BOOK REVIEW: The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

written by David Steffen

The Strange Case of Dr. Jekyll and Mr. Hyde is a classic science fiction/fantasy novel written by Scottish author Robert Louis Stevenson (also well known for writing Treasure Island), first published in 1886.  I’m assuming most people are familiar with at least the basic premise of the story, which is not actually evident until about 2/3 of the way through the novel, but I’m not going to avoid spoiling a 130-year old book whose premise has been spoofed so many times in pop culture.

The point of view character of the book is Gabriel Utterson, a lawyer who investigates strange events surrounding his friend the good Dr. Henry Jekyll and the mysterious and malevolent Edward Hyde.  One strange occurrence happens after another–strange behavior on the part of Dr. Jekyll and the unnatural and immediate revulsion every single person feels in the present of Mr. Hyde.  Utterson and others, such as mutual friend Dr. Lanyon investigate these strange happenings to understand the plight of Mr. Jekyll.

As probably everyone already knows, it turns out that Mr. Hyde is actually an alter-ego for Dr. Jekyll.  Jekyll has a wild side to his personality that he has indulged only in secret–he has found a potion which brings that portion of himself to the surface.  Jekyll himself is a mix of good and evil as all of us are, but Mr. Hyde is pure evil–selfish and malevolent and spiteful.  The story is an exploration of the dual side of human nature and the consequences of giving in to temptation and your darker side.

I really enjoyed the story, once it finally got the real explanation for Jekyll’s strange behavior and we actually find out all the details of his struggle.  There’s a lot of interesting things about the situation, the dual nature and dual motivations.  That part of the book I found consistently riveting and interesting.

Unfortunately, we don’t actually get to find any out any of the details until about 2/3 of the way through the book. Perhaps this was only really really frustrating because I already knew what the secret is and the entire reason I was reading the book in the first place was to find all the details, but I found that first 2/3 of the book insufferably slow.  I don’t think it’s simply a difference in the era’s writing style–I tend to love science fiction/fantasy stories from that era–I didn’t have the same complaint about Frankenstein, Dracula, or War of the Worlds, so in my opinion it was this book specifically that I had problems with the pacing.

If you’re like me, and you read the book primarily to find out the details of the original Jekyll/Hyde relationship after seeing a lifetime of derivative works… just keep that in mind.

GAME REVIEW: McPixel

written by David Steffen

McPixel is a point and click puzzle humor game released by Sos in 2012.  The game is made up of dozen 20-second mini-levels where the main character McPixel has 20 seconds to save the day, usually by defusing a bomb.  Clear inspiration for the game is the 1980s show MacGyver (which was recently rebooted), known for putting its eponymous hero in tight spots where he had to improvise a solution to a deadly problem in minutes.  And to some extent maybe even MacGruber, the Saturday Night Live spoof of MacGyver in recent years–MacGruber came to mind more readily since MacGruber regularly fails to stop the explosions.

The controls of the game are very simple–a 20-second timer is counting down, but you have plenty of time to try something, anything, which you do by clicking on objects in the scene.  In many cases the bomb is not even visible so you don’t always even have a clear objective, but your path is the same–try clicking on everything.

When he’s in a tight spot (and he always is), McPixel’s first resort are kicking, peeing on things, or eating something.  Many of the actions he does don’t really make sense for saving the day… but often these things are the ones that actually do save the day, so I guess McPixel just has an uncanny instinct for such things?  The game tries for humor by this subversion of expectations, though the punchlines start to feel repetitive pretty fast–repetitive lowbrow humor here (though I still received it better than most Adam Sandler movies).

Visuals
King’s Quest I era graphics.  I like SNES-level pixelart, and occasionally have enjoyed very blocky low-res recent releases like Super Amazing Wagon Adventure, but this is going a bit far for my taste.  I suppose it does get away with some of the more lewd actions, since it’s kindof hard to be sure exactly what McPixel is doing in some cases.

Audio
Thankfully, the audio is not from the same era as the graphics (the music on King’s Quest I era games are ear-splittingly shrill).  But you’re not really missing anything by playing it muted.

Challenge
The only “challenge” in the game comes from thoroughness–try everything you can think of in every combination to find the solution, and again to find all the gags to unlock extra levels.  Some of the extra “challenging” levels might block you for a while, but only because the “active” items on the screen are hidden–which just ended up being a tedious challenge rather than a fun one.

Story
No real story.

Session Time
Very quick, which makes it easy to pick up and put down.  Which, honestly, is most of the reason why I played it, because it’s hard to find games that are so easy to play for less than 5 minutes at a time.

Playability
Just click on everything methodically.

Replayability
A little bit, to find all the gags and unlock extra levels.

Originality
On the one hand, it’s the first game I’ve played based on an endless string of MacGyver/MacGruber mini-levels to defuse bombs.  On the other hand, it… got very repetitive very fast, so the originality wore out real fast.  There’s only so many people you can kick and only so many fires you can piss on before it starts to feel a little worn out.

Playtime
I didn’t quite finish all of the levels, because I got tired of clicking randomly one of the “harder” levels, where the active items on the screen are hidden so it’s a lot of randomly clicking and then seeing the same actions again and again and again.

Overall
If you have a very juvenile sense of humor that does not wear out from repetition, if you like games that requires methodic playing rather than action or puzzle or whatever, if you like games with very outdated graphics with a funny premise.

If you dig Metroid style platformer-shooters you should enjoy this game (and if you don’t know what a Metroid style platformer-shooter, it’s not a bad choice to be the first of its type you’ve played). Although I played through most of the levels, it was mostly because it’s a quick game to play for just a few minutes, and because it was easy enough that it still drew my completionist side.  But it’s a hard game to recommend. $5 on Steam.

 

MOVIE REVIEW: Kim Possible

written by David Steffen

Kim Possible is a 2019 live action Disney Channel original movie about a pair of high school crimefighters Kim Possible (Sadie Stanley) and Ron Stoppable (Sean Giambrone), based on the 2002-2007 cartoon series of the same name.

By day the two of them are just regular high school kids dealing with regular high school problems. By night they save the day from supervillains with Kim’s excellent physical skills and Ron’s… Ronliness.

Dr. Drakken (Todd Stashwick) and Shego (Taylor Ortega) are hatching their new villainous plans as Kim and Ron start high school. Kim, despite being super-skilled and basically a superhero, is very nervous about high school and it doesn’t help that everything seems to go wrong in the first week, trouble getting to class on time and her sophomore enemy going out of her way to make trouble for her.

But things take a turn for the better when she makes friends with Athena (Ciara Riley Wilson) who seems destined to be Kim’s best friends, with many of the same interests and who has idolized Kim for a long time.

This movie was a fun callback to the cartoon series, and I particularly liked Todd Stashwick as Dr. Drakken who did a great imitation of the cartoon villain’s voice while making it his own. The plot was okay for a cartoon-based kid show, but will fall apart under the slightest examination. For instance, Kim Possible is well-known and visible on news stories using her real name as a crimefighter, but she is also supposed to be just a regular girl at high school, despite everyone knowing about her crimefighting. And the security issues with having a supervillain-fighting crimefighter going to a regular high school without apparently any extra security precautions. That lack of security apparent in that she carries a grappling hook on the school bus (and can afford a lab full of equipment like a collection of grappling hooks but still takes the school bus).

I wouldn’t say the movie’s outstanding, but it is fun, especially if you’re familiar with the cartoon series it is based on.

DP FICTION #50A: “Why Aren’t Millennials Continuing Traditional Worship of the Elder Dark?” by Matt Dovey

In a generational shift that some claim threatens the fabric of existence and the sanity of all humanity, surveys show that worship of the Elder Dark is at a record low for one particular group—millennials.

Bob Rawlins is worried. “When I was growing up in the 1950s, I made my obeisance before the Manifold Insanity every night, uttering the invocations to satiate the Watchers Just Beyond and keep them at bay for one day longer. But young people now aren’t prepared to make the necessary sacrifices.”

I remind him that human sacrifice was deemed unnecessary and illegal in 1985, and animal sacrifice in 2009.

“Well I don’t mean literally,” he says, though there’s a note of longing to his tone.

Bob is showing me round his inner sanctum, a converted basement given over to the worship and appeasement of the Unknowable Gods. He’s the Grand Dark Supplicant of his local chapter, and is continuing a long family tradition: men of his bloodline have been bound to the service of the Elder Dark since the days of the Pilgrims.

“Our ranks are already thin,” he says, resting a hand intimately on an idol of the Ten Thousand Staring Eyes. “I worry the world I’ll leave behind will be overrun by the gibbering horrors of the between spaces, ushering in a never-ending age of nightmares and insurmountable monstrosities. It breaks my heart to think of the Eight Palms golf course getting swallowed by a roiling pit of blackness. Hole five’s a real beauty.”

In town, I talk with a group of twenty-somethings working in the local coffee shop. Aren’t they anxious about the impending immolation of mankind and the eternal night of the Elder Dark?

“Well, I guess,” says Luiz, shaking chocolate onto my cappuccino in a cephalopodan design. “But it’s hard to get worked up about such a distant prospect when I’m mostly worried about making rent next month.”

“Yeah, yeah,” agrees Deema, another barista. “And even if I had the brainspace to worry, I haven’t got the roomspace in my apartment for a shrine. I make my obeisance when I visit my parents at the weekend, but my apartment’s so cramped the shower’s in the kitchen. Where am I meant to find the space for the Eighteen Forms of Frozen Madness?”

“Not that I have any time for the complete incantations anyway,” says Luiz. “As soon as I finish here I start a shift at the Midnight Dark Bar on 8th. Do you know how much mess is made by people burying the futility of their infinitesimal existence in drugs and debauchery? By the time I get home from cleaning that up I’ve only got five hours before I’m back here. It’s hard to muster the energy for self-flagellation on four hours’ sleep a night.”

These responses may sound cynical and resigned, but talking to Luiz and Deema, there’s a sense of frustration: they want to be doing more. But some millennials have other reasons for abandoning the worship of the Elder Dark.

“These old dudes—and they’re always old dudes, you notice that?—they’re all caught up in this spiel, like, ‘If you don’t perform the rituals of devotion then the world will fall to lunacy’, and I’m like, dude, look around already!”

Ace shakes their long dreads dismissively and sips a green tea, looking over the gray ocean from their dilapidated RV. Their parents were members of the ultra-orthodox Church of the Nineteenth Insanity; Ace left home at seventeen, sent on their mission to witness the madness of the wider world. It was meant to reinforce the importance of keeping to the convoluted strictures of the Nineteenth Insanity, necessary to resist the influence of the Watchers Just Beyond.

But instead, says Ace, they saw only human madness.

“Like, all the suffering and hurt and injustice, that’s not coming from beyond the Pierced Veil, ya know? It’s caused by politicians and corporations on this side! People are blind to the roots of their problems, blaming it all on these creatures they’ve never even seen, right?”

“It’s sad to hear,” says Kathy Halton, Honorary Senator for the Sunken State of Hggibbia. “I represent the Many Drowned Dead, so I know better than most what the cost of failure is.”

Senator Halton looks up at the huge oil-on-canvas that hangs behind her mahogany desk, The Sinking of Dead Men’s Deeds, that infamous night when eighty thousand souls were lost to the sea. The eye is drawn irresistibly to the dark slash that hangs in the sky, the Pierced Veil itself, and the indescribable creatures of the Entropic Menagerie that spill forth—and it is surely an unparalleled artistic feat to paint a creature that cannot be described—and there is a strange sensation of being drawn into the painting, as if the soul itself is being pulled out through the eyes and reeled into that perversely dark hole on the canvas. Only Halton’s smooth voice breaks the spell; she seems used to the painting, immune to its attraction.

“Some people are so desperate for a mundane explanation they’ll ignore the evidence of their souls,” she says. “The irony is many of this country’s problems can be traced back to a disturbing lack of faith in the younger generation.”

But isn’t there an increasing consensus on grassroots social media that neoliberal government policies of the last thirty years are to blame for irrevocably leading us to this point of critical failure, where the very substance of the multiverse is threatened with annihilation by wage stagnation and an untenable housing market leading to unrealistic work expectations?

“If only it were that simple,” she responds. “We’re doing everything we can to encourage participation despite the economic downturn, including state-funded glossolalia lessons and mandatory flagellation breaks for government employees. But we can’t force a free soul to act.”

Two days later we’re standing on the windy beach at Chatham, Massachusetts for the annual Sunken Memorial, facing the steel-blue Atlantic where Hggibbia once stood. Senator Halton leads a group of representatives through the Silent Evocations of the Eighteen Forms, their dark trench coats snapping in the wind like ravens fighting over scraps. Two assistants have to help the elderly Health Secretary Johnson through the movements, sometimes physically lifting him to position his limbs correctly.

Fifty yards away, behind a mesh fence and a police line, there’s a protest taking place. I’m not surprised to see Ace at the front, leading a chant of WE’RE NOT INSANE, WE’RE JUST MAD, WE BLAME YOU FOR A  WORLD GONE BAD.”It’s all a distraction!” they tell me to a chorus of agreement from their fellow protestors. “They’re using the myth of the Elder Dark to stop you noticing their corruption!”

“Yeah,” interjects another protestor, her pink hair straggling over a loose-fit chunky sweater. “Like, did you know they used this stuff to justify some super racist ideas? Most people can’t spot the subtext now, but if you read the old stuff they basically claimed Jews were in league with the Watchers Just Beyond, right? It’s unbelievable!”

Ace picks up the argument, a real bitterness in their voice. “They like, try and handwave that racism away now, ya know, claim you have to understand it in the historical context, but it just proves how they fit it to their agenda at the time. It’s all bullshit. You can’t trust them.”

I go back to see Bob Rawlins. He’s invited me up for the traditional orgy that marks the Approach of Winterdark, more commonly called the fall equinox. He prepares for the night by stripping naked, beating his tattooed skin raw with a branch of Hggibbian driftwood, and pulling a tight red hood on that covers his eyes.

He offers me the branch and a spare hood, but I respectfully decline.

There’s fifty or more participants gathered at the edge of town for the ritual, all naked bar that same red hood. It’s meant to evoke a feeling of insignificance, reminding supplicants they are only anonymous flesh to the Watchers Just Beyond, but the effect is undercut somewhat by small town America: everyone is easily identifiable from their voice and body shape, and Bob chats casually about DIY projects and school district elections as the sun sets.

Once dusk grows dark and a chill settles in, Bob climbs onto a flame-lit stage set up for the event, reminds everyone to stick around for the barbecue afterwards, then begins the Rituals of Unending Vigilance. I find myself talking to a late arrival: Eric Rawlins—Bob’s son.

“I’m only back for the weekend,” he explains, shuffling uncomfortably. “It means a lot to Dad that I get involved.” He’s eschewed the naked dedication of his father and kept his jeans on, a single Screaming Gshvaddath tattooed in Shifting Ink just below his red hood, dancing wildly in contrast to Eric’s diffidence. 

Presumably his father is grooming him to continue the family tradition?

“Yeah, he’s really enthusiastic about the whole thing. Dad’s worried that if I’m not ready to continue his work the next time his back gives out then the Elder Dark will flood the world and shackle humanity to an eternal yoke of madness while he waits on his pain relief prescription. He honestly believes he’s the only one holding it back right now.”

Does Eric think participation is down because people are coming to terms with the history of it and stepping away? I repeat some of the theories I heard at the rally.

“Yeah, I’ve heard those ideas too. I agree with them, to be honest, with the people saying the Worship has racist underpinnings, but don’t tell Dad. He thinks the texts are sacrosanct, and it’s like, if you criticise them, you’re criticising him. But there’s a growing online movement to embrace the original truth of the Unknowable Scriptures, peeling back the layers of human influence and prejudice. We’re all just meat to the Watchers after all, regardless of our skin or beliefs, beneath the notice of an unfathomable Universe made of madness and unending time. I can show you some really interesting Subreddits after this.”

On stage, Bob is in an awkward crab position, thrusting his flaccid penis towards the night sky and howling in ecstasy. Blood drips from his back where a bed of nails beneath him pierces his flesh over and over; volunteers in hi-viz jackets wait at the edge of the stage with antiseptic cream, stood before signs reminding participants to PRACTICE SAFE SUPPLICATION.

Eric looks anywhere but the stage as the crowd shrieks back, lacerating their own flesh with a variety of pointed implements. There are spiked paddles in ornately carved mahogany, hand-sharpened sticks of blasted elm, and one Hello Kitty cat o’ nine tails.

“Dad worries too much, to be honest,” says Eric. “I’ve met a lot of people at college, and at the end of the day people are decent. They do what they can when they can, even if it’s just carving Escherian shapes into their avocados at breakfast. We’re not gonna let the world run to shit with shambling horrors at the bus stop and tentacles blocking up the plumbing. We’ve gotta live here too, after all.”

Eric finally responds to his father’s exhortations with a self-conscious howl, and pricks his thumb with a pocket knife. Bob looks out from the stage, and spots his son; he lifts a hand in greeting, then, unbalanced, slips and lands heavily on the bed of nails. His scream of pain is answered faithfully by the crowd, but Eric runs forward and clambers on stage. He eases his father off the nails and they limp to the side, where a volunteer frantically unpacks a first aid kit.

A brief yet intense exchange follows. The body language is clear: Bob wants Eric to finish leading the worship. The crowd is wavering, their flagellation tools drooping like their middle-aged bodies. I see the moment Eric takes the burden on: his back straightens, his jaw clenches, his shoulders square. He’s doing a good impression of being ready for this, and I find myself hoping it convinces Bob.

Eric strips off and positions himself over the nails. He picks up the chant perfectly from where his father left off, closing out the ceremony with vigour, athleticism and rather more—shall we say—rigidity than his father could manage. 

Off to the side, Bob stands with his legs wide as his bleeding scrotum is gingerly nursed by the volunteer paramedic. He’s removed his red hood, and he watches Eric lambaste the crowd with a final chant of “Yhiu! Kaftagh falln!” and receive the answer of “Engibbigth valectia!”

His face shines with paternal pride.


© 2019 by Matt Dovey

Author’s Note: If you can’t spot the inspiration for this story, I envy you. I can’t go a week without seeing some new article blaming millennials for some natural shift in an evolving world (my favourite from my research: millennials are killing bar soap. WHO EVEN CARES). That said, it was actually reading another parody article that triggered the idea: Why Aren’t Baby Boomers Eating Pho? Given that Lovecraft pastiche is never far from my mind anyway, it only took another hour for the first draft of this to flood out of my fingertips in some indescribable frenzy, typing like a man possessed, suddenly granted ideas beyond my mortal comprehension. My mind has never been the same since, scarred by the knowledge of what lies beyond my temporal horizon: younger generations, acting differently from me. Truly, a cosmic horror to chill the soul.

Matt Dovey is very tall, very English, and most likely drinking a cup of tea right now. He has a scar on his arm from a ritual performed unto the Watchers Just Beyond, imploring them for the boon of great knowledge, but all he got were the lyrics to Dashboard Confessional’s watershed album The Places You Have Come To Fear The Most. He now lives in a quiet market town in rural England with his wife & three children, and despite being a writer he still hasn’t found the right words to fully express the delight he finds in this wonderful arrangement.

His surname rhymes with “Dopey” but any other similarities to the dwarf are purely coincidental. He’s an associate editor at PodCastle, a member of Codex and Villa Diodati, and has fiction out and forthcoming all over the place, including all four Escape Artists podcasts, Flash Fiction Online and Daily SF. You can keep up with it all at mattdovey.com, or follow along on Twitter and Facebook both as @mattdoveywriter.


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GAME REVIEW: Axiom Verge

written by David Steffen

Axiom Verge is a Metroid-style exploration and action side-scroller shooter game released on Steam in 2015 by Thomas Happ Games LLC.

The game starts after Trace is the victim of a lab accident, and wakes up in a mysterious alien world with no memory of how he got there.  He begins exploring, with the guidance of a mysterious voice in his head that knows more about his situation than he does.  As he goes he finds an arsenal of new weapons and items that both help in combat and help unlock new areas of the map that weren’t reachable before.  As he explores wider and wider he finds out more about why he is here and what he is meant to do.

Visuals
16-bit style graphics, nice enough for what they are.  Amusing to have glitchy visuals as an intentional visual effect.

Audio
I didn’t use the audio too much (you can play the game without it which I often will), but the soundtrack is decent, again seems to be inspired by Metroid with its moody soundtrack.  The weapon and monster sound effects I thought were kindof annoying, just as well that I usually play muted.

Challenge
Decent platformer shooter challenge.  If you’re into exploration you can use that to reduce the challenge, because you will find new and interesting weapons and health upgrades and power upgrades and so on.  I didn’t get anywhere near finding every item, so if you were very thorough that would your ability to survive and win the game better. (Conversely if you wanted to increase the challenge, could intentionally avoid grabbing unnecessary items)

One of my favorite aspects of these games is that you will reach a place in the map where you are obstructed because you don’t have the appropriate item to pass an obstacle yet.  So you are rewarded if you kindof keep track of what kind of obstacle you saw where because then once you find the item you can head back and find whatever your reward is for passing the obstacle.

If you end up dying somewhere, you are reincarnated without losing any progress–any map you explored, any items you collected are retained.  I found that reduced the possible frustration, but I suppose it reduced the challenge to some extent as well since there is little penalty for dying.

Story
Certainly some story which unrolls bit by bit as you defeat bosses and find some sympathetic entities that need your assistance.  It’s fairly light on story, you don’t have to really pay attention to the story to move forward, you just have to keep on exploring and fighting bosses and etc.  The story there is is fine, I didn’t find it hugely compelling but I was entertained enough by the game I didn’t care.  There was one segment of the game where the story really took the forefront, transforming a level into a hallucinogenic nightmare–which both cranked the challenge way up and it was interesting to see what they did with it.

Session Time
Very quick game bootup.  You can quit the game at any time and it will save your progress, your map exploration and item acquisition and bosses you’ve defeated and etc, so it’s pretty easy to put down.  But the next time you start the game you will still start at the last save point you visited, so it may take you some time to get back to the point on the map you were at.  So it’s easy to put down, but you may have to retreat to get exactly back where you were.

Playability
Pretty standard controls for this kind of game, easy to get used to.

Replayability
You could keep playing to try to find all of the map and all of the items if you’re into that sort of thing.

Originality
The game is clearly heavily inspired by Metroid, so much of its format it owes to that.  I did appreciate that the game designers didn’t just copy everything from Metroid–the weapons are newly designed, the items to get through obstacles and that sort of thing are all original and it’s interesting to see where they’re going.

So, very familiar format based on a very well known game, but enough original pieces to make it worth playing.

Playtime
I expect this varies wildly based on how completionist you are about map exploration, how efficient you are at remembering what parts of the map have what kind of obstacle, and how good you are at the action sequences (to require more exploration to beef up your stats).

Usually I grab my Steam time on the game for this value, but it is telling me only 3 hours and I know that’s not right–the in-game is telling me more like 12 hours which is probably closer.  (But I didn’t try for completionist, I did explore the map as widely as I could as I went but didn’t worry about trying to get every single thing).

Overall
If you dig Metroid style platformer-shooters you should enjoy this game (and if you don’t know what a Metroid style platformer-shooter, it’s not a bad choice to be the first of its type you’ve played).  Action, gradual map exploration as you find items that unlock new areas, fun stuff.  $20 on Steam.

 

GAME REVIEW: Life Goes On: Done to Death

written by David Steffen

Life Goes On: Done to death is a platformer puzzle game with a dark sense of humor, published on Steam in April 2014 by Infinite Monkeys Entertainment Ltd.

A king with an obsession with immortality sends the brave knights of his kingdom on a quest to find the Cup of Life.  There… is clearly a reason why this immortality-obsessed king didn’t go on the quest himself, since the path to the cup is so dangerous that it leaves a steady trail of dead knights, and each knight only makes their way through the obstacles by using the corpses of the knights that came before them as puzzle-solving tools.  At the end of each level is a cup, but it never seems to the Cup..

Using bodies as stepping stones to cross spike pits, to weight down switches, or to scale spike walls, new puzzle components are added every few levels to keep things fresh, though the game felt too drawn out at times so that the level felt somewhat repetitive.

The final boss fight of the game is probably one of the favorite I’ve played in a while, several stages in itself all using the puzzle components you’ve learned throughout the game and using them in a boss fight scenario.  Especially fun.

 

Visuals
Fun and fine for what they are, perfect for a comedy puzzle platformer like this.

Audio
Played it muted most of the time–sound is at least not necessary to play.

Challenge
Decent puzzle challenge.  I finished the game without having to look up any of the solutions–a few of the puzzles took me quite a few tries, many of them I got the gist of how to work through them in the first few minutes on the level.  Not epicly challenging by any means, but also not trivial.  The puzzles add new components as the game goes on which helps keep things fresh, though sometimes I felt like there were too many levels before adding new components, some of the levels started feeling a little repetitive.

Story
Very minor level of story, though it works for what it is–between the levels the level map there are little bits of extra text talking about the story, mostly for some extra pieces of comedy.

Session Time
Most levels, once you know how to solve them, should take only 2 or 3 minutes to finish.  Add to that a few more minutes to figure out all the pieces of the puzzle, and most puzzles you can solve without too much agonizing.  If you quit in the middle of the level you have to start the level over again, but since the levels are reasonably short that’s not a huge deal.

Playability
Easy controls, just movement and jumping.  The challenge is more in figuring out the puzzles and then making sure you do all the steps in the right order and timing and etc.

Replayability
There is some replayability built in, mostly in having target stats for each level–minimizing finish time and body count, as well as whether Jeff was fed.

Originality
Felt quite original.  In a familiar genre, but the dark-funny premise of having a steady stream of knights sent to their death and then using their corpses as puzzle components.

Playtime
Steam says it took me about 16 hours of playtime–I feel like that’s longer than it took, maybe I left the game on a few times.  But the game did feel like it dragged on sometimes, more levels than were needed to get all the puzzle variants in.

Overall
This game was fun and funny with enough novel puzzle elements and interesting premise, well worth it for fans of puzzle platformers.  I thought the number of levels did go on too long so that the puzzles felt repetitive at times.  The final boss battle of the game was a major highlight, probably one of the most fun boss battles I have played. $12.99 on Steam.

 

GAME REVIEW: Her Story

written by David Steffen

herstoryHer Story is a keyword searching mystery game developed by Sam Barlow and released in 2015.



The game begins with you looking at a console program on what appears to be a Windows 95 machine.  The program has a search box with the word “murder” in it, and 4 video clips are shown as search results–it is a police video archival program.  Each of the videos are samples from interviews of a woman after the disappearance and apparent murder of her husband Simon.  The videos only show her answers to questions, but not the questions themselves, and the videos are all transcribed and searchable for keywords, but for each search you can only view up to five video results.
20161230132335_1What actually happened?  If you can find enough of the videos in the database, taken from 7 different interviews, you’ll be able to piece together the story and figure out everything.  As you learn more you will gather more ideas about what to search for–people’s names, location names, or key objects that might be referenced as evidence are all of especial importance, since those are likely to be the topic of interview questions.  The game is finished when you have watched enough of the videos to piece together what happened–you can keep playing to find all of the videos if you like.

The lone actor in the game is Viva Seifert, who I thought did a good job of portraying the character–you feel like you know her by the end, and her little conversational and behavioral quirks.

20161230131356_1The game is a really interest take on storytelling, watching a story out of order and told by a possibly unreliable narrator.  You hear the story in associative order rather than chronological and that makes it quite interesting. It makes you think about the problems with hearing just part of a story out of context. Trying to think of new keywords to search feels sort of like you’re participating in the interviews, trying to figure out what questions to ask.

Visuals
Video footage on top of a Windows 95 style interface, appropriate for the story.

Audio
Just the voice that goes with the recordings.

Challenge
Not challenging in the way that most games are, but it makes you think in a different way–trying to figure out keywords is kindof like trying to figure out what questions to ask in an interrogation.  Trying to uncover the whole story takes some work, but mostly is about perseverence and wanting to find out the whole story.

Story
The game is pretty much ALL story, with the element of a possible unreliable narrator (police interview regarding a murder investigation gives an air of unreliable narrator).  So story is everything for this, and uncovering it piece by piece.

Session Time
The game keeps track of what videos you’ve watched, and it keeps the result of your most recent query loaded if you quit and bring it up again, so it’s easy to shut down and pick up where you left off.  Most of the videos are pretty short, sometimes as much as a few minutes, but often only a few seconds, so it’s pretty easy to take  a break within a couple of minutes.

Playability
Simple controls–just a text searching window, then click on video to play, can add keywords to help searching control.  If you can use any kind of graphical user interface, you should be able to use this pretty easily.

Replayability
Once you have watched a certain portion of the videos, then the game offers you the chance to reach the ending.  Beyond that there is still some extra playing in terms of trying to find all of the videos, so there’s a bit of replaying (if not much).  This extra play is facilitated in that when you reach the ending, you get some codes to be able to view up to 15 results instead of 5, or to view a random video.  Note that if you want to see all of the videos, I believe it’s necessary to use the random video command to reach a few of them.

Originality
Never seen another game based around keyword searching in video archives, so definitely felt very original to me.

Playtime
The game took about 3 hours for me to find all of the videos.  This felt like a good length because I was finding interesting new footage to the end.

Overall
Neat original idea.  The possibly unreliable narrator coupled with hearing the story in basically associative order rather than chronological made it interesting to try to find more pieces of the story to get the whole picture.  This had me engrossed from beginning to end.  $6 on Steam.

 

 

MOVIE REVIEW: The Lego Movie 2: The Second Part

written by David Steffen

The Lego Movie 2: The Second Part is a computer-animated children’s comedy action movie produced by Warner Animation Group, the sequel to 2014’s The Lego Movie (reviewed here).

Five Years have passed since the dark events of Taco Tuesday when President Business (Will Ferrell) tried to use the CRAGL to fix all of the Lego people and Lego worlds into permanent positions, and since the first visitors from Planet Duplo arrived and started attacking the citizens of Bricksburg. Now Bricksburg has become a wasteland known as Apocalypseburg, with all of the Mad Max style post-apocalyptic treatments, warriors with custom-modified vehicles in dusty windblown ruins of the city. As a matter of safety they avoid building anything pretty, because that attracts the others from beyond the Stairgate to come and destroy again.

Everyone has adjusted to this new gritty post-apoc future. Except Emmet Brickowski (Chris Pratt), who still thinks everything is awesome, and acts like nothing has changed. Something new comes to visit them, Sweet Mayhem (Stephanie Beatriz), an envoy from Queen Watevra W’nabi (Tiffany Haddish), and kidnaps Batman (will Arnett), Lucy (Elizabeth Banks), Benny (Charlie Day), MetalBeard (Nick Offerman), and Unikitty (Alison Brie), and takes them through the Stairgate to the Systar system. Only Emmet can bring them back.

As with the first movie, there is a parallel real-life human story that provides a structure around which the movie is built, and justifying some of the plot points which otherwise wouldn’t make sense. It’s this set of parallels that are one of the best parts about these movies. While this one doesn’t have the inherent novelty of the first in the series, they did a great job building on that, in particular in how the children who are now five years older, interact and how that produces the plot of this movie.

The one thing I wish they’d done a little more of is to give some more development to the returning secondary characters (like Unikitty and MetalBeard), I felt like those were kind of glossed over, probably just for time constraints. But otherwise I thought it was a solid entry in the series and well worth seeing.

I would definitely recommend seeing the first movie first, because both the Lego plotline and the human family side of it would benefit from knowing where they came from.

DP FICTION #49B: “The Last Death” by Sahara Frost

I stare into the endless dark, watching, waiting. It’s like all those years ago, when I was a kid on Christmas Eve. Me, lying in bed, wide-eyed with anticipation, listening for the clatter of eight tiny reindeer landing overhead. Only this time, it’s not jolly old Saint Nick I’m expecting. Nor is it sugar plums that dance inside my head, keeping sleep at bay.

The silent night drags on, one moment melding seamlessly into the next until I think the world must have stopped. Only the stars show me different, each glance out my window revealing their gradual progress across the sky. Then, at long last, it’s over. The dull gleam of first light crests the horizon, and once more, the world begins to move.

“Well,” I say to myself, “Suppose I might as well get ready.”

Heart fluttering with a giddy tingle, I throw back the covers and sit up. Immediately, my poor old bones creak in protest, reminding me to slow down. “Easy, girl. Easy!” I chide, quelling the urge to spring from my bed like some youngster, “No sense in falling and breaking a hip. ‘Specially not today of all days.” I release my impatience with a huff and bob my head in a reluctant nod. Then I plant my feet firmly on the floor, reach for my cane, and carefully hoist myself up.

Once my balance is sure, I begin to move about my home, preparing for the day. There isn’t much to be done. There never is, these days. Still, I want everything to be absolutely perfect. So I throw open all the doors and windows to let in light and fresh air. Then I busy myself with one last tidying-up, straightening the bed, sweeping the floor, and wiping a rag over any surface that might have collected dust overnight.

The next time I look up, my heart skips a beat. Slashes of crimson and gold have already begun to streak the sky. It won’t be long now. Going to the front door, I search the skeletal remains of what had once been a thriving subdivision with bated breath. “Today is the day,” I insist, the words hissing through my teeth like a prayer, “Surely, today is the day.”

I sweep my eyes back and forth for only a moment longer before spying what I seek. There, where the empty street curves out of sight behind a thinning copse of bone white trees, is the stark outline of a shadow. A shadow with which I am now quite familiar. Every morning, it appears on my horizon and, throughout the day, makes its slow approach. When the sun sets, it runs away, but by the next morning, it’s back again, a little closer than the day before. Yesterday, it nearly reached my doorstep before it turned and fled. “It has to be today. It has to!”

Knowing there’s not much time left, I go to my bookcase and take down the lone photo album occupying its shelves. I turn it over and over in my hands, slowly tracing my fingers over the familiar creases in its soft, worn cover. When at last I crack it open, I do so with my eyes closed, breathing deep the sweet, musty tang wafting up from its yellowed pages. Then I open my eyes again and finally allow myself to look at the smiling ghosts trapped within.

An old pain twinges deep within my chest at the same time that a smile tugs at my lips. “Hello, loves,” I say, “It’s been too long, hasn’t it?” I gently turn the album’s pages, pausing to touch the faces captured in each photograph. “Yes, far too long indeed.” When I finish going through and greeting them all, I shut the photo album and clutch it tight to my chest. “But it won’t be much longer now,” I promise, “I’ll be seeing you soon.”

As the words leave my mouth, I am again seized by a giddy feeling. “Soon,” I say to myself, as though repeating the word will make it that much more real to me, “Soon!” Bolstered by my own words, I stand a little straighter and even allow myself a small, excited grin. Returning the photo album to its shelf, I let go my last earthly treasure. There’s only one thing left to do now. Just one last thing. Filled with a sense of renewed determination, I turn to go outside.

“Good heavens!” I cry, heart leaping into my throat when I see the pintsized, hooded figure now standing in my doorway. Thinking I’ve lost track of time again, I ask, “Is it that late, already?” and glance over its head. The sun’s bright eye meets my gaze through the open door. “Oh,” I say, understanding dawning with a bittersweet twinge of disappointment, “You’re early.”

“No, not early,” the figure sighs with a soft, mournful wisp of a voice, “Quite late, actually.”

“Ah,” I say, not entirely sure how to respond, “Well I’m sure you had your reasons.”

“Reasons,” replies the figure, a tremor now audible in its voice, “Excuses.”

“You’re here now,” I try, “That’s what’s really important, right?”

In a gesture reminiscent of a sullen child, the figure twitches its slumped shoulders in an indifferent shrug. I wait for it to say something, but no word comes, and soon, the silence grows awkward. I’m not really sure what it is I envisaged for this moment. A word or a beckoning hand. I just know I’m waiting for something. Anything. But the figure says nothing, does nothing, and we just stand there facing each other, a chasm of silent expectation growing ever wider between us.

Keen to go, my impatience starts to get the better of me. I begin to wonder if I shouldn’t say something. After all, maybe it’s not just me that’s waiting. Perhaps I need to give some sort of sign to show that I’m ready. “Or,” my second-guessing mind whispers. Or maybe I was wrong about today. Maybe my time hasn’t come after all. Maybe it never will. “Or,” it whispers again. Or maybe it already has. Maybe my time came and went long ago. Maybe I’ll wait here forever, suffering in this lonely hell. “Or.”

Panic twists my stomach into a knot and tightens its claws around my throat. I struggle to catch my breath, my lungs dragging painfully, desperate for air. My mind whirls, and I feel myself slipping into a tailspin. As the room seems to tilt around me, I squeeze my eyes shut and hold onto my cane for dear life. It is then, just as I think the chaos will devour me whole, that a sound cuts through the silent screaming in my mind, the soft sobbing of a weeping child.

Opening my eyes, I cast about for the source of the sound. But my home is empty. Nobody else is here. Nobody but me and my strange, small companion. A closer look shows me that it is, indeed, my visitor who weeps. Its shaking form is evident, even beneath the concealing folds of its several-sizes-too-large robe.

As I look at the pitiable creature trembling in my doorway, my panic loosens its grip upon me, giving way to another emotion. One I have not felt in far too long. Compassion. “Oh, come now!” I say, “No need for that! Here, why don’t you come in and sit awhile with me. It’s been a long time since I’ve had anyone to talk to.” Moving to my kitchen table, I slowly lower myself into one of the two chairs I had already pulled out in preparation for today. When I look up to see that my visitor has made no move to join me, I gently add, “Besides, you’re already late. I’m sure it won’t matter if you’re a little later.”

My words apparently afford some small measure of comfort. Though my visitor still hesitates in the doorway, its sobbing subsides into a quieter snuffling. “I suppose that’s true,” I hear it say, pinpricks of hope stippling its muffled words, “Maybe if it’s only for a moment or two.” Then, as though expecting to be struck by a divine bolt of lightning, the figure ducks its head, hunches its shoulders, and takes one tentative step forward. Then another. Then another. When it at last climbs into the empty seat next to me and still nothing happens, it allows itself to relax once more.

“So,” I start, only to discover I haven’t actually thought of what to say, and thus petering out with a lamely trailing, “so…” A moment later, I open my mouth to try again, but having failed to solve the initial problem, am forced to shut it once more. Again and again, this cycle repeats itself, resulting in a long silence that my visitor shows no intention of helping to break. Until, at last tiring of my tongue-tying indecision, I throw all caution to the wind and begin spitting out my every thought as it comes to mind.

“Huh. Well what do you know. Here I am with someone to finally talk to, and I can’t seem to find a single thing to say. It’s not like I don’t have anything to say. I’ve got loads to say! I just can’t seem to decide where to begin. After all this time to think about it—and believe you me, I’ve had plenty of time—you’d think I’d have that part figured out. And maybe I did, once. But now that it’s come to it, I just don’t know. I just don’t know!”

Laughing softly to myself, I shake my head and give my silent companion a wry smile. “Sorry, kiddo. Guess I’m a little out of practice with this whole conversation thing. What about you? What’s your excuse?”

A beat passes in silence. Two beats. Three. Just as I am ready to give up waiting for a response, my companion shrugs and says, “You humans don’t usually want to talk to me.”

“Really?” I ask, genuinely surprised, “Why not? I’d think they’d have all sorts of questions for you. I know I do.”

Another stretch of silence, then, “Some have questions. But they’re usually the kind I can’t answer.”

“And the ones you can?”

“They still don’t often lead to a conversation. Demanding. Cursing. Pleading. But not a conversation.”

“O-Oh. I…I see.” I falter, unsure of where to go from there, but I’m saved the trouble.

“But most people,” my companion continues without prodding, “don’t say anything at all. They can’t. They’re too shocked or sad or scared. And besides, I don’t get to be with any of them that long. So by the time they realize there’s nothing to be afraid of, it’s too late to talk. They’ve already moved on.”

As I listen to all of this with rapt interest, I become aware of a sensation like a knot being loosened within myself. It starts in my chest, works its way up the muscles of my neck, then spreads into my shoulders and down my back. I’m free, I realize. Free of a weight I hadn’t even realized I was carrying. Free of a fear that I’d long ago buried and forgotten. The very same fear that I now recognize being reflected in the figure sitting next to me.

“Sounds like lonely work,” I say, “Must be tough.”

“Yes, sometimes, but I don’t mind,” it replies, a new vitality entering its voice so that it practically gushes, “After all, I was made for this work, and it for me. Only I can do this. No one else was made to endure the responsibility. And besides, the reward more than makes up for the hardship. I know it might be difficult for you to understand, but there’s nothing quite like the sight of a soul when it realizes it’s been brought home. Nothing quite like it at all.”

“I can only imagine,” I say, wondering what sort of expression now hides behind the cowl, “It sounds like you really love your work.”

“I do,” enthuses my companion, then more subdued, “I did.”

“You did?” I question, a touch incredulous, “You mean to tell me you don’t love it anymore? I find that hard to believe.”

“Oh, no. Never that,” assures my companion, “Never that.”

“Then…?”

For a long moment, my companion doesn’t answer, picking at its robes in silence. Then, in a voice so quiet I almost don’t hear it, it slowly whispers, “I always knew, even from the very beginning, that it wouldn’t last forever. That my work…my role…my purpose…would eventually end.”

“End?” I repeat, slow to understand, “But wait…then wouldn’t that mean—?”

“Yes,” interjects my companion, anticipating my question before I even fully realize what it is I’m asking, “It is exactly as you suspect.” Then, without warning, it begins to speak in a foreign tongue. “KAÌ Ὁ THΆNATOS KAÌ Ὁ HAÍDĒS,” it says, its tone deepening and expanding, “EBLĒTHĒSAN EIS TḖN LIMNÉ TOŨ PYRÓS.” Its voice continues to grow, reaching a powerful timbre of such magnitude that the walls around me begin to shake. “OὟTOS ESTIN.” And though I cannot understand the words, “Ὁ DEÚTERÓS THΆNATOS,” they reverberate through me, speaking to my very core.

In the silence that follows, my ears ache with a painful ringing. For a moment, I fear that I have gone deaf. But then I hear my companion, in a low voice, say, “Then Death and the Grave were cast into the lake of fire. This is the second death.” Almost as an afterthought, it adds, “The last death.”

“The death of Death,” I murmur, at last understanding. I pause, contemplating this new development, then ask, “So I really am the last?”

“Yes.”

“I see,” I reply, inwardly marveling at how calmly I accept this confirmation of my long-held suspicions, “I had thought so, but there was no real way for me to know for sure.” I pause again, longer this time, reluctant to ask my next question. Finally, though, I manage, “So if I am the last, then that must mean when I…” Here I stumble, unable to bring myself to say the word. “…you also—?”

“Yes.”

This time, the confirmation hits hard, and I am unable to say anymore for a long while. When I finally do find my voice again, it comes out weak and fearful as I ask, “Is that why it took you so long to come for me?”

The silence that follows is all the answer I need. All at once, I am overwhelmed by the powerful sense of relief that washes over me. Dropping my face into my hands, I cry, “Thank God! Thank you, thank you, God! I had thought that maybe…but no. Thank you, Lord. Oh thank you, thank you, thank you!”

I continue like that for a time, letting out all my years of built-up feelings in a catharsis of tears. When I at last finish crying out all my fear, doubt, frustration, and despair, I dry my eyes and start, “I’m sorry, I—”

“No,” interrupts my companion, its tone heavy with shame, “It is I who should be s-sorry.” Voice breaking on this last word, it sobs, “I’ve been so afraid. I let my fear get in the way of my duty and have caused you such suffering. I’m so sorry. So, so sorry for what I have done to you.”

I listen to these profuse apologies in solemn silence, unsure how to accept them. Part of me is tempted to wave them away with a blithely assuring, “It’s okay,” but that would ring false. Because the truth is it isn’t okay. It hasn’t been okay for a very long time. So rather than try to bandage over my pain with comforting lies, I instead reach out in the spirit of solidarity and say, “I think we all do sometimes. I know I’ve said and done things I’m not exactly proud of, all because I was afraid.”

“But you’re human!”

“And you’re…well, I guess I don’t really know what you are…but you’re not God, are you?”

“No.”

“Then I think it’s probably fair to assume that you’re forgiven a mistake from time to time too.”

“Maybe,” my companion relents, though still sounding unconvinced, “I don’t know.”

“Well why not? You’re sorry aren’t you?”

It nods.

“And you’re here to repair your mistake, aren’t you?”

It starts to nod again, then hesitates.

“You are here to repair your mistake,” I repeat with a jolt of panic, “Right?”

It hesitates another moment, then finally dips its head, finishing its nod.

Releasing my held breath in a nervous laugh of relief, I say, “Well that’s all anyone can really ask for. Just gotta give it our best shot and trust God to take care of the rest.”

Speaking slowly, painfully, as though each word is a struggle to say, my companion admits, “What you say is true, but…” Its voice lowers to a whisper. “…but I am still afraid.”

Leaning forward, I reach out my hand and, with a small smile, whisper, “Me too.”

For a long moment, my companion sits there, staring at my outstretched hand. Then slowly, ever so slowly, it reaches out and takes my hand in its own. The moment our hands meet, my companion finds its courage. Before my very eyes, it undergoes a sort of transformation, straightening its back, squaring its shoulders, and lifting its head. Then, taking a deep breath, it looks me in the eye and bravely quavers, “Y-You have nothing to be afraid of. I-I’ll stay with you every step of the way.”

“And I with you,” I promise, giving its hand a gentle squeeze, “I’ll stay with you too. Every step of the way.”

“O-Okay,” it stammers, with a small frantic nod, “I-I’m ready.”

“Okay,” I say.

Getting to my feet, I help my companion down from its chair. Then, hand in trembling hand, we walk to the front door. When we step up to the threshold, we are met by a vision so breathtakingly glorious that I am momentarily stunned to stillness. As I look upon this final sunset, I am filled to overflowing with a profound sense of peace. I am ready.

We look at each other then, my companion and I.

“Together?” I ask.

“Together,” it agrees.

Then, holding fast to each other’s hands, we cross the threshold and step into bright, burning light.


© 2018 by Sahara Frost

Author’s Note:    I originally wrote this story in response to a call for submissions from Zombies Need Brains. They were looking for short stories to publish in a few themed anthologies, including one dedicated to exploring Death as a character. From the moment I read the prompt, I knew that I wanted to write Death as a sympathetic character, particularly as a child (or at least a child-like entity). The idea for my short story didn’t fully form, though, until I stumbled across a Bible verse in Revelations that describes Death being thrown into a lake of fire at the end of days. When I read that verse, I suppose you could say I felt a bit of sympathy for Death. The lake of fire struck me as a pretty raw deal for someone just doing their job. I thought about how if that was the future waiting for me, I would probably be living in constant terror. With that, an idea began to grow in my mind, and my story came to life.

Sahara Frost grew up in the foothills of Tennessee, reading anything and everything she could find. When books were not enough to feed her ravenous imagination, she began to write her own. An M.A. in English and an M.S. in Information Science later, she now supports her reading addiction by daylighting as a librarian while staying up all hours of the night to pursue her real job: writing fantasy. Fortunately, her supportive husband tolerates her many obsessions and makes sure her coffee mug stays full so that she can continue writing.


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VIDEO GAME REVIEW: Spoiler Alert

written by David Steffen

spoileralert

You are the Chili Pepper Knight, and you have already vanquished your foe and rescued the princess. But, now, time is rolling backwards and you have to replay the game in reverse, in this comedy platformer from Megafuzz in 2013.

This is harder than you might think, because if you take any actions that contradict original events, then there’s a time paradox that resets the level and you have to redo it.  If you see a dead enemy, you have to make sure you unkill the enemy to revive it.  If you see a live enemy, you have to AVOID unkilling it, since it never died in the first place.  If you see a collected coin you have to uncollect.  If you see an uncollected coin, you have to avoid touching it.  And so on.  The Chili Pepper Knight is constantly running so you’ve got to figure out when to jump to match all of these rules, and different rules apply when the Chili Pepper Knight has a power up like the dragon suit where you have to catch your own fireballs as they come flying back at you.
The concept is simple, the gameplay is simple, and the game’s not particularly long, but it’s an interesting puzzle to wrap your hand around and to get the hang of.

20161229205938_1Visuals
Simple, cartoony, but fun.

Audio
Simple, but fun.

Challenge
Not too terribly challenging once you get the hang of it, but it’s a fun distraction while it lasts.

Story
The story is pretty slight, and even more so when it’s told in reverse–the conversations with the boss characters are more than a bit silly (nothing wrong with that, mind you).  And there’s not really any explanation for why it’s all rewinding, not that it has to.

Session Time
Each level takes at most a minute or two, and it saves which levels you’ve completed and how well, so it’s pretty easy to shut it off when you need to, making it easy to digest in short spurts.

20161229205950_1Playability
Easy.  The character is always running (backward) at a constant rate, so most of the time your only choice is to jump.  When you have special powerup suits you will also have extra powers that will be one extra button, but still quite simple.

Replayability
There is some replayability in terms of trying to go back and beat each level on your first try, as well as other achievements, and a time trial which strings all the levels back to back nonstop so that to get a perfect score you would have to make it all the way through the game without making any mistakes.  So if you’re into that kind of challenge it’s there for you.  There is also a level editor where you can set up your own challenges.

Originality
I have certainly never played another game based around trying to avoid time paradoxes in a reverse chronological gameplay, so certainly original!

Playtime
I played through the whole game in about 50 minutes, without any particular effort at playing back through to beat each level on the first try or to beat the time trial.  I would’ve liked if the game had been longer.

Overall
Amusing game concept with came with some weird and fun game dynamics.  The game is not very long and didn’t wear out its concept in that time–I would’ve liked for it to be a bit longer, but it was pretty fun while it lasted, if not particularly challenging.  $3 on Steam.