Diabolical Plots Lineup Announcement! (from July 2023 Window)

written by David Steffen

Hello! I am here to announce the original stories that were chosen from the general submission window that ran in July 2023.

First, some stats:
# of Stories Submitted: 1451
# Rejected (First Round): 1350
# Rejected (Final Round): 40
# Withdrawn: 32
# Disqualified: 2
# Rewrite Requests: 2
# Accepted: 25

This is not quite the most submissions we have ever received in a window (that was 1938 in January 2021), but it is the most authors we’ve received submissions from and the most submissions we’ve received since we reduced the number of allowed submissions per author from 2 to only 1.

This window did take longer than we usually like them to take to fully resolve–a little over 3 months after the end of submission window. I think we should ask for some additional volunteers to join the first reader team–we haven’t done a volunteer run for a few years and as people get busy some of them step down or scale back so we’ll probably need to build the group back up again periodically.

For this submission window we welcomed two new assistant editors: Chelle Parker and Hal Y. Zhang, who helped resolve submissions and helped make the final selections listed below. They join the assistant editor team of Ziv Wities and Kel Coleman.

This window marked a few changes:

1. This is the first window we’ve run since generative “AI” was available enough that people were routinely using it to write fiction. In response the guidelines were updated to ask writers not to submit fiction written using it, the submission form asked writers to affirm that they did not use these programs in writing their work, and for writers who received acceptances the contract required them to state that as well.
2. We had previously had a “Withdraw” status in the system, but the status could only be set by the editor so the writer would have to email the editors to ask to have it withdrawn. In this window we added the ability to “self-serve” a withdrawal. This was added partway through the window so not everyone saw it. When the confirmation email gets sent it includes a withdrawal link that the author can use to withdraw on their own without needing to contact the editor.
3. We added a “Rewrite Request” functionality in the last few days. We occasionally did rewrite requests before but they were done completely apart from the system by email. Now rewrite requests are supported in the system with an official status. When the email is sent for the rewrite request, it copies the requesting editor and assistant editor so the writer can reply to ask questions or discuss. It also provides the author with a one-time link they can use to submit the rewrite. This link can be used even when there is no open window. If a writer submits during an open window the rewrite using this link doesn’t count against their submission limit for the window.

We accepted 25 stories from this general submission window (one of which we announced separately and already published due to time constraints)

These stories will all be published in 2023-2024; I look forward to sharing them with you!

And here is the list, in alphabetical order by author name:

The Lineup

Level One: Blowtorch
by Jared Oliver Adams

St. Thomas Aquinas Administers the Turing Test
by Mary Berman

The Offer of Peace Between Two Worlds
by Renan Bernardo

The Lighthouse Keeper
by Melinda Brasher

It Clings
by Hammond Diehl

Ten Easy Steps To Destroying Your Enemies This Arbor Day
by Rachael K. Jones

Hold the Sea Inside
by Erin Keating

Batter and Pearl
by Steph Kwiatkowski

The Gaunt Strikes Again
by Rich Larson

Six-Month Assessment of Miracle-Fresh
by Anne Liberton

Phantom Heart
by Charlie B. Lorch

A Descending Arctic Excavation of Us
by Sara S. Messenger

Song for a Star-Whale’s Ghost
by Devin Miller

Eternal Recurrence
by Spencer Nitkey

Letters From Mt. Monroe Elementary, Third Grade
by Sarah Pauling

The Geist and/in/as the Boltzmann Brain
by M. J. Pettit

In Tandem
by Emilee Prado

Bone Talker, Bone Eater
by D. S. Ravenhurst

Dreamwright Street
by Mike Reeves-McMillan

This Week in Clinical Dance: Urgent Care at the Hastings Center
by Lauren Ring

BUDDY RAYMOND’S NO-BULLSHIT GUIDE TO DRONE HUNTING
by Gillian Secord

How to Kill the Giant Living Brain You Found In Your Mother’s Basement After She Died
by Alex Sobel

They Are Dancing
by John Stadelman

In the Shelter of Ghosts (already posted at the time this announcement is posted)
by Risa Wolf

Ketchōkuma
by Mason Yeater

Diabolical Plots 2021 Award Eligibility

written by David Steffen

Hello! This is one of those posts where we look back at the year and all of the things we did to consider for award eligibility and hey just to look back at the year and what happened. This last year was the first year that anything from Diabolical Plots was nominated, so it doesn’t feel as far-fetched as it has in the past.

Magazine/Editor/Publisher

Diabolical Plots itself is eligible for the Hugo Award For Best Semiprozine.

David Steffen is eligible for Hugo Award For Best Editor (Short Form) for editing Diabolical Plots.

Locus Awards have a category for Publisher, which would be Diabolical Plots, L.L.C. for Diabolical Plots, as well as being the entity responsible for The Submission Grinder.

Related Work and Fan Writer

We’ve dialed back on nonfiction articles, but published one nonfiction piece: “UTH #2: The Story of Valkyrie and Zen” finding connections between the roles of Tessa Thompson in several films, for related work, and David Steffen as fan writer.

Websites are eligible for related work, so The Submission Grinder is also eligible.

Short Stories

Of course, most of the award eligible work that we are involved in is the original short stories we publish on the site! All of the following stories are eligible for Short Story categories in various awards (they are all under 7500 words, so the Short Story category is the one to go with. If you would like short excerpts of each of the stories check out the Recent Stories page.

“Everyone You Know is a Raven,” by Phil Dyer

“Unstoned,” by Jason Gruber

“Energy Power Gets What She Wants,” by Matt Dovey

“A Study of Sage,” by Kel Coleman

“Boom & Bust,” by David F. Shultz

“The Void and the Voice,” by Jeff Soesbe

“The Day Fair For Guys Becoming Middle Managers,” by Rachael K. Jones

“For Lack of a Bed,” by John Wiswell

“The PILGRIM’s Guide to Mars,” by Monique Cuillerier

“Three Riddles and a Mid-Sized Sedan,” by Lauren Ring

“One More Angel,” by Monica Joyce Evans

“We Will Weather One Another Somehow,” by Kristina Ten

“Along Our Perforated Creases,” by K.W. Colyard

“Kudzu,” by Elizabeth Kestrel Rogers

“Fermata,” by Sarah Fannon

“The Art and Mystery of Thea Wells,” by Alexandra Seidel

“Rebuttal to Reviewers’ Comments On Edits For ‘Demonstration of a Novel Draconification Protocol in a Human Subject’,” by Andrea Kriz

“A Guide to Snack Foods After the Apocalypse,” by Rachael K. Jones

“Audio Recording Left by the CEO of the Ranvannian Colony to Her Daughter, on the Survival Imperative of Maximising Profits” by Cassandra Khaw and Matt Dovey

“It’s Real Meat!™,” by Kurt Pankau

“Forced Fields,” by Adam Gaylord

“Lies I Never Told You,” by Jaxton Kimble

“There’s an Art To It,” by Brian Hugenbruch

“There Are Angels and They Are Utilitarians,” by Jamie Wahls