroes: Die Neue These

legendofthegalaticheroes

Why I Watched It: This is a remake of an epic space opera series that in older days would never have been licensed due to the size and scope of the project, covering a whopping ten novels about the interstellar war between the Galactic Empire and the Free Planet Alliance. It was one of those series that I knew about when I first got into anime as a legend in itself, but never expected to watch because no one was translating 100+ episode series at the time. The remake will be shorter.

What I Thought: The first episode focuses almost exclusively on the Galactic Empire, introducing one of our dual protagonists, Reinhard von Lohengramm. We don’t get much history about the current war so much as the Galactic Empire and the Free Planet Alliance have been at it for a while and Reinhard is rather young and arguably inexperienced for the role of High Admiral. The space battle segments are good for those craving ship-to-ship combat sans mecha, and his tactics are sound. Reinhard is willing to forgo “common sense” behavior, realizing that by doing so he can obtain an advantage. It’s not until the final minutes of the episode that we hear the voice of his rival, Yang Wen-li, on the side of the Free Planet Alliance, who promises his soldiers they will still win despite their losses. With Reinhard’s skill established and Yang Wen-li’s sheer gumption with his fleet-wide broadcast, it’s a solid tease for their eventual confrontation in the next episode.

Verdict: I’ll be watching. I love this kind of space opera and it’s unfortunately not as common as it used to be in anime. I’m not sure how it’s going to manage condensing everything from the original, but it looks really good so far.

Where to find stream: Crunchyroll (subtitled) and Funimation (dubbed, subscription required)

Magical Girl Ore

magicalgirlore

Why I Watched It: When I first saw the promo images of a couple beefcake guys in magical girl outfits, I assumed this was another show about boys transforming into magical girls, but it’s not! It’s about a couple girls who get magical girl abilities that turn them into a couple really buff guys. Naturally it’s a comedy and there are romance complications when the protagonist’s crush seems more interested in her male persona than herself.

What I Thought: For a series built on the premise that the girl turns into a guy and then fights demons while wearing a skirt, it takes an awfully long time to get to that point, with the transformation happening right at the end of the episode, so we don’t even get a fight scene. The show clearly knows how to parody its genre, and the “cute” mascot that looks and talks like a yakuza as part of its speech tic is an inspired touch, but the pacing leaves me concerned and I’m not sure whether it’s intentional that her crush is expressionless as a piece of cardboard.

Verdict: I’m going to pass. I might revisit if word of mouth builds up, but it’s not funny enough to make up for the slow pacing.

Where to find stream: Crunchyroll (subtitled)

Persona 5: The Animation

persona5

Why I Watched It: Persona 5 was one of the best JRPGs to come out last year, featuring teenage phantom thieves who steal people’s hearts in one world so they can regain their consciences in the real one. This should be a quick and easy way to relive the game (or follow the story in the first place for non-gamers). The game’s voice cast is reprising their roles and the series is expected to run 24 episodes so there should be the room needed to cover the entire plot without compressing and cutting too much.

What I Thought: The first episode was engaging and impressive for compressing what was probably the first 2-3 hours of gameplay into a half hour time slot. We’re told all we need to know about Ren Amamiya’s past, how he came to his new school, and what’s happening in “present day” (the story starts in media res and is mostly told in flashback during Ren’s interrogation). The first episode even manages to make explicit how Ren and Ryuji were able to visit Kamoshida’s palace in the first place, which I don’t think was spelled out in the game. I suspect series newbies will be a little, though not horribly, lost but fans should feel right at home.

Verdict: I’ll be watching at some point, though I’m not sure if it will be during the spring since there’s so much else going on and I already know the story. This is definitely going on my list though.

Where to find stream: Crunchyroll (subtitled)

Real Girl

realgirl

Why I Watched It: The premise, about a boy who prefers the 2D stuff finally meeting a real girl who might be interested in him, isn’t something I’d usually watch. It feels like male nerd wish fulfillment, but Real Girl is based on a manga for girls, so I assume there is a twist to it that makes it more appealing to the female demographic. The character designs are appealing so I figured I’d give this a shot.

What I Thought: The two protagonists are not people I would normally like, but they’re human. Hikaru Tsutsui doesn’t like real girls because they tend to pick on him for being a nerd and he only has one friend, who is also a nerd, so they both get ostracized together. When he meets Iroha Igarashi he immediately dislikes her because she’s fashionable for her age and has a “loose” reputation. Of course she’s the type of girl who would show up late to class without a care (whereas he’s a model student with perfect attendance). What they go through feels very real, especially with how real people hurt each other without wanting to be cruel.

Verdict: I might watch this one. It’s a crowded season, but Iroha is a really unusual female lead. It’s rare to have a more experienced girl in a romantic pair, especially in shoujo anime. That might be why the episode is entirely from Hikaru’s POV, but I hope that switches later.

Where to find stream: HIDIVE (subtitled and dubbed, subscription required)

Tada Never Falls in Love

tadaneverfallsinlove

Why I Watched It: Sweet high school romantic comedy between a high school boy, Tada, and the girl, Teresa, who has come to his school as an exchange student. Though the trailer video plays up both the romance and the comedy in a high school setting, the early promotional art shows Teresa in a tiara and ballgown, suggesting she is probably a princess. The show is by the creative team behind the Monthly Girls Nozaki-kun anime, which I had greatly enjoyed.

What I Thought: Tada is not manic funny in the way that Nozaki was and while the first episode isn’t bad, it’s definitely a slower burn. Teresa is heavily implied to be royalty and has come to Japan as an exchange student. It turns out that she’s a total Japanophile, specifically of a period drama called Rainbow Samurai, which weirds out Tada because she acts like it’s the greatest thing ever, while to him it’s an old TV show. Tada himself doesn’t seem that remarkable other than he really likes photography, and that’s how he meets Teresa, when she keeps getting in the way of his lens. So far they have such little chemistry together that even sharing an umbrella in the rain doesn’t feel romantic, though I guess that’s the point, given the series title.

Verdict: I might come back to this one, but it’s crowded season and with Wotakoi being the clear romantic comedy winner and Real Girl also being a contender, I don’t think I’m going to be seeing this one in real time.

Where to find stream: HIDIVE (subtitled and dubbed, subscription required)

Tokyo Ghoul:re

tokyoghoulre

Why I Watched It: The first Tokyo Ghoul anime veered away from the manga and went with a wildly different and original ending, so it’s very odd that the sequel manga is being animated, because it means that people who only follow the anime will have no idea how we got to this point. I’m not sure if concessions are being made to onboard those viewers, or the assumption will be that the audience knows the original manga.

What I Thought: The opening episode is different enough that I doubt I have much more context than someone brand new to the franchise. The government has recently created the Quinx Squad, which are humans with the abilities of ghouls in order to better combat them. Since ghouls require human flesh in order to survive, humans naturally don’t get along with them. We get a bunch of new characters and meet most of the Quinx Squad. The ending confirms where Kaneki is, for fans of the first series wondering why he wasn’t in most of the episode, but I feel like I really needed more answers, not just to Kaneki but to the Quinx Squad’s existence in general, to hold my interest.

Verdict: I’ll come back to this later. Despite the bumpy adaptation the last time around, :re has a new writer and new director, and if the first episode is anything to judge, this series will be tonally different. It’s bloody, but doesn’t seem to be striving for a horror feel, making it more of a dark action show, which feels like a better fit than the action horror hybrid the first one was trying to be.

Where to find stream: Funimation (subtitled and dubbed, subscription required for dub, but not for sub)

Wotakoi: Love is Hard for Otaku

wotakoi

Why I Watched It: After enjoying Recovery of an MMO Junkie I was really looking forward to another romantic comedy about a couple of geeks, this time in an office setting rather than an MMO. “Otaku” is a Japanese word for “enthusiasts” and particularly gets attached to those with nerdier pursuits.

What I Thought: This first episode does a wonderful job of conveying what it’s like being an adult geek, from discovering a fellow geek in the office to trying to hide your hobbies while hanging around muggles. In Narumi’s case, her ex-boyfriend actually dumped her when he discovered she’s a yaoi fangirl. Fortunately for Narumi, changing jobs to avoid her ex lands her at a new company where she gets reacquainted with her taciturn childhood friend, Hirotaka, who is similarly interested in geeky things. After being a sounding board for all her venting, he asks her why she doesn’t date someone who doesn’t mind that she’s a fangirl. The episode ends with Hirotaka giving an amazingly nerdy proposal to Narumi for why she should consider dating him (he’ll always be there when she needs another player in a video game!) and I completely loved it.

Verdict: I’ll be watching. Since they agreed to date at the end of the very first episode, I assume the rest of the series will be the ups and downs of two nerds getting used to dating each other. The other two characters in the show look like they’ll end up being a beta couple and at least one of them is confirmed an otaku in the first episode.

Where to find stream: Amazon Prime Video (subtitled, subscription required)

laurietom
Laurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie’s short fiction has been published in Galaxy’s Edge, Strange Horizons, and the Intergalactic Medicine Show.

Diabolical Plots: Year Three Available for Pre-Order!

written by David Steffen

The newest anthology from Diabolical Plots, Diabolical Plots Year Three, is now available for pre-order from Amazon and Kobo (other vendors to follow).  Pre-ordering is a great way to help ebook vendor algorithms promote it more, so if you think you would like a copy anyway pre-ordering is a big help.

Note the wonderful cover art, an original illustration by Amanda Makepeace, the same artist who made the awesome fox cover art for The Long List Anthology Volume 3 in December of last year.  She illustrated the story “For Now, Sideways” by A. Merc Rustad, and she did a wonderful job with it.  I love how a good illustrator can tell a story with an image like Amanda’s done here, how your eye is drawn to different parts of the image that imply the conflicts and resolutions of the story.  Cover layout was done by Pat Steiner, who has done all of the anthology covers for Diabolical Plots and continues to do great work.

Thank you, and have a happy weekend!

DP FICTION #40A: “Tank!” by John Wiswell

The tank hates revolving doors. They’re petrified watching the doors whoosh by, trying to imagine anyone getting into the convention center through these things. The curb crumbles beneath the tank’s treads, and commuters honk for them to get their back-end out of the road. Two tweens sneak around the tank’s chassis, carrying a rack of brightly colored cosplay wigs, and slip into one of the revolving glass chambers.

“Be brave,” the tank tells themself.

The tank nudges their barrel inside, getting barely halfway in before the door clanks against their barrel. Instinctively they try to back up, rending steel frames and shattering glass everywhere.

Sighing, they tell themself it’ll get better. They’re going to make friends this time.

The Pre-Registration Line is so long that they miss the morning programming. Once they reach Registration, the lady frowns up at them like she was a landmine in a previous life. She says, “You didn’t fill in a gender.”

The tank rumbles. “I don’t associate Male or Female.”

She points at the tank’s cannon. “With that thing?”

“Are you calling my turret genitalia?”  It wasn’t, and even if it was, they had the equivalent of a vasectomy and filled it with cement years ago.  They lower their cannon, showing the orange safety cap protruding from the muzzle.

“I don’t care what you call it.  Guns aren’t allowed, and you have to pick a gender.”

A Marceline from Adventure Time leans around the tank’s treads, squinting at the registrar. “They’ve got the peace bonding cap on there.  And the gender crap on the form was optional.”

The registrar says, “Since when?”

“You want me to complain to Con-Ops?”

The registrar grouses and forks over the badge, while the tank turns to Marceline. Her badge reads ‘XIAO.’ They want to tell her that they love Adventure Time, but they can’t word it right. A moment later Xiao whisks away with a plastic-fanged smile and a, “Have a good con!”

Small-talk is hard for tanks.

They get in line for the Cowboy Bebop Cast Reunion, and the hallway is too narrow. Human con-goers have to climb over them to get by. Even though they have no eyes, the lack of eye contact stings. They scooch over, and accidentally cave in the wall to a Men’s Room.

A minute later, gofers come out of the panel room and wave everyone off. “We’re full! Sorry!”

The show’s opening theme blares as the gofers shut the doors. Ironic, but the tank loves that song.

They sulk over to the food court, feeling at least a little companionship with all the other disappointed con-goers. The crowd dissipates to watch an inter-fandom mock battle. MCU Avengers cosplayers desperately fend off assorted Crystal Gems.

A couple of Iron Mans ask for a picture, but they just want to pose like they’re blowing up the tank. The tank revs up to leave.

That’s when they see a Princess Bubblegum with a plastic pink wig, her shoulders hunched, looking around for someone who plainly isn’t there. But someone plainly is: a tall guy in a Red Hood graphic tee.

“The show went off the rails when she didn’t get together with Finn,” Red Hood Fan says in the tone of someone who might never have enjoyed anything in his life. “I don’t see why people ship her with Marcy.”

Her badge just reads ‘PB.’ PB cranes her neck around Red Hood Fan, still avoiding eye contact with him. “Uhm…”

“Wouldn’t it be weird to have gay characters on a kids’ cartoon?”

The tank rolls up behind Red Hood Fan, brushing his shoulder with their cannon. Red Hood Fan cringes away, looking as uncomfortable as PB has this whole time. “Hey, thanks for waiting for me,” the tank lies. “Ready for lunch?”

PB arches a brow, then says, “Yeah!” and sidesteps around the guy.

PB and the tank get out of there quickly, heading south along the titanic line for George R.R. Martin’s autograph. The tank asks, “Were you looking for someone?”

“My girlfriend. We got separated at registration.”

The tank lets PB ride on their turret so she’ll be more visible. This earns thousands of photos from strangers, and halfway down the endless pilgrimage of Game of Thrones fans, they spy a familiar Marceline. PB hops to the floor and kisses Xiao in front of everybody. The tank could blush.

Xiao gives the tank a plastic-fanged smile. “You get around.”

The tank tries to be funny. “Anywhere without revolving doors.”

Both PB and Xiao tilt their heads. Small-talk is hard for tanks.

They chatter, and Xiao balls up her fists at the story of Red Hood Fan. “Why do we even come to these things?”

PB raspberries at her. “You know why.”

The panel doors fly open behind them, and the theme from Cowboy Bebop rings forth. They pivot to get out of the way of the exiting crowd. Missing the panel wasn’t so bad since they made these friends.

Except when the tank looks again, Xiao and PB are gone in the flood of people headed to their next panel. People promptly complain that the tank is obstructing the hall, and they roll along, alone, wondering why they came here at all.

Exiting the building is the only way to avoid people, but the first one they find is another revolving door. The tank heaves a sigh through their chassis. Are they going to have to smash through this one, too?

“We almost lost you!” someone calls, and tugs on their mudguard. It’s Xiao, gesturing toward the adjacent corridor, where PB is waving for them both. “We’re going to the dance party. Want to come?”

The tank is so happy they almost commit several hundred cases of vehicular manslaughter. They roll very carefully to BALLROOM B, where PB and Xiao drag chairs aside to make more room. That lets the tank spin some doughnuts without fearing crushing any dancers.

Xiao whispers something to the band. As houselights dim and glowsticks crack, the band plays the theme from Cowboy Bebop.

PB says, “You know what the song is called, right?”

The tank can only muster a, “Thank you.”

PB laughs. “This is why we go to cons.”

 


© 2018 by John Wiswell

 

Author’s Note: At a convention one year, Max Gladstone and I were joking about the problems a tank might have at such an event. That’s what you do when you’re like us. For the same reason, I couldn’t help writing about the poor non-binary tank trying to overcome their social awkwardness.

 

John (@wiswell) lives where New York keeps all its trees. His fiction has appeared at Fireside Magazine, Flash Fiction Online, and Daily Science Fiction. He has never had a cosplayer ride him across a convention center, but he does try to help where he can.

 

 

 

 

 

 


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New Submission Grinder Features: Piece Priority!

written by David Steffen

A couple of new features were released over the last week on the Submission Grinder.  For those who don’t know what the Submission Grinder is, it’s a donation-supported website that helps writers finds publishers for their work, as well as providing submission statistics from user data.

The Advanced Search Engine can do a lot of things already.  You can search by various parameters like length or pay rate.  You can ignore individual markets so they never show up in your search results, or exclude markets where a particular piece has been submitted.  But it can only work with the data it has available to it, and sometimes that’s not the sort of data that a program can make sense of.  For instance, Beneath Ceaseless Skies takes secondary world fantasy only.  The search engine can base its search on genre, so it’ll find BCS in a Fantasy search, so if you search for your contemporary American fantasy you’re going to keep seeing BCS in your search results and you’ll have to remember to ignore that result yourself.  Or if you have a piece that doesn’t technically fit the specifications of a market but you have special permission to submit or something, then there would be no way to mark that for yourself.

Now there are things you can do to customize your search results!  Now, you can define “piece priorities”, which tell the site special instructions for a combination of a particular piece and a particular market.  Besides the default “no priority” setting, there are two other values you can set:

  1.  UNSUITABLE
    This priority indicates that you just don’t think this piece is a good fit for this market, even if it fits the defined search parameters.  If you set a piece as unsuitable for a market, then that means that when you search for markets for that piece, that market will always be excluded from the results.  And if you search for markets for that piece, that market will always be excluded from the results.
  2. PREFERRED
    This priority indicates that you think this is a particularly good fit for this market, even if it doesn’t fit the defined search parameters.  If you set a piece as preferred for a market, then that means that when you search for markets for that piece, that market will always be shown at the top of the results clearly marked as Preferred, even if it doesn’t fit the search parameters otherwise and even if the market doesn’t qualify for a listing or you’ve marked it as Ignore (but it won’t show up if you’ve already submitted it there).  And if you search for pieces for that market, that piece will always be shown at the top of the results clearly marked as Preferred.

I am very excited about these additional features, I think they will be useful in those corner cases the search engine just doesn’t quite cover.  Thank you!

You can mark these priorities by clicking the “Piece Priorities” link on any market page while you’re logged in.

BOOK REVIEW: Six Wakes by Mur Lafferty

written by David Steffen

Six Wakes by Mur Lafferty is a science fiction mystery, one of the finalists for the Hugo Award for the Best Novel category of 2017.

In the future, cloning is commonplace, but its use is strictly limited by law to ensure that it’s only used for longevity of a person rather than multiplication.  Every clone makes regular mindmaps of their memories and after they die, a new youthful body is cloned from their DNA and the mindmap copied into it.  Many clones have hundreds of years worth of memories they carry with them as though they have lived a single long life.  The practice of cloning is not accepted by everyone, especially religious groups, many of which consider clones to be soulless abominations, and there have been violent conflicts about cloning practices.

And what better use for clones than to crew a starship?  Equip the ship with a cloning bay and mindmapper, and a crew of six can staff a starship that would require a generation ship with much heavier infrastructure with an uncloned human crew.  Not many clones would be interested in such a long dull trip, but criminal clones granted a pardon for their crimes as payment can be convinced, watched over by an AI to make sure things don’t get out of control, and a cargo of humans and clone mindmaps to colonize the planet at the end of the trip.

But, something has gone terribly wrong.  Maria Arena and the other six crew members wake up simultaneously in newly cloned bodies, to their own murder scene.  They have been in transit for twenty-five years but have lost all of the memories of their journey, the gravity is off, the food replicator is only manufacturing poison, the AI is offline, the cloning bay has been sabotaged, and presumably one or more of them was the murderer but even they don’t remember that they did it.  Their previous crimes are strictly off the record as part of the pardon deal, so no one knows if any of the others had a history of murder.

This was an enjoyable SF mystery, an amped-up locked room type of mystery, where this crew of six is set to investigate their own murders, and it could’ve been any of them since they lost the memories of the journey.  As they go they have numerous other obstacles they have to deal with just to keep going, as well as searching for clues to who committed the murders.  Scenes from the present are interspersed with scenes from each person’s pasts so the interplay between the characters makes more and more sense as we understand their histories.  I don’t read a lot in the mystery genre, but I liked how this novel took familiar tropes like the locked room mystery and by changing the setting and technology level gave them interesting new angles to explore.  The book flowed easily from beginning to end and I was satisfied with the resolution.  I don’t know how well it will stand up to avid mystery readers, but I enjoyed it and would recommend it.

Anime Review: Juni Taisen: Zodiac War

written by Laurie Tom

junitaisen

I didn’t expect to like Juni Taisen: Zodiac War as much as I did, but that said, it’s not going to be like that for everyone. The show is a throwback to the more violent anime of the 1990s in that there are lots of blood and guts, with possibly one of the most creative and disgusting ways I’ve ever seen to hide a corpse, but at the same time the series is very talky and ultimately depressing.

Juni Taisen is about a tournament fought every twelve years by twelve families. Each family sends a representative to participate in the gruesome death match, with the outcome deciding the fate of various nations between the power mongers of the world. As for the sole tournament survivor, they earn the fulfillment of one wish, no matter how outlandish.

Each combatant is themed to an animal of the Chinese zodiac and in several cases this also comes with a supernatural ability. During the tournament they don’t go by their proper names, but rather the name of their animal in Japanese followed by a description of their killing style. For instance: Eiji, the Ox, will introduce himself as “Ushi, Killing Systematically.” And make no mistake, there is a lot of killing.

At the start of the tournament, each combatant is instructed to swallow a gemlike object that turns out to be poisonous. The poison will dissolve into their bodies in twelve hours, setting a time limit for the battle. In order to win, the winner must have all twelve gems in their possession before time is up. Given these circumstances, true cooperation seems impossible, since winning involves removing an object from an opponent’s stomach, though at least one participant tries.

With a couple exceptions, each episode focuses on a particular combatant and we see parts of their personal backstory; who they are and why they entered the tournament in the first place. Unfortunately, after a few episodes the show is clearly following a pattern.

Viewers familiar with the Chinese zodiac, which will likely be the majority of the original Japanese audience, will be able to figure out who the winner is pretty quickly, so the show doesn’t particularly worry about revealing any secrets as the body count builds up. It might be possible for a western viewer to watch the show from an angle of suspense if they don’t know the zodiac and don’t watch the ending credits too closely, but the show was certainly not written with that possibility in mind.

How effective Juni Taisen is largely depends on the audience’s attachment for how these warriors came into their present circumstances, since (nearly) everyone dies and if a character’s one moment in the spotlight doesn’t catch the eye, then there’s not much point to anything else. Even the eventual winner’s story is not terribly climactic since their identity is not expected to be a surprise, which makes for an unusually tepid ending. I liked the winner, but because of the lack of surprise, their episode didn’t have a heavier punch than any other despite wrapping up the storyline.

While I enjoyed watching Juni Taisen as each new episode came out, it’s a series that’s more about watching a bunch of skilled strangers kill each other in various ways than anything deeper. We do get a feel for most of them as human beings, but the format prevents us from knowing them enough to miss them.

Number of Episodes: 12

Pluses: Interesting storytelling format, everyone more or less gets a chance to shine

Minuses: Doesn’t feel as deep as it was aiming for, winner is predictable if you know the Chinese zodiac

Juni Taisen is currently streaming at Crunchyroll (subtitled), Funimation (dubbed). Funimation has licensed this for eventual retail distribution in the US.

laurietom
Laurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie’s short fiction has been published in Galaxy’s Edge, Strange Horizons, and Intergalactic Medicine Show.

REVIEW: Hugo Novella Finalists

written by David Steffen

The Hugo Awards Best Novella category covers stories between 17,500 and 40,000 words.  See here for a full list of the nominees this year.  I enjoyed all of the novellas this year, I’m glad that the Hugos use instant-runoff voting so I can give some kind of vote for them all instead of just having to pick one!

1. “And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)

A Sarah Pinsker from an alternate reality has discovered how to travel to alternate realities.  One of the first actions this alternate Sarah Pinsker performs is to organize the first SarahCon, attended entirely by Sarah Pinskers of various realities.  This Sarah (an insurance adjuster) grudgingly decides to attend, where she meets hundreds of herselves and is just starting to figure out how to navigate the odd social situation of talking to all these other Sarahs, when a dead body is discovered, apparently a murder, and this Sarah Pinsker is the closest Sarah available to one with detective experience while they wait for the authorities to arrive on the island of the convention.  The victim is Sarah Pinsker.  Pretty much all of the suspects and potential witnesses are Sarah Pinsker.  And Sarah Pinsker is on the case.

This story was wonderful and fun and delightful and hilarious.  There was plenty of humor inherent in the situation, but the murder mystery is played straight–it has all of the components you expect from a murder mystery, except that the scenario adds a bizarre twist to the situation that both complicates (because it’s hard to even tell the people apart) and simplifies (because Sarah has a better understanding of the suspects than she would if they were entirely separate people) the investigation.  This lends itself to the story taking some turns that would only make sense in this very specific situation.  Highly recommended, I have been recommending this to anyone who has asked me what I’m reading.

2. River of Teeth, by Sarah Gailey (Tor.com Publishing)

This was previously reviewed at greater length here last year.

Usually alternate history is used to explore the consequences of major political or military events turning out differently.  But sometimes, it can just be used as a reason to tell a Western story about hippo-riding cowboys in Louisiana (alt history because there was an early 20th century proposal to import hippos to raise them for meat).

Winslow Houndstooth had been happy as a hippo rancher until his ranch was burned to the ground.  Now Houndstooth is a hired hand, and he’s accepted a job from the government to clear all of the feral hippos out of the Mississippi, and he also has revenge on his mind to get back at the one who destroyed his ranch.

This is so much fun, very much a western style story but with the significant added wrinkle that their mounts/cattle can bite them in half.  The story is told straight, so the hippos aren’t used for comedy, but that just makes it all the more fun.  It has the feel of a heist sort of story, with Winslow as the leader gathering skilled specialists to perform the seemingly impossible mission.

3. Down Among the Sticks and Bones, by Seanan McGuire (Tor.com Publishing)

Jacqueline and Jillian are twin sisters, weighed under the heavy burden of parental expectations.  Every aspect of what they do and how they present to the world is defined by their parents who wanted the perfect boy and the perfect girl.  Jacqueline is the perfect princess of a girl, never dirty, never impolite, while Jillian is a tomboy who excels at athletics and never does things that might be considered girlish.  When they’re thirteen the girls discover a portal into another world in their house and they travel through it, to a land protected and contained by a vampire and a mad doctor who can raise corpses from the dead.  Portal visitors are a common occurrence here, and due to a prior arrangement, the girls each go into the custody of one of these powerful men and must make their way in this strange world until they can find a doorway home.

This ties into McGuire’s Wayward Children series, but you don’t need any familiarity with the series to read this–it works just fine as a standalone.  It is built largely on the audience expectations of portal stories, so if (like me) those are a particular favorite, you’ll be well-primed for this.  The characters are both well-portayed as real people as well as larger than life in some ways because they are constantly being pushed into boundaries that generally do not fit them.  It’s a story of what makes each of us different from the others, and how our environments and constraints on our behavior end up defining much of who we are.  It’s also a tale of sisterhood coming from a family that didn’t exactly nurture their relationship, thrown into adversity of a strange world.  Well worth the read.

4. All Systems Red, by Martha Wells (Tor.com Publishing)

The security android (SecBot for short) calls itself Murderbot, but only in the privacy of its own head.  It’s part robot part human, property of the Company, on security detail with a group of humans surveying a planet for resources.  Unbeknownst to its crew, it has successfully hacked its governor module that is supposed to keep it safe and limit its behavior to only those things necessary for its security duties.  But, really, it uses most of that freedom to download and watch entertainment vids in every moment of spare time.  Its current crew is disconcertingly friendly, which is bothersome when it really just wants to be left alone to watch its shows.  When a series of things go wrong with the surveying mission, it’s not clear if its due to the Company’s cut-rate equipment or if someone is sabotaging them.  But Murderbot’s vid-watching has (surprisingly) prepared it for unexpected situations more than its actual functional programming, and if it wants to survive it’s going to have to help its crew get out of this.

Murderbot is a fun and charming character in its own way.  While some parts of its personality are far from mine (a casual attitude toward violence, but that’s inherent in its programming) I think its character is particularly appealing for introverts who may find friendliness from others alarming at times.  Murderbot is a very competent character and it’s a solid action story, but the biggest charm of it for me was just enjoying the kind of odd personality traits, different from most human characters in stories but also different from most robot characters in stories.  Fun, and the first of a series.

5. Binti: Home, by Nnedi Okorafor (Tor.com Publishing)

The original Binti was reviewed here as part of the Hugo Novella Review in 2016.  Binti: Home is the second story in the series.

Binti is the first human from the Himba culture to travel to the stars where she is attending Oomza University, where she is learning to refine her skill for mentally manipulating magical formulas.  The first story told of the tragic happenings of her trip where she was the sole survivor of an attack by the jellyfish-like Meduse and went on to help forge a peace between humans and Meduse, and in the process was physically changed so that her braids became like a Meduse’s tentacles, able to move of their own volition.  Now she is returning home to Earth to her family to go on a pilgrimage during her break in her schooling, and she’s bringing her Meduse friend Okwu with her.  With the truce with the Meduse still fresh and tentative, and with Binti changed dramatically by her new experiences since leaving home, she doesn’t know how her family and culture will receive her.

Solid story, and I like following Binti as much as the first time.  The first book took place mostly off-Earth so you didn’t get to see much of Binti’s home or her culture directly.  This story takes place almost entirely here, we get to know her family and her background better.  This story is the second in what I think will be a trilogy and it does feel like that–it is clearly building FROM something, and clearly building TO something where it will go next, but as itself I wanted to get the rest of the story–I will be excited to read the third story.  I would recommend not starting the series with this book–I don’t think you’ll get everything out of it if you haven’t seen Binti’s path so far, and the previous conflict with the Meduse and the beginning of the truce.

6. The Black Tides of Heaven, by JY Yang (Tor.com Publishing)

Mokoya and Akeha are the twin children of the Protector, sold to the Monastery at birth.  Mokoya is plagued by visions of the future that can’t be changed, and Akeha is drawn to political revolution.  The Machinist rebellion is growing, the power of technology growing quickly and threatening the iron rule of the Protectorate and their soldiers, and both of the siblings see the terrible things their mother does to maintain her rule.  They must make decisions about where their loyalties lie and where their abilities are best used.

This story ties into the author’s Tensorate series, and was dual-released with another novella in the same universe The Red Threads of Fortune, but it works as a standalone–you don’t need any prior knowledge of the characters or universe to be able to follow the story.  I haven’t read the related novella or the other books in the series, but I enjoyed getting to know the twins and their relationship with each other.  What I found particularly interesting was some of the cultural details, especially how children are not considered a specific gender until they’re old enough to decide their gender for themselves, and how Tensorate magic is used to facilitate this process–although parts of living under Protectorate rule seem oppressive, this particular aspect was positive and interesting.

 

DP FICTION #39B: “Graduation in the Time of Yog-Sothoth” by James Van Pelt

Jackson clung grimly to his seat as the bus rattled over a corduroy stretch of road, tossing him against Gwynn. She held a flute case in her lap, while in the back of the bus, the rest of the flute section, seven girls and a boy—piped a discordant, screeching melody that wasn’t improved by bouncing around as the bus lurched down the rough track. Gwynn wore her hair short, seldom used makeup, and he’d often seen her sitting in between classes working on a sketch pad.

“Weren’t you supposed to play today?” said Jackson. The bus lurched left, pushing them the other way.

“Last week for seniors.” She looked out the window. The woods that lined the road when they took the bus in kindergarten were now blasted, shattered and burnt fragments that stuck up from the ground in painful angles. “The underclassmen have to learn how to play without us.”

Jackson nodded. Only five days until graduation. “Same with the newspaper. The senior editors handed their duties over to the juniors the first of the month,” which stung because Jackson had been the sports editor. He was sure Drew Whittier didn’t have the same drive to get to the heart of a news story that he had. How would the fall preview go without Jackson’s input? Did Drew have the same contacts on the football team? Did he know anything about cross-country? The section would be a mess.

It was hard to think, and even harder to be optimistic with the flutes shrieking behind him, but he wished they played louder, protecting them. Through the tinted windows, the low-hanging clouds swirled, glowing orange and red at their edges as if reflecting an unseen fire, a sure sign an Old One was about. Only flute music could placate them, although that was no guarantee. Three years earlier the forensic team didn’t escape, even though they traveled with that year’s state championship flute section. Some of those kids were still at the school, in a separate room, tended by aides who pushed their wheelchairs about and fed them.

Gwynn leaned into him, “Do you have your speech ready?”

Jackson grimaced. “Everything I write sounds stupid. What do I say about our future? We might not even have a future.” He’d been both proud and terrified when Principal Akeley named him valedictorian. At the beginning of the year, Howard Durst and Emma Chen had higher grade point averages, but they found Howard in the library on Halloween, slack jawed and drooling after reading from The Book of Azathoth (which was supposed to be locked up and unavailable to students) while Emma fell for a weirdly fishlike football player from cross-county rival, Dunwich High, and failed all her first semester classes except Mythology.

Gwynn said, “Write something hopeful.”

The road to the high school entered Trimount Canyon where low, limestone bluffs rose on either side. Jackson relaxed. He felt safer within the stone walls. They’d be harder to notice here, but they hadn’t gone a half mile before the bus slowed, then pulled onto the shoulder. Pale rock blocked the view out the windows across the aisle. Cloud-shrouded light illuminated the road through his window, though. The flute section redoubled their effort. A tremor shook the bus, then another. Dust drifted from the cliff walls as the sky darkened and grew more crimson.

“Put your heads down, kids,” shouted the bus driver. “Heads down and stay down until I tell you to sit up. Just like the drills.” She sounded calm, as if she did this every day. Even as Jackson pressed his chest into his knees, he marveled at how collected she was. Without the flutes, silence ruled.

The bus trembled again. Whatever Old One came their way was immensely huge and heavy. Would it step on them without even seeing them? Or would it pick them up, shake them about like pebbles in a box? Would it stare at them, sucking their minds into madness before it tossed them aside or dropped them down his terrible throat?

Gwynn grabbed his hand. They’d never held hands before. She was just a friend who’d been in his classes since preschool, like many of the seniors.

She whispered, “Will you open with a joke? Last year’s valedictorian told that great one about the three blind guys at a nudist colony.”

An Old One had never come this close to Jackson. They left omens in the sky: blood moons, tortured clouds and foul winds, signs in the sea: unnatural tides, fish kills, strange eruptions, but never a genuine appearance. Like tornados or tigers or tsunamis: they were much talked about, often part of nightmares, but not actually real.

He knew when it passed over. The hairs on the back of his neck stood, and then a pull from above from the Old One’s self-generated gravity. An icy, pure glacier abyss opened in the sky, as if the bus had turned upside down and longed to fall up. Jackson swallowed hard and clung to Gwynn’s hand. A thought looped, faster and faster: If I survive . . . If I survive . . . If I survive.

Then his organs shifted. The pull released, and darkness relented.

Jackson breathed deep. “I don’t know. A joke might be cheesy. I thought a shared memory like when Mrs. Peterson made hot fudge sundaes in kindergarten.”

They hadn’t sat up. Heads down, holding hands, Jackson felt as if they were alone somewhere, sharing a lifelong past. When the Old One eclipsed the sky, Jackson couldn’t tell if he was feeling Gwynn’s hand or if he was her feeling his hand. It seemed in that instant he saw the bus floor from his eyes and hers. For a blink, he sat in her mind, surrounded by her thoughts, being her, and he knew she’d become him. She hadn’t been as scared as he was; she’d thought about painting the clouds—blending the orange into the red and the red into gray. That close to pure, psychic alienness, they’d joined. The power to drive a human mind mad must have degrees. They hadn’t been taken over the edge, but they altered. Their skin melded; their nervous system became singular. The Old One, its mind more vast than human imagination, washed through them without bending from its alien mission and unknowable intents. Jackson had never been closer to anyone.

“Did you feel that?” Gwynn asked.

“Old One aura. Remember from the orientation?” He shivered. He couldn’t feel more exposed if they sat next to each other naked. How would they look each other in the face again?

Gwynn stayed down. The bus driver hadn’t cleared them to sit up yet. Jackson could tell Gwynn searched for words. How would she process what they’d gone through? Would she be able to talk to him?

Finally, she cleared her throat. “I forgot about those sundaes.” She squeezed his hand. “Every day was sunny then, even the rainy ones.”

*

In the hallway, Jackson pushed past the Acolyte Club who’d set up tables against the wall with promotional flyers and pamphlets. “We’re doing a chant around the flagpole after school to placate our benign overlords,” said a sophomore boy Jackson knew from the newspaper. The boy had blue lines on both sides of his neck in nesting curves, imitating gills. Jackson couldn’t tell if they were drawn or tattooed. Lots of kids had them, and many greased their hair and brushed it straight back from their foreheads, as if they’d risen from the ocean. Lately they sported large black buttons with yellow writing that read “Nothing Without Sacrifice”.

“DBD,” the kid said. “DBD, bro.”

Jackson shook his head, refusing the flyer. DBD: Dead but Dreaming. Jackson thought, aren’t we all.

Half the school belonged to the Acolyte Club. A group of teachers sponsored, slicking their hair back too. The rumor was that some of them encouraged the Acolyte Club to circulate the petition, asking the school board to change Kennedy High’s college-oriented, liberal arts curriculum into a religious one. They listed classes they wanted to add to graduation requirements, including “Important Figures, Relics and Places from Abdul Alhazred to Zon Mezzamalech,” “Sea Wisdom,” and “Intro to the Outer Mysteries.”

Gwynn sat behind him in British Lit. Jackson took out his notebook with quotes he’d been collecting that he might use in the speech. She looked over his shoulder. “Is that Othello?”

Jackson turned back the pages, one by one so she could see. “Yep. Othello, Macbeth, Gilgamesh, the romantic poets and the realists, stuff from American presidents, movie quotes, song lyrics, advertising slogans, and stuff my parents say. Nothing has struck a spark yet.”

He didn’t want to meet her eyes, but she wasn’t talking about the trip to school, which was good.

A couple girls a row over whispered to each other, looking Jackson and Gwynn’s way.

Gwynn said, “The word is out about our close encounter. Everyone on our bus will be famous by lunch. What are you going to say about what happened?”

“I’m not sure I know what happened.”

“Ask one of the acolytes. They’ll have an explanation.”

Jackson almost laughed despite himself. “Will it involve the transmutation of souls or surrendering ourselves to the vast indifference of the universe?”

“I almost wouldn’t mind the dissolution of self as long as they don’t ask me to wear my hair like that.”

Jackson said, “One of them told me that in madness lies sanity, and then asked if he could copy my Calculus.”

“Everyone wants to copy your Calculus.”

“You’re not helping me with the speech.”

“Do you want help?”

Jackson faced her. He hadn’t ever looked at her eyes before, not with this attention. They were dark brown on the edges, fading into gold near the pupils. She’s the girl with the treasure-well eyes.

*

During lunch, Principal Akeley looked up when Jackson entered her office. She often wore floral pantsuits. Today’s ensemble leaned toward pinks and purples, as if a giant orchid had thrown up on her, but she had an unforced smile and liked to joke. Normally Jackson didn’t mind talking to her, but not today. She’d want to know about the speech. Instead, she went a worse direction.

“Have you decided on a college, Jackson?” She put her hand on a short stack of brochures on the desk. “You missed the early application deadlines.”

“Umm, not completely. Maybe the University of New Mexico in Albuquerque.”

“Long way from home. Long way from the ocean.”

“That might be the point.”

“Why not Miskatonic?”

“M.I.T.?”

Akeley raised an eyebrow.

Jackson said, “Miskatonic in Town. Nobody wants to go to college that close to their parents.”

Principal Akeley shook her head. “It’s the same everywhere.”

“Then does it matter? I was going to apply to Stanford.” He regretted saying it. He didn’t want to sound bitter. Palo Alto didn’t exist anymore. In its place, a four-mile wide crater filled with the San Francisco Bay seethed and bubbled. Last summer, for weeks, news covered the disaster. They showed seabirds by the hundreds of thousands gathered on the shore, piping a terrible din, wheeling about in great clouds above the water, but never landing, and whatever stirred the unnatural bay didn’t surface.

She hunched forward on her desk, and grew intense. “They don’t care about us, Jackson. I don’t believe they know we exist.”

“Don’t say that to the acolytes.”

Akeley continued, “Today, on the bus, might never happen to you or anyone you know again. Stanford may never happen again. They could disappear as suddenly as they arrived. You can’t make your decisions based on the worst case scenario.”

“I know. I know. But it’s harder for us, for the seniors, I think. What did you worry about in high school?”

The principal straightened her folders, then glanced at her clock, looking infinitely tired. Jackson realized she had other appointments. “The world changes. Growing up is challenge enough. How’s your speech coming? You know I need to approve it first.”

“I’ll have something for you soon. Tomorrow after school?”

She squinted. “You haven’t started it yet.”

“Not the speech itself, but I’ve been thinking. I’ve gathered material.”

“A lot of people depend on you to make a good show of it. Parents, alumni, the school board and all your peers. Give them something to think about.”

They shook hands.

Outside her office, Jackson thought, way to take the pressure off, Akeley.

*

Jackson knew Gwynn was on her way before she appeared around a corner of the school a hundred yards away and walked toward the bleachers where he sat. All day he’d noticed ghost feelings: the weight of a pen in his hand when he wasn’t holding anything, a necklace he wasn’t wearing rubbing against his neck, an inhalation when he exhaled. They were Gwynn’s experiences. He wondered if their link would fade.

She set her art portfolio and book bag on the bleacher, then settled onto the bench next to him. “Weird day, huh?”

“Indeed.”

Something itched between Jackson’s shoulder blades. He thought about trying to get to it, but he knew he’d look stupid stretching about.

Gwynn put her hand behind him and scratched at exactly the right spot.

“Thanks,” Jackson said. They looked at the football field and clouds without speaking for a minute before he realized what she’d done. He glanced at her. She clasped her hands in her lap, sitting still. From the other side of the school, a dull, rhythmic mumble arose. He recognized the source: the chant at the flagpole. It would take a lot of acolytes to be that loud. The story of what happened with the bus had lit them up. Interruptions filled the afternoon as teachers reminded acolytes to stop whispering. Several times, Jackson caught an acolyte staring at him.

She said, “I got a C on my final art project.”

“No way!” The yearbook had named Gwynn “Most Artistic,” and the newspaper had written an article about her winning entry at the Massachusetts Art Institute High School Show in December. “How in the world did that happen?”

“Because of this.” She pulled a small canvas from the portfolio. On it she’d painted an orange resting on a worn wooden table. A single rose lay before it. Behind both, a crystal pitcher, half full of tea, glowed warmly in sunlight from a window not in the picture. Even with his limited understanding of art, Jackson gasped. Something in the way she’d painted it made the shadows utterly real, and the orange’s skin held and reflected the light.

“That’s beautiful. What didn’t she like about it?”

Gywnn laughed. “The assignment was a still-life, clearly, but she put on the table a dead rose, a broken pitcher, and a nasty, rotted orange. She said, ‘make your painting reflect a mood.’ Evidently she wasn’t going for what I saw. Last week we did multi-media with mutant ceramic tuna, rubber octopuses and seaweed. The art room looked like an insane asylum fish market. Gave me nightmares.”

“Does she wear her hair slicked back?”

“You know it.”

On the horizon, clouds swirled and pulsed with internal light. Jackson watched them warily.

Gwynn put the painting back in the portfolio, then produced a notebook and pen. “I have an idea for your speech, but you have to answer some questions first.”

“Shoot.”

She made a mark on her notebook. “Good. Do you want to be funny, serious, or both.”

“Both.”

“Check.”

“Are you giving the speech for your parents, your friends, the senior class or just yourself?”

Jackson wrinkled his brow. He hadn’t considered that, plus the chanting and roiling clouds distracted him. “I’m not sure.”

“You’ll have to decide.”

On the school’s other side, the murmur intensified. Jackson had heard the chants before, and seen bathroom graffiti featuring strange words, not in English, unpronounceable with too many consonants and lots of apostrophes. Jackson almost missed the casual racism and crude sex talk from elementary school. Yesterday, below a poorly rendered representation of what might have been a slaughtered sheep, or a dog drawn by Picasso, someone had written, “In his house at R’lyeh dead Cthulhu lies dreaming.” Underneath that, in a different hand, was a reply, “Wake him!”

“The acolytes are moving,” said Gwynn. A crowd flowed around the school, heading toward them, arms in the air, repeating, “Iä Hastur cf’ayak’vulgtmm, vugtlagln vulgtmm.”

More emerged, hundreds of them, walking slowly, waving hands in the air. Jackson recognized some. Bud and Terrance from newspaper. Chuck who had played third base in junior high. Junior class president Lisa Schmaltz, her face filled with zeal, the bizarre words tumbling from her lips. Many were seniors he’d march with into the gym for graduation in a week, friends he’d known for years.

Gwynn said, “That’s creepy.”

“Have you seen the buttons?”

Jackson joined her. She stood. “Do you think they’re literal, about sacrifice, I mean?”

Together, they started down the bleachers. Jackson said with a calm he didn’t feel,

“They’ve been eyeing me all day. I don’t want to find out.”

They broke into a run across the football field, away from the chanting students and didn’t stop until they reached a low hill overlooking the school. The crowd filled the football field, arms still in the air, weaving back and forth, words now indistinct, but “Cthulhu R’lyeh” seemed a key component.

Jackson shivered, then moved closer to Gwynn. He was afraid to hold her hand again. Memory of the morning was too intense, but he felt safer next to her. The clouds darkened. A cutting wind swept through the trees behind them. Jackson heard it rushing through the leaves before it pressed against his back, cold and smelling of the Atlantic. On the field, the chanting rose in volume. Arms swayed, hands dancing like demented starfish. The students undulated in obscene synchronization. For a second, he was convinced that whatever monstrosity that missed them this morning was returning to finish the job, that if he looked up, a huge object would descend, a tentacled, leprous, oozing mass, the base of a huge trunk that disappeared into the clouds, a single leg of the creature whose head must reach into the stratosphere.

The image trembled in his mind as vivid as a prophetic vision.

Principal Akeley appeared at the crowd’s edge carrying a megaphone, while the congregants looked to the clouds, ecstatically repeating whatever appeal they were making.

She brought the megaphone up, fumbled with it until it emitted a siren howl. The kids nearest to her looked her way.

“Students,” she said. “Buses will not wait. If you miss your ride, you will have to walk home or call your parents.”

Jackson imagined the acolytes falling upon her, their primitive lusts let loose and indulged, but the chant faltered. Arms fell to their sides, and they moved toward the school. A student tossed a Frisbee to another. Kids laughed. They hummed with lively chatter. Within a couple minutes, the field emptied.

“We survived,” said Gwynn.

“Indeed.”

Their hands moved toward each other, a mutual decision, and they touched. Nothing had changed from the morning. The connection remained. Jackson knew Gwynn and she knew him. No consummation could be more complete. They would be friends forever. More than friends.

And nothing in the future seemed bleak.

Jackson thought about the folder filled with quotes in his locker. For the first time, he imagined himself giving the speech, not what he would say, that was still a mystery, but he knew he wanted to speak of hope.

He said, “How does this sound: None of us knows our future, but we don’t need to when we have each other.”

Gwynn shivered. “Corny. Corny but true.”

The clouds above the school folded upon themselves then flashed from internal lightning. A few seconds later, the rumble washed across them. Something incomprehensible moved above, but Jackson realized it always had. For all of time the universe had been indifferent to humanity.

We are on our own.

Graduating from high school, really graduating, meant finally realizing that truth.

 

 


© 2018 by James Van Pelt

 

Author’s Note: I’ve been a high school teacher for a long time, and I remember being in high school myself vividly.  When I heard a suggestion to write a cthulhu mythos story set in a high school, I kicked myself for not thinking of it sooner.  Where else but in high school does the universe ever feel quite so huge and uncaring?

 

James Van Pelt is a part-time high school English teacher and full-time writer in western Colorado. He’s been a finalist for a Nebula Award and been reprinted in many year’s best collections.  His first Young Adult novel, Pandora’s Gun, was released from Fairwood Press in August of 2015.  His next collection, The Experience Arcade and Other Stories was released at the World Fantasy Convention in 2017.  James blogs at http://www.jamesvanpelt.com, and he can be found on Facebook.

 

 

 

 

 

 

 


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Anime Review: Code:Realize ~Guardian of Rebirth~

coderealize

Code:Realize ~Guardian of Rebirth~ is the story of a young woman, Cardia Beckford, who is left alone in a mansion by her father. He tells her she cannot leave and that she must never know love because she is a monster. Her touch is a corrosive poison that melts anything she comes into contact with save the specially designed sheets and clothing her father crafted for her. One day, her father is supposed to come back for her, but before that happens, Queen Victoria’s soldiers arrive to take her away.

She’s stolen from them by none other than master thief Arsène Lupin, who brings her into his gang of friends who are hunting for Cardia’s father, legendary scientist Isaac Beckford. Cardia decides to join them rather than go back to the mansion, so she can learn more about herself, the strange gem embedded in her body in place of a heart, and to find her father.

Code:Realize is set in an alternate Victorian England, powered by steam-driven technology, and Lupin’s group is composed of literary figures who supposedly lived in that time period. So Cardia ends up rubbing shoulders with Victor Frankenstein, Count Saint-Germain, and Impey Barbicane. (I had to look up Impey, who apparently is from a Jules Verne novel From the Earth to the Moon.) Abraham van Helsing joins them shortly afterward.

The show also features other literary cameos such as Captain Nemo and Herlock Sholmes (the “getting around copyright” adversary of Arsene Lupin), making it fun to watch for period fans, as long as one doesn’t expect too much historical accuracy. Even Queen Victoria herself has a sizeable role.

Cardia’s father isn’t just the greatest inventor in the history of Britain, he’s also suspected of being behind a terrorist plot, and a mysterious organization known as Twilight is after Cardia, led by none other than a boy claiming to be her brother.

Though her companions get some time in the limelight, the anime keeps the story focused around Cardia, her discovery of Isaac’s true plans, her budding sense of self, and her growing trust and affection towards Lupin. All this happens in a steampunk world full of cars, trains, airship races, government conspiracies, and mad alchemy. But even though the story is imaginative, it doesn’t quite come to life, and I think it’s due to the series’ struggle with its roots.

Code:Realize is based on an otome visual novel, so in the source material the player is Cardia and she pursues a romance with one of the men, so all five are young, single, and good-looking irrespective of how old they should be at this point in history.

It’s a really good otome, where the rest of the story is just as engaging as the romance, making an anime adaptation an excellent chance to pull in a crossover audience. Unfortunately the anime doesn’t go for that and positions itself as a more traditional reverse harem show where one girl is surrounded by a group of guys who all like her, rather than a badass group of friends who are trying to help one of their own (which is closer how it feels in the game, ironically enough).

It might be due to the run time constraints, but a lot of the banter between the different men is missing in the anime, making them seem more like work partners rather than true companions. This flattens their characterization and makes their strongest bond through Cardia rather than each other, which doesn’t feel convincing when most of them don’t get enough time to fall in love with her either.

This weakens the run up to the finale, when Cardia and her five friends are supposed to be working as a cohesive unit. The series actually has a fairly action-oriented second half, with London under siege due to an insurrection. We know the six of them are supposed to be composed of battle-tested friends, because they’ve been together since the start of the show and they’ve done some jobs together, but we don’t feel it, which is too bad because the last two episodes are otherwise pretty good.

Both in the game and the anime, Cardia starts off the story as an emotionless doll due to her isolation, but as time goes on she starts to display more of a will of her own. She never gets as expressive as in the game, which will probably be the biggest disappointment for fans of the original, but even as muted as she is, she’s still better than the average otome heroine, and the animation staff lets Cardia fight for herself in combat so she avoids the standard heroine helplessness for the genre. Her battle choreography isn’t particularly great to look at, but it’s about par for the course for the rest of the cast.

Despite the loss of characterization, the anime otherwise does an extremely good job of adapting the game. This is no mean feat considering that a single playthrough is about 15 hours long and most of that time is spent reading. Though it was a given that the anime would follow Lupin’s storyline, since he’s the series’ poster boy, there are a lot of details from the other romance routes that are necessary to understand the story as a whole, and the show manages to weave them in. This allows things like Saint-Germain’s backstory to work when it wouldn’t have if the script had scrupulously stuck to Lupin’s in-game storyline.

The adapted script is also unafraid of moving plot moments to different places in chronology or different locations from the original. Frankenstein, who was originally not part of Lupin’s gang, is already with the group by the time Cardia meets him, speeding up what was originally a much slower start to the story. Some element of cutting and rearrangement was expected, but Code:Realize does it a lot and remarkably without losing a single plot thread. Events might not occur exactly as in the game, but the story remains intact.

In the end, Code:Realize is perfectly viewable version of the source material, even without being a prior fan, but as an adaptation it has a lot of flaws in what was otherwise a promising premise. My feeling is that the adaptation writer was trying so hard to make the plot fit in the time allowed that characterization fell to the wayside in favor of leaning on common otome anime tropes instead of what made Code:Realize unique among its peers.

Number of Episodes: 12

Pluses: Entertaining steampunk worldbuilding, smart adaptation to condense the source material into 12 episodes without losing much of the plot, Cardia is not as helpless as typical for otome protagonists

Minuses: Characters are fairly flat across the board, series wants to be a simple reverse harem romance but can’t get away from the source material’s action scenes, combat choreography is subpar

Code:Realize ~Guardian of Rebirth~ is currently streaming at Crunchyroll (subtitled), Funimation (dubbed). Funimation has licensed this for eventual retail distribution in the US.

laurietom
Laurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie’s short fiction has been published in Galaxy’s Edge, Strange Horizons, and Intergalactic Medicine Show.