Anime Review: Monthly Girls’ Nozaki-kun

written by Laurie Tom

monthlygirlsnozakiI had considered watching Monthly Girls’ Nozaki-kun back when the summer season first started, but at the time I thought it was going to be a more straightforward romantic comedy and with everything else premiering that I wanted to check out, Nozaki-kun got pushed to the side.

Fortunately, I came back to Nozaki-kun and this is one of the few shows that actually made me laugh out loud. It starts out looking like a rom-com, but it’s really just a comedy. The characters are a bunch of screwballs who tend to play against type, which makes for hilarious scenes where nothing happens the way it should.

Chiyo Sakura is a second year high school student who finally works up the nerve to confess her feelings to her crush, a fellow second year called Umetarou Nozaki. But the words don’t come out right so he confuses her for a fan of his work, gives her an autograph, and invites her over for his place.

It turns out that under a pen name Nozaki is secretly the hugely popular shoujo (girls) manga artist behind the series Let’s Fall in Love. But Nozaki isn’t the typical romantic. In fact, he admits he’s never been in love at all (and he’s completely oblivious to the fact Sakura is crushing on him). He just happens to be really good at the shoujo style and has a feel for the tropes needed for a series to succeed.

The real reason he asked Sakura over is that he’s seen her work as part of the school art club and he needs someone to do the beta coloring for his manga. Sakura, just happy to get involved in his life, accepts, setting the stage for the rest of the series.

Monthly Girls’ Nozaki-kun runs a lot like a sitcom, with one or two plot lines per episode that may or may not be referenced later. There’s not much of an overarching story, with most of the episodes focusing on things like Nozaki doing research, but the supporting characters are what make it worthwhile.

Like many authors, Nozaki draws on things around him for inspiration. Everything turns into research for Nozaki, from visiting a toy store to an unexpected sleepover consisting entirely of male classmates, but the most fun is how Nozaki chooses to model his characters off the people he knows.

For instance, the protagonist of Let’s Fall in Love is a teenage girl who gets easily embarrassed by the opposite sex, discouraged at the drop of a hat, but ultimately gives her best.

She’s based on Nozaki’s classmate Mikoshiba, who is male, and in any other series he’s the guy with the good looks who would be the lead.

When Nozaki needs a rival character for his manga’s male love interest he ends up basing him on Sakura’s brash and unthinking classmate Seo, who is female.

The fun is in seeing how the characters transition from life to the page, and how Nozaki tries to craft ways in which he can research or observe what he has no experience in himself. The image I chose for this review is from the first episode where Nozaki wants to figure out how to do a romantic bike ride as a couple. (Hint: It doesn’t go over well.)

Being teenagers, most of the characters have no frame of reference for how relationships are supposed to work (both romantic and non), and nearly all of them draw on popular media to see how things are supposed to go, with unintended results. Some of the best scenes are when Nozaki will witness something that plays out completely wrong “in real life” and then transforms it into something that manga readers will eat up once it’s on the page.

Not every episode has every character, but the show manages to keep most of them engaged in some manner or another, and truthfully it’s a little crowded once they’re all introduced, with a primary cast of seven and then a few others.

Monthly Girls’ Nozaki-kun isn’t a show that demands to be devoured in large chunks, but it’s a great pick-me-up for when you need a laugh and reminder that it’s okay for real life to not be like fiction.

Number of Episodes: 12

Pluses: Lots of gender role reversals, hilarious insight into creative types, fantastic cast of characters

Minuses: Sitcom nature means that the series wraps up without actually resolving anything, lots of characters and not enough time to focus on all of them

Monthly Girls’ Nozaki-kun is currently streaming at Crunchyroll and is available subtitled. Sentai Filmworks has licensed this for eventual retail distribution in the US.

laurietomLaurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie is a previous grand prize winner of Writers of the Future and since then her work has been published in Galaxy’s Edge, Penumbra, and Solaris Rising: The New Solaris Book of Science Fiction.

Interview: Toni Weisskopf

WeisskopfCARL SLAUGHTER: Let’s start with some business questions, especially about ebooks, the first one being very open ended. How has Baen’s adapted during the ebook revolution and what has been the result?

TONI WEISSKOPF: Baen joined the ebook revolution very early on; we published our first ebooks in 1999. Jim Baen (and our webmaster at the time, Arnold Bailey) listened to our readers, so we quickly settled on the best way to deliver ebooks to our customers, at a price point they would accept. We helped create the market for ebooks with our CDs full of free ebooks bound into first edition hardcovers. And with our Baen Free Library, we made it very easy for people to understand how to download and use ebooks. And we still do.

 

Do most ebooks sell through retail, direct mail, or downloads?

Through retail outlets like Baen.com, Amazon, B&N.com and so on.

 

Does every book have a hardcover, paperback, and ebook version? Are they published in a certain order? Are they ever published simultaneously?

No, not necessarily. Sometimes a book is a paperback original, and only later gets a hardcover edition, like Mike Williamson’s Freehold or Eric Flint’s first novel, Mother to Demons. We have two modes of ebook delivery: pre-pub, in which we sell both the EARCs and the serialized Webscription books of the month. Then post-pub, when both the paper book and ebook edition are available simultaneously.

 

Which version sells more copies? Which version is more profitable for the publisher? Which version is more profitable for the author?

Entirely depends on the book and the times.

Does a manuscript get to the reader faster because it’s in electronic form?

No.

 

How many copies of a book do you need to sell to break even?

Another question that depends on so many variables,it’s a different number for each title.

Exactly how many sales constitutes a best seller?

Also a sliding scale, depending on what other books were published that month, that week, that day.

 

Has Baen been affected by the self publishing revolution?

Probably, in that some authors go directly to self-pub and we don’t see their submissions. But I also know many authors who do both. So perhaps not all that much.

 

Now some writer questions. Are there any subgenres you are specifically looking for, any you definitely don’t accept, any you like but get too much of, any you like but don’t get enough of?

We are always looking for strong stories, whatever the subgenre. Of course we publish only science fiction and fantasy.

 

Looking through the catalogs of the speculative fiction imprints, I notice an awful lot of trilogies and series. Is this the order of the day? Or has this always been the case?

There is such a large investment in a writer’s time to create a world, a future history, a magical system, that often they discover that more than one story can be told. And the same is true of the reader’s time, getting invested in a world. So it’s inherent to the genre.

 

Is a trilogy/series more commercially viable/safer than a string of stand alones?

Depends on the author.

 

When you sign a contract with an author, is it for a single manuscript, a certain number of books, or a certain amount of time?

Either a single book or a certain number of books. Again, depends on the author, how much experience he or she has had, what our experience of working with the author is like, and so on.

About how many manuscript submissions per year do you receive?

Thousands.

 

What percentage of those manuscripts do you buy from debut authors?

We buy on average 1-2 new-to-Baen authors a year.

 

Do you prefer an author with a resume of several short stories and maybe an award or two, or is the decision based solely on the manuscript?

Those other things don’t hurt, but the decision to buy is based solely on manuscript.

 

What are the most frequent questions you receive from writers at conventions/workshops?

While most people are there to hone their craft, a few, perhaps optimists, are looking for a magic bullet, the secret thing that will shoot them to the top of the bestseller lists right away. If there is such a thing, I don’t know what it is. Some people ask, what are you looking for now? But the answer is always the same: great stories of science fiction and fantasy. If you say vampires or space opera or unicorn zombies, you will always be chasing a trend. I’d rather see what most excites you now.

What are common misconceptions writers have about editing and publishing?

Perceptions of time. Things take longer than they think, from typesetting to marketing and sales promotion.

What are the most common manuscript mistakes authors make?

Computer screen formatting instead of double-spaced, no line breaks between paragraphs. Oh, and not numbering the pages. We need a running head or footer with page number, last name of author and enough of the title to identify it, if say the printed manuscript the editor is reading gets mixed with some other manuscript. I’m not saying that’s happened to me,but it’s happened to me.

 

Advice to aspiring writers?

Pastiches, fan fiction, and homages are a great way to hone your craft. But at some point you will want to find your own voice, and write about what moves you most.

 

 

Carl_eagleCarl Slaughter is a man of the world. For the last decade, he has traveled the globe as an ESL teacher in 17 countries on 3 continents, collecting souvenir paintings from China, Korea, Thailand, Vietnam, and Egypt, as well as dresses from Egypt, and masks from Kenya, along the way. He spends a ridiculous amount of time and an alarming amount of money in bookstores. He has a large ESL book review website, an exhaustive FAQ about teaching English in China, and a collection of 75 English language newspapers from 15 countries.

Daily Science Fiction March Review

written by Frank Dutkiewicz

It has been a very long time since we last appeared. A busy schedule and active life is our excuse. My apologies to Rahul Kanakia for pestering him for an interview, then dropping off the face of the Earth. I recommend that you all visit his blog (very interesting, entertaining, and insightful) and consider reading his latest book.

With much regrets, next month’s review (April) will be our last. I won’t be getting all gushy with you about it now. I’m saving that for my next review (need to fill up some space). But please take a gander of our thoughts of March’s tales, then visit go Daily SF and read them for your own amusement.

 

“Wedding Day” by Brian Trent (debut 3/3 and reviewed by Dustin Adams)

Because this story relies on its secret, a review is impossible without :spoilers:

Men from the future have come back to marry some of the most brilliant women of our time before an asteroid strike. This is a cool idea, but I had trouble with some inconsistencies, like why are they so hungry? And certainly the asteroid didn’t destroy the planet or there would be no future men to travel back.

I did like the story because of the details and the teasing that something unusual was going on, leading us on just enough to get hit with the hammer of the last line.

 

“Love is a Component of This Story” by Liz Argall (debut 3/4 and reviewed by Dustin Adams)

Indeed, the title sums up this story about the customs of a foreign people, and two volunteers being tested/examined with various sexually stimulating scenarios and machines.

Although I couldn’t exactly find a connection between the two concepts, nor a reason for the female character being named Bruce, (a constant distraction) I found the story fun and easy to read. And of course, being a romance, with a most unique path to the characters’ meeting, I felt the aww factor.

 

“Luna City, At Night” by Karl El-Koura (debut 3/5 and reviewed by Dustin Adams)

Hard-edged descriptors give this story its grim feel of a future gone mechanical (automatic, not robotic). A man, a future player if you will, finds and beds women who he assumes are interested in his wealth, (his silver watches, and bulging wallet). He seems to be a working man, yet has money to allow the women to steal, in the night, when he pretends to be asleep.

Interesting concept that he accepts the women’s thievery as payment for getting what he wants, but is he happy in his mundane world of repetition? Only after a woman doesn’t follow through with the expected, does the man begin to see the unexpected.

 

The price for survival is a long outstanding debt. “The Alien Tithe” by Eric Brown (debut 3/6 and reviewed by Frank D) is the tale of colonists who crash landed on their new home. The native aliens saved and healed the survivors of the disaster but have demanded a tithe for their good deed. The story follows along the trek of one the colonists as he leads his children to the aliens to pay for the debt.

“Alien Tithe” is a chilling tale. The gratitude the colonists had to their alien hosts has evolved into a yoke of guilt. I found this short tale to be intriguing and told well.

Recommended

 

Life goes on after the world is dead. “Through Dry Places, Seeking Rest” by Megan Arkenberg (debut 3/7 and reviewed by Frank D). Is the tale of a mute. Civilization has collapsed shortly after angels have appeared. The protagonist’s brother was murdered and now he wanders alone, seeking a running train while he walks the rotting planks and rusting rails that mark their mythical tracks.

The protagonist of this tale is a drifter with no place to go. He has lost the last person who ever meant a thing to him in a world without hope, a metaphor that proves fitting for “Through Dry Places” theme. The story, like the protagonist, simply drifts without much of a purpose.

 

Holes are filled in a popular fairy tale. “All Upon A Time” by Dani Atkinson (debut 3/10 and reviewed by Frank D) is a series of backstory narratives around the Cinderella tale.

Cute.

 

A stop at a coffee house will put you in just the right mood. “Surprise Me” by Andrew Knighton (debut 3/11 and reviewed by Frank D) is the tale of Yan, a counter worker at a coffee house with gift of pouring the emotion you need into your cup. A special girl, a customer who always orders ‘surprise me’ has been the object of his affection. He has brewed himself up some courage for her arrival but needy customers, and the fading effects of coffee, may sap the drink’s powers before he can ask her for a date.

“Surprise Me” is a tale of a boy trying to gather the nerve to express his feelings. It serves as a neat metaphor on the awkwardness of dating.

 

Yeast from the stars stumble upon a horrible world. “We Don’t Believe That They Are Friendly” by Sylvia Spruck Wrigley (debut 3/12 and reviewed by Frank D) is a report from a surveying crew of a yeast-based life form on their findings of an isolated world.

Fun piece.

 

“This Doesn’t Appear to Be the Alien I Paid For” by Andrea G. Stewart(debut 3/13 and reviewed by James Hanzelka)

Sir;
When my seven year old daughter asked for a pet I sensed an opportunity to teach her about the universe. After all I’d seen your ads everywhere, at work, watching holo, even while using the urinal. So we ordered the Plum eared Noggin offered in your catalogue. It arrived not in the seven days promised, but in 12; however I chalked this up to the fact that it had to travel half way across the universe. We immediately opened the package to ensure it arrived in good shape and were relieved to see the little heart monitor ticking along in time with the creatures beating heard. When the little fellow didn’t pupate within the two weeks as promised we made the first of our calls to your customer service department. They assured us that the pupation time can vary and we were relieved when a few weeks later the pupa was occupying the terrarium. However when the creature that emerged did not have cute pear shape ears as shown in your catalogue and had a red strip down its back a second call was made to your customer service. Unfortunately it would not be our last.

If you think dealing with earth-bound customer service desks can be trying, imagine dealing with one half ways across the known universe. That is exactly what this author imagined. He did an excellent job at it. This story is infused with a dry humor that really had me chuckling all the way through. Well Done, sir.

 

“The Sentence is Always Death” by Ken Gerber and Brian Hirt (debut 3/14 and reviewed by James Hanzelka)

I’m forty-three, well beyond needing a nanny, but nanny is in the audience like she always is. It’s fitting she should be there since I’m taking the rap for her. There are a few cases ahead of mine. “Case 1201, Miz Gravona,” the Judge says. The alien shuffles up front. “Miz Gravona, given your crime the sentence is death.” Of course it is, the sentence is always death.

This is an involved tale of happenstance, planning and criminality. The author envisions a future where an individual can be “erased”, removed from their own existence; then imagines the possibilities that future presents. It is fairly well written, but could have used some trimming in places. This overwriting tended to detract from the story a bit, but it’s still a piece worth reading.

 

A bulimic girl returns home with a tool to help. “Measures and Countermeasures” by Beth Cato (debut 3/17 and reviewed by Frank D) is the story of Colleen, a young woman whose eating disorder landed her in the hospital. Tonight is her first dinner, but she has smuggled in a piece of technology so she can keep her calorie intake low. If only her mother knew.

“Measures” is a story of trust. Colleen is like many girls with her disease, sure that the people that are trying to help her are against her. Ms Cato demonstrates trust runs deep. The ones truly in need have a small bit still in them that trusts we will do what is best for them.

 

A new god finds his first follower. “Produce 1:1-10″ by Mur Lafferty (debut 3/18 and reviewed by Frank D) is the tale of a lesser god and His flock of one. New gods have been springing up everywhere, spreading their word on things like the merits of exercise at the gym and such. The protagonist is an atheist who stumbles upon the god weeping at her local Piggly Wiggly. The prices of healthy food are too high and the labels are misleading. The new god of supermarkets needs an advocate to bring the truth to the masses.

A light hearted tale.

 

The dead cannot move into the next world while Death morns his loss. “Death and His Lover” by Getty Hesse (debut 3/19 and reviewed by Frank D) is a tale of the dark angel embracing the spirit of his lover. Death alone can open the Gates for the dead to travel beyond, but can’t bear to let his Jerome to leave. The din of the departed grows as they cry out to be released.

“Death” is a tale of closure. The angel knows too well the length of eternity and is unwilling to let his lover go. Touching.

 

The nanobots have come. “Goodnight, Raptor” by A. Merc Rustad (debut 3/20 and reviewed by Frank D) is the story of the end of the world. Little Benny alone survives the destruction tiny nanobots have done to house, town, and family. He managed to rescue his favorite possession, a picture book on dinosaurs. The final few bots have assembled to recreate the image on the books cover, giving Benny the thing he always wanted , his very own raptor friend.

“Goodnight, Raptor” is the tale of a child’s dreams. The enormity of the disaster has not registered in his innocent mind. The last of the destructive bots coalesced to form a talking dinosaur for Benny. The tale would be cute if it wasn’t so sad.

 

What we will do for love. “Because My Heart Is Pure” by Rahul Kanakia (debut 3/21 and reviewed by Frank D) is the story of a man who is perpetuating a lie for the man he loves. Lyle is a gay man who has been pretending to be pure of heart , a genetic mutation that has made them emotionally stagnant individuals. His boyfriend, James – a reckless, passionate, self-absorbed man , is the opposite of an even keeled pure heart. James attends orgies, disappears for stretches of time, but will only shack up with a pure heart. The emotional rift Lyle feels for James he must conceal or he will lose his eccentric lover forever. But can he continue to be something he is not?

“Because My Heart” is a story of sacrifice. The pure-hearted are people who feel neither highs nor lows. Passion is all but gone from their being. They are able to absorb insults and are impassive to feelings of envy and pettiness. The obtuse nature of a pure-heart is just what a selfish free-spirit like James needs. But Lyle isn’t a pure-heart. He forces his feelings down because he knows he will lose the man he loves if they come out.

A warning to readers who haven’t read this piece: heed the warning on adult content. A short segment of this tale could have been cut out of a Penthouse like forum of a gay magazine, very graphic. This story, although well-written, rolls out as a tale of man who is putting himself through needless torment. James is not just a bad-boy of the story, he’s worse. People are just playthings to him, and for a group of people who are as close to automatons as you can get, it is no wonder why he would seek out pure-hearts; all the fun of a superficial relationship with none of the consequences. The tale is a lesson on the hazards of succumbing to your desires. Some things just aren’t worth it.

 

A man recalls why he married his wife in the last moments of their lives. “Till Death” by L.L. Phelps (debut 3/24 and reviewed by Frank D) picks up during an impending disaster. The space station the married couple has lived on has been hit by a missile and is breaking apart as it falls back to Earth. The images of their wedding day fill his head as the reality of the disaster makes it clear that it is all about to end.

“Till Death” is the sweet niche in a sad tragedy. The story takes place during the horrible moments of a terrorist attack. The tale brought back memories of 9/11 for me and thoughts of what must have been going through the minds of the victims when it became clear that their end was near.

A chilling tale.

 

“The Signal” by Spencer Sandoval (debut 3/25 and reviewed by Frank D) is a journal entry written by a worker at a SETI observatory. The protagonist of this tale has simultaneous extraordinary events. News of another civilization very much like their own has been discovered and his first child that is on the way.

“The Signal” is a story I found compelling but not original. The ending has a twist that I have seen before.

 

A bid to overthrow the machine’s human masters can be accomplished for the low price of $99.99. “Robot’s Revenge” by Sylvia Spruck Wrigley (debut 3/26 and reviewed by Frank D) is another installment in Ms Wrigley’s Postmark Andromeda series. This one is a tongue-in-cheek look at the evolution of spam into an untapped market base.

Funny. My favorite of the series.

 

A dying boy is given the gift of a full life. “Gnostilgia” by Ronald D Ferguson (debut 3/27 and reviewed by Frank D) is the tale of 14 year old hero, Karl , the boy who helped prevent a massacre in his high school. His heroics have left him a death’s doorstep. His doctors have an experimental dream making machine. With it, they can give him memories of life he deserved.

“Gnostilgia” is a tale where Karl’s handlers struggle with what is ethical, and what is right. They know what they are doing would not be tolerated by Karl’s parents or with the public , implanting false memories into this boy’s head , but they know there is no hope for young Karl. The full they give him is their gratitude for sacrificing his own life.

A thought provoking and sweet work of flash.

 

Reincarnated lovers meet again in the segregated south. “Starcrossed” by M. Bennardo (debut 3/30 and reviewed by Frank D) is the tale of a young black waitress in a wartime navy town. In the back, a lone white man sits by himself. She recognizes him as someone she has met before, a forbidden lover of from a hundred previous lifetimes.

“Starcrossed” is a romance. The two characters are appropriately named Romeo and Juliet. For generations dating back thousands of years, the pair are destined to meet as people on different sides of the tracks. Their romances are always forbidden, customs of the times deeming them unfit to be together, and like Shakespeare’s play, always end in tragic finale.

Growing up, the past lives always seemed like a dream to Juliet, but when her Romeo appears, she can feel the pull of their destiny drawing them together. Unlike before, this time the pair is older, and Juliet has already started a life, with a family if her own. Her tale becomes a struggle; will an ordained desire drag her onto a familiar path? Or does she have an alternative choice.

“Starcrossed” is recreated and reworked look at a familiar trope. I found the story inventive, engaging, and well worth the read.

 

The world outside is falling apart in Light and Ash by Alan Bao (debut 3/31 and reviewed by Frank D), but for two romantic lovers, it might as well be another world. War rages in Asia but for a couple in New York, it is of little consequence. It is Christmas, and it is snowing, or is that ash?

A haunting tale.

 

 

Rahul KanakiaRahul Kanakia

Our short-lived author spotlight of Daily Science Fiction‘s most prolific authors features an artist known for creating flawed protagonists. His much anticipated YA novel ENTER TITLE HERE is a story described as Gossip Girls meets House of Cards. We wanted to know a little more of what made him tick, so we asked him 3 questions that we drew out of a hat.

 

Do you have a favorite author of short fiction? A writer whose work we should sample at least once in our life?

Well, if we’re talking prescriptively, then no. Plenty of famous authors haven’t read Ulysses, and it’s no big deal. You gotta read what resonates with you. However, if we’re just talking about short story writers who’re really good and who I recommend highly, then I’d say that Borges is pretty worthwhile. He writes stories that are completely unlike anyone else’s. No one else could spin a long entirely-plotless story about a library that that contains all human knowledge. However, since most people have probably already heard of Borges then I’ll also note that Maureen McHugh’s After The Apocalypse is one of the best collections I’ve read in the past five years. I get chills even thinking about it. Her stories changed the way that I approach science fiction. Some of them are so beautifully subtle. I’m reminded, for instance, of the story “Useless Things,” which is about a woman living on an isolated ranch who has to deal with the unwanted reputation for kindness that she’s acquired amongst the migrants who’re traveling north in a future United States where life is just ever-so-slightly worse than it is now.

 

What do you consider to be your greatest accomplishment as an author?

Hmm. In a specific way, I think the best story I’ve ever written is forthcoming in a literary magazine called Birkensnake. It’s called “Sexual Cannibalism,” and it’s told in a series of vignettes as a young boy grows into a man and comes to terms with his sexuality while he researches the mating habits of praying mantises in a world that is wracked by and then overcomes the effects of climate change.

In a more general way, I’m not sure I could sum up my writing career that way. I guess the thing I’m most proud of as a writer is just being persistent. I just sold my first novel after writing and submitting for ten years. I’ve had years-long periods where I didn’t sell anything, or where I felt like I’d regressed, career-wise, but I just kept going. At times it didn’t really make sense, but I did anyway, and I owe a lot of gratitude to the version of me who could have quit, but didn’t.

 

Is there a Daily SF story you would like to recommend for us to read? Anything especially memorable?

Out of all the Daily SF stories that I’ve read, I’d say that I like Sarah Pinsker’s “Twenty Ways The Desert Could Kill You.” It’s playful and inventive and chilling work about a mother and a child who suddenly move to the desert in order to escape…something.

 


Rahul Kanakia’s debut novel, Enter Title Here, will be published by Disney-Hyperion in the fall of 2015. He has sold stories to Clarkesworld, the Intergalactic Medicine Show, Apex, Nature, and Lady Churchill’s Rosebud Wristlet. He holds an MFA in creative writing from the Johns Hopkins University Writing Seminars and a B.A. in Economics from Stanford, and he currently live in Oakland, CA. If you want to know more about him then please visit his blog at or follow him on Twitter

Defining Goal Themes vs Goals

written by David Steffen

This post is in part based on ideas picked from the brain of my good friend Rachael K. Jones–credit where credit’s due!

I’ve talked in previous posts about the difference between goals and milestones. But on the subject of goals, I thought it’s worth breaking that down further into what I’m going to call goal themes vs goals.

 

Goal Themes

By goal themes I generally mean things which describe ideals you want to support in the whole of your long-term career in writing. Rachael’s list of goal themes are something like this, and I think most of these can apply to most people with maybe some alterations:

1. Improve my craft

2. Try things outside my comfort zone

3. Move toward positive change

4. Honor the people who’ve helped me

5. Look for chances to pay it forward

Note again that these are all related to goals, not milestones, because they are things within your control. You can do all of these things without it depending on the actions of other people. There’s a focus on improving craft, but not on sales or writing income, because those latter things require an editor to actually choose to buy your story. But the idea is that by improving your craft you’ll be setting yourself up to make more sales, and so on.

And the paying it forward and making positive change are great because they don’t just focus on personal success but in applying yourself to make the world a better place in some way (which you might be able to be more effective at if you have more personal success, mind you).

Your list of goal themes is something I’d expect not to change too much from year to year, because these are large scale pursuits that aim at general ideals.

 

Goals

Goals are specific aims that you are working on right now, and are best if they relate to one of your goal themes (because that’s how you pursue those ideals). Note that although some of the goals here are from Rachael, I also added in some others as examples of how you might pursue the goal theme.

1. Improve my craft
–exchanging story critiques
–workshops with your favorite authors
–writing more words

2. Try things outside my comfort zone
–public speaking
–slushreading
–guest hosting of podcasts

3. Agitate for positive change within my profession
–working with Women Destroy SF
–Supporting diversity with donations to diversity-supporting publications, volunteering

4. Honor the people who’ve helped me
–writing stories in honor people
–dedications
–jam or other personal goods for your friends

5. Look for chances to pay it forward
–sharing info with new writers
–introducing people
–critiquing
–read, share, and celebrate stories you think are awesome by friends and new writers

 

Anime Review: Blue Spring Ride

written by Laurie Tom

bluespringrideThere were a couple times when I thought I was going to drop Blue Spring Ride just because it’s not quite my thing, but it’s managed to surprise me; probably because the relationship between Futaba and Kou continues to be rocky beyond the point it would be in most girls’ manga, and in that way, it’s more realistic.

In junior high Futaba and Kou were friends on the verge of something more. Just before the summer holiday Kou asked Futaba to go to the summer festival with him, and she agreed, but later that afternoon at school she made a comment about hating all boys in order to fend off unwanted advances. Kou overheard.

When the time came for them to meet at the festival, Kou never showed, and when summer break ended, Kou did not return to school. He had moved away.

Flash forward to the second year of high school and Futaba meets Kou again, but he’s a completely different person from before. He remembers her, his crush on her, and is happy that he was the exception to her hating boys, but has no interest in picking up the relationship because they’re both different people now.

For her part, Futaba tries to reconcile the Kou she knew with the one she sees now and is not sure she can fall in love with the new version of him, who is distant, inconsiderate, and just a bit mean. It’s a poignant epiphany that anyone who’s had a failed reconnect with an old friend can sympathize with.

While Blue Spring Ride has a lot of potentially romantic moments between Futuba and Kou, they are largely thwarted by the characters themselves rather than external influences, and the show revolves more around acceptance, whether it’s accepting one’s own self for who they are and accepting that there are some things you just can’t change.

Probably the biggest shock is that the expected romance does not happen, which I mention because on the surface this looks like a romance series, but it ends up being more about dealing with the loss and learning to move on. Though it has plenty of comedic moments (including one of the most hilarious instances of a girl accidentally crashing into a boy I’ve ever seen), the final couple episodes realistically show the toll that Kou and his family have paid.

He’s gone through a rough time in the years he’s been away and Kou isn’t about to open up to anyone about them. Against conventional storytelling, Futaba is not the magical girl that he suddenly can speak to either. She eventually comes to realize that even though they have a shared past she has to accept that he’s not the same person he was.

I had a good time watching Blue Spring Ride, although it’s a little slow at the start. Kou is difficult to like at first and it’s not until more of his backstory shows up that he’s of much interest as a male lead. The supporting cast takes a while to assemble since Futuba is coming off a failed reset of her social life since starting high school. Once everyone’s there the show is much more interesting.

Number of Episodes: 12

Pluses: Futuba is very likeable and relatable female lead, realistic depiction of how complicated relationships of any kind are, nice balance between comedy and drama

Minuses: Pacing is slow in early episodes, Kou is initially difficult to like, romance fans may be disappointed that Kou and Futaba are not a couple in the end

Blue Spring Ride is currently streaming at Crunchyroll and is available subtitled. Sentai Filmworks has licensed this for eventual retail distribution in the US.

 

laurietomLaurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie is a previous grand prize winner of Writers of the Future and since then her work has been published in Galaxy’s Edge, Penumbra, and Solaris Rising: The New Solaris Book of Science Fiction.

We Are Multiple Man

written by David Steffen

What superpower would you choose? Most classical superpowers are awesome for combat, but not all that practical in day-to-day activities. Super strength? Guess who’s going to get asked to help everyone move. Fireballs–handy in limited context, maybe, but modern life doesn’t require a lot of fire-lighting on a day to day basis. Metal claws–wouldn’t need to hold pocket knives but you could never get through airport security.

For my everyday life, I would definitely pick the power of Jamie Madsen, aka Multiple Man. Jamie has the ability to create perfect duplicates of himself, each of which is intelligent and has free will. There’s some limit to the amount of how much he can split, but the limit is quite high–something like 50 when he was in X-Factor and more as he masters his power.

Just think of how much you could get get done! If you have kids, you wouldn’t need daycare. Not only that, but if you have four kids, you could have one of you to watch EACH of your kids to give them personalized attention so watching four kids wouldn’t even be stressful. While you do that, you could also work to bring in money. Or more than one job simultaneously. Another one of you could head out to get groceries. Another one could be off taking vocational training. Or learning to paint. Or going on vacation. That’s only ten–you’d still have another 40 to go if you wanted to. Then at the end of the day, bring all of yourselves back to dinner, merge them all together again, and have a nice dinner with your family, reintegrating all the memories together as you spent all day one-on-one with ALL of your kids and got all the chores done (and went on vacation to unwind). That would be the coolest thing ever.

Unfortunately, I think I’m a little too old to expect sudden onset superpowers.

But that got me to thinking–just an ordinary human being has something kind of like that. Of course you don’t have multiple bodies, but more of a multiplicity of mind. Have you ever gotten together for a social gathering where you have people from work and neighbors and family members, and you find it awkward as you don’t know how to behave among them all together? In a very real way, that’s because you are a different person at work than you are with your family than you are with your neighbors, and the awkwardness comes because those different people don’t know how to integrate.

Everyone does this. They’re a different person when they’re being a father, or a son, or a brother, or at work, or as a customer at a store, or whatever. It’s not a result of dishonesty, but of compartmentalization–the traits that fit into that social group or environment dominate in that group.

So we’re all superpowered, really. The human mind is an amazing thing. Maybe as amazing, in its own way, as being able to spawn up to 50 bodies. Though, if someone knows how to make that happen, I’m in.

 

Based somewhat on Codex post:

I find it interesting (and sometimes disconcerting) how the human mind can compartmentalize or facetize and approach each differing circumstance or situation in such a different way so that in a way you’re a completely different person.


Engineer David is not Dad David. Writer David is not Engineer David. Grinder-Admin David is not Gamer David. Dad David is not Husband David (though those two are of course more closely related genealogically than some of the others). We all wear many hats. Some of us, like my good friend Bartholemew Cubbins, wear entirely too many hats and sometimes find it difficult to remove them or to pick the one appropriate for the occasion.

When I’m wearing any of those hats, I can of course remember wearing the other hats, and I can remember what I was thinking when I was wearing those other hats and what was important to me and what was frustrating me and what drove me. But at the same time, those other Davids can seem completely foreign (until I become them again). It can all work out if they tag team when they’re supposed to, if the more unsocial Davids can be kept away from people.

I can see how that kind of mental adaptability can be a survival trait that comes out of natural selection. I can also see how mental health problems including anxiety disorders can arise when something in this three ring circus of mental and social arrangements gets out of whack.

–This aside brought to you by Woolgathering-Philosopher David when Engineer David is supposed to be in charge, because that’s how he rolls
(To be clear: not saying I have an anxiety disorder, not crying for help, my mind is wandering and I decided I wanted to put the words somewhere)

 

Use the metaphor of Multiple Man and my musings that it would be awesome to be able to split into different bodies to be able to get everything done, but how it’s amazing how we can already kind of do that in a mental fashion.

Anime Review: m3: the dark metal

written by Laurie Tom

m3

Don’t let the fact there is a mecha in the opening credits fool you. m3: the dark metal is more of a drama than an action show, and it’s one of those series where what you see in the beginning doesn’t indicate anything about where you’ll be by the end.

At first glance m3 is rather by the book. An eclectic group of high schoolers are brought together in a special class to learn how to pilot the latest technological advance, a combat vehicle called a MA-Vess that is capable of exploring the mysterious Lightless Realm that is slowly swallowing the city they live in. But the story takes a much darker turn than the norm.

The Lightless Realm first appeared ten years ago and anything in its borders slowly becomes corrupted, turning into a crystalline substance called necrometal, and haunting creatures called Admonitions roam within it.

The eight selected students have no memories of what happened to them prior to the appearance of the Lightless Realm, but it becomes apparent that all of them have met before and have a latent telepathic ability. It’s not an accident that the eight of them are in the class because it turns out their shared history and ability to Link with one another is why they, and only they, are able to explore the Lightless Realm without being driven insane as quickly as normal people.

The series is a little slow when it comes teases out the mystery of how the Lightless Realm came to be and how the main cast is connected to each other, but for those who don’t mind the leisurely pace, each revelation feels well earned.

Though there are eight students and the story initially looks like an ensemble (happily gender balanced), Akashi’s story drives the plot more than anyone else’s and he’s initially not an easy character to like. He’s cold, disaffected, and it takes a while for the show to chip away at him, but chip away it does.

m3 is really a show about understanding more than anything else.

Even when Akashi begins to recognize his own flaws and tries to be a better person, he’s constantly failing to understand. He does a lot of things that would be the heroic, the wise, the right thing to do in other shows, and it tends to get thrown back in his face when he realizes that what he thought was brave and caring is actually very selfish and inconsiderate of the other person’s desires. Is asking someone in pain to wait for you until you return an act of kindness, or a selfish request that prolongs their suffering so you can see them again?

Though I mention Akashi specifically, most of the problems in the series originate from an inability to communicate, and not for lack of trying, which is ironic in a story featuring telepaths. m3 is not a happy show (though it does have a happy ending). It’s filled with missed moments, missed understandings, and the tragedy that everything that happened in this series probably could have been avoided if one person did not have a dream to share her culture with a wider world.

The series doesn’t pull many punches either. With eight key cast members m3 isn’t afraid of picking a few off, even when it feels really early to lose someone who still appears in the opening credits. Unfortunately, given the number of them, not all of the main characters are given the same level of character development. They are all visually distinctive enough that they won’t be confused for one another, and most of them are given enough scenes to show who they are outside of critical plot events, but the audience will not get to know them on the same level as Akashi.

This is particularly egregious in Heito’s case. The show makes a pretty big deal out of his insanity early on, and then he vanishes for most of the plot with scarcely a mention that he still exists, which is a wasted opportunity considering what we get to see of his pre-insanity self in flashbacks. I was a little sad that none of the characters seem to reevaluate the difference between his past self (once they get their memories back) and his current one, because what happened to him could have happened to any of them.

Despite its flaws m3 has kept me interested week after week of its 24 episode run, making it one of the few shows I’d watch the night the simulcast went live, and I highly recommend it. There is enough material in m3 that I would like to give it a rewatch to see how everything was foreshadowed, and I think it’s a pity it hasn’t been picked up for US retail distribution as I would gladly pick it up on Blu-Ray/DVD for future viewing.

Number of Episodes: 24

Pluses: Thoughtful story, strong element of mystery, re-examines assumptions for how people should connect with one another

Minuses: It’s not clear whether time passes differently in the Lightless Realm or it’s a narrative oversight, character development is weak for anyone who is not Akashi, some plot details drop off or get ignored entirely later on

m3: the dark metal is currently streaming at Daisuki and is available subtitled.

 

laurietomLaurie Tom is a fantasy and science fiction writer based in southern California. Since she was a kid she has considered books, video games, and anime in roughly equal portions to be her primary source of entertainment. Laurie is a previous grand prize winner of Writers of the Future and since then her work has been published in Galaxy’s Edge, Penumbra, and Solaris Rising: The New Solaris Book of Science Fiction.

 

Interview: Betsy Wollheim

625529_576885235658092_918951020_nBetsy Wollheim has an advantage unique in speculative fiction book publishing. She is owner, editor, and publisher of DAW and it is a private company. She recently won her first Hugo for Best Editor. She tells Diabolical Plots what she wants and doesn’t want from authors.

 

CARL SLAUGHTER: DAW has been described as a place to pursue a career, not just to get published. What happens at DAW that makes authors want to call it their home?

BETSY WOLLHEIM: DAW is a family business, we don’t publish by committee, and we consider our authors part of our publishing family. As a small company, we can’t compete in the “who will pay me the highest advance this time around” game. Not to say that we can’t or don’t pay large, competitive advances, we do, but they tend to be to authors who are loyal to our company. Sheila and I work too hard and care too much to publish authors who change publishing houses with each book or series. We want to know that our work will pay off in years to come for both the company and our authors. We’re in it for the long run and we want our authors to be also.

 

CS: You’ve described Patrick Rothfuss’ The Name on the Wind as the most brilliant first fantasy novel you’ve seen in 30 years. What is it about The Name on the Wind that distinguishes it from other first time fantasy novels?

BW: Prefer not to answer this question, if you don’t mind. After 40 years, you just know when you find something that is extraordinary.

 

CS: Are there any subgenres you are specifically looking for, any you definitely don’t accept, any you like but get too much of, any you like but don’t get enough of?

BW: I look for gripping writing, not specific subgenres. For me, it’s about the quality of writing.

 

CS: How many novel manuscripts submissions do you receive per year? How many of those submitted manuscripts do you buy? How many novels a year do you publish by first time novelists?

BW: Many, many, many submissions–electronic and paper. I don’t count them for sanity reasons. I *hope* to find many new novelists. I’m always happy when I find someone new–the more new good writers the better, I would publish a new author every month if I found one worthy. Most submissions have sub-par, not professional level writing, unfortunately.

 

CS: Do you read every manuscript or use slush readers?

BW: My staff pre-sifts the slush–I have far too much work, and unfortunately no clone.

 

CS: Are you hands on with revision? How extensive and how long is the revision process?

BW: How extensive depends on the novel and the author. Rewrites can take years, or not be needed at all and everything in between. Yes, I’m hands on.

 

CS: How far are you willing to go with a diamond in the rough, whether that diamond be the author or the story?

BW: As far as I need to. When I find a diamond in the rough, I will do whatever it takes if I feel that someone has the potential. I put Pat Rothfuss in the #1 New York Times slot with his second published novel.

 

CS: Do you meet with would-be novelists at conventions? How do you prefer to be approached? Verbal pitch, written pitch, sample chapters, full manuscript? Do you quiz the author about the story? Give them a yes or no answer on the spot or get back with them?

BW: I’ve always thought that “pitches” belong in Hollywood. To publish a novel, the editor has to have the entire thing. If a person has talent and willingness, any problematic aspect can be changed, but if a person can’t maintain for the length of a novel, he or she is not a novelist. Anyone can come up with a pitch. Show me the entire book. Anything else is useless. No, I would never meet with a “would-be” novelist. If you haven’t actually completed a full length work, you have no right to call yourself a novelist! The only “pitches” I consider are from my already published authors–they can sell me a book or a series with one sentence!

 

CS: What are the most frequent questions you receive from writers at conventions/workshops?

BW: What are you looking for? To which I respond: “professional quality writing.”

 

CS: Advice to aspiring writers?

BW: Join a writer’s group. Don’t be defensive about criticism. Don’t try to write like someone else. Write from inside you.

 

Carl_eagleCarl Slaughter is a man of the world. For the last decade, he has traveled the globe as an ESL teacher in 17 countries on 3 continents, collecting souvenir paintings from China, Korea, Thailand, Vietnam, and Egypt, as well as dresses from Egypt, and masks from Kenya, along the way. He spends a ridiculous amount of time and an alarming amount of money in bookstores. He has a large ESL book review website, an exhaustive FAQ about teaching English in China, and a collection of 75 English language newspapers from 15 countries.

Game Review: Depression Quest

written by David Steffen

(editor’s note: I am not here to comment on “Gamer Gate”. If you are here to comment on that, don’t. Any comment getting into that topic will be deleted. I only heard about the game due to the debacle, and I decided that I would like to play the game for myself and judge it on its own merits. So here we are. If you don’t know what I’m talking about, and you want to see a big ol’ heap of Internet ugliness, Google “GamerGate”–I think it occupies about half the Internet by now.)

Depression Quest is a multiple choice text game released by Zoe Quinn in 2013.

On the game page is this statement:
The goal of this game is twofold: firstly, we want to illustrate as clearly as possible what depression is like, so that it may be better understood by people without depression. Hopefully this can be something to spread awareness and fight against the social stigma and misunderstandings that depression sufferers face. Secondly, our hope is that in presenting as real a simulation of depression as possible, other sufferers will come to know that they aren’t alone, and hopefully derive some measure of comfort from that.

DepressionQuestThis is a cause that I am sympathetic to. I know many people who have suffered through depression. Some who are still fighting through it, some who seem to have met some kind of livable equilibrium, and others who have died at their own hand. So, I heartily support the goals of this game. Most of the time I play games just for fun and for mental/dexterity and for no other reason, but I am not opposed to other goals.

In the game, you play a person who is struggling with depression, trying to get through everyday life. You have a significant other and a job, but even small things can be a struggle–trying to get your work done or trying to socialize with your partner’s friends.

As the game goes on, you have to make choices, most of them allowing you to either try to actively improve your life by telling people about your depression, by seeking counseling or medication, or to avoid trying to improve your life by telling people there’s nothing wrong, and avoiding your problems.

From the beginning, some options aren’t available to you–usually the suggestion for a solution that someone who doesn’t understand depression would make: “don’t worry about it”, “just go and have fun”, so on. I thought that was a clever way to emphasize how depression can make you feel powerless. If you make choices that avoid your problems, more of the options will be blocked from you as the game goes on. I don’t know from personal experience whether the account of depression in the game is accurate or not, but it seems reasonable from where I’m standing.

I think that the game succeeds at both of the stated goals. It’s free to play, so you can try it out before you decide if you want to donate or not. If you don’t like it, no loss. If you do, consider chipping in. And, it also succeeds at being interactive, so it’s actually a game.

I recommend it.

 

Visuals
Despite being a text game, it does have some visuals–a set of polaroids at the top of the screen showing relevant images, like bottles of pills or something.

Audio
The game suggests using audio, that it’s an important part of the game. But I didn’t, because it was easier to find time to play it with the sound muted, so I wouldn’t bother other people. So I can’t comment on this.

Challenge
Not challenging, per se. It seemed like the “best” choice was always relatively clear.

Story
Good enough story, though a bit on the PSA side.

Session Time
No save feature, but you can leave it running in your browser easily enough and the game won’t be going anywhere.

Playability
As easy as multiple choice.

Replayability
Definitely some, to try to see how your choices affect the outcome.

Originality
This happens to be the second game I’ve played about depression (I reviewed Actual Sunlight right here last week), but this one did it better. So definite points for originality, and for succeeding at making it interactive.

Playtime
I don’t remember exactly, I think it took me maybe a half hour to play through once?

Overall
The game is free to play or you can donate what you like. The website says that a portion of the proceeds goes to the National Suicide Prevention Hotline. I am wary of donations where “a portion” goes to a charity without saying WHAT portion, it could be 1% for all I know. I recommend trying the game. If you feel it has value, consider chipping in some money to support both the developer of the game and the hotline in some undefined proportion.

Game Review: Gone Home

written by David Steffen

gonehomeGone Home is a first person story exploration game released by The Fullbright Company (which has now been rebranded to be simply called “Fullbright” in August 2013.

2014-10-08_00004June 7th, 1995. 1:15am You’ve been traveling Europe for a year. While you were gone your family inherited a house from your weird Uncle Oscar and your parents and younger sister Sam have moved in. You arrive at the new house, expecting a warm welcome from you family, but no one’s there. Why? You explore the house as you try to find out what has happened and where everyone is. You are completely unfamiliar with the house, so you don’t know anything about the layout, how rooms are arranged or anything. The game keeps a handy auto-map to help you keep track of where you’ve been. From time to time you discover a clue that points you to look in a particular part of the house, and the auto-map very handily marks the spot for you.

One thing that set this game apart from me is a storyline with a homosexual character who seems like a real person, not something I see too often.

 

Visuals
A lot of work obviously went into the visuals to make it look really nice and to give the environment ample details. I don’t know if other people experienced this, but my computer was actually a little laggy on the display–seemed like it took a little more resources than a game of this kind really needs.

2014-10-08_00003Audio
Superb voice acting–I felt like I was listening to the journal entries of a real person.

Challenge
Not challenging. If you like exploration and gradual reveal of story, you should like this game, but apart from exploring as thoroughly as possible–some notes might trigger the marking of secret spots on the map or other extra clues so if you missed the note you might have trouble. I found the important notes without any undue effort, they weren’t hidden or anything.

Story
I really enjoyed the story on this one, and tying it into the exploration of the big house was the main appeal.

Session Time
You can save at any time, so easy to set down.

Playability
Easy to play.

Replayability
Not really.

Originality
Not high on originality, but not every game has to be. I appreciated the gay storyline, that did set it apart.

Playtime
It took me about 2 hours to finish the game.

Overall
The list price on Steam is $20. I enjoyed the game, but given the short playtime and low challenge I thought this was somewhat too much. I’d recommend catching it on sale if you can.