In my constant quest to find new sources of short audio fiction, I’ve listened to quite a few episodes of Decoder Ring Theater who describe themselves as the “home of all-new audio adventures in the tradition of the classic programs of Radio’s Golden Age. Here you will find full-length, full-cast tales of mystery and adventure to fire your imagination”. Their two main recurring features are The Red Panda and Black Jack Justice, but every summer they have different features that aren’t in those two main series.
Archive | Editorial
This is a copy of the newsletter sent out to users of The (Submission) Grinder who have opted in for the newsletter as of Monday, November 10, 2013. We have included it here to let people who might be interested in hearing about the upcoming newsletter feature, but who are not users or who have not opted in.
We’ve posted here from time to time to point out useful writing websites and tools, but it occurs to me that I have never posted about Codex, which I’ve found to be extremely enjoyable and useful in a variety of ways.
So what is Codex? It is a website which serves as a resource and gathering place for neo-pro speculative fiction writers. The primary draw of the site is the forum.
I had never heard of the musician who calls himself Amadeus X. Machina until I went to WorldCon in Chicago last year and stumbled across one of his performances. He is a musician of the most eccentric variety, eschewing the commonplace for his own forms of expression. He laughs at the traditional definitions of “audience” or “distribution”. If you so much as mention iTunes, he will slap you so hard your teeth will rattle (I learned this the hard way). He has an avid fanbase of people who devote large portions of their lives to figuring out where he will play next, and largely failing to do so. I have yet to speak to anyone who has seen him play twice, and the first time always seems to be a random coincidence, though he seems to always appear at times of need.
I’ve spent the last several months reviewing award nominees. I decided to take it one step further and post the final decisions that I plan to post to my Hugo ballot with explanations (where I deem them necessary) about why I voted the way I did. I encourage anyone reading this to post discussion in the comments about how they voted, why I am wrong in my choices, etc.
What makes this more interesting is that the Hugo Awards use an instant runoff voting system. You rank your changes from 1-x, and can also set a number to the “No Award” category. You can find all the nitty gritty details at the Hugo Page explaining votes. I like the system a lot, much more than just a simple single-cast vote, because if your primary vote is for the least popular story, your other preferences still count for something.
Now I have only a few months before the renewal comes up, and the rates have gone up to $90. I am a pragmatic person and I don’t intend to pay that kind of money without considering the cost-benefit tradeoff. So, I’m trying to decide if it’s worth the money to renew my membership or whether I should just let it lapse. So I’m going to list out what I’ve seen as the benefits, to decide whether or not those are worth $90 to sign up again.
Almost three weeks have passed since Anthony Sullivan and I launched The Submissions Grinder, a web-based tool for writers to find markets, track submissions, and look at market response statistics. At the time of launch the site was very simple, with a limited set of features, and yes some stability issues. We succeeded in getting that first working version running just one week after Duotrope going behind the subscription wall, and we are still the only free tool of this kind available.
I’m a bit of an odd duck in my reading habits, in that I ready only a small niche of the types of stuff out there, but I read that very deeply. Almost all of my fiction intake comes from fiction podcasts, which are all Short Story categories, but are often reprints from previous years which are not eligible. I do read novels, but have not read any written in 2012 yet, because I am a slow read and because I re-read the entire Wheel of Time series that pretty much took all year, in preparation for the 2013 release of the final book.
The SF award nomination season is here. The Nebulas (the writer-voted award) have been open for a while and close in February. The Hugos (the fan-voted award) opened on January first. Both sets cover works published in the 2012 calendar year. About this time of year, every writer and their dog posts a list of their eligible works.
This is the story of my first dog. This is the story of the first dog that Heather was really responsible for. This is the story of Aria the papillon. She had the name Aria when we got her–we thought of renaming her Oreo but it didn’t stick. Over the years we had many nicknames for her–Ariana, Missy Lu, Missy Moo, Lu Lu Bell, many others.